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"folding" poems
He felt great pleasure watching her his desires bloom staring at her two lips the rarest of all flowers pedals spread breathing life into his desires stiffening a hard stamen as their bodies take root folding together like a hem pumping seed into her cavity baring the juices of a fruit into a fountain that will never end
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Apr 29, 2017
Apr 29, 2017 at 8:15 PM UTC
Tulips
let it not be confused let no one else's name ring throughout these sentences let this be a hatchet let me put this to rest this is not a test i don't want to think about shipwrecks anymore i am tired of folding apologies into origami birds and placing them at the headstones to your tantrums this is not is not geology class these are promises written on razorblades     *& if you are getting choked up      then maybe you should be* maybe we should be buried with our telescopes face down my mouth is full of sorry all for being honest we are falling out of orbit we are burning bystanders so cast away your callous condolences because no one is clapping in this waist deep water this is not a baptism so do not tell strangers that this was a chance to drown any differently i am not a catalogue of constellations you cannot name this is not mythology so stop believing your horoscope i am not a wishing well i am just a wall for you to paint post nuclear fallout & antonyms for catharsis on we destroy the things that are not ours- the wanton ways we embody wrecking ***** and then cry over the rubble this is not a heap or a mosaic this is leaping off a thousand story building with no one to catch you at the bottom & maybe that's why some quiet moments are so fragile, maybe that's why butterflies have mimicry your words are black powder and poetry is your musketry i guess that makes me your blindfold
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Apr 29, 2014
Apr 29, 2014 at 11:21 PM UTC
hands on fire
Anger, is the steaming red on her face refusal creates in an instance; jealousy is foaming green profusion of colors in motion takes this dance for them to upward and downward turns, or a sudden dissolution--- an intense ****** in unison. Even in darkness he  can see the spasmodic ebbing waves sleep is the banana plantation where night wears translucent green "nobody would see us here" she whispers in his ears, as if they are thieving sex,eyeing the yellow banana she likes, to play with Purple is the psychedelic color smeared on horizon when dreams repeatedly fly down like night bats and happen the way mind designs we don't want to leave the scene of the dream even when we know well that the show for us is now over we just want to hang around like the dog,  in the place it  got a juicy bone. Yellow is the banana song that's heard as wave after wave, by the blind bat squadron that roams with raw aggression, for raids above the plantations Unripe bananas show green fingers to say "NO! we aren't ripe" like coy underage virgins. Then, they ripen, go yellow some even bright red, inviting who is blue here is the sky and those bats who got the bananas still raw green Night decents on the banana land as the white umbrella of sun is snatched by the dark maiden. Black is the bat's wing extending and folding like lust, umbrella and the like. He finds her shivering fingers like a serpent, on the banana trunk slithering down, as he dreams bats, banana, blue sky and she slithering over him.
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Jan 3, 2015
Jan 3, 2015 at 5:50 AM UTC
Bats, Banana, Blue sky
Anger, is the steaming red on her face refusal creates in an instance; jealousy is foaming green profusion of colors in motion takes this dance for them to upward and downward turns, or a sudden dissolution--- an intense ****** in unison. Even in darkness he  can see the spasmodic ebbing waves sleep is the banana plantation where night wears translucent green "nobody would see us here" she whispers in his ears, as if they are thieving sex,eyeing the yellow banana she likes, to play with Purple is the psychedelic color smeared on horizon when dreams repeatedly fly down like night bats and happen the way mind designs we don't want to leave the scene of the dream even when we know well that the show for us is now over we just want to hang around like the dog,  in the place it  got a juicy bone. Yellow is the banana song that's heard as wave after wave, by the blind bat squadron that roams with raw aggression, for raids above the plantations Unripe bananas show green fingers to say "NO! we aren't ripe" like coy underage virgins. Then, they ripen, go yellow some even bright red, inviting who is blue here is the sky and those bats who got the bananas still raw green Night decents on the banana land as the white umbrella of sun is snatched by the dark maiden. Black is the bat's wing extending and folding like lust, umbrella and the like. He finds her shivering fingers like a serpent, on the banana trunk slithering down, as he dreams bats, banana, blue sky and she slithering over him.
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49
There are cemeteries that are lonely, graves full of bones that do not make a sound, the heart moving through a tunnel, in it darkness, darkness, darkness, like a shipwreck we die going into ourselves, as though we were drowning inside our hearts, as though we lived falling out of the skin into the soul. And there are corpses, feet made of cold and sticky clay, death is inside the bones, like a barking where there are no dogs, coming out from bells somewhere, from graves somewhere, growing in the damp air like tears of rain. Sometimes I see alone coffins under sail, embarking with the pale dead, with women that have dead hair, with bakers who are as white as angels, and pensive young girls married to notary publics, caskets sailing up the vertical river of the dead, the river of dark purple, moving upstream with sails filled out by the sound of death, filled by the sound of death which is silence. Death arrives among all that sound like a shoe with no foot in it, like a suit with no man in it, comes and knocks, using a ring with no stone in it, with no finger in it, comes and shouts with no mouth, with no tongue, with no throat. Nevertheless its steps can be heard and its clothing makes a hushed sound, like a tree. I'm not sure, I understand only a little, I can hardly see, but it seems to me that its singing has the color of damp violets, of violets that are at home in the earth, because the face of death is green, and the look death gives is green, with the penetrating dampness of a violet leaf and the somber color of embittered winter. But death also goes through the world dressed as a broom, lapping the floor, looking for dead bodies, death is inside the broom, the broom is the tongue of death looking for corpses, it is the needle of death looking for thread. Death is inside the folding cots: it spends its life sleeping on the slow mattresses, in the black blankets, and suddenly breathes out: it blows out a mournful sound that swells the sheets, and the beds go sailing toward a port where death is waiting, dressed like an admiral.
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18.5k
Nothing But Death
There are cemeteries that are lonely, graves full of bones that do not make a sound, the heart moving through a tunnel, in it darkness, darkness, darkness, like a shipwreck we die going into ourselves, as though we were drowning inside our hearts, as though we lived falling out of the skin into the soul. And there are corpses, feet made of cold and sticky clay, death is inside the bones, like a barking where there are no dogs, coming out from bells somewhere, from graves somewhere, growing in the damp air like tears of rain. Sometimes I see alone coffins under sail, embarking with the pale dead, with women that have dead hair, with bakers who are as white as angels, and pensive young girls married to notary publics, caskets sailing up the vertical river of the dead, the river of dark purple, moving upstream with sails filled out by the sound of death, filled by the sound of death which is silence. Death arrives among all that sound like a shoe with no foot in it, like a suit with no man in it, comes and knocks, using a ring with no stone in it, with no finger in it, comes and shouts with no mouth, with no tongue, with no throat. Nevertheless its steps can be heard and its clothing makes a hushed sound, like a tree. I'm not sure, I understand only a little, I can hardly see, but it seems to me that its singing has the color of damp violets, of violets that are at home in the earth, because the face of death is green, and the look death gives is green, with the penetrating dampness of a violet leaf and the somber color of embittered winter. But death also goes through the world dressed as a broom, lapping the floor, looking for dead bodies, death is inside the broom, the broom is the tongue of death looking for corpses, it is the needle of death looking for thread. Death is inside the folding cots: it spends its life sleeping on the slow mattresses, in the black blankets, and suddenly breathes out: it blows out a mournful sound that swells the sheets, and the beds go sailing toward a port where death is waiting, dressed like an admiral.
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48
the angel amongst us ~for Alexander, master splasher~ *flexibility is important when poetry writing in a warm tub and a long day ahead is scheduled; so willingly accept the autocorrect for I am both an experienced poet and bath soaker and believer in wondrous mystery and unexpected fumbles that lead to to miracle touchdowns ~•~ the two mathematicians examine the angle, measure the degree of difference at intersection and bless it with an identity, calling it by its name, perhaps obtuse, perhaps right, perhaps both two sets of eyes examine the angle, study its ****** expression the old man says: see the angle on the clock formed by the big handle on the twelve and the little hand on the eight? this is angle of eight o’clock: time to stop the splashing and start the get-readying for we have miles to go before the ocean can say hello! little angel says angle no go and slashes the water with both hands to establish the firmness of his views and change Einstein’s time from present to future the angle depends on the perspective of the viewer the old poet comprehends leaving a warm tub is a regretful thing but he measures the degree of difference at this intersection of time and bath and blesses it with an identity “time to go” the angle of my angel is now 2 pointed arms, pointed straight up, at the twelve o'clock, as he stands up in fevered protest, my arms sweep his little legs to a point at eight o’clock, angel, commenting on his swift flight disputes the grandfathers physics "no go now, now go later^" though the angle is unchanged the perspective of time and space (and traffic), yet differs one sees an angle, the angel sees time eternally folding in on itself* that is the angle amongst us
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Aug 29, 2018
Aug 29, 2018 at 8:58 AM UTC
the angle amongst us
the angel amongst us ~for Alexander, master splasher~ *flexibility is important when poetry writing in a warm tub and a long day ahead is scheduled; so willingly accept the autocorrect for I am both an experienced poet and bath soaker and believer in wondrous mystery and unexpected fumbles that lead to to miracle touchdowns ~•~ the two mathematicians examine the angle, measure the degree of difference at intersection and bless it with an identity, calling it by its name, perhaps obtuse, perhaps right, perhaps both two sets of eyes examine the angle, study its ****** expression the old man says: see the angle on the clock formed by the big handle on the twelve and the little hand on the eight? this is angle of eight o’clock: time to stop the splashing and start the get-readying for we have miles to go before the ocean can say hello! little angel says angle no go and slashes the water with both hands to establish the firmness of his views and change Einstein’s time from present to future the angle depends on the perspective of the viewer the old poet comprehends leaving a warm tub is a regretful thing but he measures the degree of difference at this intersection of time and bath and blesses it with an identity “time to go” the angle of my angel is now 2 pointed arms, pointed straight up, at the twelve o'clock, as he stands up in fevered protest, my arms sweep his little legs to a point at eight o’clock, angel, commenting on his swift flight disputes the grandfathers physics "no go now, now go later^" though the angle is unchanged the perspective of time and space (and traffic), yet differs one sees an angle, the angel sees time eternally folding in on itself* that is the angle amongst us
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44
somewhere between the fourth and fifth load of laundry, sometime after breakfast~lunch, now served in the USA at home, as an all day meal, per the edict of Mcdonalds, start fixing dinner, take a break, walk to the mailbox, retrieve the post and quick retreat back inside, ah that Texas sun, bilingual chili hot, toss the unopened on the prior weeks pile, cause everyone loves company the home-cold-brewed ice coffee needs a filling for the fridge has decided not to help by automatically refilling the pitcher even if it could I, busy folding, needing two hands and all my teeth for folding my master’s rocket ship sheets my master observes with one of his alternating demeanors, this one, super silent watching, announcing that  I need a nap: *“don't you always say, baby, take a nap when you can, baby, for when you need one, baby, you probably won’t be able, my baby”* with selected-hand-led fingers, he lays me down to sleep, bids me to slow slide to dreamland, dinner will keep, curling inside my frame, hands a-cupping my *******   telling me a drowsy tale, inherited from his mother’s womb and his granddaddy’s tongue, mindful of his family’s history there, is where, they find us, dinner fixings burnt, me and my five year old baby boy, still sleeping fast, around 5pm, bodies enwrapped, tied by blood and entwined in old nursery rhymes, Texas tall tales of Pecos Bill, me and my very own nap-ster master <•> p.s.  and they call me by my other name to wake me, momma
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Sep 17, 2018
Sep 17, 2018 at 1:14 PM UTC
Texas: My Very Own Nap-ster Master
somewhere between the fourth and fifth load of laundry, sometime after breakfast~lunch, now served in the USA at home, as an all day meal, per the edict of Mcdonalds, start fixing dinner, take a break, walk to the mailbox, retrieve the post and quick retreat back inside, ah that Texas sun, bilingual chili hot, toss the unopened on the prior weeks pile, cause everyone loves company the home-cold-brewed ice coffee needs a filling for the fridge has decided not to help by automatically refilling the pitcher even if it could I, busy folding, needing two hands and all my teeth for folding my master’s rocket ship sheets my master observes with one of his alternating demeanors, this one, super silent watching, announcing that  I need a nap: *“don't you always say, baby, take a nap when you can, baby, for when you need one, baby, you probably won’t be able, my baby”* with selected-hand-led fingers, he lays me down to sleep, bids me to slow slide to dreamland, dinner will keep, curling inside my frame, hands a-cupping my *******   telling me a drowsy tale, inherited from his mother’s womb and his granddaddy’s tongue, mindful of his family’s history there, is where, they find us, dinner fixings burnt, me and my five year old baby boy, still sleeping fast, around 5pm, bodies enwrapped, tied by blood and entwined in old nursery rhymes, Texas tall tales of Pecos Bill, me and my very own nap-ster master <•> p.s.  and they call me by my other name to wake me, momma
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seductive decay on summer days we rode down the river in our ripe age, careless if the rapids swept us into their deadly dustpans, the black hole of water, the possibility aroused us, perhaps because it seemed so far away. and next to the river, the appalachian townsfolk wandered the deep grass, they gathered here to see the circling folding-tables, buy the spread of goods, the goods are masks. the masks are of old folks’ faces, cartoon-like, goofy comic characters in the funny pages. masks of rubbered wrinkles, permanent, bulging eyes, whiskered ears that never stop growing, with an elastic band, you can become an elder. old age attracts the crowds, i have a fascination with it myself, picturing all the stories that have taken elders to the present, it’s hard to fake being wise when you’re forced to think for years.
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Feb 26, 2014
Feb 26, 2014 at 11:36 PM UTC
seductive decay
I began to notice the Fade. Blotched ink, frayed seams yet those who can't see can't care It was most familiar to a weary box Which spent weekdays and nights Traveling To warm faces and comfort Sundays I struggled when the torch of permanent portions was passed to me. Each word felt unworthy and full of stain I always strived for realism I used to clutch the cloth carefully folding and unfolding fearing the sendoff, knowing the return would become rare If at all. it was a pricked finger and remembrance It was right to hideaway At the time I crumbled under the stage lights The audience was expecting More All I could provide was Myself And like a spoiled child I still pout Demanding fame under my demanded Street Lamps Faded Donated What is, is But. I do remember. Even if you figure the pants don't fit
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Jul 30, 2012
Jul 30, 2012 at 8:44 PM UTC
Sisterhood
Those who lash out when the heart speaks avoid the many mirrors reflecting themselves For in this rippled dream, where perfect does exist and mistakes are long gone like a Milli Vanilli song, they fail to see that we are all human… errors come with the package (batteries not included) Sidewalk footprints, back and forth pacing past the entrance to that world where words have no meaning, regardless of how they are spoken (or written) Self-absorbed deeply in the waves of that ocean tide of fantasy crashing in white foam feelings, disappearing by sunset What is it that makes us who we are… our smile, our fingers, our brand of cigarettes shipped in plain brown envelopes, our thoughts, our dreams, the poetry we write when we need to get it out…good or bad When lack of judgment drips from the skylight illuminating courage to do what we shouldn’t (even in darkness) Wrong, I was wrong…regret, more than I could have known I have looked in this mirror, then I looked away quickly, Ashamed of that face, fell three stories below my heart   slipped on the disgust splattered at my feet (by me) sunk up to my knees…bent, folding, scraped and bruised but I require no sympathy, for I am not that devil Jagger sings of… at least I hope not…please allow me to introduce myself…I am sorry
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May 27, 2014
May 27, 2014 at 6:12 PM UTC
Please allow me to introduce myself...I am
There is something magical in the whirring of a midday laundromat. A cessation of pride, maybe. People all dressed in sweatpants the air full of detergent smell and the sound of coins clicking against great tumblers as they go round and round and round and round... The people smile back, no use pretending superiority here. Whistlers twitter on, folding towels and socks into neat, organized piles. The children are well behaved, their hands full of potato chips given by their parents as a pittance for their patience. The patient patrons ponder on, their empty hands crumpling receipts. This, with the crunching of chips and the distant whistle over the percussion of clicking coins clattering in a dryer compose an unintentional opera, an ode to humility. Humility's honorable honesty heals humanity's hubris. Noisy trucks pass outside the floor-to-ceiling plate glass windows, Where the hot air wreaks its violence and men make their ways in spite.
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Oct 6, 2014
Oct 6, 2014 at 5:00 PM UTC
Ode to Humility (laundromat)
~Christi Michaels~12/2014~    ☆⊙☆⊙☆⊙☆ you with an onion in the palm of your hand pulling back layers seeing just who I am removing the papery outer shell the flesh beneath holding slight color tan folding back the next begining to understand sweet juicy onion cradled in the palm of your hand brave to peel  the next layer spicey as onions can be a tear begins to form a tear just for me now you are intoxicated as only an onion can do you pull back again translucent flesh coming through sweeter and sweeter I become as you genlty find my core you've settled in found your way what a delectable delicious score   ☆⊙☆⊙☆⊙☆ Copyright © 2014 Christi Michaels. All Rights Reserved.
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Nov 17, 2014
Nov 17, 2014 at 4:37 PM UTC
The Onion Field
Stars in the sky exploding Space and time folding Bombs going off as the galaxy rips Flashing lights fight to eclipse Visions full of fluorescence At the sacrifice of a solar systems essence Shooting stars cry across the skies Puncturing planets as they pulverize Swirls of liberation Celestial bodies melting in devastation Swarms collect and deform Exploding into storms as they transform   The aura of the aurora bleeding like mascara As if the planet is crying at the end of an era Watching as black holes fight over vibrant sights Pulling it apart as it ignites What a wonderful curse To befall the universe It's so beautiful its cryptic God bless a life so apocalyptic
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Dec 30, 2016
Dec 30, 2016 at 1:57 AM UTC
The Beautiful Curse Of The Universe
When you say insomnia, people think you’ve had too much caffeine. That it’s something you’ve eaten that day. That maybe you’re just a little stressed. Those people do not have insomnia. Insomnia rolls off the tongue. It is a noun. It is four vowels and five consonance. It is staring at your ceiling at four o’clock in the morning praying to God that maybe you’ll sleep tonight. Insomnia is knowing ahead of time that you aren’t going to sleep tonight. It is drinking four cups of coffee at 1:30 in the morning because your eyelids are so heavy they feel like anvils are holding them down. It is seeing shapes and figures in the dark that aren’t there. Insomnia is dying a little inside every time you see the sunrise. It is watching the moon reach it’s pinnacle and sink beneath the earth. Insomnia is your mind working at the speed of light and taking sixty years. Insomnia is running a triathlon without training. It is wondering how long your body can take the stress before folding in on itself. It is wondering what the hell is wrong with you that you can’t function like a normal person. Insomnia is taking pills that almost make your waking nightmares look like children’s play compared to your sleeping nightmares. Insomnia is having waking nightmares. It isn’t the inability to focus. It isn’t easily fixed. It isn’t something you deal with. It isn’t caffeine or something you ate. Insomnia isn’t just a noun. It’s a disease.
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Jul 12, 2013
Jul 12, 2013 at 2:35 AM UTC
help, i can't sleep.
Another silent mid-Fall afternoon Icy raindrops slash into my neck The forecast calls for falling thumbtacks soon One thin umbrella folding Just 18 feet to the front step With champagne acquainted But forgot how to sip it I slurp it down, eager, 'til I sit soaked and dripping In time, fevered minds will lower ears made for hearing under waves of migraines as mighty storm fronts are nearing So I close down the bars and stumble home under awnings Just to search for your name among newspaper cuttings I've read the whole issue and I've frowned over headlines put it down Now, soaked or dry, I've got only time I've wasted so much of it losing my mind I'm blind in the rain that now sticks in my hide and they were right-- The forecast called for this squall to last all night Another lonely mid-Fall morning walk I follow gangs of specters in their steps And, in the crunching gravel, ghosts will talk November winds come howling The second I leave my front step The flavor's familiar It comes back every morning, when sunlight and sparrows ignore tornado warnings So the gales pick up strength and a small bird's bones are hollow The clouds lay oceans down setting many sips to swallow "So goodnight." I depart, but circle back in my wanderings I'll always wind up here--shaky, ash-faced and yawning I've read this before it's printed on poor paper in red ink I can't say why I'm still walking by Those other front doorsteps that I never try The thick thumbtack rain stopped but I can't stay dry the ghosts were right-- But if I find your name I might stop by.
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Oct 26, 2012
Oct 26, 2012 at 7:09 PM UTC
Forecast
Another silent mid-Fall afternoon Icy raindrops slash into my neck The forecast calls for falling thumbtacks soon One thin umbrella folding Just 18 feet to the front step With champagne acquainted But forgot how to sip it I slurp it down, eager, 'til I sit soaked and dripping In time, fevered minds will lower ears made for hearing under waves of migraines as mighty storm fronts are nearing So I close down the bars and stumble home under awnings Just to search for your name among newspaper cuttings I've read the whole issue and I've frowned over headlines put it down Now, soaked or dry, I've got only time I've wasted so much of it losing my mind I'm blind in the rain that now sticks in my hide and they were right-- The forecast called for this squall to last all night Another lonely mid-Fall morning walk I follow gangs of specters in their steps And, in the crunching gravel, ghosts will talk November winds come howling The second I leave my front step The flavor's familiar It comes back every morning, when sunlight and sparrows ignore tornado warnings So the gales pick up strength and a small bird's bones are hollow The clouds lay oceans down setting many sips to swallow "So goodnight." I depart, but circle back in my wanderings I'll always wind up here--shaky, ash-faced and yawning I've read this before it's printed on poor paper in red ink I can't say why I'm still walking by Those other front doorsteps that I never try The thick thumbtack rain stopped but I can't stay dry the ghosts were right-- But if I find your name I might stop by.
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If there are infinite worlds, there must be one where umbrellas never close- hinges locked open like stubborn jaws, gape-mouthed against walls in patient herds. No one in their twenties owns one, their hamster-cage apartments too small for such luxuries. They ask for rain jackets on birthdays. Mary Poppins still drifts down Cherry Tree Lane, her umbrella never folding, only floating. Children carry slips home for violating umbrella laws, forging signatures in loopy ink. The Morton Salt girl wears a slicker, yellow as a warning flare before the flood. My mother walking me to kindergarten in rain, transparent vinyl dome above our heads- I, the opposite of a fish in its tank. Her hair plastered to her forehead by the time we reached the door. Everyone looks most beautiful with rainwater running down their face. In the open-umbrella reality, time can walk backward- you can unwater a plant, unpeel a clementine, un-kiss someone. Endings lift again, fabric billowing, as if the story had been left open in the wind. Heather and Mike find the road out. Rosemary tips the bassinet. There, perhaps, neither of us was born. What lay between us stays open too long, collecting rain until it sags, slow and certain, like sugar in the first storm.
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Aug 12, 2025
Aug 12, 2025 at 8:06 PM UTC
The Open-Umbrella Reality
I made you of breath of shadows and sunbeams of boundlessness of folding out and in like wings of fallings and risings from the gravity of things I am your leaves without limbs or leaving I am the circles and spirals your body carves from air your leaps toward heaven when you most love the earth I was before you and will be after you, I am the center and the circumference I am within and without you And I am your comforter when the cold winds come in I am the point on the line I am brief and desirable I eat oranges and watch the Northward flight of geese my being roars like oceans I rock myself in the cradle of self doubt and other emotions I sometimes let take control I rock the world like a baby I kiss the air like my lover here and here and there I embrace you, World I am your second Moon that rose from the South I am your eyes, your mouth your star, your tree and something else I am sand, river, feather, grass, moth, l am forever yet lost and not found and I am something else and I always will be something to someone else.
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Mar 9, 2018
Mar 9, 2018 at 4:59 PM UTC
Your second Moon
“i haven’t seen her in years,” said the hospital bed, “though i’ve seen many others, who sobbed violently like her, who sunk into me like a young, rusting anchor. who could not get comfortable in one position or one mindset or one truth. i have felt them dig in their heels and try to ache and and fight and scream, just quietly enough not to wake their roommate.” “i remember their shapes,” said the hospital bed, “how their voices rose slowly like a far-off ambulance siren, how their faces fell when they remembered the emergency was right here. i have been kicked, punched, clung to, held on to, as if gravity switched suddenly and they feared yet another aspect of the universe was against them. i’ve seen ***** sheets and i’ve seen clean ones. i’ve seen boys with tattoos on their faces and razor marks on their arms. i’ve seen pain. i’ve seen girls who wouldn’t turn off the lights, girls who couldn’t turn off the lights, girls who had turned a light off once and never wanted to do anything else. i’ve seen pain. i’ve felt love before more often than the lovers thought they loved, more strongly than the fighters thought they could fight. in shaky hands folding down blankets more carefully than they have all week in heads that flop ungracefully onto pillows, securely, fulfilled. in the slow turn of a hospital bracelet around a pale wrist, in large, golden brown hands, inspected through tear-blurred eyes, through scratched glasses, picked up off the floor after discovering force won’t carry a ring of thin plastic as far as you thought. i hear change in whispers, good night, good luck, in hushed acceptance, in ‘yes, i really am here’. in screams that send nurses in panic only to find you were laughing. in numbers, in ‘five hundred milligrams,’ in ‘three gained pounds’, in ‘one more day’. i hear shock, i hear fear, in echoes of parents’ voices, ‘why here? why now?’ i have heard and seen and felt all of them. but she,” continued the hospital bed, “hasn’t been in here in a while. i haven’t heard her whisper to her roommate about what she did ‘that night’, i haven’t seen her sneak away from her pile of pajamas as if she didn’t just hide something there, i haven’t heard her empathize with a pencil sharpener. it’s been so long, it’s hard to imagine,” said the hospital bed, ‘i hardly remember her'. if only the hospital bed knew that she could hardly remember herself from then either, if only it knew she hadn't stopped fighting once she left if only it knew how she felt when they said she only needed to go to therapy every other week. it felt like progress, and it felt like hope, and no one better than a hospital bed could understand that.
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Oct 21, 2014
Oct 21, 2014 at 11:43 PM UTC
Hospital Bed Said
“i haven’t seen her in years,” said the hospital bed, “though i’ve seen many others, who sobbed violently like her, who sunk into me like a young, rusting anchor. who could not get comfortable in one position or one mindset or one truth. i have felt them dig in their heels and try to ache and and fight and scream, just quietly enough not to wake their roommate.” “i remember their shapes,” said the hospital bed, “how their voices rose slowly like a far-off ambulance siren, how their faces fell when they remembered the emergency was right here. i have been kicked, punched, clung to, held on to, as if gravity switched suddenly and they feared yet another aspect of the universe was against them. i’ve seen ***** sheets and i’ve seen clean ones. i’ve seen boys with tattoos on their faces and razor marks on their arms. i’ve seen pain. i’ve seen girls who wouldn’t turn off the lights, girls who couldn’t turn off the lights, girls who had turned a light off once and never wanted to do anything else. i’ve seen pain. i’ve felt love before more often than the lovers thought they loved, more strongly than the fighters thought they could fight. in shaky hands folding down blankets more carefully than they have all week in heads that flop ungracefully onto pillows, securely, fulfilled. in the slow turn of a hospital bracelet around a pale wrist, in large, golden brown hands, inspected through tear-blurred eyes, through scratched glasses, picked up off the floor after discovering force won’t carry a ring of thin plastic as far as you thought. i hear change in whispers, good night, good luck, in hushed acceptance, in ‘yes, i really am here’. in screams that send nurses in panic only to find you were laughing. in numbers, in ‘five hundred milligrams,’ in ‘three gained pounds’, in ‘one more day’. i hear shock, i hear fear, in echoes of parents’ voices, ‘why here? why now?’ i have heard and seen and felt all of them. but she,” continued the hospital bed, “hasn’t been in here in a while. i haven’t heard her whisper to her roommate about what she did ‘that night’, i haven’t seen her sneak away from her pile of pajamas as if she didn’t just hide something there, i haven’t heard her empathize with a pencil sharpener. it’s been so long, it’s hard to imagine,” said the hospital bed, ‘i hardly remember her'. if only the hospital bed knew that she could hardly remember herself from then either, if only it knew she hadn't stopped fighting once she left if only it knew how she felt when they said she only needed to go to therapy every other week. it felt like progress, and it felt like hope, and no one better than a hospital bed could understand that.
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The mourning doves sing their songs about 3 miles away. Chirping of despair, beauty, angst and then of better days. Mourning dove, thou is free! The world is your cage, and thy wings may take you beyond. So why do you speak of sorrowful pleas? Why sing at dusk, o mourning dove? When the day is folding in, and the sky drips pastels on its canvas; perhaps falling from above. I do not know why you sing, sad sad mourning doves. Yet I still sing along, and rather leave questions unsaid.
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Apr 1, 2015
Apr 1, 2015 at 6:09 PM UTC
Mourning Dove
I'm running... Run away, run away, run away, run away I'm holding on desperately Run away, run away, run away, run away I'm holding on When it's all said and done everybody dies In this life ain't no happy endings Only pure beginnings followed by years of sinning and fake repentance The preacher says we were made in image of Lord To which I replied: "Are you sure? Even the murderer? Even the ***** Even the ***** running through ******* on tour?" With a good girl at home folding clothes and **** She's losing faith In him and he know this
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Jan 11, 2014
Jan 11, 2014 at 3:10 PM UTC
Run away
Like a meme of activism This women's coalition Mothers Sister Friends Pioneers and heroines There's courage in their convictions A guild of collectivism They hold luncheons in their kitchens Talk of abolition Mysticism Feminism Of heroes and magnetism Seduction Love Eroticism They scream like banshees at a crucifixion About injustice Dereliction Terrorism A tradition underwritten With symbolism Drums Violins Musicians They may be sitting They may be knitting Baking muffins Folding linen Running errands Stuffing chickens A juxtaposition to their ambition Of inspiring the unwilling Turning derision to optimism Their fire and brimstone Will have history rewritten Freedom of reproduction Liberalism Animism They have wisdom Intuition Rhythm They are fearsome This women's coalition
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Jan 2, 2014
Jan 2, 2014 at 4:07 PM UTC
The Women's Coalition
You woke me in the thin dawn. Like a riot of rain in a bleached dry summer. small green shreds of shrub sprang from my heart as tumbling birdsong might litter the long pale sky. your voice came drifting through the shallow line And I let the sound seep like a soft assault on my senses. I hear the words and picture your lips Folding around the consonants like a dance. I hear your breath carry the words and taste the phrases That linger on your tongue as if to speak them in a kiss These words that spin this cloth of gold in whispered utterings This silken tease with a wild sprinkle of kisses and anatomy. And would my words soften your eye and entice your body With fevered adventures seeking to be sated with a touch? Could you taste the blessings erupting from my tongue? Would you ache inside far beneath the longings of the flesh? It seems that every cell is sighing a simpering listless want to be captured by the haunting breath of a lover’s call.
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Jul 2, 2014
Jul 2, 2014 at 5:34 AM UTC
Phone Call
The engine is killing the track, the track is silver, It stretches into the distance. It will be eaten nevertheless. Its running is useless. At nightfall there is the beauty of drowned fields, Dawn gilds the farmers like pigs, Swaying slightly in their thick suits, White towers of Smithfield ahead, Fat haunches and blood on their minds. There is no mercy in the glitter of cleavers, The butcher's guillotine that whispers: 'How's this, how's this?' In the bowl the hare is aborted, Its baby head out of the way, embalmed in spice, Flayed of fur and humanity. Let us eat it like Plato's afterbirth, Let us eat it like Christ. These are the people that were important ---- Their round eyes, their teeth, their grimaces On a stick that rattles and clicks, a counterfeit snake. Shall the hood of the cobra appall me ---- The loneliness of its eye, the eye of the mountains Through which the sky eternally threads itself? The world is blood-hot and personal Dawn says, with its blood-flush. There is no terminus, only suitcases Out of which the same self unfolds like a suit Bald and shiny, with pockets of wishes, Notions and tickets, short circuits and folding mirrors. I am mad, calls the spider, waving its many arms. And in truth it is terrible, Multiplied in the eyes of the flies. They buzz like blue children In nets of the infinite, Roped in at the end by the one Death with its many sticks.
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6.2k
Totem
The tightrope expires And the skyscraper hollows out. This hate is vicious and repeated, Repeated; repeated on the news reel, And in a Hollywood romance. We’re skipping generations Through faded vinyl sound Of dust mite and crack; I’m folding digits over chords, Extinguishing lovers By turning them to songs. Oh, reality convenes, convenes On the mind, and on the consciousness Of fact. Don’t steal my job, Don’t **** my land, And never fall asleep Under the sun. There is poetry to mathematics, Scaling the harmonics of the sound, Some universal language; Some bottled message to our brothers Who are looking back at us From the distance of the stars. And, terror is called from every side, Until we’re terrified to eat or breathe, In the tremor of a terror That can never come to be. The tightrope fell down with the buildings, But its idea, it still lives on. We could be on the precipice of better times, Or under the shadow of a nuclear bomb.
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May 23, 2014
May 23, 2014 at 8:24 PM UTC
The War On Ourselves
I tromped across North America a few years back Following the Mayan Elders Listening to the powerful Lakota Brothers sing songs of mourning and joy Building community I was following a White Cherokee We created clan I was motivated by the teachings of the Anishinaabe And represented Thunderbird Clan We stopped in sacred spaces such as Serpent's Mound And Cahokia Mounds We peered briefly through the veil; Samhain I followed the red path and eventually found I had always been on it I met Hopi and Navajo elder's And my friend Sea, a pipe carrier brewed a special tea I was gifted tobacco that had been grown from seeds Recovered from an iceman's medicine bag She transmuted the ancient tobacco into a tea By folding it into a sweetgrass and cedar brew Sea gave it to me in a basic stainless steel carafe Every time we drained the carafe I refilled it and the essence was just as powerful as the previous brew When I finally caught up with the Lakota brother's in Sedona Their voices were raw We all were I shared the tea with them So much magic on that journey The joy on those brothers faces as the tea reached their throats I gave them the carafe and told them It was the gift that keeps on giving Their thankfulness has been the gift that keeps on giving
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Oct 5, 2014
Oct 5, 2014 at 11:48 PM UTC
The Red Thread