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Jeremy Duff Jun 2013
"It's Toasted"*

Something about that red circle calls to me.
Something about R.J. Reynolds appeals to me more than Phillip Morris
and Santa Fe Tobacco Company.

Maybe all it is is the classic red circle.
Or maybe it's the nostalgia.
Maybe it's knowing that 4 out of 5 of my dead ancestors smoked Lucky Strikes.

But oh boy, to get one burning and in my lungs is bliss.
Whether it's in the morning, accompanied  by a cup of coffee
or during school after sneaking out of class.

The smoke that fills my head clears the smoke that filled my brain.
And shadowed my eyesight.
And made me shake.

Any cigarette will do it
save for maybe those God awful Fortunas.

How about this weather we've been having.
And how about them Yankees.
But boy, oh boy, how about those Strikes.
Borges Jun 2014
Que era la noche del porvenir girando en pies de terriccola aventurado y un pez naufrago en un universo perdido en los ojos de una mujer, despues de todo la noche se esconde en la boca y el ayer es del entonces y un ciego se rie de chistes de un gato son balance, que era la chistosada de meditar drogado de ***** y los gatos siguen en movimiento y Cortazar ya que es Bolaño y su vientre se come ha estraños? lluvia envez de pelo de color azul marino, Wenennefer y musico llamado Jimmi, sus ojos duelen ver, eran de un time future.

Y la dolienta sangre de sus manos dolian al escribir fortunas.
Sabios Borges
Taliesin Dec 2018
I’m obsessed with a guy.
He’d pay for a chance to sing the blues.
Just a taste of that weary hard-bitten life.
Just a taste of the pain and heartbreak and grief.
Just a taste mind you.

Nothing more.

I’m obsessed with the martyrs
that strut to and fro fearing only death,
and taxes,
and those ****…
What do you call them?
Vagrants,
that’s it
that strut to and fro fearing only death.


I’m obsessed with the vagrants.
Going into the world with so much honesty.
With mad religions screeching, seeing Doom and Death and Capital.
With mad songs of ****** and Sunlight, Rain and Drink and ******.
And mad poems, pages long, that howl into the darkness.
I heard them sing electric carols at the railway station,
and concrete O’ Fortunas on the bridge.
I heard them play on their leaf-spring guitars the mocking rhythm
of the groaning streets
that echoes in the mind for all of its humour.
For all of its tragedy.

And I’m obsessed with the poets that dreamt
and dared to stop dreaming.
And laid themselves down into spiral notebooks
and were cast in stone above their alma maters
silent forevermore.

— The End —