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I love the evenings, passionless and fair, I love the evens,
Whether old manor-fronts their ray with golden fulgence leavens,
In numerous leafage bosomed close;
Whether the mist in reefs of fire extend its reaches sheer,
Or a hundred sunbeams splinter in an azure atmosphere
On cloudy archipelagos.

Oh, gaze ye on the firmament! a hundred clouds in motion,
Up-piled in the immense sublime beneath the winds' commotion,
Their unimagined shapes accord:
Under their waves at intervals flame a pale levin through,
As if some giant of the air amid the vapors drew
A sudden elemental sword.

The sun at bay with splendid thrusts still keeps the sullen fold;
And momently at distance sets, as a cupola of gold,
The thatched roof of a cot a-glance;
Or on the blurred horizon joins his battle with the haze;
Or pools the blooming fields about with inter-isolate blaze,
Great moveless meres of radiance.

Then mark you how there hangs athwart the firmament's swept track,
Yonder a mighty crocodile with vast irradiant back,
A triple row of pointed teeth?
Under its burnished belly slips a ray of eventide,
The flickerings of a hundred glowing clouds in tenebrous side
With scales of golden mail ensheathe.

Then mounts a palace, then the air vibrates--the vision flees.
Confounded to its base, the fearful cloudy edifice
Ruins immense in mounded wrack;
Afar the fragments strew the sky, and each envermeiled cone
Hangeth, peak downward, overhead, like mountains overthrown
When the earthquake heaves its hugy back.

These vapors, with their leaden, golden, iron, bronzèd glows,
Where the hurricane, the waterspout, thunder, and hell repose,
Muttering hoarse dreams of destined harms,--
'Tis God who hangs their multitude amid the skiey deep,
As a warrior that suspendeth from the roof-tree of his keep
His dreadful and resounding arms!

All vanishes! The Sun, from topmost heaven precipitated,
Like a globe of iron which is tossed back fiery red
Into the furnace stirred to fume,
Shocking the cloudy surges, plashed from its impetuous ire,
Even to the zenith spattereth in a flecking scud of fire
The vaporous and inflamèd spaume.

O contemplate the heavens! Whenas the vein-drawn day dies pale,
In every season, every place, gaze through their every veil?
With love that has not speech for need!
Beneath their solemn beauty is a mystery infinite:
If winter hue them like a pall, or if the summer night
Fantasy them starre brede.
I

Some day I will go to Aarhus
To see his peat-brown head,
The mild pods of his eye-lids,
His pointed skin cap.

In the flat country near by
Where they dug him out,
His last gruel of winter seeds
Caked in his stomach,

Naked except for
The cap, noose and girdle,
I will stand a long time.
Bridegroom to the goddess,

She tightened her torc on him
And opened her fen,
Those dark juices working
Him to a saint's kept body,

Trove of the turfcutters'
Honeycombed workings.
Now his stained face
Reposes at Aarhus.

II

I could risk blasphemy,
Consecrate the cauldron bog
Our holy ground and pray
Him to make germinate

The scattered, ambushed
Flesh of labourers,
Stockinged corpses
Laid out in the farmyards,

Tell-tale skin and teeth
Flecking the sleepers
Of four young brothers, trailed
For miles along the lines.

III

Something of his sad freedom
As he rode the tumbril
Should come to me, driving,
Saying the names

Tollund, Grauballe, Nebelgard,
Watching the pointing hands
Of country people,
Not knowing their tongue.

Out here in Jutland
In the old man-killing parishes
I will feel lost,
Unhappy and at home.
CharlesC Jun 2012
an assembly or
better named
a clump
of multifarious flotsam
presenting its untidy self
on a recent passing
streetcorner..

a hesitating photo records
a drifting pinecone
centering a stained
and shredding newspaper
a broken sharp stick
red rocks of scales and shadings
flecking dried green leaves..

order imposed by
framing and shaping of
the sidewalk corner..
might other forms emerge
with a focused patience?

a partial headline reads
...sound without the wires..
news of expanding connections
outside a material realm?
headline seemed embedded
in thick advertising bulk
announcing a continuing
culture of material weight..
much else of red and green..

the centering pinecone
occasional pineal symbol of
higher dimension entry..
somehow rightly here
in the dark center
of this mess

this a brief experiment
not yet for most an answer
a question now of mining
finding patterned varieties
in large nature's trove..
patient visions residing in
gathered fragments
if gathered they be..
expectations of more
in what persists
of this and that in
time...  :)
Anais Vionet Sep 2022
When the sun sets, flecking clouds with diaphanous light and birds whistle daytime’s last summer psalms, we call it night.

We’re moonbathing and Sunny’s features are inlaid with glamorous silver-blue patines. We’ll reawaken soon, our time is measured in assignments, not in hours, days or even seasons.

Responsibility is a villain of our own devices. You can run from it, bolt your door against it, only to find it’s right there - in back of you - smiling like a tiger or a parent.

Unfortunately, the university isn’t a hotel. It’s more of a competition, like those survivor shows.

We’ll enjoy the moonlight, for a few, laconic moments, for it seems to possess a sweet power to cool and calm, but soon our purposes will call, irresistibly, and we’ll return to the performance.
BLT Merriam Webster word of the day challenge: laconic: brief to the point of seeming rude.
HE lived on the wings of storm.
The ashes are in Chihuahua.

Out of Ludlow and coal towns in Colorado
Sprang a vengeance of Slav miners, Italians, Scots, Cornishmen, Yanks.
Killings ran under the spoken commands of this boy
With eighty men and rifles on a hogback mountain.

They killed swearing to remember
The shot and charred wives and children
In the burnt camp of Ludlow,
And Louis Tikas, the laughing Greek,
Plugged with a bullet, clubbed with a gun ****.

As a home war
It held the nation a week
And one or two million men stood together
And swore by the retribution of steel.

It was all accidental.
He lived flecking lint off coat lapels
Of men he talked with.
He kissed the miners' babies
And wrote a Denver paper
Of picket silhouettes on a mountain line.

He had no mother but Mother Jones
Crying from a jail window of Trinidad:
"All I want is room enough to stand
And shake my fist at the enemies of the human race."

Named by a grand jury as a murderer
He went to Chihuahua, forgot his old Scotch name,
Smoked cheroots with Pancho Villa
And wrote letters of Villa as a rock of the people.

How can I tell how Don Magregor went?

Three riders emptied lead into him.
He lay on the main street of an inland town.
A boy sat near all day throwing stones
To keep pigs away.

The Villa men buried him in a pit
With twenty Carranzistas.

There is drama in that point...
...the boy and the pigs.
Griffith would make a movie of it to fetch sobs.
Victor Herbert would have the drums whirr
In a weave with a high fiddle-string's single clamor.

"And the muchacho sat there all day throwing stones
To keep the pigs away," wrote Gibbons to the Tribune.

Somewhere in Chihuahua or Colorado
Is a leather bag of poems and short stories.
Over the horizon, lost in confusion,
came the sad night, pregnant with stars.
I, like the bearded mage of the tales,
knew the language of stones and flowers.

I learned the secrets of melancholy,
told by cypresses, nettles and ivy;
I knew the dream from lips of nard,
sang serene songs with the irises.

In the old forest, filled with its blackness,
all of them showed me the souls they have;
the pines, drunk on aroma and sound;
the old olives, burdened with knowledge;
the dead poplars, nests for the ants;
the moss, snowy with white violets.

All spoke tenderly to my heart
trembling in threads of rustling silk
where water involves motionless things,
like a web of eternal harmony.

The roses there were sounding the lyre,
oaks weaving the gold of legends,
and amidst their virile sadness
the junipers spoke of rustic fears.

I knew all the passion of woodland;
rhythms of leaves, rhythms of stars.
But tell me, oh cedars, if my heart
will sleep in the arms of perfect light!

I know the lyre you prophesy, roses:
fashioned of strings from my dead life.
Tell me what pool I might leave it in,
as former passions are left behind!

I know the mystery you sing of, cypress;
I am your brother of night and pain;
we hold inside us a tangle of nests,
you of nightingales, I of sadness!

I know your endless enchantment, old olive tree,
yielding us blood you extract from the Earth,
like you, I extract with my feelings
the sacred oil
held by ideas!

You all overwhelm me with songs;
I ask only for my uncertain one;
none of you will quell the anxieties
of this chaste fire
that burns in my breast.

O laurel divine, with soul inaccessible,
always so silent,
filled with nobility!
Pour in my ears your divine history,
all your wisdom, profound and sincere!

Tree that produces fruits of the silence,
maestro of kisses and mage of orchestras,
formed from Daphne's roseate flesh
with Apollo's potent sap in your veins!

O high priest of ancient knowledge!
O solemn mute, closed to lament!
All your forest brothers speak to me;
only you, harsh one, scorn my song!

Perhaps, oh maestro of rhythm, you muse
on the pointlessness of the poet's sad weeping.
Perhaps your leaves, flecking by the moonlight,
forgo all the illusions of spring.

The delicate tenderness of evening,
that covered the path with black dew,
holding out a vast canopy to night,
came solemnly, pregnant with stars.
Joe Bradley Mar 2015
His voice of crackling static
is known from round the corner.
It's raw from shouting news reports and
the music of an empty pocket
to a world, only half listening.

A toiling madness of chord and thread -
frayed, plucked fabric, strings
hanging from cuffs. This plaid ragdoll and
his bird **** stained guitar case are
collecting change like a magpie

His incompetent lips are their own shower
flecking the pavement. What music gathers
in the whited joins of his mouth is urban  
desperation, but their grubbiness suggests
you could still plant potatoes in his fingernails.

Twitching and lined, his visage isn't as old as his art.
The jarring strum and lacquered voice  
serve to remind us, that the tongue
is the only muscle in the human body
stronger than the heart.
Midst greens and shades the Catterskill leaps,
  From cliffs where the wood-flower clings;
All summer he moistens his verdant steeps
  With the sweet light spray of the mountain springs;
And he shakes the woods on the mountain side,
When they drip with the rains of autumn-tide.

But when, in the forest bare and old,
  The blast of December calls,
He builds, in the starlight clear and cold,
  A palace of ice where his torrent falls,
With turret, and arch, and fretwork fair,
And pillars blue as the summer air.

For whom are those glorious chambers wrought,
  In the cold and cloudless night?
Is there neither spirit nor motion of thought
  In forms so lovely, and hues so bright?
Hear what the gray-haired woodmen tell
Of this wild stream and its rocky dell.

'Twas hither a youth of dreamy mood,
  A hundred winters ago,
Had wandered over the mighty wood,
  When the panther's track was fresh on the snow,
And keen were the winds that came to stir
The long dark boughs of the hemlock fir.

Too gentle of mien he seemed and fair,
  For a child of those rugged steeps;
His home lay low in the valley where
  The kingly Hudson rolls to the deeps;
But he wore the hunter's frock that day,
And a slender gun on his shoulder lay.

And here he paused, and against the trunk
  Of a tall gray linden leant,
When the broad clear orb of the sun had sunk
  From his path in the frosty firmament,
And over the round dark edge of the hill
A cold green light was quivering still.

And the crescent moon, high over the green,
  From a sky of crimson shone,
On that icy palace, whose towers were seen
  To sparkle as if with stars of their own;
While the water fell with a hollow sound,
'Twixt the glistening pillars ranged around.

Is that a being of life, that moves
  Where the crystal battlements rise?
A maiden watching the moon she loves,
  At the twilight hour, with pensive eyes?
Was that a garment which seemed to gleam
Betwixt the eye and the falling stream?

'Tis only the torrent tumbling o'er,
  In the midst of those glassy walls,
Gushing, and plunging, and beating the floor
  Of the rocky basin in which it falls.
'Tis only the torrent--but why that start?
Why gazes the youth with a throbbing heart?

He thinks no more of his home afar,
  Where his sire and sister wait.
He heeds no longer how star after star
  Looks forth on the night as the hour grows late.
He heeds not the snow-wreaths, lifted and cast
From a thousand boughs, by the rising blast.

His thoughts are alone of those who dwell
  In the halls of frost and snow,
Who pass where the crystal domes upswell
  From the alabaster floors below,
Where the frost-trees shoot with leaf and spray,
And frost-gems scatter a silvery day.

"And oh that those glorious haunts were mine!"
  He speaks, and throughout the glen
Thin shadows swim in the faint moonshine,
  And take a ghastly likeness of men,
As if the slain by the wintry storms
Came forth to the air in their earthly forms.

There pass the chasers of seal and whale,
  With their weapons quaint and grim,
And bands of warriors in glittering mail,
  And herdsmen and hunters huge of limb.
There are naked arms, with bow and spear,
And furry gauntlets the carbine rear.

There are mothers--and oh how sadly their eyes
  On their children's white brows rest!
There are youthful lovers--the maiden lies,
  In a seeming sleep, on the chosen breast;
There are fair wan women with moonstruck air,
The snow stars flecking their long loose hair.

They eye him not as they pass along,
  But his hair stands up with dread,
When he feels that he moves with that phantom throng,
  Till those icy turrets are over his head,
And the torrent's roar as they enter seems
Like a drowsy murmur heard in dreams.

The glittering threshold is scarcely passed,
  When there gathers and wraps him round
A thick white twilight, sullen and vast,
  In which there is neither form nor sound;
The phantoms, the glory, vanish all,
With the dying voice of the waterfall.

Slow passes the darkness of that trance,
  And the youth now faintly sees
Huge shadows and gushes of light that dance
  On a rugged ceiling of unhewn trees,
And walls where the skins of beasts are hung,
And rifles glitter on antlers strung.

On a couch of shaggy skins he lies;
  As he strives to raise his head,
Hard-featured woodmen, with kindly eyes,
  Come round him and smooth his furry bed
And bid him rest, for the evening star
Is scarcely set and the day is far.

They had found at eve the dreaming one
  By the base of that icy steep,
When over his stiffening limbs begun
  The deadly slumber of frost to creep,
And they cherished the pale and breathless form,
Till the stagnant blood ran free and warm.
Jade Musso Feb 2014
They told me that I need to let you go
No one wants us together
-- I think they want you for themselves

You are my best friend
Since I can remember
Life without you
Doesn't seem real

Rattling in tubes, pressing onto my tongue, melting down my throat
Hard, smooth on my fingers,
Flecking onto my face while I lick the cold
Bins meant for days, I devour in one
Bars meant for friends, I do not share

I never blamed you when the shakes came
& my life fell apart
You were my savior -- I thought
You took care of me, warmed my heart

You and I, never alone
No one understands us
Some accept us, yet they raise
An eyebrow at my appearance

I am an anomaly for dating you
Your other suitors didn't look so well
I pride myself in that
Though I hide our happy facade

I never thought you'd do this to me
I thought you loved me
But you love that I love you
& you care nothing about my pain

Yet -- I can't
I can't let you go
I love you too much
Every day I try but you are so close
You are right there
You ask me to love you and I cave
In a false security, a black hole I know I will suffer from
In only mere minutes

Our time together is too magical to give up
But only a matter of time until I --
No, I cannot dream of it
You will treat me right one day
& we will be happy together
Ann Beaver Sep 2014
pretty fascinating mind
appearing light,
flecking dangerously close.
swallow
let go

But keep one pinky on the edge.
Walk the line easily
between fascinating
and ******* with words.

fighting whats left inside me
i am or am i
laughing,
throwing my voice,
cracking the night,
And another bite mark
finds

A scar
A humble star
A version here
A ******* there

the quiet hits,
as it will,
defeat in my bones,
Quickly it does distill.
Looking around the room
momentarily left insane,
fringed, frightened,
buried cold

long dark rings
tucked in the eyes
black circles where you've hid
those years
behind.
Defined in every happy ending
to an ever-ending ride
In my pretty fascinating mind.
My favorite poet life's jump wrote this with me.
Nickols Jan 2017
I'm broken beyond repair.

A thinning string, eventually, snapping under extreme force.

A shattered piece of glass under ****** feet.

A crestfallen melody, playing on a skipping record player.

I am nothing.

An empty room, barren of any light.

A dark hole, filled with dirt and worms.

Rust and paint flecking off a dejected car.

It hurts.

Like a back which hides the knife.

An accusation flung towards me,
without any precedence towards the cause.

My rights taken away from me.

My hopes dashed before my very eyes.

I am hurting.
For I am broken.
Because I am nothing.
Feeling rather useless right now *dejected sigh*
William A Poppen Sep 2013
Today it's the rusty pine needles
flecking the tar covered street
and pointing every which way
that signal a new season
soon will cool my morning walk.
Hidden alongside the curb
a coke can and pale spent prophylactic
trigger memories of front seat
romances that never erupted.
Luckily I didn't know then
what I know now.  I would have
wasted more of what I had been given
trying in earnest to waste
more of what I had been given.
Mukesh kataria Jan 2016
On a busy roundabout in buzzing Delhi,
Fake wealth smirks & luxury car creeps,
When red light stops,
Fast panting life gets a pause,
Dullness riding on killing air,
Only gloating eyes and putrid thoughts.

Nearby, my eyes halt on a poor, destitute girl,
Sure, I know, not of sweet sixteen
Few heart throb with love and care,
Though number of passers- by is umpteen.

Her ugly eyes embedded in chronic pain,
Gloom abiding on her wrinkled face.
She is ugly, bony & sickly
Tear- ***** flecking ***** cheeks.

Foul smelling with flowing nose,
******* dressed with ragged clothes,
Callous cool breeze shivering her emaciated soul,
No brotherly hand for her rescue & no divine aid to her console.

Delhi engrossed in sensuous talks of love, ***, movies and romance,
No one cares for her real plight,
Why charity and pity in independent India?
Methinks, a graceful life is her genuine right.

When she stretches her wounded hands,
Begging for a loaf of bread,
I cry & weep deep inside,
Losing hope, I feel so SAD.
I wish swapping of my destiny with hers,
Can u please tell?
Am I a bit out of senses or if I have gone totally MAD?

Mukesh Kataria
meekkeen Nov 2015
I am waiting for the moment where I pivot and all that I can envision now is a blacktop and white dotted lines, maybe lanes of rolling white whipped green churning pinwheels going long down the road with a stalk of cud in my mouth can I ever go and unthink like the caramel burnt stained car chair that I rest in as a finger comprised of ash that will collapse in any second and Im telling you its beautiful to let go and see the small blue insects mixed up in a whirlwind of gray flecking flickers that you may capture with a white plastic bag it reads “shoprite” you remember times at the a&p; that was ay-em-*** to toddlers who were smarter to not distinguish between what seems and what is according to the strangers who walk the street, seem foreboding, and yet retreat indoors to steak dinners and why weren’t the tater’s in the oven at half passed six? Maryellen. I told you. I told you patriarchal. I sing from my molehill. My mother always fixed me a cherry pie told me I had the nose of a rodent and so I found my fathers gun, JOhny, white America, puh, would you think I’m on drugs because twenty-one and throw up when looking like chalk smeared on top of cheeks, these bones are feeling a bit decayed wont you examine what you’ve done to…who are you? And nowhere it goes. Nowhere it goes. I sit here im ****** you think it’s a joke but this blurb is worth
Less
Bag of blue sanddollars
Dipped in wax
With a wick
And a pick
A guitar string
And a tick-
Tock
Tick
Tock
Tick


Give it a lick
Peanut butter off a stick
I dunno whats to do or did
But theres a whole lot of mess out there
And we all are using it to smear messages in the listless purple filaments that cloud the sky

I’ve heard admonishments and thin mints in girl scout boxes ive eaten around glass patio tables with blue waters squarely pooled im sure your hair gel is swelling the heart of some hungry shewolf who will nibble or bite or swallow you, I do not know which one is which. But ive heard laments about nations and ignorance and I’m not sure who is more to blame or what could be a solution but to speak largely and loudly id need a microphone and a lot of ears or no a telescope and a broadcaster or better yet digital tools and the internet. Communication is the sopping soggy wet piece of bread that floats in my milk bowl and by the time my orange kitty paws move at it, the loose and expanded bits disintegrate and sink. A sink has a drain that gets clogged and we all must stare at it until it is cleaned and if I’m not the one cleaning my drain then who is the one cleaning my waste?
Allen Davis Nov 2013
Who knew gold would grow
On green stalks
If left alone in the yard.
Old farm house
Abandoned 60 years


A wobbling car pulls in the driveway,
Lights blazing into the house.
She’s inside knitting,
Kids asleep on the floor.
I stagger in, my demons on my breath
Around my head, in the passenger seat
She starts yelling and tearing,
Spit flecking off her lips.


Covers pulled up to our chins
Waiting for the storm to pass.
Like it passes every night.


He comes in,
Eyes cut out of granite


Ruts in the yard,
Red dust in the air.
My god, my god,
What have I done?


Mom?
Dad?
Mom?
brooke Sep 2016
all day i was thinking
about that letter I wrote
you and how it was in
Wetmore now, in Silvercliffe,
in Jim's green mailbox, finally.
how I didn't seal it in perfume
but thought about it, how I rewrote
it five times because there's only so
many ways to convey myself in a good
light after breaking all the bulbs

I was choosing words like I'd choose flowers
only baby blooms and strong stems,  ending with
sincerely, cordially, then just my name.  I miss you
replaced by I saw that post on Facebook about your niece
hoping prayer sifts through the ink, that he can feel my hair on
his cheeks, a letter that pleads, please don't hate me
but I don't think anyone ever has--and I certainly don't think he will


I don't know what's wrong with me. I tell my mom over breakfast, over dinner, on the way home,  and she smiles at me--says
goodness in the way she usually does, in the way that says her heart
sometimes beats for me

but that thought has permeated every action and every day, lain over me like a sunshower with the rain flecking through in drops of gold
I've never had these thoughts before I whisper, exasperated, throwing
my hands up and stuttering. All-abouts unsure of myself and wondering if while he's been away I've built an empire around what he
could be.

What am I doing? I ask, finally making eye contact.
(c) Brooke Otto 2016

Written April 11th.
Mukesh kataria Jan 2016
Eternal power within myself I find ample
Owe all this to God
So bow down to supreme power-
I do and I must
Fly always with wings of humility
Wafting through the path of
faith & trust.

My mission is ordinary soul- to make them
better and steadily mold,
The weak and frail melt in to divine fold.
I dream no barriers, no war, no bullets, no foes
No ignorance, no blockage in mind & brains
Total freedom from yoke of all self- imposed limitations
No noble soul be in exile and chains.

Truth I speak- straight & simple
No mining & minting,
No coating and wrapping.
I dream-
No seeds of abomination & apathy to grow,
No body to scream, no soul to cry
Saplings of love spring up forever,
Ocean of elixir never be dry.

No doing of things I don't want to do in life,
No veil of mistrust, no sharpening of knife,
Radiant beam of truth to seep into hearts of All,
Character- a key to holyness
to stand noble, robust and
godlike tall.

I dream -
No sorrow flecking any heart,
No tears rolling down an eye,
Every soul ascend to divinity,
No elegiac songs but, only
Dance, cheer & mirthful fly.

I dream-
Bliss forever to stay
Pain & sorrows to swiftly pass,
No hard talks, no thinking in secret
Every other face to be
our looking glass.

Mukesh Kataria
Nitin Pandey Jan 2021
Birds want to fly,
Branches true or lie.
Squeeze flecking burden eye,
Dreamed a roof, on top of sky...
#burden #squeeze #fly #lie
Donall Dempsey Apr 2020
WE THREE

Sweeney goes down
on one knee

gathers the ball
safely to himself

before releasing to
the foot of Dwyer.

"Dinger!" he yelps
with pin point accuaracy .

"Thanks Ger!"
Dinger smirks as he chips

the ball over his own
and the defender's head

pivoting/turning
on the proverbial sixpence.

Dinger Dwyer
scorches down the left wing.

Then stops...lays back
at an angle of say 43 degrees.

Impossible to prove
without a protractor

in order to create the cross
that will arrive to me...Dempsey

in exactly say
another 7.7 seconds.

"Dinger!Dinger!Dinger!" I yell
like a little bell on legs.

"Ok memory...
can we stop it there?"

"Sure boss!"
Memory complies.

Time stops.
Enabling us to see Dinger

leap from his body
and run to where

he expects to place
the ball ...right...there

He draws an X
on the air

just like the Spot
the Ball competitions.

He has already chiselled
the ballistic progress of the ball

upon this summer evening
clear as a diagram.

Dinger then runs back
to his slanted body and

pops back into
his self again.

"Ok Memory you can
roll it from there!"

We gasp at
the perfect parabola of the pass.

I am not where
I should be.

Both the Murphy boys
have manged to turn me.

So that now I am
running backwards to

the waiting cross
"Blast. . .!" I am

not going to get
on the end of it.

No magnificent right footer.
No ****** brilliant header.

So I fling myself
straight up in the air

settle there as if I were
reclining on an invisible chaise lounge.

And: almost casually
indeed elegantly

raise a lazy right leg
going for the overhead

bicycle kick
that usually has me

fall flat on face
or ouch ****.

Shaking my skeleton
to the core.

I have the physics
of it down pat.

Even the quantum uncertainty
I only laugh at.

I am a human
vector.

"Only connect!"
Foster whispers in my ear.

Time. Now.
Timeless.

I with all the time
in the world

****** into this
one second.

This second of all
seconds.

The ball whistles
past Mike Murphy's left ear.

A real stinger.
I thank God for a Dinger.

It rockets between
the jumpers and schoolbag goalposts.

Rolls all the way
past the Power Station and beyond

to Sgt. Major Dwyer's plot
who stops  foot on a *****'s lug.

Chases away
a persistent wasp.

My mother across the road
at No. 31 O' Higgins Road

lulls her newest newborn
lullabies him in his pram.

This is the only time
I will ever be

great
morphing  into my hero

Denis Law.
I now a Law unto my self.

I and my icon
blending into one.

The one armed raised salute
fingers gripping the cuff of the shirt

all the better to wipe
the snotty nose.

It seems as if
it couldn't have

been any other way
than this.

The Sweeney/Dwyer/Dempsey magic.
We the small Gods of this little time

that exist now
only in my mind.

Shakespeare is going mad
in the commentary box

his voice echoing in so
many wireless sets

the Bard's spittle
flecking the mic.

"How now, my hearts?"
Shakespeare searches for the words.

"Did you never see
the picture of we three."
Nitin Pandey Mar 2021
Affectionate about you
Know, only your words,
Because words make affords,
Make me flecking out, to the mind gaze,
Please, don't moratorium, breathe in the words on the page,
Hit the snowing eyes, to the haze,
Maybe, have more things about raze...!
#thought #words #mind #things

— The End —