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Aural auspice austerity audible , augur aorist actuator , accidence ambience acoustics .
Counterfactual categorical imperative hubris .
Anarchy iconoclasm, invertible investiture, objectified manifest.
Chicanery dynamism's fealty.  
Ethology's entelechy, zoomorphic zoolatry's social contiguities, élan-vital's apotheosis, oneiromancy's apotropaic.
Chagrin ; fecund cogent apposite germane , inane inert inertia innate , propinquity habitation, proximity parameter perimeter peripherals .
Manumission gambit alluvium aloof , putschist kitsch , pandemicly phatic futurity fatidic, annex annul, extraversion embezzling euthanasia extortion.  
Extravagant exorbitance flirtatious flamboyance, flippantly flighty flit-ness.
Laborious beleaguerment, hypercritically meticulous tedium, diabolically maniacal dementia brusque macabre abrupt.
Ominous phenomenon portrayal spontaneous synchronous.

Financially responsible fiscal policy , plenary plenipotentiary fiduciary principle .
Incarnate encephala enunciate , synthetically conjugational conjecture juxtapositional adjunctly .
Noumenal sentience semantics.  Precociously petulant pedantic antics.
Zenithal azimuth entity zeal , transpicuous opacity , in extremis extremity cantankerous cantilever capacity .
Fulcrum fulgurous fulham presumptive.
Spanned collapsible feasible, vicinity victual vigilante villain, execration eventuation evocative vindictiveness vendetta vial.
Atrociously impetuous impudence impromptu innuendo juncture.
Ephemeral metaphor semantics flaunts , ***** affectation exserted protuberance .
Sepulcher stratagem objectified manifest , protractive analysis dimensional delineation .

Impetus intrigue intuitional intrepid , impertinence important , inadvertency inapplicable , initiate innate interpreters intervene intricacy.
Investiture annuity equity indemnity capital appreciation .
Preeminently preemptive retrospectively retroactive , aegis vagary incite.
Quixotically enrapturing mesmerist .
Sycophant swagger asymptotic hyperbolic, estranged ensemble orchestration .
Histophysiology mendacity somatology morphology metamorphosis, blasphemous farcical fugue preterit orchestrations.    
Terrestrial equestrian tellurian terrene, spatiotemporal telemetry tactician.    

****** matrix apex axis crux , actuarial acuity incursive .
Semantic dialectics eclectic synectic’s , wanton wayward warranty evitable.
Catalyst , relative rationality / rational relativity , circumstance contingency .
Incessant barratry omnipresence presage , decadent arrogant , irksome ire Zen.  
Grotto grouch gumption .
Bailiff rake-ness rails , prerogative presumptive judicature.  

Carousel ceaselessly ceremony chaos character charisma , clambering clamorous clangor .  
Catatonic phonics , concoct catenary concatenation , conjugationally conjunctive clairaudience clairvoyance .  
Ambrosia elixir libation inebriation , mirador bartizan panoramic tableau.
Citadel pinnacle pique piquant , altruism endemic intrinsic indigenous innate , existential allegorical .
Prosthesis pseudopodium prognostication , crude lewd , social stigmatism blind , ghastly gruesome grotesque meld .
Bizarre bazaar demonically deviant denizen , grimacing gremlin greaves gauntlets gamut catalyst abstracts .
Hideously horrible heinously horrendous awfully terrible , imagination's immaturity impromptu innuendo juncture , nuance ***** ,   incarnate encephalic enunciate .
Trajectory sordid transposition interlude rubato hi-jinks , nimbus nimiety exorcism.
Aura roan rainbow mare.  

Explicate zoomorphic zoolatry , exogamy of homogeny ontological ontogeny .
Astral projection prophylaxis protocol , telepathy teleportation .
Extraneous extemporaneous , embark embargo extradition , transcendental accession ascension , ecstatically euphoric meld .  
Deontological probity interstitial endemics , agnate aggregate amalgamated anathema android .
Translational interpretation , epistemology audacious pugnacity impunity.
Executant emulation simulation , evocative malfeasance mens rea  , geomancy effete.
Maieutic fallow feral .  apropos ergo ipso facto , carousing marauder syllogism .
Apostrophe means talking to the dead or perhaps those who aren't present; my use is a little bit looser, talking to the clairaudience of clairvoyance.  Astral projection distance traveled time spent.  Formidable foundry foyer fracas.
anna Mar 2019
Raindrops splattered across the squeaky window as Lily slipped into a world entirely her own. She found out that the slightly dilapidated beige sofa can provide an alarmingly pacifying dark fortress.
It was the storm in her living room which led her to this point.

Her mother was a peculiar human in the aspect of coping methods. Most would turn to alcohol, but Lily's mother turned to books.

One would think a child of such age possessed great privilege, having such a mosaic of resources on literature, words, and literacy.

Every morning, Lily's mother would slip into a world entirely her own. Some days, her face would hold the cover of a Patrick O'Brian and other sleepy days would entail a bit of nineteenth-century British novels. Whatever the cover, the woman's disposition was also affected.

"Lily, listen to this- doesn't it sound blue?" The woman hoarded phrases from each book, and soon, Lily's mother was an endless world of words. Her mother's affinity for quotes turned into a tasteful obsession. Lily was naive to the abnormalities in associating words with colors; such as ‘nebulous' with orange, and 'surreptitious' with purple. To her, language was rich in color and feeling.

One might also surmise a girl with such enlightenment would take after her progenitor. Lily did not. Though, she was above her class in reading comprehension and competency, the very thought of books sent flashes of buried grudges.

"Everyone needs a therapist. The poor girl's been through so much," they say. 'They' being the individuals at church. After service, the doors would open. Lily would do everything in her power to weave around the sea of meaty vociferous faces. She didn't need their pity. Nothing happened.

'Nothing' meaning... perhaps a little something. Her father died. This, (Lily suspected) was the cause of her mother's book addiction. It must be peculiar for the spectator witnessing the situation from above. As we've stated before: most turn to alcohol.

Years elapsed in which an occurrence she termed, "The Rebellion," began her mother’s book exodus. She was never truly present and Lily desired for her to see the world as it was now- not in a novel or in the pages of fantasy.

The piano rang throughout the room every morning and every night for about an hour. Lily often turned to classical Vivaldi, Yiruma, or a dash of Paganini piano covers. She drank music like a shriveled sponge. Of course, her hobbies would be as far away from books as possible since she believed them to be an obligatory evil.

Tunes danced across her soul like the ghost of a memory almost arising. The voice of a piano carried bursts of purples, yellows, and reds. White and black keys proved unchanging and reliable. Lily latched to the idea.

"I'm going to play her out." The mourning doves cooed in the almost-vacant neighborhood, while two girls of the same height and age were ensconced under a magnolia tree near the street, their legs crisscrossed on grass.

"Too much piano?" Haley asked, plucking a dandelion from its roots while squeezing milky sap from the stalk with her fingernails.

"No, I want to." Lily answered.

A thought crossed her mind. Each book infested mother with unique feelings. Then, Lily deduced there is no such thing as too much piano.











It was quiet in the house as Lily had no siblings and the book-trace rendered mother speechless. Tape recorder near the piano, and fingers at the keys, she began playing au fait on her version of Vivaldi's Spring Season. She kept the imagery of wedding cake and rings in her mind. She introduced the song to her hands by means of segmented versions, leading towards the final masterpiece. Her aural senses acute, listening for the best complimentary notes. Soon, her fingers had written poetry. She liked to think that her left and right hand owned different stories to perform, yet once they met on-stage, they heightened the essence of each other's tales.

Lily played verses countless times until she was out of breath. If someone told her piano was a sport, Lily would concur.












The final piece was recorded on an 'old-fashioned' tape. Heart pounding, she tiptoed upstairs to her mother's hiding place.

"...a thin place where tissue paper separates the material from the spiritual.." the woman greeted Lily. She never looked up from her book.

"Listen, it's white,” the woman voiced hazily. Lily shoved the tape in her face. The mother’s hand reached out from behind the book, feeling the air before finally resting her hand on the plastic rectangle, sliding it into the player

and the music journeyed to her ears.

"Hmmm..." she said. And then all was quiet.










"I've got her." Lily declared in the convenience store on a rainy day.

"With a cake?"

"It was her wedding song. You know- the one playing while the bride walks in."

"What'd she say?"

"Nothing."

"Why can't you just wake her up with some coffee?" Haley suggested as a golden aurora arose from behind the clouds.

Most of Lily’s playing sessions caused her to neglect her own physical well-being. So she rinsed a dusty plastic cup from the cupboard and filled it with water. M&Ms were food Lily associated with her sessions and she couldn't play without developing that deep-rooted Pavlovian response. Finally, in an attempt to be healthier, a plastic water cup was to her right, and M&Ms in a bag were to her left on the piano seat.

But first, a small kick in her belly drove her to a slight guilt. See, she believed in music the way some do religion, and thus, she did what others do when confronted with a critical moment in life.

"I'll bring her out," she began, "and I'll play for the rest of my life. If I can't, I'll give up music forever." She placed her fingers on the keys, completing the oath. And this occurred only because she was twelve and incredulously naïve in the field of religious traditions, that she didn't know that most oaths offered to a deity of higher power involved some form of great sacrifice for a desired result. This meant that her risk was greater than others, as it meant winning or losing it all.

Lily drew a deep breath, filling her nose with the memories of coffee. She began playing. An odd little tune traveling from her brain to the keys before her.










"Remember me, when we lived far away, down in the lonely lighthouse..." her mother chanted and Lily only half listening as she painted the cover of a CD containing her finished piano piece: Coffee.

"The sea air- spill in that lighthouse. The comfort we felt in that lighthouse." Her mother continued absorbing the ink on the pages, "Remember me, when I flew away with that chilling, cold sea breeze..."

Lily clicked the clear cover shut, handing it to the "Collective Works of Julie G." Once again, a wandering hand shot out from behind the cover, searching for the CD. Her mother did not look up.

"Music or an experiment?" she asked

"We'll see." Lily answered.

Her mother raised the CD to her player and inserted the disk, pressing play. Her wandering hand felt a small cup of coffee and as the music played, she sipped it slowly- quite peculiar. Her eyes looking up from the pages as though she were staring at something far away and her face, rubescent.

"Where did you learn to play that?" she said, leaning back and closing her eyes.








Haley and Lily entered a quintessential music store. Guitars lined the walls and classic vinyls were stacked on shelves. Small sleek keyboards welcomed guests as they stepped inside, synchronous to the resonance of a sharp bell.

Lily sped towards the CD section nestled near the corner in the store, while Haley flipped through the pages of violin classics.

"Lily, you're missing something." Haley noted from across the room, flippantly exasperated.

"Coffee didn't work." Lily replied in despair. "I thought I had her, but I didn’t."

Haley walked back towards her friend, new sheet music in hand, "Everyone's heart breaks a little differently and that means every cure must be unique. But there's something we all need- to feel safe. You did that for her."

"Then why is she still gone?"

"Because In order to return, she needs to remember what she lost and she needs to want it again... hold on." Haley held out a piano book in her hands. It was a neat white book with dark blue ink. Lily furrowed her brows.

"Just read it, Lily." Haley urged in the most loving way possible.









She still refused to use the book, diverging more from Haley’s instruction, cajoling her mother by use of classical music, modern music, and healing music. But nothing resolved and it seemed as though her oath to the Greater Deity would not fall in her favor.


It took a graying day for Lily to dig in her backpack and pull out the vile book. Inside revealed crisp white music sheets.

She itched to throw it away, however, something caught her eyes:

Kiss the Rain.

Lily stopped and stared out the window, inhaling to smell petrichor.

"Well, okay then." she reasoned. She pulled out  the piano bench and began finding the first few notes. The rest fell into sight reading. Just as the rain trickled down the living room window, the music trickled into the home's inhabitants' ears. Rain engulfed her soul.

The piece finished with a light touch on the last note. It resounded through the cozy expanse.









"I have something for you, mom." Lily proclaimed, placing the CD in her mother's hand, which then traveled to the player.

The woman failed to look up from her book, only staring into the distant pages as the notes tapped inside her ears. Ever so slightly, her eyes began to close and Lily could see the notes dancing behind eyelids.

"It feels like... rain." she commented. And as the last tickling touch of the last raindrop echoed through the dark room, her mother looked up, smiling at the sound, and her eyes met her daughter's.

"Why, Lily," she said, her voice laced with surprise, "look how you've grown.”
Short story!!
AM May 2013
Today I carried on a brief conversation
With a friendly goodwill employee as I was checking out
She handed me my change and as I hurried to stuff it in my wallet
Before the people behind me became annoyed
She told me to have a nice day
A customary phrase I thought nothing of
Fed to almost every employee by his or her boss
I flippantly said "You too"
And threw in a friendly smile

As I turned my back to leave I heard her reply
"All we can do is try, sweetie,
All we can do is try."
This just made me think of how we don't really give genuine answers to polite phrases anymore and I love hearing responses like this
AJ Robertson Oct 2013
the child recieves his paper
****** backward by the one in front
flip the three pages flippantly
one : intimidating . . two : boring
the third adorned unexpectedly
a longer -than seems can be usually- grown hair with a clump of green root
sprung out and slaughtered, down across the width; stuck above the questions beneath

how could he not have seen?
a pile so viscous and obscene?
does everyone else have one???
are they holding their disgust beneath?

he looked up at the teacher.
A look of vigilance his face bequeathed.
B  ut now it sprung out almost pus like
a faint smile,
        a teachers calm reprieve

he then leaned back on his chair in comfort
drooping his head back
his nostrils flared now toward the child
the hairs brustling from inside, all locked up in a ***** days remnants
all foul
           and long
and dehydrated
    like a swamp now sunned crisp; reeds on a stale bank

drawn in he felt uneasy
unable to cease to stare
incased inside the world that spawned
in the swamp that lay up there
in the cavernous orifices there

then he saw the teachers eyes, his gaze it
stuck on him, the teacher began to grin
further back his head leant
his eyes jaundiced
his teeth tanned
his face pale
his grin outstretched and thin
Maieutic dreamer, the ecstatic euphorias of cerebral cortex’s ****** matrix are pandemic.  Extravagant exorbitances of flirtatious flamboyance and flippantly flighty flit-ness.  But what of stint-ness snities?  Excruciating exacerbations of laboriously beleaguering hypercritically meticulous tediums.   Synaptic syntax is fervently intense like a feral phrenic frenzied ****.  Ruminating humanity’s collective consciousness gives me hysterical deliriums.  We’re frenetically febrile, atrociously impetuous impudents who don’t know our id conclusion from our impromptu innuendo juncture.  And what of the organizational principles of our subconscious continuums?  Do we only dream about dexterous articulation?  Can we become the agile acuity we envision or do we wallow in the drifty drivel of dour droll’s dreary?  What’s to phatic say about futurity fatidic’s forlorn wanton?  We need chutzpah, moxie savvy’s panache.  Is there no such thing as a universally acceptable ontological deontology?  Probity is as obvious as due yesterday, ethology’s entelechy the omnipresent reward.  Elan vital is not subjective, it’s objective.  Explicating epiphanies of social contiguity’s prospectus so innate as to be irrefragable.  Not perhaps the oligarchies of eclectic synectics, but perhaps the pugnacious audacities of emote to exude aimed imbue.  Assay relay’s convey, foray delay purveys inveigh.  Perhaps if we are all cogently fecund with our vituperatively vociferous the holocaustial cacophony of our obstreperously abstruse will be just what the grotto grouch gumption ordered.  Infusing all with the capability of  aspiring to higher powers and yet not forgetting the mystery of self and others.  I know I know what an ingratiating sycophant on the introjection.  Gambits of alluvium aloof impunity when we all know immunity is Epicurean absurdity, but I already covered that on the phrenic aimed holocaustial cacophony.  Seriously of we all enunciate so on the diction of mesomerism's to punctual.  Why can’t that be the essence of accidence ambience acoustics, the arbitrational attenuation of actuator's aorist.  We are not ethereal, we are corporeally preternatural and the sooner we all learn to respect each other to that the sooner we can get down to the sublimely surreal in oneiromancy’s apotropaic panaceas.
A dream I had about explicating eventuation evocative's expletives.  The amalgamated anathema android.  The cure for pseudopodia interruptus.  At those plastygoop nosed gumby ******* ***** mongers.  Teleportation's telepathic tout will augur the demise of the shallow water scrod ******* dogs.  Carousel ceaselessly ceremony chaos character charisma.  Enigma entity's identity crisis on the futurity fatidic.  Grimacing gremlin greaves and gauntlets gamut catalyst abstracts.
Serpent King Oct 2012
A choice is to be made,
A choice that will decide fate,
That choice rests within your hand,
Pick wisely, your choice is the difference,
The difference between success and failure.

Will you choose what is right?
The path that is certainly the hardest,
The path that may lead you to your demise,
The path that consists of morals and rectitude,
Choose: to benefit yourself or to benefit others.

Will you choose what is easy?
The path that is somewhat corrupt,
The path that may lead you to prosperity,
The path that consists of the wicked and decadent,
Choose: to benefit yourself or to benefit others.

So go on, don’t be shy,
Step up to the poll, the poll of fate,
And choose, do not choose flippantly,
Choose correctly and be rewarded,
Choose erroneously; no help will come.
Tina ford Nov 2014
What if nothing really meant nothing?

We use this word so flippantly,
In everything we do,
I've nothing in the cupboards,
But we all know that's not true,
There's nothing on the telly,
There's nothing in my purse,
I've nothing to wear right now,
This nothing is a curse,
I've nothing i can offer,
Nothing left to give,
Nothing in my life right now,
Nothing but to live,
But what a load of total crap,
We utter everyday,
We have so much to be grateful for,
In every single way,
So listen here to me right now,
It's not what we possess,
It's not what's in the cupboard,
Or the cut and style of dress,
It can't be measured by TV,
Or monetary gain,
It's what we feel and how we love,
That makes us all the same,
No matter what your day will bring,
Remember this is true,
That when you have a nothing phase,
I've got your back for you,
Because you have everything,
But nothing you can see,
And if all else seems to fail,
At least you have got me.
Maieutic dreamer, the ecstatic euphoria of cerebral cortex’s ****** matrix is pandemic.  Extravagant exorbitances of flirtatious flamboyance and flippantly flighty flit-ness.  But what of stint-ness snities?  Excruciating exacerbations of laboriously beleaguering hypercritically meticulous tediums.   Synaptic syntax is fervently intense like a feral phrenic frenzied ****.  Ruminating humanity’s collective consciousness gives me hysterical deliriums.  We’re frenetically febrile, atrociously impetuous impudents who don’t know our id conclusion from our impromptu innuendo juncture.  And what of the organizational principles of our subconscious continuums?  Do we only dream about dexterous articulation?  Can we become the agile acuity we envision or do we wallow in the drifty drivel of dour droll’s dreary?  What’s to phatic say about futurity fatidic’s forlorn wanton?  We need chutzpah, moxie savvy’s panache.  Is there no such thing as a universally acceptable ontological deontology?  Probity is as obvious as due yesterday, ethology’s entelechy the omnipresent reward.  Elan vital is not subjective, it’s objective.  Explicating epiphanies of social contiguity’s prospectus so innate as to be irrefragable.  Not perhaps the oligarchies of eclectic synectics, but perhaps the pugnacious audacities of emote to exude aimed imbue.  Assay relay’s convey, foray delay purveys inveigh.  Perhaps if we are all cogently fecund with our vituperatively vociferous the holocaustial cacophony of our obstreperously abstruse will be just what the grotto grouch gumption ordered.  Infusing all with the capability of  aspiring to higher powers and yet not forgetting the mystery of self and others.  I know I know what an ingratiating sycophant on the introjection.  Gambits of alluvium aloof impunity when we all know immunity is Epicurean absurdity, but I already covered that on the phrenic aimed holocaustial cacophony.  Seriously of we all enunciate so on the diction of mesomerism's to punctual.  Why can’t that be the essence of accidence ambience acoustics, the arbitrational attenuation of actuator's aorist.  We are not ethereal, we are corporeally preternatural and the sooner we all learn to respect each other to that the sooner we can get down to the sublimely surreal in oneiromancy’s apotropaic panaceas.
A dream I had about explicating eventuation evocative's expletives.  The amalgamated anathema android  The cure for pseudopodia interruptus.  At those plastygoop nosed gumby ******* ***** mongers.  Teleportation's telepathic tout will augur the demise of the shallow water scrod ******* dogs.  Carousel ceaselessly ceremony chaos character charisma.  Belligerent barbarian berserker.  Enigma entity's identity crisis on the futurity fatidic.  It's graspy greedy on the stingy frugal aimed mingy minions.  Spatiotemporal telemetry tactician's proximity parameter's perimeter peripherals.  Propinquity habitation's harbingers of harangued.  Terrestrial equestrian tellurian's terrene.  Grimacing gremlin greaves and gauntlets gamut catalyst abstracts.
david badgerow Oct 2015
i have been telling this story for years
most people think it's a made up joke
but let me show you the high relief
fingernail scars on my ******* and
back let me take you
back to the basement made of music
back to the beat of the drums
back to the bumping grinding and *******
back to the girl i fingered on the field trip bus when we were 14
jesus christ i'm sorry okay we were only kids then
playing an obsessive tug of war game with
her wrists weighing my handlebar collarbones down
while exhaust fumes belched warm through the floorboards
her ankles wrapped sinuously around my ankles
the sun peeling through the windows like a nectarine
she straddled her first white stallion ******
buzzing like a wind up toy on my teenage knuckles
two years later in high school she was my tutor but
we learned more about *** than computer science
she showed up ***** in a corset get up
to my best friend's halloween party
where i was dead set on getting hammered
she set me on fire with her feral hair
and her feline eyes begged to become the nail
i was drawn to her like a planet being pulled
into the orbit of a red dwarf star and after she
danced the boogaloo with her hips
sequestering my glittered face
i became a deep sea diver on the dancefloor
facemask and snorkel full of sweetmeats and sap
her thighs covered in salty drool and
shrieks cutting through the *** cloud atmosphere
building into a honking goosey crescendo
we took a steamy cold shower together afterward
and i really saw god's big face when
her eyelashes licked the fog off the bathroom mirror
and she proved to be a balloon knot artist
with grape sized ******* and a soda straw
tongue like a butterfly imagine me squealing on tiptoes
in the bathtub clawing toward the shower mouth overhead
with her laughing underneath creating a complex layer
of parrot echo-thunder tapping my lowest vertebrae
internally in a sophisticated cole porter rhythm
i've slept trembling crooked on the bed ever since
with beads of sweat arranged on my upper lip
remembering the gleam of the baby oil bottle standing
proud in the corner of the shower receiving window starlight
and waking up with smears of wet lipstick embedded
in the secret tender spots of my body and the leftover
sound of her fingernails raking through
the stubble on my sensitive cheeks

she finally told me her secret flippantly
the night before i went to jail
in the safe shadow of
soft candle flame snuggery

oh just pure mdma and ******* sprinkled on my tongue
Eunice Moral Jan 2016
is there some
sense of truth in what
F. Scott Fitzgerald once said?
that the best thing
a girl can be
in this world
is a fool -
a beautiful little fool

yes and maybe that was
all she ever was to you -
your own beautiful little fool

someone you flippantly
toss around
someone you neglect like
an old unwanted doll
for with much pride
you believe that
at the end of the day
she'll come running
back to you
Allen Smuckler Apr 2011
Born and reared in the city of Bridgeport,
where the trash arose from Long Island Sound.
The seagulls appeared, then vanished from sight,
wafting and diving through radiant sky.
Some inlets and harbours, lapping the shore,
while sounds of young voices screamed with delight.

Marvelous moments to form our delight.
Skipping through the busy streets of Bridgeport.
Heading south down Park, to visit the shore.
Where all you could hear was the visual sound,
of airplanes and balloons, gracing the sky,
alive in my mind but quite out of sight.

The crystalline sparkle came into sight,
to everyone’s pure and simple delight.
We watched as the clouds emerged from blue sky,
over the stunted skyline of Bridgeport.
Suddenly the clamour, the noise, the sound
came crashingly close to the rocky shore.

With silence removed from that muffled sound,
bemoaning the graphite and speckled sky.
Searching and groping for inner delight.
pasteurized thoughts over the sandy shore.
Memorized pictures brought into our sight,
a lost time; in the bowels of Bridgeport.

Sail boats and tankers came upon the shore,
out of the distance, and into my sight.
All I could hear was breath of the sound,
with glee, laughter, and a certain delight.
The slums became the city of Bridgeport,
reaching endlessly toward the dancing sky.

Adrift; at peace, and awashed by the sound,
flippantly airy as ground touched the sky.
I strolled and smiled with love lost delight,
scampered along on our copious shore.
Aware that my flight was love at first sight,
on the coast, in the city of  Bridgeport.

Amped delight amid the light of our sound
misconstrued Bridgeport scraped close to the sky,
up to the shore and again out of sight.
copyright, April 10, 2011
    A sestina consists of 6 sestets and 1 triplet (envoi)...usually unrhymed and repeat the end words of each line using these patterns:  a) 123456 b) 615243 c) 364125 d) 532614 e) 451362 f) 246531 triplet) (6 2) (1 4) (5 3)...middle and end words of lines in tercet...
As always.....I'm looking for feedback and critique
Aural auspice austerity audible , augur aorist actuator , accidence ambience acoustics .
Counterfactual categorical imperative hubris .
Anarchy iconoclasm, invertible investiture, objectified manifest.
Chicanery dynamism's fealty.  
Ethology's entelechy, zoomorphic zoolatry's social contiguities, élan-vital's apotheosis, oneiromancy's apotropaic.
Chagrin ; fecund cogent apposite germane , inane inert inertia innate , propinquity habitation, proximity parameter perimeter peripherals .
Manumission gambit alluvium aloof , putschist kitsch , pandemically phatic futurity fatidic, annex annul, extraversion embezzling euthanasia extortion.  
Extravagant exorbitance flirtatious flamboyance, flippantly flighty flit-ness.
Laborious beleaguerment, hypercritically meticulous tedium, diabolically maniacal dementia brusque macabre abrupt.
Ominous phenomenon portrayal spontaneous synchronous.

Financially responsible fiscal policy , plenary plenipotentiary fiduciary principle .
Incarnate encephala enunciate , synthetically conjugational conjecture juxtapositional adjunctly .
Noumenal sentience semantics.  Precociously petulant pedantic antics.
Zenithal azimuth entity zeal , transpicuous opacity , in extremis extremity cantankerous cantilever capacity .
Fulcrum fulgurous fulham presumptive.
Spanned collapsible feasible, vicinity victual vigilante villain, execration eventuation evocative vindictiveness vendetta vial.
Atrociously impetuous impudence impromptu innuendo juncture.
Ephemeral metaphor semantics flaunts , ***** affectation exserted protuberance .
Sepulcher stratagem objectified manifest , protractive analysis dimensional delineation .

Impetus intrigue intuitional intrepid , impertinence important , inadvertency inapplicable , initiate innate interpreters intervene intricacy.
Investiture annuity equity indemnity capital appreciation .
Preeminently preemptive retrospectively retroactive , aegis vagary incite.
Quixotically enrapturing mesmerist .
Sycophant swagger asymptotic hyperbolic, estranged ensemble orchestration .
Histophysiology mendacity somatology morphology metamorphosis, blasphemous farcical fugue preterit orchestrations.    
Terrestrial equestrian tellurian terrene, spatiotemporal telemetry tactician.    

****** matrix apex axis crux , actuarial acuity incursive .
Semantic dialectics eclectic synectic’s , wanton wayward warranty evitable.
Catalyst , relative rationality / rational relativity , circumstance contingency .
Incessant barratry omnipresence presage , decadent arrogant , irksome ire Zen.  
Grotto grouch gumption .
Bailiff rake-ness rails , prerogative presumptive judicature.  

Carousel ceaselessly ceremony chaos character charisma , clambering clamorous clangor .  
Catatonic phonics , concoct catenary concatenation , conjugationally conjunctive clairaudience clairvoyance .  
Ambrosia elixir libation inebriation , mirador bartizan panoramic tableau.
Citadel pinnacle pique piquant , altruism endemic intrinsic indigenous innate , existential allegorical .
Prosthesis pseudopodium prognostication , crude lewd , social stigmatism blind , ghastly gruesome grotesque meld .
Bizarre bazaar demonically deviant denizen , grimacing gremlin greaves gauntlets gamut catalyst abstracts .
Hideously horrible heinously horrendous awfully terrible , imagination's immaturity impromptu innuendo juncture , nuance ***** ,   incarnate encephalic enunciate .
Trajectory sordid transposition interlude rubato hi-jinks , nimbus nimiety exorcism.
Aura roan rainbow mare.  

Explicate zoomorphic zoolatry , exogamy of homogeny ontological ontogeny .
Astral projection prophylaxis protocol , telepathy teleportation .
Extraneous extemporaneous , embark embargo extradition , transcendental accession ascension , ecstatically euphoric meld .  
Deontological probity interstitial endemics , agnate aggregate amalgamated anathema android .
Translational interpretation , epistemology audacious pugnacity impunity.
Executant emulation simulation , evocative malfeasance mens rea  , geomancy effete.
Maieutic fallow feral .  apropos ergo ipso facto , carousing marauder syllogism .
Apostrophe means talking to the dead or perhaps those who aren't present; my use is a little bit looser, talking to the clairaudience of clairvoyance.  Astral projection's distance traveled time spent.  Formidable foundry of a foyer fracas.
Jeremy Betts Sep 2022
The hardest battles fought are against the chaos found within the rubble of the broken.
Any continuation of this experimentation on the human condition hangs on the theory that an upcomin' breath will allow itself to be taken
Gift or not, presently present solely due to the repeat of a heart beat, reminded constantly it's never a given
Many a complication with said blood pumpin' mechanism ribcaged in, to many components either broken or straight missin'
Naturally raisin' an interesting question, does life support support life or allow it to get one last minute jab in
Seems it's a personalization and ******* of the punishment fitted for the crime of lyin' about livin'
Seein' right through the Facebook filter projection, doom sets in without the monitor screens protection
Actin' like spoiled, undisciplined children, often throwin' a tantrum cause we're all on the spectrum
All of us? Yes, everyone.
A nonsensical state of frantic desperation overrides conviction, dignity the next to leave the station
No thought put into what's bein' said even, flippantly askin' for more calendar pages to be added in on the back end
Wildly missin' the irony of spendin' life in line for the next death bed to open, prayin' the priest is well spoken
Choosin' then to allow the soulless prayers to begin, hopin' to pull the wool over the eyes of the creator of all creation
He's up there laughin' and judgin' from heaven, he ain't sendin' help because it's entertainment first, then maybe fit in a lesson
Feels like bein' held in a hostage like situation through a self inflicted condition with a loved ones permission
Ignorin' the DNR written up to eliminate confusion and limit any guessin' 'bout what the dead is thinkin'
Wishin' they'd let go, knowin' they won't though, love can make the right decision impossible to determine
It was always a bogus mission, there's never been no mention of direction much less any talks about a realistic destination
An unorthodoxed tug 'o war, doin' both the pushin' and pullin', can't recall witnessin' a win, I only recognize losin'
The matrix is glitchin', the vale finally lifted as nightmares come to fruition, crowdin' an already distorted vision
Depraved of nutrition, lose sight of ones self in the fog of sleep deprivation
IT'S THE SLEEP THAT LETS THEN IN
In a never endin' hesitation, becomin' one with the comman background vegitation
A threat of slippin' into a comma is beginnin' to look like my very real and inevitable conclusion
The Illusion is crackin' and the illustration behind the fusade is to heavy for some to take in
And if I'm not mistaken it will only worsen for here and we're only here cause you took for granted what will now be taken
WHAT WHERE WE THINKIN'?

©2022
undefined Dec 2012
Pardon please my pedantry,
But I espied sir that in your rhapsody
You sometimes overlook crossing all your “t’s.”
If a point should be taken, then please let it be
That these consequential “t’s” should not be jotted down so flippantly.
:P
Julian Sep 2016
Swerves the verve of voluptuous curves
That ******* clad lies become ironclad wides or wives
That the uxorious mission is a useful instrument of precision
That a denuded forest becomes the acme of toon and television
Let us garble our quotes and refrain from prolonged oaks
That whisk the memorial flames beneath the softly and the constricted spoke
I wrangle with big swells and tumescent lips
Labial love is liquid rushing to impress my scent and my lisp
Flamingos careen the specialty of wide-nosed oxygen
The toxic ragamuffin does lack the characteristic halogen
Runny tears on whitewashed days, scrape the pond of excess
**** of waifs and wastrel sways the world’s columns stand ever more proud
The future has two authors a converging future and an approximated past
Leeching on to the dastardly knockers of hacked brass tax
We then linger and malinger with germs that flippantly exercise the *******
That exorcise the ruffled harbinger in an incomplete rhyme
Sordid yet sublime, a city breaking on through to the mother side
Of the brother’s promise, to bequeath love lost and undressed
Unbuttoned snooze caffeinate my coffee
Established crews scour my pastiche of laundry
I need a confirmation that some littoral joke isn’t anymore creative than a hoarded broke
Broken in fracture, illuminated by rapture, the panacea of pain disaster
The deliverance of fragrance yet to gain and yet to lose,….. refrain poetaster
Simpered friction swipes the edict of election
As ******* becomes the Olympus of defection
But ponder no more these quodlibets of regaled glory
The amaranthine time has been proferring the same tried and true Love Story
Arranged or deranged, the best will *** and the rest will come
Thereby we become the litter of Medulla Pons surviving on Jack-and-Dandy ***
Remember this in many ways we are a shining city paid for by the mentally ill
Waylaid with the marble of the ultimate rocketship dumb enough to thrill
We soak and absorb the truest bright and the weakest light
As the fraternal order of the lambent moon becomes an extraterrestrial communion rather than an aghast fright
John Derry offers me two geese and I offer to fleece the homespun danger of the moral police
But Capone cannot cap the stone with signature and artistry alone
He cannot unfurl the booth bonfire and the broken home
But his evaded taxes are relaxed because of meritocratic classes
Of wisdom becoming wizardry and idiocy becoming harlotry of sinister waste crass plastics
Limpid with freckled frowns and monolithic and nomothetic pounds
Of zeros escalading a spawn-trout upward voyage and a quiet pillage of a bear-eaten town
Benign rumors of soaring afflictions and deloused tumors swarm the pasquinade village
A Potemkin place where gays get spayed covertly by laying a nescient egg deceased and weighed
In the navy we are not, but thanks to the gravy we are bought and we are sold
And of course you must trim the bushes before they scowl in the fold
Hedged bets on arts, squirts and debts
Of hottest flirts, car washed shirts and wrangled King Tut **** and Cleopatra wet
To this history I owe a greater than perfect debt
A Raider with influential sweat
A gamboler with a frisky totem of regret
Radiant sun says goodnight
Glazed to beat you, you fearful fitful 1997 willful fright
Eryri Nov 2018
I heard these words today,
I do not know their origins,
Nor what they truly represent.
They were said so flippantly,
That the beauty didn't strike me
Until I reached my place of work
Parked my car next to the old tree
Whose blossom reminded me:
"I'm a flower on a cliff"
Fragile beauty on a precipice.
Strong unseen anchoring roots.
Perfection is not a human quality.
Only Nature has perfected perfection
So it is a bold claim for a man
To boast of being a flower on a cliff.
R Moon Winkelman May 2010
Tongue-tied
tripping over the words
that spill out between my teeth.
Mind flashes from red to green
sickly, mottled with yellow
tired of waiting.
I want to be able      to    exhale...
come to my senses,
know which way is up,        in the midst of this chaos.
so much to say
and all that comes out is that 4-letter word
so flippantly used.
Can you see the inside of me?
my heart beating 100 times a minute
my entrails knotted, Gordian style.
Are you my Hero.
in this white trash epic
which is my life?
If so,
how many foes must we conquer
to find our way home?
© October 2003 Flying Lynx Press
Bare Bohemian May 2014
flippantly he flipped
on the broken trampoline
he's not flippant now
Thou, my Helsinki, art but none like the whimsical England;
A sultry bruise in its own pretense and fear of foreign lands,
A sordid gate through which oneself ought not to fall,
With curses and dominions of souls awaiting by the wall,
And for we hath none there to live on and feed and exist,
That I had but to restrain my ripe taste for exotic bliss;
I could put neither my mind nor countenance at rest,
All fed from wealth, and churned an insatiable hole in my chest.
My heart is lost, and with a love gone for too long,
Misery has become too good, and cries are far prolonged.

My Helsinki is too sweet, unlike the ****** sun;
Perplexed only by my art at first, but not my literature.
With you, Aurora, all ice shall become ardent and lighter:
My sins shall fade as they penetrate the laden fun,
And the griefs that wash away shall quench the fire,
Returning to me my young snowstorms, and lyre.
I shall long to stride across thy satin-like blue mud,
Keeping my peace at pace within a salubrious heart.
All is thoughtful, my Helsinki; all is wicked but pure inside me,
That I can but love again when fate is too close to see.

Thou hath encased in a little lily my English violet,
A purple evil living on within a shiny swollen pocket.
In a place that is so laden with the promise of death,
Let’s forget our fallen fate and dream without breath.
Let us mock the rolling stars in the sour, unkempt sky;
To believe that England is not alive, that ‘tis but a lie.
To see that England is but a slithering little mire anew,
And a mire among beautiful mud like thee, wise and true.
To hear, or but to see that I can knit a new story,
That thou hath always had conscious faith in me.

Thou, who hath brought the sight of joyful days,
And the promise of such hath entertained me;
The vanished boughs of England once seemed real today,
Which my eyes found too unmerited for us to see.
All the squandered fate to me shall mean nothing,
Nor their grace shall carry the luck of the unknown.
All the wasted feasts that were once everything,
The past hath gone, leaving no absurd reality alone.
To me then, all of my England is oblivious and utterly dead;
That with a salubrious sweat, I shall send it into thorough death.

That the mind alone, of the poet, never loses its imagination,
That the fits it celebrates shall keep the delirium eternally;
That with delight shall celebrate poetry’s reincarnation,
In a daring love and human thought seen at the edge of Helsinki.
Where but did England’s spirit forsake me, every now and then,
I was beneath no love and the care of apparition friends,
That know not how to penetrate a crowd beneath its cheers,
Nor console the sick right in their hearts, all was too weird.
I was dwarfed in those cold whereabouts, I was unloved,
That even my favourite winter seemed too harsh to laugh.

You will tear me away from such despair, I believe;
Grab my hand, and lull it to sleep by the wealth it sees,
Make it rejoice at the fortune for which it writhes—and lives,
Make it love the days for whom it was devotedly decreed.
Ah! For just this once, I shall deliver my congratulations to you;
You have been the cold flower that spoke so clearly and true.
You are the fond memory that woke me from the steep sleep,
The depth that surrounded me in my virile anger, and weeps.
You are the quiet splendour that my mind boasts of, and conceives,
You are the trebled grace that my spirit strives to believe.

You are the one with the trident on the throne;
And you recall all my salubrious and tired moves,
That you say my love is sour yet fresh as warm vinegar,
That my love is a warmth to thee, much less thy solitude,
A solitude that hath been left clueless at its heart,
A solitude so magnanimous and cheerful like a flute.
You are the one who shall consecrate my love,
Make it as firm as the benign loving throne,
You are the one who shall feed from their naught,
Cheer, pamper me with a feat so real to me alone.

You are the one whose fiery fate shall contain me;
That rejects the bad and keeps to me eternally,
No further mist of love hath drifted by me, and all hath been vain,
Thou shalt but catch the one for me; and the colds that remain,
I shall be the first to crave for the form of my love, my man,
I shall be the first to witness the emergence of rain.
I shall be the first to look behind the heatless statue,
To see first the form of a man so definite and true.
Thou shalt me grant a life and solitude far better, not worse,
Thou shalt idolise me as thy special Goddess of words.

And guess who shall but take hold of my pleasurable arms,
The night’s chamber hath lost its insatiable moans, and warmths;
Long since, they all melted down on an antagonistic sunny day,
Riveting as it was, lethal in too many narcissistic ways.
Ever since, they all never came back in any lifelike form,
They are haunting each other in their own abysmal dreams.
That is, nonetheless, just how it should still be,
To be the charmed poet I am, to fathom the world as I do.
That too, my love, is how my poetry shall ever want me,
That a love, as I did know, shall only ever come from you.

Hail! Hail! I feel so newfound and beautifully charmed and true,
Thy wind hath tossed me about like a pink-cheeked village child,
There is no spirit with freshness and joy, indeed, like you,
You gleam like a star, even on the summer moors so wild.
Everyone lives—the idea England seldom wants to confess,
Everyone lives on our art, for everyone and art are at their best.
And guess who is to swim into the heartless, shadowed sea,
For all is not cold and merely awake in our imagination.
The seas, which stir to life on the breaths of a sunny day,
Vitriolic attempts they make, much less their thankless ways.

Hail! Hail! I feel my imagination is about to be restored;
That all wrinkles and pains and worries shall but fade,
I shall again sail to the autumn breezes and daylight cold—
Facing my auburn destiny that ne’er comes too late.
Ah, Helsinki, whose hundreds of Christmas dusts shall overwhelm me,
Open my heart in a fun satire, full of delightful joy.
I seek to celebrate the clear day in thy ice of victory;
A beauty the sun shan’t thaw nor lay nor destroy,
Ah, Helsinki, so beautiful are thy majesty and cordial rains,
A pyre of stars by agreeable mountains, and dramatic friends.

Hail! Hail! My Helsinki is melancholy from what I hath seen,
It appreciates much the work of heaven in worried poetry,
That all solitude is passionately brewed, and born again
Within the real magnitude of love and festive sanctity.
My heart was too young and frivolous to follow the tender nature;
To gain what poetry truly was, nor share its sensible culture,
That once a call of tempt sloshed flippantly over me;
I became corrupt and unable to see the light in thee.
That I was wrong, I was too lighthearted to be wrong;
Bring me back my art—wash me with your newborn love, my Helsinki.
Maieutic dreamer, the ecstatic euphoria of cerebral cortex’s ****** matrix is pandemic.  Extravagant exorbitances of flirtatious flamboyance and flippantly flighty flit-ness.  But what of stint-ness snities?  Excruciating exacerbations of laboriously beleaguering hypercritically meticulous tediums.   Synaptic syntax is fervently intense like a feral phrenic frenzied ****.  Ruminating humanity’s collective consciousness gives me hysterical deliriums.  We’re frenetically febrile, atrociously impetuous impudents who don’t know our id conclusion from our impromptu innuendo juncture.  And what of the organizational principles of our subconscious continuums?  Do we only dream about dexterous articulation?  Can we become the agile acuity we envision or do we wallow in the drifty drivel of dour droll’s dreary?  What’s to phatic say about futurity fatidic’s forlorn wanton?  We need chutzpah, moxie savvy’s panache.  Is there no such thing as a universally acceptable ontological deontology?  Probity is as obvious as due yesterday, ethology’s entelechy the omnipresent reward.  Elan vital is not subjective, it’s objective.  Explicating epiphanies of social contiguity’s prospectus so innate as to be irrefragable.  Not perhaps the oligarchies of eclectic synectics, but perhaps the pugnacious audacities of emote to exude aimed imbue.  Assay relay’s convey, foray delay purveys inveigh.  Perhaps if we are all cogently fecund with our vituperatively vociferous the holocaustial cacophony of our obstreperously abstruse will be just what the grotto grouch gumption ordered.  Infusing all with the capability of  aspiring to higher powers and yet not forgetting the mystery of self and others.  I know I know what an ingratiating sycophant on the introjection.  Gambits of alluvium aloof impunity when we all know immunity is Epicurean absurdity, but I already covered that on the phrenic aimed holocaustial cacophony.  Seriously of we all enunciate so on the diction of mesomerism's to punctual.  Why can’t that be the essence of accidence ambience acoustics, the arbitrational attenuation of actuator's aorist.  We are not ethereal, we are corporeally preternatural and the sooner we all learn to respect each other to that the sooner we can get down to the sublimely surreal in oneiromancy’s apotropaic panaceas.
A dream I had about explicating eventuation evocative's expletives.  The amalgamated anathema android.  The cure for pseudopodia interruptus.  At those plastygoop nosed gumby ******* ***** mongers.  Teleportation's telepathic tout will augur the demise of the shallow water scrod ******* dogs.  Carousel ceaselessly ceremony chaos character charisma.  Enigma entity's identity crisis on the futurity fatidic.  Grimacing gremlin greaves and gauntlets gamut catalyst abstracts.
Malia Feb 2021
F-flippantly finding four friends of mine praying
I-in cages bound wrists floundered hopelessness
N-nevertheless, the day after was flaying
E-everything, it was changing, don’t worry, I’m fine.
Riq Schwartz Nov 2013
The ink spills dark as lights are flitting on,
the thoughts and dreams and very souls of ours.
Though bright the future, waiting, poised anon,
it notices but flippantly our scars.

A man might make his words into a deed,
might voice his hopes too loudly and be heard,
or else might sleep his days and so accede
the universe refuses to be stirred.

We came onto this planet lame and cold,
with Time already plotting our demise.
But rue the world which fetters us in gold;
We see the black and gaze into its eyes.

The moon sits innocently, just and fair.
The Devil's footsteps kiss the evening air.
Top words from Sara L. Russell (I used the second row of words this time - they seemed more challenging) reconfigured to fit a poem. The English sonnet form was fitting, I felt.
the self seeking*
white powder man
came
to consume her life
snorting
the only love
who'd ever embrace
a loneliness so rife

the relationship
destructive
to the soul
it propped her up
and took all control

an emptiness
he bought
a hollowness
in every facet
of his giving
the feeling of the muted line
so flippantly cold

she tossed away
the truer man's
caring
for a ******* frequency
incapable of love's
empathetic
*heart
Fay Slimm Feb 2017
Cornish spring drips and
all growth becomes riddled with
desire for warmth,
ridden with need for having more.

Freshly risen, green
gets liquid-addiction, an invisible
draw makes sward
swoon for regular fixes of water.

Crafty Spring knows
plants crave doses so being fickle
he drops trickles used
to tease shoots upwards for fuel.

Whoresome he opens
cores formerly hidden, then the
illicit physician lopes
in and flippantly erases hopes.

Bold, he impregnates
the deep sleep of inactive nature,
forcing in secret wet
potions to unclothe closed petals.

Then he may withhold
his advances and allow winter's
return to bring nights
of freeze to show is own might.

Old Spring hangs around
to tickle ground's fancy yet Sol's
hard passion he fears
for at start of heat he disappears.
B Jun 2013
really don't
feel so good
pain i feel
not understood
images i see
i wonder how
i can keep being me
images of death
gun on the table
i see the trigger
but i'm not able
to go to the store
and purchase a rifle
go home
sit on the couch
and blow my brains out
i don't have the power
don't have the courage
the only thing i can do
is live and continue
and hope that I feel
a better way
I know tomorrow
has got to be better
than this *******
that I deal with
on a daily basis
I feel like
the pain that I feel
how I was treated
continually misled
******* got fed
and all in the end
I ended up with nothing
an empty hand
alone in the house
phone silent
no one calling
no one caring
I'm here crying
why can't this be easier
something like dying
all I can think of
are thoughts that bleed
from my stomach
and into my heart
misery it feeds
thought after thought
of the evils that dwell
in my mind
so much hate
I can't even tell
all I remember
is the hurt that was caused
things said so caustically
casually
flippantly
disgustingly
like
my family is weird
that one hurt the most
it burns so bad
makes me want to get out of my seat
find you in the street
grab you by the throat
and choke and choke and choke
until you can't breathe
I'll do you the worst
by letting you live
in your disgusting existence
that's the best revenge i can give
other than forgiveness
I guess I'll just post this
take another breath
stop thinking death
and ask for forgiveness
just gotta dismiss this
it's so hard to forgive this
I don't want to live this
Raphael Cheong Jan 2015
I am the flipper
Rejection of shots
And I don't hurt when I dig deep
And I go underground

I am
'Good with words'
yet words seldom ever seem to fall out
Of my flippant mouth

I am nothing that I wish to be
Borderline rambunctious
And my thoughts constantly spill over
When I spout in a crowd

Flipper is flippantly
Objecting
Objectify me now
I am the silent breather that never sends chills down your spine
Yet you wonder if my calling
Has gone overtime

Flipper speak
Flipper be gone
Flipper take shelter
Flipper don't make a sound

Flipper give you best smiles
Flipper win all their hearts
Flipper give them charisma
Flipper keep all your darts

Flipper tires from trying now
Rusting with time
Have I let my guard down
Or am I at last
Feeling fine?

Call it anxiety
Call if whatever you wish
C'mon call it an excuse
Isn't it brilliant to use?

Flipper: better or worse?
Flipper sets off a fuse
Flipper takes over mind
Flipper takes over news

Hush now stories are dry
For you let Flipper in
Build your walls up so high
Just to keep our your sin

Yet
Humans do lie
Courage comes from within
Sometimes it pays to hurt when you let your heart win
TERRY REEVES Mar 2016
WRITE YOUR OWN RESUME' - THEN I'LL SIGN IT,
MY MENTOR SAID TO ME, ALBEIT FLIPPANTLY,
SO I DID: PHD IN PHILOSOPHY, A FIRST
IN ENGLISH LIKE ALDUOS HUXLEY AND
PROFESSOR OF ORIENTAL STUDIES AT LONDON
UNIVERSITY; A NUMBER OF NOVELS, POETRY
AND WHITE PAPERS COMPLETED A BUSY LIFE,
NO TIME TO TAKE A WIFE, RATHER ARMED
WITH A KNIFE TO PUT INTO PEOPLE'S BACKS,
A REPUTATION MADE AFTER NUMEROUS ATTACKS,
KNOWLEDGE WAS PASSED ON, STUDENTS CAME
AND WENT, ANYWAY WHY SHOULD A PROFESSOR
NEED TO BE HEAVEN-SENT? THE LIFE WAS MINE,
NOT GOOD ENOUGH - MY MENTOR REFUSED TO SIGN.
Sam Temple Dec 2014
flippantly, her heads turns
unable to control the expressions of insanity
plastered across wild eyes
her body quivers in an explosion of excitement
twisting this way and that
as if there were no muscle memory
from a calm period
some piece of peace
she could relive in these moments
when her unhinged nature
sends me over the edge –
laying peacefully
steady breathing hiding
torment
every time a noise or movement
catches her periphery
unabashed joy pours forth
and the incessant wiggling
starts all over again –
ferocity waits for the proper moment
to be freed
set loose upon the unsuspecting world
waiting desperately for the word
or sign
expressing my readiness
for mayhem –
absentmindedly I pat her thick head
genetically blended American terrier
and classic Rottweiler
to perfection
glancing down at my little Rotty-pig
the thought crosses my mind
“I sure hope no one comes in here with malicious intent”
A poem for one of my little puppies
Emily Jones Mar 2015
I walk with a head full of clouds, a mouth full of wisdom
Trudging in a sea of doubt flippantly filling in the void with words unspoken
Teetering on the edge of what is "right" what is "wrong"
Floating on the tempting water between what I am and what I "should be"
What the letters upon the box should say, were they stuff me to forget me
Their labels still sting the inside of my nose, the latex embedded in the skin from each ripping and re-sticking.
I wear a face upon my skin her butterfly headdress bleeds the color of their contempt, the slick lines of abstract freedoms morph to become the fluttering of a thousand wings
What I want most I have bled to show, how my mind works and sees has printed on the skin
Put there to remind all I am more within.
Andrew Rueter Sep 2018
I'm beautiful
Exuding soul
Protruding bold
Diluting cold
Until I fold
Once beauty is sold

Biting remarks
Made by sharks
Create sparks
Where it was dark
Displaying pain that is stark
As part of my character ark

They mug me
Until I'm ugly
Then suddenly
They're done with me
It must be some disease
Of a numbing freeze
From stunning thieves
Taking what I believe

They're not impressed
When I'm undressed
So I'm the stressed
I must confess
From this test
Of who's best
And who's less
A blue guess
That brews pests

This hall of fame
Dismal game
Is to blame
For the shame
In our brain
And our name
Fanning flames
Of social stains

I'm a coyote battling
With lonely howling
Until phonies scowling
Are all that powers me
Through what had been
Through what grew
I see you
Through the views
That light my fuse
It's you I choose

Flatter my vanity
To guard my sanity
Conjuring the man in me
More so than I planned to be
But became apparently

Through ****** gratification
You give social validation
You send a pal elation
That causes salivation
Until the callous nation
Invades my phallus station

Text me
I'm ****
To protect me
From the injecting
Inspecting
Dissecting
Directory
Next to me
That begs to see
The beggars seethe

Don't destroy my body image
With your haughty grimace
Applauding penance
An ungodly menace
You've become
Like Tim Gunn
A judgemental one
That fabricates fun
By blocking the sun

Incoherent
Interference
In the clearance
Of my appearance
Not knowing nearness
Outside your austere fence

You flippantly
Didn't see
The death of me
Or the mess I bleed
When my chest can't breathe
While you're blessed to breed
With a superior steed

The eye of the beholder
Is behind their shoulder
That keeps getting colder
From insurgent soldiers
Throwing boulders
Becoming molders
Of the boaters
With no motors
Who float through life
And drown in misery
From societal strife
Of subjective mysteries

To act on the behest of me
Say that you've met me
Say that you've let me
Enter you gently
To a centrifuge ending
For relationships pending
With perceptions tending
To be needlessly upending
By comparisons impending
No matter what they're intending
There's no way they can mend me
When my social rank bends me
To be something pretending
Can be found in my self published poetry book “Icy”.
https://www.amazon.com/Icy-Andrew-Rueter-ebook/dp/B07VDLZT9Y/ref=sr_1_1?keywords=Icy+Andrew+Rueter&qid=1572980151&sr=8-1
Francie Lynch Sep 2014
Again the sky
Takes good-byes,
And I heave one
Once again.

Good-bye.

When you quipped
Ciao so flippantly,
Or rolled au revoir
So knowingly;
When See ya
Really meant
See ya soon,
I heard it all
So promisingly.
When you said
Later, it meant
Sooner than later,
And you drawled it out
So wistfully,
Knowing sooner
Lovingly.

This time
Come back
And say
Good-bye again.

Good-bye,
My girl,
For now.
My youngest just left for China to teach for a year. At least she's on the planet, and doing what she wants. Being a father and seeing your child succeed (as we wanted) has a very sharp double edge.
“Get over here!” you bid me join
And I, transfixed at Dawn,
But gape at you, my dear; and he, and the revellers at Dusk

The revellers:
The conceited dance ballet,
Twirling in pairs with a swirl
Their slender lithe bodies swish through the air
Imposing arrogant silhouettes on the wall
That shimmers, as if resentful of their delicacy,
From that beam through the door,
But the splendid parquetry deceives,
Some pairs slip and slump on the cold hard floor.

You, my dear, are serene;
Mellowed by the serenade.

Twilight is dying, dusk is born;
Night is growing old,
As it gets darker and darker.
The pairs embrace, kindling a passion halo.
The glow of the embrace is mediocre,
They find a warmer glow ‘neath each other’s tutus and breeches,
But the flame of the warmth singes;
By and by, some ballerinas change girdles
With bigger ones as buds sprout in their bellies.

By and by, the foolish tire;
And tumble from prancing as injured knight horses
You, my dear; and he, are radiant, your eyes sapphire;
Are you part of the revellers?

Prancing and ballet have grown banal
The revellers decide to improvise the flue’s melody
Of fumes whirling flippantly; stifling your smile,
Some imitate the Sponge and get drenched
Other play nurse with syringes
Capsules
Lozenges
And queer pills:
Inviting Grim Reaper.

I join you on the moonlit balcony
You titter as you marvel at the starry sky
Oh dear; your titter is irony
To he, “We resemble the twin stars” you say;
And to me, “The Little White Dwarf, lovelorn”
You laud the intimacy twin stars portray
My dear the stars are but gleaming
Pearls studded on a brine of darkness
Such is the paradox, for I am longing
For a caress
Akin to your lambent embrace unto he my dear
And I ***** on this little stair,
Teenage, where caresses and embraces but flare!

Time ***** her wings fast my dear, time flies
Even my colts cannot keep pace with her
“Give free rein to your cravings,” she says
“Consider the brevity of life!”-Even so my dear,
I have become frigid
To the sweet aromas and aphrodisiac melodies;
Mirages clogged my mind, my neurons frayed
My puritanism and gravitas;
They are fabrics of a stale fashion of preservation.
This is a poem for Nicole. "My dear" in the poem.
Millions of souls
Has the Sea.

Millions of souls
Have stood by her waters,
Pulled and repelled by
Raw power and salty fear.

Millions of faces
Millions of variations
And shades in between,
has she subtly worn.

They come to her,
They flock to her and reach out
To her. Her sun and moon are different
Than theirs are.

Fingers pull at layers of
Color and life, attempting
To cover themselves
With the depth.

But just when she
Has covered the pilgrims
She flippantly rips back
Her blanket and exposes them.
Even they are surprised
at the revelation. They are.....


She returns to apologize,
Meek and gentle, offering
Little jewels in her warm,
Glittering palm.

They always accept
Her offering. And in turn share
With her the smallest, mosaic
Piece of their own souls.

Millions of souls
Has the Sea.
She tries them on like hats.
Sabila Siddiqui Apr 2018
“Don’t let my name be the lyric to their cacophony of laughter. Don’t let me be the ridicule that your friends crack upon. I don’t want them to sip on our memories turning them into a hip story. So don’t give me away to their tongues that let my name slip ever so flippantly. Seal me in your heart where I would be untouched. Embed those memories in your mind as though they were sacred. Let my name be unknown and our stories untold. Let us be concealed for we are much more than the pleasantry gossip of their conversation” she said softly as she put down the phone.
Sam Temple May 2015
Flippantly, I stroll unencumbered
absentmindedly watching the clouds shift
both in direction and form
much like the movement within these words
never sure in which direction they may turn
even now anticipation mounts
as expectations soar
……..sadly
I have nothing to say –
Ottar Aug 2014
What if, ... you don't dream,
What if, ... we never meet,

What if, ... the sky is the ocean,
What if, ... the sea is the sky at our feet,

What if, ... I have no means,
What if, ... we never sit, side by each,


Enough of, what if,
what will be, will be,
not to take life flippantly,
or put my boat into unknown seas,
                                        no anchor,
                                        no rudder, to steer me,
                                        no sails,
                                      
so be, my sails filled with a windy blast,
be the rudder, bring me to where our hearts...will meet,
then be, my anchor and hold fast,
                                   and forever.

This life, the open water, big enough...

— The End —