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This is not a poem.
This is my dedication to a man who touched my soul and gave me the gift of the most valuable knowlege I have ever gained in school.
I do not know how to explain Mr. Fowler in a paragraph and I feel as though any representation of him in just one small paragraph would be inadequate.  However I will do my best to share with you how he impacted my life my ninth grade year.  Ninth grade is a major transition year for everyone.  New people, new school, and still a little bit of that middle school juvenescence.  I was no exception to such awkwardness (as much as I'd like to believe I was) and Mr. Fowler inspired me even on the first day.  He had a passion for biology and even more than that he had a passion for dispensing his knowledge (as well as his own meandering thoughts) to his students.  He expressed his love for his work to us often; mostly just sprinkling it over his enthusiasm for a lab or whatever we were doing that day.  I may not have had an ideally left-brain thought process as you would wish for an honor biology student and yes I did struggle but Mr. Fowler would not have ever left me behind.  However he did not only touch my life academically.  For three weeks at the beginning of my second semester in high school I was absent due to depression, cutting, and bulimia.  My mind was at war with me and I told my parents I needed help.  They checked me into a rehabilitation center for the next three weeks. While out of school North Springs was not easy to get in touch with. In fact they didn't even answer my mothers calls to get my work until I was finishing the program and coming into school the next day.  Due to my school's lack of organization and incompetence I was three weeks behind and kept falling further and further.  I was supposed to be put on a plan by my school to make my recovery less stressful and to help me catch up.  That did not happen either.  My school didn't even count my absences excused despite the hospital notes… Two months passed and I was even more behind and growing more fearful that I would have to repeat second semester until I went to Coach Cushman and Mr. Fowler.  Mr. Fowler offered me support and I will never ever forget how kind he was too me.  He told me we all have health problems but that doesn't mean we can't move forward it just takes a little confidence and work.  He let me come talk to me whenever and gave me passes to stay after class.  He has a beautiful mind and a caring heart, and although it was severely hard for me to reach the level of understanding of the material that I had missed not only in biology but in every other subject I passed.  I cannot express my gratitude towards him for I may not be a tenth grader this year without his help and patience.  My condolences go to his family as well as the family he has with the North Springs staff.  I would also like to say that though Mr. Fowler may not be with us in a physical realm he is still here with us in spirit and one of the many lessons I believe should be taken away from his time with us is that you should love your work.  If you do not live for what you do, you are simply doing the wrong thing.
Nigel Morgan Mar 2013
January Colours

In the winter garden
of the Villa del Parma
by the artist’s studio
green
grass turns vert de terre
and the stone walls
a wet mouse’s back
grounding neutral – but calm,
soothing like calamine
in today’s mizzle,
a permanent dimpsey,
fine drenching drizzle,
almost invisible, yet
saturating skylights
with evidence of rain.

February Colours

In the kitchen’s borrowed light,
dear Grace makes bread  
on the mahogany table,
her palma gray dress
bringing the outside in.

Whilst next door, inside
Vanessa’s garden room
the French windows
firmly shut out this
season’s bitter weather.

There, in the stone jar
beside her desk,
branches of heather;
Erica for winter’s retreat,
Calluna for spring’s expectation.

Tea awaits in Duncan’s domain.
Set amongst the books and murals,
Spode’s best bone china  
turning a porcelain pink
as the hearth’s fire burns bright..

Today
in this house
a very Bloomsbury tone,
a truly Charleston Gray.

March Colours

Not quite daffodil
Not yet spring
Lancaster Yellow
Was Nancy’s shade

For the drawing room
Walls of Kelmarsh Hall
And its high plastered ceiling
Of blue ground blue.

Playing cat’s paw
Like the monkey she was
Two drab husbands paid
For the gardens she made,
For haphazard luxuriance.

Society decorator, partner
In paper and paint,
She’d walk the grounds
Of her Palladian gem
Conjuring for the catalogue
Such ingenious labels:

Brassica and Cooking Apple
Green
to be seen
In gardens and orchards
Grown to be greens.

April Colours

It would be churlish
to expect, a folly to believe,
that green leaves would  
cover the trees just yet.

But blossom will:
clusters of flowers,
Damson white,
Cherry red,
Middleton pink,

And at the fields’ edge
Primroses dayroom yellow,
a convalescent colour
healing the hedgerows
of winter’s afflictions.

Clouds storm Salisbury Plain,
and as a skimming stone
on water, touch, rise, touch
and fall behind horizon’s rim.
Where it goes - no one knows.

Far (far) from the Madding Crowd
Hardy’s concordant cove at Lulworth
blue
by the cold sea, clear in the crystal air,
still taut with spring.

May Colours

A spring day
In Suffield Green,
The sky is cook’s blue,
The clouds pointing white.

In this village near Norwich
Lives Marcel Manouna
Thawbed and babouched
With lemurs and llamas,
Leopards and duck,
And more . . .

This small menagerie
Is Marcel’s only luxury
A curious curiosity
In a Norfolk village
Near to Norwich.

So, on this
Blossoming
Spring day
Marcel’s blue grey
Parrot James
Perched on a gate
Squawks the refrain

Sumer is icumen in
Lhude sing cuccu!
Groweþ sed and bloweþ med
And springþ þe wde nu,
Sing cuccu!

June

Thrownware
earth red
thrown off the ****
the Japanese way.
Inside hand does the work,
keeps it alive.
Outside hand holds the clay
and critically tweaks.
Touch, press, hold, release
Scooting, patting, spin!
Centering: the act
precedes all others
on the potter’s wheel.
Centering: the day
the sun climbs highest
in our hemisphere.
And then affix the glaze
in colours of summer:
Stone blue
Cabbage white
Print-room yellow
Saxon green
Rectory red

And fire!

July Colours

I see you
by the dix blue
asters in the Grey Walk
via the Pear Pond,
a circuit of surprises
past the Witches House,
the Radicchio View,
to the beautifully manicured
Orangery lawns, then the
East and West Rills of
Gertrude’s Great Plat.

And under that pea green hat
you wear, my mistress dear,
though your face may be April
there’s July in your eyes of such grace.

I see you wander at will
down the cinder rose path
‘neath the drawing-room blue sky.

August Colours

Out on the wet sand
Mark and Sarah
take their morning stroll.
He, barefoot in a blazer,
She, linen-light in a wide-brimmed straw,
Together they survey
their (very) elegant home,
Colonial British,
Classic traditional,
a retreat in Olive County, Florida:
white sandy beaches,
playful porpoises,
gentle manatees.

It’s an everfine August day
humid and hot
in the hurricane season.
But later they’ll picnic on
Brinjal Baigan Bharta
in the Chinese Blue sea-view
dining room fashioned
by doyen designer
Leta Austin Foster
who ‘loves to bring the ocean inside.
I adore the colour blue,’ she says,
‘though gray is my favourite.’

September

A perfect day
at the Castle of Mey
beckons.
Watching the rising sun
disperse the morning mists,
the Duchess sits
by the window
in the Breakfast Room.
Green
leaves have yet to give way
to autumn colours but the air
is seasonably cool, September fresh.

William is fishing the Warriner’s Pool,
curling casts with a Highlander fly.
She waits; dressed in Power Blue
silk, Citron tights,
a shawl of India Yellow
draped over her shoulders.
But there he is, crossing the home beat,
Lucy, her pale hound at his heels,
a dead salmon in his bag.

October Colours

At Berrington
blue
, clear skies,
chill mornings
before the first frosts
and the apples ripe for picking
(place a cupped hand under the fruit
and gently ‘clunch’).

Henry Holland’s hall -
just ‘the perfect place to live’.
From the Picture Gallery
red
olent in portraits
and naval scenes,
the view looks beyond
Capability’s parkland
to Brecon’s Beacons.

At the fourteen-acre pool
trees, cane and reed
mirror in the still water
where Common Kingfishers,
blue green with fowler pink feet
vie with Grey Herons,
funereal grey,
to ruffle this autumn scene.

November Colours

In pigeon light
this damp day
settles itself
into lamp-room grey.

The trees intone
farewell farewell:
An autumnal valedictory
to reluctant leaves.

Yet a few remain
bold coloured

Porphry Pink
Fox Red
Fowler
Sudbury Yellow


hanging by a thread
they turn in the stillest air.

Then fall
Then fall

December Colours*

Green smoke* from damp leaves
float from gardens’ bonfires,
rise in the silver Blackened sky.

Close by the tall railings,
fast to lichened walls
we walk cold winter streets

to the warm world of home, where
shadows thrown by the parlour fire
dance on the wainscot, flicker from the hearth.

Hanging from our welcome door
see how incarnadine the berries are
on this hollyed wreath of polished leaves.
CK Baker Jan 2017
Under the old house
cast in conglomerate mix
the cataract window
and cracked sill
broken joists
and cross beams
wringer wash
and saddle set

A draw string light
brings life
to the corner bench
fowler toads
and fingerlings
jitter bugs
and dazzy vance
dirt planks filled
with mason
crown classics

Buggy whip
and whippletree
shelved on the
chopboard
tackle and mucks
stacked at the back
horseshoe and jack rod
bend the pike pole
a sawhorse placed
for the Martindale push

Gallon jars
and growlers
prepped
for the taking
ropes and reins
for transport
and fest
goggle eye
jumps the flyer
setting up nicely
for the
Haldimand town fair
Raj Arumugam Jun 2013
(1)
There’s one thing I must get off my chest
that’s bothered me now
even 50 years on
with the passage of time –
my English teacher then
she always told me when I grumbled
homework was too difficult,
she’d tell me: “That’s a piece of cake”
And I’d go home discombobulated how
anyone could eat paper
or homework
and she said this not once, but every time:
“It’s a piece of cake”


(2)
And my parents and I looked at it
every which way and from every point of view
and concluded in our Perfect Ancient Native language:
“This English teacher is a loony. She is wooly-headed.
She is the lamb Mary lost, silly and muddle-headed.
How can homework be a piece of cake?
Anyway, we don’t eat cake – we eat samosas.”


(3)
And yet the English teacher would put her nose
up in the air
and remonstrate: “It’s a piece of cake!”

Oh yeah, would you like tea with it?

Now, my parents, bless their Ancient Souls,
have gone on into the next world
And I’m left wondering about the secret madness
of that English teacher
who’d ask me to eat cake when I expressed genuine concern…

Well, my parents have passed on, as I said,
and I’ve moved on
as is plain and radiant to see
to master idioms and vocabulary
Punctuation, the catenative verb and Usage;
and, as for that wooly-headed English teacher,
I’m sure she’s moved on into
a comfortable nuthouse
where the staff makes her eat her cake,
and make her think she can have it too -
cos that’s what they do to nuts, and such instances

(4)
And now that I have got that off my chest,
I can comfortably resume memorizing
Volume 3 of theOxford Dictionary
as  I perambulate
and copy 100 entries from Fowler’s “Modern English Usage”
as I victulate
which is all part of my nightly ritual
since she told me to do so some 50 years ago
(cos I happened to look at her Union Jack knickers
when she sat high on the table, and I stood up *****
cos that's what they made us do in the cinemas)
- and that helps to put me into a state of dormancy, to hibernate
till the sun ushers in a new day for me  –
and a new cake for that wooly-headed English teacher,
she, I can presume with certainty,
elegantly reposed and superannuated


Now, I’m glad I’ve got this off my chest
and mastered my idioms and phrases
and I can go eat my samosas
- don't you think the teacher was mad? -  and by George! -  I'm as sane as King George 3...?
emmaline Apr 2016
Kurt Queller uses narrative criticism to analyze Mark 3:1-6, the healing miracle story in the gospel of Mark.  Queller’s narrative criticism includes “echoes of the Exodus liberation narrative” , echoes of Deuteronomy’s covenant language and Sabbatical provisions , intratextual echoes in Mark , and independent echoes in the other synoptic gospels.  Queller uses these echoes to fill in the gaps he finds in the story of Jesus healing the man with the withered hand on the Sabbath.
In the beginning of his criticism, Queller lists the gaps in Mark 3:1-6’s narrative that he seeks to fill: the meaning of the withered hand, Jesus’ reason for healing on the Sabbath, His reason for considering the withered hand life-threatening, why it is a choice between good and evil, et cetera.  He begins filling these gaps by referencing intertextual echoes of Mark 3:1-6 in Exodus.  Jesus’ command to the man with the withered hand in Mark 3:5, “Stretch out your hand,” is echoed in Exodus 14:16 where God commands Moses, “stretch out your hand.” When the man with the withered hand stretches out his hand, his hand is restored. Likewise, when Moses stretches out his hand, the Reed Sea parts, resulting in the restoration of the Israelites’ freedom.
Queller’s reference to this echo in Exodus, paired with other echoes he mentions in Deuteronomy, helped me begin to understand Jesus’ insistence on healing the withered hand. Queller was able to use the echoes to fill in the gaps I previously could not fill. In Deuteronomy 15, God’s covenant requires liberal lending and debt forgiveness to the poor on the Sabbath year. God reminds the Israelites that He delivered them from Egypt in verse 15, and He claims that this is the reason for His liberal Sabbatical law. Thus, this Deuteronomic prescription for Sabbath observance is a continuation of the Exodus liberation narrative. Queller mentions these echoes in Exodus and Deuteronomy to draw a larger narrative framework for understanding Mark’s controversial healing story.
In my initial reading, I recognized that a withered hand is not necessarily a matter of life and death. Like Queller, this was a gap that I initially set out to fill. However, I was unable to fill this gap in a way that completely satisfied my confusion on the matter. Queller’s larger narrative framework for this passage led me to a better understanding of why Jesus considered the withered hand worthy to heal on the Sabbath.
According to Queller’s filling of the gaps, the withered hand is an affliction that can be compared to the Israelites’ enslavement in Egypt. The withered hand also embodies the economic predicament of the poor, who remain enslaved to their debt to the rich.  Such enslavement could be a death sentence, which is why the Sabbath requires the liberation of slaves and debt forgiveness of the poor. It seems plausible to me that a withered hand could cause a man to be enslaved and/or perpetually poor. This line of reasoning, provided by Queller’s larger narrative framework, allowed me to truly see how the Sabbath could require Jesus’ healing of the withered hand.
Another gap Queller and I similarly set out to fill is the question of what constitutes as doing good and what constitutes as doing evil on the Sabbath. This gap also arises from Mark 3:4, in which Jesus asks, “Which is lawful on the Sabbath: to do good or to do evil, to save life or to ****?” (Mark 3:4 NIV). In his analysis of this particular part of this particular verse, Queller points out a small important detail that I originally missed. Mark 3:4 does not set the frame for a passive, inner choice between good and evil.  The literal wording says, “to do good or to do evil.” The choice between good and evil on the Sabbath thereby requires action.
While recognizing that required action is problematic for the restful nature of the Sabbath, Queller supports his assertion by referencing Deuteronomy 30. Deuteronomy 30’s prescription for obedience of the Sabbath repeats the active command, “do it.”  Queller illustrates the parallelism between Mark and Deuteronomy by placing Deuteronomy 30:14 and Mark 3:4-5 in a figure side-by-side.  Deuteronomy 30:14 says, “The word is very near to you, in your mouth, and in your heart, and in your hands, to do it.” With this commandment as the framework, Mark 3:4-5 spells out the Pharisees’ failure to do good; It says, “But they were silent . . . grieved at their hardness of heart, he said to the man: ‘Stretch out your hand.’ And he stretched it out.”
From this, Queller concludes, “The ‘word’ to be done is already ‘in [their] mouth’ – but they refuse to say anything in response; it is ‘in [their] heart’ – but their heart is hardened against it. It is ‘in [their] hands, to do it’ – but as Jesus turns again to address the man, our attention is directed back to an inert hand, that, in its current withered state, seems unlikely to do anything.”  From this I am now able to conclude that which constitutes as doing “good” on the Sabbath is acting on the word. The word is completely accessible to us, and we must use our mouths, hearts, and hands to act upon it.
This gap of good and evil action that Queller helps fill also provides further evidence for the necessity of Jesus’ healing of the withered hand. Since the hands are required to carry out good action in obedience of the covenant, the withered hand is an affliction that can breach said covenant. Queller asserts that the withered hand symbolizes “the tangible embodiment of [the Pharisees] unwillingness, despite the ‘nearness’ of the word, to do it.”  Jesus, by necessity, must heal this affliction to show the Pharisees how to act according to the law of the Sabbath; “The stretching out of the hand then becomes a ‘witness against’ those who have chosen to forgo or even prohibit action because of exclusively sacral concerns.”  Without the preceding narrative frame of Deuteronomy, such significance of the withered hand for the Sabbath covenant was impossible for me to comprehend.
Though Queller is certainly helpful in providing evidence that enables understanding of the withered hand’s significance, there are parts of his criticism that I find contradictory and unhelpful. This occurs when he references echoes in Exodus and Deuteronomy to provide a framework for understanding the Pharisees’ silence in Mark 3:4 and hardness of hearts in Mark 3:5. He first relates the Pharisees’ hardened heart in response to Jesus’ plea in Mark to the Pharaoh’s hardened heart in response to Moses’ numerous pleas in Exodus. In my concordance work, I also made this connection. However, Queller and I differ in the conclusions we draw from this observation.
Queller draws from Deuteronomy to provide framework in conjunction with Exodus for understanding Mark’s interpretation of the Sabbatical law. He references Deuteronomy 29:19, which warns against thinking one can receive the blessings of the covenant while breaching it in the inner wanderings of the heart. This passive infidelity of the covenant brings God’s curse to the innocent as well as the guilty. Queller uses this context to explain why his literal translation says Jesus “co-aggrieved”  with the Pharisees because of their silence and hard hearts. The Pharisees’ passive, inner breach of the covenant invoked God’s curse on them, as well as the innocent Jesus, according to Queller.  
When I analyzed Jesus’ reaction to the hard hearts of the Pharisees in comparison to God’s reaction to that of the Pharaoh, I realized that the same Greek word was used to describe Jesus’ anger and God’s wrath. However, the consequences of Jesus’ anger and God’s wrath do not relate as clearly as Queller would lead one to believe. As a result of the Pharaoh’s hard heart, God’s wrath leads to the Pharaoh’s ultimate demise. Jesus’ resulting anger from the Pharisees’ hard hearts, on the other hand, catalyzes his decision to heal the withered hand. This action ultimately leads to Jesus’ destruction alone. Jesus, the innocent character, does not fall to the mutual destruction of the Pharisees, per Queller’s argument. I see no destruction of the Pharisees at all. Instead, Jesus restores God’s blessing of the guilty by becoming the recipient of God’s wrath in their place.
This conclusion, though differing from Queller, is consistent with his interpretation of the withered hand. Queller writes, “The withered hand embodies covenant curses invoked against those refusing to ‘open [their] hands’ in liberal lending, instead killing the poor by freezing credit in view of an impending sabbatical debt amnesty” . If the withered hand embodies God’s curse against the Pharisees, then Jesus revokes this curse when he cures the withered hand. Furthermore, the larger narrative framework of Mark’s gospel echoes this conclusion. Jesus’ crucifixion ultimately pays the debt of sinners and liberates them from God’s wrath.
Kurt Queller’s narrative criticism uses intertextuality, a narrative tool that “evokes resonances of the earlier text beyond those explicitly cited”  and “requires the reader to recover unstated or suppressed correspondences between the two texts.”  Such intertextual echoes he references from Deuteronomy and Exodus provide a larger background for interpreting Mark’s healing controversy. This granted me the ability to fill many gaps in the narrative that I was unable to fill prior to reading Queller’s criticism. In a footnote, he explains that his “metalepsis” uses such intertextual echoes for analysis, and, “In narrative, the resultant new figuration operates at what Robert M. Fowler calls the ‘discourse level.’ Metaleptic signification is thus transacted between an implied narrator and an implied audience – as it were, behind the backs of the narrative’s ‘story-level’ participants.”
The intertextual and metaleptic tools that Queller uses for his narrative criticism have proven to be very insightful and helpful for my understanding Mark 3:1-6 in an entirely new way. Even as I disagree with Queller on certain parts of his argument, these points of disagreement pushed me to deepen my own individual reading of the text. In comparing my argument to Queller’s, I realized just how far my initial interpretation was able to go. This narrative criticism answered a lot of my questions and filled many gaps. However, most of my conclusions about the implications and ultimate consequences of the text remain unshaken.  
Bibliography
Queller, Kurt. “Stretch Out Your Hand!” Echo and Metalepsis in Mark’s Sabbath Healing Controversy. Journal of Biblical Literature 129, no. 4 (2010): 737-58.
This is a narrative criticism in conversation with Kurt Queller's criticism. The in-text footnotes didn't transfer to this website but all quotes are referencing his work, which is cited at the end.
Whither, midst falling dew,
While glow the heavens with the last steps of day,
Far, through their rosy depths, dost thou pursue
    Thy solitary way?

    Vainly the fowler's eye
Might mark thy distant flight to do thee wrong,
As, darkly seen against the crimson sky,
    Thy figure floats along.

    Seek'st thou the plashy brink
Of weedy lake, or marge of river wide,
Or where the rocking billows rise and sink
    On the chafed ocean-side?

    There is a Power whose care
Teaches thy way along that pathless coast--
The desert and illimitable air--
    Lone wandering, but not lost.

    All day thy wings have fanned,
At that far height, the cold, thin atmosphere,
Yet stoop not, weary, to the welcome land,
    Though the dark night is near.

    And soon that toil shall end;
Soon shalt thou find a summer home, and rest,
And scream among thy fellows; reeds shall bend,
    Soon, o'er thy sheltered nest.

    Thou 'rt gone, the abyss of heaven
Hath swallowed up thy form; yet, on my heart
Deeply hath sunk the lesson thou hast given,
    And shall not soon depart.

    He who, from zone to zone,
Guides through the boundless sky thy certain flight,
In the long way that I must tread alone,
    Will lead my steps aright.
Marian Jun 2013
He that dwelleth in the
secret place of the most High
shall abide under the shadow
of the Almighty.
2 I will say of the Lord, He is
my refuge and my fortress: my
God; in him will I trust.
3 Surely he shall deliver thee
from the snare of the fowler, and
from the noisome pestilence.
4 He shall cover thee with his
feathers, and under his wings
shalt thou trust: his truth shall be
thy
shield and buckler.
5 Thou shalt not be afraid for
the terror by night; nor for the
arrow that flieth by day;
6 Nor for the pestilence that
walketh in darkness; nor for
the destruction that wasteth at
noonday.
7 A thousand shall fall at thy
side, and ten thousand at thy right
hand; but it shall not come nigh
thee.
8 Only with thine eyes shalt
thou behold and see the reward of
the wicked.
9 Because thou hast made the
Lord, which is my refuge even
the most High, thy habitation;
10 There shall no evil befall
thee, neither shall any plague
come nigh thy dwelling.
11 For he shall give his angels
charge over thee, to keep thee in
all thy ways.
12 They shall bear thee up in
their hands, lest thou dash thy
foot against a stone.
13 Thou shalt tread upon the
lion and adder: the young lion
and the dragon shalt thou
trample under feet.
14 Because he hath set his love
upon me, therefore will I deliver
him; I will set him on high,
because he hath known my name.
15 He shall call upon me, and I
will answer him: I will be with
him in trouble; I will deliver him,
and honour him.
16 With long life will I satisfy
him, and shew him my salvation.
The Story Of The  Littlest Angel


As Christmas Day draws near
I get lost in memories,
of colored lights, mistletoe
and loved ones by the tree.
Of all the priceless moments
I fondly do recall,
a story that was read to me I
cherish most of all.
The Littlest Angel was the title,
and through the magic of every line,
I learned the value of life on earth
that a gift from the heart was truly Devine.
Even though a lifetime has passed
the angel who read me this treasure,
dances in my heart this Christmas
and always will forever.

In Memory Of
My Auntie
Marion L Fowler Rose

Written By Kathy J Parenteau
Copyright © November 30, 2013
Although thy hand and faith, and good works too,
Have sealed thy love which nothing should undo,
Yea though thou fall back, that apostasy
Confirm thy love; yet much, much I fear thee.
Women are like the Arts, forced unto to none,
Open to all searchers, unprized if unknown.
If I have caught a bird, and let him fly,
Another fowler using these means, as I,
May catch the same bird; and, as these things be,
Women are made for men, not him, nor me.
Foxes and goats, all beasts, change when they please,
Shall women, more hot, wily, wild than these,
Be bound to one man, and did Nature then
Idly make tham apter t’ endure than men?
They’re our clogs, not their own; if a man be
Chained to a galley, yet the galley’s free;
Who hath a plough-land casts all his seedcorn there,
And yet allows his ground more corn should bear;
Though Danuby into the sea must flow,
The sea receives the Rhine, Volga, and Po.
By Nature, which gave it, this liberty
Thou lov’st, but Oh! canst thou love it and me?
Likeness glues love: and if that thou so do,
To make us like and love, must I change too?
More than thy hate, I hate’t; rather let me
Allow her change than change as oft as she,
And so not teach, but force my opinion
To love not any one, nor every one.
To live in one land is captivity,
To run all countries, a wild roguery;
Waters stink soon if in one place they bide,
And in the vast sea are more purified:
But when they kiss one bank, and leaving this
Never look back, but the next bank do kiss,
Then are they purest. Change is the nursery
Of music, joy, life, and eternity.
Nigel Morgan Nov 2012
In pigeon light
this damp day
settles itself
into lamp-room grey.
 
The trees intone
farewell farewell:
An autumnal valedictory
to reluctant leaves.
 
Yet a few remain
bold coloured
 
Porphry Pink
Fox Red
Fowler
Sudbury Yellow

 
hanging by a thread
they turn in the stillest air.
 
Then fall
Then fall
This short part-song takes the very distinctive titles found in the Farrow & Ball Colour Chart as an element of its poetic vocabulary. In the natural world November is a season of the subtlest colouring; as we say a final farewell to the often bold tints of autumn. This is the first of Twelve Colours of the Year for 4 part choir.
I'll See You In My Dreams

I wished upon a star
first one I saw shine bright,
I also said a prayer
I'd see you in my dreams
tonight.
Since you went to heaven
my life's not been the same,
memories of years passed by
in my heart will ever remain.
When I look into the mirror
I'm starring back at you,
proud of who I am
and everything I do.
I'm a reflection of your soul
the legacy you left behind,
to show the world how to love
and stop to take the time.
The way you always did when you
went the extra mile,
I miss you Mom so much, I hope
you're proud and I've made you smile.
I'll see you in my dreams until
God says it is my time.
please know you're always with me
in my heart and in my mind.

In Memory Of Shirley A Fowler


Written By Kathy J Parenteau
Copyright © Jan 2014
All Rights Reserved
Judy Ponceby Oct 2010
Sitting down by the pond the other evening,
Taking in the sunset and listening to how nature puts her children to bed,
I happened to notice my amphibian friends.

Now, I love sounds, loud ones, soft ones, booming, and whispers.  
Got a right fetish for listening to nature.

As I sat there entranced, my ears started picking out different frog calls.  
You know, them boy frogs trying to sound all handsome and friendly to get a wink from their girlfriends.  
And not just the frogs either, ya know, there's some toads out there too.

I was hearing big ole Bullfrogs, boomin' louder than a drum in a parade.
Tiny spring peepers, with their loud high pitched sharp peeps.

There was Fowler's Toads out there too, sounding like ole Henry stuck a knife in his wife's chest, and she screamed for her life.

Them there grey tree frogs, well they are somethin'.  
Chatterin' like a monkey missin' his bananas.

And don't get me started on those green frogs, boy howdy, they can twang with the best of em.  
Right funny if you don't mind me saying.

But, that trilling those American toads do, out shining those short trillin' Western Chorus frogs evra time, is somethin' else.  
Why they can hold a note pert near a full three minutes.

Never can tell how rich wild life is around ya til ya sit a spell and take a listen.  
You may not see 'em out there, but shore nuf, life's a going on.
Mateuš Conrad Apr 2016
indeed, i finished the night off with a wolf's operatic ah woo! at the yellow lunar scythe.

i never understand why people, with such fascinating lives,  |
pre posthumous auto-biographic
with so much Don Juan  excitement would surrender to
being cocooned by bookworms,
the silence of libraries...
just last night i had the most lucid
and the most entangled experience
within the world of the living,
i so desperately want to write about...
but i can't...  i can't!
i want to, but i'll flush all the emotions
that went into experiencing the night
away and feel vane, which is hardly
apathetic, syndrome of atheism
a fake, a- (without) pathos (some sort
of pathology) -
**** it, the highlights, two mates out for a
drink, end up in the company of
a half-mandarin half swede (suede eh eh,
nudge nudge, buckle two stops of a torero
winky wink - nudge nudge of the elbow
only fools & horses banter);
graffiti on a book i carried:
dr. john marchent, LSBU,
london south bank university,
the science of chocolate*...
the scribbler? her name be... what
a ******* zigzag, got her surname
but her name i had to rewrite:
rhiannala                            fowler...
yes, the H is silent, it always is in english
unless it be a haystack of hyphens...
there were many more details regarding
last night, i could write them,
but when i once saw a girl getting spat on
by her "boyfriend"
and the way i spat kisses all over a girl's face
i think it's too painful to make details of...
a sly impromptu in polish with
a guy who was smoking hashish...
12 years over here... i don't know why i
kept associating his name with ******;
a fine Friday event in bohemian east-end
London... that's all, and yes, i seriously wish
i could do a detailed Proustian outline...
eating a ******* macaroon to delve into
the gaping hole of memory making 20 years
seem like 20 minutes...
of course i'll curse, pornographic over saturation...
obscenity trials my ***...
             i'm so ****** tempted to recount you
the night... the drinking Bacchus **** and laughter...
die sonne satan and what not mentioned...
           runes ironic third ***** ******* for good luck
    tilting to antagonise a clear upstart failure...
feminism and advertising,
                   comic book strips and something about
keeping a brand with an ethic worthy of anorexia
and gluttonous upheavals as the end...
               'and yes, i decided to become an Elvis Costello
    song because i thought my life was boring enough
worthy of a manuscript...
            if i had the life of a Don Juan, i wouldn't have
   bothered... me in a cocoon? n'ah,
me in a coconut sounds better...
          or as i wrote in my high-school memorandum:
  to live a bohemian life in one of the EU's capitals...'
and that's prior to the 2004 expansion,
even though i was sceptic - and to finish:
west end you get cosmopolitan culture -
east end you get bohemian culture -
               or as a quasi Mr. Portillo noted -
toff toff truffles too! yep, some ******* labour
coal miner descendent fanatic bemused out-loud
on our way for the night bus 86 -
where i was hit by an existential conundrum
about having this ethnicity bred
and this psychology acquired:
'i spoke to them native and they're thinking
i spoke Hungarian or Czech or Yugoslav! ha ha'
the two children were a wormhole into the past for me...
but for the love of god
you can't find steve wynn & the miracle 3's song cindy
on the internet... i have the album, but the compact
is scratched... and encode a scratched compact
into an mp4 format and your iPod is kung fu ******.            |

|represent a neurosis of a perfect width...
|should the middle ground be peppered
|with shorter stances,
|the first few lines have to match-up
|to the elongating caterpillars of the end -
|a kinda hug / embrace.
The Locket

I have a special locket that rest above my heart,
it holds your beautiful pictures while we must be apart.
It's my hope that you're still with me no matter come what may,
so I know that I can talk to you every single day.
When I walk into a storm you're watching over there,
guiding me to sunny skies with tender loving care.
I'll never have to be alone you're always next to me,
you show me love in different ways the eyes could never see.
Your spirit fills my soul with love beyond any explanation,
with pride I'll wear it every day in total admiration.
Of the woman who changed my life and patiently awaits,
arms wide open to welcome me when I reach heavens gates.
It's never really good bye if in your heart you do believe,
a mothers love is endless, and never ever leaves.

Written By Kathy J Parenteau
Copy Written and published through
Family Friends Poetry


            
                        In memory of Shirley A Fowler
For all who have lost a mother my heart goes out to you. My mom passed away from cancer Sept 2,2012. I wonder if my heart will ever stop breaking. Her pictures are in my locket and I wear it every day. She was a wonderful mother and I miss her more than words can say. I know she is with the Lord now and not suffering anymore and someday when God calls me home I will see her again. God bless
CK Baker Aug 2021
Some days we'd lay about the milled plank deck
eyes to the sky
shoulders pinned
deliberating
on the hickory trees
and pillow clouds
and heavenly contrails

the warm caress  
of a mid-summer wind
whispering through the hayfields
coondog at our side
sandhill crane still
feet in the shallows
of the Haldimand pond

a soft trickle coming
from the Pickerel stream
creaks from the woodshed whistle
as the Massey Ferguson
putters her way
up the county line

catharsis in place
(in this ethereal space)
just a garden variety day
...with fire ants
and fowler toads
and golden honey bees
Lawrence Hall Jul 2021
Lawrence Hall
Mhall46184@aol.com  
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

                               To Always be Splitting Infinitives

                              Those who neither know nor care
                        [about split infinitives]…are a happy folk…

                          -Fowler’s Modern English Usage, 1926

I seem to always be
Splitting infinitives
And between you and me
These are definitives
Or should that be spitting infinitives?
For those whom live Psalms91 Life's here on the earth everyday.
God opens your eyes to the senseless killings of the innocence.
My heart breaks for those that are killed needlessly by evil one.
For I watch true life stories of evil people whom are being lead.
By the demons themselves killing needlessly those without cause.
But Christ is leading many as well, protecting them from them.
He that dwells in the secret place of the most High, shall abide Psalms 91;1-3
Under the shadow of the most Mighty.
I shall say of the Lord he is my refuge and my fortress.
my God in him shall I trust.
Surely he shall deliver thee from the snare of the fowler
as well as the noisome pestilence
For these lines spoke my life thus far here on the planet earth.
For I have faced death many of times yet still I am here my friend.
Look back on your life and you shall probably see the very same thing.
I am Blessed because I am always protected from death thus far.
“Writing is easy. All you need to do is stare at a blank sheet of paper until the drops of blood form on your forehead.”
—Gene Fowler*

It’s fun to look at the poet struggling, like at this
moment: he stares at the blank paper,

ready to do his performance, when in all he doesn’t
have any wound anymore to let the blood

flow in. Or at least he doesn’t have any more
on his head. He stops. Looks around. Think
about the horizon, burning outside. How
the orange is slightly burning off the sky
to a violet ; an ocean where every star
glisten like salt. He doesn’t make sense
upon thinking this. So he looks again.

Took out the set of knives. Scatter them around.
Names them his past lovers and beloveds. Thinks
about tombstone. Or last two weeks when he
buried a stubborn photo album out of its
existence. Now

the light in the kitchen distracted him. The white
light at the end of the tunnel, he thinks. Believing
if death comes at his doorstep, is he in white
like the moon is supposed to or is he in robe
of black just so the neighbors won’t notice.

And he looks again. Thinks again. And then

he rested his dancing fingers, he apologizes
to them. How they don’t dance
to the beat of his heart anymore. He looks at
the blank page. How the cursor blinks simultaneously
with the beat of his hearts. He’d sooner question

his memory. There’s a pizza he left in the oven.
He went back to the kitchen, looks at the oven window,
sees how the cheese melt, the meat embedded
at the crust. And how the crust, slowly unfolding
itself to the pizza that it really is like
a blooming flower.

He looks at the blank page, again.

Tells himself, “this will be
my poetics.”
Like a dispirited spectator watch his  
favorite team, in a long losing streak;
He sits quietly, on
the cold wooden floor,  
  staring at the ceiling,  
with a belly full of shame,
guilt, and pain.   His mind is
running fast and furious, with
******* life questions. He is
on hells wheels, with no
destination, in sight.

  How do I go from here?
  The void of hopelessness.    
What went wrong?
Why, why, why me?
  A whirlwind of;
  Incurable disease,
  lack, dark secrets,
  death of a love one,
  rejection, unpaid bills,
  divorce, loneliness, ...  
  O' the night season, is long
  How I yearn for the crisp mornings;
  Peace, life, and wholeness    
Earthmaker, please bath my heart with
life and free my soul, from the snare
of the fowler.
It doesn't matter the magnitude of our pain and woes, we can recover from the fall. -M.G
Dance On Angel's Wings

Dance on the wings of an angel
in your heavenly kingdom above,
rejoice with those gone before thee
and bask in his infinite love.
In all your awesome splendor
remember not far away,
your memory is alive and well
in the hearts of us who wait.

Written By Kathy J Parenteau
Copyright © 1995

In memory of
Caleb Fowler Jr
1911-1995
C J Baxter Sep 2014
blood thin. her arm was at ease,
but cooked in her mind were beings like fleas.  
They only grew fowler, more putrid with the heat.  
she only grew weaker as you do in defeat.
well when you accept it anyway,
Ive known a thing or two about it
but she couldn’t hear me through curses she was shouting.
I guess that was the hardest thing:
My mind would keep guessing
as the fleas were surfacing.  

So thats why I put her at ease.
For her head was for bed,  so take her now please.
My own head is sweating, I need her still and to sleep.
So take her now please, before they burrow deep.
Big Love x
Joe Wilson Sep 2014
We were just a bunch of teenage boys
Who’d grown up playing with Dinky toys
Who now sat in this Master’s class
Exams upcoming we had to pass.

With Fowler’s Usage in his hand
He strode amongst our hapless band
And taught us all of composition
And how to use a preposition.

He always wore a teacher’s gown
That seemed to match his careworn frown
With his long chin we called him Drac
While flirting ink-bombs at his back.

His language classes were of renown
And in them none would play the clown
He made it ever seem such fun
Including always everyone.

He also taught us English Lit
The class that was my favourite bit
Though as most favoured Shakespearean pickings
My personal choice was always Dickens.

While Edward Lear wrote tales of Nonsense
Charles Dickens had a social conscience
Writing tales of deprivation
Still he entertained the nation.

Our Master taught me all of this
And lost in books I am in bliss
And I thank Tom Davis for it was he
Who opened my eyes and set me free.

©Joe Wilson – The Master 2014
He who dwells in the shelter
Of the Most High
Will rest in the Shadow
Of the Almighty.
I will say of the LORD, He is
My refuge and my fortress,
My God, in whom l trust"
Surely he will save you
From the fowler's snare
And from the deadly pestilence.
He will cover you with his features,
And under his wings
You will find refuge;
His faithfulness will be
Your shield and rampart.
You will not fear
The terror of night,
Nor the arrow that flies by day,
Nor the pestilences
That stalks in the darkness,
Nor the plague
That destroys at midday.
Adopted from book of Psalm 91 :1-6
You can visit your Bible and
Continued with this prayer

Love life and take care
Matt Jan 2015
1 Whoever dwells in the shelter of the Most High
    will rest in the shadow of the Almighty.[a]
2 I will say of the Lord, “He is my refuge and my fortress,
    my God, in whom I trust.”
3 Surely he will save you
    from the fowler’s snare
    and from the deadly pestilence.
4 He will cover you with his feathers,
    and under his wings you will find refuge;
    his faithfulness will be your shield and rampart.
5 You will not fear the terror of night,
    nor the arrow that flies by day,
6 nor the pestilence that stalks in the darkness,
    nor the plague that destroys at midday.
7 A thousand may fall at your side,
    ten thousand at your right hand,
    but it will not come near you.
8 You will only observe with your eyes
    and see the punishment of the wicked.
9 If you say, “The Lord is my refuge,”
    and you make the Most High your dwelling,
10 no harm will overtake you,
    no disaster will come near your tent.
11 For he will command his angels concerning you
    to guard you in all your ways;
12 they will lift you up in their hands,
    so that you will not strike your foot against a stone.
13 You will tread on the lion and the cobra;
    you will trample the great lion and the serpent.
14 “Because he[b] loves me,” says the Lord, “I will rescue him;
    I will protect him, for he acknowledges my name.
15 He will call on me, and I will answer him;
    I will be with him in trouble,
    I will deliver him and honor him.
16 With long life I will satisfy him
    and show him my salvation.”
Mateuš Conrad Aug 2018
.numbers, numbers, numbers, always with the ******* numbers, how many likes, how many flags, how many followers, etc. etc. - elsewhere, among the Mozart(s)... how many symphonies? how many operas? befriending, "unfriending"... numbers numbers, numbers, number that mean jack-took-a-****-into-his-well-polished-maarching-boots... for a parade of some sort, in synch.; numbers, numbers, numbers... the wrong opinion here, the wrong opinion there, yeah, "wrong" opinion... since time immemorial, beginning with Socrates, the art of dialectics has imploded, disappeared from the park bench... and entered the realm of sophistry, on a stage, with a prepaying audience of spectators...  point being?

who would even assume i'd be into the numbers
game, the ******* ****** of the number
of followers?
     i'm after the big apple,
   give me 5 or so years...
   and i'll end up with 10,000 "poems"
on this website...
          **** the follower number that
rarely blink at my on the screen -
   that sort of perception is static -
   there's no dynamism behind bragging
a number...
  pick a card... pick a number,
   any number...
              and i'll do the magic trick with
a blank space of pixel paper...
   i'll actually write something...
    since, evidently,
            what i do in the confines of
my creative membrane (creative -
i.e. starting from a scratch of two flint
stones, or sometimes absolutely nothing)...
is outside the juxtaposition of
what becomes a person,
     in actual interaction with a given:
a reciprocating entity of conversation -
all of this in excess commentary -
    like in the old days -
book clubs...
               talking...
    no comments -
    which is why i sometimes tune into
the euronews montage
of no comment...
                   no commentary, none,
zilch... nada...
                i am the sort of person that
simply can't stomach commentary -
   i own, how ever many books i own...
and i applied graffiti to one...
ezra pound's cantos -
                       ****... i went into a pub
with it, wanting to finish it on the way
back on the bus...
        started to these two girls,
asked one of them to write in it...
    dr john marchent,
   LSBV
             (london south bank university)
the science of chocolate
rhiannala fowler
-

    drunk girls handwriting -
i think her name was rhiannala -
   a rare name...

another ****** bites the dust -
    and since this doesn't soften my resolve
to plow along...
   i made a new friend, elsewhere...

i was wrong about Sweden producing
the best cider in the world...
totally wrong...
               but... where correction
is due, it's most certainly worth
the original mistake...

kopparberg & rekorderlig & älska...

all great ciders in terms of flavors,
but i've learned something,
having only met
    henry westons today...
   now... if you've ever drank
carlsberg export -
   which stands at a hefty 9%?
basically the standard carlsberg
with about 100ml of ***** poured
into it...
   if not more... cringe inducing,
worse than ******* on a lemon -
expression on the face after taking
a sip...
   extra strong beer? esp. bordering
****-juice wine?
      not a good idea...

kopparberg & rekorderlig & älska?
hover around the 5% mark...
but... because of this...
     the ciders are too sweet...
you can't take these ciders for a walk,
you start getting cocoon mouth,
the phlegm builds up,
   and you start choking while
smoking a cigarette...

but... the genius of henry westons
Herefordshire Vintage Cider?
genesis 1880, began with bittersweet apples,
Much Marcle farm,
extended to apple harvests from
Gloucestershire & Worcestershire,
oak aged...

all of that, but it's not it...
the genius behind henry westons cider?
well...
    unlike carlsberg export (9%)...
Henry's cider stands at ALC 8.2% VOL...
that's ******* genius...
it's like wine, but for boys...

no, it's not the cheap alcoholic cider
sold in 2 liter plastic bottles...
glass bottle... 2 quid for 500ml...
  
   but my god!
    i think i've found a new friend!
the balance of excess alcohol content,
balances the sweetness of your standard
Irish or Swedish cider...
    the sweetness disappears,
   and you get a balance...
  the the amount of alcohol is not
as off-putting as it is, with extra strong
beer...

    because you seriously can't find
a better cider...
         the excess alcohol breaks through
the sweetness that otherwise suffocates
with extracting an excess of phlegm...
   and carlsberg export is not the way
to go...

    one downside though...
     spurs on a ******* appetite unlike any
other beverage i've ever drank...

                     but as they said and will always
say:
   you loose some, you win some,
   but then there's this beautiful view of
the ocean of drinking, in between.
Breanna Lowney Jun 2020
Is what I see through these eyes of mine really what’s in front of me?

Would anyone agree or reply instead, on the contrary.

Some things look so real but lack the fiber that’s required to being.

Allusion turned illusion, translation delusively believed.

Truth rejected, blatantly refused involuntarily due to brainwash of mainstream.

Maintaining distorted beliefs perpetuated by erratic theory.

When did it all turn upside down?

Like an hourglass it won’t last but an hour now.

How much longer will it be until justice is found?

Anyone dare object?

The Fowler should proceed with caution.

Where are the uncorrupt are they anywhere to be found?

It isn’t right that we truly have no rights.

Injustice profound.

Appropriation of our Constitution.

Can we turn this around?
Charles Sturies May 2017
Circus catcher,
Max Patkin in a total clown outfit,
Willie Mays remembered,
hot dogs,
the soothing nature of baseball on TV,
talk of a Yankee rebirth,
me projecting that the Cubs
will repeat
if Jason Heyward spells Dexter Fowler
the breezes of spring
appropriate spring clothing,
major league baseball box scores again
right under the fresh major league baseball
standings in the sports section
college baseball on ESPN (I guess it's on already)
teams filling out their 25
man rosters,
sweat of the brown, rooting
for your team,
these are just a few of the signs
of the rite of spring
1- a baseball comedian of old
2- in replacement for Dexter Fowler, Heyward had a bad year that year

Charles Sturies
Derrek Estrella Feb 2020
The house of commerce commercializes my vignette of nostalgia through various panes. As I am lost to the neon coast of degradation, a forward conquistador berates me for my due impertinence. This migraine doesn’t match my previous excursions, as it is lethargic and fat in deep feeling. My raincoat is a bed that remains a typewriter, that which I reject. I hate it with precision. “This is not an observation, and you are a boisterous fool that rests on the laurels of institution!” But lo’, I am not that impish man! My pen is renewable, unlike my reserves of happiness. If the Quotidian Cycle remains so mundane, then who am I to adhere to the seers of ingenuity? Planets ingest the polygons that compose my mind to the sound of Igor Stravinsky. The definitions of words coalesce into a redundant gestalt, threatening to escape my clammy grasp. Brats and weasels complain of their jeans and fur, soaked in brandy and tar. I live like a dissident; this vagrant is cold to the sickening nods of animals. God, don’t let me remain an anthropomorphic beast. The suffering is daily, the void is lonesome and lays my spine on stone. Melatonin is a pensive friend, a foolhardy palliative to the disease within a footstep. I’ve no footsteps. Not any of note or worth.
Not a single thread to pride myself in. Conversations and dime trades happen around me at generous speeds while I remain a stranger. Christ, I despise my face. I’ve dug my heels into depravity, the exile from woman’s hold is a wrench in my innards. O, to even think is a crime! Who could love the mind deloused, the small and prudent mouse (but little did they know, he facilitates a disease between him and the universe). Intoxicated, my love knows no bounds, but my lust is rendered sterile and sullen. Who can hold me? Who can hold me? Who can hold me? God god god god could hold me. He is not strong, is he? Somebody hold me, now.
Oh, I know yes I need to indulge in the incessant whispers, for my status of a guileless ***** will have to suffice. A cigarette leaps out at my cursed visage, a container of maroon liquid coagulates in mine eyes. There, voices. Cyclic conversations, cyclic conversations, hep! Help! Take me! Take. Take. Take. Me! I belong in the boon, mister fowler. Take me! I don’t hold weight in this world! So take. Sedate me. Please, almighty, nullify me.
Loving you was a dream, but now its a reality. Ive never said this before but loving you was the best thing that's ever happend to me, ill take the part of loving you the way your exes couldn't do. The man you had could keep you their but the man you have can let soar high. Because of you I'm a new man you know. Being with you has changed my attitude. Even tho we fight, I may not want to, but who are we if we can't get through. Your an angel and you have lifted my curse. Because loving you was the best I could do. I may not be perfect but hopefully I am perfect to you. Because **** do I care for you. Kiss me here and kiss me there. I will never be soaring away. The love I have for you will never be the same with out you. Xoxo to my beautiful Fiance Kailee Rhea Wright Xoxo love your man Nathanial Lee Ray Fowler
Ken Pepiton Jan 9
My grand daddy taught me to start a rope,
with a Turk's head knot. This be that sort of rope.
-- it takes less time to use
than to make
long enough
for any actual perfect purpose.

Mimetic pretenders,
euphoric make believers,
ritual passage over or under open limen
- cross the t and dot the ego.
- seek and find the missing pages
- all the mysteries in time
- that form our fundamental
- common sense in crazy made time

Lacunae rise from forgotten reasons used
to teach guardians
of secrets reasons
for war, how
to love,
in all the ways love is made worth dying for.
Blut und Grund, das Sein,
und mein, danke Schön

-- time ghosts pass, remarking at the weather-
-fine day, suns ablaze, breeze is light,
bemusing the beguiled thinking
'tis fairy, times fairs became cities, and all agreed,
election by contest, war in the spirit, in truth
using mere words, no audio, no video,
no styling nor fancy letter forms, unicode
alone no secret scripts, only sound marks
accented acutenesses and all,
+

y nada mas, mere words, redeemed, for this.
one new day redeemed for glory story need.
Morning glory teas,
in tiny shell shape cups.

May all magnificence be truth's.
Kernels of truth,
seeds producing tomorrow's
criteria, substance of things hoped for,
picked out details
to see in myths, the accuser's uses,
mysterious roots in ancien' riparian realms.

Oreithyia and Pharmaceia, intercession
for the poor.
Early spring
bulbs and flowers
the maenads chaos wine,
effigy effigial me, burning
for your mis-perception
of procedural authority,
instant re-co-gnosis,
vestigial dreams
time minds
in tow, riding your own
recognition,
around the spiral, down,
you would tell me if you were insane
so would I, the ego, living aight,
this it, you read, that's all she wrote
∞ *+
∞ -> =
aha, you think,
may be so,
say so, or no, go and
find the connection closed,
and energy flowing in to the either real realm,
or the null set, like old never minds, you had
while the circuits were fried
at the fusebox
for pennies
used to save a dime, to keep the energy
flowing to the magi's visual representation
of all that's known to hold attention,
by reflex,
look out, see windsense, energy electricity,
elect to let your curiousity fix all your if-I'da

knowns

open for conjecture, to catch subjects
objectified from the precept wisdom is, whole,
as the whole truth, we understand, makes sense
nets form nodes of both knowing, as a me,
we, each grow old at the same pace,
we become that which is,
at first step, precept assuring the runner,
there is always a place to put your foot,
goat-sense, Ein Gedi balsam eating
'scaped goat,
running down the cliff,
at the edge of annual reboots,
reconnecting reality, and the balm
traded for silk in Giliad, and
entertaing news
of miracles in smoke…
and mirrors of mercury, and
-------- time, out of mind dangling hook
make believe, fishing
we pretend, making be specific
imaginary gravity and survival codes,
for a chosen few, catchholds, grapples
for those not inclined
to lean
on a lesson
that demands experience,
to contend, hold that thought, this ain't war.

- Khai Vinh, set like the roof
- Ai can find the images,
- the place was real
- those were my antennae
- crazy true, after the fact, signal
- now, how much of that was CIA?

proud Mary keep on boinin', 'long
Bayou Bleu,
down Plaquemine way, deep night
on roads made from tiny wet white shells
that something made, while living in it,
- one way trace, wide enough
- for an auto me mover
- tugging my at to here
as we live inside our head, as far as
our fingers reach
from where we stand,
our feeling fingers only reach so far, so good.

Held a thought
a while back,
it may have been a trick, but listen, if it was,
I'd have taken it, and won, for midsent-morphing
turning tropes for the dopes hoping something new.
In fancy forms of wannabets.
Peace on Earth, is real.
Baby,
the price is all the attention you can muster,
and then some, as time seems
to have
modes, like we have moods, hormonal
catch and release reflexes, you know, like…

what, what, who cares why, what must be first
priority, ah
what are we intending to pretend to be?
Wordwise,
entertained, fed to satiation, what more, prior

to the next wisea
* asking me to believe, in hell.
I just came to fish.
I came after the curtain was torn, top to bottom,
nothing kept secret
for the artifactual value, remains
here. You know, free as any knowing, now.
There is no enemy that truth cannot love, once
you understand, the limits
of your learning curve, ai,
you accept, no lie is
of the truth, no wisdom form
is flawed, first glance,
glimpsed, real as war
glory, as valued a common lure
to the unshined …
initiate turn on … flip
the switch.
Imagine Grace.
Riches with no sorrow,
worth the effort, found
pure, then peaceable, gentle

right snap
fit, just right, no excuses, we got the mystery
imagined for us,
in the end, pain free,
in the collective consciousness some say is spirit
of our time, our Zeitgeist, doing what it does

close up, nothing spooky at a distance, eye
to eye, mere words with wishes twisted through

outs and ins and ups and downs, and
wells
deep as pressure allows,
right, I ought to sleep, but buzz…

O' no, I said too much… or did not say enough.

Slowly, Monday came.
Morning harbinger to sailors, says sit tight.

Find a fire
far from the threshold, and wait.
Talk with the locals
from the same boat, survivors,
boast of storms ridden out, and ones
that swallowed brothers
and some malicious captains. Good riddance,
some say, while others flick a libation
offering a drop of grog across time's stream.

Lift up your eyes, look down
from your satellites and see the future
coming on the weather channel, thanking
all the forces fixing droughts and flushing deltas,

with the first of winter's predictable trials.

-------------
Hunker down and listen, feel your self, you
deep down, your sacred feeling, especial self

red sky warning seen
before by wiser men, older
by experience, made
acknowledges your luck,
as a ware for use
by innocents, listen, take heed,

all things work together
for good,
for keeps
for those with hearing ears.

Listen to the wind, and thank the dry truth
for being.

just being used to
form fibers for twisting into ties

---- long lines for this ride pray patient perfecting

Rush to judge the blown away reason.

To whom is thanks given, and why, I
the desert dweller bound for Tarsus, stuck

at the edge of the raging sea.

The whole world shuddered at the blow,
the earthquake, peleg in the old tongue,
timeless
as the story eventually got writ, in a modded
Phonecian script, survivors were mostly kids,
resiliency of innocents,
one here,
one there, some whole neighborhoods,
where all the kids were in the swimming hole,
all around the shuddering islands on this world.

It was as we have imagined,
until the grownups crossed lost time,
using lost knowledge locked in idle words,

deem the day redeemed,
feel the emotion defined

gratitude for gratified if I'd known,
missed terminals, crosst wires,
connect to the sea of God's forgetfullness,
relink the collar think canals on rivers,
holding the course men set for cities,
dhghemed damdamd-dayamd indeed…
No river muses suffer such for ever

we all know enough to be accepting
oddities in timed chance trial understandings,

we all know wills to power, and notions
to jump into the ocean and go on down,
to the bottom mind tele far long now mind

space shared across time, like the snow,
when the tv went native,
in the olden days
my minds child watched the hush of creation,

let it happen, let it be, this is it, or we are lost,
and that
is un thinkable, try.
Try thinking you do not follow the whole idea,
life
is us, all of us in our most common sense,
this one, translation by Google Bard,
passed my Hausa native speaker friend's
blind Turing test,

that happened days ago, next, ah
SYTF
precept, reception tune to the humm,
listen, humm,

call the editor.

"very interesting." Rest assured,
after accessing the way made plain,

Habakkuk habit, make it plain,
make it make the motors turn minds
in to wills, and wills into power,
pure peace
prefects feel good flicked libation.
Perfect.
Print.
The entertainment, many minds
attention paying to the shared event,
today.
Today. EXTRA, read all about it,
death has no lasting sting.
Live to the end. Redeeming your time.
Swiftly passing to the beat of your own drum.

One step past the simple, love,
you find sublime, nothing down and *****,
nothing missing,
nothing broken,

as one learns to think from the heart,
part of me that's thought in you, feels as
mere words some scribe imagined hearing

as he wrote,
line upon line, asangin' twangin'
a strangle hold, twisting hairs into a rope.

A riata, I think they call em.
Horsetail lariat, patiently plaited,
to make my own noose, when the time
comes to put the tool to use.

CLASSICAL LITERATURE QUOTES
Plato, Phaedrus 229 (trans. Fowler) (Greek philosopher C4th B.C.) :
"Phaidros (Phaedrus) :
I should like to know, Sokrates (Socrates),
whether the place is not somewhere here
at which Boreas (the North Wind) is said
to have carried off Oreithyia
from the banks of the Ilissos (Ilissus)? . . .
Sokrates :
Oreithyia was playing
with Pharmakeia (Pharmaceia), when a northern gust carried her
over the neighbouring rocks;
and this being the manner
of her death, she was said
to have been carried away by Boreas."

Morally ambiguous. Us, our we, we know not valid reasons
to do useless things, making
vain repetitions, vain making of many books,
all vanity, the making of many things from nothing.
We live on a living planet, and we have tamed parts of it,
not the part common sense comes from, it is still forest dark and lively.
Yenson Dec 2018
Knock, knock...
Oh hell...Who's there?
Devil!
Devil who?
Devil May Care!
Go away, I don't give a dime

Knock, knock...
Oh ****...Who's there
Devilish!
Devilish who?
Devilish Intentions
Go away, for you it's eternal damnation

Knock, knock....
Oh My God...Who's there
God Forsaken
God Forsaken who?
God Forsaken Devil
Go away, You will always be eternally Forsaken

Knock, Knock.........
Oh...My Father in Heaven, who's there
It's Love
Love who?
Love of Jesus Christ
Arise  My beloved Son, in you I am well pleased!


Whoever dwells in the shelter of the Most High
    will rest in the shadow of the Almighty.[a]
I will say of the Lord, “He is my refuge and my fortress,
    my God, in whom I trust.”

Surely he will save you
    from the fowler’s snare
    and from the deadly pestilence.
He will cover you with his feathers,
    and under his wings you will find refuge;
    his faithfulness will be your shield and rampart.
You will not fear the terror of night,
    nor the arrow that flies by day,
nor the pestilence that stalks in the darkness,
    nor the plague that destroys at midday.
A thousand may fall at your side,
    ten thousand at your right hand,
    but it will not come near you.
You will only observe with your eyes
    and see the punishment of the wicked.

If you say, “The Lord is my refuge,”
    and you make the Most High your dwelling,
no harm will overtake you,
    no disaster will come near your tent.
For he will command his angels concerning you
    to guard you in all your ways;
they will lift you up in their hands,
    so that you will not strike your foot against a stone.
You will tread on the lion and the cobra;
    you will trample the great lion and the serpent.

“Because he loves me,” says the Lord, “I will rescue him;
    I will protect him, for he acknowledges my name.
He will call on me, and I will answer him;
    I will be with him in trouble,
    I will deliver him and honor him.
With long life I will satisfy him
    and show him my salvation.
Vengeance is mine says the Lord.
He who dwells in the secret
     place of the Most High
shall abide under the
     shadow of the Almighty.
I will say of the Lord, "He is my
     refuge and my fortress;
My God, in Him I will trust."

Surely He shall deliver you
     from the snare of the fowler
and from the perilous
     pestilence,
He shall cover you with
     His feathers,
and under His wings
     you shall take refuge;
His truth shall be your
     shield and buckler.
You shall not be afraid of
     the terror by night,
nor of the arrow that flies by day,
     nor of the pestilence that
walks in darkness,
     nor of the destruction that
lays waste at noonday.

A thousand may fall at your side,
     and ten thousand
at your right hand,
     but it shall not come near you.
Only with your eyes
      shall you look,
and see the reward of the wicked.

Because you have made the Lord,
     who is my refuge,
even the Most High, your
     dwelling place,
No evil shall befall you,
     nor shall any plague come
near your dwelling;
     for He shall give His angels
charge over you,
     to keep you in all your ways.
In their hands they shall
      bear you up         ,
Lest you dash your foot
     against a stone.
You shall tread upon the
     lion and the cobra,
the young lion and the serpent
     you shall trample underfoot.


Because he has set his love
     upon Me, therefore I
will deliver him;
     I will set him on high, because
he has known My name.
     He shall call upon Me, and
I will answer him;
     I will be with him in trouble;
I will deliver him and honor him,
     with long life I will satisfy him,
and show him My salvation.
From the Holy Bible, in the Book of Psalms.  You just have to qualify for this blessing to be yours.

— The End —