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"floes" poems
--- i blue grey clouds of crushed velvet sunlight tears the seams ii embers of delicate peach ignite flames of fuchsia the orb of sun burns colors away to ashes blown into floes of white mare's tails iii tiny bird settles restless on the highest branch flits away iv wind through the weathered stones cries then whispers luring the children who lie within our ribs to break free and sing songs of play v mamalaria cactus wears her wreath of pale lavender flowers sings to her babes clustered below saguaro listens soulsurvivor (C) 9/13/2015
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Sep 13, 2015
Sep 13, 2015 at 12:29 PM UTC
glimpses of the morning
~.~.~.~ floating on the breeze swirling in a swoon laments in blue and purple are the petals of the moon waned a crescent of a flower waxed to cabbage rose now the tight held tithes sift down in airy floes lying in the grass of a dark wide-open field sweet swanning petals find me moon's offerings revealed i inhale their fragrance their light sweet perfume they cover me with kisses the petals of the moon
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Mar 12, 2015
Mar 12, 2015 at 8:54 AM UTC
petals of the moon
1423 The fairest Home I ever knew Was founded in an Hour By Parties also that I knew A spider and a Flower— A manse of mechlin and of Floes—
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5.7k
The fairest Home I ever knew
This poem is a Google Adwords ad, Intruding into the sidebar of your heart. It’s a 1-800-LAWYERS commercial Making you money off your personal injury. It’s a brutal, ****** UFC bout, Weak in its ground game but knows its Jiu-Jitsu And it’s got you on the mat, begging you to tap out. This poem is ***** a SNAFU waiting to happen. It’s the sarin gas Syria used against its own And it’s the attack America will be responding with, Using ****** to punish murderers. This poem is a bucket of Kentucky Fried Chicken Getting your finger-lickin’-good fingers nice and greasy. This poem is yet another poet writing yet another poem about poems, With the word poem repeated ad nauseum. This poem is a bunch of awful band names, Like Clap Your Hands Say Yeah, Tapes ‘n Tapes, and Chunk! No, Captain Chunk!. It’s a summer blockbuster and a teen dystopian trilogy. It’s riding ***** In your ex’s car. This poem is anthropogenic global warming Whose CO2 emissions are dangerously high and climbing While its polar bears are stranded on the broken ice floes of its verses. It’s a baseball crowd speaking the words “no hitter” In the midst of a no-no Which itself is a no-no. Its bad grammar, who’s comma’s are all, out of place And its’ apostrophe’s, are meaningless. This poem is Zooey Deschanel, Who will not marry me some day, any day, in the future. In fact, it doesn’t even know I exist.
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Feb 27, 2015
Feb 27, 2015 at 3:35 PM UTC
States of Being
for Robin On that frosted January day,      you and I hiked north along the Mississippi shore      on a trail marked well before us. Footfall tapestries etched in snow      wove tales of assiduous commerce of hosts of fur-cloaked cousins: the playful step-slide gambit of an otter -       rabbit paw tracks by the score. A bald eagle soared above singing ripples       in quest of a mid-day meal. The distant staccato cadence       of a pileated woodpecker           echoed off the limestone bluffs on that January afternoon.      Dusk-light washed the western sky           in pastel gold and crimson hues. A coal barge heading south      thundered against the floes, scattering ice across the channel,      then vanished beyond the bend. And we like bargemen at their tillers,      set our southward course retracing footprints in the snow -      back to the world of clocks and enterprise. January, 2011
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Nov 13, 2015
Nov 13, 2015 at 6:14 AM UTC
Footsteps in the Snow
a polar vortex swirls eastward on Siberian Tiger paws bounding over Appalachian Highlands gobbling geography gelling Great Lakes spawning Erie blizzards sculpting Wabash ice floes clogging commerce all along the Ohio River Valley this voracious juggernaut’s wide maw bears icicle teeth laughing as it swallows Pittsburgh, Little Philly, and a Big Apple, before gorging itself on generous portions ladled into simmering crocks of steaming Boston Baked Beans growling blue arctic air blasts roar bursts pipes savages the heat of blasting furnaces, bubbling boilers, hot belly stoves frantically drinking oil, flaming gas burning wood and burping soot the blistering jet stream claws screech a slashing stratospheric hum as Frigidaire blasts swallows breath brittles limbs chafes cheeks gnaws earlobes crystallizes tears nibbles nostrils cubes snot numbs toes bites digits diving sub zero gradient subdues batteries to deaden states delays buses derails trains cuts power constricts veins preys on vagabonds and animals get the homeless off the street! bring the animals in check on your elderly neighbors don’t get caught outside and shut the **** door! do you own stock in the Public Service? beware the polar vortex and next months heating bill Sonny Boy Williamson & Otis Spann Nine Below Zero Oakland 1/6/14 jbm
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Jan 6, 2014
Jan 6, 2014 at 2:43 PM UTC
Polar Vortex
--- if i could be a compound in God's wonderful world i believe i would be water raindrops sweet and mild or a storm working with crops for a harvesting unfurled a peach cotton ball cloud hung in a sunrise sky a vapor like a sylph who changes with each sigh of breezes that are blowing changing faces there up high water then will change when the cold wind blows it freezes into crystals a perfect world of snow wonderous icy canyons purest white in floes glaciers break high mountains to rubble which moves wherever the ice takes it the canyon is removed it is a force to reckon with this much has been prooved of all the things in nature it's there wherever you go it moves the great and small it's fast or very slow there's no wonder of the world like our magical H2O! soulsurvivor (C) 7/6/2015
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Jul 6, 2015
Jul 6, 2015 at 6:17 PM UTC
water
Constructing the Year Anew! I skipped on the wind to infinity. Nearing insanity, not! Riding on ice floes and hedges. Now and then perched on the fence. Betting the moon will cease to glow. As last year,bade blurred adieu. Her feminine face wrapped in chiffon. Rippling in the breeze of night. Rustling as the tree tops she tenderly strokes. With merciful light as blessing of naive honour. Not knowing the gift of the year to come. Onward and upwards I ride. Toss my hair over the shoulder of time. Time and tide stand alone. While waiting for love not to trip. A night cruiser flowing on mortality's tides. January until to the ides of March. I creep coldly in silent sensitive chill. Waiting for love to pick old ribbons apart and thrill me. Decipher the mystical one. DNA made me. Let mRNA make me remember the one I was before. May the candle in the bathroom burn ever hot. Let me see the light. The light of my life. By ladylivvi1 © 2014 ladylivvi1 (All rights reserved)
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Jan 8, 2014
Jan 8, 2014 at 7:27 PM UTC
Constructing the Year Anew!
Is it true what the scientists say That life on earth will end one day? I guess that they are probably right There'll be no day, there'll be no night The ozone layer is full of holes Rising temperatures melting ice floes Will we perish in enormous Floods? The thought of it just chills the blood Or will earthquakes bury us out of sight Will fire devour us without a fight? Storm and tempest, some folk say Will make us kneel in final prayer The forecast? Now I'll give you mine: It will end in two thousand and seventy nine Keith Wilson June 25 2016
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Jun 27, 2016
Jun 27, 2016 at 6:56 AM UTC
Scientists
icecaps come undone crushing into the ocean as she sheds her frozen tears penguins and p0lar bears shudder as their habitats recede like the snows of Kilimanjaro volcanoes explode spewing smoke and ash like billowing pillows into the stratosphere diffusing sunshine's heat like a cold compress floes of lava melt glaciers rivers of mud cause flooded folks to flee fissures crack and snap from her pressure towns and countrysides split floors rumble and roll like the ocean walls tumble, crumble and roar bells toll an all too familiar melody families cry out, wailing and ranting chanting dirges of great loss an inconsolable cacophony rubbled lives lying in ruin but she is not to blame the earth is a no fault state this is our doing ecology's consequence greenhouse gasses and other pollutants have given her a fever her pores are opening to vent the warming she is not angry or vindictive punishment is not her goal and evil has not played its hand the planet is just cooling herself it's how Gaia gets her groove back
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Apr 17, 2010
Apr 17, 2010 at 10:59 AM UTC
Gaia
as they soar They course the winds and roam They care not for snow nor rain They make the clouds their home! Consider the badger in his den He worries not for gold He will fight till his last breath To defend his hole! Consider the lion and his pride They suffer want and lack But they care naught or give a thought They will be bouncing back! Consider the fish within his pool He worries not for drink He won't beware for lack of air He's stronger than we think! Consider the wildflower The bravely climbing rose She will, in gloom, put forth her bloom And cover trees in floes! Consider the canine! Consider the mighty horse! They don't amend the name of friend they're better ones of course! Consider kingdoms of the wild Do you find it odd? They worry not. Give nothing thought *They just depend on GOD*. SoulSurvivor (C) 1/19/2016
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Jan 19, 2016
Jan 19, 2016 at 3:54 PM UTC
Consider the Eagles
essences of fire and ice         keep wanting to burst out of me it is so hard to know where to end how to start            the rivulets     the torrents            turn them on like                    a waterfall faucet they are there, the opposing elements lurking, ready just under surface waiting to ooze, pour secret inner filth spilling endless crusty lava onto the naked rough-hewn floor along with purest of lightbeam hard to pinpoint the moment I knew I loved you what love is actually supposed to be bubbling and frothing beneath               ice floes, melting            hot wax sliding I do not know how          to prevent this           dripping exhaustion of elongated membranes from imploding into the truest form of encapsulated longing sharpened pangs spit-roasted upon the fibers of my brain, of my heart my pain in stop starts stop no go on I can't take it I want it all can you feel me? I want it all, I say thrumming hotly down       to            the last wild drop of   eternity
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Feb 24, 2017
Feb 24, 2017 at 5:11 PM UTC
thrum
There are some mornings When I look at you asleep And know, In fact, That you are not, But thinking through Those steps and plans That occupy your resting state Before you have to face the day, Propelling into action All and more there is to do, All and more that must be done. Do know I so admire the tenacity You hold, the way you navigate The shoals of life’s narrow seaway Through salty straights and tidal floes, Your own pilot Keeping faith with the hand-drawn chart of the diary on the notice board. Dearest, I am lost at sea, My small boat sail-less, Drifting, turning this way and that. As you rose from our bed That hand you placed On my shoulder seemed For the briefest moment A tweek on the rudder. Brought into the wind And before the canvas fills, There was a moment’s calm A second’s rest.
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Oct 8, 2012
Oct 8, 2012 at 2:45 AM UTC
There are some mornings
I wrote you each August, asking you to break the tall, thick clouds into flat, cold floes that vanish when the sun vaults over them. You bring your cool moon, and it slides over my skin from head to heel or hand to hand. Cicadas feel it, too. Like medicine on a cut. I typically pause, let silent vowels swallow the air peeking around the curtain, and until we feel fresher by it, crisped, I stay still. You test the leaves one, two nights pulling with open hands; I remember ice, shattered on the pavement and spread thin, whitens.
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Sep 9, 2014
Sep 9, 2014 at 2:57 AM UTC
Sept.
First impression, first date. You come late, a major sin in your own lexicon, tango dancing redesigns your hair to curls atwitter, despite remedial ministrations in taxi, you text apologies profuse en route, but you have been outed, and I am charmingly amused A warm December eve, a local Italian eatery, table by the window, red wine floes melt your defenses, allowances made, you're intrigued, enjoying our dinner of charming amusements But really you like my understated swagger. I like that you like my understated swagger. Walk home armed, arm in arm, your paintings I must come see, Immediately (!), You offered this as desert, instead of biscotti, a tour of your new apartment, sleek/simple, messaging that this is me, if you ever want to be invited to stay Inspection over, my smile is a knowing that this first foray deserves a concessionary accolade, So in a mode so gallant at the front door, Adieu you are bid, and devilishly clever, I merely shake you hand, leaving you delighted by this gallant, modern, charming amusement Looking at my watch, three and half hours have passed. Maintaing that in your ways set, Early on, I challenge your rigidity, Turning your hair from curly, Into spun straight Rapunzel gold liquidity, By asking politely, humbly, on bended knee, You give in happily, Charmed, amused at my ferocious insistence Looking at my watch, I too, am delighted, charmed, amused, to discover, It seems my watch is running slow, For it is now three and a half years later
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Jul 4, 2013
Jul 4, 2013 at 3:42 PM UTC
First Date Part II (Three and 1/2 Hours later)
First impression, first date. You come late, a major sin in your own lexicon, tango dancing redesigns your hair to curls atwitter, despite remedial ministrations in taxi, you text apologies profuse en route, but you have been outed, and I am charmingly amused A warm December eve, a local Italian eatery, table by the window, red wine floes melt your defenses, allowances made, you're intrigued, enjoying our dinner of charming amusements But really you like my understated swagger. I like that you like my understated swagger. Walk home armed, arm in arm, your paintings I must come see, Immediately (!), You offered this as desert, instead of biscotti, a tour of your new apartment, sleek/simple, messaging that this is me, if you ever want to be invited to stay Inspection over, my smile is a knowing that this first foray deserves a concessionary accolade, So in a mode so gallant at the front door, Adieu you are bid, and devilishly clever, I merely shake you hand, leaving you delighted by this gallant, modern, charming amusement Looking at my watch, three and half hours have passed. Maintaing that in your ways set, Early on, I challenge your rigidity, Turning your hair from curly, Into spun straight Rapunzel gold liquidity, By asking politely, humbly, on bended knee, You give in happily, Charmed, amused at my ferocious insistence Looking at my watch, I too, am delighted, charmed, amused, to discover, It seems my watch is running slow, For it is now three and a half years later
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In the last quarter of the twentieth century, much of the world sat on the edge of an increasingly expensive theater seat waiting for something momentous to occur. Christian aficionados of the Second Coming scenario were convinced that, after two thousand years, the other shoe was about to drop. And five of the era's best-known psychics predicted that Atlantis would soon reemerge from the depths. To this last, Princess Leigh-Cheri responded, "There are three lost continents…we are one: the lovers." In whatever esteem one might hold Princess Leigh-Cheri's thoughts, one must agree that the last quarter of the twentieth century was a severe period for lovers. It was a time a time when romantic relationships took on the character of ice in spring, stranding many little children on jagged and inhospitable floes. Nobody quite knew what to make of the moon anymore Consider a certain night in August. The moon was so bloated it was about to tip over. For more than an hour, Leigh-Cheri stared into the sky. "Does the moon have a purpose?" She inquired. The same query put to the Remington SL3 typewriter elicited this response: Albert Camus wrote that the only serious question in life is whether to **** yourself or not. Tom Robbins wrote that the only serious question is whether time has a beginning and an end. Camus clearly got up on the wrong side of bed, and Robbins must have forgotten to set the alarm. There is only one serious question. And that is: Who knows how to make love stay? Answer me that and I will tell you whether or not to **** yourself. Answer me that and I will ease your mind about the beginning and end of time. Answer me that and I will reveal to you the purpose of the moon. -La Dispute, One
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Aug 23, 2014
Aug 23, 2014 at 8:28 PM UTC
One
In the last quarter of the twentieth century, much of the world sat on the edge of an increasingly expensive theater seat waiting for something momentous to occur. Christian aficionados of the Second Coming scenario were convinced that, after two thousand years, the other shoe was about to drop. And five of the era's best-known psychics predicted that Atlantis would soon reemerge from the depths. To this last, Princess Leigh-Cheri responded, "There are three lost continents…we are one: the lovers." In whatever esteem one might hold Princess Leigh-Cheri's thoughts, one must agree that the last quarter of the twentieth century was a severe period for lovers. It was a time a time when romantic relationships took on the character of ice in spring, stranding many little children on jagged and inhospitable floes. Nobody quite knew what to make of the moon anymore Consider a certain night in August. The moon was so bloated it was about to tip over. For more than an hour, Leigh-Cheri stared into the sky. "Does the moon have a purpose?" She inquired. The same query put to the Remington SL3 typewriter elicited this response: Albert Camus wrote that the only serious question in life is whether to **** yourself or not. Tom Robbins wrote that the only serious question is whether time has a beginning and an end. Camus clearly got up on the wrong side of bed, and Robbins must have forgotten to set the alarm. There is only one serious question. And that is: Who knows how to make love stay? Answer me that and I will tell you whether or not to **** yourself. Answer me that and I will ease your mind about the beginning and end of time. Answer me that and I will reveal to you the purpose of the moon. -La Dispute, One
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Things can be hard Even when you can’t imagine Friends can change And the ones You once thought were innocent Are the ones with the knife behind your back Poplars’ can hold it against you Or maybe be your friend Like in my case But you never know what will happen next Problems can start And end up in such a big deal That it’s too easy knowing it all The one you use to like likes another girl But she’s such a good friend she helps you getting over that **** You can be shy Hoping nobody judges you You try to keep your head held up but sometimes There is no use You’re eager to know who likes you Trying to see who thinks you’re pretty But you have so low self-steam That you think Nobody should like you Or you’re not in the same level that they are You compare yourself with other girls Seeing what they have and what you don’t You could have a great personality And a pretty face or body But when you don’t have one of the two You think you’re not in the same category as other girls But life is more than just being pretty Being nice is a great advantage cause maybe prettier girls Are hated by everyone And if you have floes There are ways of making them less notable Or maybe just getting rid of them You don’t have to be ashamed of having a problem You have to be ashamed not doing something about it So get up and be strong Be nice and be proud of being who you are Because everyone else is taken
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Sep 17, 2012
Sep 17, 2012 at 1:38 AM UTC
School
It was extra cold this winter, continuous ice floes danced on top of the swirling rapids near Munson's Creek. As the stars disappeared, the sun cracked the eastern horizon, I had been out all night setting the extra traps. My camp was set earlier this year, near the largest dam of the big-toothed water-creatures, I hoped to trap me some bigger beavers this time around. The pelt harvest was quite significant in last year’s haul, but now the boys down at Johnson’s Mercantile had placed an order for twenty-five more. I planned to make my quota before the spring thaw. I was getting lonelier than hell in this frozen wasteland. I really missed my darling Mae, if she only knew how blue I was. My dog was getting homesick too.
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Jan 27, 2014
Jan 27, 2014 at 12:29 PM UTC
****** Camp Blues
I slash open the fine lines of my veins to let in the starry breath of night fresh and fiery as a snap of chaos left out in the firmament to chill, the frigid air weaving an icy filigree upon the black cooling my blood soothing the night creatures that swerve and sway beneath my skin restless as tiny demons always locked away, within They emerge from their hibernation into the gelid crackle of air, zipping over the sheens of ice floes unstopped by sudden change in climate frozen moss between their claws, their toes In this icicle-dipped troposphere a burning descends upon my tastebuds just as if you have kissed me the ebbs of time seemingly bringing you closer an energetic wrapping up and through my being like the breathiest of polar mist and as I gaze up at the tiny wisps of light, lustrous as the full moon scattered, the astral plane whirrs deep within me stirring up my womb ploughing the fields of my mind creating riverflow from icy drought soothing the cuts and fissures and rocky edges of my aching prophetess heart Fragile yet callused, toughened with time as it beats beneath the ice soft as the inside of a wounded animal blessed by its hunters for making itself a gift to the tribe apparently your warrior's palm alone can melt it down and sometimes, as I get lost inside deeply wild tundras, suddenly I'm found
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Nov 21, 2016
Nov 21, 2016 at 6:54 AM UTC
Meltdown
Yamaguchi Seishi Haiku Translations by Michael R. Burch Grasses wilt: the braking locomotive grinds to a halt ― Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Published by Haiku Universe, Carpe Diem Haiku, Adas Poetry Alcove, HaikuViet, Form in Formless Times, Purple Pen in Portland This appears to be one of my most popular translations on the Internet. A google search for the entire haiku text turned up nearly 8,000 results. That’s a lot of cutting and pasting! Ceaseless chaos― ice floes clash in the Soya straits. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Having crossed the sea, winter winds can never return. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch (The haiku above was written in October 1944 as Kamikaze pilots were flying out to sea.) Banish the snow for the human torpedo now lies exploded. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch The sky hangs low over Karafuto, as white as the spawning herring. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Green bottle flies buzzing carrion— did they just materialize? ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Finally the cicadas stopped shrilling— summer gale. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch As grief becomes unbearable someone snaps a nearby branch. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch As grief reaches its breaking point someone snaps a nearby branch. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Trapped in the spider’s web the firefly’s bulb blinks out forever. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Trapped in the spider’s web the firefly’s light is swiftly consumed. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Both victor and vanquished are dewdrops: flashes of light briefly illuminating the void. —Ouchi Yoshitaka, loose translation/interpretation of his jisei (death poem) by Michael R. Burch Keywords/Tags:  Yamaguchi Seishi, haiku, translations, Japanese, grass, grasses, wilt, locomotive, train
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Apr 17, 2020
Apr 17, 2020 at 6:54 PM UTC
Yamaguchi Seishi haiku translations
Yamaguchi Seishi Haiku Translations by Michael R. Burch Grasses wilt: the braking locomotive grinds to a halt ― Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Published by Haiku Universe, Carpe Diem Haiku, Adas Poetry Alcove, HaikuViet, Form in Formless Times, Purple Pen in Portland This appears to be one of my most popular translations on the Internet. A google search for the entire haiku text turned up nearly 8,000 results. That’s a lot of cutting and pasting! Ceaseless chaos― ice floes clash in the Soya straits. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Having crossed the sea, winter winds can never return. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch (The haiku above was written in October 1944 as Kamikaze pilots were flying out to sea.) Banish the snow for the human torpedo now lies exploded. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch The sky hangs low over Karafuto, as white as the spawning herring. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Green bottle flies buzzing carrion— did they just materialize? ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Finally the cicadas stopped shrilling— summer gale. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch As grief becomes unbearable someone snaps a nearby branch. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch As grief reaches its breaking point someone snaps a nearby branch. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Trapped in the spider’s web the firefly’s bulb blinks out forever. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Trapped in the spider’s web the firefly’s light is swiftly consumed. ―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch Both victor and vanquished are dewdrops: flashes of light briefly illuminating the void. —Ouchi Yoshitaka, loose translation/interpretation of his jisei (death poem) by Michael R. Burch Keywords/Tags:  Yamaguchi Seishi, haiku, translations, Japanese, grass, grasses, wilt, locomotive, train
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They were more in love now Than they had ever been before. Lying in a small, yellow raft, The sun lit them for 20 hours of the day. Small fragments of floes drifted past; With his pen-knife he carved Ice flowers of them for her. At night, the sky flushed ultramarine to match the water. She would make a pillow of his shoulder And they slept warm enough, blanketless. They didn’t do much on their raft Because there wasn’t much to do— Around them, the sea was chill-blue And they loved each mother more. Months before, when they brought the cruise tickets, It had been the clean aesthetic of the arctic And the words ‘Secret Norway’ that won them over. No, they didn’t want to uncover Norway’s secret; They wanted to become a part of it, a final “Great escape” into their dying years. The cruise ship went under, they thought, As if by choice into black-water oblivion. A casual dive through the glassed-over surface. A few inflated yellow rafts. Of course, it was difficult for them, to look On as that stranger’s blue hand stretched for their raft. ‘This is our great escape,’ they both were thinking. Was it envy they felt when he let go? It doesn’t matter. They, too, planned To slip into that same murk at some point. But for now, they would be in love. He paddled them through the iceberg drifts and They fell asleep at night, curled one next to the other, To the measured sounds of melting glacial drip.
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Aug 15, 2010
Aug 15, 2010 at 9:18 PM UTC
Adrift
Do you know what happens to the teeth of children salvaged by the tooth fairy. They are carried away in a velvet purse. A vermilion scarlet purse with golden drawstrings. And so the story begins. ~~x~~ The tooth fairy is a tiny soul, but she flies incredibly fast. She wears a dress of silver and a tiny little diadem. She sports the wings of a dragonfly. Diminutive. Dainty, she's  much too small. Much to small to be seen, by the unsuspecting naked eye. Too big to be snatched by passing birds, so now you you know. ~~x~~ She carries her precious cargo, to the ice floes near the fjords. And there she is greeted by the ice queen. Whose name is Matilda. She has been building a new ice castle, in which her family dwell. ~~x~~ It isn't finished yet you know. She cares not what colour your teeth are. As long, as they're not holey. Holey teeth let the cold in. ~~x~~ Chilled wind whistles around her old arthritic neck. Her kids took over the construction. The buildings nearly finished. ~~x~~ The tooth fairy, whose name is Christina. Dropped of yet another batch. Sadly the naughty children have not brushed as the should have done. A batch of broken teeth delivered. My goodness how Christina shivered. ~~x~~ She thought she'd ask me to drop you a line. To remind your children to brush well every time. Matilda smiled at Christina. She said" thank you my dear" "For this winter I may freeze." So please, please brush your teeth. You really really should. She said she'd find it really swell. Hole less teeth will keep Matilda warm and well. (c)Livvi
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Oct 25, 2014
Oct 25, 2014 at 4:43 PM UTC
JOB OF THETOOTH FAIRY
Do you know what happens to the teeth of children salvaged by the tooth fairy. They are carried away in a velvet purse. A vermilion scarlet purse with golden drawstrings. And so the story begins. ~~x~~ The tooth fairy is a tiny soul, but she flies incredibly fast. She wears a dress of silver and a tiny little diadem. She sports the wings of a dragonfly. Diminutive. Dainty, she's  much too small. Much to small to be seen, by the unsuspecting naked eye. Too big to be snatched by passing birds, so now you you know. ~~x~~ She carries her precious cargo, to the ice floes near the fjords. And there she is greeted by the ice queen. Whose name is Matilda. She has been building a new ice castle, in which her family dwell. ~~x~~ It isn't finished yet you know. She cares not what colour your teeth are. As long, as they're not holey. Holey teeth let the cold in. ~~x~~ Chilled wind whistles around her old arthritic neck. Her kids took over the construction. The buildings nearly finished. ~~x~~ The tooth fairy, whose name is Christina. Dropped of yet another batch. Sadly the naughty children have not brushed as the should have done. A batch of broken teeth delivered. My goodness how Christina shivered. ~~x~~ She thought she'd ask me to drop you a line. To remind your children to brush well every time. Matilda smiled at Christina. She said" thank you my dear" "For this winter I may freeze." So please, please brush your teeth. You really really should. She said she'd find it really swell. Hole less teeth will keep Matilda warm and well. (c)Livvi
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A Touch, My God a Touch too Much! You kiss me, I trickle, Kiss the velvet underground, I shake, I shiver, quivering when involuntary spasm drowns, Besotted drenched in wails, Kissed with lust filled love inside, Ripples riding loves floes, Cream dripped, Smiles, This pussycat is satisfied! By ladylivvi1 © 2013 ladylivvi1 (All rights reserved)
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Jul 5, 2013
Jul 5, 2013 at 5:01 PM UTC
A Touch my God, A Touch too Much! ADULT CONTENT!!!!!!!
black as fangs wicked gargoyles black as ravens witch's coils black as the crusts upon Job's boils black as patchouli fragrant oils black as skin which took the toils black as deepest loam- rich soils white as clouds white as snow white as light upon the floes white as stones for games of Go white as all "good" things you know white as an owl which kills, devours white as mould on food that sours white as magic ivory towers white as sands which pass the hours black & white as piano keys which provide sweet melodies black & white is what we SEE black & white letters - decrees black & white as POETRY SoulSurvivor (C) 2/11/2016
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Feb 11, 2016
Feb 11, 2016 at 10:49 AM UTC
black & white