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"forestalled" poems
By day he wore a face of stone, a man at work, a man at home. Mid-tier, mid-forties, fading fast, a shadow built to never last. Unseen, unseen, the hours crawled, his name half-heard, his voice forestalled. Reliable. Invisible. Forgettable. Admissible. But night — night gave him another skin, a grinning mask, a skeleton grin. Blurry selfies, pumpkin puns, cheap delights for midnight ones. And they laughed. They saw. He mattered more than the man he’d left behind the door. She answered louder than the rest, late-twenties, lonely, dispossessed. Her laughter quick, replies too fast, his irony returned as gospel, cast. “I know this isn’t you,” she said. “I want the man who hides instead.” He recoiled. Deleted. Ghosted. Fled. But silence is a mask that turns, and absence is a fire that burns. 3:33, the phone alight, a skeleton meme each waiting night. 3:33, a plastic hand, a note enclosed: You’ll understand. 3:33, the offering grows — a pumpkin smashed, its seeds exposed. Her love became a ritual rhyme, his jokes became a curse in time. “You don’t get to leave,” she swore, “You owe me you, forevermore.” And he — the man who sought the crowd, who wanted laughter, not too loud, who craved the gaze but feared the weight, found every mask could seal his fate. No one is innocent here, no one. Not the trickster, not the one undone. He wore deception like a shield, she made obsession her battlefield. Now only one mask still remains — cheap plastic grin through windowpanes. Spoopy, childish, still, absurd, yet sharper than his final word. The curtains gap, the silence bends, a tilted grin that never ends. And he knows, beneath the grin so slight: her mask will never leave the night.
0
Sep 22, 2025
Sep 22, 2025 at 4:41 AM UTC
You Owe Me
By day he wore a face of stone, a man at work, a man at home. Mid-tier, mid-forties, fading fast, a shadow built to never last. Unseen, unseen, the hours crawled, his name half-heard, his voice forestalled. Reliable. Invisible. Forgettable. Admissible. But night — night gave him another skin, a grinning mask, a skeleton grin. Blurry selfies, pumpkin puns, cheap delights for midnight ones. And they laughed. They saw. He mattered more than the man he’d left behind the door. She answered louder than the rest, late-twenties, lonely, dispossessed. Her laughter quick, replies too fast, his irony returned as gospel, cast. “I know this isn’t you,” she said. “I want the man who hides instead.” He recoiled. Deleted. Ghosted. Fled. But silence is a mask that turns, and absence is a fire that burns. 3:33, the phone alight, a skeleton meme each waiting night. 3:33, a plastic hand, a note enclosed: You’ll understand. 3:33, the offering grows — a pumpkin smashed, its seeds exposed. Her love became a ritual rhyme, his jokes became a curse in time. “You don’t get to leave,” she swore, “You owe me you, forevermore.” And he — the man who sought the crowd, who wanted laughter, not too loud, who craved the gaze but feared the weight, found every mask could seal his fate. No one is innocent here, no one. Not the trickster, not the one undone. He wore deception like a shield, she made obsession her battlefield. Now only one mask still remains — cheap plastic grin through windowpanes. Spoopy, childish, still, absurd, yet sharper than his final word. The curtains gap, the silence bends, a tilted grin that never ends. And he knows, beneath the grin so slight: her mask will never leave the night.
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56
i’ve long dreamt of black flags in the streets tonight i marched beneath the shadow of their wings shoulder-to-shoulder in hope and solidarity an anarchist professor with a climate change activist an independent journalist and one of my students as mid-November winds tugged at her pink-and-brunette hair she lifted a hand-drawn sign of a gigantic sneaker smashing a **** and i felt for not the first time an enormous sense of pride how humbling to at once inspire and be inspired by an eighteen-year-old punk and artist who asked to borrow The Moral Imperative of Revolt two scant months ago then took to the streets to oppose and depose a twisted fascist virtuoso for two whole hours we hundreds owned the streets we marched down Rosalind Central and Orange Avenue as protest slogans rang angelic we raised hell and found heaven in liberty equality and solidarity but then the pigs closed in cordoned to Lake Eola to scream acquiescent rhetoric at the fish sleeping blissful in their innocence beneath the jet black surface a half-dozen cops in riot gear astride horses loomed ominous before us backlit by the headlights of the aggravated motorists our march had forestalled as the people abandoned the streets we’d won so easily i felt my chest wilt beneath the weight of forsaken opportunity my eyes scanned the remaining crowd four stood strong rooted to the concrete by the world's weight anchored by conviction an anarchist professor an independent journalist a climate change activist and a freshman college student i heard the professor whisper to his student i heard him say she'd put herself in harm’s way that they'd lost the day when the marchers turned their backs and walked away but she didn’t flinch or move an inch she stood silent and vigilant shoulder-to-shoulder chin held almost as high as her Nazi-smashing protest sign and her matching middle finger and in that moment i could’ve died smiling
0
Nov 12, 2016
Nov 12, 2016 at 12:07 AM UTC
smiling
i’ve long dreamt of black flags in the streets tonight i marched beneath the shadow of their wings shoulder-to-shoulder in hope and solidarity an anarchist professor with a climate change activist an independent journalist and one of my students as mid-November winds tugged at her pink-and-brunette hair she lifted a hand-drawn sign of a gigantic sneaker smashing a **** and i felt for not the first time an enormous sense of pride how humbling to at once inspire and be inspired by an eighteen-year-old punk and artist who asked to borrow The Moral Imperative of Revolt two scant months ago then took to the streets to oppose and depose a twisted fascist virtuoso for two whole hours we hundreds owned the streets we marched down Rosalind Central and Orange Avenue as protest slogans rang angelic we raised hell and found heaven in liberty equality and solidarity but then the pigs closed in cordoned to Lake Eola to scream acquiescent rhetoric at the fish sleeping blissful in their innocence beneath the jet black surface a half-dozen cops in riot gear astride horses loomed ominous before us backlit by the headlights of the aggravated motorists our march had forestalled as the people abandoned the streets we’d won so easily i felt my chest wilt beneath the weight of forsaken opportunity my eyes scanned the remaining crowd four stood strong rooted to the concrete by the world's weight anchored by conviction an anarchist professor an independent journalist a climate change activist and a freshman college student i heard the professor whisper to his student i heard him say she'd put herself in harm’s way that they'd lost the day when the marchers turned their backs and walked away but she didn’t flinch or move an inch she stood silent and vigilant shoulder-to-shoulder chin held almost as high as her Nazi-smashing protest sign and her matching middle finger and in that moment i could’ve died smiling
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73
The traditional story has a beginning and an ending. Between these two are strife and conflict and dragons and witches and handsome knights and beautiful princesses. The middle, they say, is the heart of the story, the journey which rises or declines to the ending. This is where the carefully crafted beginning is torn asunder, where valiant heroes attempt to stitch it back together, where most of the time it only ends up flayed further open like a wound. Or an unread letter. Or a broken fist. Or shattered chains. Or dying stars. And. And it is the storyteller's choice how it ends. Whether they all live happily ever after or they all become nothing but windswept ashes. Most of the time the story is just beginning, middle, and end—not necessarily in that order. One will never know how it really ends. And. And that is the happiest end to any story. Start with the middle, continue with the end, and end with the beginning. End with the knight on the dragon's back screaming a war cry, or with the princess locked up in the tower, or with the witch falling asleep. End with a sentence cut into a phrase, with an invisible ellipsis, and no 'The End'. One will look at a universe of different endings. Here is a galaxy of sadness, here is a solar system of bitterness, look, there's a star drawing its first breath, perhaps this is happiness. It will be like looking at the vast expanse of the sky and seeing stories written in the clouds, in the silhouette of mountains with their hunched backs telling a different ending of their own. You will see a princess in every woman, a knight in every man, goodness in a grain of sand. Or a drop of rain. Or a blade of grass. Or a pebble in the riverbed. And. And they will say you are a dreamer, disillusioned by forestalled endings, but dreamers are the happiest people in the world. They live in captured moonlight, thrive on dappled sunlight, see emeralds in leaves and gold in autumn's touch. They fly in oceans and float on tempests. They walk on treetops and ride horses crafted from twigs to the burning sunset. This is a world of endings. And endings are always the best part of the story. And if it remains unknown, all the better. Look here, at the ink that traces every letter of every word, dancing with utmost gaiety like a raptor in unbound flight. Swooping down, down, down, and spiraling up, up, up, gliding through the clouds, resting in the breeze like an eyelash on the cheek. Look here. The ending is nowhere. The ending is everywhere. But look here, at this words, because this is a story that will never, ever end, only swirl in eternity like ink in water, billowing like, perhaps, a valiant knight's cape as he perches on top of the dragon, roaring a war cry along with the beast, while the witch falls asleep, and the princess waits in her tower. Look. Or read. Or stare. Or write. And. And so they lived…
0
Dec 26, 2013
Dec 26, 2013 at 10:28 PM UTC
Finale
The traditional story has a beginning and an ending. Between these two are strife and conflict and dragons and witches and handsome knights and beautiful princesses. The middle, they say, is the heart of the story, the journey which rises or declines to the ending. This is where the carefully crafted beginning is torn asunder, where valiant heroes attempt to stitch it back together, where most of the time it only ends up flayed further open like a wound. Or an unread letter. Or a broken fist. Or shattered chains. Or dying stars. And. And it is the storyteller's choice how it ends. Whether they all live happily ever after or they all become nothing but windswept ashes. Most of the time the story is just beginning, middle, and end—not necessarily in that order. One will never know how it really ends. And. And that is the happiest end to any story. Start with the middle, continue with the end, and end with the beginning. End with the knight on the dragon's back screaming a war cry, or with the princess locked up in the tower, or with the witch falling asleep. End with a sentence cut into a phrase, with an invisible ellipsis, and no 'The End'. One will look at a universe of different endings. Here is a galaxy of sadness, here is a solar system of bitterness, look, there's a star drawing its first breath, perhaps this is happiness. It will be like looking at the vast expanse of the sky and seeing stories written in the clouds, in the silhouette of mountains with their hunched backs telling a different ending of their own. You will see a princess in every woman, a knight in every man, goodness in a grain of sand. Or a drop of rain. Or a blade of grass. Or a pebble in the riverbed. And. And they will say you are a dreamer, disillusioned by forestalled endings, but dreamers are the happiest people in the world. They live in captured moonlight, thrive on dappled sunlight, see emeralds in leaves and gold in autumn's touch. They fly in oceans and float on tempests. They walk on treetops and ride horses crafted from twigs to the burning sunset. This is a world of endings. And endings are always the best part of the story. And if it remains unknown, all the better. Look here, at the ink that traces every letter of every word, dancing with utmost gaiety like a raptor in unbound flight. Swooping down, down, down, and spiraling up, up, up, gliding through the clouds, resting in the breeze like an eyelash on the cheek. Look here. The ending is nowhere. The ending is everywhere. But look here, at this words, because this is a story that will never, ever end, only swirl in eternity like ink in water, billowing like, perhaps, a valiant knight's cape as he perches on top of the dragon, roaring a war cry along with the beast, while the witch falls asleep, and the princess waits in her tower. Look. Or read. Or stare. Or write. And. And so they lived…
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20
~ Changing directions In a forestalled motion, balanced on the side of truth while practicing losing my step in the rushing waters of life… I slip Clinging to a lone branch I find it blocking the sky, pulling shadows from mist and teetering on the edge of someone’s sacred sanity My eyes, stern and fashioned of blinded occurrences that swallow the light of day and the masks of sympathetic stares, focus For in the distance, tapestries woven of heartbeats glisten on the ripples of a naked moon beam, motioning to me in pleasing movements a’ dance on its reflections Passionately in syncopated volumes she whispers, louder than the hope now swirling in the rising swells and broken slivers of drastic wastelands which sit vacant in my mind “Float to me”, I hear as the cool waters so elegantly gather about her perfect feet Her toes grip the rocky floor in such beauty that I fall helplessly, allowing nature’s crest to take me, singing me sweetly to this pristine dream Disbelief churns in fountains of doubt fed wishes and desires as I submerge in the beauty that is her Engulfed by white capped rapids beating faster…only my heart She, with silken fingers plucks me from the surf, her fragrance, lilac and magnolia, intoxicate me We stand, shades of the deep sky and starlight beacons illume her face As fireflies play in the trees and our lips meet, my pulse floods with fever Her desperate thoughts invade my elated mind and I agree Together we plunge to the depths of forever and I slowly drown in her love
0
Oct 15, 2013
Oct 15, 2013 at 2:22 PM UTC
Float to me
~ Changing directions In a forestalled motion, balanced on the side of truth while practicing losing my step in the rushing waters of life… I slip Clinging to a lone branch I find it blocking the sky, pulling shadows from mist and teetering on the edge of someone’s sacred sanity My eyes, stern and fashioned of blinded occurrences that swallow the light of day and the masks of sympathetic stares, focus For in the distance, tapestries woven of heartbeats glisten on the ripples of a naked moon beam, motioning to me in pleasing movements a’ dance on its reflections Passionately in syncopated volumes she whispers, louder than the hope now swirling in the rising swells and broken slivers of drastic wastelands which sit vacant in my mind “Float to me”, I hear as the cool waters so elegantly gather about her perfect feet Her toes grip the rocky floor in such beauty that I fall helplessly, allowing nature’s crest to take me, singing me sweetly to this pristine dream Disbelief churns in fountains of doubt fed wishes and desires as I submerge in the beauty that is her Engulfed by white capped rapids beating faster…only my heart She, with silken fingers plucks me from the surf, her fragrance, lilac and magnolia, intoxicate me We stand, shades of the deep sky and starlight beacons illume her face As fireflies play in the trees and our lips meet, my pulse floods with fever Her desperate thoughts invade my elated mind and I agree Together we plunge to the depths of forever and I slowly drown in her love
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34
some days it seems sorrow stems like thorns beneath the leaves of intellect. sun-starved petals wilt for want of water, desperate to slake their thirst on summer-showers. the process of photosynthesis forestalled by the ambivalence of the heavens. hedge rows turn to labyrinths in the mind, droughts sap the vigor that bleeds from trees we planted like solemn columns in this temple we call the human psyche. a pestilence has settled in, a dank fog that rankles our resolve and strips bark like armor from the human spirit. weeds rose from fecund soil, strangling all that once grew here.
0
Jun 3, 2019
Jun 3, 2019 at 1:47 PM UTC
pestilence
We're the Saints of The Vapor that's our God-given nature the future's a formality presenting providential fallacies The past foreknew the present followed it in its essence surpassed it with its prescience forestalled its current presence See me now, catch me later neither instance is less or greater straight lines run instantaneously altogether extemporaneously Time is selfish Time is fleeting Time is all we're truly needing We're the Saints of The Vapor
0
May 2, 2016
May 2, 2016 at 8:31 PM UTC
Saints of The Vapor
yet again the sound of guns fire they fire in fits of ire the guns aren't silenced   of their tragic sound the guns issue volley on volley of rounds we hear them from afar we hear them at close range they're firing across the Ukraine they're firing in Iraq yet again the guns shall keep firing to the regret of us all the guns seemingly can't be forestalled an amnesia has taken over the brains of the firing men when will they from the gun abstain
0
Aug 31, 2014
Aug 31, 2014 at 10:15 PM UTC
Amnesia
The cold usurped the trees I watch their children fall filling up the wet street winter forestalled with a cask                                              of alcohol watch as the tip of his tongue touches the roof of his mouth whips down and spouts out the reasons why we have                                          this drought but its raining now maybe something will grow or a sea of spit with rolling waves                               will overflow I told her I would try to rekindle with him stuck in cabin's twilight sewing sinews of this                          phantom limb how does one talk before they think does he hear the words that dribble into his                                warm drink then ascends as steam back into that cavernous nose to permeate his brain and slowly seeps into                              tattered clothes this "vacation" will be over but not soon enough a couple more days all I have to do is                          avoid fisticuffs no promises.
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Nov 14, 2018
Nov 14, 2018 at 9:01 AM UTC
No Promises
~ “Float to me” Changing directions In a forestalled motion, balanced on the side of truth while practicing losing my step in the rushing waters of life… I slip Clinging to a lone branch I find it blocking the sky, pulling shadows from mist and teetering on the edge of someone’s sacred sanity My eyes, stern and fashioned of blinded occurrences that swallow the light of day and the masks of sympathetic stares, focus For in the distance, tapestries woven of heartbeats glisten on the ripples of a naked moon beam, motioning to me in pleasing movements a’ dance on its reflections Passionately in syncopated volumes she whispers, louder than the hope now swirling in the rising swells and broken slivers of drastic wastelands which sit vacant in my mind “Float to me”, I hear as the cool waters so elegantly gather about her perfect feet Her toes grip the rocky floor in such beauty that I fall helplessly, allowing nature’s crest to take me, singing me sweetly to this pristine dream Disbelief churns in fountains of doubt fed wishes and desires as I submerge in the beauty that is her Engulfed by white capped rapids beating faster…only my heart She, with silken fingers plucks me from the surf, her fragrance, lilac and magnolia, intoxicate me We stand, shades of the deep sky and starlight beacons illume her face As fireflies play in the trees and our lips meet, my pulse floods with fever Her desperate thoughts invade my elated mind and I agree Together we plunge to the depths of forever and I slowly drown in her love
0
Apr 23, 2014
Apr 23, 2014 at 6:35 PM UTC
"Float to me"
~ “Float to me” Changing directions In a forestalled motion, balanced on the side of truth while practicing losing my step in the rushing waters of life… I slip Clinging to a lone branch I find it blocking the sky, pulling shadows from mist and teetering on the edge of someone’s sacred sanity My eyes, stern and fashioned of blinded occurrences that swallow the light of day and the masks of sympathetic stares, focus For in the distance, tapestries woven of heartbeats glisten on the ripples of a naked moon beam, motioning to me in pleasing movements a’ dance on its reflections Passionately in syncopated volumes she whispers, louder than the hope now swirling in the rising swells and broken slivers of drastic wastelands which sit vacant in my mind “Float to me”, I hear as the cool waters so elegantly gather about her perfect feet Her toes grip the rocky floor in such beauty that I fall helplessly, allowing nature’s crest to take me, singing me sweetly to this pristine dream Disbelief churns in fountains of doubt fed wishes and desires as I submerge in the beauty that is her Engulfed by white capped rapids beating faster…only my heart She, with silken fingers plucks me from the surf, her fragrance, lilac and magnolia, intoxicate me We stand, shades of the deep sky and starlight beacons illume her face As fireflies play in the trees and our lips meet, my pulse floods with fever Her desperate thoughts invade my elated mind and I agree Together we plunge to the depths of forever and I slowly drown in her love
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35
The first hummingbird, The usual melee forestalled. Long sips of nectar. Others will come frequently, Overcrowding the feeder.
0
Apr 24, 2017
Apr 24, 2017 at 11:58 AM UTC
Early Arrival (Tanka)
oval bubbles distortion forestalled just a little longer than normalcy systems and I'll system you into the blue of one thousand thousand seas beyond my good graces drain azure ichor from gods long gone from all we wanted when we were young yonder 'round Neptune lies death in the void of wisp-words whipped through teeth like tears in the universe you make me so sick you make me death wish and doom dance in several shades darker than recommended-- wind in ethereal ears bled dry would to the one thousand thousand gods you waste into worlds of dust drawn from dark corners of alternate universal commandments broken beyond recompense
0
Sep 7, 2018
Sep 7, 2018 at 7:44 PM UTC
you make me sick
I am but a rose Or a dandelion Or a tree. Or a **** perhaps. Or a brain that thinks. I’m a river or a tree It could be you, it could be me. Don’t think, don’t speak, Just feel, I tell myself. So I’m the wind and some other crazy poetic metaphor or simile. My mind is full of abstract words and tunnels-slash- flowings things that can’t make sense-slash- all the things a mind will spin in a fragile casing-slash- a destruction of words that cannot be prohibited-slash- So I don’t want to think. Yeah, I’ll go with that. But pardon my lack of busta rhymes and feelin’ the rhythm. Apathy is a gravity my mouth has learned to find. A slow crawling, rhythm stalling, asphexiating breath. Thus my words have been forestalled. Goodbye.
0
Dec 4, 2015
Dec 4, 2015 at 3:44 PM UTC
Writers Block
as I stared blankly at the wall, and a constant void against the surface stared back at me i knew an hourly gloom can not be forestalled with the clock constantly ticking like a bomb about to explode, with my body frozen in a once warm place i used to call home; what could have went wrong? perhaps, the time was not for ours to behold whether each hearts do really belong to one another; mouth filled with thoughts that are tightly sealed and shoulders carrying hundred folds like two hostages dying to make a move with words left untold what else could save us— and our love that has barely bloomed?
0
Aug 1, 2022
Aug 1, 2022 at 3:36 AM UTC
wilted in time
My Modern Age Reality© The daily commute a daily grind Bumper to bumper you will find Asking “are you out of your mind” Hoping to spot someone that is kind Road rage is now the new adage To get where you’re going at this stage Maybe this can be forestalled with courage Though that is wishful thinking at this age My child in the back seat She’s my daily joy when I do pick her up and we meet Her arms outstretched as if to greet Though the morning drop off isn’t so neat A woman in a job no less That a man used to do my guess Why does it feel so thankless Although that paycheck is a bliss At the end of a long day I just want to rest But hubby dear has announced a guest Shopping, cooking, cleaning is now my quest After all we want to show our best The closing of the door and a big sigh Tells me that bedtime is nigh But first tidy up both low and high Maybe it’s worth a hug from my big guy My head comes to rest on the pillow A last glance out the window at the willow And a snuggle with mine bedfellow Leads to a day’s afterglow That’s all I have for today’s sideshow Andreas Simic©
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Dec 10, 2017
Dec 10, 2017 at 10:03 AM UTC
My Modern Age Reality
God what a mess, My head is spinning, Each day more stress, Am I still winning? Wall street crashing, The economy near stall, The media’s constant bashing, Pelosi’s new curve ball. My plans are now in tatters, Forestalled at every turn, To do what really matters Is all I truly yearn. I’m gearing for a fight The like they’ve never seen, I use my mouth to bite And care little if I’m mean. I’ll tear each one to shreds, Flail them side to side, Get well into their heads, Give them quite a ride. Clearly they don’t know The grief they have in store, They’ll reap what they now sow, It’s nothing short of war. Like Bombers flying high Releasing their payload, Shells falling from the sky, I’ll give them what they’re owed. Cross me once And risk my wrath, Yours the choice To take that path. Cross me twice And stay awake, You’ve cast your dice, What a mistake.
0
Oct 3, 2019
Oct 3, 2019 at 1:55 PM UTC
So you want to mess with me - In Trump's own words
Lovely angles, muscles, motion roused the pitch of hot devotion. Banners raised as standards flapped orders barked, salutes were snapped: volk emotion. Olympiads and warrior rallies Mountain maidens, Rhineland valleys showed forth her visionary arts. This Überfrau demands our hearts’ analyses. Leni filmed it with a flair made us feel that we were there; over, under, moving through a merely mortal flaw: her true **** affair. Misbegotten Roman signs intensified her visual lines. Cinematographic blame forestalled by Leni’s optic frame; her vision shines. She’d tackle any reef and stall to answer nature’s filmic call diving deep and wrestling Kau: light in Sudan’s darkness, how it can enthrall. Has history been unkind to her, this cinematic Lucifer ? Or is she vindicated and rightly adulated as memories blur? No one dares excuse, nor coddle propaganda’s super-model. Yet, the audience must admit Leni was no hypocrite, ours to throttle. Liebfraumilch-maid ? Much depends upon the angle of her lens Leni makes the cameras falter, wondering if film can alter history’s ends.
0
Apr 15, 2018
Apr 15, 2018 at 9:25 PM UTC
Visual: Any Reef & Stall
The partly frozen lake Still quite spry alive ****** and late mallards Temporarily reside Shared open water spare Disorder oft ensues Waterfowl in panic as The ****** glide amused Bare-boned branches bent By early Autumn winds Nature's karma paying For sultry summer sins Sun days in November So modestly are doled Joy is where the shadows form And winter is forestalled rc
0
Dec 6, 2019
Dec 6, 2019 at 12:03 AM UTC
November Day