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Jeffrey Pua Jan 2015
Nice,
Slick,
Steady,
Unbuttoning...

She makes
Naughty
Things
So
Forgivable.*

© 2014 J.S.P.
Matthew Walker Aug 2013
Flashback to as far back as the mind goes,
Masculinity is mighty and feminism is flawed,
Man is right and woman is wrong,
Boy is strong and girl is weak,
I’m a gentleman as long as I’m on top,
She can’t speak unless spoken to,
No place for women at the pulpit,
Men can’t learn from lesser beings.

Flashback to four years old,
The first time he was told,
Homosexuals will burn eternally,
Because they’re *******,
He said God doesn’t love them,
They’re an abomination to creation.

Flashback to age twelve,
Welcome to the USA,
Export the Mexicans,
Eliminate the rag heads,
Burn the gays.

Flashback to seventh grade,
She left him for her,
The hate talk convinced him,
All gays were wrong always.

Flashback to freshmen year,
It was Halloween,
Debate class in the morning,
She was dressed as a nerd,
But obviously that so wasn’t her,
Because she was Iranian,
He asked where her turban was,
Said her outfit wasn’t complete without it.

Flashback to the close-minded, conservatively, homeschooled child,
Racism was as familiar as his father’s laugh,
Sexism known like the scent of his mother’s casseroles,
Ignorance was his bestfriend,
And hate pumped through his veins.

I don’t know if right wing racist remarks are forgivable,
But the one he was bred to despise showed nothing but forgiveness.

The Iranian girl shed tears,
Which caused him to shed his foggy lens,
For the first time, he saw his own sins,
A joke rooted in hate hurt an innocent girl,
An innocent tear hurt an ignorant boy,
I am an ignorant boy,
I felt her pain,
I stabbed myself with shame,
She befriended me,
She forgave.

Flawed people produced twisted identification,
She isn’t the Iranian girl,
Just a person.

Mexican, black, dark skinned, or light,
Christian, Atheist, Muslim,
Left wing or right,
Straight, gay, man, woman,
Irrelevant.

Mexican, black, dark skinned, or light,
Christian, Atheist, Muslim,
Left wing or right,
Straight, gay, man, woman,
Human.
5/31/2013
Nat Lipstadt Aug 2013
The Seven - The Mashup


In memory of my mother who passed away recently, I wrote, or intended to write seven (only six were actually done) new poems themed about her, her passing and some perspective on life and death.  All were read and I am deeply appreciative.  I have consolidated them all here, in order, though not necessarily the order in which they were written. But the order does matter, as it reflects the change in my mood with each passing day.   Perhaps I will write the seventh someday, but not now, not soon.

Thank you all so much for incredibly kind words of sympathy. I am not a dweller, so I set myself a goal to complete this vow, this task, in a week to correspond to the seven days of mourning the immediate family observes after the burial (the shiva, shiva meaning 7).  For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night


#1 Shiva

I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown,
His father, cancer won.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.

#2 Hover^

My Children:

Ancestral homes oft possess,
a unique scent, product of an atomizer, a memorizer

Musty time, the odor of
faded and shadow,
hollow, yet hallowed.

Somewhere along the road,
a residence transforms from home to
shrine-storage unit-hospital room-tomb-records depository.

Dust, expired perfumes,
the sweet odor of crumbling, yellowing books, disinfectant,
stale medicine chests, years of furniture polish, sabbath candles.

It is my smell -
the parfumerie of my history, a customized blend,
a commissioned work in 1964, entitled, more accurately, emitted,
"Her-Story."

Photographs, memories, and paper scraps
my very own Preservation Hall Jazz Band.
Yet the most potent firing pin for historical retrieval,
the molecules of scent.

Soon all will be dismantled, discarded,
just plain dis'ed.

Confused and disenchanted,
my departure orderly but, in a disordered fashion.
unable to seed one last kiss upon your forehead,
nonetheless, surreptitiously enter your neurons
though my entity, away, across the miles-wide Hudson River.

For three days, I will hover invisible,
implanting myself once more,
slapping your mucous membranes,
transversing this pathway, an additive to your cells, nuclei,
where my markers always reside.

Adding one more ingredient to your inner vision,
strengthening the formless structure, my altered state.
This odor, keep close, fresh, no becoming musty too, my scent,
the last of your senses knowing me, a true keepsake.

Hold me close and hold me fast.
This one last magic spell I cast.
This one last magic smell I set fast.
You cannot hold it, but it will cradle you.
You cannot see or touch it, but when contact comes,
You will see me, hold me, as in the days of your youth,
When you loved me best,
And I, you.

^According to the Talmud, the soul hovers over the body for three days after death.  The human soul is somewhat lost and confused between death and before burial, and it stays in the general vicinity of the body, until the body is interred.


#3 Orphan

The funeral will commence at 11:30 am.
Gives me one last review time before the
Final Exam.

Panicked, I discover a whole new chapter
for which I am wholly unprepared,
though its inevitable presence was
assuredly knowable long in advance.

Orphan

It doesn't fit, occur, imagery is of a young child to
soon abandoned, not a late-in-life curmudgeonly poet-boy,
who has been multi-times reincarnated.

I add this title to my list
of proper ways to address me,
titles earned by dint of hard work,
or just unlucky luck.

This new status, orphanhood,
bequeaths no special privileges,
other than, a semi-official
societal permission slip
to feel bereft, lost, and compose poetry.

Know a real orphan, from early, early on,
has never recovered and
never will for it is just impossible.
Just impossible.

So whom am I to make light of
my undesired, unrequested new degree?

I accept it and to my surprise,
It hurts.

# 4 Judgement Day

After you put in some time on this planet,
You kinda know what the world thinks
About you, your rep, what they don't say to your face,

Sure, thingies, time and incidence and circumstance
Can sometimes cause makeovers external,
But each of us know the quality of ourselves,
Self-certification, you can out your internal self,
Better than anybody else.

So I inquire of myself, about myself,
what will you be remembered for, if at all?

Why do I ask, today, now?
Do we not ask ourselves this
On the low down, subconsciously everyday?

Is this a poem?
Most assuredly...
And a trial.
You, the judge the jury and the prosecutor,
The defender, if u can, if u will.

For seven days my mother was adjudged,
Family, friends, hers, her children's,
Almost an 80 years of live, in color, HD, looking back video,
Tales told, memories dug up, old photos explicated,
Who what when where of the details of one women's voyages,
Creations.

I cannot, I will not, do the details here.
Suffice, acts of kindness, faith in people,
Feminist in a strange land, a chance taker,
Gifts of memories, streaming of adoration,
Many strangers are witnesses to me,
This trial a runaway train.

I am outed.  There will be no such verdict for me.
I am outed.  There will be no trial needed, just a
Summary judgement delivered.

Out yourself.
What will you be remembered for, if at all?


#5 Summer Girls In Their Summer Clothes

Oh yes!

The streets of Manhattan, jewel dusted,
Summer girls in their  summer clothes,
Bedeck the streets and make men say, Thank You!
To their creator.

Little black dresses, previously immortalized^,
Seasoning and sauces, halter tops and jeans cutoff,
Give thanks for the tanks, revel in the revelations,
For God created man and women in his/her teasingly bare image.

Yo! Dude!  This is number 5 in the series,
Of sad and somber, re dad and mother, ***?
Have you lost perspective, not read the directive,
You're in mourning, time to be introspective,
Not dis-respective!

My mother was a beautiful women.
Till the day she died.
Yes, physically beautiful at 98.

She, was a poem.
For her exterior was suffused, burnished,
By the spirit residing within her body

I ask myself, why not judge a book by its cover?
Her cover was exquisite, but what gave her a glow,
A radiance, was her modesty, her love of humanity.

What's under our cover?

^ Nat Lipstadt · May 30
The Little Black Dress (and its magic prowess!)

*#6 & 7 Live like you're dying

Perhaps you know the lyric, the song?

Live like your dying.
Dying caught my ear, my eye, can't imagine why.
Con-Textual emendation, Natalino style.

Live like your writing.

Yes, that makes sense...
Embrace with passion each new session
Charge every second stanza with ruminating rhythms,
Cut the wires to the air traffic control sensory tower, go solo,
Pulse each word, beat all into a plowshare, even the anger,
Even the hate, dressed to ****, in words, forgivable...

Grant the mundane, the insane, even the pain of tragedy,
You refuse so hardily to glorify, grant it and
Record it all - a moment,
A royal audience with all
Your writing parts.

No fancy footing, keep it simple.
No jesters in rain puddles,
Let images of clouds of sand
Born and perish  in other's eyes and sighs, let verbal games bedevil other
Wooden puppet princes drinking fairy ales.

Huh?

Write clean and clear,
Let the sheerest wonderment of a new combination,
Be the titillation of the tongue's alliteration,
No head scratching at oblique verbal gestation,
Let words clear speak, each letter a speck,
That gives and grants clarification, sensational.

You, afternoon quenching Coronas, white T shirts,
Sun glazes and later, a summer eve's Sancerre,
Wave gazing on the reality of rusted beach chairs,
Babies sandy naked, washed in waves of Chardonnay,
The traffic-filled word-way highways and bay ways,
Exiting at the Poet's Nook, for exegesis & retrieval.

Write of:
Body shakes and juices, skin-staining tongues,
Taking her, afternoon, unexpectedly, her noises your derring-do!
Broken tear ducts, the Off switch, so busted, write about
Real stuff.

Write not in fear of dying
Angels delivering bad news in vacuum tubes,
Write joyous, psalms of loving life,
Live like your writing,
Write like your living,
So you may die well.
Why do you people
think it so despicable,
that I won't share my time
on occasions in which
I'm particularly ******* miserable
I'll give you my reciprocal,
I don't need your help
I'm strong as an individual.
And I do not, intend to be critical,
but too many choose to use emotion,
over thinking that's analytical
That's why i need to be alone,
Both mental and physical,
It's kind of a ritual, interaction is minimal
It's never been personal, it's more of a principle
I hope you'll find it forgivable,
I am sorry,
But I'm strong as an individual.
Madeline May 2013
listen.
i haven't fallen out of love with you yet,
and i miss you all the time
and i want you so much i can't even make myself breathe.
but i am exhausted.
i am exhausted with not having you.
i am exhausted with the back-and-forth i've been having with my heart.
i am exhausted and i am done.
twenty four hours ago i was planning out something to say to you.
i thought i was going to sit down with you and tell you.
i was going to tell you,
"i want you to know
that wherever you are
and whoever you're with
there is someone
here
who loves you
and who thinks you are special beyond belief,
and who believes in everything that you are."
i was going to tell you,
"think about it."
i was going to tell you,
"i hope that you'll love me back, someday,"
i was going to tell you,
"i don't expect it to be
soon.
but it's important that you know."
that was how i felt twenty four hours ago.
now, though,
i feel angry and disenchanted
and i feel exhausted.
i realize, now
that if you and i were to be you and i again
i need to be stronger
and you need to be the person you're going to be,
because i love you limitlessly,
in ways that, even if i fall in love with someone else, will not go away,
but the person that you are now?
i cannot stand.
the part of your life where you can't love me,
it isn't over yet,
and i'm not willing to feel small
and insecure
and second-best
again.
when we're the people we're going to be,
that's when i'll love you.
that's when i'll try.
i'm not willing to deal with who you are right now.
right now you are a boy
who thinks he is larger than life,
who thinks that his cheap beer and his horrible friends make him alive,
who thinks he is above accountability,
above vulnerability,
above love.
right now you are in a post-high school haze,
and right now you are on top of the world.
and because i'm me and i can't help it i'll love you
and i'll think the things you do are forgivable
and i'll think the friends you keep are forgivable, too.
but because i'm me and i can help it i'll love other people, too
and i'll allow myself to be as free and as beautiful and as strong as i can be.
i'll allow myself to forget you a little bit and it will hurt, yes,
and i will fail, sometimes, yes,
but it will make me who i am going to be.
it will make me someone who is readier to love you
than the me who already has.
i will take a year.
i will leave the country,
i will live and drink and love,
i will smoke and laugh and embrace all of life that i can hold.
i will think i'm invincible,
i will write fearless stories and sing fearless songs,
i will write fierce poetry and make beautiful art.
and at the end of it all when i am where you are now,
when my life is ahead of me and i have learned more of myself,
when you have grown and lived
and when you have gotten college out of your system,
then i'll see.
i'll look at myself and i'll see if i do love you after all.
i'll look at myself and i'll know
that all the things i did didn't matter because they weren't with you,
or i'll know that i don't need you to live after all.
i will love you or i won't and i'll tell you either way.
corey, listen.
you changed my life,
and i've come to realize that i have a difficult time living without you.
but you made me small,
you made me afraid,
you made me weak.
i let you have all the power i had to give,
and you didn't mean to abuse it, i know.
you probably didn't even know
you had it.
i wasn't oblivious to loving you more,
to needing you more,
to expecting more of you.
i wasn't oblivious to your growing indifference,
but i think the ways we ended were wrong.
i think we have the potential to be more.
i think, sometimes, that our hearts are too much the same for us to be apart.
but i cannot want you anymore.
i want to learn, again,
to be confident, loud, fearless, and brave.
when i have relearned myself,
when you have changed,
when we are slightly different -
more mature,
more selfless,
more wise -
we will know.
when i have learned to love you without fear,
to open myself without expectation,
to trust things better,
we will know.
but i'm not going to try until then.
what i'm telling you is that even though you may not have known
that i was even holding on,
i'm letting you go now.
i'm releasing myself from you.
because i love you, ******* it,
i love you like you wouldn't believe.
but there are things about you that i cannot stand right now,
and i'm not willing to try.
you're an *******, corey,
and you're stubborn and self-centered and stupid,
and those are all things we have in common.
you're just a tool, i don't know how else to say it.
it's the least poetic thing i've ever put in a poem.
and your friends ****,
and frankly you ****,
and the things that have happened in the last twenty-four hours
make me disappointed and disgusted with you,
because i would like to think,
and i do think,
that you are so much more than any of that,
any of them,
and you are.
but you're not someone who acts like it, right now,
and that's okay,
but it keeps me from wanting to try.
not that you care,
not that you want me to try anyway,
not that you would probably even love me back, if you knew that i loved you.
listen.
i mean every single thing i've said here.
i've said it all,
i've let it out.
i'm taking a year for me,
for flings, for ****-ups, for whatever.
i want you to know that.
i want you to know that i still believe,
maybe naively,
that you and me could be more than what we were.
i want you to think about all of this sometimes.
i want you to keep reading my poems
and to read that letter i wrote you,
and to remember that you are missed, loved, and wanted,
but also to know that i am freeing myself.
zoe moon Mar 2018
maybe it's okay i don't feel anything for you anymore.
maybe it's okay i've moved on.
i am no longer fueling the fire of the hatred you possess for everyone you can't understand.

you couldn't understand me.
i didn't want you too.
i was unpredictable and selfish.
you were naive and hateful.

i want to get better.
you want to subject more victims.
i can live without you.
you can't live with knowing i no longer care.

i've always known how to torture you inside.
you always knew how to push me to that point.

i'm happy knowing you're still sad.
i am happy knowing you're in pain.

i'm ****** up.
but you ****** up.
now you can't live with your mistake.
but mine was always intentional.

that's the thing that made you so angry.
the thing that you could never understand.
how could everyone always forgive me?

i guess i'm simply oh so forgivable, honey.
John Mahoney Apr 2012
i.
the blood scared me
would mother be angry
maybe stitches
the hot anger of betrayal
mixed like a bonnet pepper
to spice the fear
and the confusion

ii.
playing with friends
in the neighborhood woods
the oldest of three brothers
threw a wooden potato
masher and struck me
in the back of the head

iii.
the root cellar seemed
a good place to hide
i ran out of the wood
across the open field
across the street
in through the
open garage door
the kitchen entrance
to the mud room
and down the back
stairs to the laundry,
might she be there,
and into the root cellar
filled with mold, dust,
and musty mason jars

iv.
hiding there, i forget
how long now, but the
had the blood stopped
running warm and sticky
down the back of my neck
i felt a swollen lump
and an aching head

v.
i do not remember
now how long i hid
there in the root cellar
but the feeling of betrayal
the sense of exclusion
the intense longing
to be a part of that
boyhood group
all seemed lost

vi.
some things are
not forgivable
deliberate cruelty
is not forgivable
i hope that cruelty
is the only real thing
i lost, crying, in that
cellar, so long ago
deliberate cruelty
the one thing of which
i have never been guilty
Mateuš Conrad Jan 2017
prelimenary coordinates - a blindman playing chess.

well... you either drink, and write sparingly,
     or you don't drink, and you write
a novel...
    but who would have thought, that there
would be poetic odes involving coffee...
     it's staggering how many women write
poems and have to concern themselves with
coffee...
  i down a litre of whiskey a night, don't know
what a hangover is anymore,
        and i can beat out more words
than women, who use a stimulant and write
   crumbs... when i expect a loaf of bread...
if not this website, then another, and the scenario
is the same: the glorification of coffee...
           it just shows you how barricaded the human
narrative is, of the soul...
        poetry merely nibbles, and i know it's
flaws... write without paragraphs,
or care for punctuation marks... and it's immediately
a poem...
   or... oh god forbid! there's something profound
being said with a few words...
      and it has to be profound...
                      yes, i'm the Gargamel and those
are my smurfs...
                             strange that Freud didn't think up
the man-child complex...
                         which is the opposite of the madonna-*****
complex, which he actually did...
           Edward Hopper was also bemused by
these two mental pharmacologists...
                did a little sketch holding Freud as pillar 1,
and Jung as pillar 2.
    but coffee and poetry: i'd expect more from this
latitude...
        and it's still a case of:
                   people cling to the raft that's their
mental narrative mondus operandi...
                Kant tried to say something as concrete
with 5 + 7 = 13... and read any philosophy book...
    Kant isolates the ''i think'', and Hegel isolates
    the i = i, or i am i...
                              and these are serious thinkers...
but Descartes has said a limit...
                       thinking defines subjectivity...
      thinking the essential component of what's
   not thought about: the existential compromise of
   being per se...
                    and how i always seem to find philosophy
as a stumbling block concerning everything i write...
    it's almost as if i can't escape the world of
abstracts...          a degree in chemistry didn't help either...
     am i truly so un-realistic?
               not that i'm afraid of being drawn toward
the un-real...          it's that humanity seems only like
an infertile groundwork speeding toward a forgivable
promise...
    i just wanted to say: you drink and write poetry...
or you don't drink, and write a novel...
      and true to a heart's cause i will say:
that straitjacket of what poetry is...
                           whether rhyme... or other technique...
    hanging over it...
                           it can't do:
      i abhor Nietzsche for making poetry a science...
  and it is: too scientific...
              i'd never think so little can be deemed
so perplexing... or having that essence...
                    so yes... Kant
                         really does struggle to say something
profound, but he actually does...
                     over and over again... namely:
i'd never could think of so many faculties of my mind...
    not that's what i call a plastic saying...
      ****-licking brown-nosing, call it what you like...
it's just so terrible that philosophy cannot reach
toward being a humanism, like a novel always can...
     which is why i could eat a historical novel
        by Kraszewski in three weeks in between allocating
that time to the festive season,
                     and it took me 2 years to read Kant's
critique... until i let go of that post-scriptum necessity
of having to stop at every setence and do a rubick's cube...
     a bit like: well... aren't those electron-migration
   schematics they teach you in chemistry, a little bit pointless?
   who give's a badger's nut-sack about how electrons migrate
when a a cabron to oxygen bond forms?
                         but they do teach that...
           which is why you can take a novel to bed,
on the train... but so much focus is needed for that other novel,
the scientific one... the grandeur of... philosophy...
                and that's when i let go...
   the last part of the critique does allow you to read
piece of work... like a novel... unless of course that was my
need to do so...
                    so yes: transcendental methodology in Kant's
critique: does read like a novel... at some point
you just have to let go.

ii. ...

and you do... try saying philosophy without saying
something pretentious....
               and i dare say: as long as the fewest number
of people concern themselves with it:
  the more chances we have for electricity,
plumbing, food on the table...
               but by now there's this talk of a curse...
premature Socratic antics... mind you: he was an old man...
but Plato be ******, he wrote down what the old man
spoke: and a clear number of them succumbed to
      the tumble-**** effect...
                      no real prospects for life...
        and, evidently, the dead gods philosophised,
while the rest remained: prone to throwing a show of
macho, and worshipped the body...
Olympus shone...  
   by now you should know that i don't know what
i'm doing...
                  give me the killer-switch to launch a nuclear
strike and i'd probably say: maracas!
shake shake shake...     fidgety in the brothel...
shake shake shake...
             that's the weird thing, every time i went to
a brothel i became over-heated...
      i sat there, the whole **** place always reminded me
of a perfume... jack daniels...
   and i could feel myself over-heating...
  i don't known if that was the angel conscience talking
to me... but i always felt those eyes of scrutiny...
       mind you, once the whole "naughty'' escapade
took off... i forgot those relationships where
                    an impotence was crowned...
   don't know: maybe prostitutes just know my pin-number
and hold to say to little richard: off to the crusades with you!
     phenomenal...
                                         well... thank god for
the north african imports! i'd start thinking all european
women are bound to be: neglected.
               and was it ever, not only about ***?
    it's nice to doubt it...
                           next time i'll woodpecker a grave.
but hey! the promised land!
                           at least you'll have someone to cry
over your grave...
   and did i tell you how there's this cult of the grave
in Poland? yep, that's not a personal reality,
it's a populist manifesto... i'm starting to see it
as a hell where people sort of forgot to state their emotion
to the people, now lying in those tombs...
         give me a Hindu wedding with fire!
  i wanna become elemental!
and look, libido on fire... a billion vishnu-******* in
Bangladesh...   it's this thirst for fame in western
societies that's going to be a downsize...
                                 over there that's like a **** in
a tornado...              ha ha! it really is!
   but then again, here i am, a graveyard hyenna...
walking in Liberace's talk of style...
  most of these graves, really are: tacky...
    just like Liberace, the greatest showbiz conman of
the 20st century... i love the fact that he fooled so many
women... i mean... that guy was almost as good
as ****** when it came to mesmerising people...
but Liberace had a nieche audience... so...
                 no khaki for the ss...
                                           and i dare to hold
an ethnicity? in tune with bob marley: one love, one people...
it has never been so painful to strategise globalisation...
         it's this ethnic cleansing that everyone agreed to
provided they received a smart-phone...
                   or a McDonald's fetish... and that's saying it cheap...
but that's how it feels on the periphery of H'america...
little ol' England boycots Europe...
                     and it's like: huh?
                                           presto! dum-dum.
    sometimes i start thinking that i have a hydra for a tongue...
and the more i drink, the more i start to see
       it splintering up into a polyphony construct,
but more a case of: polyphony of subjects...
   and yes, aren't we all those internet losers...
when the most powerful man in the world...
     uses twitter. bastions of respectable comment!
yes, i.e. newspapers... we're riding this meteor to the end...
          does anyone still consider newspapers to be
the pledges of a free society? i must have been asleep for
the past 20 years then...
                      someone switched on this chaos-turbine,
and we're all shoving our two cents of opnions'-worth into it...
and it's not stopping...
            and yet you still read in newspapers, this underlining
feeling of being condescended... as if they are the sole
authority... they have to behave like little despots...
                           social media's power is invested in its
shock reverberation... think: Marx in the 21st century...
           but can you? is this some pseudo Marxism?
             i might have bypassed all the king-makers and
walls... but i have no leverage... my opinions are
     as cheap as chips... well: we got ourselves a unison converson...
   i still don't see how the television zeitgeist still thinks
that the internet zeitgeist is no connected with ''real life''...
i mean... **** me! where's the highstreet with all the shops?
on the internet. where is the frontline of wars? on the internet.
  where do suicides take place? on the internet,
from all the cyber bugs that people start to represent...
    if this isn't real life... then i guess i must be sitting,
and writing this in some medieval castle in transylvania,
    and my computer is powered by a legion of
hamsters on exercise-wheels, in a damp room, lit by a candle.

iii.

for me, this is how reading a philosophy book looks like:

| | |
     fig. 1
                                          /   \
                                            _
                 ­                                 fig. 2
    Δ
       fig. 3
                                           A
                                               fig. 4

it's like i want to see something with some clarity;
there is clear movement
      concerning a book like that,
              but unlike a standard novel:
there is clearly nothing concerning the: any given
  hope to disperse the mist.
                you're given the blunt truth:
the use of language...
                     again, it would be easier to call forward
a use of a tomahawk... or a guillotine...
            philosophy books never establish civilisations,
they break them.
                and do i think that the crucifix is a profanity
of the tetragrammaton? yes.
                do i feel Spinoza's anguish? probably.
when you read philosophy to start to waver,
it's almost necessary to unlearn language, and with
each philosophy book: learn it over again.
     you can't remain strapped to this culture
of emphasis of singled-out words...
              we can't find a constructive basis if we're
about to start any mechanism from such a dynamic,
isolating certain words and weighing them
                       obstructs language...
                 i can't even begin to fathom a pledge
to using a language, if there are these plebian obstructions...
i did write some notes when i spent these past 3 weeks
in Poland, but i'm scared of rewriting them...
                    i can claim to have understood
their content at the time,
but the context disparity is too much for me...
                 i'm rereading them in England
and i can only see England as a nightmarish construct
of such grandeour... that i might only be seen
speaking truth in the north of it...
                nor do i like the tri-tier categorisation
of man... if you read Kant, you'd be afraid of
man's laconic approach to the mind, stating
the three boundaries, and literally no faculty interactions...
  consciousness (the artist), denoting the overly-sensitive,
the subconscious (the worker), denoting the athletic construct
   and liberation from the daily toils of pure physical
    disposition...
and the unconscious (the zombie)...
   if you read Kant and explore the faculties...
and then turn toward the Freudian populism:
   there's enough reason to be concerned...
                  i can't be saying someone anti-vogue:
and that was my proper concern, that i might be saying
someone not recountable in any sort of realism...
          that mine is an isolated case...
         ditto alongside: why are we juggling the tri-tiers,
and so bombastic and even celebratory in huddling
toward these safety-nets of being human?
    thus said: the reflective man has died...
       in his place came the reflexive man...
                             and if there really is a worthwhile
stance to be a: **** sapiens...
   then all hope for a bewildered man is gone...
                 when the potency of robotics escaped science
fiction, and all trodden paths of orthodox science were
      fed to science fiction, humanity could begin
the process of discarding the offshoots...
          
iv.

the new testament... a book riddled with metaphors...
no wonder the greeks exploited the hebrew literalism...
and yes, plato the precursor made this very real...
by testifying that poetry had no place in the republic,
the new testament had to become solely poetic...
   the new testament is a rebellion against plato's republic...
it's a book wholly compromised on metaphor...
culminating in a book that's founded on imagery...
the gosepls are, once again, arithmetically speaking,
resembling the crucifix... which damns the concept
of the tetragrammaton...
                      as a book: it's only gibberish in
its final circumstance of revelation as a book of imagery...
   and in its preceding case: a book of metaphors...
who wouldn't be apprehensive to be born human
with such a thing being rampant?!
                    imagery is gibberish, given that we
have compentent painters out there...
and metaphor is metaphysics, given that we have
competent magicians out there...
   so how far apart are the words: qua             and
                   quo?
   as good a question as: how far apart are the words
                          phor               and phren?
       φoρ                       &                            φρην?
        so in the congregation of μετα, how are they
so apart?  looking at language from an alphabetical
perspective... it's hard to see anything inspirational...
    nor the tangens divergence of words
that are nonetheless so proximate in their construct...
a bit like the genetic proximity of man and ape,
or man and a banana...
   φoρ (the bearer of the beyond) -
                φρην (a mind concerned with things
under the curtain) -
                        and so: the futility of looking for
        a soul... became translated as the new found feudalism
of looking for a mind:
  given the common consensus: we're all mad....
so too looking at mythology could be revised:
  that myth of narcissus and echo...
or narcissus and psyche...
                         or φρην & πσιχη -
                we already know that there's an aesthetic
in Greek, at least they showed us
      that it can be σimple, when acknowledged
  and practised -
which means transcribing the ease of handwriting
   into a digital format, can be seen as an unnecessary
complexity - as if me currently looking for a word
that ends, and showcases the most obvious Grecian
aesthetic (without mention ο, ε, ω, η, œ)...
but with due mention: so where the second variant
of α, given there's æ?
                           it really is hard to find coherency
in human language... i'm still trying to conjure up
the second sigma... unless i hit the plural noteς...
there... i hit them... as simple as that.
  and yes: the father of the french hooked c
in garçon, came from this: the sigma used at the end
of wordς... i suspect that how things were denoted
to be possessed in english, also came from it.
once again: handwritting is bewildering on this digital canvas.

v.*

i don't have an atheistic argument, or a theistic argument,
i'v
PJ Poesy Mar 2016
I understand they find dinosaur bones there in your backyard. Big ones. I've never been to your house or even close to that neighborhood, but ever since you've written me, I am completely intrigued. What you said about me, I think about you in an execrable Hemingway way, maybe as in his "Death In The Afternoon." All the goring. Faintheartedness is nothing to be carried by bullfighters or by bone hunters, I suppose. If there were a way of going back to days of nobler more romanticized slaughtering in bullrings, without the controversy, I'd have to say it is more evident in our modern day Jurassic Park flicks where nerdish paleontologists are transformed into  fiendishly handsome toreadors.

I know I'm not making much sense. Bullfights and dinosaur rustling, what's to compare? One being non-civilized though colorful and bathetic, the other fantastical but forgivable because the beasts bite back. Oh, if only I could explain these machismo machinations. What a ruse. How song and dance does intrigue. Please write me again from South Dakota. I'd like to book one of those dusty dinosaur tours before I go extinct.  Bone hunts, bullfights, same difference.
This was probably way too precocious. Oh well.
Sarah Writes May 2013
Sleep deprived
Deranged just a little touch/just a little
Tip
Crack your
Knuckles work your bones
All around this town is shaking
Shiver/moan
All the ways we get horizontal
We get up to
Get down, always a little off
Always a half-second early, drop
Let it all fall off
Devolve your way to the light, little moth
We're so god ****** enlightened here
But you've got a long ways to go, always
Stagger long my wayward friend
Lots of beds but
None that feel like home
We get weird but
It ain't so strange
Tie your hair up in tangles like you've been had on the ground
Alley dirt on your ***
Dance your way to the front
Alternate between confident and terrified/cigarettes naked fall
Asleep alone
On some weird couch
While your best friend
***** your ex in another house
Forgivable, forgivable
Can't be mad at the poet/drunk but it's okay just breathe
Your way to the next day sit and look at pictures be jealous
Of the you you used to be
Shower like you're poison
Fill your car and
Head South Head South Head South
Alessander Jul 2016
They enter the café just as some sappy pop song is playing
They order then immediately hug
Embrace
Swaying to one side, together, like the wind
Encircling the leaning tower of Pisa
Then teetering to the other solstice
Foot to foot, smile to smile, hand round skirted waist
Forearm resting on his tall  blazered shoulders

This is forgivable in the young
Those teeny-boppers with defiant hair-cuts and posters
However, he has peppered hair
She, though voluptuous and tanned,
Must be in her 30s.
Affair.”
My cynical devil snickers, between sips

But I sit mesmerized, and for the first time ever
Envious.
The chairs and the tables somehow seem more distant
The song  now sounds as if it’s funneled through some crackling phonograph
The very light disentangles itself from stones
It’s as if a sky has opened up in my chest
Flying high overhead,  one lone raven,
Its slow shadow
Gliding across my heart

Oh, how I miss you
5 states away

I see your smile on magazine covers
I vaguely sniff your scent on passing women
Yet you remain elusive - immaterial, haunting,  
While this visceral assault

Leaves me bewildered - empty
An echo in a chiaroscuro cavern  
Fading for thee
Nemo Mar 2014
Now you're breathing champagne
I can feel it sparkle on my skin
while you revel in the falseness
of forgivable sin

Now I can feel the air around you
deflate and search for words
to stop your own from hemorrhaging
and to heal whatever hurts

Now you're breathing champagne
while you stumble to the places you once called home
like the park behind my house
and the west end record store

Now you can feel the world behind you
nipping at your heels
like the hundred hungry hounds
and the weapons they conceal

Now you're breathing champagne
like it's oxygen
and you are
lost at sea.

I wrote a note on the bottom of the bottle
you can read when you're in pain
"keep the memories in your chest
and keep breathing champagne."
Sarah Jean Ashby Aug 2011
Written May 9, 2011*

You said that something just didn't make sense.
Said you didn't understand.
I promised. I promised.
I swore this time we'd get it right.
I thought, I prayed
That I could keep it.
Keep my word. Hold it tight.
But again, it crashed.
And as your voice cracked
I could hear.
I could tell you felt as if I'd lied.
I tried.
But couldn't spare your heart.
Above everything else,
That hurt the worst.
And my promises came crumbling down.
Falling apart.
This isn't my favorite thing I've written. Actually, it kind of annoys me. I hate cliche lines and stupid rhymes that only serve as connectors for the next phrase. If that makes any sense, I don't know. But this was sort of an apology to someone important at the time, so I figured it's importance was more in the meaning than in the delivery.
Richie Vincent May 2018
Before I knew that I could fall in love with another boy,
I had already had those feelings stolen out from underneath my feet

50 years old cold and old with a lust for blood,
and innocence,
At 16 years old there wasn’t even a whole lotta innocence left in him,
But he worked and moved in places that felt like dark alleyways,
and promises that seemed too good to be able to break,
The way his tongue slithered out from underneath the church pews,
looking to lap up whatever he seemed to have missed from his youth

I remember the first time I went to therapy,
the way that my therapist kept asking me if I was confused about my sexuality,
It shouldn’t have started like that

Wrinkly, angry, and full of adrenaline, young in the head and sick in his veins,
He liked to touch them,
He liked to hold them,
His eyes always matching theirs,
he made it perfectly clear that he’s not looking for a fight,
he’s already fighting,
and he knows he’s going to win

I’m not a religious person, but I believe the devil comes to all of us in different ways,
Sometimes beautiful and forgivable,
Other times in a black t shirt and a pair of nikes, disgustingly promising,
a place to make you feel comfortable

We let so many people use our bodies to prove their points, it’s so exhausting,
I can’t tell the difference anymore between wolves and sheep,
But I know that he’s a wolf,
And I know that no one listens to a boy who cries ****,
And the blood is always going to be there,
The alcoholic breaths taken deep into lungs that promise to carry on, are always going to be there,
The hatred and phobia of old men with mustaches and eyes that look just a little too inviting,
is always going to be there

Your Innocence is always going to be there, just don’t let anyone convince you that they can steal it from you

We are more than their torn muscles and “really, I’m a nice guy”s,
More than their “I’ve never done this before”s,
More than their “You don’t have to mention this to anyone”s,
More than what we think we deserve,
More than what love used to mean to us

We don’t have to love like that anymore,
Our bodies are new,
Not used anymore, but brand new,

We just have to teach our bones how to use the beautiful new skin that they’ve worked hard for

So to the man who taught me how to love myself,
You are nothing more than a distant memory I’ll continue to pack into the bag of luggage I carry and unload when I need to remind myself that I am more than whatever you made me think I was

I forgive you, but only because I forgive myself
The Mellon Nov 2016
I don't know if I know you yet,
I'm only 19 after all.

I don't know if I've made you laugh,
But I can already hear it now.

I've probably made you smile,
I'm sure it made my day.

I probably even once have made you cry,
I hope it was forgivable.

I know one things for sure,
Future wife.

I already love you.
Nat Lipstadt Jan 2014
A trinity of three styles one man no religion one morning over a lifetime

Temporary (we tat too)

Temporary love
has no precision definition
so if I say
love you forever,
as I do,
know know
just know
this particular
phrase
is temporary,
unique and forgivable

as temporary
as our permanent tattoo,
the one embellishing you,  
the one marking me,
the two hearts tat
that means
we are a
tat two

If you begin a poem,
a love, a tat
with temporary,
usually, but not always,
you have already failed

See http://hellopoetry.com/poem/if-you-begin-a-poem-with-i/

~~~~~~~~~~~~~~~

Invalidation

my living bones, twisted.
my words, slurred,
disfigured with a panache,
that makes the mirror
turn away, ashamed

invalid. in valid.

I have been invalidated,
I spit at your too late heroics,
unwanted.
I spit at myself,
for missing the moment,
when choice was mine

I would have self-destructed, freely,
reborn in an act of self-validation,
be my own living will,
if only I had not been enslaved to my
*******
Fear

invalidation, the Cain mark of every failed man

~~~~~~~~~~~~

Bootyoir

three day weekend has commenced.
it's con-occlusion
now in rapid descent
mini-vacation, ****-sensation.

the only question remaining,
present but debated,
as yet undecided,
whose turn is it
to answer
the doorbell,
when the delivery guy
brings our break~fast

for it is forbidden,
a transgress,
to egress
from the bootyoir,
except for the
call of nature,
and naturally,
I am calling
you,
comeback comeback
hungry time
it's time we
co-authored some
bootyoir poetry
Temporary: for A.M., written yesterday morning, from a life of learning that sometimes temporary is best when you know its permanent, and sometimes permanent is thankfully, only temporary.

Invalidation:  from years ago, when my now ex, who made me miserable for thirty years, after having left me, tried to get back together.

Bootyoir:  this morning, the last of a three day weekend.
Candlelight is romantic, unless
you're in a dungeon.

Context changes everything.

Context makes you look down
at the bridges you build and realize
they are plywood: thin, cheap, but
soggy enough from this rain that
they're impossible to burn.

Realism is a myth. Everyone has a lens.

People believe what they want to believe,
or they believe the worst. Sometimes they
alternate, tense and relax at all the wrong
moments, a sigh of relief before the crime
has been committed.

Everyone loves a hero until they are up
against them.

The unforgivable becomes forgivable
in the right context, ****** as self-
defense, or in war. Fear and arousal
provoke identical symptoms in the body.
Sometimes the boundaries bleed together.

Sometimes ethics surrender in the face
of love.
Nat Lipstadt Aug 2013
Seven New Poems For Seven Days #6 & 7: Live like you're dying


Perhaps you know the lyric, the song?

Live like your dying.
Dying caught my ear, my eye, can't imagine why.
Con-Textual emendation, Natalino style.

Live like your writing.

Yes, that makes sense...

Embrace with passion each new session
Charge every second stanza with ruminating rhythms,
Cut the wires to the air traffic control sensory tower, go solo,
Pulse each word, beat all into a plowshare, even the anger,
Even the hate, dressed to ****, in words, forgivable...

Grant the mundane, the insane, even the pain of tragedy,
You refuse so hardily to glorify, grant it and
Record it all - a moment,
A royal audience with all
Your writing parts.

No fancy footing, keep it simple.
No jesters in rain puddles,
Let images of clouds of sand
Born and perish  in other's eyes and sighs, let verbal games bedevil other
Wooden puppet princes drinking fairy ales.

Huh?

Write clean and clear,
Let the sheerest wonderment of a new combination,
Be the titillation of the tongue's alliteration,
No head scratching at oblique verbal gestation,
Let words clear speak, each letter a speck,
That gives and grants clarification, sensational.

You, afternoon quenching Coronas, white T shirts,
Sun glazes and later, a summer eve's Sancerre,
Wave gazing on the reality of rusted beach chairs,
Babies sandy naked, washed in waves of Chardonnay,
The traffic-filled word-way highways and bay ways,
Exiting at the Poet's Nook, for exegesis & retrieval.

Write of:

Body shakes and juices, skin-staining tongues,
Taking her, afternoon, unexpectedly, her noises your derring-do!
Broken tear ducts, the Off switch, so busted, write about
Real stuff.

Write not in fear of dying
Angels delivering bad news in vacuum tubes,
Write joyous, psalms of loving life,
Live like your writing,
Write like your living,
So you may die well.
This poem~title, been on my "to write" list,
In a wine cellar of stored notion~nuances,
A smack-down list of ideas that require:
aging, awaiting, body and fleshing,
ruminating, brooding, masticating.

Challenges, lying, comfortably asleep in my iPad.

Sometime when bereft,
these well used empty Mason Jars
catch my glinting eyes.
Bell Jars ringing, finger wagging,
attention deficit needy,
to punctuate the season of bad timing.

Need pie-filling, plum jelly-canning,
crying out like a sad ole country song,
twanging, achy breaky, heart breaking sounds of
Write me write me write me!
So now you are done, to sit and stew, till ready for
Next year's pleasured tasting

The last of the poems inpired by the passing of my mother.  Tho I wrote only six in all, there is a good reason for that. I set myself a challenge before the funeral to complete this "collection." This last title was indeed sitting on my list of titles in need of a poem, when I tripped on it as the way to finish the task.
Alice Jun 2018
If I confess you my sin,
would you finally let me in?
Your book say I'm sick,
but your words tell me I'm forgivable.

If I shout "Amen",
would I be a better women?
Your followers say you will send me to hell,
but your words say show compassion.

They say "Prise the Lord!",
but I don't know what for.
I'm still looking for my hallelujah,
maybe I can have faith in you again.
Religon is a hard subject.
Djs Jun 2013
Dad, daddy, father?
What am I to call you, sir?
A hug, a handshake, a slap?
How am I to greet you, pops?

"Happy father's day!"
Is that what you want me to say?
"I've missed you throughout all these years!"
Is that really what you want to hear?

What am I to do when we meet again?
Tell my failures, tell my accomplishments?
But do you even deserve to hear any of these?
When you've been gone for all these years?

Why did you leave me, dad?
Was I not good enough; was I that bad?
What was wrong with me that you had to leave?
Did you even feel any regret or grief?

When I was younger I thought you were dead.
That's what I believed though it was unsaid.
And now that I know better,
What's your reason to render?

I just wish I could've known you.
Your name, or what you went through.
Only once, I've heard from you.
But that doesn't suffice for the chances you threw.

You were my first role model, daddy.
Cause of you, I don't get hurt easily.
I've learned leaving someone is inevitable.
And that hurting them is forgivable.

You taught me that love doesn't exist.
All love comes to an end, leaving a bitter mist.
I've learned everyone will disappoint you.
Although they're not supposed to.

You've created, within me, a monster.
Aren't you just proud of your daughter?
Because of you, I know that I'm worthless.
And everyone I value, will leave me regardless.

Now my heart's filled with hatred.
The suffering you caused has ended.
I'm not vulnerable anymore, daddy.
Now you're nothing, not even a memory.

So, dad or daddy or father,
The man who left and threw me away.
What now? What do you want me to say?
Happy Father's Day?

*-djs
Simon Forsythe Aug 2014
Come back and I won't make another one, ever. Please.
Mateuš Conrad Oct 2015
yeah, they cut out my third ****** from my shoulder blade and i turned into a bond girl; oh god, you're not one of those bulletproof people confused about love like a nurse confused by a disease? you are? oh god help me... you'll go far! straight to daddy's pocket purse and saturday night... you'll throw stilettos at chandeliers and expect a catwalk blackout... god forbid that should happen with everyone biting their toenails.*

between us we share the bathroom
and the bedroom,
we sit on the stilt framing see-through of it admirably
airy and welcoming stars:
wishing for foxes and women respectively,
all you can hear is a meow... meow... meow...
meow meow... moo... µ... meow... meow interchange
between these two rooms in the garden air,
it’s like a fetish orchestra giving ‘prior to sleep’ crescendos,
and it makes sense to write a forgivable poem
of this least content, content with the least as me writing it;
well d'uh, of course i had to write it,
i wasn't going to stage a boxing match with stella artois
losing care for words and taking care of action,
i was going to mediate the page like a kite being passed
on with paddington bear's secret inscriptions to get from
london to sydney; i hope it worked.
the drunkard? oh... he's either silent, crying, laughing,
or simply reading.
Marlo May 2015
One day I swear I was walking through skies of grey,
a presence swooped by and made me feel a certain way.
My eyes first glanced and my heart soon followed.
My tongue drew back, with a deep breath, I swallowed.
Carried along by clouds of nine,
our hearts whispered to each other,
you are mine.
In that moment, my whole mindset changed.
In that moment, the whole meaning of my being rearranged.

To capture the significance of this first meeting,
you’d have to feel the happiness of a blind man’s first time seeing,
of a suicidal human’s first time feeling their meaning,
an unconditional feeling of being alright with just being.

To truly feel the story that was next to come,
you’d have to know the comfort of a warming gun,
the peace in the clouds giving relief from the sun,
the time you knew you had found the one.
You’d have to know complete selflessness.
To give everything possible and be ok with having none.
To convulse each shun because you know this feeling has just begun.

This day, I didn’t know what was to come.
I could have never predicted marble nonsense,
and soothing sleep hums.
Never known, there was not enough words in the dictionary
that quite sums up what he is.  

The way he moves, is a ballet all to myself, I feel his movements too.
The way he speaks, as carefully as gently placed morning dew.
The way he thinks, an accumulation of experience powdered by his mind, something new.
Noticing these things and many more, inside me,something grew.

It grew throughout my bones and tied bows around my guts,
placed vials of him in my brain and convinced myself that I was nuts.
He opened new doors and allowed my mind to run free,
He ripped shades off my eyes and finally let me see.
This thing grew within my heart and released the real me.
My thoughts rang out with quotes, forever we would be.

I’m not going to lie and say it was all glitz and glam,
there’s moments that I questioned all I really am.
There were moments where I cried and I couldn’t give a ****,
there were moments where the grim reaper’s hands were upon me,
moments where there was beauty around but I could not see.

Forgivable, these moment’s easily are named.
Fore he always ran to save me, never shamed.
As well, these occurrences were to be expected,
with a love like this, rough times come, these memories were collected.

Despite the corrupted and ***** truth,
there was much more than grime in this love-story youth.
There was beauty in the rain and pleasure in pain,
his name on any lips, glass, holy-stained.
His touch to my skin, held it there, chained.
Lonely soul’s , a playmate gained.
Leaving this feeling, so long I have refrained.
He has my heart, I come to him, well trained.

To understand this feeling you’d have to step into my skin,
Ask me nicely, i’ll let you in.
Our love is unique not a chick-flick film sneak peek.
within my eyes, new feelings you will seek.
Feelings never felt before,
feelings that never bore,
that make your heart sore,
that make you feel pure…

And this feeling, I shall never stray,
this role, i will continue day to day,
this man,
i will love as i may,
until it’s time our souls float away into nonexistence,
but that’s another story for another day…
(k.r.k)
its been a while
. *** .
How many parts? Transient…
Tearing apart? Permanent…

An angry one. Powerless…
It’s never done. Sorrowless…

The battle rages. Survival…
Till one prevails. Revival…

Is there a third? Unaware…
Has it been heard? Everywhere…

Forces at play. Unresolved…
Hear what they say. Unabsolved…

Fight for your soul. Unlivable…
Your self-control. Forgivable.
Instagram @insightshurt
www.insightshurt.com
Buy “Insights Hurt: Bringing Healing Thoughts To Life” at store.bookbaby.com/book/insights-hurt
Connor Jan 2016
I

Flowers already,
sputtering bicycles and the mad drums of foreshadowed
Springtime,
Massage therapist of the universe!
The extracted final note in a bird's outcry and my ears are full of sound
and sleep.
A cities undeterred heartbeat welcomes me to the continuous span of events only separated by the lambent verve,
windowless eyes watching each other
a signal-light blue ocean winding around a wicked mattress
seductively spinning a cowl into the night for her lover
(who's thoughts have been paused!  he's 100% clocked in and spun out, a hanging aluminum)
DAZZLING!
toothpaste spit outside into January's soft grass from a second story dorm room that's curtains reminds me of The Glenshiel..
(or maybe I'm suddenly feeling sublime death slowly knotting itself into my lungs, always been there but kinda like noticing your nose resting on your face for the first time)
On the bus home I thought of new years eve, 2015.
After the countdown, emerged from the underground
James Joyce pool hall,
rushing out to the streets
an asphalt madhouse
lunacy, absolute, and stabbings nearby tortured parkades.
Here's the new year made real,
a tangible calendar
an authoritative sentiment
while I listened to Donovan's "To Sing for You"
My new friends laughed, arms together,
I felt like I was standing on the edge of an undiscovered sun,
replaced by Vietnamese clouds
(Which I'll sail by come September)

II**

A crow waits on a balcony, wet and lonely from the rain.
Radios buzzing an electric tuba.
Smoke is the father and
dew is the mother
I am the son cold and clothed, while others soak beneath
canopies, cement gaps, they pray, I pray for them although I
wouldn't consider myself religious,
"Agnostic spiritualism"
yeah, the has a nice flow to it
but that's just my opinion..
Waking up before the sun has breathed
the first western factory.
Yellow hats
****** fists
a faint star is singing
I'm listening
ears are ringing
a static drone collapses
consciousness reaches a peak before subsiding to sunlight
(sequel to the last day, prequel to the days to come)
I'll fall in love again, I know it
I have it marked on my calendar you'll see!
Water a few hours still/room temperature/is shaking because my foot
beats against the carpet/
this music isn't exactly conventional or pure as the morning
more a glass shatter
or a psychotic scream in distant queer Victoria nightclubs.
Passing Christmas,
Oak Bay,
Spanish holiday (potentially)
and ** Chi Minh City market walks
(future events ^^^^^^^^^^^^^^^^^^^
A university lecture from Vandana Shiva,
watching my dad's cat for four months
(Where my room was destroyed in a forty-five minute
terrified chase thru the house to lock him in a carrier for an urgent vet appointment due to kidney stones, or what we thought was urinary crystals at the time. He howled the entire car ride there)
I think back to childhood, 1996 Apartment light and the December blizzard which buried parking lots, blocked entrances/exits n forced people to be patient for once, sit and talk, make love without setting an alarm for the morning after
(before I was even 5, or 10, long before I wrote poems, and lost those I would come to care about..)
Hopefully all those elementary school friends turned out okay.
Since moving, I've frequently passed great corner store curtains,
green and grey dusty
by the rusting tills
an empty town
where the soccer fields became overgrown and ice cubes melt slow on
people's fingers (As they wait for time to roll by like it always has)
a forgivable loss of community.
Even so, there's that consistent disappointment in lost years,
a waiting room, and I'm choking on oriental carpet threads lodged one by one into my throat and here I thought I'd eventually taste the Chinese
but it appears that they have instead swallowed me, downed me with tequila (label torn from passing months and birthdays not celebrated)
The holy temperate wind expands down and through bare branches,
argumentative hours
desperate hands
a loudspeaker CALLING!
and the WILD MACHINE cuckoo cuckoo past the insulation.
Silvery sweet, undreamed kisses, misunderstandings,
the cool reflection of a kettle while two wait for midnight and for the butterfly to creep up on their shoulders.
(cradled by cosmic lobotomy, hours where not one person can sleep,
and Sadhus give spiritual advice for those that need it, India, while I need their voices here on Vancouver Island, far from the Ghats)
When can I go for that intercontinental voyage??
to escape the warehouse cathedrals,
capital Christs,
nettled lipstick,
weariness in the age of wireless consciousness
and a spectrum of commonplace goddesses who wake with no lucidity.
My breathing getting heavier every day, with the weight of wanderlust,
an asthma designed for those who's material position is dictated by a secluded room
(slowly catching fire)
I'm only months away from the prophesied airplane..
all been leading to this
here, now
soon.

The only known alleviation
on this unrest for experience
resides in poetry.
Mikaila Dec 2012
Nobody but me has told me that I have no right to grieve the living. I think, in a way, death is easier to accept. You don't run into your dead loved ones on the street, and look away as if you never knew each other. Death carries its own pain, its own terrible hair tearing madness of grief, but I think perhaps it is born in us to know it. It is a natural grief, an unavoidable thing, that leaves no blame upon the one who left. That is one thing I value highly, that when people I love leave me for silence, it is not personal. Death is part of life, it is our final act. Everyone will see it, everyone will endure its mark, it is a natural pain. It has an excuse, a millennium of excuses, for there has never been a person who has not died. I can forgive that. Succumbing to something that no one before you or after you has or ever will resist successfully. That is understandable, it is forgivable, it doesn't even bear forgiving. When somebody dies, your love of them remains pure. However weighted by their absence it might be, it is not tainted or marred. It remains, perhaps sweeter and more present than before. You never have to try and forget it. I feel as if I have no right to grieve the living, when the dead are so much further gone. And yet somehow the living are harder to lose, for when you reach for them, they do not sit still in silence, they push away and turn their heads. How could it be that you would survive it when you asked in grief for one more moment with the one you loved, and from the grave, he said he'd rather not? I think perhaps it is a cruel blessing that death is so final of a loss. For there are other losses, with the same finality, made not of nature but of choices, of pride and fear and foolishness, losses that never make sense. Dying makes sense. And how cruel of me to say it, but it is what I believe and what I feel, that death is somehow more acceptable because it happens to everyone. Each death leaves a huge hole in your heart, in your life, and the grief is like nothing else there is, but the reason you can survive it is that you have the comfort of knowing that the person you lost does not make the choice each day to be gone from you. If you knew that, if you knew that somehow they could return and be what you needed from them, how could you ever heal? But these are past feelings. Passive feelings. I used to think on this far more often. I used to wonder why I felt as if someone had died. I used to feel very stupid for feeling such a deep grief over something so shallow. But as it settled in my being, I realized that for all the differences, death and loss are not so different in their presentation. They settle in the heart, they leave their scars and holes and little triggers of sadness that will never heal. I suppose I should thank god that I never started crying in the grocery store, like my mother did when her sister died. Or in school or on the street. I wanted to, though. That's the thing about death. It's so pure of a loss that nothing can hold back your tears. No pride quells them, no anger or resentment or self righteousness rears in you at their sudden appearance. Pure loss is a beautiful heart rending thing. Those tears in the store or on the sidewalk or home in bed each night, they have no guilt, no "should", no blame. They are simply an expression of love. To express love that way was, to me, forbidden. And so I never burst out in grief after it was done. I cannot say whether that made it harder. People say it probably did. But that is the whole thing- you cannot cry for the living. There is no pity, no proper loss, no excuse to be sad. You cannot grieve the living who have chosen to be dead to you. I respect the purity of true grief and loss. I could not respect my grief over this. It never got a proper expression. Never after it took over and I fought it off. So unnatural, so abhorrent was it to me, that I simply crushed it and went on. I don't know what that choice has done to me, or what it will do in the future. I know only that it was the only honorable thing to do. For you did not deserve my grief, and I did not deserve to grieve beside those who had truly lost someone. It would be wrong, it would be unfair, it would be a defacing of the purity of love that only death can reveal. You cannot mourn the living.
david mungoshi Oct 2015
Wherever the drum is sounded
There will his feet and ego lead him
For there's none so adept as he
At fouling the mood with a few
                home truths
when the village brew is frothy and virile
There too will his keen appetite him drive
For there's none so deferred to as he among
Folk hungry for forgivable misdemeanor
                and some home truths
He's the inimitable village drunk
Endowed with a surfeit of expletives
For there's none so free as he here
To douse all and sundry in invective ubiquitous
               laced with a few home truths
This village drunk is high on the power granted him
By a grateful captive audience that's allowed him
Freedom to free them of secrets and all
When he dons his invisble crown and dispenses
              a few home truths 'bout everyone
Mateuš Conrad Sep 2015
my interests in / with philosophy are grammatical,
"         "        "  /    "    theology      "   linguistic.*

as philosophy did not entice grammatical words to express it,
as philosophy did not entice grammatical words to be utilised,
so thus the study of language became distinct
from philosophy, with only english or german or italian
teachers using these words as a forgivable badge of honour,
but what if a philosopher decided to "steal" these words and use
them, what then? it would be secondary, to have learned
a language in order to progress to the second tier of language
and erase colloquial truths, idiosyncratic truths, etc.,
those maxims that never really matter, but find me one philosophy
book that deals with words rather than ideas by submerging
itself in ideas and theories not of the world, not political,
metaphysical, theological... but simply grammatical... as to why
the pronouns clash when used as the universal stipend of question:
who, how, when, what if, etc. it's a minefield of considerations,
categorisation of words to only craft learned plagiarisms
of the pulpit, that such rigidity in grammatical classification
of words is so aged ashen leaky and rickety and sir sneeringly sneaky
as to be disregarded by philosophy is a gaping black gravity vortex
of travesties. how do i write you ask, with what ease
and with what machinery of split second bullet fire (sometimes)?
i simply declassified certain words, rearranged their
grammatical classification, some permanently, some impermanently;
such is this curse of the orthodox theory of language,
this ungrammatical denotative classification,
before the sun or the moon can be a subject for a poem
or some other form of inspiration, it's firstly a subject for nouns;
oh i believe in grammar, but not how it's organised
for the sole purpose of schooling, the odd jack-in-the-box popup
lightning slosh of um um ah when the teacher labours momentarily to
utilise grammatical words to explain a bewilderment without
actually explaining anything other than the classification coupling
obvious(ness) in a poem... esp. one beginning with a conjunction such as and.
Oftentimes we can be inanimate as an insentient being,
If not, then lost, torn, or broken,
Drifting off into a minimally-conscious stupor,
Responding only the the most prominent of stimuli,
Quite frankly, most of the time, we aren’t really alive.

And this--this is condemnable!
This is a pleasureless trick!
The human mind has incredible potential,
Yet it's hardly active,
And essentially quite thick

Still, such is forgivable
For when we originate the formidable,
Dreams come true,
Aspirations brought to place
Life is brought to life through inspiration!

Have you never experienced some urges?
Strong desires that can never be explained?
They rain down,
As a blessing,
Better use them--
They're quite shifting,
For the love of yourself and your species:
Respond to compulsions of ingenuity!

Out of all indecipherable anomalies,
Creativity is by far the strangest.
Yet, strange is commensurate to lovely,
If put into practice,
Creativity is quite comely.

Some might say said compulsions are
Granted by the influence of divine beings,
Yet I believe they manifest from the divinity IN us,

I could grant a rant,
An oration,
Or a panegyric about compulsions
But only under the circumstance
Of such an aforementioned trance

Oh Life!
Such compulsions are
The love of me!
My pillar of strength,
My foundation of truth,
Mainstay and
My hope!
My perceived ESSENCE
Just Me Aug 2017
I'm a *****, because I'm honest.

You keep breaking promise's.

And you just expect me to not forget when you make your next one?

Am I Dumb?

Is it not obvious you would need to prove yourself before your trusted?

I don't think I'm the dumb one...

Again I get to hear how I have no income.

No income doesn't make me irrelevant.

Nor does it make me useless.

And your money can't buy my respect.

You can't pay me to shut up.

I know you will be sorry...

That's something you always are.

Me, I only wish I could ignore your *******...

But instead here we are.

I'm writing, cause I fucken hate that your such a fucken *******.

And I bet you regret not being with someone less confrontational, and more forgivable.

I can't say what my mind's thinking.

I know you don't believe it, but part of it ends with me leaving.

Nobody would think this argument is really about a drink...

But a promise of any size is a promise worth keeping to me.

I'm fucken crazy...

I'm out of my mind!

Cause I want you to mean what you say all the fucken time!

This feeling we created is dangerous.

If I were stronger, I'd deal with it better.

If you were thoughtful you'd understand my side.

I hate a liar.

And it makes me sick to my stomach.

I can't believe your such a fucken ****!

FUCKEN AUTO CORRECT TRYING TO MAKE YOU A DUCK INSTEAD!!!
Shea Vogt Mar 2012
Yet I sit and ponder within a shallow light she that lovingly caused each lonely night. Internal commotion aside, reflecting on external emotions I hide—but let's not stand on principle here. I know what's easier to discover when lost, except that which I've found to be the most important. That frustrating thing that life's complications have cost. I know I cannot sit behind words, a silently debonair grin intended to swoon, especially considering you won't even see me soon. I'm just pent up love mixed with longing anger looking in no certain direction for the thing I want. And for the first time, I really think for the first time, I know what I want…how I hate the fact. Depressed and lonely is forgivable, but lonely and knowledgeable of what it is I've lacked? How embarrassing.

Regardless, I'll take a moment to contemplate and remember sun-lit fountains splashing frigid water on petite feet, clouds beckoning my mind, and vibrant gray orbs reading me naked. I'll knock on the sky and slip this note under the door—maybe you'll find it and know what it's for. I miss you, even before I was smart enough to lock you away in my memory…even before then, I think I missed you.
11/20/11.
electrifyingly and smilingly,
I walk through the red mornings
that bring the rainy afternoons

with the smell of onions, lime
and fresh cilantro on my
malodorous breath
that will tell you so:

there are three things
we do exceptionally well:

a) the ****** expressions
we make have become an
almost artificiality, a dour,
featureless, sun-drenched
look that has pockmarked
and disfigured upon our faces.

b) living has become such a dynasty
for boredom that we find television
and fake reality to be satiated
and thrillful.

c) death before burial has become
so fashionable that we wear it like
he latest trend in the upcoming
fall catalog.

but there is nothing there,
decades are annihilated by dreams
and sleep is the cheapest form of
entertainment we have.

knowledge and wisdom
perforated through a
trepanned skull
needn’t be obtained by
an educational system

but through self-taught
and self-introspection

success is merely luck…
being at the right place,
at the right time,
knowing the right people

and we strive to be there

but devastatingly,
the small space gets
besieged
invaded
capsized
by subtleties
of distractions
and irritations

that what we have
either,
inside of us
or
in front of us
becomes insatiable

and the flimsiness of anxiety
begins to lionize and ascend
into higher sopranos

what’s good won’t last
what’s bad always felt so good
and what was said to be good
that was actually bad
was never forgivable

questions are unanswerable
books are unreadable
resources are unusable
happiness is unobtainable
love is irretrievable
and animosity comes so often
like a teenage boy’s *******

as the raindrops pelt the rooftops
like pachinko machines
as the grey hair sprouts like begonias
of spiraling hypnotism
as the pagodas burn in
sacred libations.

if this poem has reached you
it is because you are seeking
better writing than your own.
Arcassin B Nov 2014
By Arcassin Burnham



Made me laugh when you were alive,
Maybe I just need a piece of mind,
When you went away I wasn't there,
You said you love me I didn't even care,
.pile of my clothes and some gasoline,
You said if I didn't love you this the last you'll see,
So I gave you all my time and a couple trogens,
Even got us engaged when I brought you some roses,
I thought we've grown love each other , everything was set,
Until one day.......



......I found her with another guy in my bed tonight,
Biting pillows,
Making noises under head light,
Never been so hurt , destroyed and replaceable,
Your highly incapable,
Of seeing you as forgivable,
Shredded the tears of betrayal,
With the red skies pouring down,
Set myself on fire and slipped and fell in hell,
Now I see those skies here,
I couldn't be more proud,
I told the devil make me an agent,
To ruin relationships,
But of course always,
Its just a punishment..
Why
Amanda Powell Jan 2018
When people call me fun sized I don't know what to say.
Like if I was another size the fun would go away?

Some of my friends call me Nano, meaning very very small
A name I got in middle school and actually don’t mind at all

But this is because I own it and find it quite original
Unlike the normal comments that really aren’t forgivable

They say good things come in small packages but how can I know that’s true
When the world is full of big macs, and supersized taboos

Small things are always quiet, in corners or on display
I don’t want that fate for me, I’d rather be in the way

Making change is hard to do when adorable is your namesake
I’m activating feminist mode and trying to make an earthquake

No I don’t want to be your armrest, yes I’m tall enough for that ride
I’ll kick your *** at limbo, just watch me and abide

I used to wear high heels, to fit in with the crowd
Until a friend my size told me to embrace it and be proud

Now I wear flat shoes and am comfortable all the time
So when I’m kicking *** I can pivot on a dime

Sometimes my legs are tired from the height I’m trying to personify
So if you ask if I want a piggy back…that’s actually one thing I won’t deny

I like seeing it from your point of view even if it’s jaded
I do wish you could see it from mine though and find why my ideals have faded

“You’re cute when you're angry” they say, just like it's a compliment
But how would you feel if your emotions were reduced to words that aren't dominant?

When you grow up in a world where cute is your middle name
You don’t trust the ones that call you beautiful but who really is to blame?

Let alone if you ever hear “****” being said in your direction
Have you ever heard of a man getting a cute *******?

I’m ready for a shift and I can feel it in my bones
They’re aching to dance a new routine, with Beyonce in my headphones

Maybe that means they’re catching up, it’s about time for my growth spurt
After a life of half pint, shrimp and short stuff, watch as I convert


12/01/2016 Amanda Powell
Julia Betancourt Mar 2018
I thank the world for the moments
Where your soul is at peace because it has broken
into all of its pieces.
At times I feel there is a God
That lets me stand still in my 9.5 tornado of a life.
The wreckage keeps me together,
Keeps me from falling to the floor onto
More glass shards and wood pieces from a path I carved myself.
The windowpane holds my head in place
While time and time again I watch the Earth continue to be ruined.
My mirrors are all broken,
And I am not complaining.
It is that moment of sad relief,
The hour where you have stopped crying
And there is no feeling inside your fingertips.
The sweet nothing is a grand lifestyle,
Forgivable for a time with no noise,
Or life.
To lay down in a bed and yet float with the wind.
I do not stop myself from feeling nothing.
When the winds calm down and time moves backwards,
The hour runs quick
And I am reminded there really is a God
Because the pain replenishes itself.
And the shards pierce through me,
back to my untouched windowpane.
And I am on the floor,
On my knees
With spit hanging out from my mouth
And a beaten brain,
In the place where I stay crying before.
Hannah Cutler Feb 2018
how am I expected to love one,
without even considering the other,
pretend you’re not important, a no-one,
you’re my father and she is my mother.

I know that what you did wasn’t right
you had a wife, two daughters,
yet you did it despite.
a phycological game, I hope never a fight.
why did you run away
at the stoke of midnight?

you did the unthinkable
now to save your conscience,
your memories are all fictional,
your actions towards my mother
are far from forgivable.
you tore through her confidence
forever feeling she is invisible.
alone with two young daughters
those years for her were miserable,
yet you still believe you were a father
your parenting was mythical.

not to say that your life has been kind
you fought in a war,
lost a friend in the blink of an eye.
PTSD forever haunting your soul,
you knock back a box of wine,
few beers before your midday stroll,
self medicating your entire life
to stave off those memories
and what you did to your wife.

it goes deeper than that I am sure,
a lifetime of damage
that you have had to endure,
that is why I see a man
who deserves my attention
because I do not turn my back
on another human needing an intervention.

I understand why most don’t agree,
you were a monster, a controller
my mother drowning in the dead sea.
you’re arrogant and unpleasant
but you truly care about me.
underneath your exterior layer
I believe there to be,
a man gently crying
sheltering behind the carefree.


I am trying my best to be more honest
so I don’t live out my life after my father
whose lying is spectacularly flawless
so I do not see why I should lie to you
I want a relationship because
I am scared of what you might do
a vulnerable man, I am too empathetic
I feel sorry for you,
it is not purely genetic.

it’s a sad circumstance
for a woman of my age
trying to break through her father’s exterior
and enter an unexplored cage
to break free the humanity that I believe is left
and release you from the uncertainty
what you are heading towards is death.
I am planning on visiting my father at the weekend, while my mother has just gained the courage to seek help for the phycological trauma he put her through during their marriage. I find myself torn between enlightening him on what he has done and saving him from his instability by playing along with the delusional world he has created for himself. I am forever being told I am too kind to people who do not deserve it, but there are circumstances where kindness is the only option.
This one is personal.

— The End —