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Mateuš Conrad Sep 2018
. you're using all the right words: for all the wrong reasons... and let's face it: if women own the monopoly on reproductive avenues... then men hold the ego-key, to slot their presence, through a door, that curbs or gives allowances, to what is thought... *** was nether a transluçent enterprise... oh look... the Roma sigma pops up... dire straits: de profundis - money for nothing riff - boogie boogie... milkshakes from the 1950s 'n' all... you know what my biggest pet peeve is? the englih language imitating ancient Latin, i.e. not applying diacritical "punctuation" markers to close in on syllables and make the language atomic (i.e. H is hydrogen, He is helium)... **** me... the same Brits who lived in the 19th century, are not the same Brits living in the 21st century... no wonder the fertility rate is s ****** low.... try ******* an english bride... no thank you; i'd rather **** a female gorilla.

the milkman passes my house
at, circa, 3am...
see the van skid around the bend
up the hill...
            
i listen to music at volumes
equivalent to my father working
the construction site -
i'll be deaf by the time i'm 50...
     and guess what:
                  for the music i'm listening
to? it'll be worth it...

dittoing out:
   have the criticism of post-modernists
ever suffer?
doubt: doubt, is the modern
relief from existentialist
    negation...
  
why is doubt being attacked?
doubt is half than that outright
******* of denial
proposed by French existentialists...
doubt is good in that it's
tornado of emotions,
you want to imitate Christ on
Golgotha?
  you doubt, and achieve the pinnacle
of the passion...
you start negating?
     you're, nowhere...

    on your own...

came the noun-phobia of philosophers -
the tinkers and tailors
of a.. what seems to be:
a noun-phobia
  guaranteed with fog...
   and thing..

  the term
  "thing" presupposes
the supposition of tree...
     which subsequently serves
the proposition: let's hide in it!

      philosophy and its infamous
noun-phobia -
               thing...
           and it's nihil...
  its nothing...
      
                 a ******* cul de sac -
     epigram -
       of quasi morse encoding -
     braille to boot -
September is coming -
           van Morrison (moondance) -
hiding autumnal chill -
           pan-Europeanism:
proto-"africa": either in Hindustan -
or Siberia;

suppose a moon, suppose a shadow by
candlelight, some edgy urban solo -
as a bricklayer i could raise kids
and crux on a woman -
          chicken / doctoral itching with
a blunt nail are called scratchings -
       hand-writing:
             less digits in the digital
formatting - and more
calligraphy...
                      the rotten handwriting
of general practitioners...
     Hippocrates might have made an oath...
but in terms of a handwritten cipher?
no clue...
               the canvas of a monkey
onomatopoeia within the confines
of a custard of a lexicon...
   a mouth thus opens -
a month begins -
instead of a tongue ejected from
the ivory temple -
  a sludge crescendo of a quasi
                 cascade of sludge gluing the
whole theater into
a replica of a Russian drinking game...

....                 ⠞⠓
          ...     ⠑⠁⠑
     ...           ⠞⠑
    ............                  ⠞
...                      ⠥ ⠎
     : : :           -  ⠎          
   ........ : ....           ⠕?

100 wolves of the continent...
for, but 1, fox,
of the English isles...
   i'll settle for that ratio...
and then i'll bite to ensure
a signature!

  howl all you want...
but have you ever found seagulls
annoying up the river?
more annoying than magpies
or crows?
             the wolves can howl
all they want..
ever endear the ear
to hear a fox "laughing"?
   no?
  might as well listen to me.
i cradle that sound,
above the chariots
of a human newborn...
        i grieve!
   i am... sombre gsture...
    a past, a passing,
a future, a wicker man within:
torch...
   banquette of souls!

    let's interlude -

   touko "tom" laaksonen -
    how can people "do" sober
           when entertaining such
extravagances....
        is it empathy, or sympathy?
            in the name of the either,
with either being the sum
of what wll never be a sum
allowance,....
     to gain from...
                  why not
       ****-ease up the ****
    for a zeppelin-esque
                            bomb drop -
(minor the Nagasaki) -
                    and hand-piked ****
with the cusp of your hand -
         throne of thrones -
  flagship?
   "king of kings":
  like ****...
  the holy trinity of
       the no. 1, as the no. 2,
   and subsequently the no. 3:
**** (father),
       take a **** (son)...
            ******* (the holy ghosts)...
king of kings,
never sat on the throne
of thrones...
   i always hated "artists"...
    painters -
   plagiarists -
      cheque sketchers...
             plagiarists...
         ******* indentation
from holding a pen to add to having
exposure to a grammatical examination...
       quality cinema:
panorama take on a versus of
heavy editing...
                     and there was a time
frame to encompass dialogue...
      somehow it fits:
the verbal myopic -
            the entire pre-
& post- canvas of a blinking eye...
   always the question of the
pre-industrialißed sketch;
words predating metaphor
akin to  -
  words versus metaphor
in genesis -
   format? anecdotal.

      in writing:
            by one hand alone,
made into two...
        my, my...
  what a ****** self-portrait
"assumption"...
        a self-portrait...
a wish for color,
with nothing to show,
but the relief of encompassed bones;
that become a disembodied
skeleton - minus a purpose
of tendon attachments...

∟          "contra"    Δ          -
equilateral my ***...

            a few days spent within the confines
of a Promethean *****,
     there be, elemental insomnia
of an electric bespoke...
if Prometheus stole fire,
who, in in all for ****'s sake
stole the saber of Zeus,
the thunderbolt -
electricity, who?
who craved the insomnia?!
             this Frankenstein-esque
insomnia-zombification -
             white as is white:
with all the dermatological
copper take on broken shins...
         should ivory coco -
come between piglet *** copper
auburn in terms of autumn...
******...
             *******!

take your ****** *** elsewhere,
and then... start spelling
it with a missing G...
when citing Niger...
  you do the double dip of the NBA...
you count the second dip...
why do i love Batman as the best
superhero?
  not of his superhero powers,
he has none...
          his enemies are
the only interesting
counter-factoids of
having implemented an existence
for.
   there is no exacting of
a superhero,..
   but there is enough
to mind an antithesis...

          tylko wieśniak
by wydział film w tym,
          bo sie nie rusze -
    cegła, kamień -
       pień - mur -
           i by mówił - w tym
co zamarzło -
          to co ostygłe -
    w co z tym samym -
        meine filmisch -
      i skakaniem świec -
   od i na nagim cieniem -
   pytać nad pyche -
       tanz! tanz!
                 moje iskry słów...
   sto! i lat,
    o wielbłąd churem o
grzbiet da, i da,
       iskra; alfabetu!
    bogiem impromptu
o czym warty: -gień.


- suppose a moon, suppose a shadow,
by candlelight - within the confines of
mercury - that quickened silver -
some edgy urban solo -

      as a bricklayer or a cobbler  -
shoes that deviate from ushering
an echo -
          i could raise children and keep
a woman: only if she decided
upon not allowing me
a leash -
            what a saddening affair
of minds and freedom...
           chicken doctoral -
i don't know: vanity of the impossible
mortal gain...

    the monkey onomatopoeia
    within the confines of a custard
of  lexicon....

          that Victorian image proof
source of envisioned Braille in
the confines of a primate...
  
handwriting:
itches, scratches, chicken esque
clucking... which is what
handwriting looks like these days,
what, with the coding...
    semi plumber,
half the electrician...
  and certainly null when it comes
to calligraphic invigoration...

- homosexuality was always a contingency
escapade to release suppressed yearnings -
a sudden but a non-fulfillment questioning
celibacy...

               you can enforce curbing homosexuality,
but then there are two outlets...
the perversity: or the question...
of Ayn and Sophia...
                          
        greeks ****** the hebrews in the hole
without an outlet - zee heed: with a missing A...
      Ayn - Aleph -
                    twin Adam -
          perhaps a Siamese abomination...

mind you... the forbidden fruit?
sounds more like... the forbidden flesh...

thee burdensome walking
the already burdened earth: as the fruit,
somewhere between the flesh of man's last predator,
contained, on land, and his hidden desire
for revenge and introspection,
a denial of commonality and shared purpose -
thou shall not consume
that which also hunts you -
little or no concern with equal
     measure of forbidding, that which you pet...
the forbidden "fruit",
in between the flesh of a sabertooth tiger,
and Cain's fruit of famine and incompetence:
               cannibalism...

   and why would you think about
drinking a ms. amber with pepsi...
pepsi! to coca -
and not slide in a slice of lemon
while you're at it?
  terrible mistake...
       well... one way to get y'er vit amins...

        and why is it that all the best
movies these days are about homosexuals?
the dutch girl for starters...
   me, drinking, watching t.v.?
either **** good drama,
a western,
   or a movie about a *******
homosexual...
          did i mention that i think that
homosexuality is an auxiliary escapade plan?
natural, of course,
    but i'd hate to have to life
a doubled up life -
then again...
     perhaps i would...
           me? i have a new girlfriend -
Sophia - and her ****: Philip -
           so am i expected to make demands
for the child they might end up
called Ayn, or Aleph?
                - the Wahhabi hypocrisy
    concerning music, or rather, censoring it...
but... but i thought the adhan:
the call to prayer: was sung,
rather than abiding by the catholic
credo murmur?
     no?
                         my bad... you know better...
i'll send you a postcard from
the Galapagos Islands,
if i find the time, to find:
    that 4th dimensional concept doing
the trigonometric shoom! elsewhere -
on a tangen "bias": **** knows where -
like a comet - missing a tail -
shoom!                                       gone.

shrapnel:

            not enough thrills for a hard-on...
... images... drawings...
   apparently fine art is not enough
stimulation to ******* to for these Arabs...
****? .....   in general?
cartoons.... cartoons of women....
   ... because?
well... apparently the niqab...
  extends beyond the realm of...
  readily available attire...
            women on the street?
   pornographic "actresses"?
                       you see the cartoon?
it's all ******* ******...
                  oh don't get me wrong...
amy adams?
  buff as an exploding Hindenburg...
    the pale ginger - milchskin...
                - unrelated:
   how about i sneak a skunk into
        a coco chanel perfumery -
while advocating that people will still
call it a: scent just shy of roses and strawberries.

- people have heard of incels -
but have they heard of Vcels?
    huh?!
   yeah, yeah... voluntary celibacy -
i know what a ****** sounds and looks like -
and, to be honest?
   there's hardly any rhetorical ***
involved -
         a bit like jerking off...
              monkish chants -
Byzantine -
     the fear of man,
   when his own inability flourishes:
     in a woman...
                          
these acts have become well trodden...
so well trodden that i'm
authentically surprised that anyone
would still goosestep them into
their mundane plagiarism's existence...
    replica invigoration:
turns out...
    
   zeit ist nicht gerade, aber
kreisförmig
...

                              touko "tom" laaksonen...
i.e. tom of finland...
   question: you think a macron over
one of those As
                     would do the trick in terms
of spelling correction?

  touko "tom" laaksonen...
you seriously can only watch European cinema
while drinking...
    again... invigorating the english language:
one baby step at a time -
a simple grapheme -

    the vater's S Z interchangeability -
   synchronised contra synchronized -
    settled -
    synchronißed -
                       sometimes the slithering S
of a snake -
   otherwise the rigid totem with
a torso of a zebra...
                     hardly a major investment -
but when i see English having moved
from the Elizabethan Shaky Steward of
thou etc. -
       imitating ancient Latin -
    coordinating the Greenwich study of
dyslexia...
            Joyce...
              no diacritical application?
   hell...
                 might as well release a bull
into a China shop...
                 or a rottweiler into chicken shack...
still... why is there an orthographic aesthetic
in practice, hovering over I and J,
  when there's no difference, as suggested
in CAPiTAL letterIng?
                                       ah... i see...
the english "think" they can bypass the para-
frontier, and the orthographic frontier
and race down to the metaphysics...
        first?
   you explain why it's i and not ι,
  and why it's j and not ȷ.
A C Leuavacant Jul 2014
Do you remember
The flagship's contender?
The rolling cold waves by the dock
And she herself was the sender
So did you attend her
Last day of rest by the rock?

She'd written you notes
passed by sailors on boats  
But you would just sit there and cry
As she sat feeding the goats
With barley and oats
While you watched from your tower in the sky

And she didn't forget
The first time you'd met
By the lake house with dusk's tender fall
And her kiss was a threat
That put you in debt
When you told her that she was your all

Her undying love letter
Didn't make you feel better
As you knew you were claimed by the sea
How could you let her
Become your love debtor
When you knew that it never could be

When you returned
Your stomach it turned  
As you stared at her home by the lake
And her father confirmed
Of what you already had learned
That her death was your cold mistake

On her funeral day
You had nothing to say
Clutching the letters she wrote in your fist
And you couldn't stay
you'd lead her astray
But loved her from the moment you kissed
Passes not by a day, that many an e-mail
unsolicited for would not stray--
from only Christ knows where--into
my SPAM folder. Some do sail
there to have a prurient stay,
bringing along many a memento
in an argosy of raunchy piquant pictures.

Some convey commerce, insurance or banking
messages; some the cargo of relationship
carry; while another an ad of ******
bears, still another talks about dealership.

Yet stood out Twain. Two diverse
SPAM e-mails have been berthing,
with goatish gaits and sharkish smirks,
in that folder unrelenting and unswerving.

One SPAM e-mail reads: "Why wait--have
an affair with a cheating wife today."

Sweetest SPAM!

Gorging myself on this fetish
fare free of charge. Kittenish
jades, serve me thy dainties of
dalliance enough!

To rock and roll, rolling in the hay,
making merry heaves, does ever crave
this rebellious flesh--yet, this randy
SPAM e-mail's offer offsets much the mind:

"A cheating wife" desiring to find--
for reasons amourous--a dandy,
a sort of cad.

Wondering muse: "A cheating wife"?
What a magic life!

Another SPAM e-mail says its own thus: "View
my pics. Lonely married women--
view **** pics." Indeed and true,
they grip with a serious sudden
poke the soul, like pangs the heart,
those three momentous, wrecking,
wretched words: "lonely married women."

Though content spicy and Libidinous;
yet maddening.
Secret meals seemingly are delicious,
but have a fiery taste.

Where--on Earth, in Mars, or in Hell
are they? Here, in this world they dwell.

Thought marriage is a blessed haven--
a heaven of unfeigned love and lasting bliss.

How could one be married and yet
be alone in life--lonely, who has
crossed over singlehood's borders,
nor is she a widow for bereavement?

A husband did his queen abandon
for a fresh-fangled pawn,
flying away with that new
dove--frittering his fortune away,
as she chirps love in lust songs anew
into his donkey's ears; flattery
displayed, a groovy
guise--

playing ducks and drakes with his riches

until his substance ship sank, like Titanic,
colliding with an iceberg of folly
in the deep of adultery:

making a muck of his wealth.

The flirtatious dollybird no sooner
flitted, then flew abroad at last,
leaving him to drown in the murky
waters of his wreck.


Returned the prodigal man to his hearth
in a sad pickle, with one shirt, one
jean,
and a pair of snickers, to the ever
gracious ***** of his loving Missis--
like a sinner contrite to Jesus.


Whilst a sudden grass widow, his wife
did not covet the companionship,
comforts and copulation
of another flagship--

but was committed to her
vows
to that fun-tossed lugger--
despite the billowy waves,

praying he'd come to his harbour.


The women howbeit in my SPAM folder--
those "cheating wives and lonely married
women", are like Lady Portiphar
pining and yearning for Joseph.

Unread.
Unreplied.
At Flores in the Azores Sir Richard Grenville lay,
And a pinnace, like a fluttered bird, came flying from far away:
"Spanish ships of war at sea! we have sighted fifty-three!"
Then sware Lord Thomas Howard: "'Fore God I am no coward;
But I cannot meet them here, for my ships are out of gear,
And the half my men are sick. I must fly, but follow quick.
We are six ships of the line; can we fight with fifty-three?"

Then spake Sir Richard Grenville: "I know you are no coward;
You fly them for a moment to fight with them again.
But I've ninety men and more that are lying sick ashore.
I should count myself the coward if I left them, my Lord Howard,
To these Inquisition dogs and the devildoms of Spain."

So Lord Howard passed away with five ships of war that day,
Till he melted like a cloud in the silent summer heaven;
But Sir Richard bore in hand all his sick men from the land
Very carefully and slow,
Men of Bideford in Devon,
And we laid them on the ballast down below;
For we brought them all aboard,
And they blest him in their pain, that they were not left to Spain,
To the thumbscrew and the stake, for the glory of the Lord.

He had only a hundred ****** to work the ship and to fight,
And he sailed away from Flores till the Spaniard came in sight,
With his huge sea-castles heaving upon the weather bow.
"Shall we fight or shall we fly?
Good Sir Richard, tell us now,
For to fight is but to die!
There'll be little of us left by the time this sun be set."
And Sir Richard said again: "We be all good English men.
Let us bang these dogs of Seville, the children of the devil,
For I never turned my back upon Don or devil yet."

Sir Richard spoke and he laughed, and we roared a hurrah, and so
The little Revenge ran on sheer into the heart of the foe,
With her hundred fighters on deck, and her ninety sick below;
For half of their fleet to the right and half to the left were seen,
And the little Revenge ran on through the long sea-lane between.

Thousands of their soldiers looked down from their decks and laughed,
Thousands of their ****** made mock at the mad little craft
Running on and on, till delayed
By their mountain-like San Philip that, of fifteen hundred tons,
And up-shadowing high above us with her yawning tiers of guns,
Took the breath from our sails, and we stayed.

And while now the great San Philip hung above us like a cloud
Whence the thunderbolt will fall
Long and loud,
Four galleons drew away
From the Spanish fleet that day,
And two upon the larboard and two upon the starboard lay,
And the battle-thunder broke from them all.

But anon the great San Philip, she bethought herself and went
Having that within her womb that had left her ill content;
And the rest they came aboard us, and they fought us hand to hand,
For a dozen times they came with their pikes and musqueteers,
And a dozen times we shook 'em off as a dog that shakes his ears
When he leaps from the water to the land.

And the sun went down, and the stars came out far over the summer sea,
But never a moment ceased the fight of the one and the fifty-three.
Ship after ship, the whole night long, their high-built galleons came,
Ship after ship, the whole night long, with her battle-thunder and flame;
Ship after ship, the whole night long, drew back with her dead and her shame.
For some were sunk and many were shattered, and so could fight us no more -
God of battles, was ever a battle like this in the world before?

For he said "Fight on! fight on!"
Though his vessel was all but a wreck;
And it chanced that, when half of the short summer night was gone,
With a grisly wound to be dressed he had left the deck,
But a bullet struck him that was dressing it suddenly dead,
And himself he was wounded again in the side and the head,
And he said "Fight on! fight on!"

And the night went down, and the sun smiled out far over the summer sea,
And the Spanish fleet with broken sides lay round us all in a ring;
But they dared not touch us again, for they feared that we still could sting,
So they watched what the end would be.
And we had not fought them in vain,
But in perilous plight were we,
Seeing forty of our poor hundred were slain,
And half of the rest of us maimed for life
In the crash of the cannonades and the desperate strife;
And the sick men down in the hold were most of them stark and cold,
And the pikes were all broken or bent, and the powder was all of it spent;
And the masts and the rigging were lying over the side;
But Sir Richard cried in his English pride,
"We have fought such a fight for a day and a night
As may never be fought again!
We have won great glory, my men!
And a day less or more
At sea or ashore,
We die -does it matter when?
Sink me the ship, Master Gunner -sink her, split her in twain!
Fall into the hands of God, not into the hands of Spain!"

And the gunner said "Ay, ay," but the ****** made reply:
"We have children, we have wives,
And the Lord hath spared our lives.
We will make the Spaniard promise, if we yield, to let us go;
We shall live to fight again and to strike another blow."
And the lion there lay dying, and they yielded to the foe.

And the stately Spanish men to their flagship bore him then,
Where they laid him by the mast, old Sir Richard caught at last,
And they praised him to his face with their courtly foreign grace;
But he rose upon their decks, and he cried:
"I have fought for Queen and Faith like a valiant man and true;
I have only done my duty as a man is bound to do:
With a joyful spirit I Sir Richard Grenville die!"
And he fell upon their decks, and he died.

And they stared at the dead that had been so valiant and true,
And had holden the power and glory of Spain so cheap
That he dared her with one little ship and his English few;
Was he devil or man? He was devil for aught they knew,
But they sank his body with honour down into the deep,
And they manned the Revenge with a swarthier alien crew,
And away she sailed with her loss and longed for her own;
When a wind from the lands they had ruined awoke from sleep,
And the water began to heave and the weather to moan,
And or ever that evening ended a great gale blew,
And a wave like the wave that is raised by an earthquake grew,
Till it smote on their hulls and their sails and their masts and their flags,
And the whole sea plunged and fell on the shot-shattered navy of Spain,
And the little Revenge herself went down by the island crags
To be lost evermore in the main.
judy smith Mar 2017
It is rare that, outside Japan, you hear anything positive about the lot of women in the Japanese workplace. Well-meaning rankings and anecdotal articles frequently do little more than reinforce tired stereotypes. Still, change is afoot and there are many voices in the Japanese corporate world that have a nuanced story to tell—even some who dare to assert that there might be something that Japanese working women have to teach the world.

One important factor preventing progress in how women are viewed in the Japanese workplace is the ongoing prevalence of highly gendered uniforms. This is true both in the literal sense and in what is implied—from strictly structured dress codes that govern post-graduation job hunts right through to the president’s chair. These remain highly gendered for both men and women, a visual reminder of the very different roles played by the “salarymen” and “office ladies” of years gone by, but a stumbling block now, considering how much has changed.

Representative of this change is fashion brand Kay Me, from entrepreneur Junko Kemi. Not just an oddity in the Japanese fashion world, Kemi is an unassuming revolutionary who has dispensed with the establishment path to the racks by forgoing trade shows and industry-only runways. Instead, she builds on her own experience in the Japanese corporate world to fashion the clothes she would wear to the office. In the process, she has managed to chalk up a Ginza flagship store, key retail positions at Japan’s top department stores—including Odakyu in Shinjuku, Mitsukoshi in Nihombashi, Breeze Breeze Umeda in Osaka, and Isetan at Haneda International Airport — and even a presence in London. She’s accomplished this in just over five years — less time than it takes the average brand that plays by the fashion industry’s rules to get their first round of scattered stockists.

Kemi sat down with The Journal to talk about why she moved from marketing to fashion, how she sees women in the workplace, and what she aims to achieve with her designs.

Japanese fashion is a notoriously saturated field. With no background in fashion, why did you choose to enter it?

My background is in marketing and consulting, but I was always aware that, at the root of all market analysis, is the Japanese phrase ishokuju, meaning the necessities of life: food, clothing, and shelter. When you look at Tokyo, there may be a lot of fashion, but that is the way it should be. It is as important and necessary as food and shelter. After the Lehman shock and the March 11 earthquake, this idea of necessity came to have greater meaning for me. I wanted to make something that was really required by people in their lives.

Of course, my background in marketing helped, and I knew that the bigger companies would be scared to compete with me if I chose a niche that wasn’t a proven quantity yet. That niche was professional women; women with the drive to go beyond what society expects of them and who want to express themselves on their own terms in the workplace. There is also part of me that likes to be the rebel, and to a certain extent I just wanted to prove people wrong when they said the market was oversaturated.

One of the most important Japanese fashion designers of our time, Yohji Yamamoto, famously started his eponymous brand in rejection of Japanese “office lady” attire and how working women, as a whole, dressed. Is this a shared source of inspiration?

Perhaps. Although, ironically, given that Yohji Yamamoto mainly uses black, I feel that women’s clothes are too dark! Fundamentally, I feel that historically it made sense that for women to enter the male-dominated workplace they first started dressing like men; but that can’t be where it ends. Far more interesting is for women to be unapologetically feminine and be accepted for it. Women should not have to cast off their own culture to enter the workplace, nor deny their own nature between 9:00 and 5:00. Why shouldn’t there be flowers in an office? In that sense, I am the opposite of Yohji Yamamoto — he wanted his clothes to protect women from men, but I don’t think women need protecting.

My real inspiration is surprisingly conventional. My grandmother ran a kimono shop, so I am always attracted to traditional themes in my work. The Japanese motifs I use, in particular, have been key to reaching people abroad. It is not necessarily targeted like “Cool Japan,” just a lucky coincidence. For Japanese customers, they are a way of building elements of kimono into their working wardrobe instead of wearing full kimono, which is hard in daily life—never mind the workplace.

As an entrepreneur, what do you look for in your employees? Do you actively create a female-friendly work environment?

I have been all around the world meeting entrepreneurs — especially in the UK and East Asian countries — and I am frequently the only Japanese person, and nearly always the only Japanese female entrepreneur. Therefore, similarly minded people with an international mindset are my key assets. With that comes an ability to communicate in English, and the confidence that your ideas will resonate not only in your own country but globally. That is rarer than you think, and a big issue over the course of a career is that only high-ranking members of Japanese companies ever go abroad on business. That locks women out of having experience abroad and stops them thinking more globally.

In terms of workplace, I would like a 50-50 split in my workforce; but right now we are still at the early stage of growing, so it has been vital that everyone understands the shared goal. As I am dressing working women, I have far more women than men working for me for now; unfortunate, but it will change. Also, I insist on flexible working hours for my staff with children. It creates some small issues with timing group meetings, but it is easy to work through and worth it for the talent they bring.

What could institutions like the Japanese government and universities do to change the status quo?

Universities are taking the lead in thinking globally, but that is only half the battle — they need to create more competition among students — female in particular — so they have confidence to go abroad. That needs to be the spark that starts a movement.

As for the government, there are lots of programs out there to support companies like mine, but to be honest we just don’t have the time to apply for them — they require so much documentation. So far, the programs feel like lip service from an older generation who doesn’t understand mine; time will change that.

In the meantime, I am focused on thinking globally. We haven’t targeted the inbound phenomenon as such because they are not necessarily our customers. Instead, I am focused on online expansion and taking my brand to Europe, and hopefully to America via New York in the near future. Of course, I want quick expansion; but ultimately we have been quality- and service-driven in Japan, so we can’t forget that as we look abroad.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
judy smith Mar 2016
If you had to pick one adjective to sum up Michael Kors' collection at last month's New York Fashion Week, a good bet might be "feathery."

The designer was going for "the flirty freedom of things that move," to quote his production notes, and there were flirty feathers on at least 10 of the looks he sent down the runway - starting with feathers adorning a pair of jeans, and moving to feathers on a houndstooth tweed coat, on a denim or tweed skirt, and on black silk for ultimate evening effect.

There also were plenty of sequins, adding a very bright sheen to some of the fashions, especially a silver sequin embroidered "streamer" dress, with the hem cut into strips that indeed looked like streamers, and also a pair of seriously glistening silver metallic stretch tulle pants.

This is Kors' flagship collection, not his more accessibly priced secondary line.

Kors always has a healthy celebrity contingent at his fashion shows, and February's event was no exception: Blake Lively and Jennifer Hudson were among the front-row guests. They were there to witness an anniversary of sorts for Kors.

"I'm not one for anniversaries and I'm really not a big kind of looking-over-my-shoulder kind of guy," Kors said in a backstage interview. "But when I started designing this I realized, oh my God, this is my 35th fall collection. That's crazy!"

Kors added that as he reflected on the milestone, he realized the most important thing was to keep his fashion fun.

"I wanted this to be full of fun and charm," he said. "So it's very flirty, short, leggy, not a gown in sight. All the rules are broken because stylish people break the rules ... The seasons are crazy anyway. So when the weather's terrible, don't you want to put on a fabulous apple green coat to change your spirits? Don't you want to wear tweed with flowers? Don't you want to put feathers on flannel? Wear flats at night? Wear metallic for a day?"

From his sunglasses to his gold glitter pumps, Kors' collection exuded fun, not fuss. Even a denim skirt is luxe, when covered in feathers. A hoodie adds reality to a silver sequin cocktail dress. And who doesn't love handbags the colors of jelly beans.

CAVALLI'S DECADENCE

MILAN - Even while venturing back in time to the Belle Epoque era, Peter Dundas' latest collection for Roberto Cavalliremains rooted in the rock 'n' roll '60s and '70s. His collection bowed during Milan Fashion Week last month.

The languid looks were strong on glamour and workmanship, from the ephemeral sheer beaded evening dresses in pale shades to the colorful patchwork fur coats worthy of any rock star: art nouveau meets Janis Joplin.

''Decadence, superstition, mysticism, Gustav Klimt, Aubrey Beardsley - things that give me a kick," Dundas said backstage, describing his inspirations.

He said the Roberto Cavalli woman for the season is ''a little wild and instinctive."

The Cavalli animal print for next winter is tiger, in long skirts and short bomber jackets, while denim gets its due with a long trailing coat and flared embroidered jeans. Looks were finished with long scarves tied casually around the neck, makeup hastily done and hair loose and natural.

Notwithstanding the labor involved in his creations, Dundas says he would like to see his collections get into stores more quickly than the current system permits.

''I wish I could. I am working on it," Dundas.

DIOR'S PARISIENNE

PARIS - Vogue fashion doyenne Anna Wintour, former French first lady Bernadette Chirac and Chinese actress Liu Yifeiwere among the celebrities on the front row of the Dior show held in an annex inside the picturesque Rodin Museumgardens in January.

In the clothes, the "spontaneous, relaxed Parisienne of today" mixed with the iconic styles of the 1940s and 1950s.

High-cut post-War shoes with occasional retro ankle bows accessorized embroidered silk gowns in freestyle volumes - often with "sensual, bare" accentuated shoulders. A couple of flapper-style lace, chiffon and tulle look also evoked the joyful feeling of the 1920s - the period between the two World Wars.

Dior's studio team of designers also set about experimenting with the famed "bar jacket" - it "changes appearance depending on whether it is worn closed or loose," said the program notes.

It thus came in myriad forms: in tight, embroidered black wool, loose and white, open to expose the breast sensually, oversized and masculine, or as a beautiful dark navy wool coat.

There were also traces of the historical musings of past creative directors - such as Galliano and Simons - set off nicely in one look off-white wool "bar" jacket interpretation with flappy 18th-century cuffs.Read more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/short-formal-dresses
Umi Jun 2018
To a sky which showed no sign of light,
Black smoke was rising, from no other than a flagship which sailed across the stormy ocean, Nagato, ready to fight was however at ease.
Until we encountered two enemy ships, a Kongou and a Tirpitz.
Both of them, with a merciless sight fired everything they got, a hard decision was to be made, who shall hit us if we dodge, who shall not?
The Kongou, landed some hits as the sea consumed the others shells,
Just overpenned, lucky for us it seemed, until we re-adjust our angle,
What does the future hold for one who survived but couldn't protect her friends, as the sun no longer rises these memories return.
It didn't take long, the weakspot of one of them was their petty armor,
Kongou sank, spilling her tears into the water she was unable to escape from, another turn was made, it was the final battle, final hope,
Reparing some damage in the little time we had, Nagato drove like an absolute mad man, left, right continuesly just so our ship would not end up like their Kongou, our citadel was an easy target, after  all.
Shells are to be exchanged, smoke escapes from our guns, this lady was refusing to let her life slip away until she at least do what she could, exhausted and almost out of ammo, we landed a lethal strike.
Watching the enemy ship slip away before our eyes, knowing that Nagato was to sail almost into the same fate made us then realise...
Even if the damage could be repaired and parts exchanged, brought anew and even if we make it back in one piece without capsizing:
Forever will be the marks of battle painted in her burnt, wounded steel.

~ Umi
[Being an humble address to Her Majesty's Naval advisers, who sold Nelson's old flagship to the Germans for a thousand pounds.]

            WHO says the Nation's purse is lean,
            Who fears for claim or bond or debt,
            When all the glories that have been
            Are scheduled as a cash asset?
            If times are bleak and trade is slack,
            If coal and cotton fail at last,
            We've something left to barter yet--
            Our glorious past.
            
            There's many a crypt in which lies hid
            The dust of statesman or of king;
            There's Shakespeare's home to raise a bid,
            And Milton's house its price would bring.
            What for the sword that Cromwell drew?
            What for Prince Edward's coat of mail?
            What for our Saxon Alfred's tomb?
            They're all for sale!
            
            And stone and marble may be sold
            Which serve no present daily need;
            There's Edward's Windsor, labelled old,
            And Wolsey's palace, guaranteed.
            St. Clement Danes and fifty fanes,
            The Tower and the Temple grounds;
            How much for these? Just price them, please,
            In British pounds.
            
            You hucksters, have you still to learn,
            The things which money will not buy?
            Can you not read that, cold and stern
            As we may be, there still does lie
            Deep in our hearts a hungry love
            For what concerns our island story?
            We sell our work -- perchance our lives,
            But not our glory.
            
            Go barter to the knacker's yard
            The steed that has outlived its time!
            Send hungry to the pauper ward
            The man who served you in his prime!
            But when you touch the Nation's store,
            Be broad your mind and tight your grip.
            Take heed! And bring us back once more
            Our Nelson's ship.
            
            And if no mooring can be found
            In all our harbours near or far,
            Then tow the old three-decker round
            To where the deep-sea soundings are;
            There, with her pennon flying clear,
            And with her ensign lashed peak high,
            Sink her a thousand fathoms sheer.
            There let her lie!
Man had come far,
And had worked hard.
Space was no longer a frontier,
But a home.

It began long ago,
When science in its heavenly power, bestowed,
Among the beasts of man,
Black Hole Harvestation.

Changing the very shape of worlds,
The speed of light and beyond,
All became possible,
When and where nothing exists.

It was an age of warfare and destruction,
The likes of which are untold,
The number will never be found,
Trillions were lost in those Black Wars.

But a few did survive,
An extinct Earth,
As they fled to make their new home,
On the colony of Mars.

Ironic though it was,
Seeking Peace,
On the God of war,
They made their new land happy.

If anywhere in any time,
Was truly the land of “milk and honey”,
Then It was them and then,
Back in the very first days…

Of a galactic empire.

Hundreds of years pass now,
In the blink of an eye,
Earth had been reclaimed, reformed,
Along with a galaxy to go a by.

Humanity is now at the apex of its power,
Ruled together by the ultimate congregation,
The Delegation of Stars,
But Pride doth come before the fall.

Everyone had their say,
And for all the wonders and riches then,
It was hard to say nay,
They shall go to the core.

To the Universe’s lore,
They went flying in their fleets,
100 Juggernaughts from Syntrax, on the fringes of the Great Nebulae Sea,
734 cruisers from Ralon in the Hose-Head system.

A thousand ships minus one from Earth,
And a mere six from the Gemini Apollo colony,
And countless others from all over,
Led by the Fleet of Mars, who’s glory and majesty, was beyond mere men.

They left in moments and arrived in light years,
Waking in seconds refreshed and surprised,
What they found , what they’re greatest of technologies could not see,
Inside the densest of Super Black Holes.

Was the remnants from three Big Bangs hence,
Harvesting ever since,
You think millions of years is a lot for man?
Try trillions for one.

It was a battle not a slaughter,
As communication broke down,
This was the last thing we expected,
We who entered there.

From that day on,
The Battle was named,
The Loss at the Core.

A retreat was ordered,
As black holes sprung up from within their machines,
Their weapons surpassed each and every defense,
Some older ships were hacked and turned against each other.

One ship stayed behind,
Defiant even in defeat.
The Flagship of The Empire,
Named “Justly Sweet”,
It’s last report was,
2 years ago today,
It showed the bridge going to hell and gone,
As the devil was unleashed.

But all throughout, the captain stood there,
Commanding, leading, fighting,
All the way to the end.
A warrior’s death.

The race then named,
The Paraplex,
Found a new reason to be,
To destroy us, we who shed their and out blood.

It was a year since that battle,
Our whole northern sector had fallen,
The plan was simple, taken from history,
A choke point at Thermopylae, with the greatest defensive systems this side of mars.

A million guns had been constructed,
Ever since the war and before.
Particle dissimulators from moons, orbits and the planet.
One, bigger than some suns.

The plan was simple,
The Western Sector,
Well, it was in charge of defense,
It’s formidable shield and anti-quark technologies, would save us all.

Meanwhile the Eastern, Southern, And C.C. (Central-Capital) Sections,
The offensive flank,
They would of course bring.
Once a battle has begun, then they would be flung.

It was of course, perfect.
But so much was already lost.
Planets, Systems, whole Galaxies,
All but gone.

This was worse than the Black War,
There would be no recovery,
You can always change what is there,
But what’s gone is gone.

The military was ready,
The Civilians were evacuated,
Now comes the calm before the storm.
And then the lightening across the sky, it erupted.

In the opening seconds,
Their fleet was almost demolished,
Ambushed beyond belief,
Plasma ripped tears in space and time.

The black turned green and red and cosmic blue,
The space itself was warped by the colors of war,
The guns blazing their sub-atomic blasts,
Invisible to the naked eye.

The gamma ray bombs,
How they exploded in such wonderful forays,
We were blinded, of course,
We could stills see through their computers and technologies.

Losses were few, it seemed true,
That the adamant technologies,
Of the Western Section,
Held up beyond belief.

It was a beautiful carnage they unleashed,
And to complete their victory,
The Northern, Eastern, And C.C.,
Upon black hell’s they ran.

But OH! The Greatest blunder in Human history,
The enemy snatched victory from the hands of defeat,
For this was but a suicide mission,
One for just a minor army.

It was inconceivable to us then,
How useless a life is to them,
After trillions of years,
We would have won the battle, yes that’s clear.

But then it became something,
Something darker and crazy,
A Super Nova they unleashed,
A technology we had yet to discover.

The Entire System was destroyed,
In a matter of milliseconds,
The greatest of shields, the biggest of guns,
Fell instantly, to the miniature big-bang.

So many soldiers…
So many ships…
So many generals…
So many friends.

In mere seconds they died,
For how far we had come,
How much we had lost,
As innumerable as the stars.

No one talks about that battle,
The Slaughter at Thermopylae.
No one can,
We can’t afford to cry.

The battles still continue,
Here and there.
But ever since then,
They’ve basically divided and conquered.

The Paraplax, ****** into our wings,
And took away our flight,
The West and East both became silent,
Faded into the night.

A galactic siege of an empire spanning
Millions of light years,
Soon began,
But first came the worst.

In the Capital of the Southern Section,
They betrayed us and were betrayed.
For they had no use for slaves,
Mercy was an unfamiliar word to they.

The surrounding was complete,
The end result quite clear.
We wouldn’t be able to make it past the new year.
And slowly, methodically, they came.

What did they have to fear?
And planets fell,
My wife did on escape,
Systems were crushed without notice, without faith.

Now there is just us.
A Battalion and Mars.
There is not much point to it all I guess,
We’ve basically been eradicated.

But they keep playing that video,
All on every screen.
The captain, as explosions and black holes erupt around him,
Yelling quite furiously at his subordinates, seeking victory in defeat.

He didn’t give up,
If we’re going to die,
Then we’ll be men about it,
For there is not much time left.

To any race in the future or the past,
Who ever encounters out Swan Song,
This includes our entire history, in more detailed account,
And our greatest treasures.

We send it to you now,
The Universe,
Echoing forever,
Among the waves of sound.

So ends the last report,
Nay the last words,
This is John Ashton Upston, the 354th,
President of The Empire Fallen Among The Stars
- From Birds Flying Into The Eclipse Of Mars
Regina Fable May 2019
another hull breach
most of her fortune slips away
suckled by the undercurrent
her shanties are bottlenecked messages
entangled in self-accusation
listing through distress and tide
she flags toward more sympathetic waters

love is the bright iris of balmy weather
a ballast for threadbare optimism
she makes berth in tiny lips
that pardon her insufficiency
emptiness, a welcome refuge
projected under the twinkle of satisfaction
mirroring devotion
Brent Hamilton Aug 2014
Needlepoint threadbare caucus with an instant Kodak box camera filled nitrite
Like the sun-kissed barely lit beaches over Normandy
Stormed into the kitchen with a missile and an avalanche to overpower the pirates
With their long-forgotten and ill begotten flagship armada
The flowers hang low and the nooses lower with ever-present danger of going over
The needle hits skin puncture left right down touch your toes uplift like the cross
Arms hung low over the alabaster sky with a long trench-coat and wary eyes
Cloud cover start to blow the cover and touch the roller coaster coffee cup sitting
With an eye to the glass and the telescope lens flare catch like the door latch
Down to the basement with the worn out sofa sit alone like the bedraggled soldier
With his dog tags hanging like a sign of the times down to where his feet locked
To the floor in an instant with the bombshells all around and a seductive twist
The ring and fling the pin out count down begins to the gravity shift consciousness
Like the cancer patient under the knife the tumor’s removed the chemo begun
With the bulb burning down over a hospital bedside and the white sheets lingering
Smell of a machine gone bad turned tail like the redcoats running down the chute
With the mail to the end of the day the laundry’s out to dry on the steel clothesline
Their bolt cutters damage the elderly couple hanging from the tree with the cymbal
Underneath like the gong of the undertaker the dam’s release
The water runs down to cleanse the disease and carries the pathogens to find their caprice and restraint held back on the man in the chair with vacant eyes and half
Muttered prayers to an unknown God with long white beard
Sitting alone under a payphone like the cold-dead wires of a long gone bee hive
Mind pictures play off the words on my tongue like an over-told rhyme
The nursery songs and bells and whistles come together to form an indignant sound
Like the steel clap trap of the boot black against the pale white walls of the by-gone
Era with a viscosity of ancient monolithic capacity
Sourdough rising like the falling red sun over the horizon sit and contemplate the weather-worn-battle-torn visage of man remembered yet never met
Till death and earth turn and burn in the ascending light of the pale moon
Wolf-howl over the distant city lights like the mournful wail of a banished soul
Away from home for ever so long with a comb to the palace in the heart of the beast
It sings for summer and faraway places of the corporeal magic in an elemental fashion show sip the martini glasses ***** and break and shatter like popcorn
In the kettle boil over the levee let it sink down into the visage of a man in the underground coat around the tails of the whipped dogs running like hell.
sophie mechaune May 2019
fear tells me to
grip
to hold the rope
until my skin
rips,
even through the
burning
in my fists

too many words
escape my
lips
I won't allow
stillness
I can't let myself sit
no period:
just an ellipse

honestly
i'm truly afraid
to let this rope slip
through my
fingertips
I fear I'll be
caught in the
tide's rips
I am
eclipsed
by the insecurity
that started this

but the truth is
flipped
I can trust
that I am equipped
to let go
to survive the waves
and dips
I am whole,
not chipped

and
loosening my
grip
will be my
flagship.
flagship (n): the ship that leads a fleet
bb Mar 2015
everyone speaks in tongues
leaving traces of their sickness
in others' lungs.

and we're waking up
with bad dreams in our mouths.
tell me more about the monster
that hides inside your head.

don't you want to be alone again?
that night, the snow
when no one could name us;
sovereignty in its purest form.

now it's just glances, banter
across the water
a blur of other faces.

because everyone here is against us,
or for us, or whatever.
don't bring humanity into this.

(you are hand-made
derived from symphony halls,
guilt-wrung hands,
hard feelings, the light reflected
caught on the metal.

jesus, you're going to blind me.)

see that I was looking.
see that I'm still the same.

recognize that I'm getting worse every day.

the smell of burning tires
smoke ascending from the streets
someone call for help --
everyone's coughing.

they will forget soon enough.
what did they know to begin with?

look, I heard things too.
you don't have to smash your padlocks
we all have our secrets.
sorry
judy smith Nov 2015
Chelsy Davy looked slinky in a **** satin dress as she joined a host of celebrities at the VIP premier of Burberry's new Christmas advert tonight.

The 30-year-old braved the November cold with a thigh-high-split dress with a plunging neckline, and halterneck straps, that showed off her toned arms and shoulders.

Prince Harry's old flame joined some of the biggest and best British names including Naomi Campbell, Rosie Huntington-Whitely and Romeo Beckham at the fashion house's flagship store in Regent Street.

Although Chelsey doesn't star in the Burberry ad campaign like many of the other guests, she used the opportunity to show off her style credentials in a silky black dress which showed off her figure.

Accessorising with a gold necklace, rings and charm bracelets, and a chain-mail edged envelope clutch, she did bring a leather jacket, but carried it with her bag despite the winter weather.

Chelsey had stiff competition in the **** stakes though, with Rosie Huntington-Whiteley dazzling in a provocative ensemble.

The model, who does star in Burberry's festive film, showed off her impressive figure in a skimpy satin body, which she teamed with a semi-sheer skirt and a pair of thigh-high suede boots.

Rosie teased her hair into loose waves and sported simple make up, so it didn't detract from her captivating outfit.

Her campaign co-star Naomi Campbell opted for an all-pink outfit - arriving in a rose suede jacket showing off a slither of her berry dress underneath.

And of course the model of the moment Romeo Beckham was on hand to celebrate his appearance in the film too.

The 13-year-old looked incredibly dapper in a navy suit with a matching skirt and tie as well as a polka dot Burberry printed scarf.

Downton Abbey's Michelle Dockery was one of the first of the cast to arrive and made her entrance wearing Burberry of course.

The 33-year-old actress was sporting a chic plum coat, simple black jeans and a pale pink jumper for the evening.

The campaign which was shot by Mario Testino and celebrates the 15th anniversary of Billy Elliot with an all British cast and begins with original footage from the 2000 film, as well as the original soundtrack - ‘Cosmic Dancer’ by T Rex - by permission of Working Title.

World-renowned photographer, Mario, also shot a separate stills campaign featuring Romeo, Naomi, Rosie, and James that will run across print and digital titles.

Speaking about the campaign, Christopher Bailey said: 'Billy Elliot is an incredible film full of so much joy and energy, so it was a real thrill and a great honour to be able to celebrate its 15 year anniversary through our Festive campaign.

'It was also a huge privilege to work with such amazing and iconic British talent – the cast are quite simply some of the biggest names in film, music and fashion and it was so much fun working with them all to make this special film.'

Burberry will no doubt be hoping for a boost thanks to Romeo Beckham.

At the start of the year, it was reported that thanks to his last Burberry Christmas advert, sales of the brand's classic £1,500 trench coats shot up a substantial 10 per cent.

The fashion label credited the then 12-year-old son of David and Victoria Beckham for its rise in sales in the US, Europe and the Middle East after he starred in their Christmas advert last year.

The advert, which was first released in November, was the first ever Christmas campaign for Burberry and starred Romeo alongside 50 dancers all clad in the beige trench coats.

Such was his popularity in the film - called From London With Love - that it was watched nine million times after being released.

The original production of Billy Elliot established a legacy of charitable support for the local community of Easington, County Durham where the film is set.

Inspired by this, Burberry is making a donation of £500,000 to be split between two charities, Place2Be and the County Durham Community Foundation, that have projects focusing on reducing barriers to education, training and employment in the local area. This donation is made in recognition of each artists' participation in the campaign.

read more:www.marieaustralia.com/red-carpet-celebrity-dresses

www.marieaustralia.com/cheap-formal-dresses
Tim Knight Mar 2013
Which do you prefer, Haunted Girl-
the city street sidewalk churned
up by heel and brogue
or,
the sweet-talk waves of home?

Settle in the sand while fingers
meld and touch the palms of hands,
let the hour glass beach pass
time between our toes,
have an appetite for shallow
dives amongst wave-tip whites;
whipped up by swell’s whisk,
stare until we sing for the dead men,
fire flares of affection in the form of kisses!
use a tool to sketch our future floor plan,
comment upon the Moroccan oil hair tan,
watch that man trace the coast of France upon his wife’s thigh;
hear her cry as he reaches Cherbourg,
talk of Vienna flagship stores:
forerunner fashion you make look lace,
mention the trees and the shipwrecks,
past relationship breakups and upcoming commitments,
describe, in detail, what you hope to happen
and what happens to that hope.

Fly back home.
www.coffeeshoppoems.com
www.facebook.com/timknightpoetry
Jackson Feb 2014
Passing Tweetsie on my way home from work.

In the Food Lion, low-calorie chicken soup
cans under tinny lights.
Sick-green avocados and riding-hood bacon
celebrated the day all your shoes moved in.
Can't we pair those together again?

The blank space on the floor
like a good friend's face seen
without glasses,
washed out.
Frustratingly,
the smell of my own laundry.
mi colada es su colada
Ha!

By the pond, the gazebo we never spent time in
but might have.
The dusk-dark evergreens with delicate lace tips
like spidery lingerie
leggings ripped wide open,
lingering,
recovered from the trash can.

Rainbow polka-dot gift wrap
on my light-blue chest,
flagship of her left-behinds;
A tawny feather earring, the lonely fore-mast
lacking a mate

and

Demure winter-cabin-smile, framed:
green scarf turned seaweed,
the face-down figurehead drowns.
A list of triggers, right after my girlfriend moved out. March 20th, 2013.
A two two tier system of health is established
now you are asked private or NHS.
This could determine who lives or dies
relying on those with funds.
The quality of treatment depends on paying
if none your only hope is praying!

NHS patients it's a lucky dip for treatment
private no expense spared.
No matter how dedicated the doctors maybe
money is the pass code.
Pay avoid the endless hours on a waiting trolley
instant service if flash the lolly!

No more the fare care for all who enter within
moral has long been exhausted.
By the excessive dabbling of many governments
where no parliamentarian is poor.
And had no knowledge of the staffs dedication
now wanting their eradication!

With an amazing crew who were not listened to
or giving them back up or respect!
The health service now in the United kingdom
is doomed to be for the rich!
The rest of us will wait forever for care
that no longer can be there!

Once the worlds flagship for health care
now the example to be aware!

The Foureyed Poet.
The National Health Service used to be a great place for treatment and a good employer. But No More! The Foureyed Poet.
shireliiy Nov 2015
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judy smith Feb 2017
In a few days, modernistas will flock to Palm Springs to ogle its healthy roster of mid-century gems.

There will be home tours, double-decker bus tours, fundraisers, art receptions and cocktail parties. At every turn, is an opportunity to embrace your inner modish self and dress the part.

Don’t worry, you won’t be alone. All the parties are rife with guests in fun retro apparel. Everything from caftans and A-line shift dresses to graphic prints and knee high boots.

“It's nostalgia for a bygone era and we dress up because it feels great when you are surrounded by stunning midcentury modern architecture and vintage cars. It makes me want to put on gloves and a pillbox hat and sip martinis - plus it makes for great photos,” said Lisa Vossler Smith, executive director of Modernism Week, who likes to dress the part as well. Modernism Week runs Feb. 16-26.

The mod-style which originated in London in the 1960s is all about sleek and simple silhouettes.

“Clean-tailored lines and lots of black and white define mod fashion for me,” Vossler Smith said.

Pegged ankle-length pants, colorful tights, Mary Jane heels and sweater twin sets also come to mind.

For inspiration, Vossler Smith turns to the likes of Twiggy, Edie Sedgwick and fashion designer Mary Quant, because of their iconic and forward-thinking mod style.

“But I also look to old movies and TV for inspiration. "James Bond," “Batman,” “Get Smart,” “Gidget,” and my favorite, “Breakfast at Tiffany's,” are great for inspiring new vintage looks from my daily wardrobe. Sometimes I even throwback to a little Rosalind Russell "Auntie Mame" or Grace Kelly influence - on a good hair day,” she said.

Her favorite vintage item is her 1960s leopard print, pointy-toe boots. “I wear them all the time,” she added.

Much like the classic, simple and timeless architecture of the homes and buildings that signify mid-century modern - mod fashion has had a lasting effect on popular culture and current design.

There are new, vintage inspired lines, such as the ones created by New York based Lisa Perry who led a discussion at last year’s Modernism Week on the mod looks that make up her collections.

Palm Springs’ own Trina Turk, who is known for her bold prints and vintage inspired designs , will present a “Trina Turk + Mr. Turk Fashion Show” poolside at the Modernism Week Show House on Feb. 21.

Palm Springs and the rest of the Coachella Valley is full of thrift shops and specialty boutiques teeming with outfits perfect for a mod party. You can go new – Turk’s flagship store is in Palm Springs – but it’s a lot of fun and rewarding to dig through thrift shop racks for that signature outfit.

“We really have great stores throughout the desert,” Vossler Smith said.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/****-formal-dresses
Joel M Frye Jan 2011
A wind cold and bitter blows in from the west
and stirs up old storms in you.  May we suggest
one cure for the lonely most highly regard -
a tour of the local relation-shipyard.

Our newer relation-ships being built daily
can catch the wind nicely, their sails snapping gaily.
But others we've built have met rougher sailing;
our flagship line shows up a few of our failings.

The first liner christened, the R.S. Obsession,
sank during a storm in the Sea of Depression.
The Intimate's hull you'll see later today
aground on the shoals of Old Fantasy Bay.

The pilot of Dreamboat just plain lost his sense;
ran full speed ahead through the Reef of Defense.
Only one came back whole, the relation-ship Reason;
she's in dry-dock now after only one season.

We're taking the trouble to change her design
and model her after our new Friendship line.
Our new Friendships are (if you'll pardon the gloating)
the match of any relation-ship floating.

We've shaken her down and worked her way up
to running through trials for the Real Lover's Cup.
Though she'll take on a gale yet be pushed by a breeze,
we're not really sure how she'll handle those seas.

Whatever the outcome, we'll learn even more
and strive to build better than ever before.
Cleaner, more streamlined, a true thoroughbred;
let form follow function, with no figurehead.

The storms are subsiding, the wind's dying down;
you're welcome whenever you're this side of town.
And what's more, you're welcome whenever you're ready
to work on this Friendship we've started already.
(c) 1985 Joel M. Frye
You can be the Flagship and i can be your home base
We will crush what tries to erase
With silence
I want you to rise up above the defiance
And quell those worst nightmares.
judy smith Jan 2017
Followers of Sfera would be glad to know that the Spanish fashion brand recently launched its Fall-Winter 2016 collection at its flagship store in SM Makati.

The event, held in partnership with the Spanish Chamber of Commerce in the Philippines (La Camara Manila), had the local Spanish community and members of the diplomatic corps among the guests.

They were treated to a fabulous showcase of the collection, along with cocktails and an exciting shopping experience.

In attendance were Maria Jose Carrasco, wife of Spanish Ambassador Luis Antonio Calvo, Pedro Pascual of the Commercial Office of the Embassy of Spain, Alfredo Roca, vice president external of La Camara Manila.

Sfera, part of Madrid’s renowned El Corte Ingles Group of Companies, opened its first store in Asia in the Philippines in 2014, on the second floor of The SM Store Makati. In 2015, it opened more branches—on the second level of Building B in SM Megamall, and on the upper ground floor of SM Seaside City Cebu.

September 2016 saw its first department store corner at The SM Store in Aura Premier.

This premium fast-fashion brand offers men’s and women’s wear, and is known for its ability to stay on-trend every season while maintaining good-quality clothing and affordability.

From SM, heading to the opposite side of town, we were treated to a gastronomic symphony at one of our favorite restaurants, Salvatore Cuomo.

The six-course dinner, prepared by chef Salvatore Cuomo himself, served as a sneak peek of his new dishes on the menu.

The Italian culinary titan has narrowed the boundaries between innovation and fine taste. The meal was a roller-coaster of dynamic flavors and textures—an array of small bites paired with light aperitif for starters, washed down with Italian and French medium-bodied red and white wines.

In true Salvatore Cuomo fashion, the ingredients used in the entire dinner were thoughtfully selected and sourced from the best producers in Europe and Asia.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/red-carpet-celebrity-dresses
judy smith Mar 2016
Continuing her ******* of the fashion industry, Victoria Beckham proudly opened her second boutique in Hong Kong this week. The designer was greeted by crowds of fans as she posed happily for pictures and celebrated her latest achievement.

Victoria, 41, kept her social media followers in the loop with a stream of behind-the-scenes pictures and, in her style, appeared to poke a bit of fun at herself. Standing next to a mannequin dressed in one of her designs, she wrote: "I'm wearing VVB… what are you wearing?"

The mother-of-four also uploaded a clip of her with a hologram fish, and jokingly asked fans to help name her new friend. But it wasn't all fun for former Spice Girl Victoria; her social uploads revealed a very late night ahead of the store opening as she prepared to face her Chinese customers and press.

As usual Victoria looked effortlessly chic for the launch, dressed head-to-toe in black. The businesswomen opted for a fitted turtleneck teamed with a calf-length skirt and black heels. Her trademark oversized sunglasses completed the look, and she had her long brown hair tied back into a ponytail.

Discussing the launch with the South China Morning Post, Victoria said: "I know Asian women really understand luxury, good quality and appreciate when garments are made well – and my clothes are.

"Every time I've visited over the past few years, I've taken time to meet with my clients [here], to really get a sense of what excites them and what they want."

Three years ago Victoria, who shares children Brooklyn, 17, Romeo, 13, Cruz, 11, and four-year-old Harper with husband David, opened her flagship store on London's Dover Street, and its Hong Kong sister store follows the same architectural design.

Victoria once again stressed her involvement in all areas of her fashion empire, explaining: "It's important to me that I'm part of the decision making in all areas, whether that's deciding what the changing rooms look like, to what fragrance we use in store, to what the receipts look like. I enjoy all of that, and I'm a perfectionist. I believe it's all in the details."

She added: "I am feeling very excited. The process wasn't easy… opening a store is a huge project. Together with my team, I've worked really hard to get to this point."See more at:www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-brisbane
Zak Krug Nov 2012
Watching as the flagship spirals
out of control.
Sweet neon lights
sputtering supernova
lighting the path back home.

Where is home?

A sign of the times.

Men of the year
walking down cracked walks
sideways.
These imperfections.
Imagine the path
smooth as whiskey
and water.
The element of life.

Imagine the path cleared
by pseudo-wilderness.
Wouldn't it be lovely?
Only interrupted by
the cat-calls of
taxis, metro, trains flying overhead.

Which way is the right way?

Row houses rise on either side
a testament to the time
when this broken down
trains car of a town
was a Pullman City.

Degrading into bricks and mortar,
rusting to the point of
being obsolete.

For a good time
call me
old-fashioned.
This is my former glory,
made into a city.

It's time to decommission.

This is what every show becomes
when the lights fade
and the curtain falls.
When sunlight turns to shadow.

I expect less.
His name was Father Harrigan.
He was so poor at the seminary . . .
Ireland’s flagship seminary,
Erin’s last remaining seminary,
Maynooth College near Dublin,
Once a network of theological schools
Exporting priests worldwide,
Struggling today to
Produce enough priests for
The shrinking next generation of
Irish Catholics . . .
He was so poor upon
Sacrament of Holy Orders,
He accepted a first post to Argentina,
Where he met a young Pope Francis,
“The Talking Mule,” as he was
Mocked back then, back in
The student lounge,
Universidad del Salvador,
A Jesuit institution,
Buenos Aires.
But I digress.

Father Harrigan made friends easily.
It wasn’t too long before
He had his choice assignment—
His coveted next assignment--
North America--specifically the
Boston Archdiocese,
For any ***** Irishman
A land of carnal opportunity &
Never Ending Corn Beef
& Cabbage Bowl®,
($Ka-Ching! Finally making poetry pay!$)
The Olive Garden.

Southie was where it all got
Started in 5th Grade, Elementary,
Our Lady of Tipperary, the
Spring talent show.
His mother convinced him to sing
One of George M. Cohan’s tune, i.e.
A tune by His Eminence
“Yankee Doodle Dandy,”
A song called "Harrigan."

“H, A, Double-R-I, G-A-N spells Harrigan,
Proud of all the Irish blood that's in me . . .”


What better way to ingratiate
Himself to his parish,
Or his parish priest to his family?
Father Seamus Harrigan:
Built like John Candy, RIP.
A fat Irish slob,
A captive of his appetites,
Including one for boys.
That guy should be given
Kennedy Center Honors, for
Giving the gift that keeps on giving:
That first exquisite blow-job,
Which in subsequent years
Defined my taste for women
Capable of perfection.
Diverseman2020 Feb 2010
While cannons firing towards
My vessel
The aroma of fresh gun powder
Fills the salty air
With a taste I shall remember
Sulking up energy
Knowing we have battle and bled
Throughout the night
Quenching our thirst
Countless bodies
Floating at sea
Damage is the flagship Lady Bella
No victory by far
As we continue engaging the enemy
The first mate is dead
Half of the crew is crippled
One last surge
Take us as prisoners
Or guide this lady ship
To safety
For I am captain
As my fate behest
While the seawaters of hope
Does not drown me
Carlo C Gomez Nov 2022
~
An aviation sleight-of-hand:
Random flight plan

Strange admission
This war of attrition

No friendly skies
No wings of hope

Flagship wanderer
High above the clouds
Gliding like a phantom

Holding its place in line
By sailing incognito

Without a stitch of cargo
Or living company

No laughter
No banter
No bag of nuts
Nothing for the flight recorder
To remember

Only a lonely figure
In the cockpit
Throttling down
A descent into madness

Keeping slots warm
And bodies cold

~
“Ghost flights” of the aviation industry: Chartered to fly around the world – sometimes just around an airport – simply so airlines can hang on to takeoff and landing slots.
jo spencer Aug 2013
A breeze on Sunday morning
then gushes the rain,
under canopy of a tree
waiting for a bus,
hardly a soul around,
way before the church brigade.
I feel such weekend days serves us as being most ubiquitous,
freedom of movement
giving credit that most people are good -
flagship thoughts as clear as  Adams first steps.
topaz oreilly Dec 2012
It couldn't get any better,
Minolta's flagship  XM system is launched,
Gotta have it with Kodachrome 64 ! Meanwhile
Fruupp have their "The Prince of Heaven's Eyes"
Ted Heath's  "U" turn has unravelled  
and the Liverbirds are on the pill,
for some the revolution is complete.
There's next year before the EEC referendum
with the chance to make the right  decision.
I'll never forget my Dad's yellow
"Ford Cortina" before the Datsun
become a better prospect.
Roll on Kolchak Nightstalker
you're Chicago's last saviour.
United Nations resolution 366
has something  to say
about South West Africa.
But at least  Jessica Harper was
"Special to  Me".
Like the mountains and hills that never meet,
We held our grounds, souls we’ve never seek.
Never did it crossed our minds,
Never did our paths sang the tune of the same chimes.

Always ready, ever ready,
Under the same five billion stars, our tents rest sturdy,
They  never knew what they’ll never know
Bound to be blind over the lights of the show

Guess you and I will never be the same
Might shoulder the same trophies of the game,
But one has to leave, the other must stay,
You and I may look at each other from afar, same feelings we might share

Salute! Our respect for Fleur de Lis is fair,
Wanna see you give command to thine peers,
A wish that will never come true,
Cause between us were bitter dews.

They fancy you and are always true,
You guide and shield against the wrath of the forbidding Jew.
But you left them for His call
Almighty, His words were the warrior’s downfall

Busy streets and neon lights,
Things I wonder if you’d miss tonight…
What happened to the leader of the troop?
The pride and flagship of Charlie’s group?

I wonder the other things the trade has cost,
Or if your just imprisoned I your nutshell and lost in your thoughts.
You had it all, love brains and the honor of thine’s soul,
But, did the angels phone you God’s call?

You’re a riddle I can no longer answer,
You, being a gift lended by the Master Creator,
I wonder if the arrow soared much earlier,
Could have I stopped us to get into trouble?

All you are is all that Im not,
A mirror, a sneak peak of my past,
Yet, you’re a being from stardust,
Meant to shine, soar and be looked upon,
By will never be owned by anyone’s heart.
Jonny Angel May 2014
I sat on Drake's Seat
& spied the entire fleet,
including the flagship
& thought how those sailors
didn't need such a place
to view their plunder,
they had modern radar.
Devin Ortiz Apr 2016
Enter the vessel of 7 souls
7 Names crafted in ash
Rolling off sacred tongues
Dead languages given new life

The name of birth
Holds tightly to its catalyst
Strained in attempts to control
The ravenous hunger within

Abyss, forged in the darkness
From the whispers in my ear
The madness of childhood
Concieved in lingering shadow

Fiendish, the evolution
Insanity fueled nightmare
Manifestation of suffering
The true self of the mad king

Demise, father's reflection
Usher to the believers
Tricked by the twisted tongue
Murderer of dreams and innocence

Pantheon, the culmination of experience
Succeeding former capacaities
Far reaching to the fringes
Double-edged sword of progress

Obsidian, the lost one
Drifting into the empty spaces
The black hole of emotions
Always consuming ceaselessly

Legion, flagship of infinity
The millions within the singularity
Transcend the medium and grow
Violently, invade my madness

7 souls
At war
At peace
Slithering in my mind.

— The End —