Submit your work, meet writers and drop the ads. Become a member
Jade Sep 2018
VI. I, Ophelia
___________________

­{The Drowning}

It was her--
Flower Child.
Weeping Woman.
Crazed Ophelia--
who taught me that the
drowning is in the letting go
and not in the doing.

Ophelia did not flee to the riverside
with the intention of
drowning herself, no--
it was merely a promise of bouquets--
daisies, violet, rosemary,  rue--
of wild, velveteen petals nestled softly
against tear-stained cheekbones;
pine needles--
ticklish--
beneath raw feet
(do you recall how The Little Mermaid
danced upon knives
in the name of true love?);
and the train of her nightgown
a focal point for dewy leaves
and frayed bird feathers.

For it was flying she thought of
as she climbed the scarred willow
and cradled herself atop its highest bough,
severed blossoms in hand,
legs dangling precariously over
blustering currents.

But
when the bough
b r o k e ,
the cradle did   f
                              a
                               ­   l
                                      l,
and down came
mad girl
cradle and all.

But you must understand--
the dismemberment of the
willow's flailing limbs
was not her doing;
when the rapids dragged her down
to the belly of the murky river bed,
she merely gave no struggle
as death lapped at her ribs--
she merely submitted,
allowed the snivelling maw of the river
to swallow her whole.

Now,
I think it suiting
that I ponder the demise of the
Flower Child
(wilted in her ruin);
Weeping Woman
(tears reunited
with the eye of
the water lily);
Crazed Ophelia
(forgotten)
and all she has taught me
of drowning
as I let myself
fall asleep in the bathtub
at three o clock in the morning,
all the while a little drunk
and so very sad.
(You'd might have even thought
I wanted to drown myself. )
__________________
{Th­e Resurrection}

Doused in the pallid wash
of blue stage light,
and the clamour
of imaginary tides
growling in my ears,
I metamorphosize into
Hamlet's Ophelia
and all the other Ophelias
who came before me--
mad.
broken.
lost.
women.

Women who were never
capable of quieting
the sea trembling
in their veins;
the barbaric deluge festering
within their souls;
the siren songs
musing to the cavernous twists
of their hearts,
piercing through artery
with stalagmite precision.

These women succumbed,  
not to the water,
but to the burden of their own
desire.
love.
heartbreak.

None of them survived.

Except for me,
of course.

And, I must admit,
it took my
writing this poem
to finally understand
why that is--
why--
how--
I have managed
to stay alive,
despite dreaming of that
same siren song
that lured my foremothers
to their destructions.

See,
alone,
Ophelia could not weather  
the tempest seething over her.

But I different--
I am not alone.

Because I carry with me the spirits
of all the Ophelias
who came before me,
the fragments of their beings
melding together to create
a brilliant gossamer of hope.

And that is why,
together,
we can breathe underwater.
____________________
{­Blackout}

Ophelia Bows,
her performance immortalized
through the remembrance
of a standing ovation.
Don't be a stranger--check out my blog!

jadefbartlett.wixsite.com/tickledpurple

(P.S. Use a computer for optimal experience)
Aveline Mitchell May 2015
I bid you all a fond farewell
As these bones turn to dust in capitalist shackles.
No more will my voice be silenced
By gender roles and repression.
My foremothers gave me my rights nearly a century ago
And you still act like it’s pocket change.
No more.

I will rise above this consumerist nation
And be heard.
Feminism means equality, not women over men.
Don’t take offense when I lock my car doors.
You’ve proven yourselves untrustworthy.
“Not all men.”
But enough men.

I am not backing down; I am not giving in.
I am breaking free of conformity,
Barely comfortable in the skin you told me was imperfect.
Flip-flopping your beliefs; I am never good enough for you.
But I will always be good enough for myself.
marianne Oct 2018
born into an ethic of separate
and apart, knows nothing of the promise of oneness
and the slow release of held breath when I glimpse
that I’m not.

my foremothers in the summer kitchen, preserving
(1 part berries : 1 part sugar, splash of lemon)
lived the kinship of shovel sun soil hands
jam on buttered bread.

heads bowed under kerchief, shushing children, devoted
(1 part fervour : 1 part obedience, splash of sorrow)
sang the hymns of their mothers on hard benches in one voice,
one breath.

but the air is made of argon too, and contains
the breath of all others, the ones not on hard benches, or making jam
no lines in the sand made of belief or blood
not them, just us.

today with my own shovel, sifting through roots and buds
(1 part rage : 1 part faith, splash of sorrow)
I sing “Ain’t got no, I got life” at full volume with Nina, two voices
same breath.
Here is the awesome Nina Simone song I mention:
https://www.youtube.com/watch?v=L5jI9I03q8E&t=0s&list=PLkbO-DIg2u3X0gIUVKrjY4mV7YRg9rJCL&index=24
marianne Nov 2018
2:00 am and it’s that other-worldly heat
rising from the deepest hell, earth’s centre
extra a.f., as she would say
and she would know
at 15—
our separate bodies (spring of her life, mine between) give way
to an inevitable biology

2:00 am and another long hazy chain of women
my foremothers, and we are
single file, through burnt fields in blazing sun
walking a thousand miles
searching for god,
or our free selves—
tired faith stirs
to rightful power

Again, and a heavy grey-smudged blanket
settles around me, uneasy
I sip black tea with milk, eyes adjust, and
night becomes a friend
morning light will appear again
as it does—
fear surrenders
to the unknowable

In the night, like my bearded ancestors
shouting sermons from rough cut pulpits, doctrine
five hundred years old,
I am making peace
but laying down body, soul and mind
not arms—
a new pacifism
old as my mothers
HELEN MOULE May 2012
A MOTHERS ROLE
WITHIIN THE TRIBAL FAMILY

She is a warrior in her own right
Guardian
Protector
Of all that is hers
The teacher of all things
To her family
The tribe
The hunter and gatherer
Out there in the front line
With men gathering in the spoils of victory
Over Buffalo and Bison
With their child strapped
In the papoose

The Warrior mother
Has no liking for material objects
Her mind only set on what is really required
Warmth, shelter, their blankets and clothing
And all importantly the food for the family
Is enough for this warrior mother

She claims no fame
There is no gain
For she is part of the entire
Tribal family
This warrior mother
Will never put herself above anyone else
Will always be there for others in need

This mother’s role
Is the teacher of all that once was
From generation to generation
Stories to be told
Legends of warriors
Forefathers and foremothers
Telling the stories
Of how life can be
Making the children ready
For their own life’s
Ventures
Adventures
And  
Histories

© Helen Moule
1st May 2012
Ben Ryan Mar 2012
I can fare any roads, any paths
Often traveled or never seen
Because, on my paths,
I will always follow what I have grasped.

From failure recover and feel appeased
This is the only way to learn and succeed.
Failure, pain, and loss will strengthen me.

And all my paths will be blest

Because
I know what I Love
EverLasting,
And who I Love
Forever Lush.

Because
My love for family is pristine,
Mother Father
Brothers
Foremothers Forefathers.

Because
Fate will only guide me,
Never mislead me
Nor define me.

Because
I keep my beliefs in my heart,
But out of my mind
Where they would cloud my judgment.

And all my roads will hold no contest.

Because
I will not simply awaken each day,
But awaken each day with passion abreast.
Dark n Beautiful Aug 2018
Narrative Reportage for 8/2/2018

Home is the word we love to hear:
The dreams are never over,
They are always a break through: after the tears:
An x is lodge in our heads was it the,
rock, a tree, or the hidden board,
Time welt serve: time to cash in
Time uproot the rocks
that tree and those loose boards
would this be a happy ending?

You had choose the life of crime
The crime didn’t nail itself
Every day a black man
Under the age of twenty
Pulls the trigger, they turned off the light
He longs to return to his mother womb:
I see the love of their mothers
While she holds their hands at age three
at age twenty three I see the replacement :
the chrome bracelets: the resentment
Neflex the new society wants us to believe that orange is the new black:
“Our ancestors have invented, we can at least innovate.”
― Amit Kalantri


**“Oh Child
Look within
Find your ForeMothers
Find them
Find them”
― Malebo Sephodi
Whimsical youth
absentmindedly fell -
cliffside,
abruptly.

Love to the stars,
oath taken to stone;
to help you,
instruct me.

~

Stillness the moorland
of cherry pie kiss,
unwilling
fruition.

Patience, wise virtue
foremothers instilled,
jeune fille
in submission.

~

Tame was the Beast
at the mountain's heart deep,
lethargic,
sleepwalking.

Wild was the Princess
in her dreams of pink sweet
sins, secrets,
unspoken.

~

Long were the years
under fallen rocks over.
Now doubtlessly
older.

Black was one night,
set her sadness alight,
but the ash left
her colder.

~

Monsters awakened,
set the footpath ablaze,
hopelessly
grieving.

Freedom I call
you, trying to persuade
you, truth
unforgiving.
RJ Days Nov 2016
must recognize our Form
in the mirror,
see our Face, and make our reflection
as we kiss it, though it regularly sickens
Us.

I

We are still Us, though
that probably means little if it ever did;

We have been amended beyond recognition
from centuries of lobbing
off limbs, appendages, stitching clauses
like bandages then forgetting about them
if we ever shower,
disfiguring the pale torso of our Body
politic, naked and middling before posterity
grotesque genitalia dangling
hopelessly, and useless
between marble columns
unable to unite in congress assembled
erasing pluribus unum;

We're our Legs, buckling under obscene weight
now cloture’s invoked, the question ordered
on history with yays and nays,
discourse long reduced to the nuances
of blusterfuck;

We're our Buttocks, passing gas
bills, denying a snowball’s chance of
melting in frozen hell or on house floor,
and our Brain, lobotomized
better half yearning “Yes, we Can…
…ada” beckoning the coasts, blue dots
on blue dot ever browning;

We're our Fists, clenching gavels
while advising Mother Earth to **** up
because even without her consent,
reality’s adjourned;

II

We're our Skin—yes, our Skin—, thin-
ly veiling contempt insufficiently concealed
by layers of spray tan and unmarred
by blood sweat tears of our foremothers
and our Brow, not sweating more perfect
when it's so easy to turn and follow storybook greatness,
when our Fingers, callused from tweeting
Little Bits of *****,
which though once again retitled
and re-released, remains a classic,
completely unrevised;

We're our Ears, nostalgic for the crack of doom
and we're our Tiny Hands, unable to help themselves
from popping a Tic-Tac and grabbing
onto those titillating, dusty buttons
on the hydrogen jukebox;

We're our Eyes, heavy
as a defeated queen
with makeup running, blessing us
all for this operant foray into madness,
ever observing how our Arms, which
(torches now extinguished)
flail in confusion amid incalculable darkness
still hoist our pitchforks low and
our Tongue still grievously petitions
for more deplorable words amid
hallucinations of victimhood;

We're our *****, *******
on progress, except
which—failing to rise to the occasion—
nonetheless manages
to flop over and strike once more: a dis-
chord in common defense of
fragile white male privilege
always showing, never growing,
general welfare and tranquility flushed down
the toiletbowl of history
hoping those old turds never
resurface, still ignoring the stench of injustice
and the chipping of gilded porcelain;

We’re our Lips–which neither Broadway hits nor
newspaper clips nor high minded pleas alarmed,
and with Dr. Franklin’s warning notwithstanding–
We are our Lips on treacherous steps which will be
all executive power herein vesting;

III

We're our Palms, grasping rope amid air
saturated in deathly vespers, which tugs
down-up toward unearned heavens;

We’re our *****, pretending to be
our Mouths which chide & otherize, while
our Shins expose their cuts to ****,
bullet-holes welcoming the swift infections
in what dank sewage now pours from open
Overton windows, broken along with
any pretense of civility; ultimately,
the only thing we could shatter;

We’re our Holes, shamefully enjoying
the prodding and poking caresses
of anarchy, be-
moaning un-
Equal Protection law & order bestows,
depriving life, liberty, property
when our Hearts, weary of
the long hard due process, supremely
malign centuries’ holdings;

We’re our Immunity, sovereign it be
fighting all insults foreign and domestic
and our Voices rising in lamentation
for what we’ve lost and what we’ve barely kept;

We’re even our Hair, unkempt, distracting us
from enduring corruption of our Blood;

We’re our *****, too. No, never mind.
We never had any. But She did,
and class despite the strength
of glass;

IV

We’re all that still, and our Souls'
politic too, fractured much asking
what Un-
ited States we’re in;
September 17, 1787 – November 8, 2016. Not a bad run, I guess.
Cori MacNaughton Jun 2015
Wooden Bowls and Wooden Spoons
items ***** and mundane
draw me into my shared history
with my foremothers
and theirs before them

The sharing of these simple things
of chopping, stirring, baking
snipping herbs and crafting soup
smoked meat served on wooden platters
such as might have been used
a hundred years ago
or ten thousand -

Wood has served us from the dawn of Humankind
as fuel for the fire
as shelter from the storm
as living trees producing oxygen
as things of beauty and inspiration,
of poignancy and pathos

There is a warmth to wood
absent in gold or sterling
the warmth of life - still with us
and once the meat is gone
the platter will cleanse itself of impurities
with the defenses remaining
from the tree it once was
protecting us yet again
keeping us safe from the dangers
outside of the circle of wood

With wood comes the danger of fire
this danger I accept
and brave the fire I will
to have the wood with me
to walk beneath and smell the perfume of the leaves
to feel them crunch beneath my feet
to see the earthworms retract
as I toe them from the path

I want my life to end
having given more than I have taken
and giving trees brings me joy
and makes the world a better place
a place in which there will never be too few trees
to be able to enjoy the feel
of wooden bowls and wooden spoons
where endless forests and healthy woods
add to this miraculous planet of Life

Cori MacNaughton
Apr 2002
I have read this poem in public on several occasions.  This is the first time it appears in print.
Anais Vionet Jul 2023
ak
The first time you kissed me it was a surprise, I wasn’t ready.
It was a sneak attack, funny ‘cause they say the girl ‘always knows.’
I think we’re lucky we didn’t chip a tooth.

The unexpected slowed me - ‘ok, that happened,’ I thought.
Because I’d wondered, before - ‘does he like me like THAT?’
Then suddenly you came into sharp focus, your lips, your eyes,
your goofy smile. It changed things, for us - like Jesus’s birth
changed time - there was before kiss (bk) and after kiss (ak).

We somehow kludged our way into love - the old-fashioned way
without navigation software, dating sites, hookup apps or breadcrumbs.
Like our foremothers and fathers or Columbus - we bumbled into a New World.
BLT Marriam Webster word of the day challenge: Kludge: makeshift or haphazard
Joanna Oz Aug 2016
I will map the constellations of your sun-born freckles,
obsidian cinnamon blooming on forearms,
trace the reflection of starry foremothers onto skin
as a remembrance of origin.
And when we are light years apart,
I will draw your ancient imprint in the sand and lay amongst your roots,
soaking spirit into my heart.
Commuter Poet Sep 2016
In passing
Curved channels
Of green, brown and blue
I absorb information

‘Easy rider’
‘Star gazer’
‘Barge Gladys’

Where will you go?
Where will you end?

Such labels and markers sing
‘I made this’
‘I made that’
‘I am…this!’

Imprinted pride
Everywhere
Screams out names
For us
To forget

Grazing cows
Pay no heed
To the comings and goings
The ownings and claimings

And why should I?

The efforts of the dead
Our forefathers, foremothers
Rest beneath our feet

We break them
We use them
Unravelling the knots of the past
To smooth a silk pathway
To the future

Life’s suckling femininity
Never ending
A flow of humanity
Beats on

How strange our inventions
How peculiar our spirits

We add something daily
Without even knowing
1st September 2016
Monique Lewis El Aug 2016
I martyred the sins of my foremothers and forefathers
Therefore rebirthed an allegiance to the all
Which I was innately apart of from the beginning
They rose and sunk
I sunk and too shall rise

*By Monique Lewis ©2016
Monique Lewis El Aug 2016
Many years of distrust and mustered up anger
This *** boils over as it leaks sin
So I am supposed to forget about it
You know, the great war everyone ignores
My lips are supposed to take a back seat because your ears cannot bare a burden my foremothers and forefathers dealt
So you cry that I complain because your fear won't compromise with your brain
No I won't shut up!
As long as people suffer and animals whither away lifeless
And injustice strikes the feet of every person on this plane
I won't loosen my lips
I'll grip my hips and stare into the souls of the soulless
I won't shut up, I won't back down

By Monique Lewis ©2016
Gray Ndiaye Apr 2019
the foundation was built on shaky ground
that sat upon ancestral graveyards
unmarked yet unable
to be disregarded
this house was painted
with my blood
which contains prostitution
anguish and ****
the pillage continues
menstruations of my foremothers
contribute to this particular
shade of scarlet
a hue that is beautiful
from a distance
even when photographed
until one experiences
the stench of it
in person
love is absent here
sorrow is abundant
but even trauma
can give birth
to splendor
whispering wind Oct 2020
The cold winter afternoon

Born in daylight during the darkest season,  the child debuts themself to a room of a strangers and familiar loved ones who they knew but didn't know.

Born to a cycle of pain and restrictions — they will know their story like the lines in their hand.

A young mother and father with an older brother. Grandmas and grandpas all look to them. They signal the hope of our family tree. That they are a healthy baby, newborn and free.

Held by warm hands and wistful sighs, the anticipation broke like the amniotic sack. Fresh and innocent, they are the perfect vessel to hold our family story.

---

Mother, mother's mother.

Grandmother: the wisest and most shining example of care for others. Irish woman of tough skin and heart of gold. The rainbow surely ends at her chest. Child learns love from mother — to stick together and find trust in one another.

The stubborn stain on a white sweater.

Scrubbing no longer brings the fabric clean. Holding onto the stories of our foremothers — I remember her face, her breath, her love.

Gone too soon, but never forgotten. She grew up too fast to fill the space of her mother's care. Her sister too.

Such a pity how time has changed us so thoroughly.
Azariah May 2020
Being black means that there are hands of my forefathers and foremothers that are placed on my shoulders.
They gently tap and push me to be better than what I have been taught we could be.
Who tell us our history?

If I do not seize these opportunities that are here now then the doors they opened,
using their bodies that nourish the soil now and their voices that have been silenced,
will slowly close and who would be able to walk through them?

Yes, it's the same old song with the same old tune.
We must keep singing so we do not forget.
During a conversation with a certain individual this is what he asked, "Why do black people play victim all the time? It happened decades ago. It's in the past. Why can't they let it go?".


The effects of what happened years ago still impact most black people. I'm not saying that we are the only ethnic group that's struggling and that our struggle is more important than others. All I'm saying is that let us not forget what happened...

— The End —