Hello Poetry
Submit your work and get some sparkles! Create free account
"flux" poems
My mentor spoke to me of two rivals, Once, they had been friends in some distant past. But the years have eaten their love and made grudges manifest. |The two shattered into broken glass To my wise master I asked only one, One question... In all my range. One question I asked: “What changed?” In the outskirts, at the home of my daughter Where you can stare at the stars or passing cars None more brighter than the other, We share memories of my grandmother. In the photographs, she looks so much younger. Not frail, but a fighter, lover and saintly| To me, she asks plainly, One question, and one question only. Sifting through the ages of years past: “What Changed?” At the kitchen table, feeling inadequate, My lover screaming and frustrated, I recall memories when we had been intimate. Times when movement was made for desire and not duty |A calendar of nights left in confused abstinence I interrupt. She delays rage. I beg, “What Changed?” _ In the last few hours of night The dawn reaches me at last. I had locked moments- Literal seconds of time as the truth. But it was always changing In flux and morphing. Turning into something new Just for a moment, and then on again “What Changed?” Everything. Always.
0
Jul 20, 2015
Jul 20, 2015 at 7:36 AM UTC
What Changed?
This trumpeter of nothingness, employed To keep our reason dull and null and void. This man of wind and froth and flux will sell The wares of any who reward him well. Praising whatever he is paid to praise, He hunts for ever-newer, smarter ways To make the gilt seen gold; the shoddy, silk; To cheat us legally; to bluff and bilk By methods which no jury can prevent Because the law's not broken, only bent. This mind for hire, this mental ********** Can tell the half-lie hardest to refute; Knows how to hide an inconvenient fact And when to leave a doubtful claim unbacked; Manipulates the truth but not too much, And if his patter needs the Human Touch, Skillfully artless, artlessly naive, Wears his convenient heart upon his sleeve. He uses words that once were strong and fine, Primal as sun and moon and bread and wine, True, honourable, honoured, clear and keen, And leaves them shabby, worn, diminished, mean. He takes ideas and trains them to engage In the long little wars big combines wage... He keeps his logic loose, his feelings flimsy; Turns eloquence to cant and wit to whimsy; Trims language till it fits his clients, pattern And style's a glossy **** or limping slattern. He studies our defences, finds the cracks And where the wall is weak or worn, attacks. lie finds the fear that's deep, the wound that's tender, And mastered, outmanouevered, we surrender. We who have tried to choose accept his choice And tired succumb to his untiring voice. The dripping tap makes even granite soften We trust the brand-name we have heard so often And join the queue of sheep that flock to buy; We fools who know our folly, you and I.
0
11.1k
Attack On The Ad-Man
This trumpeter of nothingness, employed To keep our reason dull and null and void. This man of wind and froth and flux will sell The wares of any who reward him well. Praising whatever he is paid to praise, He hunts for ever-newer, smarter ways To make the gilt seen gold; the shoddy, silk; To cheat us legally; to bluff and bilk By methods which no jury can prevent Because the law's not broken, only bent. This mind for hire, this mental ********** Can tell the half-lie hardest to refute; Knows how to hide an inconvenient fact And when to leave a doubtful claim unbacked; Manipulates the truth but not too much, And if his patter needs the Human Touch, Skillfully artless, artlessly naive, Wears his convenient heart upon his sleeve. He uses words that once were strong and fine, Primal as sun and moon and bread and wine, True, honourable, honoured, clear and keen, And leaves them shabby, worn, diminished, mean. He takes ideas and trains them to engage In the long little wars big combines wage... He keeps his logic loose, his feelings flimsy; Turns eloquence to cant and wit to whimsy; Trims language till it fits his clients, pattern And style's a glossy **** or limping slattern. He studies our defences, finds the cracks And where the wall is weak or worn, attacks. lie finds the fear that's deep, the wound that's tender, And mastered, outmanouevered, we surrender. We who have tried to choose accept his choice And tired succumb to his untiring voice. The dripping tap makes even granite soften We trust the brand-name we have heard so often And join the queue of sheep that flock to buy; We fools who know our folly, you and I.
Continue reading...
38
There is a harsh beauty in mathematics. Under curves and over slopes, Equations rise and fall endlessly In a perfectly measured void. Optimized, rationalized, sterilized; Formulas that never lie, Theorems looming before us Like an archaic God, A golden deity whose Volume is maximized. How I dream of drifting in this flux, Concave up and concave down, Riding the sign of my second derivative For positive and negative, For better and worse. I would not travel alone; With C by my side, Friend, ally, brother, Always paired with my antiderivative, For whenever we journey back Into the past, it is necessary To have a companion to pull us out again In case we are unsure of where we started. Rules and laws Strict organization, control; There is a harsh beauty in mathematics. Order; two plus two is always four. Sines and cosines and theta All dancing in the unit circle of life, A conga line that joins itself To form a mathematical ouroboros. But the harshest of the harsh beauties Presented in this Divine Subject Is that though there is an infinite capacity For positivity and growth, So too is there the possibility of stretching Endlessly towards negativity forever. However, it is much more terrifying To lie in the middle; To be undefined, unknowable, and to add Or subtract to no effect; The most fear inducing, mysterious, and gorgeous number Of zero; nothing yet something, Infinite yet not, The most grand of all contradictions. A hole; a jump; a discontinuity, Easily removed from life and smoothed out If you just apply the formulas. Graphs and coordinates, integers and ordered pairs, Is that not what life is? We live within the grandest equation, Each our own variable, Constantly solving for ourselves With the harsh beauties of mathematics.
0
Jun 2, 2013
Jun 2, 2013 at 10:27 PM UTC
Calculus
There is a harsh beauty in mathematics. Under curves and over slopes, Equations rise and fall endlessly In a perfectly measured void. Optimized, rationalized, sterilized; Formulas that never lie, Theorems looming before us Like an archaic God, A golden deity whose Volume is maximized. How I dream of drifting in this flux, Concave up and concave down, Riding the sign of my second derivative For positive and negative, For better and worse. I would not travel alone; With C by my side, Friend, ally, brother, Always paired with my antiderivative, For whenever we journey back Into the past, it is necessary To have a companion to pull us out again In case we are unsure of where we started. Rules and laws Strict organization, control; There is a harsh beauty in mathematics. Order; two plus two is always four. Sines and cosines and theta All dancing in the unit circle of life, A conga line that joins itself To form a mathematical ouroboros. But the harshest of the harsh beauties Presented in this Divine Subject Is that though there is an infinite capacity For positivity and growth, So too is there the possibility of stretching Endlessly towards negativity forever. However, it is much more terrifying To lie in the middle; To be undefined, unknowable, and to add Or subtract to no effect; The most fear inducing, mysterious, and gorgeous number Of zero; nothing yet something, Infinite yet not, The most grand of all contradictions. A hole; a jump; a discontinuity, Easily removed from life and smoothed out If you just apply the formulas. Graphs and coordinates, integers and ordered pairs, Is that not what life is? We live within the grandest equation, Each our own variable, Constantly solving for ourselves With the harsh beauties of mathematics.
Continue reading...
54
Oh! Rama! Oh! Rama,”reme ithi rama” (Makes us happy so Rama!) Here, mourn and sigh Ahalyas In every atom of rocky hearts Of India; as Sahasralingas spy. Ambush, spring on praying preys. Rushi Gauthams suspicious curse In repentance they bless retribution. Oh! Rama, with your soft feet touch, Liberate the poor pious chaste Ahalyas, Sathi, Savitri, Seetha and Panchali,O! Sultana Raziya, Jhansi Rani ,Indira Gandhi, Think of their vicissitudes, the path they tread! Patriarchy exerts pressure on Matriarchy, O!Mum! Bharat matha is molested by Kuberas and Mamons. And her daughters are robbed and ***** ruthlessly, alas! Oh! Rama,”Dharma Samsthanardhaya “come with dirge Of the degenerated culture of Vultures, save thy women folk. Make people to think right, to follow right path, to tell true words. To live in Eeman (Dharma) not to inflict pain to other co-habitants. Without negative there is no use of positive, so is woman and man. They are like protons and electrons to the flux of family life peaceful. Oh! Rama , teach, Dharmorakshati Rakshita:,”repentance gives retribution That will bring peace, progress, stability, justice and unity; not Pax Romana
0
Dec 28, 2012
Dec 28, 2012 at 10:48 AM UTC
Oh!Rama!
Oh! Rama! Oh! Rama,”reme ithi rama” (Makes us happy so Rama!) Here, mourn and sigh Ahalyas In every atom of rocky hearts Of India; as Sahasralingas spy. Ambush, spring on praying preys. Rushi Gauthams suspicious curse In repentance they bless retribution. Oh! Rama, with your soft feet touch, Liberate the poor pious chaste Ahalyas, Sathi, Savitri, Seetha and Panchali,O! Sultana Raziya, Jhansi Rani ,Indira Gandhi, Think of their vicissitudes, the path they trod! Patriarchy exerts pressure on Matriarchy, O!Mum! Bharat matha is molested by Kuberas and Mammons. And her daughters are robbed and ***** ruthlessly, alas! Oh! Rama,”Dharma Samsthapanardhaya “come with dirge Of the degenerated culture of Vultures, save thy women folk. Make people to think right, to follow right path, to tell true words. To live in Eeman (Dharma) not to inflict pain to other co-habitants. Without negative there is no use of positive, so is woman and man. They are like protons and electrons to the flux of family life peaceful. Oh! Rama , teach, Dharmorakshati Rakshita:,”repentance gives retribution That will bring peace, progress, stability, justice and unity; not “Pax Romana”..
0
Dec 30, 2012
Dec 30, 2012 at 6:03 AM UTC
Oh!Rama
A flux of whiteness A skin forms on the surface I drink my warm milk
0
Aug 21, 2014
Aug 21, 2014 at 10:47 AM UTC
Milk (a haiku) - 15w
for vicki who loves this poem for the best reason ever: just does... <•> read a thousand love stories, pause, rest awhile, read ten thousand more, and then deny equality. If you ask for no more than you can give, you ask for not enough love is imbalance not an equation, with a single solution love has both constants and variable factors so you write of tribulations and tributes so you write of lamentations and liftings you think you are on the same page perhaps but do we not all read at different paces? one of you is solid, one is dotted and dashed one of you is straight, one is bent, forever curving when you think you are in balance in the same place in syncopation perhaps you are for a moment a calculus of one point on a trajectory and you say I can only ask for what I give and am given and no more, you have miscalculated this flux flummoxed when the old terrain is flayed flat but thru the windshield you see the plateau ends, the geography unknown, when you see unknown when you seek the unknown when you give from places you did not know you had to give from when you kiss a hand for  twenty minutes more than than the one minute you intended when you give more than is asked when you ask for more than you can you think you can give the imbalance that  is the only concert the imbalance that is the the only constant how do I know this? what are my credentials? you are not a teenage girl, what matters of what you know, recall of these matters? I am who I am a diversity of man and manner; I am past prime and in decline but this I know for having failed ten thousand poem times you must ask for more than one can give but that's not fair! silly one, still wretched confused, even after one hundred thousand poem times you must ask of yourself more than you can give and ask no less demand no less a body in emotion is not a body in rest when the imbalance is too great or insufficient then you write a poem look in the mirror that cannot lie and move on or move off   begin to ask yourself to whom may I give myself more than is asked. then you have finally asked the correct solution to the unsolvable equation ---
0
Mar 10, 2016
Mar 10, 2016 at 1:40 PM UTC
25 Moons Ago: Ask for more than you can give
for vicki who loves this poem for the best reason ever: just does... <•> read a thousand love stories, pause, rest awhile, read ten thousand more, and then deny equality. If you ask for no more than you can give, you ask for not enough love is imbalance not an equation, with a single solution love has both constants and variable factors so you write of tribulations and tributes so you write of lamentations and liftings you think you are on the same page perhaps but do we not all read at different paces? one of you is solid, one is dotted and dashed one of you is straight, one is bent, forever curving when you think you are in balance in the same place in syncopation perhaps you are for a moment a calculus of one point on a trajectory and you say I can only ask for what I give and am given and no more, you have miscalculated this flux flummoxed when the old terrain is flayed flat but thru the windshield you see the plateau ends, the geography unknown, when you see unknown when you seek the unknown when you give from places you did not know you had to give from when you kiss a hand for  twenty minutes more than than the one minute you intended when you give more than is asked when you ask for more than you can you think you can give the imbalance that  is the only concert the imbalance that is the the only constant how do I know this? what are my credentials? you are not a teenage girl, what matters of what you know, recall of these matters? I am who I am a diversity of man and manner; I am past prime and in decline but this I know for having failed ten thousand poem times you must ask for more than one can give but that's not fair! silly one, still wretched confused, even after one hundred thousand poem times you must ask of yourself more than you can give and ask no less demand no less a body in emotion is not a body in rest when the imbalance is too great or insufficient then you write a poem look in the mirror that cannot lie and move on or move off   begin to ask yourself to whom may I give myself more than is asked. then you have finally asked the correct solution to the unsolvable equation ---
Continue reading...
77
In the divet between mountains Resides a wooden cabin – ostensibly an amalgamation of the scape Adroitly - I - quondam female warrior flit Down massive (ancient) hand-laid, hand-cut carved stone steps Bounding from contingent step onto the dense pad of turned soil Tacit compliance between gravity and soil holds footprints bound A compressed deflating crescendo as pace ignites with bounds Cadences of protuberant wildflowers and grasses erupt from swollen terra A winsome chromatic menagerie, dispersed in ecstatic fistfuls A venerably ancient ritual My nascent clandestine vocation Personally meted out - a beatification for my provisional sanctuary Along glacier-fed stream Lissome fingers shadow inert stalks –plucking dormant beginnings from their desiccated ligaments I am austere and unadorned save for a festoon of pyrite flecks trailing my semblance Residual gilding from my ante-meridian swim taken after requisite gathering of wild blackberries, goose berries, and rhubarb along oft-tamped path The sun, nestling into its requisite apex endorsed my completion I reclined into the hassock of soil, feeling the elements settle about with an embossment of my form Imposing verdure arched subtly as compressed soil beckoned hyperbolic flux As I lay within the basilica of opulent living columns replete with comestible bounty Lingering dew honed inflections of sacrosanct petrichor in unison with piquant clover Wild purple clover buds saccharinely tinted and inundated nestled nerves in mine cribriform plate Birds pitched and galloped through the frond tips and beyond in the lapis expanse Frequently snatching damselfly’s and assemblages of midges from their ephemeral drift Auspicious rays transcended stippled diaphanous gravid clouds Light inundated ether entered humbly into the cathedral oculus Pyrite speckled terrain beneath, and my bare gilded form above Cast a refracted aura about my sanctuary Precipitously the elusive vaporous embankment distended further Ashen atmospheric correspondence inaugurated liquescent sustenance to my mountain abode And I - Lingered beneath the descending gobbets, curls furled in a puddle Fresh topsoil cupping my corporal topographic contours Pressing blackberries into my mouth between smiles
0
Jan 26, 2014
Jan 26, 2014 at 9:13 PM UTC
Diaspora Vocation
In the divet between mountains Resides a wooden cabin – ostensibly an amalgamation of the scape Adroitly - I - quondam female warrior flit Down massive (ancient) hand-laid, hand-cut carved stone steps Bounding from contingent step onto the dense pad of turned soil Tacit compliance between gravity and soil holds footprints bound A compressed deflating crescendo as pace ignites with bounds Cadences of protuberant wildflowers and grasses erupt from swollen terra A winsome chromatic menagerie, dispersed in ecstatic fistfuls A venerably ancient ritual My nascent clandestine vocation Personally meted out - a beatification for my provisional sanctuary Along glacier-fed stream Lissome fingers shadow inert stalks –plucking dormant beginnings from their desiccated ligaments I am austere and unadorned save for a festoon of pyrite flecks trailing my semblance Residual gilding from my ante-meridian swim taken after requisite gathering of wild blackberries, goose berries, and rhubarb along oft-tamped path The sun, nestling into its requisite apex endorsed my completion I reclined into the hassock of soil, feeling the elements settle about with an embossment of my form Imposing verdure arched subtly as compressed soil beckoned hyperbolic flux As I lay within the basilica of opulent living columns replete with comestible bounty Lingering dew honed inflections of sacrosanct petrichor in unison with piquant clover Wild purple clover buds saccharinely tinted and inundated nestled nerves in mine cribriform plate Birds pitched and galloped through the frond tips and beyond in the lapis expanse Frequently snatching damselfly’s and assemblages of midges from their ephemeral drift Auspicious rays transcended stippled diaphanous gravid clouds Light inundated ether entered humbly into the cathedral oculus Pyrite speckled terrain beneath, and my bare gilded form above Cast a refracted aura about my sanctuary Precipitously the elusive vaporous embankment distended further Ashen atmospheric correspondence inaugurated liquescent sustenance to my mountain abode And I - Lingered beneath the descending gobbets, curls furled in a puddle Fresh topsoil cupping my corporal topographic contours Pressing blackberries into my mouth between smiles
Continue reading...
34
We try to live out of constant flux. A flat-lined life where every moment of every day is good... and that's good. Yesterday the wind blew, in fury of nothing. It just blew, and things fell down. Yesterday it rained, in torment of nothing. It just rained, and things got wet. But today what yesterday was, is but a gentle breeze on cloudless day. Mother Nature too has her moments, and things are still again. Really still.
0
Dec 8, 2014
Dec 8, 2014 at 12:56 AM UTC
Yesterday
# ***My mind to frolic, with words of Frost Slides between and then is lost Drifting ‘round to fellows long My thirst is deep; desires strong Filled with all that Maya says Flits in and out my meddling head And ah, when Pablo speaks of love My heart's aflutter with pure white doves Around the beat, who else but Poe A deep dark place I've come to know I stop to ponder the words worth As if I've nursed them from their birth I settle to hear the rambling brook Where Gwendolyn baits my eager hook Then ‘long comes Oscar, running wild I listen like an eager child When Langston paints his colored hues His canvas fills my point of view Not just the finest spinning me To this state of flux and reverie For verses drift from near and far Forever reaching for the stars Feeding on the gentle night I languish in the word's delight Finding rhyme from ‘neath the skin The place where passion's settled in To fill my cup, appease my soul Till hunger's sated, fat and whole The empty space behind my eyes Is filled with life's sweet lullabies And when at last, I lay to rest I'm filled with cadence of the best*** #
0
Aug 24, 2018
Aug 24, 2018 at 7:24 AM UTC
Cadence of the Best
Forest inquires: How do you decide, choose your design, find its guise, give it a face, surrender to the poem's own vanity,         and choose the poem's alignment?                                                   an answer forms: this alignment idea, you think it simple, everybody understands what your inquiry means alignment -  the appropriate relative position we live in relative position to each other, our poems too, for they are but written synapses of our close captioned interactions, seemingly random, but assuredly not, as we invest in ourselves, seeking the mysterious appropriate answer                                                                                         from the Theory of Poetic Relativity                                                                 i love your question;                              hold it to my nostrils,                                                                     smell the coffee aroma wake up blast inherent;                                                                         kiss its robust childlike cheeks for the simple   soulfulness essential arousal; for you see sir you have found the appropriate position that relates us, our mindful words;                                  answer no good, wholly insufficient?                                         perfect.                           as i close this quick cooked to perfection laboratory solution, take note                                                                                    the earth has moved                                 our hearts have beaten a measly thousand times                                     time and space have appropriated our prior                                            relativity when you return years hence this poem's shape will perforce have moved. for words are weathered flux constant and yet inherently unchanged except for the part of us that changes with every re-reading   and what was right before has left and the center has moved again
0
Mar 12, 2017
Mar 12, 2017 at 9:25 AM UTC
alignment (The Theory of Poetic Relativity)
Forest inquires: How do you decide, choose your design, find its guise, give it a face, surrender to the poem's own vanity,         and choose the poem's alignment?                                                   an answer forms: this alignment idea, you think it simple, everybody understands what your inquiry means alignment -  the appropriate relative position we live in relative position to each other, our poems too, for they are but written synapses of our close captioned interactions, seemingly random, but assuredly not, as we invest in ourselves, seeking the mysterious appropriate answer                                                                                         from the Theory of Poetic Relativity                                                                 i love your question;                              hold it to my nostrils,                                                                     smell the coffee aroma wake up blast inherent;                                                                         kiss its robust childlike cheeks for the simple   soulfulness essential arousal; for you see sir you have found the appropriate position that relates us, our mindful words;                                  answer no good, wholly insufficient?                                         perfect.                           as i close this quick cooked to perfection laboratory solution, take note                                                                                    the earth has moved                                 our hearts have beaten a measly thousand times                                     time and space have appropriated our prior                                            relativity when you return years hence this poem's shape will perforce have moved. for words are weathered flux constant and yet inherently unchanged except for the part of us that changes with every re-reading   and what was right before has left and the center has moved again
Continue reading...
28
this constant invitation into stark mystery is a story i flounder to find words for. ~ a glance, more than eyes looking. beholden entrancement, upon feedback's looping. ~ i am a crippled logician, wrought with wonder in the thrashing static jungle, of no conclusion. ~ this is a flash this here, the flesh a blinding binding light, obliterating, without solution, a living, i tremble in. ~ i am stumped i am little so small hung here in the sky. ~ a suspended channel of ideation, filling, with empty utterance. ~ i am confounded i am large too grand to get ahold of. ~ breathing multitudinous, full, with contradiction. ~ a grandiose enigmatic flux, miniscule and massive.
0
Mar 9, 2014
Mar 9, 2014 at 5:21 PM UTC
stark mystery
The monotony of adolescence is a laughable oxymoron. My mom keeps saying to me, "Caitlin, you're in a state of flux. Just wait." Little does she know I'm waiting for anything to ebb. Flow. Twinge. Any lurch of impulse of life in this constant static lullaby. Maybe I'm just itching to slough off my skin of content and breathe in a fresh new disposition. Become intoxicated in the maybes, and the possibly's. Embracing the oh-wells and the never-enough-times. Eschewing the feeling of everything I've missed by having it near. Having him here. Getting trapped in the crinkles of his smile and the freckles on his shoulders that navigate me to the spots I feel most comfy. Losing regard for the world as I become transfixed in us and our patterns on his couch. Tumble into elation. Quirks transpire the me's and you's into the us's and we's. To think... I was so scared to hold his hand. Not knowing at the time how great his waffles would taste after a night of holding him.
0
Sep 23, 2012
Sep 23, 2012 at 4:27 PM UTC
Waffle Days
He came from a land unrefined; Encompassed by violence, poverty yet possesses clarity of mind. A mind built from Hardwork and Determination, A soul inspired by Intrepidation Freedom, Release and an infectious sense of inner Peace. They met in a state of flux, Going, coming, nothing left but to give it up, So heart broken, she took his hand, The adventure began on water but would end on land, Meadows, Beaches, Visions left them speechless. She saw a flash, a light; Precautionary measures tested the capacity of his might. Slow Down! She'd lost sight. Tried to keep up but her heart said "Flight"! Escape! Hide from the cruelty clawing from the inside. Time was chasing, they had to keep up, He left as she collapsed into the mouth of a half empty cup. She gobbled up the cup with no thought of tomorrow. "He is strong, he'll be fine," focus deflected from sorrow. Regret, Remorse, shall Fate be trusted to run it's course? Smiles and Mischief were all that could remain, She slowly began to learn to becloud fruitless pain, She's walked away from tough stains, In memory of his arms where enthusiasm never wanes. Growing, longer, when he returns she shall be stronger. If Fate knows Love and Love is true, Fate shall be entrusted to do what it do, But Fate can be twisted, Fate can be cruel And the little girl knew the twisted Power of Fate's Rule
0
Sep 28, 2012
Sep 28, 2012 at 7:37 AM UTC
Him and the Little Girl
Does time actually exist? do we move forward in a linear fashion, or do we exist in a evolutionary rotation. does this reality have a beginning and an end, or is it in a constant state of flux. it seems time is only relevant to those that can perceive its regular alterations. yet perceptions can be deceiving. how can we truly know anything if our senses cannot be trusted. regardless our limitations we are moving forward, mutations of energy intimately woven into the fabric of spacetime. We exist in a great unknown, a sea of mysteries of few obvious truths. do not fear the unknown, learn to love the questions and the answers may come in time. whether we are moving forward, or, completing a cycle, love the time you're given; because all we have is now, for tomorrow and yesterday exist solely in the confines of our minds.
0
Jan 24, 2014
Jan 24, 2014 at 4:30 AM UTC
Onward
3.14 is the value of pi Semicircle is the shape of a smile 8 is the symbol for infinity Welcome to quantumly formed poetry. Expressing my thoughts through cryptic theory End of reversed evolutionary It might not be self-explanatory JUST Keeping It Short and Simple, M, E. C, L, O, U, D, plus the square of three is all that I feel when you are with Mi Fa, So, La, Ti, Do, Re... or I mean me Like M, A, G, I see... my world on thee. You are my earth that is a twisted heart I dream to be the he beside that art Giving his best to be a romantic Intimating through the fields of physics. My love for you is three-dimensional Taller and longer than diagonals As deep as abyss, like cosmos so wide but unbound by space and unchanged by time. A fire started by a Maxwell's demon Burning and shining from here to the moon A flame so lunar and so lunatic breaking the laws of thermodynamics. Faring the distance at the speed of light Lining the night skies like a meteorite Traversing the widths of the hyperspace Or cross a black hole just to see your face. Escape with luck from a magnetic flux Be right thrice a day with a broken clock Above all that, there's just one thing I want: To spend my last breath by holding your hand.
0
Jun 3, 2017
Jun 3, 2017 at 10:40 PM UTC
q1tumly 4med poe3
It is no night to drown in: A full moon, river lapsing Black beneath bland mirror-sheen, The blue water-mists dropping Scrim after scrim like fishnets Though fishermen are sleeping, The massive castle turrets Doubling themselves in a glass All stillness. Yet these shapes float Up toward me, troubling the face Of quiet. From the nadir They rise, their limbs ponderous With richness, hair heavier Than sculptured marble. They sing Of a world more full and clear Than can be. Sisters, your song Bears a burden too weighty For the whorled ear's listening Here, in a well-steered country, Under a balanced ruler. Deranging by harmony Beyond the mundane order, Your voices lay siege. You lodge On the pitched reefs of nightmare, Promising sure harborage; By day, descant from borders Of hebetude, from the ledge Also of high windows. Worse Even than your maddening Song, your silence. At the source Of your ice-hearted calling -- Drunkenness of the great depths. O river, I see drifting Deep in your flux of silver Those great goddesses of peace. Stone, stone, ferry me down there.
0
3.6k
Lorelei
*Meeting up with the dragon was a page out of an intergalactic adventure; shaking hands with doppelganger, it was. He insisted that he is still a mythical animal just don't exist in real, he was so apologetic to the point of being mawkish, "Don't want to mislead any one to somewhere, let's be scientific to think, you took such pains to make this meeting happen, which is not the case in real,                                     do you see me well? He was  in panic, it seemed, took him in confidence and made him stay put. "What's real is a long debate don't think I am real, material world could easily proved an illusion matter in to energy and reverse is the story we see here quantum mechanics will end all your qualms everything is in a state of flux even the scientists are, sometimes they see black holes and suddenly they think otherwise, so the universe is not even a handful of dust, it's energy playing fancy dress..." The dragon looked crust fallen, "you should have met a dinosaur instead at least they EXISTED,and  Phew, what a variety much more than a myth, which I am" "Don't be apologetic, grand father's gift grandma must have used her fun of imagination to beget you and raise to such level of popularity dragon or meerkat, all are fun,  like human, when none exists, but happily present in mind and on these  vast spaces our eyes see, waiting to transform in to quanta of energy when time summons, and God play dice.*
0
Mar 31, 2014
Mar 31, 2014 at 8:20 AM UTC
Shaking hands with doppelganger
*Meeting up with the dragon was a page out of an intergalactic adventure; shaking hands with doppelganger, it was. He insisted that he is still a mythical animal just don't exist in real, he was so apologetic to the point of being mawkish, "Don't want to mislead any one to somewhere, let's be scientific to think, you took such pains to make this meeting happen, which is not the case in real,                                     do you see me well? He was  in panic, it seemed, took him in confidence and made him stay put. "What's real is a long debate don't think I am real, material world could easily proved an illusion matter in to energy and reverse is the story we see here quantum mechanics will end all your qualms everything is in a state of flux even the scientists are, sometimes they see black holes and suddenly they think otherwise, so the universe is not even a handful of dust, it's energy playing fancy dress..." The dragon looked crust fallen, "you should have met a dinosaur instead at least they EXISTED,and  Phew, what a variety much more than a myth, which I am" "Don't be apologetic, grand father's gift grandma must have used her fun of imagination to beget you and raise to such level of popularity dragon or meerkat, all are fun,  like human, when none exists, but happily present in mind and on these  vast spaces our eyes see, waiting to transform in to quanta of energy when time summons, and God play dice.*
Continue reading...
46
Which Is Greater? I break a vow. A serious vow. In a place, in this site, Where the fluid pain Is the water of the world, The element that is crux, The amniotic liquor of creative flux, The morning juice, The afternoon caffe, The first beer of the day, The liquid that we rinse and spit out our every day, I will write about pain, Arrogantly, as if there is any unused combination of Letters, vowels and consonants left unspoken, ***** Having sworn not to, for pain is cumulative. Asking myself, Which is greater? The pain of creation, inception, origination and birth, The pain of  wreck and ruin, destruction and death. Homework Self-Assignment: Compare and Contrast Suddenly, I am expert. Creating a poem a day is very painful. A poem that is the sum of Reflection, research, and purging. Once I wrote: *The poem is the afterbirth, A conflicts resolution, an outcome, Battlefield debris, the residue of An exacting vision, a sentiment surging, And your army of words, inadequate to the task, Fighting to capture that insight flashed, Each word a soldier, disheveled, Crying, let me live, let me be saved, Let me make a poem, Let it be inscribed upon my victorious flag. The poem is the sweat left upon the brow, Having exercised the five senses, The salt of struggle and debate, It's completion, each word, Both a victory and a defeat.* Suddenly, I am  expert. My mother is dying. It is a process. Days pass, She neither eats or drinks, Yet she lives on. I watch each labored exhalation, A subtraction, a countdown, It is as if she was returning each singular day, Every word e're spoke, every dream dreamt, she ever possessed to the atmosphere, One breath at a time. Is that painful? It is for me. Now you complain. They're different, not to be compared, et cetera. Pain is pain, Whether it is in the service of creation, or Creative destruction. Once I wrote: *With each passing poem, I am lessened within, expurgated, In a sense part of me, expunged, Part of me, passing too, Every poem's birth diminishes me.* So, one and the same? Nope. Yes. But. Cannot one be the greater? Yes, one is greater. When I lay on my deathbed, I will exhale the answer Into the atmosphere For your retrieval.
0
Jul 19, 2013
Jul 19, 2013 at 7:06 PM UTC
Which Is Greater? (July 2013)
Which Is Greater? I break a vow. A serious vow. In a place, in this site, Where the fluid pain Is the water of the world, The element that is crux, The amniotic liquor of creative flux, The morning juice, The afternoon caffe, The first beer of the day, The liquid that we rinse and spit out our every day, I will write about pain, Arrogantly, as if there is any unused combination of Letters, vowels and consonants left unspoken, ***** Having sworn not to, for pain is cumulative. Asking myself, Which is greater? The pain of creation, inception, origination and birth, The pain of  wreck and ruin, destruction and death. Homework Self-Assignment: Compare and Contrast Suddenly, I am expert. Creating a poem a day is very painful. A poem that is the sum of Reflection, research, and purging. Once I wrote: *The poem is the afterbirth, A conflicts resolution, an outcome, Battlefield debris, the residue of An exacting vision, a sentiment surging, And your army of words, inadequate to the task, Fighting to capture that insight flashed, Each word a soldier, disheveled, Crying, let me live, let me be saved, Let me make a poem, Let it be inscribed upon my victorious flag. The poem is the sweat left upon the brow, Having exercised the five senses, The salt of struggle and debate, It's completion, each word, Both a victory and a defeat.* Suddenly, I am  expert. My mother is dying. It is a process. Days pass, She neither eats or drinks, Yet she lives on. I watch each labored exhalation, A subtraction, a countdown, It is as if she was returning each singular day, Every word e're spoke, every dream dreamt, she ever possessed to the atmosphere, One breath at a time. Is that painful? It is for me. Now you complain. They're different, not to be compared, et cetera. Pain is pain, Whether it is in the service of creation, or Creative destruction. Once I wrote: *With each passing poem, I am lessened within, expurgated, In a sense part of me, expunged, Part of me, passing too, Every poem's birth diminishes me.* So, one and the same? Nope. Yes. But. Cannot one be the greater? Yes, one is greater. When I lay on my deathbed, I will exhale the answer Into the atmosphere For your retrieval.
Continue reading...
71
Melatonin is a conduit, a flux for regeneration; an endocrine neurohormone that really only likes to secrete when the Eyes are not stimulated; that is to say Sleep and Meditation in this way are Medicine of the Body. Sleep more; ****** Self! Sleep more. If not, at least Meditate more.
0
May 8, 2013
May 8, 2013 at 7:59 AM UTC
Melatonin the Healer
those that see beauty in everything feel the most discontent. there are extreme emotions that one who is creative must process-- an unforced authenticity and tenacity to stay focused on a subject, and to devote the same amount of attention to each entity, that you lose a sense of self and a sense of the world around you. we use stress as a way of pushing us forward, and only in moments of extreme stress does an amazing happening occur. and for this, we are deemed odd, as a normal person thrives where they are most comfortable. the originality that visionaries possess is exhausting, yet we admire it. we allow for many things to flow in our minds without halt, all notions and ideas taking up precedence, and this may be our greatest fault. day break to sunset, my mind is racing non-stop, constantly, to the point that sleep does nothing to quell the overthinking brain, as my lucid dreams act as a force to keep me awake at night. my mind is in a perpetual state of fantasy, sometimes during everyday life in bouts of daydreams, imaging new situations and being unable to describe it all. when I try to silence the thoughts that persistently flux through my mind, my talents feel wasted during this time of artistic deprivation, and only do I feel truly sound when I create new artworks for a few to discern. sometimes I feel as though my mind feeds off on my depressive states, as it takes the deepest of emotions to generate proufound art. while I wish to be happy, I have a need to be in a bit of a sustained disarray.
0
Aug 19, 2018
Aug 19, 2018 at 10:28 PM UTC
musings.
those that see beauty in everything feel the most discontent. there are extreme emotions that one who is creative must process-- an unforced authenticity and tenacity to stay focused on a subject, and to devote the same amount of attention to each entity, that you lose a sense of self and a sense of the world around you. we use stress as a way of pushing us forward, and only in moments of extreme stress does an amazing happening occur. and for this, we are deemed odd, as a normal person thrives where they are most comfortable. the originality that visionaries possess is exhausting, yet we admire it. we allow for many things to flow in our minds without halt, all notions and ideas taking up precedence, and this may be our greatest fault. day break to sunset, my mind is racing non-stop, constantly, to the point that sleep does nothing to quell the overthinking brain, as my lucid dreams act as a force to keep me awake at night. my mind is in a perpetual state of fantasy, sometimes during everyday life in bouts of daydreams, imaging new situations and being unable to describe it all. when I try to silence the thoughts that persistently flux through my mind, my talents feel wasted during this time of artistic deprivation, and only do I feel truly sound when I create new artworks for a few to discern. sometimes I feel as though my mind feeds off on my depressive states, as it takes the deepest of emotions to generate proufound art. while I wish to be happy, I have a need to be in a bit of a sustained disarray.
Continue reading...
21
To be born, is to emerge as a soul within a verse existing through eyes, ears, nose, and feelers. Persistent as the bindweed thriving in a blind spot and the rat-fleas riding around in the cellar. All life contains this soul, it’s in; the drumming and the drift, the way one shifts to their feet when battling the throes, and the persistence of plague, which encodes each cell with a rhythm and a role. To drown in a river is to **** that portion of the river’s soul, as there is no way; no lungs, no mouth to resuscitate waters that can no longer flow. The soul needs a body to show; the body needs a soul to breathe out to be re-born, is to re-exist in recurse of a soul already given, that is, unless, the soul has already been driven out. S.L. Weisend- 2014
0
May 16, 2014
May 16, 2014 at 2:36 AM UTC
Symbiotic Flux
I'd be the blood pumping through the red network of your veins. I'm de-oxygenated I'm not the 02 (for you) that you think I am; that is why I vanished from your arteries I tried not going for your heart but this is the flux; the plethora with emanating tidal waves that I could not counter-attack
0
May 14, 2014
May 14, 2014 at 9:53 AM UTC
Red network of your veins
It’s the essence of sensation, the elastic feel in the body, spiritual flame in the heart, the wild movement that lights up earth and sky. It’s the centrifigal force that radiates mood’s sunshine, the moment of unexpected torque, infinitely complicated yet simple in its sublime resonance. Each step is gifted, each step an idea, a word unspoken, a poem in the making. For dance is flux and motion, a viseral trance, a carefree discipline of endlessness promising bright tomorrows until the final release beyond earth-bound dimensions.
0
Aug 18, 2022
Aug 18, 2022 at 3:28 AM UTC
Dance