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Salty rancher spackle is to Earthy diva smackers as Swinging hotel number is to?
Rippling cling bread is to Three lizard chariots as Indigo lime tangent is to?
Nighttime reunion planet is to Nettle lane scuffle as Soaking spider *** is to?
Fancy trance logs are to Sticky fudge lather as Vivacious gator college is to?
Cheerful blossom face is to Secret tractor rocket as Canned gremlin emblems are to?
Jealous pitchfork generals are to Heartbreaking patchwork veranda as Folding robot noise is to?
Pretty rhino rash is to Lost locket vengeance as Back pocket weather is to?
Frosted candy sidewalk is to Sneaky kook code as Shiny waffle smoke is to?
Sapphire cloud romance is to Magnetic comet lava as Blue triangle envy is to?
Vanishing honey melody is to Thermal elf pajamas as Whistling iceboat shampoo is to?
Peach mint politics is to Frozen doll pennies as Rusty anchor catapult is to?
Swollen pony fever Throbbing sword kazoo as Silent turbine science is to?
Obese germ thunder is to Stacked lemon towers as Corrupt moon jockey is to?
Demented insect whistle is to Glass trophy cleanup as Purple geode bubble is to?
Nighttime razor slime is to Lacquered dragon maps as Tint paper mittens are to?
**** camel drops are to Velvet ****** shoes as Slippery red muffins are to?
Flying hot drool is to Pale chocolate telescope as Tin trumpet ballet is to?
Expensive puppy speed is to Flowered duck mirror as Cosmic needle factory is to?
Fractured laser doodles are to Cracked butter gravel as Rubber holster straps are to?
Majestic panther fortress is to Jeweled cork target as Iron swan taxi is to?
Poisonous pepper bouillon is to ****** goat soap as Chrome feather pirates are to?
Digital gorilla scriptures are to Timid hunter stench as Frozen domino video is to?
Eccentric troll opera is to Transparent wax village as Spoiled coral agony is to?
Bizarre green metal is to Pillow eating hamster as Leather cavern ***** are to?
Eternal hurricane evidence is to Powdered rainbow perfume as Smoking yellow prune is to?
Liquid wish cleanser is to Exploding meadow ladders as Brittle rose hammer is to?
Caged foam filter is to Cherry balloon string as Ivory cactus spider is to?
Carbon puppet watch is to Sad kings compass as Elastic lace whiskers are to?
Nitrogen trolley dust is to Lazy elephant toffee as Orange toad choir is to?
Dark pole zodiac is to Blue finger blanket as Illegal bug nozzle is to?
Stinky towel cookies are to White jade caskets as Sticky snail tea is to?
Converting stellated caramels is to Mythic aerosol socks as Rubber raspberry jokes are to?
Flying clock carousel is to Whisky nut worms as Plastic fish platforms are to?
Queasy Vaseline queens are to Moody pigeon pills as Aqua mice fur is to?
Spotted bowl shadow is to Idiotic radiance lotion as Bungalow toad hearse is to?
Gushing chimney fungus is to Funky lamb acrobat as Utopian **** sprinkler is to?
Twinkling bungalow tablet is to Botanical duck rope as Bug hat ram is to?
Broken clock fossil is to Black ginger confetti as Parisian cobra meatloaf is to?
Silly Xerox ribbon is to Obedient raccoon carny as Traditional cat linguini is to?
Last astral advisor is to Elastic badger riddles as Broken circle rifles are to?
Bagged squire channel is to Temporary mosaic cake as Ancient bacon thread is to?
Wireless math army is to Moronic neon money as Pearl razor radar is to?
Rubber buzzard blizzard is to Troubled bubble wizard as Crushed hash ******* is to?
Purple birdy cure is to Tangled frost blossoms as Silken bridal saddle is to?
Unisex owl accordion is to Sugar bottomed boat as Optical nougat treasure is to?
Flavored saline rain is to Black arrow clan as Transistorized clam guitar is to?
Sharpened twig scar is to Mutant beet sonar as Baked troll mask is to?
Boxed noodle secrets are to Traditional guru buttons as Glossy marshmallow strategy is to?
Vibrating melted jelly is to Silver furniture dream as Spewing collated seats is to?
Burnt mountain pickles are to Baby preacher shoes as Sympathetic pilot pain is to?
Narrow portal treaty is to Monkey warehouse vacancy as Painted tornado trap is to?
Porch penny sulfur is to Glowing pony fat as Patched mattress bait is to?
Frigid waitress fallacy is to Graphic shrimp salute as Misted sneezing window is to?
Moist apple moss is to Daddy’s zoom seed as Downtown Pope cart is to?
Tired felon trickle is to Holographic squirrel candle as Wild ray hay is to?
Deadly zero chalk is to Folding wilderness chart as Curved ******* vacuum is to?
Hollow porcelain pellets are to Strawberry rain stencils as Microwave taxi nomads are to?
Wasted machete balcony is to Crumpled creature confessions as Fridge fuzzed fruit is to?
Sloppy demon damage is to Squeaky puppet chuckle as Mental arcade combat is to?
Monster trout stories are to Lewd pirate cocktail as Locked mammal grommet is to?
Rotting rope network is to Tragic toy goat as Cotton submarine shoes are to?
Complex pepper dance is to ****** cloud cushion as Marching taxi holiday is to?
Mental petal collectors are to Spooned barn putty as Dork factory fiction is to?
Hot spotted tops are to Timed stepping pests as Yogurt notching tartar is to?
Crazy dog comics are to Ambitious cartoon sphinx as Pavlov’s zinc ballet is to?
Soiled spinster wedding is to Padded razor wound as Floating fish map is to?
Slippery leopard pants are to Perfumed nut button as Dart wizard party is to?
Needy alien elephants are to Barking garden gnats as Quasar focused paper is to?
Slanted heart **** is to Bronzed cliff sandals are to Cunning jockey jokes are to?
***** thumbprint massage is to Holistic princess memory as Sliding dental sword is to?
Drifting wood whistle is to Fluorescent carpet powder as Foam dragon whistle is to?
Chopped web shadow is to Immortal vermin soup as Collapsing porch conspiracy is to?
Stolen thunder chant is to Haunted comet heart as Swollen throat portrait is to?
Fragrant frost parfait is to Grumpy caveman *** as Random stingray solo is to?
Squeaky polar turbine is to Silent lava fever as Oversized lunar fulcrum is to?
Synthetic dew droppers are to Pocket poster paste as Hypnotic screen dog is to?
Symbolic whirlpool nausea is to Dreaming tree phantom as Log badge bracket is to?
Camp hippo map is to Horseradish seizure insurance as Distant insect mirror is to?
German lady sherbet is to Stuntman laundry wax as Hungry butterfly ghost is to?
Fly smudged foil is to Amped maze coil as Shifting optic terror is to?
Automatic sheep floss is to Panoramic tanker anchor as Throbbing bone pillow is to?
Mutant clown village is to Nightmare translation treasure as Spotted spectral chakra is to?
Blind roach tweat is to Hermit worm tiara as Divine logo ritual is to?
Glueless gun stamp is to Malicious spam pump as Floral toffee pods are to?
Dudgeon mist removal is to Menacing bolt smacker as Boating duke shadow is to?
Costly metal plungers are to Creaky buzzing gushers as Glowing star cushions are to?
Raked barge sludge is to Crusted cream glitter as Zircon gutter babble is to?
Fake gold scholar is to Amish ******* mogul as Faithful ***** choir is to?
Sacred limo prayers are to Fried mice café as Splintered ****** thimble is to?
Dealing rabbit decals is to Pelican bongo festival as Patched equator rot is to?
Freedom gourd gasoline is to Cobblers studying acorns as Desecrated dice crater is to?
Tattered tapestry rod is to Busted particle scanner as Bogus piffle catalogue is to?
Trifle truffle raffle is to Last lamb laminate as Segmented cake goggles are to?
Domestic tackle tactic is to Ticking tic talk as Cordial corps coordinates is to?
Tucked duck caftan is to Sunken ramp ruckus as Wretched ranch rhetoric is to?
Clearly incomprehensible directions are to Useful archaic nonsense as Antiquated skeletal outline is to?
Bewildered beasts feasting are to Lazy busybodies resting as Vaccinating brave volunteers are to?
Lucky wagon dragons are to Famous gargoyle gargle as Formal postman funding is to?
Furrowed shroud chowder is to Borrowed tartan pajamas as Martini mixed algebra is to?
Cowgirl balloon helium is to Chewy glucose habitat as Stationary monument movement is to?
Diamond powered powder is to Diagonal diameter diagram as Purposely condensed expansion is to?
Organic iodine capsule is to Gleaming beach probe as Dominant dome static is to?
Shaving wrinkled targets is to Petting sensible monsters as Selling invisible whiskey is to?
Frozen piano architecture is to Note dotted clouds as Screaming Korean worms are to?
Sonic plant website is to Telepathic climbing clam as Bored protein exercise is to?
Gourmet mollusk cone is to Numb poodle caravan as Asian raven radar is to?
ScaR SavagE Nov 2018
I wrapped it up in foil,
I didn't want it to ever spoil,
I stuck it in the freezer,
Heard freezing prolongs shelf life,
I wrapped it up in foil,
But freezerburn has set in,
It's destroying all the good that was left deep within,
I wrapped it up in foil,
But her heart was a machine never oiled,
I wrapped it up in foil,
But with your touch she was quick to spoil.
peter oram Mar 2012
The people in this place
—what are they doing here?
They come and go like actors in
a play whose star will very soon
begin to show himself,
although we have no clue

which one he is, for they‘re
all so like tin apostle
spoons, not truly separate beings
but figurines, a passive foil
to  the inscrutible hero.
Is that him, that thin

pale figure who just now
is fleeing the inquisitive
crowd? But in a while he too
is slowly reingested, merged
into that far-off world
we can no  longer be in.

The people in this place—what are they do-
ing here? They come and go like actors in
a play whose star will very soon begin
to show himself, although we have no clue

which one he is, for they‘re all so like tin
apostle spoons, not truly separate beings
but figurines, a passive foil to  the in-
scrutible hero. Is that him, that thin

pale figure who just now is fleeing the in-
quisitive  crowd? But in a while he too
is slowly reingested, merged into
that far-off world we can no  longer be in.

The people in this place—what are
they doing here? They come and go
like actors in a play whose star

will very soon begin to show
himself, although we have no clue
which one he is, for they‘re all so

like tin apostle spoons, not tru-
ly separate beings but figurines,
a passive foil to  the inscru-

tible hero. Is that him, that thin
pale figure who just now is fleeing
the inquisitive  crowd? But in

a while he too is slowly rein-
gested, merged into that far-
off world we can no longer be in.

The people in this place—what are they doing here?
They come and go like actors in a play whose star
will very soon begin to show himself, although
we have no clue which one he is, for they‘re all so
like tin apostle spoons, not truly separate beings

but figurines, a passive foil to  the inscru-
tible hero. Is that him, that thin pale figure who
just now is fleeing the inquisitive  crowd? But in
a while he too is slowly reingested, merged
into that far-off world we can no  longer be in.
Derrek Estrella Sep 2017
The fool headed out with his heart
Checked over his shoulder for time
He wore a cigarette apart
And witnessed a rhyme
Quickened steps on New York streets
Greetings with a shaky hand
He says, “I fancy myself a deadbeat,
Nobody understands"

The fool played for his life in a bar
Stuttered every line with tension
He was everybody’s car
He worked for the pension
A mind of a kinetic brand
An isolationist caress
What's ****** into his hands
May put him among the rest

He’d be a shell to sell what is on his mind
But it’d be so bold if he sold his thoughts and time
Are the crows encumbered on his twitching tail?
Or were you so cruel to hang them up in hail?

He quickly made a tune for a boon
A derelict with a short fuse
The vain throw pity at the loons,
Who are their muse
Looking for a piece of a mind
Anything but his own
Travels in time, just to find
He can dine on the throne alone

The foil flailing on the wall
Fooling him to wail and write
Then the train of a mind stalls
Into the ceaseless night
“Write me well and write me to love”
The papers on the bookshelf say
Won’t you push them when they come to shove,
And seize that day?

You’d be a shell to sell to sell what is on your mind
But you’d be so bold if you sold your thoughts and time
Are the crows encumbered on your twitching tail?
Did the gabardines’ golden boy finally fail?

You desperately wanted to be sought
Yet you did not want to hang off the peak with a knot
Maybe you will try to linger on
And scream in streets when every chance is gone
peter oram Mar 2012
The people in this place
—what are they doing here?
They come and go like actors in
a play whose star will very soon
begin to show himself,
although we have no clue

which one he is, for they‘re
all so like tin apostle
spoons, not truly separate beings
but figurines, a passive foil
to  the inscrutible hero.
Is that him, that thin

pale figure who just now
is fleeing the inquisitive
crowd? But in a while he too
is slowly reingested, merged
into that far-off world
we can no  longer be in.

The people in this place—what are they do-
ing here? They come and go like actors in
a play whose star will very soon begin
to show himself, although we have no clue

which one he is, for they‘re all so like tin
apostle spoons, not truly separate beings
but figurines, a passive foil to  the in-
scrutible hero. Is that him, that thin

pale figure who just now is fleeing the in-
quisitive  crowd? But in a while he too
is slowly reingested, merged into
that far-off world we can no  longer be in.

The people in this place—what are
they doing here? They come and go
like actors in a play whose star

will very soon begin to show
himself, although we have no clue
which one he is, for they‘re all so

like tin apostle spoons, not tru-
ly separate beings but figurines,
a passive foil to  the inscru-

tible hero. Is that him, that thin
pale figure who just now is fleeing
the inquisitive  crowd? But in

a while he too is slowly rein-
gested, merged into that far-
off world we can no longer be in.

The people in this place—what are they doing here?
They come and go like actors in a play whose star
will very soon begin to show himself, although
we have no clue which one he is, for they‘re all so
like tin apostle spoons, not truly separate beings

but figurines, a passive foil to  the inscru-
tible hero. Is that him, that thin pale figure who
just now is fleeing the inquisitive  crowd? But in
a while he too is slowly reingested, merged
into that far-off world we can no  longer be in.
peter oram Mar 2012
The people in this place
—what are they doing here?
They come and go like actors in
a play whose star will very soon
begin to show himself,
although we have no clue

which one he is, for they‘re
all so like tin apostle
spoons, not truly separate beings
but figurines, a passive foil
to  the inscrutible hero.
Is that him, that thin

pale figure who just now
is fleeing the inquisitive
crowd? But in a while he too
is slowly reingested, merged
into that far-off world
we can no  longer be in.

The people in this place—what are they do-
ing here? They come and go like actors in
a play whose star will very soon begin
to show himself, although we have no clue

which one he is, for they‘re all so like tin
apostle spoons, not truly separate beings
but figurines, a passive foil to  the in-
scrutible hero. Is that him, that thin

pale figure who just now is fleeing the in-
quisitive  crowd? But in a while he too
is slowly reingested, merged into
that far-off world we can no  longer be in.

The people in this place—what are
they doing here? They come and go
like actors in a play whose star

will very soon begin to show
himself, although we have no clue
which one he is, for they‘re all so

like tin apostle spoons, not tru-
ly separate beings but figurines,
a passive foil to  the inscru-

tible hero. Is that him, that thin
pale figure who just now is fleeing
the inquisitive  crowd? But in

a while he too is slowly rein-
gested, merged into that far-
off world we can no longer be in.

The people in this place—what are they doing here?
They come and go like actors in a play whose star
will very soon begin to show himself, although
we have no clue which one he is, for they‘re all so
like tin apostle spoons, not truly separate beings

but figurines, a passive foil to  the inscru-
tible hero. Is that him, that thin pale figure who
just now is fleeing the inquisitive  crowd? But in
a while he too is slowly reingested, merged
into that far-off world we can no  longer be in.
peter oram Mar 2012
The people in this place
—what are they doing here?
They come and go like actors in
a play whose star will very soon
begin to show himself,
although we have no clue

which one he is, for they‘re
all so like tin apostle
spoons, not truly separate beings
but figurines, a passive foil
to  the inscrutible hero.
Is that him, that thin

pale figure who just now
is fleeing the inquisitive
crowd? But in a while he too
is slowly reingested, merged
into that far-off world
we can no  longer be in.

The people in this place—what are they do-
ing here? They come and go like actors in
a play whose star will very soon begin
to show himself, although we have no clue

which one he is, for they‘re all so like tin
apostle spoons, not truly separate beings
but figurines, a passive foil to  the in-
scrutible hero. Is that him, that thin

pale figure who just now is fleeing the in-
quisitive  crowd? But in a while he too
is slowly reingested, merged into
that far-off world we can no  longer be in.

The people in this place—what are
they doing here? They come and go
like actors in a play whose star

will very soon begin to show
himself, although we have no clue
which one he is, for they‘re all so

like tin apostle spoons, not tru-
ly separate beings but figurines,
a passive foil to  the inscru-

tible hero. Is that him, that thin
pale figure who just now is fleeing
the inquisitive  crowd? But in

a while he too is slowly rein-
gested, merged into that far-
off world we can no longer be in.

The people in this place—what are they doing here?
They come and go like actors in a play whose star
will very soon begin to show himself, although
we have no clue which one he is, for they‘re all so
like tin apostle spoons, not truly separate beings

but figurines, a passive foil to  the inscru-
tible hero. Is that him, that thin pale figure who
just now is fleeing the inquisitive  crowd? But in
a while he too is slowly reingested, merged
into that far-off world we can no  longer be in.
John Mahoney Dec 2011
i chanced to see a
tin foil car
in the library parking lot
yesterday

the carpet, molding, side panels
all removed
tin foil
had been duct taped
on every surface that
was not glass

even the shift ****
and the steering wheel
wrapped and wrapped
in tin foil
a Volkswagen Faraday cage

i searched the faces
of the people about me
would it not be obvious who
would drive around in a
Faraday cage
listening to voices
chasing around
their mind

tin foil car
reading Julian Huxley
and muttering about telepathy
or reading Faraday to get rid
of those nagging radio-frequency
electromagnetic radiation signals
in a hollow conductor

but, then why leave the radio in the car
Lyn-Purcell Aug 2018
~ ⚘ ⚪ ⚘ ~
And so the Pu'erh and Jasmine Lily
pearls are covered, my attention on
the Phoenix Eye pearls, and I peel back
the foil of a small handful. Ainhana had
carefully remove the infuser and I pour
in the pearls, listening as they gently
hit the glass.

~ ⚘ ⚪ ⚘ ~
As soon as Ainhana places the infuser
back in the tea ***, I turn the sand-dial
and watch the cream sands run, and the
pearls steep. I dare not let it run for the
full five minutes - I find the perfect brew is
made in three. The pearls now unfurl, the
green leaves now floating. The clear water
turns into the colour of the finest champagne.

~ ⚘ ⚪ ⚘ ~
After three minutes, Ainhara pours me a cup,
the aroma itself puts me more at ease.
'Do not waste it,' I tell her, holding the
handle and saucer. 'Such fine pearls can
be steeped twice, and I will make sure that
I treasure every single cup.'
'Yes, My Lady,' She says with a curtsy.

~ ⚘ ⚪ ⚘ ~
With my eyes closed, I blow away some
steam and proceed to sip short and brief.
It is a pleasure that is most welcome, indeed!
Teeming with the fires of the Phoenix itself
and caressing my tongue with floral sweetness.
A delicious moan escapes me as I relax in
my Summer Throne.

~ ⚘ ⚪ ⚘ ~
My breathing is calmed as I look at
the horizon with redolent eyes.
The choirs sing as I drink such fine
ambrosia! By a cup of Pearls, mine
own eyes feel inspired, as I think of
the lovely vision that is the Phoenix
that is born of the lotus.
Adieu, stresses of Court!
Adieu, plagues of doubt and anger!
Thy Queen is now jocund dove.

~ ⚘ ⚪ ⚘ ~
'Truly the finest Jasmine Pearls I've
had in years!' I beam. 'Be sure to share
this with my fellow Kings and Queens.
Especially Queen Kim. In such a golden
hour, we shall become Dream Children,
to be lost in gardens of distant China.'
'Yes, My Queen.' Ainhara waves her hand,
Semui and Ilazi now resume play.

~ ⚘ ⚪ ⚘ ~
As I sip once again, the summer
showers come. Lo! My gazebo
glistens! Cleansed by the light,
and life for my fields of my
fair gardens.

~ ⚘ ⚪ ⚘ ~
This blend cleanses the fire of my heart.
This blend casts out sorrows for me to
drink beauty.

~ ⚘ ⚪ ⚘ ~
A  liquor the shade of champagne with
the flames of life budding from a
delicate flavour.

~ ⚘ ⚪ ⚘ ~
The Phoenix merges with me, for I
am the star of the morn that graces
my Aurelinaea!

~ ⚘ ⚪ ⚘ ~
Such a blend of elegance in my tongue,
a heavenly euphony. How I'm forever in
awe of the power of
my Jasmine Pearls.
~ ⚘ ⚪ ⚘ ~
Final part of my Jasmine Pearls free verse!
Thank you so much for reading! I really hope you enjoyed it! ^-^
Lyn ***
rare-and-rad Sep 2014
Dear ****,

       ******* and your devilish traps
thanks for making my good days go to crap
thanks for separating me from my mother,
for making me look like a **** up to my brother
thanks for the addiction I have to face
you really did take me to another place
thanks for making me into the person I am
at least you never made me slam
thanks for making me stay up for a week or two
you showed me that I got nothing to lose
thanks for putting shadows in front of my eyes
but if it wasn’t for that I wouldn’t have realized my lies
I now put a gat in the side of my lap
cause I can’t even sleep or even take a nap
I’m always moving around , where ever it is you take me
bringing me to my dealers house making me beg on my knees
even if it’s just leftover’s, crumpled up in aluminum foil
Now I pick my arms because I think it begins to boil
I’m known as the black sheep in my family
you made my life a ****** up tragedy
The scars you caused aren’t only visible but mental
Thank god I stopped before I melted my dentals
There’s still a voice in my head telling me not to leave you
but I want to start my actual life, I want to be someone new
I thank you for the **** caused, for the mistakes you made me do
But I’m leaving you now, one last thing, *******.
Which takes us on a direct path to:
THE  INCIDENT.
Say you are a normal man—whatever that means—
But say it’s late June of 1993 and you’re laying on the couch,
Scratching your *****, trying to intuit your LDL level
Based on the two bowls of the Old Lady’s Cholesterol Chowder.
The Old Lady-- you can call her Peg or Mrs. Bundy—
Served it up in her special legacy china,
An assortment of recycled tin foil casserole dishes &
Vintage melmac handed down by your mother-in-law.
You are on the couch giving digestion your best shot,
Still scratching your agates when Peg comes
In from the kitchen with your second glass of
Two-buck chuck and a smoking fatty she’s just ignited,
Miraculously without burning the house down.
The TV is on—the TV is always on because
The TV has had no off button since 1984
You are tuned to the CNN evening news &
A report comes on that makes you sit up,
Snap to attention, straight up and take notice:
"WOMAN CUTS OFF HUSBAND'S *****!"
The media shrikes in Atlanta have your attention now,
Your complete attention;
Your eyes are riveted to the telescreen &
Your blood pressure spiking at 240 over 140.
During the previous night of June 23, 1993,
John Wayne Bobbitt arrives at the
Couple's apartment in Manassas, Virginia,
Highly intoxicated after a night of partying.
According to testimony given by Lorena Bobbitt
In a 1994 court hearing, he then rapes her.
Afterwards, Lorena Bobbitt gets out of bed,
Goes to the kitchen for a drink of water.
According to a journal article in the
National Women's Justice & Defense
League of Psychotic Castrating *******,
While in the kitchen she notices,
A carving knife on the counter & "memories of
Past domestic abuse races through her head."
Grabbing the knife, Lorena Bobbitt enters the bedroom
Where John is sleeping & proceeds to
Cut off nearly half his *****,
Half his Johnson,
In this instance aptly named.
So you have some schnook who’s named
After the iconic Hollywood superstar John Wayne . . .
Now understand something, John Wayne—
The ******* Duke of Earl--
Personifies everything alpha male:
Physique, animal magnetism & a pair of
Huge ***** swinging in his chaps as
He sashays across the screen.
In real life he’s a bullfight & cigar aficionado,
A big game hunter and sport fisherman, &
A hard drinking Hemingway hero
Who spends most of his time aboard
A customized WWII U.S. mine sweeper
******* to a pier behind his house in
Newport Harbor, California.
He’s the proverbial man’s man, &
There’s no one like him in America
Until maybe Eastwood or Willis comes along.
There’s a statue of him out in front of
The Orange County Airport that bears his name.
I have a photograph of him hanging in my garage
Next to a Mad-Dog 20-20 poster.
But I digress.
We return to the Bobbitt story because
It gets better, keeps getting crazier.
After assaulting her husband,
Lorena leaves the apartment with the severed *****,
Drives around aimlessly for a short while,
Then rolls down the car window &
Throws the ***** into a field.
Only then does the loony ***** realize
The severity of the incident.
She stops and calls 911.
After an exhaustive search by
Volunteers from the local Humane Society,
The ***** is located, packed in the ice-slurry of
A banana-flavored 7/11 Slurpee, &
Taken to the hospital where half-**** John Bobbitt
Gets a short-arm inspection and treated,
Mostly for shock and awe.
His ***** is later reattached by Drs. James T. Sehn &
David Berman during a nine-and-a-half-hour surgery
Filmed by Ken Burns and broadcast in its entirety by
WGBH Boston, a stunning illustration of
Your tax dollars hard at work
At the National Endowment for the Arts.
An abridged version later becomes the season premier of
"Girls Gone ******* ******, Manassas!"
Lorena goes on Oprah to explain herself.

Lorena Bobbitt ((née Gallo) was born in Ecuador.
Her maiden name, ironically,
Means **** in English.
Sheriff Joe Arpaio in Phoenix had this to say:
“Deport the *****. She may have an INS green card
But there’s no way she had a government permit to
Go around lopping ***** off in Virginia or any other state.
Who does she think she is, Janet Napolitano?”
Napolitano could not be reached for comment.
Shortly after the incident, episodes of "Bobbittmania,"
Or copycat crimes, were reported.
The name Lorena Bobbitt eventually became
Synonymous with ***** removal.
The terms "Bobbitt Punishment" and "Bobbitt Procedure" gained
Social cache with a radical break-away sect of N.O.W.
COPYCAT Catherine Kieu Becker, 48 (Garden Grove P.D.)  
Woman Accused of Cutting Off Husband's *****
Pleads Not Guilty/ VIDEO: Watch Jennifer Gould's Report
KTLA News   10:40 a.m. PST, February 3, 2012 /SANTA ANA, Calif.
"A 48-year-old woman accused of cutting off
Her husband's ***** and putting it
In the garbage disposal has pleaded
Not guilty to all the charges against her.
Catherine Kieu, of Garden Grove,
Was indicted earlier this month on
One felony count of torture &
One felony count of aggravated mayhem.
She also faces a sentencing enhancement for
Practicing surgical medicine without a license."
Sign up for KTLA 5 Breaking News Email Alerts
Comments (130) Add / View comments | Discussion FAQ
Happy627 at 10:35 PM January 18, 2012
"So my x-wife is a violent drunken *****?
Never once did I ever think of hurting her
But now I see I was wrong.
Vengeance's is the true answer & payback is hell.
So basically I should put an M-40
In her *** and light the fuse.
I should be acquitted from any wrong doing
Because she was a violent drunken *****.
Maybe all men should do this to their
Violent wives/girlfriends & teach them a lesson.
Cyanmanta at 1:10 AM January 11, 2012
In response to Doreen Meyer:
"So you're assuming that because he was the victim
He must have done something to deserve it
In some small way?
Typical of convenient feminism:
Assume all female victims are innocent &
Pure as driven snow,
While dismissing all male victims
With the idea that 'he had it coming.'
I wish I could pander shamelessly
To the media for preferential treatment,
But sadly, I am male (or as feminists would say)
The Evil Gender."
Westfield at 5:47 PM Jan.09, 2012
She should get her own show on the ***** channel.
(Bravo). KABC radio's John Phillips & his girlfriend
Nathan Baker would love to watch it."
Sluff it off, take a load off, baby.
Take a load off?
“Take a load off Annie,
Take a load for free;
Take a load off Annie, and
Bom bom bom bom
Bom be bom— & Dddddddddd,
You can put the load right on me.”
Send “The Weight” Ringtone to Your Cell

. . . Snipped, fixed, neutered, gelded,
Emasculated, eunuchized, or castrated?
(Castrating Forceps  (www.alibaba.com/
Showroom/castration-tool.html).
Bobbittized!
david badgerow Nov 2016
there's a secret place i found to keep my fear
to hide my tenderness & be vulnerable --
it's next to the smallest bones in your inner ear
the fluid skin blanket of your swooping neckline
lily-soft & somehow stiff enough to break
open my seed-pod heart

the one i thought no one could pry apart
but with rosebud ******* -- lips --
the figure of biblical magdala takes me
away from a lone satsuma tree raising its
shriveled offering from the crippled earth
on sunday strolls through duckpond parks
kicking cobbled streets of augusta block
or scooping water at me smiling in cutoffs
on a hot hometown riverbank

you came to me on barefeet out of the smoke
& rain silence where i was invisibly sobbing
where heat-lightning waltzed
sneaky-pete over the prairie
& what are you if not a rain -- a zephyr
flowing through stone temple
just as the dry-mouth dog days of summer
brought hell's fire across the southern field

so i've abandoned the hermetic existence
& buried my old dead shell with a
harp song hail glory to the contortionist god
vaulting off the balance beam in the
back of my mind beneath the
rain soaked topsoil of dawn
among the mound palaces
of ants & mourning mud hornets
while the gray shadows of the magpie
dance & writhe on the mosaic faces of
the trespassed lupine forest

& the sun still comes up on time big
gold fluttering like a delusional cicada
over the empty pink street
i'm still fidgeting because
clouds with tails like jellyfish sting
with rooted memories of azaleas but
you kiss away my all my latent
restless gypsy fears & keep the harsh
light dimmed or wrapped in heat-foil
in your front dress pocket & you only
give it back to me in brief drips --
pinches -- wet tongue kisses --
we talk with our eyes as only animals
can our butts in the damp sand
beside the breathless sea where streaked
clouds seem free to finger the horizon
but are cut by the city skyline --
a switchblade
MelancholicPanda May 2016
People are like chocolate.
We're all essentially the same but we have some differences.
Some are dark chocolate, white chocolate, or milk chocolate;
And no I don't mean your skin.
Some may have peanuts, caramel, cherries, or peanut butter inside.
We all have different experiences, thoughts, ideas, and personalities.
We all share most of the same ingredients and feelings,
But understanding something you've never experienced is always hard for humans.

Many people suffer from the addiction of adrenaline,
Those who love that fire that erupts from their skin when punctured.
This is one of the hardest experiences for others to understand.
The chocolate is a symbol of our sweetness - our happiness.

Those who are free come in lovely boxes with pretty designs.
They're decorated and packaged gently in a little bed.
But others, come wrapped in sharp and painful foil.
The foil represents our pain, depression, anxiety;
Anything that could lead to those ugly lacerations.

We hit ourselves, split skin, and burn ourselves to **** away the sorrow.
We cauterize the outer layer that engulfs ourselves to reveal our happiness.
But that happiness only lasts for a little while.
When a wrapper comes off a bit, you find a way to cover the whole.
And our melancholic shields cover that bit of joy up.

What some may not realize is that depression really is like wrapped chocolate.
If you try to slice the wrapping off, you will cut the treat.
If you burn the wrapper, the sweetness will melt away.
If you hit the foil, you've destroyed the beauty inside.

This is what happens to us when we give in to our despair.
We think it's helping.
But all it's doing is killing the beautiful person inside, who we are.
Destroying our outer skin pulls us deeper into a coma like state.
Where we're forced to drown in our mental wounds while painting pictures on our skin.

All you need to do is reach out a hand.
It might take a while for someone to notice you.
But someday, someone will reach back and intertwine their fingers with yours.
You just have to be willing to not put your hand down.

Find something that will keep you going.
Your pet whom you love.
A younger sibling or nephew or niece who look up to you.
A passion or dream you want to chase after.
The best thing to do in your darkest hour, is to look ahead and find something worth seeing.
Whether it's something so simple as having your favorite food on the weekend.
Or something as big as saving the world.

You don't need to do any of this on your own.
Just like with different chocolates; not everyone will like you.
But you will always have people close to you who love you.
And they are all that matter.

So don't damage yourself.
Don't try to peel the sadness off with a knife or fire.
Find that someone or something that makes you happy.
And the sorrow ridden foil will fall off all on it's own.
Or that someone will pull it off for you.

It will be okay. I promise.
--- Oct 2013
BEFORE

Before we even started dating
I was very interested in you
I thought
"She's really unique
And cool
And into books
And smart

And cute."
Every move you made
The ease with which you made friends
And of course
How your nose was always in a book.
That interested me a lot
And I still love that
Even when I know
So much more about you.
My observations from outside.


2.  AS I WRITE

I told you I was doing something
For our six months.
It's nothing spectacular
Nothing expensive
Just time
And my thoughts
My love
I hope to put it into these words which I
Preserve for you
Uniquely mine
For uniquely you
And you alone.



3. SUSPENSE

I just told you today
And you ask for my hint
It was in one of my other poems
You read it
But didn't catch it.
It would be obvious if you did see
What the hint is.
And no, these aren't all going to be
Like this
Just basically a diary
No
They will be better.


4. LIST

I like a lot about you love
I even listed some things off to you recently.
Would you like a list?

The cute faces you constantly make
The way you fall asleep in my arms
The way you make my heart skip when you lean on me
The way your mouth moves when we kiss
Your scent that hangs on my clothes after we hang out
The way you bury your face in my chest when falling asleep
The texture of you hair
The way your face lights up when you're truly happy
The way your cheeks are fun to play with
The perfect shape of your body
Your inability to be mad at me
Your anger at people being self-destructive
Your rambles on things that you feel passionate about
Your sheer uniqueness
Your amazing beauty
The way you feel embarassed when you blush
Your quiet whimpers when I whisper that I love you in your sleep
The way you always tell someone when you're annoyed
Your ability to easily make friends
Your addiction to reading
Your crazy music taste
Your refusal to tell me games you play
Your amazing poetry
Your unique way of dressing
Your uncanny ability to look beautiful and **** in anything

And yes, there's thousands more.
But that's enough for now.


5. NIGHT

You know
I think of you always
During class
During sports
During robotics
During my dreams.
You're so great
You just sneak into my mind
And take all control from me.
I'm stuck thinking about you for awhile.
Not that I really mind.


6. SUDDENLY FRAGILE

I've known you for awhile
And now you're fragile
You seemed strong
Never once wrong
And I'm glad I grew close to you
So that I can be here for you
When you need someone
And I always want to be that someone.


7. FIVE

Today
Of all days
I'm sick.
What I wouldn't give
To kiss you once
On the cheek
Or give you a hug
Quickly
Fleetingly
I want to tell you I love you in person
But I cannot
Not today
But I will.


8. FREAKY

Do you know
How crazy it makes me feel
To just think of you?

9. ALONE

I am alone
With nothing but
My thoughts

Of you.
Obviously.


10. PICTURES

I look at the wall
The ceiling
Blank
Naked, but for some scratches
And I wish it was pictures of you
In plain sight
Wherever I look.


11. TRUE HAPPINESS

I know life is hitting you right now
Hitting you pretty hard
Being forced into therapy you don't want
Medicine that hurts your focus
And now it's ******* up your grades
Which in turn make your parents mad at you
And you seem to be despairing
And all I want to do
Is cheer you up
Make you smile
Forget your worries for just a little while.
I do what I can
But I don't think it's
Enough.
But I will keep trying
Every time I talk to you
Text you
Hug you
I hope I can bring you a little closer
To that honest smile.


12. YOU WORRY

You said it's been bothering you
You say I don't have to stay with you
Because I feel obligated
Because of your mental state.
Well
I'm glad you said it
Got it off your chest
But I would never stay because of pity
Because of guilt
No
I stay because of you.
The you-ness of you
You're just so startlingly amazing
Such a stark contrast to other interests I've had
And I love it.
And I love you.
I'm glad I could at least momentarily
Hopefully stop your worrying.


13. BRILLIANT AND BEAUTIFUL

When I think of you
I imagine gazing into your eyes
As I have done so many times
Those infinite, piercing
Beautiful eyes.
Brilliant, shining, beautiful
Just like you.
So wonderful
Calming
I dream of watching your eyes fall asleep
And waking to the very same pair
Happy and alive
Yet so real
Your beauty
And your realness.
Perfection.
I love you
I could say it a thousand timees
And mean it more every
Single
Time.


14. AGONIZING

It hurts me so much
To see you in pain
To know you're hurting.

You're trying to be more
Independant
You say
Well
Sure, be independant
But I want you to run to me
Cry on my shoulder
Because you aren't alone
And I don't want you to prepare for
A time when you could be alone.
Because I plan on staying within reach.


15. QUESTIONS

You lately have seemed
Scared
Afraid that I am staying with you for some
Pity
That I may feel.
Well, let me tell you
That is so wrong.
I feel bad for you
But that is different.
Because I could never date you through pity
I would feel like I was
Taking advantage of you
So don't worry.


16. SO MUCH I COULD NEVER SAY

I love you so
I can not describe it
The feeling
The exhilaration
From catching a glimpse of you in the hallway
I just feel the need to smile.


17. SMILE-INDUCING

Have I ever told you
That everytime you hug me from behind
I just feel uncontrollably joyful?
And when you refuse to let go
I find it cute
And I just want to stay like that


18. GOOD MORNING

A dream we both have
I want so very badly
To fall asleep holding you close
Singing to you the lullaby of my beating heart
Listening to your breath slow and relax
The perfect weight of your body against my own
And for you to be the last thing I see before I close my eyes
And the first thing I see when awakened
To make fun of your bedhead as the day's first light
Illuminates the room gently
To tell you how I love you
Before you can think anything else
Now only a dream
Someday it will happen.


19. TO RUN AWAY

I wannt to forever hold you
To hide away where nobody can find us
No schedules to disturb us
No cold to riddle our skin with
Goose-bumps
No agony tearing at our hearts
No painful reminders of the past
As the days blur into weeks
Into months
To hold you forever
In solitude.


20. WORRY

Why, love, are you so worried as of late
That you have changed?
I love every version of you
And I'm continually amazed at your ability
To cope
To prevail
But you are not strong enough alone my love.


21. LASTING

I have a feeling
That we will last
Overcome the odds
For a relationship that will endure
Past school
Past our new experiences
Past our differences
And bring us ever closer
More in love
As I feel myself falling for you more everyday


22. MARVELOUS

I never feel quite as amazing
As when I have you laying on my chest
Relaxed and falling asleep
With a blanket
A movie
Relaxation
No upcoming deadlines
Nothing else matters
Just the warmth of you relaxing on me
And my feeling of content.


23. DISCUSS

I love that we can discuss
Our different
Yet similar
Religions.
Yours as yet unnamed
Mine becoming again pure
And we can grow from this
And we become stronger.
And if we disagree about something
We can have a discussion about it
Though I keep my mouth shut
If I have the potential to start an argument
And we stay civil


24. LIST

One of your guesses as to
What I was doing when I hinted about this
A list.
Alright, you inspired me.
Words to describe you.
Beautiful
Intelligent
Different
Crazy
Startling
Lovely
Cute
­Modest
Mesmerizing
Relatable
Foreign
Sad
Lost
Stubborn
Sensitive
­And lastly for now
Theloveofmylife


25. TERRIFIED

Having you in my life is
Terrifying.
I worry so much
About your well being.
I wish I could be your knight in shining armor
But I just
Can't.
Society doesn't leave room for heroes.
It only attempts to create villains.
But you and I
We can resist it
Because society ***** anyway
And we're invincible.


26. DROWSY

When I fall asleep
The last thing on my mind is you.
And it's not just a thought that pops in then.
It starts when I am drowsy
And on the edge of sleep.
I imagine you snuggling close
Burying your face in my chest
Inhaling deeply and
Relaxing.


27. COMFORTABLE

I am glad that you can
Be relaxed enough around me
To fall asleep randomly.
And I love how, even in your sleep, you
Snuggle close
Twitch your hand three times
And whimper whenever I whisper into your ear
"I love you"


28. EXCITED

I love being with you
I love holding you close
Your breathe in my ears
The pounding of your heart
Speeding up when we kiss
Your happy sighs
Pulling me closer
Warming me in this new coming chill.


29.  HEAT

You are warm
You are hot
You keep the chill away
Heck, we could be in the snow without any significant
Warm clothing
And as long as I could hold you close
I could remain there forever.


30. PERFECT LOVE

You are my perfect love
The one for me
The two of us
Can do anything
Beat any odds stacked against us.
Overcome any hardship.
Just wait until we can escape to our life
We can win this race love
Destroy anyone who seeks to foil us
Or just ignore them
They aren't worth our notice
If they try to bring us down.


31. LIGHT

I look into your eyes today
And they are beautiful
As they always have been
I can lose myself in your eyes
The sight behind them
The intelligence
And so much more.
You're startlingly great
And I can't help but want to be around you.
neko-nae Jan 2016
you wander helplessly from afar,
tragically beautiful
in mystery
as you walk blindly searching--

I'm fascinated--
your intimate brown eyes
search everywhere,
and I wonder if I should
break the mysticism
and approach you--

"do you have aluminum foil?" you blurt out,
having given up your great venture
and I realize that it was intrigue alone
that drew me to you--
Working in a grocery store surely has it's moments. (01.25.2016)
Danny O'Sullivan May 2013
I am sometimes sad because
Surely churches should be
Shelters for the homeless?
Or because pockets jingle
And we are deaf to the jolly clatter
Whilst others hear the call of god.
Or because people with
Paper cuts leak bitterness
And not human empathy
And we leak and leak and
No one cleans up after us,
Until jokers mutter 'revolution'
And the day dreams of a burning city
Are believable when the cries for
'IhavenohomeIhavenomoney
nofoodnoshelterIhavenothing'
Are from muted peripheral spectres
In our Utopia.
Mostly I am sad because my words
Are void by lacking action but
My mind refuses to stop spilling out poetic waste.

Today you gave me a fake flower and
Most likely a lie but the flower is on my wall
Shiny yellow thing in foil bright like my eyes, you said.
I hope our exchange gave you hope.
PK Wakefield Dec 2010
i crinkle and split the foil,
      most generous , of pale light
budding sickly about the charming dint
of your ivory calf. satirically the spades small, sharp, and digging
          the suns grave
blotch in twinkling scars
                                                     pleasant acne 'pon the eve's face
soft infinity:
                                   a plunging savagery

         i'm a whelp
to thy sugar so bittersweet as throat gorging lush vertebrae
your spine, i cradle haphazardly in my stupid fit of flat tissue  
in my ointment you are the grandest fly
a pestilence i gladly so lovingly

              carcass
I have faced down
the existential anguish
that drives lovers
to padlock themselves within.
I have woven blankets
to warm my cold shoulders
when I tumble
through the abyss.
I have created
Reason, Religion, and Reverence
out of Absurdity and Stardust.
I will always be
more desirous of desire
than secure with security,
more comforted by wonder
than wondrous of comfort,
and more of the romantic than the realist,
though neither is whole
without the foil.
Lyn-Purcell Aug 2018
~ ⚘ ⚪ ⚘ ~
Though glass, it is rimmed with gold
around the cup, handle and even the
saucer. Skilfully painted chrysanthemums
  of various shades; the vermilion horizon,
Spring's honey, songbird's magenta,
sangria's fine wine, a parakeet's breast
and the Aegean sea.

~ ⚘ ⚪ ⚘ ~
And then, there are three sightly tea
caddies with lacquered wooden bodies;
one rosewood with red dancing fans,
one burr-oak with golden mountainous
landscape and one maple wood with
green bamboo. Ainhana gently removes
each of their lids by using the cloth, and
presents the pearls that were wrapped
in sun-kissed foil.

~ ⚘ ⚪ ⚘ ~
She first lifts the rosewood caddy towards
me. I close my eyes and focus on the scent.
Without peeling back the foil, I know. It takes
me to the far distant Province of Yunnan,
past the snow-kissed mountains and rice
terraces to a very still lake. I noticed that
it began to bubble before a large splash
rose.

~ ⚘ ⚪ ⚘ ~
At that moment, I meet the lake's Guardian,
the Imperial Wingless Dragon of legend.
With its wet emerald-kissed scales drinking
the sunlight. It's great body now entwined
in a wispy clouds as it stares at me with
eyes of liquid moons. Its tail crowned
with a peacock feathered eye-spot whips
around in the air, leaving an iridescent
trail of colours.

~ ⚘ ⚪ ⚘ ~
With a great leap, he soars through
the air, trumpeting his great roar
that rattles the skies. Just as quickly
as he rose, he descends down with
a Pearl Moon in his brown claw. By
the stroke of its sienna-brown whisker,
the small Moon cracks, presenting me
it's contents, a long kept secret.

~ ⚘ ⚪ ⚘ ~
The pearls are the colour of seaweed
with streaks of yellow and burnt umber.
With earthy notes whirls around my
nose, along with some floral sweetness,
burnt caramel licks, dragon spice and
a wisp of apricot. Ah, so I see! One great
guarded secret that he reveals to me!
His best pearls ferment in the womb
of the Moons! Purified by the Star
Virtues of Elysia's Harmony!

~ ⚘ ⚪ ⚘ ~
'Wonderfully rich Pu-erh Pearls,'
I say, my eyes now open.
'My Lady's nose is as sharp as ever!'
'I just know my tea,' I chuckle, 'it's
very unique in smell and taste.  I will
save such fine broth for another day.'
Ainhana nods, places on the tray and
lift the burr-oak caddy. I close my
eyes once again and my mind
wanders yet again.
~ ⚘ ⚪ ⚘ ~
Part four of my Jasmine Pearls poem.
(a re-post of my re-post! What's going on with HP, seriously?)
After it's confirmed that this is seen by others, I'll add it to the collection of the same name.
Thanks for 149 followers btw! You rock! ^-^
Lyn ***
Grace Jan 2018
You know the type.
She's probably called something like
Isabella. Rosalie. Ginevra.
and you find her in the sort of novel where
she's outdone by someone called something like
Jane. Agnes. Lucy.
She's remembered in criticism as
Trivial. Silly. Foolish.
She's defined as Shallow. Vain. False gold.
She's analysed as the mirror, the contrast or the foil
and you're supposed to vaguely dislike her.
She'll reaffirm to the reader that the heroine,
whether she be plain or beautiful, is always, in the end,
Rational. Independent. Brave.
She reaffirms the heroine as someone who
learns and grows
while the silly girl is left looking at herself in the mirror.

The thing is sometimes I feel more like the silly girl,
the girl who needs a hand, the girl who reads books
and wants to believe the stories.
Sometimes, I'm looking in the mirror,
chest deep in my own trivial, silly little worries,
looking at the puddles not the lake, and I know.
I know I'd be one of the silly girls,
not the heroine, out there, just surviving.
I'd be one of those silly girls and I hate it - and yet
- what's so wrong with the silly girls?

What's so wrong with the girls who love themselves,
or love the wrong people or love their clothes?
What's wrong with the girls who are
brave but not rational,
independent but trivial,
selfish but practical?

What's wrong with those girls,
because I always find myself preferring
the Ginevras and the Isabellas anyway.
Basically, Isabella Linton and Ginevra Fanshawe are two of my favourite characters ever :)
Found this poem in the notes on my Kindle. I must have written it late at night, then forgotten about it. :) It's a bit lazy and silly and a bit different from other things I've been writing, but I decided to share it anyway.
I also can't believe that one of my most poems on here is me rambling about Ginevra.
Steele Sep 2014
Am I looking for love in Alderaan places?
Most of my SerenityXEnterprise ship jokes go over her head.
I feel like a John Cusack boombox blaring out nineties-age spaces.
Like a comedy no one's heard of, I'm Better Off Dead
without the love I'm not sure that I can find because then is it
really possible to find The One like Neo? (Haha. Get it?)
Like (p+l)(a+n)=pa+pn+la+ln, (Okay, Deep Breath) the universe is trying
so hard to foil my love PLAN. (That one was ******, but the best I can present)
I know you'll be saying "I told you so" when
I realize the narrow parameters of my search are a little naive,
but don't say I'm the Average because that's just Mean!
My love is like Ash Ketchum; I need it to be the very best.
My love is like Ariel; If I leave you I wanna know I'll be mist!
I just needed to pull a Sasha Grey and get it off (on) my chest,
I've already got my music, rhymes, and make-up. Give me the Kiss.
This basically captures my personality more than a Master-ball on a Mew.
(Okay. I'll stop.)
Poetic T Oct 2020
Cursing like they diamond but
they don't even cut glass..
   Holding wraps of cash, but the top and
bottom be 50's but the rest is the monopoly
that they can't even pay...


They are burning rubber on the expense,
  but they rented, they dent...  
          Paying back on the record company.
You sold 50 thousand but you owe
                                                   a hundred grand.

They ain't going to shoot out you knee caps,
         there just going to gang-**** your voice..
Thinking you original, swallow that pride,
you one of there cash cows,  
           they milking you, can you say Moo!!!
******* around making the milk sour.

They'll just pressure bolt you
lobotomized, on the industry you either overdose,
             or working at KFC..  

Think you had grills now sold off to pay
the rent, the only thing you can afford is
a tin foil grill and you only cooking,
                                                 is burgers...

"Hi sir can I take your order,
Sean Rosgen May 2014
"Her Name Is ******"
The first time I met Her, I knew right away, She'd be in my life forever. The first time I met Her, She introduced Herself and I couldn't breathe. The first time I met Her...never had I slept so deeply in my life.
The second time I was with Her, it was a dream of bliss and happiness come true. The second time I was with Her, my eyes lit up with excitement and my heart simultaneously sped up and slowed down. The second time I met Her, I knew I would love Her forever.
By the time our relationship became something I craved and lusted for, I realized that I hated Her. I didn't want Her in my life but I couldn't tell Her because I needed Her. And I would do whatever I could for Her. I would steal from anyone I could for Her. I could lie to anyone I knew or loved for Her. I refused to be without Her and nobody would stop me from being with Her.
By the time a year and a half had passed by, and Her and i had now had too many dates for me to count, i awoke one day to stop and look down to where i held her in my arms, held Her in my hands. I stopped and realized i had forgotten Her name. It was something that had been happening lately, my memory just wasn't as sharp as it was before i met her. I looked down at Her and said, "um i seem to have forgotten your name, could you please tell me it". She looked at me and said to me with a twisted, evil smile and a voice like someone who had been smoking their whole life. She said "why Sean, how could you forget my name? Baby my name...is ******. And you love me very much don't you?" I looked down at her, the square piece of foil in my left hand and the pen with which i had de-constructed and now used to catch Her breath in my right, was the woman of my dreams. The black, oily, rolling demon to whom i spoke to, was the one who i had given my soul to.
But she was right, i did love Her and would do anything for Her. I loved her more than the job i lost for Her. I loved Her more than, realizing and knowing that i hadn't showered in days and didn't care. I loved her more than my guitars i used to speak what my soul sings, which i pawned, with no hope of regaining, for Her. I loved Her more...than the woman with whom i was in a 3-year relationship with and who i loved very much with everything i was. But, because of ******, i was nothing, but what She wanted me to be. I did all of these things just so i didn't have to feel the pain in my bones when i didn't have Her. I did all of these thigns, so i didn't have to feel the aches in my muscles when i couldn't get Her. I did all of these things, so day in and day out i wouldn't have to deal with my reality that was crumbling around me. I did these things to numb the pain of catching my girlfriend cheating on me with my best friend. Numb me from the hurt of her kicking me out to move him in and marry him. I did this to hide from the reality of moving back in with my parents and feeling like i was a child again. I needed her in my life to eventually **** all my feelings when, my parents kicked me out of their house because I wouldn’t do what they wanted and later kicked me out of their home and didn't care where i went or what happened to me.
My reality, had become my parents telling me, as i was walking away, tears in my eyes, curses in my mouth, and a ******* machete jammed through my heart, them telling me that i was nothing but a lowlife piece of trash and i deserved to be out on the streets, living behind dumpsters, and that i was a thief and now, since I had come back in to their house with her, it felt tainted and evil. My reality was, my parents telling me that the next time they saw me, would be at my funeral.
My reality was so consumed by darkness, and so consumed by pain, and just so consumed by the reality that i couldn't actually FEEL anymore and all i had in my life was Her. She was always there for me. To take away my pain as i slept behind a grocery store and was jumped and beaten by three other homeless men. She took away the pain of being utterly consumed by the lack of not being able to feel anything except for the overwhelming urge to just die. That after 3 weeks on the streets, and an almost 3 year relationship with my sweetheart, ******, i was so incapable of feeling anything, that i just wanted it all to end. Because everything inside of me that made me human and alive, had already died long ago, and She was just my life support, but i was ready to pull the plug.

When you are nothing but a hollow shell, and doing the same routine of: wake up, smoke H, go beg for change so i don't have to be without my darling, ******, but haven't eaten in two days, so i go to the dumpster where i have a buffet of half eaten sandwiches and old rotten fruits, just so i don't have to FEEL the pain of not having at least Her in my life. I had gotten to the point where i asked my self 'what's the point of living anymore? Why go on?"

And, my friend, it is these things. Life is worth living because after being clean i have a new found sense of purpose and self-value and self-love. Life is worth living, simply, for the sun setting behind the mountains and, for a few minutes the mountains are just a silhouette against the rainbow of colors that is the sky, and it looks like the most beautiful painting that nobody ever did, and i weep. Life is worth living, to sit in a park while you're going through the worst part of your withdrawl from Her and all you want to do is get high or end your life because, that would be so much easier than having to put up with this suffering. When suddenly, you notice the wind move across the grass and bushes, up into the trees and then hear a choir of birds singing, and for a moment, just a moment, you forget about your pain, you forget about your suffering, and focus on something amazing and beautiful and. Life is worth living, for all of the people who suddenly, came into your life and help you and support you, even though they didn't know you before, but don't care because, they see the potential in you and remind you to see it within yourself. Life is worth living....because you're a beautiful human being. And yes, you've made mistakes in the past, but I’m here to tell you, when-ever you feel like you're all alone. When you're sleeping on the streets, or roaming them to try and figure out a way to get a hold of that ***** ******, when you feel like you have zero support. Know this...Know that you at least have me in some way. Know that i support you as a human being, and that i would help and will help you if i can because I’ve been there, roaming the streets, eating out of dumpsters, wishing I would just die, I’ve been there. Know that, even though i don't know you, or that I may have never met you. I love you and have hope for you.
Because, you're more than ******, and you’re more than any kind of drug/ vice. You're a living, breathing, human being with feelings and hopes, desires, fears and dreams. YOU are a human being and you deserve to be treated like one.
This is the second revised version, i am still working on the final product.
L B Mar 2017
This is a three-part, longer narrative poem, seen
as old photographs that follow the main character, My Aunt, Lillian Goldrick, across two decades.  It was written 30 years ago*
______

“Hey Kid!”     Part I

Photographs aren’t fair
stopping the soul where it’s not
in rectangular guffaws
surrounded by serrated edges, pickets, teeth?
to fence and stab in yellow, soft-covered booklets
with designated floppy phrase
“Your memories”

Happier than she could ever be...

A black and white day at Salisbury Beach, NH
hung over his hammock
Private pin-up girl
tilts her head against silver sheen of shoulder
Hair, dark chignon
except for a few wispy curls about her face
freed by wind
bleached by sun

Stopped

...for three decades
Legs slightly bent—long extended
that could stop trains, stop traffic

Stopped

Modest bathing suit, probably peach
cannot hide (not that she would)
the undeniable
And if there were question left
you could look at her smile—and love her
posed by he message scrawled in sand:

“Hey Kid!”

What kid? Where?
In the foreground?
In the camera’s eye?

In the background—
a Ferris wheel, a billboard
and  r-i-g-h-t  there—Can’t you see it?
Look again—behind her eyes
You can barely see it, but it’s there.
Remember?

The Depression
Only ten years before
It was April
Stroke, heart attack
Both of them gone, a year apart!
The priest came
Last Rites for mortally stricken
Candles, crucifix, the Catholic containment
of holy water that dams the tears

Kneeling around the bed
they said the Rosary

——————————

After VJ Day he came
to the house on the corner
of Commonwealth Ave.
She knew he was coming
but she could not be ready today
nor tomorrow
nor next week—or ever...

“Lill! Will ya come to the door?
She’ll be ready in a minute.
Hey Lill! Hurry up, will ya!
They’re waitin’ fer us!”

Upstairs in the dark hallway
her door clicks shut....
________


"Hey Kid"    Part II


The clock at Joe Rianni’s read 20 minutes to 12...

Crowd from the Phillip’s Theater—gone
though laughter lingers
in a Friday mood
in high-backed booths
where only an hour ago swinging free
were high-heeled shoes
legs crossed at knees....

Now on tables abandoned
deserted fields of French
fries lie cold in salt flurries

Only female straws wear lipstick
as do Luckys bent in ashtrays
Males, uniformly flattened
as powder burned, as mortar might
shells, casings—the evidence of war
Among explosions of tickled giggles
one was taken broadside...

listing     toward      stars
_______

...The clock read 20 minutes to 12

when she walked in--
And Rhea stopped swabbing black mica counters
long enough to absorb late-customer hate
and envy that such beauty can arouse
In voice hoarse and weighted like a trucker’s

“Whadaya have, Lill?”

“coffee”

The small answer settled at the soda fountain
and slowly struck a match...
She was falling from the slant
of her black felt hat
dripping off the point of pheasant feather
Gray gabardine suit
tailored from angle of shoulder
to dart diagonally
toward such a waist!
Turned to skirt hips
that arched and dove toward slit—
then seams that run the round of calf

that seem to flow
to ankles of naught—
...and all that seems

Black     high-heeled     above it

Coffee— cold, stale
Gray glassed-in stare
searches air and random walls
of coat hooks, menus, mirrors...
while lips ****** exiled words— replies

Dragging a demon from her Camel
slowly     purposefully
she exhaled a burly arm of smoke
that rose and laid its hand
against the ceiled atmosphere of embossed tin
Then leaning over her shoulder
in roiling emission of shrugs and sneers—

“Lill—There’s no way outa here!”
________


“Hey Kid!”    Part III

After kneeling backwards on their chairs
after nuns, catechism recited
After—
Five of them scuffed through leaves and litter
along the curbing
spotting cars that counted—
Bugs, beach wagons, flying bathtubs
A slower way home of hunting
shiny chestnuts and muddy finds
rare match book covers
and bottle caps that win ya things!

One breaks from bunch
and trials off to where
dimes turn to candies!
...at a dingy luncheonette...Joe Rianni’s
____

Here—behind smeary wall of glass
pleasure leers while holding back
those grimy fingers, lips that long
for jelly fish, gum drops, lollies
holding back the company
of Baby Ruth, and Mary Jane
O Henry or Bazooka Joe!
For less money but the same salivation
there were colored dots to chew and ****
from strips of paper that last forever!
For a little more, plus the sweet struggle
of desire denied
a kid could be proud owner
of a pea shooter or trading cards!
While in the mouth
were golden imaginings—
the chocolate foil of coins
and the candied pretense of cigarette adulthood
_____

Rhea didn’t see her in the line...

Only grownups with wallets and purses
Only grownups get waited on...
...because Rhea was a Gypsy!
Kids could tell!
by her big red lips and hair to match
by the nasty way she chased them out—
“****** kids!”
Only grownups get waited on....
_______

And the clock read 20 minutes to 12

While a child waits—
time stirs in a ceiling fan
   There’s a drift in attention
      along deepening endless walls
         toward a line of sleepy booths
              carved with

“I was here—in such and such a year”

Her aunt—at the last stool—like always
Their names too close
Confused too often

A little girl wonders
about the sight behind the sightless stare
loafers, ankle socks, the ‘40s hair
the gathered skirt that gathers ashes
as they fall from cigarette
held in yellowed fingertips
Tremors crimp the smoke that climbs—

              ...a strobing pillar

“Whataya want, girly?”

              ...the only movement

“Hey! What’s it gonna be!”

              ...in a shot—

“HEY KID!”

              Snapped
There are photos that go with this. I'll try to post them together on Facebook.
Daniel N May 2014
Ghostly figure
Full of woe
Holding out a hand

Cold air
Drowns the lungs
Shatters the heart

Cries of help
Tin foil hug
Never stops

Invisible chains
Shivering spine
Screeching throat

Terrored spirit
No hope
No one

No one there
Remember, that chaos first was a primordial deity,
Chaos; the nothingness from which all else sprang
headfirst and heartfelt,
half-naked and handsome,
hook, line and... halibut.

All of this,
every measurable moment,
every particle,
every object set forth in motion
sprang from a void so harmoniously
as if the absence of everything was kissed
sudden
by the presence of something.

Often depicted with wings, a bow, and a quiver of arrows,
Cupid, son of Venus - goddess of love,
son of Mercury - god of trade,
his story,
almost identical in Greek and in Roman
mythology,
his story, about a couple of gods
who seem so inherently human by nature,
jolted by jealousy,
dumbstruck by beauty,
hellbent on immortality,
his story has been hallmarked
as red hot velvet rose petal fine wine
and symmetrical hearts.
Wrapped in tin foil red ribbons
bitter-sweetly sugarcoated
dipped in thin layer of chocolate
taste-tested and lover approved.

Remember that scene in Hook
where Tinkerbell leaves her footprints on Peter's chest,
well that's you and that's me--
touch me where my heart beats
because I don't ever wanna be a lost boy.
I wanna grow up like a good bedtime story
with morals
and purpose,
I wanna have meaning.

You might say that Cupid found himself.
You might say that Psyche found her soul.
You might say that Tinkerbell was just faking it--
with the clapping.
Truth is, we can never know the whole story--
the complete truth.
Problem is, we think we can
and act like we do.
So the only time we mean what we say
is the first time we say it,
every utterance thereafter is just an attempt
at recreating a moment.

I love you
is a paraphrase
that deserves three separate ellipses
because there's a lot left unsaid.

I (distinctively remember shadow-boxing with)
love (against a star-dotted sky anchored to a
moonlight so vibrant it can only be compared to)
you (and your tidal waves).

And that's where I fell
headfirst and handsome.

I (was punched-drunk by a kiss so breathless
that it spiked my dopamine to a volume
that can only be described as) love
(in that every time my neurotransmitters feel) you
(they spin themselves dizzy and dance to your science).

There was a moment in the absence of everything
when I was kissed silent by the presence of something.

Hold me to your breastplate.

I don't ever wanna go back to the void.



*02/09/2010
Autumn Noire Oct 2015
Hes tall dark and handsome…
I’m totally kidding tall dark and handsome just way too mainstream for me.
Although he is tall.
Your typical dorky guy.
Glasses , you know not much of a looker , but a nice guy.
I like him for who he is not what he looks like.
Hes funny and awkward.
I find it cute.
My friends question why i like him and its because i don't look at looks.
He has a great personality and i love talking to him .
when his hair grows out he has this curly hair.
He also has dark brown eyes.
His dimples are the size of moon craters.
And his body size is slim.
Like jack from nightmare before Christmas.
Now I Know what love looks like.
And I'm only in the ninth grade.
This boy….Is my idiot in tin foil.
his is about a guy I used to like . When I spoke to him my sad poems turned into cheesy love poems.This is about how i see and feel about him.
LC Apr 2022
a person barely within earshot
may absorb the cheerful ring in my voice.
they see me in glimmering gold
embellished with refracting glass -
always with crinkles adorning my eyes.

someone else may be right across the table
and see small smoke tendrils escaping my ears.
laughter follows the smoke, and it fades away.
they see dull gold topped with smashed glass.
the crinkles sometimes disappear,
only to return a few seconds later.

A few can see my heart whenever they like.
they hear unsteady tremors between words.
they see billowing smoke
emanating from my ears and mouth.
they know the wrapping is gold foil
with smashed hourglasses piercing my skin.
the crinkles appear whenever they want.
nevertheless, they see me rise, even as I ache.

I, the permanent resident of this body,
shed the itchy foil whenever I can.
my cells are clouded by smoke,
and the hourglass fractals
swirl into a tornado behind my sternum.
the crinkles have been starched.

But, I remember I am walking on diamonds,
and I slowly sculpt my armor.
I exhale, and the smoke clears, bit by bit.
I reach behind my sternum,
grabbing the fractals to line my armor.
I splash water onto my face,
and the corners of my eyes crinkle again.
Escapril Day 10! Prompt: magnification. I wanted to "zoom in," to the different ways in which people see me vs. my reality. This is my interpretation of the prompt.
I hope you enjoy this longer poem! I also hope the metaphors make sense. I'm not really sure how I settled on these descriptions, but I made an attempt 😊
vircapio gale Nov 2012
fem in isms,
i imagine Sapphic eyes:
bad *** advert coruscates elite
fairness sensing slavish blind
in gestate calm affirm
in genders More numerous of Windows--
Superior--for Doors--
O harsh judgement foiled,
as a foil, as unknown truth
foil-doubles in the brow,
abject symmetry to systemize
a fertile lack of sterile barrenness,
i am a mediatrix rend,
nirwaan, hijra wonderment aside
from transemotion's ground swells
demeaning to be understood.
i celebrate and face the same
to be what paperwork tests being
normal being, freely chosen
atom each belonging moves
an asterisk of paths
of mutate art of nature social darwin maze.
i imagine Sapphic eyes,
ginko soft they pile up all cobble
memories themselves concretely
cloistered  fame
spray of salty waves,
macho screams symbol
for dismissal ease
for tearing at an inner unsaid war
with lists offense of proper taste
to what posterity intends
an undulation womblike seeming nourish safety sounds.
i imagine Sapphic eyes
past
debauched
meanderings
where hyster-clarity rejoins its titular
and reliable escapisms curl the lips
of maleness found
here and there  smile  sneer love
i imagine Sapphic eyes
linguistic pirouettes
congest that wisdom nonetheless
the moment passed  on to a
feigning truth in pretty rhyme
ornamenting time with fine  meter  fine
vernacular chimes peter in
to juggle perspectival paradox,
redichotomize the twilight idols,
resolve the conflict like a dawn
Aurora,
i imagine Sapphic eyes
running plastic with Alaskan wolves,
toga floats to snow
to let us see the purest fairness form
a ****** circle,
Hypatia ascends from tenebrous grave,
Impregnable of Eye is pregnant now
with Wollstonecraft revered
in liberation's fount
families held exemplar gaze of
Taylor, ******, Cady,
Anthony resanctified
to vote entitlement's
empathic origins, waxen mold
of nascent categories,
narrow hands spread wide to panoply anew
the manifest evolve in true unknowns
Dark n Beautiful Aug 2018
You must never **** the spiders,
While, they are woven their poems into the likeness of thunder?
Kidnapped the poets, instead of the poems
Therefore, I asked of you to stop all useless riots
On poetry, read them, embrace them, and
Learn from them: poetry is disciplined
And disciplined is the most misunderstanding word
In the dictionary: but somehow it is said that

riots is the language of the unheard:
we must never embrace racial riots,
or racial profiling: reach out to racial equity
stop allowing the messages of hate to go viral
plants row of trees, in the name of love,
I recently came across, ants yes, I said ants

When army ants need to cross a large gap, they simply build a bridge - with their own bodies. Linking together, the ants can move their living bridge from its original point, allowing them to cross gaps and create shortcuts across rainforests in Central and South America.

I recently saw human fighting each other, I recently read somewhere
Where children were locked away in cages
,
McALLEN, Texas (AP) — inside an old warehouse in South Texas, hundreds of immigrant children wait in a series of cages created by metal fencing. One cage had 20 children inside. Scattered about are bottles of water, bags of chips and large foil sheets intended to serve as blankets.

We must never **** the spiders,
While, there are woven their poems into the likeness of thunder..
sweatshop jam Jan 2014
when you are three you will bring home your first tracks of mud from the garden when you sneak out of the door to play. i will wash the grass stains off your socks and tell you to wait for mummy to come out next time too.

when you are four you will bring home your first macaroni necklace from nursery school and try to eat it raw. i will put it around your neck and we will make pasta together, minus the glue.

when you are five you will bring home tears and your first bleeding knee after falling off your tricycle. i will clean up the wound with antiseptic, put on a smiley face band aid and tell you it is okay to cry.

when you are six you will bring home your first finger painting from kindergarten and a white tee shirt that is streaked with a myriad of colour. i will place it on the laundry pile and we will stain canvas with paint coated fingers for the rest of the afternoon.

when you are seven you will bring home your first report card and babble excitedly about the A you got in art class. i will tell you i knew your teacher would love the tiger you drew that had too many teeth.

when you are eight you will bring home your first best friend and you will ask if you can have a sleepover. i will bake you cookies and put up a tent in the backyard so you can fall asleep under the blanket of stars.

when you are nine you will bring home your first 100 on a test and ask me if perfect is a good score. i will hug you and say that no score can be more perfect than you are.

when you are ten you will bring home your first girl guide badge and tell me you need it sewn on your uniform. i will teach you how to use a needle and thread and see your pride at accomplishing the task on your own.  

when you are eleven you will bring home your first medal from a junior fencing competition and tell me you love the foil but you are scared of the older ones who use epees and sabres (even though one day you will be one of them, too). i will hang the medal on your bedpost and show you my rusting sabre in the storeroom and tell you my stories.

when you are twelve you will bring home your first case of chickenpox from the girl who sits next to you in class. i will make you chicken soup and we will make bad puns about poultry for the next two weeks of quarantine.

when you are thirteen you will bring home your first failure on a test paper. i will sit with you in your room and go through your mistakes and we will learn together, because you are more than a number and i never want you to forget that

when you are fourteen you will bring home your first questions about why the girls in school giggle about boys when the name you doodle in your jotter book is the one of your hauntingly beautiful social studies teacher. i will tell you that love is whatever you believe it to be and who you love is less important than why you love them.

when you are fifteen you will bring home your first can of beer in an effort of rebellion and try to hide it in your room. i will get out the wine and we will share it and i will teach you all there is to know about alcohol and being careful around it, and regale you with stories about the fact that i am a happy drunk.

when you are sixteen you will bring home your first attempts at a resumé and tell me you want to find an internship. i will watch you with pride as you make your own way as part of the working crowd for the very first time and learn more than i could ever teach you on my own.

when you are seventeen you will bring home your first girlfriend and introduce her to me, blushing and stammering. i will smile and ask her if she wants any orange juice from the fridge, and watch you give me a grateful grin.

when you are eighteen you will bring home your first college application and all the relevant documents. we will sit down over the kitchen table and discuss the pros and cons of local and international schools.

when you are nineteen you will bring home a suitcase and some assignments when you come back home during break. i will watch you tuck in to local fare ravenously and listen to you dreamily talk about the girl you share your dormitory with.

when you are twenty you will bring home your first paycheck from a part-time job you’re holding while studying for your degree. i will joke with you on what blue chip stocks to invest it in and we will go out for dinner at a swanky restaurant together.

when you are twenty one you will bring home an engagement ring and ask me if it is too young to ask your dormmate turned lover forever. i will remind you that love has no age and preconceptions have no place in devotion.

when you are twenty two you will bring home everything you need to propose to the love of your life. i will watch her stare at you in shock and fall into your arms and cry, and i will smile at the way your breath leaves your lungs, and you cry along with her.

when you are twenty three you will bring home your first pre-wedding jitters and be fretting about tomorrow’s ceremony. i will reassure you that everything will be perfect- even if it isn’t.

when you are twenty four you will bring home your first spare key to your new place and entrust it to me. i will bring over the dishes you and your wife love every sunday and we will have dinner together, talking, teasing, and laughing till we cry.

when you are twenty five you will bring home your first daughter you have adopted from the orphanage.

and daughter, i hope you will tell her the things i have told you.
Joyce Aug 2015
On a good day, the Sun shines on you.
You are in a Disney movie, stretching your arms,
As the first light of day hits your toes.
And all the sores of the previous nights,
Reduced as mere soap suds down the drain.
Last night's shower is a preview of the first one today, and coffee smells like the freshest brew straight from a pre-packed foil. Nothing beats the thrill of a morning cup.
Life is a sitcom, waiting for the supporting characters to show up and raid your ref, and then! The punchline.
You plan your day.
You invite a good day.
You laugh out loud.
On your best day, you lounge.
You drink your cup and eat breakfast straight from the pan, and the pan loves you for calling the kettle black.
You write your notes on some discarded tissue previously used to wipe off dust.
You are free versing with the staunchest disregard for tones and rules of archaic poetry; sometimes, disavowing a semblance of order.
Because the best is you.
It is now.
And you are but a small supporting character,
Patiently waiting for the chime of the next five punchlines
SøułSurvivør Jul 2015
~~~{♡}~~~

art in writing
art in ink
swirls and curls
to make you think

art in ideogram
which can't be bought
illuminated pages
full of thought

art as cypher
art as change
art as charcoal
chalk arranged

on board as black
as darkest oil
ink is art
our feignt

our foil


soulsurvivor
(C) 7/1/2015
~~~{♡}~~~
Mateuš Conrad Jun 2016
only today i felt this strange fear from boredom, i don't expect housewives to feel it, although i'm certain they do, brain-draining watching some Jurassic adaptation where man's imagination really did a runner - not into the fantastical but into the absurd - like in science fiction, did a runner, completely off the mark given chemists making shampoos and toothpastes and fertilisers... ethically-free science fiction - but this housebound fear from boredom, greater than a fear of death it seized me and rattled me, i had to go out to buy a few beers; just like it happens to really rich people, they make their homes into micro-units of what's out there, in society, a swimming pool when there's a communal one elsewhere, a massive library of unread books, when there are plenty of those elsewhere, home cinema, snooker table... it's the entire spectrum of social pastimes condensed into a single household... anyway, i got hot and bothered, i'm starting to think it was not a fear of boredom, but what to do with the piri-piri chicken i was marinating: tomato puree, 1tbsp balsamic vinegar, half a large lemon squeezed, 1sp sugar, 1tsp paprika, 1/2 tsp cajun pepper, 14g of parsley, mint, oil, 2 chillies, 2 tsp of garlic puree, salt to taste - whisked in a food processor; ~1kg of chicken - because i thought whether i should shove the chicken marinate in an oven bag and cook it for a while, or whether to take the chicken out from the marinate and place it on a baking tray... ****!

poems and book reviews these days, nothing more,
get someone else to do the legwork -
a thoroughly modern malaise -
social anthropology - titled *tribe
-
the pros and cons of modern life and our
search for tribal mythology -
the 8x more chance of depression and
other mental deviations in wealthier
societies than poorer ones -
once it was called adventure, now
it's called tourism - after a while you sort
of get bored of the naked ego
and the clothing range your thought
provides you - unless you keep thinking
out the same thing, over and over again,
dressed like Armani, all black, nothing else -
odd, isn't it? they're playing the cat game,
cat wakes up, same ****, different cover,
well, the same cover - same fur - can't
change - the paradox or parody of
the fashion industry, i.e. that the designers
wear the same thing over and over again
and insist people require a spring collection,
the latest autumn trend.... parody.
so back to this piri-piri chicken      n'ah, not really,
i was thinking about what we already did,
this anti-tribalism, to have given ourselves
the opportunity to experience the least
amount of pain, the anaesthetic, sleep inducing
on the butcher's table more or less -
but we also created another anaesthetic,
this anaesthetic is not so subtle - it concerns beauty -
ever see it? ever walk into Tate Modern and
think about Raphael or Michelangelo?
you could tell me i'm overly nostalgic -
but what i see in plain sight is an anaesthetic in place,
against beauty, esp. in architecture -
who'd think of building a new Coliseum or
a St. Paul's - the Tate Modern (as you might
or might not know) is inside a power station,
big massive chimney - would have worked
better in the Battersea (Pink Floyd's Animals
album sleeve), but then St. Paul's is right opposite
and what a staggering dichotomy it is -
i'm sure that's what you call an anaesthetic in art,
the sort of art you have to get or not get
because, frankly, admiring a tin-can of tomato soup
even by Warhol's standards isn't exactly appetising -
i know, conveyor belt necessity and all, once
artists painted on commission for some duke or
duchess, or king to be adorning lavish palaces,
but as according to Walter Benjamin - the work
of art in the age of mechanical reproduction
-
some could once claim the original to be worth
a stupendous amount of dosh, but with the above
mentioned essay, the original is worth diddly-squat,
because there is no actual original these days,
because artists don't necessarily have to invest
in raw materials - and the copying process is 100%
perfect, what with photocopying and all...
but **** me over once more, how am i going
to cook this piri-piri chicken?
the few beers took the problem off my hands,
i ended up marinating the chicken in a bag
but then shoved it into a baking tray
an covered with aluminium foil, forty odd
minutes and the chicken was tender - ~5 minutes
without the aluminium foil covering while
the oven was switched off and the temperature
was descending - the carbs? couscous -
alt. North African semolina - and extra cucumber
in tzatziki - a few hours later and i'm a little
buddha not thinking an ounce or a continent's worth
of suggestion... one of those rare albums
salmonella dub's  inside the dub plates,
i'm a real provincial with this album,
tumble **** here, tumble **** there,
never settling for a ****-garden -
i told you i'm just borrowing the language, in fact,
given my alcoholic and status as vermin among
the bulldog rigid British (Londoners can have
their little gay pride parade, whatever, they
better give me up for surgery to a veterinarian than
a human doctor, after all, i'm all ******* gerbil from
now on in, it doesn't take enough pacifists to turn
my attitude into a Neo-**** and bulldozer the Union
Jack into a shallow grave, i don't expect the Caribbeans
and the Pakistanis to usher words of: it's how it is,
a rite of passage, **** your cumin and your ****,
battle of Britain, who among the R.A.F. flew and spat fire?
us) i'm more Apache in a bigger zoo than the one in
Reagents Park, i'm in a conservation zoone -
i'm Aboriginal - shaman of the fire water -
i'll be as ******* ridiculous as i want - go chant
you little kirtan get together mantras going,
i'm sure you'll *****-fight-those-pigeons dead without
a single coo being ushered in - and your little yoga stints
asking questions about the flexibility of the skeleton
not pulverised by scientific eyes for a schematic and
a schooling rubric to domino up the cranium with mandible,
ulna and radius etc. -
but at least i know what sort of country i live in,
and what country is wandering into political apology that's
too late, in ratio 27:1, soon to be Turkey + the Yugoslavian
gape, Albanian and Macedonia by 2020 -
>30:1 - great Welsh ratio that is, oh ****, wait, Scotland too?
i never thought about it coming - there's my 2 cents
on the topic, and that England is becoming more American
by the day? that's good? really?! i thought the
aim of England was to inspire America rather than
vice versa... what a ****-storm these few days ended
up being; ol' McDonald didn't have a farm, but
had the slogan - *i'm lovin' it!
JC Lucas Jul 2018
Somewhere in the South Pacific
a human-shaped speck casts a bottle
from the shore of a tiny island
into the interminable sea.
The bottle contains a note
which bears:
a name
an approximate location
and a desperate plea.

The bottle drifts slowly away
flashing in and out of view
on the crests of passing swells.
It glides on mysterious currents
and a quiet modicum of hope.

Simultaneously,
Above a particular point in the Northern Hemisphere,
a ball of tin foil
labeled Voyager I
is crossing the threshold
into the world outside
the solar system.

On board are a pair of golden discs
engraved with:
images and voices of human beings
the relative location of the Sun to fourteen nearby pulsars
and a plea,
      naively disguised to look like a proud declaration of identity
                             but what proud and accomplished
                                       race of beings
                         would need to search for
                                 companionship
                            among the stars?

                         The little metal ball floats away
                                        blinking bits of data back to Earth
                                                              each grainier than
                                                                 the last

                                     tugged by the gravity of distant bodies
                                                               and a quiet modicum of
                                                              ­                                  hope.
Images not included.
1
Flood-Tide below me! I see you face to face!
Clouds of the west—sun there half an hour high—I see you also face
   to face.

Crowds of men and women attired in the usual costumes, how curious
   you are to me!
On the ferry-boats the hundreds and hundreds that cross, returning
   home, are more curious to me than you suppose,
And you that shall cross from shore to shore years hence are more
   to me, and more in my meditations, than you might suppose.

2
The impalpable sustenance of me from all things at all hours of the
   day,
The simple, compact, well-join’d scheme, myself disintegrated, every
   one disintegrated yet part of the scheme,
The similitudes of the past and those of the future,
The glories strung like beads on my smallest sights and hearings, on
   the walk in the street and the passage over the river,
The current rushing so swiftly and swimming with me far away,
The others that are to follow me, the ties between me and them,
The certainty of others, the life, love, sight, hearing of others.

Others will enter the gates of the ferry and cross from shore to
   shore,
Others will watch the run of the flood-tide,
Others will see the shipping of Manhattan north and west, and the
   heights of Brooklyn to the south and east,
Others will see the islands large and small;
Fifty years hence, others will see them as they cross, the sun half
   an hour high,
A hundred years hence, or ever so many hundred years hence, others
   will see them,
Will enjoy the sunset, the pouring-in of the flood-tide, the
   falling-back to the sea of the ebb-tide.

3
It avails not, time nor place—distance avails not,
I am with you, you men and women of a generation, or ever so many
   generations hence,
Just as you feel when you look on the river and sky, so I felt,
Just as any of you is one of a living crowd, I was one of a crowd,
Just as you are refresh’d by the gladness of the river and the
   bright flow, I was refresh’d,
Just as you stand and lean on the rail, yet hurry with the swift
   current, I stood yet was hurried,
Just as you look on the numberless masts of ships and the
   thick-stemm’d pipes of steamboats, I look’d.

I too many and many a time cross’d the river of old,
Watched the Twelfth-month sea-gulls, saw them high in the air
   floating with motionless wings, oscillating their bodies,
Saw how the glistening yellow lit up parts of their bodies and left
   the rest in strong shadow,
Saw the slow-wheeling circles and the gradual edging toward the
   south,
Saw the reflection of the summer sky in the water,
Had my eyes dazzled by the shimmering track of beams,
Look’d at the fine centrifugal spokes of light round the shape of my
   head in the sunlit water,
Look’d on the haze on the hills southward and south-westward,
Look’d on the vapor as it flew in fleeces tinged with violet,
Look’d toward the lower bay to notice the vessels arriving,
Saw their approach, saw aboard those that were near me,
Saw the white sails of schooners and sloops, saw the ships at
   anchor,
The sailors at work in the rigging or out astride the spars,
The round masts, the swinging motion of the hulls, the slender
   serpentine pennants,
The large and small steamers in motion, the pilots in their
   pilothouses,

The white wake left by the passage, the quick tremulous whirl of the
   wheels,
The flags of all nations, the falling of them at sunset,
The scallop-edged waves in the twilight, the ladled cups, the
   frolic-some crests and glistening,
The stretch afar growing dimmer and dimmer, the gray walls of the
   granite storehouses by the docks,
On the river the shadowy group, the big steam-tug closely flank’d on
   each side by the barges, the hay-boat, the belated lighter,
On the neighboring shore the fires from the foundry chimneys burning
   high and glaringly into the night,
Casting their flicker of black contrasted with wild red and yellow
   light over the tops of houses, and down into the clefts of
   streets.

4
These and all else were to me the same as they are to you,
I loved well those cities, loved well the stately and rapid river,
The men and women I saw were all near to me,
Others the same-others who look back on me because I look’d forward
   to them,
(The time will come, though I stop here to-day and to-night.)

5
What is it then between us?
What is the count of the scores or hundreds of years between us?

Whatever it is, it avails not—distance avails not, and place avails
   not,
I too lived, Brooklyn of ample hills was mine,
I too walk’d the streets of Manhattan island, and bathed in the
   waters around it,
I too felt the curious abrupt questionings stir within me,
In the day among crowds of people sometimes they came upon me,
In my walks home late at night or as I lay in my bed they came upon
   me,
I too had been struck from the float forever held in solution,
I too had receiv’d identity by my body,
That I was I knew was of my body, and what I should be I knew I
   should be of my body.

6
It is not upon you alone the dark patches fall,
The dark threw its patches down upon me also,

The best I had done seem’d to me blank and suspicious,
My great thoughts as I supposed them, were they not in reality
   meagre?
Nor is it you alone who know what it is to be evil,
I am he who knew what it was to be evil,
I too knitted the old knot of contrariety,
Blabb’d, blush’d, resented, lied, stole, grudg’d,
Had guile, anger, lust, hot wishes I dared not speak,
Was wayward, vain, greedy, shallow, sly, cowardly, malignant,
The wolf, the snake, the hog, not wanting in me.
The cheating look, the frivolous word, the adulterous wish, not
   wanting,

Refusals, hates, postponements, meanness, laziness, none of these
   wanting,
Was one with the rest, the days and haps of the rest,
Was call’d by my nighest name by clear loud voices of young men as
   they saw me approaching or passing,
Felt their arms on my neck as I stood, or the negligent leaning of
   their flesh against me as I sat,
Saw many I loved in the street or ferry-boat or public assembly, yet
   never told them a word,
Lived the same life with the rest, the same old laughing, gnawing,
   sleeping,
Play’d the part that still looks back on the actor or actress,
The same old role, the role that is what we make it, as great as we
   like,
Or as small as we like, or both great and small.

7
Closer yet I approach you,
What thought you have of me now, I had as much of you—I laid in my
   stores in advance,
I consider’d long and seriously of you before you were born.

Who was to know what should come home to me?
Who knows but I am enjoying this?
Who knows, for all the distance, but I am as good as looking at you
   now, for all you cannot see me?

8
Ah, what can ever be more stately and admirable to me than
   mast-hemm’d Manhattan?
River and sunset and scallop-edg’d waves of flood-tide?
The sea-gulls oscillating their bodies, the hay-boat in the
   twilight, and the belated lighter?

What gods can exceed these that clasp me by the hand, and with
   voices I love call me promptly and loudly by my nighest name as
   approach?
What is more subtle than this which ties me to the woman or man that
   looks in my face?
Which fuses me into you now, and pours my meaning into you?

We understand then do we not?
What I promis’d without mentioning it, have you not accepted?
What the study could not teach—what the preaching could not
   accomplish is accomplish’d, is it not?

9
Flow on, river! flow with the flood-tide, and ebb with the ebb-tide!
Frolic on, crested and scallop-edg’d waves!
Gorgeous clouds of the sunset! drench with your splendor me, or the
   men and women generations after me!
Cross from shore to shore, countless crowds of passengers!
Stand up, tall masts of Mannahatta! stand up, beautiful hills of
   Brooklyn!
Throb, baffled and curious brain! throw out questions and answers!
Suspend here and everywhere, eternal float of solution!
Gaze, loving and thirsting eyes, in the house or street or public
   assembly!
Sound out, voices of young men! loudly and musically call me by my
   nighest name!
Live, old life! play the part that looks back on the actor or
   actress!
Play the old role, the role that is great or small according as one
   makes it!
Consider, you who peruse me, whether I may not in unknown ways be
   looking upon you;
Be firm, rail over the river, to support those who lean idly, yet
   haste with the hasting current;
Fly on, sea-birds! fly sideways, or wheel in large circles high in
   the air;
Receive the summer sky, you water, and faithfully hold it till all
   downcast eyes have time to take it from you!
Diverge, fine spokes of light, from the shape of my head, or any
   one’s head, in the sunlit water!
Come on, ships from the lower bay! pass up or down, white-sail’d
   schooners, sloops, lighters!
Flaunt away, flags of all nations! be duly lower’d at sunset!
Burn high your fires, foundry chimneys! cast black shadows at
   nightfall! cast red and yellow light over the tops of the houses!

Appearances, now or henceforth, indicate what you are,
You necessary film, continue to envelop the soul,
About my body for me, and your body for you, be hung our divinest
   aromas,
Thrive, cities—bring your freight, bring your shows, ample and
   sufficient rivers,
Expand, being than which none else is perhaps more spiritual,
Keep your places, objects than which none else is more lasting.

You have waited, you always wait, you dumb, beautiful ministers,
We receive you with free sense at last, and are insatiate
   henceforward,
Not you any more shall be able to foil us, or withhold yourselves
   from us,
We use you, and do not cast you aside—we plant you permanently
   within us,
We fathom you not—we love you—there is perfection in you also,
You furnish your parts toward eternity,
Great or small, you furnish your parts toward the soul.
david badgerow Nov 2011
wrapped up in aluminum foil
head resting on cracked concrete
surrounded by winking lights
and blinking eyes
warmth from the glow of humility
basking in the rays of a two dollar toaster
cardboard dwelling and trashbag scenery
paper towel t-shirt, styrofoam socks
salt and pepper lunchtime
pedastal reconstruction
hot coffee burnt tongue
peanut allergy and poisoned water
locked cabinet, rotting condiments inside an unplugged refrigerator
dying romance read only in magazines
purple heart scrawled on my arm
syringe full of bourbon plunged directly in my eye.

— The End —