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"fluting" poems
I must not gaze at them although Your eyes are dawning day; I must not watch you as you go Your sun-illumined way; I hear but I must never heed The fascinating note, Which, fluting like a river reed, Comes from your trembing throat; I must not see upon your face Love's softly glowing spark; For there's the barrier of race, You're fair and I am dark.
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41.5k
The Barrier
So much have I forgotten in ten years, So much in ten brief years! I have forgot What time the purple apples come to juice, And what month brings the shy forget-me-not. I have forgot the special, startling season Of the pimento's flowering and fruiting; What time of year the ground doves brown the fields And fill the noonday with their curious fluting. I have forgotten much, but still remember The poinsettia's red, blood-red in warm December. I still recall the honey-fever grass, But cannot recollect the high days when We rooted them out of the ping-wing path To stop the mad bees in the rabbit pen. I often try to think in what sweet month The languid painted ladies used to dapple The yellow by-road mazing from the main, Sweet with the golden threads of the rose-apple. I have forgotten--strange--but quite remember The poinsettia's red, blood-red in warm December. What weeks, what months, what time of the mild year We cheated school to have our fling at tops? What days our wine-thrilled bodies pulsed with joy Feasting upon blackberries in the copse? Oh some I know! I have embalmed the days, Even the sacred moments when we played, All innocent of passion, uncorrupt, At noon and evening in the flame-heart's shade. We were so happy, happy, I remember, Beneath the poinsettia's red in warm December.
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5k
Flame-Heart
vampiric ***** house a fearful symmetry of cleavers for something to love ***** addicted pearly satin's copulate a continent of curves ovoid rectums and raw mouths in a ritual of sadistic etiquette drenching phallus tongued spit like gales of flames at a masochists invitation for foot blooded kisses and heated lopped breast eager haunches thunder in a malignant lust ********* utopias **** cyclops spreading winkling's dribbling night operas in a red cathedral of flicker hives squealing euphoria's hemic arcade with greased ******* that break backs fluting throats ***** chromatic fizz and shrilling wombs flutter like bat wings pandemonium in the museum of the moon
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Mar 9, 2019
Mar 9, 2019 at 1:39 PM UTC
Museum of The Moon
The birds' shrill fluting Beats on the pink blind, Pierces the pink blind At whose edge fumble the sun's Fingers till one obtrudes And stirs the thick motes. The room is a close box of pink warmth. The minutes click. A man picks across the street With a metal-pointed stick. Three clocks drop each twelve pennies On the drom of noon. The birds end. A child's cry ****** the hush. The wind plucks at a leaf. The birds rebegin.
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2.3k
June Sick Room
ONE time he dreamed beside a sea That laid a mane of mimic stars In fondling quiet on the knee Of one tall, pearlèd cliff; the bars Of golden beaches upward swept; Pine-scented shadows seaward crept. The full moon swung her ripened sphere As from a vine; and clouds, as small As vine leaves in the opening year, Kissed the large circle of her ball. The stars gleamed thro' them as one sees Thor' vine leaves drift the golden bees. He dreamed beside this purple sea; Low sang its trancéd voice, and he- He knew not if the wordless strain Made prophecy of joy or pain; He only knew far stretched that sea, He knew its name-Eternity. A shallop with a rainbow sail On the bright pulses of the tide Throbbed airily; a fluting gale Kissed the rich gilding of its side; By chain of rose and myrtle fast A light sail touched the slender mast. 'A flower-bright rainbow thing,' he said To one beside him, 'far too frail To brave dark storms that lurk ahead, To dare sharp talons of the gale. Beloved, thou wouldst not forth with me In such a bark on such a sea?' 'First tell me of its name.' She bent Her eyes divine and innocent On his. He raised his hand above Its prow and answering swore, ''Tis Love!' 'Now tell,' she asked, 'how is it build- Of gold, or worthless timber gilt?' 'Of gold,' he said. 'Whence named?' asked she, The roses of her lips apart; She paused-a lily by the sea. Came his swift answer, 'From my heart!' She laid her light palm in his hand: 'Let loose the shallop from the strand!'
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2.2k
Beside The Sea
ONE time he dreamed beside a sea That laid a mane of mimic stars In fondling quiet on the knee Of one tall, pearlèd cliff; the bars Of golden beaches upward swept; Pine-scented shadows seaward crept. The full moon swung her ripened sphere As from a vine; and clouds, as small As vine leaves in the opening year, Kissed the large circle of her ball. The stars gleamed thro' them as one sees Thor' vine leaves drift the golden bees. He dreamed beside this purple sea; Low sang its trancéd voice, and he- He knew not if the wordless strain Made prophecy of joy or pain; He only knew far stretched that sea, He knew its name-Eternity. A shallop with a rainbow sail On the bright pulses of the tide Throbbed airily; a fluting gale Kissed the rich gilding of its side; By chain of rose and myrtle fast A light sail touched the slender mast. 'A flower-bright rainbow thing,' he said To one beside him, 'far too frail To brave dark storms that lurk ahead, To dare sharp talons of the gale. Beloved, thou wouldst not forth with me In such a bark on such a sea?' 'First tell me of its name.' She bent Her eyes divine and innocent On his. He raised his hand above Its prow and answering swore, ''Tis Love!' 'Now tell,' she asked, 'how is it build- Of gold, or worthless timber gilt?' 'Of gold,' he said. 'Whence named?' asked she, The roses of her lips apart; She paused-a lily by the sea. Came his swift answer, 'From my heart!' She laid her light palm in his hand: 'Let loose the shallop from the strand!'
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42
times like this, the plenary moon tonight wearing many faces, the white-washed truant at bay white-hulled still, the brim of the sky to a full, on such a bright night leaving a trace of say, prongs of fire on the kiln the skin the soft breeze molests with a chill flung from pinecone – the blackened spires of the very heart of flame and the mullioned wood that understands what the heat of placeness mints underneath our skin – what silence remains a translation when the smoldering remains are bitten repeatedly, aureoled in the moment of vital meaning. we hear its threat, retained in clock-whirs like a primordial word or the fluting of light’s bendable rondure harnessing a truth we let in. I fail behind the walled-up lip of laughter because the weight of passing is heavy on my back – like a bough dragged by rainwater, or sound elected to drown: the smell of poinsettia assaults, lifting its slaughter against Kiltepan and Ambuklao, past mountains lulled to sleep: the moon sleuthing like a well-oiled machine. what do you hear? we are aware of its full absence, like that of our undulation after a fall, or the wild sibilance of breath trying to utter something, going back home with a song in between teeth, without words.
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Feb 24, 2016
Feb 24, 2016 at 6:56 AM UTC
What I Saw That Night
Blithe dreams arise to greet us, And life feels clean and new, For the old love comes to meet us In the dawning and the dew. O'erblown with sunny shadows, O'ersped with winds at play, The woodlands and the meadows Are keeping holiday. Wild foals are scampering, neighing, Brave merles their hautboys blow: Come! let us go a-maying As in the Long-Ago. Here we but peak and dwindle: The clank of chain and crane, The whir of crank and spindle Bewilder heart and brain; The ends of our endeavour Are merely wealth and fame, Yet in the still Forever We're one and all the same; Delaying, still delaying, We watch the fading west: Come! let us go a-maying, Nor fear to take the best. Yet beautiful and spacious The wise, old world appears. Yet frank and fair and gracious Outlaugh the jocund years. Our arguments disputing, The universal Pan Still wanders fluting--fluting-- Fluting to maid and man. Our weary well-a-waying His music cannot still: Come! let us go a-maying, And pipe with him our fill. When wanton winds are flowing Among the gladdening glass; Where hawthorn brakes are blowing, And meadow perfumes pass; Where morning's grace is greenest, And fullest noon's of pride; Where sunset spreads serenest, And sacred night's most wide; Where nests are swaying, swaying, And spring's fresh voices call, Come! let us go a-maying, And bless the God of all!
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1.7k
To S. C.
The poet looks and delves. She wonders if he ever stops, him, this rushing-forward-breathlessly train, if he did park himself in fantastical paragraphs; the poet is dumbfounded at him ceasing. In construction sites of grammar, where free ideas float in ruins, poet wonders how, how, how he came to plan to live up to an exclamation mark. And condensed so many dribbles and strikes of strange and fruitful, even withered paragraphs into one line and pointer - a smile and a lope-stagger dance of a walk - an exclamation mark. The poet stares, once again astounded by the little streaks of the universe and longs to hold on to something. Disarmed, she can't quite put a finger on it, his gaping honesty and his quiet one, that contradiction shouting in her face while whispering in her eyes. The poet laughs - laughs of, in, out of sleep. Summer is here. And she chooses to notice. He laughs too, but he's always been noticing and the poet writes down how she learnt to bite and chew into the fruit of the world and taste it sour runny sweet cold explosive lingering just as him. The poet saw all colours rolling in one strange song of limbs. She did not like the music but she made herself a blank white canvas and listened and laughed clean, silly laughs fluting out of the incongruity of simple, simple moments. Fun life, easy stretch of the mouth - it is possible to smile down at what a clown pain is. He declares this boldly without saying a word or two. The poet is dumbfounded at him being. She did not see and had not seen and now only began to picture but she was blind. He said he was blinder and that was true. The poet did not smirk but giggle at the irony - he lived in pop-bold spectacles, she slept in black and white films. But both were blind. We cannot see and we are blurs. The poet likes that life scrapes away at her because she can see chinks of white sunshine through all the sheared-off layers. Clean, clean, bright, bright - he teaches her in a beam without a hello. The poet writes poetry on breathing action prose. And she laughs - You are everything I don't want but I'm curious.
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Sep 23, 2015
Sep 23, 2015 at 5:48 PM UTC
Wide-Eyed
The poet looks and delves. She wonders if he ever stops, him, this rushing-forward-breathlessly train, if he did park himself in fantastical paragraphs; the poet is dumbfounded at him ceasing. In construction sites of grammar, where free ideas float in ruins, poet wonders how, how, how he came to plan to live up to an exclamation mark. And condensed so many dribbles and strikes of strange and fruitful, even withered paragraphs into one line and pointer - a smile and a lope-stagger dance of a walk - an exclamation mark. The poet stares, once again astounded by the little streaks of the universe and longs to hold on to something. Disarmed, she can't quite put a finger on it, his gaping honesty and his quiet one, that contradiction shouting in her face while whispering in her eyes. The poet laughs - laughs of, in, out of sleep. Summer is here. And she chooses to notice. He laughs too, but he's always been noticing and the poet writes down how she learnt to bite and chew into the fruit of the world and taste it sour runny sweet cold explosive lingering just as him. The poet saw all colours rolling in one strange song of limbs. She did not like the music but she made herself a blank white canvas and listened and laughed clean, silly laughs fluting out of the incongruity of simple, simple moments. Fun life, easy stretch of the mouth - it is possible to smile down at what a clown pain is. He declares this boldly without saying a word or two. The poet is dumbfounded at him being. She did not see and had not seen and now only began to picture but she was blind. He said he was blinder and that was true. The poet did not smirk but giggle at the irony - he lived in pop-bold spectacles, she slept in black and white films. But both were blind. We cannot see and we are blurs. The poet likes that life scrapes away at her because she can see chinks of white sunshine through all the sheared-off layers. Clean, clean, bright, bright - he teaches her in a beam without a hello. The poet writes poetry on breathing action prose. And she laughs - You are everything I don't want but I'm curious.
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*Sun rises silently pink Deepening into crimson; Silv'ry fluting of wood thrush, Breaks the gentle hush.* ~Hilda~
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Dec 30, 2012
Dec 30, 2012 at 10:00 PM UTC
Daybreak
***May the silv'ry fluting of wood thrush awake you to rose stained skies and honeyed rays smile upon you when you despondent are may the plaintive mourning of the dove weep in sympathy with your bleeding heart and the woodland trees shelter you from blazing noonday heat may breezes in rippling meadow grass whisper secrets from the breath of God and soughing through lonely trees blend with your sighs may Heaven's tears of rain mingle with your own and may a rainbow of shimmering hues dazzle after the storm*** ~Hilda~
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Dec 31, 2012
Dec 31, 2012 at 11:43 PM UTC
Heaven Speak Gently
Let us be drunk, and for a while forget, Forget, and, ceasing even from regret, Live without reason and despite of rhyme, As in a dream preposterous and sublime, Where place and hour and means for once are met. Where is the use of effort? Love and debt And disappointment have us in a net. Let us break out, and taste the morning prime . . . Let us be drunk. In vain our little hour we strut and fret, And mouth our wretched parts as for a bet: We cannot please the tragicaster Time. To gain the crystal sphere, the silver dime, Where Sympathy sits dimpling on us yet, Let us be drunk! *** When you are old, and I am passed away-- Passed, and your face, your golden face, is gray-- I think, whate'er the end, this dream of mine, Comforting you, a friendly star will shine Down the dim slope where still you stumble and stray. So may it be: that so dead Yesterday, No sad-eyed ghost but generous and gay, May serve you memories like almighty wine, When you are old! Dear Heart, it shall be so. Under the sway Of death the past's enormous disarray Lies hushed and dark. Yet though there come no sign, Live on well pleased: immortal and divine Love shall still tend you, as God's angels may, When you are old. *** Beside the idle summer sea And in the vacant summer days, Light Love came fluting down the ways, Where you were loitering with me. Who has not welcomed, even as we, That jocund minstrel and his lays Beside the idle summer sea And in the vacant summer days? We listened, we were fancy-free; And lo! in terror and amaze We stood alone--alone at gaze With an implacable memory Beside the idle summer sea.
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1.3k
To F. W.
Let us be drunk, and for a while forget, Forget, and, ceasing even from regret, Live without reason and despite of rhyme, As in a dream preposterous and sublime, Where place and hour and means for once are met. Where is the use of effort? Love and debt And disappointment have us in a net. Let us break out, and taste the morning prime . . . Let us be drunk. In vain our little hour we strut and fret, And mouth our wretched parts as for a bet: We cannot please the tragicaster Time. To gain the crystal sphere, the silver dime, Where Sympathy sits dimpling on us yet, Let us be drunk! *** When you are old, and I am passed away-- Passed, and your face, your golden face, is gray-- I think, whate'er the end, this dream of mine, Comforting you, a friendly star will shine Down the dim slope where still you stumble and stray. So may it be: that so dead Yesterday, No sad-eyed ghost but generous and gay, May serve you memories like almighty wine, When you are old! Dear Heart, it shall be so. Under the sway Of death the past's enormous disarray Lies hushed and dark. Yet though there come no sign, Live on well pleased: immortal and divine Love shall still tend you, as God's angels may, When you are old. *** Beside the idle summer sea And in the vacant summer days, Light Love came fluting down the ways, Where you were loitering with me. Who has not welcomed, even as we, That jocund minstrel and his lays Beside the idle summer sea And in the vacant summer days? We listened, we were fancy-free; And lo! in terror and amaze We stood alone--alone at gaze With an implacable memory Beside the idle summer sea.
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45
I saw a glimpse of her the other day… A woman, Soft and gentle, elegant and radiant.. A beautiful woman is like a flower Scented flowers, blooming in the garden of Eden.. A woman is a beautiful gift Created by god who has his nature A beautiful soul I see in human beings… A beautiful nature I see in the surroundings.. Beautiful you see the world around you.. Beautiful you witness the living nature.. What a charming beauty… is god’s creations… A birds song fluting through the air A young child with sunlight in her hair A tiny flower hidden in the weeds All can be beautiful should you choose them to be Storm clouds over mountain peaks or a cruel forbidding sea They have their own stark beauty, it is there to see A piece of rough stone buried in the sand A simple thing of beauty from our creator’s hand
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May 23, 2013
May 23, 2013 at 11:23 PM UTC
Khoobsurat - Beautiful
Once the monotone buzz of his mother's flutter had rung a moment too long he snapped. Now accompanied by his father's fluting flutter slurping nectar, happy.
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Nov 26, 2014
Nov 26, 2014 at 5:00 PM UTC
Hummingbirds
*The undead autumn must Have heard me shedding spring This is a self-imposed revelation The season of loss. I walk along the fiery living Cold as the blizzard I go Staring up the horizons The big questions reach mute The undead autumn must Have heard me shedding spring This is the call to my slumber The season has changed. I feel like a decaying leaf Anxious for the autumn To sway me to the tangerine littered ground Leting solemn winter blanket my smallness The undead autumn must Have heard me shedding spring This is loneliness bearing my name The season of gray. The December breeze is my friend Fluting me to nature's lips Like a chord struck out of the blue A disarray, a tragedy The undead autumn must Have heard me shedding spring This is where I've come to disappear The sunless season.*
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Nov 14, 2015
Nov 14, 2015 at 10:47 AM UTC
Undead Autumn
Closed door He fiddles her inside Fluting a tune She despise Caressing her Stripping her of her pride All she has left are scars to hide Silent Bewitched by fear On the spot She’s left Dumb Mute Like Maya Angelo Her torture was so severe Unable to speak To cry She could only scribble Pain, hurt, shame On paper Jumbled thoughts Flash backs Poetry became her friend Who only spoke back What she wrote But all this time The unspoken wanted to be heard Exposed To break the surface of the water The pain that was disposed It wanted to speak. All rights Reserved. Christena AV Williams Jamaica W.I
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Jan 5, 2013
Jan 5, 2013 at 2:20 PM UTC
Speak (For a Friend)
When spring is in blossom The birds sound enraptured Fluting melodies that cloud the gardens Land their bodies on hardened stones My soul has captured A rainbow of butterflies They flutter through sunshine's shade over roses And fade after sunset when she sky portrays idiosyncratic art Yellow gardens filled with fruitful life Wrapped inside a magic box Spring is what they call fairy land Where they hide all the clocks
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Mar 22, 2013
Mar 22, 2013 at 10:14 PM UTC
Spring
You can try to capture the wind trap the airy whistle of trees or the fluting song of reeds on the river yes you can try to tame the restless spirit of the breeze but it will sulk and sit silent in the jar until you let it out again
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May 15, 2022
May 15, 2022 at 11:49 AM UTC
Trapping The Wind
staring into the warm void this evening i take my place within jarring volitions. thought is volatile. a mason strikes metal, revealing its malleability. there is treason in thought of geography; i will shatter the mooring and find myself something the fluting wind is the muse and echoing quiet, a ripple from stone-skip. the next place to go is the beginning stemming from a concatenation of ruins. the thinning visage of masses crossing the streets wary of collisions is something realer than the wounded glaze of asphalt and the mirage that goes along tiptoeing like a danseuse through shards of incandescent figures. fumes. sprawls. untouched virgins. tacit stones. doves perching on powerlines nestled like youth suckling mothers. fathers facing telegraphs and the sure machine of dearth. stasis of peregrinations. peripatetic crush of imminent homes. this is to assuage its call, from nowhere arrives the next train to Kamuning, disappearing in a plethora of arms sequined by sweat under the swelter of planets unfurling a bent axis of tragedies. we are fraternized to tracks, unyielding distances, makeshift solaces serial, benign, tenured.    belonging. unbelonging. our destination: an impending sojourn,    the verdigris taking form.
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Feb 26, 2016
Feb 26, 2016 at 8:57 PM UTC
Poem As Palabra
In my back yard are growing things and tubs of this and that. I lean out of the window and watch the sun go down on my back yard. The bats come flying from the pines. In circles, round and round, they skirt the trees and make their squeaky sound, the bats in my back yard. Just listen to that last, sweet chirp of blackbirds fluting song, as sleepy birds now roost in my backyard. I listen for a long, long time And watch the sun go down, peaceful and tranquil in my back yard. Loretta Proctor
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Feb 10, 2018
Feb 10, 2018 at 7:01 AM UTC
My Back Yard
Anterograde amnesia bothers, But my old memories are fresh. The old ones are as fresh as hours ago, And the cold ones are as sharp as thrush. In my previous life, I used to be a musician. Guitaring and fluting my everyday, Life seemed to sweetly fade away. My 6th sense failed me on a sunny day, Collided and off I fell from my bike. I fell, and I fell even deeper, Into a comatose state on a sleeper. A 23-day long coma existed in my story, The 42 days in the hospital changed my life. I remember nothing from that stay, But I carry the vestiges of a battle. The food-peg on my tummy, It was incised inches above the navel. Now even the extra navel, It becomes smaller as it fades away. I have no regrets, Just the memories refuse to fade away. With her, I am creating beautiful memories, And the old memories will be overwritten. Old songs are sweet, But new ones are perfumed. Scented with the new romance, They will thrive and be forever bloomed. I am happy with her, And I can only be happier. Not that I am immortal, But through my memories, And through my contribution To science, to love, literature & poetry, I Shall Always Survive.
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Oct 27, 2020
Oct 27, 2020 at 2:05 PM UTC
Old Ways Beckon
My heart is with this stone. As silent energy it forces crisis after crisis. It slings brutality across your face, like ice. It lords it over life. “Sweetheart”, you spoke that world unbearably, like **** as beautifully as evening when the whimbrel’s seven fluting notes innumerably measure how the distance widens between earth and moon. I might have listened but my heart is with this stone.
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Dec 27, 2016
Dec 27, 2016 at 5:27 PM UTC
WHEN SHE SAID: "SWEETHEART"
dismember                           the smell of the books you hide                 roughed into basement boxes amongst the most casual of junk the most bare note book gifted and thrifted and costumed   your little girl words tea stain wounded                      marooned and mould afflicted dismember the words you mooned after near hearts                and the great white unrequited the fluting of ****** fuel    the fumes of their history badly stored  and water damaged clumped 'mongst uni flyers and old never paid bills
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May 20, 2025
May 20, 2025 at 9:27 AM UTC
d i s m e m b e r 4