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CK Baker Apr 2017
Willets cull the seawall
snapper on the grill
rock ***** swoon
in shallow lagoons
long boats pass
under quiet
palm shade

Plovers dance and flutter
handrails frayed and torn
graffiti spots
at lovers rock
frigate-birds fall
from a high
noon sun

Thatched roof on a mud wall
fish flags settle score
anchors arch
in front line march
pillar cracks form
under rust brown scars

Elegant tern and grebe
watchmen fall in cue
children play
on crested waves
whimbrels and notchers
perch above Tentaciones

Striped pelícanos
the bandits of the sea!
merchants grow
in steady flow
siblings jostle
in a tide cooled sand

Heerman gull and boobie
durango smoke in yurt
boiler shrimp
and puffer blimp
castle buckets and scrapers
under a dusk light cheroot

Six pulls on a lead line
painted toes in sand
shearwater run
in a rainbow sun
the portly mexicano
flaunts his tacos
and wares

Rooster house for swordfish
bamboo shoots and sails
broken shells
and ocean swells
rise
on the
perfect
La Ropa bay
360 degrees
365 days
i find myself back here
a rotating haze
crocodiles in the lake
waiting to strike
i've been chewed
digested and reborn
cycle of life
upon resurrecting, i have a bit more knowledge
knowledge of the world, self and my worth
but it's like the crocodiles are painted red, waving gracefully in front of my gaze
i'm a bull that rams through with everything in my way
hidden and undetected is how most know about their nature
but they're just red flags that i chase without a chaser
i'm tired of being digested and ****** lifeless
i've been resurrected so many times
it's like i have this unlimited energy supply
charging and giving to things that i realize aren't worth it
it reaches full capacity and destroys my circuits
which is why i come back to this space in time
all hazy
burnt out
i've resurrected once again
with more knowledge than before
and now i know not to become aroused to the sight of red flags anymore
not running in loops or patterns
just running freely
here i am, 365 days later
full circle, a human that has learned from the past
that still has more to do
but moving forward with a different pursuit
Linguistic Play Jan 2015
tea
I didn't know you'd never fall like you did
feet in the air, palms on the ground
I didn't know you'd never make me feel like a kid
but I wanted to so I ran round and round
up and down, searching for the love I hope you kept hid
between dancing smiles and raining frowns
but it was fourteen plus two and two and two
my will was yet ready to trek to depths of the unending blue
when you pushed, i couldn't believe it to be true
leaving me to drown in the nonexistent idea of me and you

but we snap, flip back, run around the race track
to the same starting point, white flags waving surrender
to contagious conversationalist talking of extraneous happiness
tracing the blank novels of love tales never written

you've always been the captain of this ship
swearing you're too afraid to wreck it
but you sail us into the lands never sailed by experience
just to see the life unseen, im serious
and I have a feeling
we're aimless travelers
I have a feeling
we're destined passengers
I have a feeling
we'd never have a feeling
because we're terrified
of having a feeling
of dissapointments
of having a feeling
of failure
of having a feeling
that feelings could take us over  


but we snap, flip back, run around the race track
to the same starting point, white flags waving surrender
to contagious conversationalist talking of extraneous happiness
tracing the blank novels of love tales never written

we could take the long way home
drive a little longer
just don't pull over, we can just roam
pass the passing seasons,
we'll just wander
through songs for all the wrong reasons
between the voices and instruments we can rest
just don't pull over, we have no reason
time is the test, the test is the exit exam
just don't pull over, cause im going to scram
running in the opposite direction
to a world where you can never read my ****** expressions
of pure affection


but we snap, flip back, run around the race track
to the same starting point, white flags waving surrender
to contagious conversationalist talking of extraneous happiness
tracing the blank novels of love tales never written

but it was time, i escaped the coy persuasion
it was mathematics, the perfect equation
of fourteen plus two plus a few and I lost count
and replaced it with a sensation
of unrequited friendship, our own sermon on the mount
a love stronger than I aimed when one met six
of trust bound tighter than welded steel
cause now we just laugh, skip past the oceans filled by hurt feelings
walking on the beach, looking at the beautiful view
of what was once me and you

but we snap, flip back, run around the race track
to the same starting point, white flags waving surrender
to contagious conversationalist talking of extraneous happiness
tracing the blank novels of love tales never written
Rachel Jul 2014
I can still hear your lisp
the way it covered every "r" you sounded
bare skin under mist, your eyes
matched your hair
the first, all blue raspberry stained lips
the second, pure spring sky

Never before, had I loved the rain,
as much as when we ran through it
we let the downpour soak our clothes
and congruent, thunder couldn't scare us
we felt naked, or I did,
but I didn't mind it
to be naked with you
was all that I wanted

Never before, had I looked at a girl,
and wanted to hold her, the way I held you
suddenly, the laws I believed in felt
paperclip thin, and completely untrue
it didn't take much strength
to twist every one of them
into a shapeless and easily
ignorable pile of waste

You knew the flags of every country
as if your allegiance was to the entire world
I wanted it to be to me
only
and I think I knew that it was,
but that doesn't mean
I didn't want you to say it
Jaelin Rose Oct 2012
A Brave and Startling Truth

We, this people, on a small and lonely planet
Traveling through casual space
Past aloof stars, across the way of indifferent suns
To a destination where all signs tell us
It is possible and imperative that we learn
A brave and startling truth

And when we come to it
To the day of peacemaking
When we release our fingers
From fists of hostility
And allow the pure air to cool our palms

When we come to it
When the curtain falls on the minstrel show of hate
And faces sooted with scorn are scrubbed clean
When battlefields and coliseum
No longer rake our unique and particular sons and daughters
Up with the bruised and ****** grass
To lie in identical plots in foreign soil

When the rapacious storming of the churches
The screaming racket in the temples have ceased
When the pennants are waving gaily
When the banners of the world tremble
Stoutly in the good, clean breeze

When we come to it
When we let the rifles fall from our shoulders
And children dress their dolls in flags of truce
When land mines of death have been removed
And the aged can walk into evenings of peace
When religious ritual is not perfumed
By the incense of burning flesh
And childhood dreams are not kicked awake
By nightmares of abuse

When we come to it
Then we will confess that not the Pyramids
With their stones set in mysterious perfection
Nor the Gardens of Babylon
Hanging as eternal beauty
In our collective memory
Not the Grand Canyon
Kindled into delicious color
By Western sunsets

Nor the Danube, flowing its blue soul into Europe
Not the sacred peak of Mount Fuji
Stretching to the Rising Sun
Neither Father Amazon nor Mother Mississippi who, without favor,
Nurture all creatures in the depths and on the shores
These are not the only wonders of the world

When we come to it
We, this people, on this minuscule and kithless globe
Who reach daily for the bomb, the blade and the dagger
Yet who petition in the dark for tokens of peace
We, this people on this mote of matter
In whose mouths abide cankerous words
Which challenge our very existence
Yet out of those same mouths
Come songs of such exquisite sweetness
That the heart falters in its labor
And the body is quieted into awe

We, this people, on this small and drifting planet
Whose hands can strike with such abandon
That in a twinkling, life is sapped from the living
Yet those same hands can touch with such healing, irresistible tenderness
That the haughty neck is happy to bow
And the proud back is glad to bend
Out of such chaos, of such contradiction
We learn that we are neither devils nor divines

When we come to it
We, this people, on this wayward, floating body
Created on this earth, of this earth
Have the power to fashion for this earth
A climate where every man and every woman
Can live freely without sanctimonious piety
Without crippling fear

When we come to it
We must confess that we are the possible
We are the miraculous, the true wonder of this world
That is when, and only when
We come to it.
Maya Angelou
Anthony Williams Jul 2014
It was always going to be black and white
that's the typeface on my preference of late
defining day and night with your choice of tights
those fine dividing lines on your partnered limbs
wrapped tall in belts daring as a Lara Croft climb
a silky striped raggedy ann gone neat sensuous
tight strapped to a two striking sinuous princess
committed to lodge sins inside my Loveland challenge
hemmed in round towers together to never-never unhinge

at home we horse around and rub along together
boosted by the interplay between cotton twill gathered
pulled low one side then canter balance riding high
as you level up to a line up of outbound thigh
saddled with a lovely leg stirrup over here
and a lean waist wobble to match up there
eyebrow lifts to starch arrowroot attention
over the swings and sway of every action
so swift I play catch-up each morning
delayed by fumbling for ones gone matching
it's a wonder you don't just wander away
in a daze from my one legged hopping display

then I would travel far as a bee
long-legged as stilts could be
to sing to your nails and feet
and be spun free flaunting
our google
a red white and blue
pair of giggles unfurled like flags
in your slim line dancers' legs
dangling ideas like fair weather socks
to goggle one direction behind your back
unique like nobody else contains within
thin licked then rolled back ciggie skins
so I pinch holes in the bacci parts
sinking into slats like leaky wooden boats
your avoiding tiptoes gadfly and curl in return
my feet undoing knits with swats and swirls
toeing tinkling notes like piano keys
undertones pink tinged with tingling knees
and when a jukebox plays
my coins are there always
for I've got your pop socks in motion
your vox populi's united under my skin
with impressive pulled tight bands
embedding imprint elastic rings
inky red slinking down
leaving parallel links


ignore my pins and needles
alone in dead of night
longing for your leggings
luminous stripe tights
today it's all me put on the spot
today it's music you might hate
biographies of people you don't like
subtitled movies too deep to bother
blue jeans dull dyed against your garter belt
a one man team can't DIY a drill majorette
spiralling shafts that come to a threaded point
enthralling with alternating knee bend bit pants
so pretty poly soft I'm pulled up like a fool
fully mixed up by your weaving cotton wool
wave me down in your way of sweet patter feet
a patterned cakewalk for you to catwalk sock it
to me in a stand in posey kind of way
this way to stand outs knitted to fancy
uncross your legs and cross-stitch
my path with gaited kisses
closely
by Anthony Williams
I S A A C Jan 2022
I was shot down like a bird
bleeding into the earth
it is a cycle I say as I watch my life fading away
in and out of black
in and out of panic attacks
whichever way I choose it's all a ruse
I was an old soul plagued with idealism
So naive to not see the true villain
My passion blinded me could not see the vermillion flags
Rikkie Elyse Dec 2014
The first time I met you, you said
"I don't usually like girls with nose rings"
but you seemed to like me anyways
The next time we saw each other you said
"I don't date girls who smoke cigarettes"
but you had a pack in your back pocket

When we started dating I would hear
"I've never dated a girl who's not a ******"
and maybe I wasn't a ******
but your body count was still higher than mine
but I never thought twice about those things you said
because it's kind of hard to remember them
when you're also saying "you're the girl of my dreams"

I remember you talking about your ex's
"they were all blonde and they all ended up being psychos"
and I never questioned it because why would I
when the next thing you say is
"thank god you're nothing like them"

And I remember hearing
"why do you wear make up?"
when in actuality you were saying
"who are you trying to impress?"
And I remember hearing
"why are you always on your phone?"
when in actuality you were saying
"who the **** are you texting?"

but can you blame me for my bad hearing
when you're playing love songs in the background
and can you blame me for not seeing the red flags
you're waving in front of my face
when they're in the form of roses

and with every rose colored compliment you gave me
came a thousand thorn covered insults with it
and I would gladly grab the rose by it's stem
and let the thorns stab into my hand
because it smelled so ******* sweet at the time

and suddenly the "why are you so dressed up?"s
turned into "why do you dress like a ****?"
and the "why do you have so many guy friends?"s
turned into "how many of them are you *******?"

and it didn't matter if you you went through my phone
twitter, Facebook, anything messages
and found nothing or even better- me rejecting guys
because at the end of the day you were still calling me a ****

by this time you had given me an entire bouquet of roses
but no vase to put them in so I simply just continued
holding onto their thorn covered stems, bleeding
but smiling because everyone could see how pretty they were
especially since I had to carry them around everywhere I went

cause if I went anywhere without them
or I set them down for just a second
You thought it was because I didn't love you anymore
or worse you thought it was because I was cheating on you

and since I wasn't aloud to put the roses in a vase
and give them water the beautiful smell started to go away
and the petals slowly started to wilt and die
and suddenly there was nothing left but the stems
still covered in thorns, still covered in my blood
and I was hoping you'd give me a new rose
with a "you look pretty today" attached somewhere to it
but that never happened

instead you started shooting cupids arrows at me
But luckily you had ****** aim and each time they would fly
Just close enough to my ears
So I would hear your piercing insults
Whispered so only I could listen and
Everyone else was left wondering why
I was crying

when finally you aimed just right
and hit me in the ******* face with one
I fell onto the ground but instead of picking me back up
you left me there physically unable to move
and then broke up with me for not chasing after you

and all of a sudden the smell of roses started to smell like **** to me
and the cupids arrows laying on the ground around me
were just knives from the kitchen
and I was finally able to get some ******* disinfectant on my cuts
and you knocked on my door with an I'm sorry
and another rose in your hand

but instead of taking it, I slammed the door in your face
because if you were really sorry
you would have brought me a daisy
Ind May 2018
We perpetuate heartbreak culture,
teaching girls the man who holds her loves her despite the bruises,
or it was her fault; she looked older.
We fetishes shoulders,
prize youth from the young in return for pre-chewed gum,
swallowing down the same tired ideals from those who still wield them like flags,
waving their patriotism on poles of bone before a throne of medieval *******.
They chant mantras with beer stained breath about how 'our' country 'bested' the rest,
but what about the brutality?
The blood split on foreign soil in return for prehistoric oil?
Our land is deemed pure so long as the violence on our hands never reaches our shores,
but the ocean is red and staining our sands.

How can you have pride in a country who's sole identity is based off having the worlds largest navy?
Congratulations. You bombed your way through countless continents, collecting cultures to gather dust on pedestals and alters
We sin on Sundays, drink till we're ****** then wave at the seven deadly's (they don't apply to us here).
We teach preschoolers nationalism before they can walk,
indoctrinate our children before they can talk.
George killed the dragon.
Hood gave to the poor.
we all jumped on the bandwagon before we realised the princess had no choice and the rich still ruled.
There was no voice in the tale for those whose wail could be ignored.

What about those without lines in the script?
Those kicked to the curb, then kicked from it?
Our pavements have no room for nonconformists,
they're tailored to for same mind, same mindless wanderer,
squandering on the lasted polyesters even though that mouth on the street hasn't eaten in over a week.
'God save the Queen' from the vermin;
the homeless have been tossed out of the trash.
Why help them when you could save your cash by turning a blind?
After all, out of sight, out of mind.
Welcome to England, we hope you like what you find
Because we’re not changing it.
Kathryn Paige Jun 2015
But when he
breaks apart your ribs,
he'll say he's just trying
to see your heart.
When will you realize
bruised flesh isn't a sign
of love?
On your wedding day,
did you imagine
bearing the colors
of blue and black?

He'll come back
and feed you lies
that always start with,
"I love you." and
"I'm sorry.",
but never seem to end
with change.

Will he even try
to replace the burnt out
light in your eyes,
or will he feed your fear
of staying in the dark
the rest of your life?

As you whisper to yourself,
"I can handle it.
I can handle it.
I can handle it.",

please remember,
just because you can,
doesn't mean you should have to.

-k.w//Red Flags
J Eduardo Ramos Aug 2014
Black Flags are flowing
In the news;
inked in
or Not
The pulp slashes
Across my seared consciousness:

What say my heart for those
Who perish?
What Say My Heart
For Those Who Cry?

Peevishly My Heart responds,
in ****** Tears,
As in a nightmare:

Weep all the tears
For the Motherless Children,
Weep All the Tears
For The Buried Child...

Weep For Yourself, And Not Without Shame,
Weep For  Humanity And
Mankind
As it Slowly Dies...

Weep for Those
Whose Vibrant
Life You Adore.

Weep Not For The Cruelly Weak
Who, Knowingly,
inflicts
such
Inordinate pain.

J Eduardo Ramos©
1
Flood-Tide below me! I see you face to face!
Clouds of the west—sun there half an hour high—I see you also face
   to face.

Crowds of men and women attired in the usual costumes, how curious
   you are to me!
On the ferry-boats the hundreds and hundreds that cross, returning
   home, are more curious to me than you suppose,
And you that shall cross from shore to shore years hence are more
   to me, and more in my meditations, than you might suppose.

2
The impalpable sustenance of me from all things at all hours of the
   day,
The simple, compact, well-join’d scheme, myself disintegrated, every
   one disintegrated yet part of the scheme,
The similitudes of the past and those of the future,
The glories strung like beads on my smallest sights and hearings, on
   the walk in the street and the passage over the river,
The current rushing so swiftly and swimming with me far away,
The others that are to follow me, the ties between me and them,
The certainty of others, the life, love, sight, hearing of others.

Others will enter the gates of the ferry and cross from shore to
   shore,
Others will watch the run of the flood-tide,
Others will see the shipping of Manhattan north and west, and the
   heights of Brooklyn to the south and east,
Others will see the islands large and small;
Fifty years hence, others will see them as they cross, the sun half
   an hour high,
A hundred years hence, or ever so many hundred years hence, others
   will see them,
Will enjoy the sunset, the pouring-in of the flood-tide, the
   falling-back to the sea of the ebb-tide.

3
It avails not, time nor place—distance avails not,
I am with you, you men and women of a generation, or ever so many
   generations hence,
Just as you feel when you look on the river and sky, so I felt,
Just as any of you is one of a living crowd, I was one of a crowd,
Just as you are refresh’d by the gladness of the river and the
   bright flow, I was refresh’d,
Just as you stand and lean on the rail, yet hurry with the swift
   current, I stood yet was hurried,
Just as you look on the numberless masts of ships and the
   thick-stemm’d pipes of steamboats, I look’d.

I too many and many a time cross’d the river of old,
Watched the Twelfth-month sea-gulls, saw them high in the air
   floating with motionless wings, oscillating their bodies,
Saw how the glistening yellow lit up parts of their bodies and left
   the rest in strong shadow,
Saw the slow-wheeling circles and the gradual edging toward the
   south,
Saw the reflection of the summer sky in the water,
Had my eyes dazzled by the shimmering track of beams,
Look’d at the fine centrifugal spokes of light round the shape of my
   head in the sunlit water,
Look’d on the haze on the hills southward and south-westward,
Look’d on the vapor as it flew in fleeces tinged with violet,
Look’d toward the lower bay to notice the vessels arriving,
Saw their approach, saw aboard those that were near me,
Saw the white sails of schooners and sloops, saw the ships at
   anchor,
The sailors at work in the rigging or out astride the spars,
The round masts, the swinging motion of the hulls, the slender
   serpentine pennants,
The large and small steamers in motion, the pilots in their
   pilothouses,

The white wake left by the passage, the quick tremulous whirl of the
   wheels,
The flags of all nations, the falling of them at sunset,
The scallop-edged waves in the twilight, the ladled cups, the
   frolic-some crests and glistening,
The stretch afar growing dimmer and dimmer, the gray walls of the
   granite storehouses by the docks,
On the river the shadowy group, the big steam-tug closely flank’d on
   each side by the barges, the hay-boat, the belated lighter,
On the neighboring shore the fires from the foundry chimneys burning
   high and glaringly into the night,
Casting their flicker of black contrasted with wild red and yellow
   light over the tops of houses, and down into the clefts of
   streets.

4
These and all else were to me the same as they are to you,
I loved well those cities, loved well the stately and rapid river,
The men and women I saw were all near to me,
Others the same-others who look back on me because I look’d forward
   to them,
(The time will come, though I stop here to-day and to-night.)

5
What is it then between us?
What is the count of the scores or hundreds of years between us?

Whatever it is, it avails not—distance avails not, and place avails
   not,
I too lived, Brooklyn of ample hills was mine,
I too walk’d the streets of Manhattan island, and bathed in the
   waters around it,
I too felt the curious abrupt questionings stir within me,
In the day among crowds of people sometimes they came upon me,
In my walks home late at night or as I lay in my bed they came upon
   me,
I too had been struck from the float forever held in solution,
I too had receiv’d identity by my body,
That I was I knew was of my body, and what I should be I knew I
   should be of my body.

6
It is not upon you alone the dark patches fall,
The dark threw its patches down upon me also,

The best I had done seem’d to me blank and suspicious,
My great thoughts as I supposed them, were they not in reality
   meagre?
Nor is it you alone who know what it is to be evil,
I am he who knew what it was to be evil,
I too knitted the old knot of contrariety,
Blabb’d, blush’d, resented, lied, stole, grudg’d,
Had guile, anger, lust, hot wishes I dared not speak,
Was wayward, vain, greedy, shallow, sly, cowardly, malignant,
The wolf, the snake, the hog, not wanting in me.
The cheating look, the frivolous word, the adulterous wish, not
   wanting,

Refusals, hates, postponements, meanness, laziness, none of these
   wanting,
Was one with the rest, the days and haps of the rest,
Was call’d by my nighest name by clear loud voices of young men as
   they saw me approaching or passing,
Felt their arms on my neck as I stood, or the negligent leaning of
   their flesh against me as I sat,
Saw many I loved in the street or ferry-boat or public assembly, yet
   never told them a word,
Lived the same life with the rest, the same old laughing, gnawing,
   sleeping,
Play’d the part that still looks back on the actor or actress,
The same old role, the role that is what we make it, as great as we
   like,
Or as small as we like, or both great and small.

7
Closer yet I approach you,
What thought you have of me now, I had as much of you—I laid in my
   stores in advance,
I consider’d long and seriously of you before you were born.

Who was to know what should come home to me?
Who knows but I am enjoying this?
Who knows, for all the distance, but I am as good as looking at you
   now, for all you cannot see me?

8
Ah, what can ever be more stately and admirable to me than
   mast-hemm’d Manhattan?
River and sunset and scallop-edg’d waves of flood-tide?
The sea-gulls oscillating their bodies, the hay-boat in the
   twilight, and the belated lighter?

What gods can exceed these that clasp me by the hand, and with
   voices I love call me promptly and loudly by my nighest name as
   approach?
What is more subtle than this which ties me to the woman or man that
   looks in my face?
Which fuses me into you now, and pours my meaning into you?

We understand then do we not?
What I promis’d without mentioning it, have you not accepted?
What the study could not teach—what the preaching could not
   accomplish is accomplish’d, is it not?

9
Flow on, river! flow with the flood-tide, and ebb with the ebb-tide!
Frolic on, crested and scallop-edg’d waves!
Gorgeous clouds of the sunset! drench with your splendor me, or the
   men and women generations after me!
Cross from shore to shore, countless crowds of passengers!
Stand up, tall masts of Mannahatta! stand up, beautiful hills of
   Brooklyn!
Throb, baffled and curious brain! throw out questions and answers!
Suspend here and everywhere, eternal float of solution!
Gaze, loving and thirsting eyes, in the house or street or public
   assembly!
Sound out, voices of young men! loudly and musically call me by my
   nighest name!
Live, old life! play the part that looks back on the actor or
   actress!
Play the old role, the role that is great or small according as one
   makes it!
Consider, you who peruse me, whether I may not in unknown ways be
   looking upon you;
Be firm, rail over the river, to support those who lean idly, yet
   haste with the hasting current;
Fly on, sea-birds! fly sideways, or wheel in large circles high in
   the air;
Receive the summer sky, you water, and faithfully hold it till all
   downcast eyes have time to take it from you!
Diverge, fine spokes of light, from the shape of my head, or any
   one’s head, in the sunlit water!
Come on, ships from the lower bay! pass up or down, white-sail’d
   schooners, sloops, lighters!
Flaunt away, flags of all nations! be duly lower’d at sunset!
Burn high your fires, foundry chimneys! cast black shadows at
   nightfall! cast red and yellow light over the tops of the houses!

Appearances, now or henceforth, indicate what you are,
You necessary film, continue to envelop the soul,
About my body for me, and your body for you, be hung our divinest
   aromas,
Thrive, cities—bring your freight, bring your shows, ample and
   sufficient rivers,
Expand, being than which none else is perhaps more spiritual,
Keep your places, objects than which none else is more lasting.

You have waited, you always wait, you dumb, beautiful ministers,
We receive you with free sense at last, and are insatiate
   henceforward,
Not you any more shall be able to foil us, or withhold yourselves
   from us,
We use you, and do not cast you aside—we plant you permanently
   within us,
We fathom you not—we love you—there is perfection in you also,
You furnish your parts toward eternity,
Great or small, you furnish your parts toward the soul.
Little Birds are dining
Warily and well,
Hid in mossy cell:
Hid, I say, by waiters
Gorgeous in their gaiters -
I've a Tale to tell.

Little Birds are feeding
Justices with jam,
Rich in frizzled ham:
Rich, I say, in oysters
Haunting shady cloisters -
That is what I am.

Little Birds are teaching
Tigresses to smile,
Innocent of guile:
Smile, I say, not smirkle -
Mouth a semicircle,
That's the proper style!

Little Birds are sleeping
All among the pins,
Where the loser wins:
Where, I say, he sneezes
When and how he pleases -
So the Tale begins.

Little Birds are writing
Interesting books,
To be read by cooks:
Read, I say, not roasted -
Letterpress, when toasted,
Loses its good looks.

Little Birds are playing
Bagpipes on the shore,
Where the tourists snore:
"Thanks!" they cry. "'Tis thrilling!
Take, oh take this shilling!
Let us have no more!"

Little Birds are bathing
Crocodiles in cream,
Like a happy dream:
Like, but not so lasting -
Crocodiles, when fasting,
Are not all they seem!

Little Birds are choking
Baronets with bun,
Taught to fire a gun:
Taught, I say, to splinter
Salmon in the winter -
Merely for the fun.

Little Birds are hiding
Crimes in carpet-bags,
Blessed by happy stags:
Blessed, I say, though beaten -
Since our friends are eaten
When the memory flags.

Little Birds are tasting
Gratitude and gold,
Pale with sudden cold:
Pale, I say, and wrinkled -
When the bells have tinkled,
And the Tale is told.
Samuel H Nov 2017
It started off like instant fireworks
You stood in front of me like one of those classic artworks
So stunning, my heart wouldn't stop thumping

Sparks and chemistry so effortless
Witty exchanges with cleverness
Common interests and togetherness
All that was fueling my blinded eagerness

So blinded I stopped seeing the color Red
Thought they were just flags, regular flags
Picked up my sword of rationale and shattered the biased delusional shade over my eyes
I see flags, Red and lies
Walking away with my shield of pride
She is another Dr Jekyll and Mr Hyde
Francie Lynch Aug 2016
If you'd been here
When I was young,
You'd not forget
What we'd have done.

We'd climb roofs,
Jump in the river,
****** neighbour's pears,
Then skedaddle,
Laughing with sweat-matted hair,
Wiping off those grown-up cares.

We'd bumper-jump in four inch snow,
And never let our parents know.
Oh, such fun we two would do,
If I could stay as young as you.

We'd skate and bike,
Play street ball,
Act up in school,
Stand in the hall;
We'd hike with jars
Along country brooks,
Read and trade
Our comic books.
Lie in the sand,
Burn in the sun,
Forgetting it was time for home.
We'd never tire of our treats,
And often we'd forget to eat
Because we're having all our fun:
If you'd been here when I was young.

We'd play Tag and Red Rover,
Flags and Chase,
Then have sleep-overs.
We'd swap tomorrow
For daily pearls,
Then swap each other
For pretty girls.

We'd be up to our shenanigans,
Sleep the sleep,
Then start again.
This is the way
We'd have our fun,
If you'd been here
When I was young.

But now you're here,
And I'm much older,
The things we'd do
You'll do with others;
But when you need a  boost to climb,
This old man has a shoulder.
Yes,
I'll sure have lots of fun,
For you're here now.
That keeps me young.
For my new Grandson, Xavier (b. July 23rd.)
Thanks for all your readership and support. I hope you enjoyed the read as much as I enjoyed the write. Peace.
coffeegirl Jan 2019
My red flags
Are bloodied rags
And blood-shot eyes
Over body bags.

My bad decisions
Are only comprehended
When stinging incisions
Are not met with stitches.

I never saw the knife,
You held tight.
I never saw the knight,
Fall. In spite

Im not blind.
So why?

Why my red flags go up so late?
What use do you have--my head on your plate?
And why do you try to manipulate,
My red flags to go up too late?
715

The World—feels Dusty
When We stop to Die—
We want the Dew—then—
Honors—taste dry—

Flags—vex a Dying face—
But the least Fan
Stirred by a friend’s Hand—
Cools—like the Rain—

Mine be the Ministry
When they Thirst comes—
And Hybla Balms—
Dews of Thessaly, to fetch—
Part I

It is an ancient Mariner,
And he stoppeth one of three.
‘By thy long grey beard and glittering eye,
Now wherefore stopp’st thou me?

The bridegroom’s doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
Mayst hear the merry din.’

He holds him with his skinny hand,
“There was a ship,” quoth he.
‘Hold off! unhand me, grey-beard loon!’
Eftsoons his hand dropped he.

He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years’ child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon—”
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“And now the storm-blast came, and he
Was tyrannous and strong:
He struck with his o’ertaking wings,
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And foward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As it had been a Christian soul,
We hailed it in God’s name.

It ate the food it ne’er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner’s hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moonshine.”

‘God save thee, ancient Mariner,
From the fiends that plague thee thus!—
Why look’st thou so?’—”With my crossbow
I shot the Albatross.”

Part II

“The sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.

And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners’ hollo!

And I had done a hellish thing,
And it would work ’em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!

Nor dim nor red, like God’s own head,
The glorious sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
’Twas right, said they, such birds to slay,
That bring the fog and mist.

The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.

Down dropped the breeze, the sails dropped down,
’Twas sad as sad could be;
And we did speak only to break
The silence of the sea!

All in a hot and copper sky,
The ****** sun, at noon,
Right up above the mast did stand,
No bigger than the moon.

Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.

Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.

The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.

About, about, in reel and rout
The death-fires danced at night;
The water, like a witch’s oils,
Burnt green, and blue, and white.

And some in dreams assured were
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.

And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.

Ah! well-a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.”

Part III

“There passed a weary time. Each throat
Was parched, and glazed each eye.
A weary time! a weary time!
How glazed each weary eye—
When looking westward, I beheld
A something in the sky.

At first it seemed a little speck,
And then it seemed a mist;
It moved and moved, and took at last
A certain shape, I wist.

A speck, a mist, a shape, I wist!
And still it neared and neared:
As if it dodged a water-sprite,
It plunged and tacked and veered.

With throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drought all dumb we stood!
I bit my arm, I ****** the blood,
And cried, A sail! a sail!

With throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.

See! see! (I cried) she tacks no more!
Hither to work us weal;
Without a breeze, without a tide,
She steadies with upright keel!

The western wave was all a-flame,
The day was well nigh done!
Almost upon the western wave
Rested the broad bright sun;
When that strange shape drove suddenly
Betwixt us and the sun.

And straight the sun was flecked with bars,
(Heaven’s Mother send us grace!)
As if through a dungeon-grate he peered
With broad and burning face.

Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the sun,
Like restless gossameres?

Are those her ribs through which the sun
Did peer, as through a grate?
And is that Woman all her crew?
Is that a Death? and are there two?
Is Death that Woman’s mate?

Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The Nightmare Life-in-Death was she,
Who thicks man’s blood with cold.

The naked hulk alongside came,
And the twain were casting dice;
‘The game is done! I’ve won! I’ve won!’
Quoth she, and whistles thrice.

The sun’s rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper o’er the sea,
Off shot the spectre-bark.

We listened and looked sideways up!
Fear at my heart, as at a cup,
My life-blood seemed to sip!
The stars were dim, and thick the night,
The steersman’s face by his lamp gleamed white;
From the sails the dew did drip—
Till clomb above the eastern bar
The horned moon, with one bright star
Within the nether tip.

One after one, by the star-dogged moon,
Too quick for groan or sigh,
Each turned his face with a ghastly pang,
And cursed me with his eye.

Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.

The souls did from their bodies fly,—
They fled to bliss or woe!
And every soul it passed me by,
Like the whizz of my crossbow!”

Part IV

‘I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.

I fear thee and thy glittering eye,
And thy skinny hand, so brown.’—
“Fear not, fear not, thou Wedding-Guest!
This body dropped not down.

Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.

The many men, so beautiful!
And they all dead did lie;
And a thousand thousand slimy things
Lived on; and so did I.

I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.

I looked to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came and made
My heart as dry as dust.

I closed my lids, and kept them close,
And the ***** like pulses beat;
Forthe sky and the sea, and the sea and the sky,
Lay like a load on my weary eye,
And the dead were at my feet.

The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.

An orphan’s curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man’s eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.

The moving moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside—

Her beams bemocked the sultry main,
Like April ****-frost spread;
But where the ship’s huge shadow lay,
The charmed water burnt alway
A still and awful red.

Beyond the shadow of the ship
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.

Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.

O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.

The selfsame moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea.”

Part V

“Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from heaven,
That slid into my soul.

The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.

My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.

I moved, and could not feel my limbs:
I was so light—almost
I thought that I had died in sleep,
And was a blessed ghost.

And soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.

The upper air burst into life!
And a hundred fire-flags sheen,
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.

And the coming wind did roar more loud,
And the sails did sigh like sedge;
And the rain poured down from one black cloud;
The moon was at its edge.

The thick black cloud was cleft, and still
The moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.

The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the moon
The dead men gave a groan.

They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.

The helmsman steered, the ship moved on;
Yet never a breeze up blew;
The mariners all ‘gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools—
We were a ghastly crew.

The body of my brother’s son
Stood by me, knee to knee:
The body and I pulled at one rope,
But he said nought to me.”

‘I fear thee, ancient Mariner!’
“Be calm, thou Wedding-Guest!
’Twas not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest:

For when it dawned—they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.

Around, around, flew each sweet sound,
Then darted to the sun;
Slowly the sounds came back again,
Now mixed, now one by one.

Sometimes a-dropping from the sky
I heard the skylark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!

And now ’twas like all instruments,
Now like a lonely flute;
And now it is an angel’s song,
That makes the heavens be mute.

It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.

Till noon we quietly sailed on,
Yet never a breeze did breathe;
Slowly and smoothly went the ship,
Moved onward from beneath.

Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.

The sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she ‘gan stir,
With a short uneasy motion—
Backwards and forwards half her length
With a short uneasy motion.

Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.

How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.

‘Is it he?’ quoth one, ‘Is this the man?
By him who died on cross,
With his cruel bow he laid full low
The harmless Albatross.

The spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow.’

The other was a softer voice,
As soft as honey-dew:
Quoth he, ‘The man hath penance done,
And penance more will do.’

Part VI

First Voice

But tell me, tell me! speak again,
Thy soft response renewing—
What makes that ship drive on so fast?
What is the ocean doing?

Second Voice

Still as a slave before his lord,
The ocean hath no blast;
His great bright eye most silently
Up to the moon is cast—

If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.

First Voice

But why drives on that ship so fast,
Without or wave or wind?

Second Voice

The air is cut away before,
And closes from behind.

Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner’s trance is abated.

“I woke, and we were sailing on
As in a gentle weather:
’Twas night, calm night, the moon was high;
The dead men stood together.

All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the moon did glitter.

The pang, the curse, with which they died,
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.

And now this spell was snapped: once more
I viewed the ocean green,
And looked far forth, yet little saw
Of what had else been seen—

Like one that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.

But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.

It raised my hair, it fanned my cheek
Like a meadow-gale of spring—
It mingled strangely with my fears,
Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze—
On me alone it blew.

Oh! dream of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own country?

We drifted o’er the harbour-bar,
And I with sobs did pray—
O let me be awake, my God!
Or let me sleep alway.

The harbour-bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the moon.

The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness
The steady weathercock.

And the bay was white with silent light,
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.

A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck—
Oh, Christ! what saw I there!

Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.

This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;

This seraph-band, each waved his hand,
No voice did they impart—
No voice; but oh! the silence sank
Like music on my heart.

But soon I heard the dash of oars,
I heard the Pilot’s cheer;
My head was turned perforce away,
And I saw a boat appear.

The Pilot and the Pilot’s boy,
I heard them coming fast:
Dear Lord i
every year, here

the yellow flags find us.

nonchalantly driving,

wondering,

how to spell that word.



looking to the next road,

you know you love,

forgetting the time

of year they come.



flat lands, yellow

with the flags, the iris,

the medieval house.



he talked about the cow,



while i remembered the first field,

filled with them.



i did not take a photograph.



sbm.
Joshua Haines May 2017
CHANNEL 3 AT 7:


We are at the scene, now;
an awesome showing of
                    brute force.
What some are calling the
greatest moment in U.S.
                          history
and, some, "An example
of jingoistic propaganda
masquerading as self-
-liberation."

Whatever it is, Tom,
one thing is certain:
we will be here,
covering every second
of this gigantic American
                          moment.

"And we thank you for your fine
reporting, Lisa. Boy, I tell you,
the President is making a huge
mistake with this act."

You have got that right, Tom.
We, as Americans, cannot
allow this to happen. We have
to ask these people if they want
this to happen -- and, then, we
need to enforce, what we consider
progressive and better for their
well-being, to them. These people
are like lost puppies, Tom.
It is our responsibility to make sure
that they do not respect their religion,
their culture, or prehistoric way of life
they have become accustomed to.
If we ignore the issue, of their
third-world existence and third-world
values, then we will have lost as
human beings; and the United States
cannot lose whenever it comes to this.

"Lisa, bathe me in your words,
because nothing has ever felt so
clean and right. You're absolutely,
100% correct: we need to guide
these poor, helpless people and
show them what is right, when
it comes to culture, identity,
among other things."

Agreed, Tom. And thank you.
To make things simple for
the viewer at home, you wouldn't
buy a puppy and expect it to
**** anywhere it wanted?
You have to show it where to ****.
Heck, you have to show it what to
eat, so the **** can be a good ****.
To sum things up, these people have
been pooping incorrectly, for a long time,
and it is our responsibility to show them
the **** inside of us, and how we aren't
going to mix with them, but, instead,
show them how they can get a nice,
firm ******* that we all but
take for granted.

"Couldn't agree more, Lisa.
It is our duty, as Americans,
to help these people who have
been de-humanized, and show
them how to handle this and
the world, especially during
a time like this for them.
And let us not forget,
this is their moment."



MAD MIKE IN THE MORNING:

Hello folks, and welcome
to the Heat Zone; a place
where snowflakes melt
and where liberals sweat.
I, of course, am your man,
Mad Mike O'Leary and
boy, do we have some
serious stuff to talk about.

Our fabulous leader,
whom we shall respect,
has made our nation great,
as 195 countries --
excluding our's, of course --
citizens now have American flags
drilled into their skulls.
As an act of kindness,  
Our fabulous leader,
has given each of these citizens
the choice of keeping or removing
the flags. Of course, if one were
to try to remove the flag,
a tiny explosive would detonate,
as one can never be too sure
if a citizen would use the flag
as a weapon -- and, of course,
there is no promise that the flag
wouldn't touch the ground,
so Our fabulous leader explained
that flag burning would be an
acceptable method of removing the
flag from this plane of existence.

Here, today, we have political pundit --
or political genius; you decide --
Ryan Tomlinson to discuss this radical
new way of life, we unfortunately have
to endure. Ryan, what are your thoughts
on the controversial method of discarding
the flag: a symbol of our strength, love,
                                          and freedom?

"Well, I'll tell you Mike: you think you're
the mad one, you should ask my wife
about my reaction when I learned about
this atrocious tiny explosive destroying --
yes, destroying -- our great and mighty flag!"

Haha, is that right, Ryan? I bet Nancy got
the Rowdy Ryan I've met on Nickle Shot Night.
What were her thoughts on your reaction --
better, yet, what was your reaction, Ryan?

"Well, I can't tell you exactly how she
reacted to my reaction, because I wasn't
really listening. But, I tell you, ever since
He Who Shall Not Be Named left the office,
Our fabulous leader has had to adopt some of
his wild and, frankly, immoral methods --
which would include the burning of our flag."

You got that right, Ryan. It reminds me of
when my oldest left for college, leaving behind
some beers that little Matthew ended up drinking.
My point is,  He Who Shall Not Be Named
has left some stains that still need to be cleaned up,
but I am confident that Our fabulous leader will
scrub those right up; if Matthew can do it, so can he.
To move on, here's an issue I have
that no one is really talking about, Ryan:
Not only are you detonating this flag -- a
flag that millions of men, God Bless Them,
have fought and died for -- but you're also
covering this symbol of freedom in the
blood and gore and scalp and guts of
these dangerous people who would love
nothing more than to see our symbol destroyed.

"You hit the nail right on the head, Mike!
These people don't understand what it is
like to be an American; to deal with their
oppression and policing of our values.
They already have succeeded in dividing us
when it comes to this whole flag removal
method. You can't reason with these, people.
You can try to offer them a Benjamin;
you can try to give them tickets to Transformers,
but these people will never respect us or our
way of life. And these liberals are right behind them!
I'm not sure what the liberals plans are, right now,
but you can be sure they'll use this whole flag thing
to exploit something. Hell, they're already talking
about how we should teach these people to **** --
what if they get to them, first, and teach them to
**** on the GD flag?! The liberals are helping divide us!
That's what they do!"

You are so, so right, Ryan. This country is full of
the wrong ****; and is going down the toilet.
Well, unfortunately,
we have to go to commercial, but you can bet
your keister that we'll continue this important
discussion that involves your liberty,
your job, and your soldiers.
Mad Mike in the Morning, with special guest,
Ryan Tomlinson -- be right back.
Don't go away.
The Red Rain of Kerala wrote this Plague
Un-supported by Evidence and Song
As it wept and bled that once-thirsty Plain
Locals knew their throats will not dry too long
But how could they drink this very strange Guilt
When their Sheets un-furled like the Flags of War
And not until the Google-Heads came in
They realised it was foreign before
Samples were taken in pursuit of Cause
Then page by page those Suspects came to light
Was it Bacteria? Or Lichens-at-Lost
Either way there was some Blood to incite.
When those Findings end, much was to conclude
Which Creation's Purchase falls upon you.
l i z a Nov 2023
What opportunity you were to me
You were a lesson I thought was luck
Allowed to dip myself into your sweet honey
Not realizing that I would be even more stuck.

The pain I’ve gained by playing your games
Had me come out knowing better, real from fake.
I had been too willing to please you
Wanting you to say “I need you”

Because otherwise how was I to prove I’m worthy
Before I realized you’re not meant to be my trophy.

I felt lucky to have you,
Because it felt good to have something
Until I realized the hurt isn't worth
Losing all of me over simply nothing.

I believed the red flags were tests
To prove myself more capable than the rest
Learned love should not be a battle
With my suffering a requisite
梅香 Dec 2019
i haven't known you that long
so i wasn't thinking of what could go wrong.
i liked all of you verily
thought we'd be more than friends happily.

but you were a scoundrel,
one i did not know too well.
you were a fabulist,
deceit is what you always insist.

i guess i was just too naive
in you i continued to believe.
now the red flags are waving at me,
telling me to go and fly free.
Briano Alliano performing at jupiter moon



hi dudes and welcome to Jupiter Moon and today christmas has come early

with a whole lot of funny christmas carols that i have wrote and the first one

joy to the world


joy to the world

christmas is great

a bumper holiday, i say, mate

you see we have roast dinners

and pavlova and fruit punch

and a mighty tasty super slush

tasty for the mouth, tasty for the mouth

tasty tasty, tasty for the mouth

i rule the world with my magic wand

i wave it when i feel great

hills and plains and rocks and streams to sit and have a look

at the wonderful water, at the wonderful water at the at the

wonderful water, oh yeah, you can almost taste that wine that

jesus turned it into

joy to the earth, oh jesus birth

thanks to the might of cronus

you see as his arrival into the world made everyone happy yeah

we sing the beautiful carols we sing the beautiful carols

we sing we sing we sing the beautiful carols

with all our pride,

ok dudes, that was a great song and here is my version of christmas bells are ringing

marshmallows and flavoured milk

oh what a wonderful sight you see

opening christmas presents

underneath the christmas tree

there are gifts for uncle Tom and uncle Jay

and each kid gave each present a little play

they sang carols like deck the halls

and away in a manger, silent night and joy to the world

and then out came the fruit punch we all can share

we go

ding a ling ding a ling christmas bells are ringing

oh yeah let’s party on christmas day is coming

the party is on for young and old

then mrs ratcombe came out

we thought ‘what a mole’

ding a ling oh yeah let it ring

the christmas bells are ringing

ding a ling, oh yeah it will ring

every single day

yeah santa came through your computer screen tonight saying ** ** ** to you

and he left many presents for mark and tom and little baby foo

you see they fed their faces on  turkey and lollies and more food

and each kid told santa that they were very good

ding a ling ding a ling

christmas bells are ringing

santa coming through your computer screen

to leave your presents there

and at each house he will have marshmallow slice and beer and coke

and *** ***** and white christmas, oh yeah

oh yeah oh yeah ding a ling

the christmas bells are ringing

merry christmas dudes

hi dudes and wasn’t that a great song and now here is sitting at the mall, because there is nothing i like better

is sitting at the mall especially as the christmas tree is up, here it goes

sitting at the mall

and man, i eat too much junk food

it makes me slow

it makes me weary

you see i want to positive so let’s party from now to christmas, fine

i will go to my family’s house and listen to the carols play

you see this brings on a perfect life

i like singing christmas carols

around the table on christmas day

i want to see the christmas parade in adelaide and a few weeks later in perth

and video them for youtube, so i can push up my views

every kid and big strong adult would say merry christmas

and have a wonderful day

and i go about my life filled with junk food saying

hi di hi di **, the big fat elephant is so slow

and i see the kids playing with their christmas gifts oh yeah

they consume lolly after lolly and they will get really fat

they will look liken santa, how about that

so i can feel fit and be a cool entertainer singing

jingle bells jingle bells jingle all the way

oh what fun it is to play

on santa’s one horse open sleigh

and i am dreaming of a white christmas down here

well stop, cause in Australia it’s too **** hot

thanks dudes and now as it is coming on

a bit of summer weather


You see it's the summer weather
The barbecues are being cooked so well yeah
And the swimmers at the beach
are swimming between flags avoiding the sharks
And those crazy surfers as they surf with Santa
they drop off at the night club
to order a pina calada, yeah, that sure keeps us cool
You see it's summer weather
And you sun bake on the beach yeah
put on heaps of suncream, so cancer don’t strike, yeah yeah yeah
You see it's the summer weather
My poppy came out with a nice beer
And my two kids bobby and Toby had a coke
and they enjoyed that a lot
You see it takes away the hot, especially in ice
And it is great in the summer weather
Cause our drinks keeps us cool
You see it's the summer weather
The cricket and baseball is a playing
You see the players take about 5 hours to move oh yeah
And we see these players stand around forever
And in late of summer is the summer of tennis
watching the best players from around the world
and afterwards they go to the pub and celebrate
we say it's the summer weather cause those drinks keeps us cool
it’s the summer weather, the end of another year yeah
we lay the fireworks on the beach
so the lightshow, will be great
as midnight approaches we yell HAPPY NEW YEAR and then we say
what great summer weather, out champagne sure, keeps us cool

and now here is the song summer wonderland


The beer is chilling in the esky
Abc the BBQ is nice and hot yeah
And the kids are playing with their presents oh yeah that sounds real rad
And the swimming pool is being cleaned by your father and you can't swim in it cause the pool claurine
Can **** you well
You see we are running around
Up up and down
In a summer wonderland
You see Johnny Butthead and
Micheal Kenny and Robbie roe
And Kenny gee gee
And the superman of the heavens
Brings us nice weather and that makes us feel great yeah
Walking around singing a song
Walking in a summer wonderlsnd
On the beach we all made a sand castle and buried uncle Robbie
In the sand and then as he called
Out come on ya bludgers
Give us adults a ****** hand
You see when Robbie got out of that
He jumped around the beach
I was buried in sand
And yeah mate yeah I understand
Walking along singing a song
Living in a summer wonderland

ok dudes, that was a great song, and now dudes here is a song about santa claus new journey

you see santa claus came through the computer through the computer through the computer

santa claus cam through my computer, to give the gifts oh yeah

every time he came through the computer rolling around in cyber space

every time he came through the computer, he went up and then went down

you see tommy was a little boy trying to be good and susie was a little girl

who wanted santa to come, oh yeah

but susie was raised with santa going down the chimney yeah

and she went in and asked her dad, how can santa come here

and dad got out his apple Mac and said santa claus comes through this computer

through this computer through this computer

santa claus comes through this computer

to zap your presents there

you every christmas he comes through your computer

rolling around in cyber space

you see you can see every christmas eve you can see in your computer

a vision of santa coming through

santa claus comes through your computer through your computer through your computer

santa comes through your computers

santa will still eat lollies and cakes and a nice cold can of beer

so don’t be shy to leave them out as santa will be happy oh yeah

you see christmas day is a good day for santa to drop by

but for those families who have no chimney they will wonder how

you see santa claus comes through your computer through your computer through your computer

santa claus comes through your computer, ready to zap presents to you

here he is going through your computer, rolling around in cyber space

you see here santa is dropping from your apple Mac with a very loud thump

santa claus comes through your computer through your computer through your computer

you see santa is dropping through your computer, oh yeah let’s party on


and now here is stop dreaming of a white christmas, cause it’s too **** hot, pretty cool dude

You see I believe the North Pole is
Great and has a lot of penazz oh yeah
And Robbie roe decided to host his
Own Christmas bash with a BBQ and beer oh yeah come on
And then Martin pence bought
100 cases of the most expensive
Wine money can buy
And his 12 year old son
Said what about the coke dad oh yeah
You see it"s ****** hot and you have for a drink so what about us
Kids we need coke, oh yeah
And Martin prince said to his son
That we will have enough coke
Oh yeah cute cause it's hot
And we need to cool ourselves down
So stop dreaming of a white Christmas cause it!'s too **** hot
And on the day of Christmas Eve it hit 37 degees and we didn't feel like doing much let alone the preparation of the party so what we did is have a
5 hour dip in the swimming pool oh yeah carn Christmas spirit right out of me, oh yeah come on dudes
And the kids kept on jumping on us
Leaving us sore but at least we were having a nice dip in the pool to cool ourselves down do we can get ready for the party oh yeah mate yeah
So stop dreaming of a white Christmas cause it's too **** hot you see you see with pretty great
Mountains  and candy cane fountains  so stop dreaming of a white Christmas csuse it's too **** hot for that too **** stop dreaming of a white Christmas cause it's too **** hot for that
The kids are playing backyard cricket yeah and the men came out
To have a hit and the ladies are in
There swearing as they cook the bird
But the ladies have an agreement
That the kids and men all do the cleaning up and talk about the sports whilst doing that
So stop dreaming of a white Christmas cause dudes
It's too **** hot too **** hot
Too **** hot for that
No white Christmases in Australia pal

and now it’s time to go, goodbye jupiter moon
Krystal M Toney Sep 2020
I am the red flag
sprawled across your trembling limbs
when the world reminds you
that winter is also a season.

I am a reminder
that perfection exist
only in flawed visions
of how we see others
but refuse to see ourselves.

I'm the one you vent about
but refuse to listen to
because red flags
aren't viewed as imperfections
but as infractions;
Violations of laws
that neither of us agreed to
but live by.

Do you not see your own flags
boldly waving in the wind?
The way I stumble
beneath your force
or cringe
beneath your voice.

Do you talk about the way your flag
clings to it's pole?
Refusing to be pulled down?
Refusing to be burned?
An excerpt from a journal entry made on 9/18/2020. Currently dealing with my own flaws while quietly wondering if she notices her own...or even notices me.
Rylie Lucas Jun 2020
I don't know what I did
The past is so blurry
I can't remember
What I did to deserve this
My mind won't leave me alone
But you will
My hands move on their own
Texting you again
I know you'll never love me too
I understand you're using me
But red flags through rose-tinted glasses
Just look like flags
Armed with my heart on my sleeve
And rose-tinted glasses
Ready for you to use me
Because pain is the only thing that's real
Fled foam underneath us, and round us, a wandering and milky smoke,
High as the Saddle-girth, covering away from our glances the tide;
And those that fled, and that followed, from the foam-pale distance broke;
The immortal desire of Immortals we saw in their faces, and sighed.

I mused on the chase with the Fenians, and Bran, Sceolan, Lomair,
And never a song sang Niamh, and over my finger-tips
Came now the sliding of tears and sweeping of mist-cold hair,
And now the warmth of sighs, and after the quiver of lips.

Were we days long or hours long in riding, when, rolled in a grisly peace,
An isle lay level before us, with dripping hazel and oak?
And we stood on a sea's edge we saw not; for whiter than new-washed fleece
Fled foam underneath us, and round us, a wandering and milky smoke.

And we rode on the plains of the sea's edge; the sea's edge barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away,
Like an army of old men longing for rest from the moan of the seas.

But the trees grew taller and closer, immense in their wrinkling bark;
Dropping; a murmurous dropping; old silence and that one sound;
For no live creatures lived there, no weasels moved in the dark:
Long sighs arose in our spirits, beneath us bubbled the ground.

And the ears of the horse went sinking away in the hollow night,
For, as drift from a sailor slow drowning the gleams of the world and the sun,
Ceased on our hands and our faces, on hazel and oak leaf, the light,
And the stars were blotted above us, and the whole of the world was one.

Till the horse gave a whinny; for, cumbrous with stems of the hazel and oak,
A valley flowed down from his hoofs, and there in the long grass lay,
Under the starlight and shadow, a monstrous slumbering folk,
Their naked and gleaming bodies poured out and heaped in the way.

And by them were arrow and war-axe, arrow and shield and blade;
And dew-blanched horns, in whose hollow a child of three years old
Could sleep on a couch of rushes, and all inwrought and inlaid,
And more comely than man can make them with bronze and silver and gold.

And each of the huge white creatures was huger than fourscore men;
The tops of their ears were feathered, their hands were the claws of birds,
And, shaking the plumes of the grasses and the leaves of the mural glen,
The breathing came from those bodies, long warless, grown whiter than curds.

The wood was so Spacious above them, that He who has stars for His flocks
Could ****** the leaves with His fingers, nor go from His dew-cumbered skies;
So long were they sleeping, the owls had builded their nests in their locks,
Filling the fibrous dimness with long generations of eyes.

And over the limbs and the valley the slow owls wandered and came,
Now in a place of star-fire, and now in a shadow-place wide;
And the chief of the huge white creatures, his knees in the soft star-flame,
Lay loose in a place of shadow:  we drew the reins by his side.

Golden the nails of his bird-clawS, flung loosely along the dim ground;
In one was a branch soft-shining with bells more many than sighs
In midst of an old man's *****; owls ruffling and pacing around
Sidled their bodies against him, filling the shade with their eyes.

And my gaze was thronged with the sleepers; no, not since the world began,
In realms where the handsome were many, nor in glamours by demons flung,
Have faces alive with such beauty been known to the salt eye of man,
Yet weary with passions that faded when the sevenfold seas were young.

And I gazed on the bell-branch, sleep's forebear, far sung by the Sennachies.
I saw how those slumbererS, grown weary, there camping in grasses deep,
Of wars with the wide world and pacing the shores of the wandering seas,
Laid hands on the bell-branch and swayed it, and fed of unhuman sleep.

Snatching the horn of Niamh, I blew a long lingering note.
Came sound from those monstrous sleepers, a sound like the stirring of flies.
He, shaking the fold of his lips, and heaving the pillar of his throat,
Watched me with mournful wonder out of the wells of his eyes.

I cried, 'Come out of the shadow, king of the nails of gold!
And tell of your goodly household and the goodly works of your hands,
That we may muse in the starlight and talk of the battles of old;
Your questioner, Oisin, is worthy, he comes from the ****** lands.'

Half open his eyes were, and held me, dull with the smoke of their dreams;
His lips moved slowly in answer, no answer out of them came;
Then he swayed in his fingers the bell-branch, slow dropping a sound in faint streams
Softer than snow-flakes in April and piercing the marrow like flame.

Wrapt in the wave of that music, with weariness more than of earth,
The moil of my centuries filled me; and gone like a sea-covered stone
Were the memories of the whole of my sorrow and the memories of the whole of my mirth,
And a softness came from the starlight and filled me full to the bone.

In the roots of the grasses, the sorrels, I laid my body as low;
And the pearl-pale Niamh lay by me, her brow on the midst of my breast;
And the horse was gone in the distance, and years after years 'gan flow;
Square leaves of the ivy moved over us, binding us down to our rest.

And, man of the many white croziers, a century there I forgot
How the fetlocks drip blocd in the battle, when the fallen on fallen lie rolled;
How the falconer follows the falcon in the weeds of the heron's plot,
And the name of the demon whose hammer made Conchubar's sword-blade of old.

And, man of the many white croziers, a century there I forgot
That the spear-shaft is made out of ashwood, the shield out of osier and hide;
How the hammers spring on the anvil, on the spearhead's burning spot;
How the slow, blue-eyed oxen of Finn low sadly at evening tide.

But in dreams, mild man of the croziers, driving the dust with their throngs,
Moved round me, of ****** or landsmen, all who are winter tales;
Came by me the kings of the Red Branch, with roaring of laughter and songs,
Or moved as they moved once, love-making or piercing the tempest with sails.

Came Blanid, Mac Nessa, tall Fergus who feastward of old time slunk,
Cook Barach, the traitor; and warward, the spittle on his beard never dry,
Dark Balor, as old as a forest, car-borne, his mighty head sunk
Helpless, men lifting the lids of his weary and death making eye.

And by me, in soft red raiment, the Fenians moved in loud streams,
And Grania, walking and smiling, sewed with her needle of bone.
So lived I and lived not, so wrought I and wrought not, with creatures of dreams,
In a long iron sleep, as a fish in the water goes dumb as a stone.

At times our slumber was lightened.  When the sun was on silver or gold;
When brushed with the wings of the owls, in the dimness they love going by;
When a glow-worm was green on a grass-leaf, lured from his lair in the mould;
Half wakening, we lifted our eyelids, and gazed on the grass with a sigh.

So watched I when, man of the croziers, at the heel of a century fell,
Weak, in the midst of the meadow, from his miles in the midst of the air,
A starling like them that forgathered 'neath a moon waking white as a shell
When the Fenians made foray at morning with Bran, Sceolan, Lomair.

I awoke:  the strange horse without summons out of the distance ran,
Thrusting his nose to my shoulder; he knew in his ***** deep
That once more moved in my ***** the ancient sadness of man,
And that I would leave the Immortals, their dimness, their dews dropping sleep.

O, had you seen beautiful Niamh grow white as the waters are white,
Lord of the croziers, you even had lifted your hands and wept:
But, the bird in my fingers, I mounted, remembering alone that delight
Of twilight and slumber were gone, and that hoofs impatiently stept.

I died, 'O Niamh! O white one! if only a twelve-houred day,
I must gaze on the beard of Finn, and move where the old men and young
In the Fenians' dwellings of wattle lean on the chessboards and play,
Ah, sweet to me now were even bald Conan's slanderous tongue!

'Like me were some galley forsaken far off in Meridian isle,
Remembering its long-oared companions, sails turning to threadbare rags;
No more to crawl on the seas with long oars mile after mile,
But to be amid shooting of flies and flowering of rushes and flags.'

Their motionless eyeballs of spirits grown mild with mysterious thought,
Watched her those seamless faces from the valley's glimmering girth;
As she murmured, 'O wandering Oisin, the strength of the bell-branch is naught,
For there moves alive in your fingers the fluttering sadness of earth.

'Then go through the lands in the saddle and see what the mortals do,
And softly come to your Niamh over the tops of the tide;
But weep for your Niamh, O Oisin, weep; for if only your shoe
Brush lightly as haymouse earth's pebbles, you will come no more to my side.

'O flaming lion of the world, O when will you turn to your rest?'
I saw from a distant saddle; from the earth she made her moan:
'I would die like a small withered leaf in the autumn, for breast unto breast
We shall mingle no more, nor our gazes empty their sweetness lone

'In the isles of the farthest seas where only the spirits come.
Were the winds less soft than the breath of a pigeon who sleeps on her nest,
Nor lost in the star-fires and odours the sound of the sea's vague drum?
O flaming lion of the world, O when will you turn to your rest?'

The wailing grew distant; I rode by the woods of the wrinkling bark,
Where ever is murmurous dropping, old silence and that one sound;
For no live creatures live there, no weasels move in the dark:
In a reverie forgetful of all things, over the bubbling' ground.

And I rode by the plains of the sea's edge, where all is barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away',
Like an army of old men longing for rest from the moan of the seas.

And the winds made the sands on the sea's edge turning and turning go,
As my mind made the names of the Fenians.  Far from the hazel and oak,
I rode away on the surges, where, high aS the saddle-bow,
Fled foam underneath me, and round me, a wandering and milky smoke.

Long fled the foam-flakes around me, the winds fled out of the vast,
Snatching the bird in secret; nor knew I, embosomed apart,
When they froze the cloth on my body like armour riveted fast,
For Remembrance, lifting her leanness, keened in the gates of my heart.

Till, fattening the winds of the morning, an odour of new-mown hay
Came, and my forehead fell low, and my tears like berries fell down;
Later a sound came, half lost in the sound of a shore far away,
From the great grass-barnacle calling, and later the shore-weeds brown.

If I were as I once was, the strong hoofs crushing the sand and the shells,
Coming out of the sea as the dawn comes, a chaunt of love on my lips,
Not coughing, my head on my knees, and praying, and wroth with the bells,
I would leave no saint's head on his body from Rachlin to Bera of ships.

Making way from the kindling surges, I rode on a bridle-path
Much wondering to see upon all hands, of wattles and woodwork made,
Your bell-mounted churches, and guardless the sacred cairn and the mth,
And a small and a feeble populace stooping with mattock and *****,

Or weeding or ploughing with faces a-shining with much-toil wet;
While in this place and that place, with bodies unglorious, their chieftains stood,
Awaiting in patience the straw-death, croziered one, caught in your net:
Went the laughter of scorn from my mouth like the roaring of wind in a wood.

And before I went by them so huge and so speedy with eyes so bright,
Came after the hard gaze of youth, or an old man lifted his head:
And I rode and I rode, and I cried out, 'The Fenians hunt wolves in the night,
So sleep thee by daytime.' A voice cried, 'The Fenians a long time are dead.'

A whitebeard stood hushed on the pathway, the flesh of his face as dried grass,
And in folds round his eyes and his mouth, he sad as a child without milk-
And the dreams of the islands were gone, and I knew how men sorrow and pass,
And their hound, and their horse, and their love, and their eyes that glimmer like silk.

And wrapping my face in my hair, I murmured, 'In old age they ceased';
And my tears were larger than berries, and I murmured, 'Where white clouds lie spread
On Crevroe or broad Knockfefin, with many of old they feast
On the floors of the gods.' He cried, 'No, the gods a long time are dead.'

And lonely and longing for Niamh, I shivered and turned me about,
The heart in me longing to leap like a grasshopper into her heart;
I turned and rode to the westward, and followed the sea's old shout
Till I saw where Maeve lies sleeping till starlight and midnight part.

And there at the foot of the mountain, two carried a sack full of sand,
They bore it with staggering and sweating, but fell with their burden at length.
Leaning down from the gem-studded saddle, I flung it five yards with my hand,
With a sob for men waxing so weakly, a sob for the Fenians' old strength.

The rest you have heard of, O croziered man; how, when divided the girth,
I fell on the path, and the horse went away like a summer fly;
And my years three hundred fell on me, and I rose, and walked on the earth,
A creeping old man, full of sleep, with the spittle on his beard never dry'.

How the men of the sand-sack showed me a church with its belfry in air;
Sorry place, where for swing of the war-axe in my dim eyes the crozier gleams;
What place have Caoilte and Conan, and Bran, Sceolan, Lomair?
Speak, you too are old with your memories, an old man surrounded with dreams.

S.  Patrick. Where the flesh of the footsole clingeth on the burning stones is their place;
Where the demons whip them with wires on the burning stones of wide Hell,
Watching the blessed ones move far off, and the smile on God's face,
Between them a gateway of brass, and the howl of the angels who fell.

Oisin. Put the staff in my hands; for I go to the Fenians, O cleric, to chaunt
The war-songs that roused them of old; they will rise, making clouds with their Breath,
Innumerable, singing, exultant; the clay underneath them shall pant,
And demons be broken in pieces, and trampled beneath them in death.

And demons afraid in their darkness; deep horror of eyes and of wings,
Afraid, their ears on the earth laid, shall listen and rise up and weep;
Hearing the shaking of shields and the quiver of stretched bowstrings,
Hearing Hell loud with a murmur, as shouting and mocking we sweep.

We will tear out the flaming stones, and batter the gateway of brass
And enter, and none sayeth 'No' when there enters the strongly armed guest;
Make clean as a broom cleans, and march on as oxen move over young grass;
Then feast, making converse of wars, and of old wounds, and turn to our rest.

S.  Patrick. On the flaming stones, without refuge, the limbs of the Fenians are tost;
None war on the masters of Hell, who could break up the world in their rage;
But kneel and wear out the flags and pray for your soul that is lost
Through the demon love of its youth and its godless and passionate age.

Oisin. Ah me! to be Shaken with coughing and broken with old age and pain,
Without laughter, a show unto children, alone with remembrance and fear;
All emptied of purple hours as a beggar's cloak in the rain,
As a hay-**** out on the flood, or a wolf ****** under a weir.

It were sad to gaze on the blessed and no man I loved of old there;
I throw down the chain of small stones! when life in my body has ceased,
I will go to Caoilte, and Conan, and Bran, Sceolan, Lomair,
And dwell in the house of the Fenians, be they in flames or at feast.
Kiddo Jun 2010
i'm your soul mate, you know it and remain in silence.
we’re making the same steps, in the same rhythm, you know
you and i, we had the same evolution,
we asked the same questions, we came to the same solution

if you are who you are, than I can make it, than i will be who i am,
currently i'm leaking, love seeking.
we know so much, without saying it,
you know what i mean, but you have to admit
that you don't trust this, that i can look behind your mask,
so i ask, is this too colorful in all this grey?

or maybe i'm two steps ahead
i will step them back, for you i'll take the loss

stupid, pathetic words, i hate them myself
i talk so much stuff, i'm like dust on a shelf
you are so much smarter than me anyway
now don't look away!

but i studied the science of love.

i dealt with it since thousands of years
i observed and i took down how i suffered in tears
now i know something and i see you don't have a clue
i can see my own kind, i see us all in blue

we walk like figures from picasso's most empathic time
we can fly and dream and we don't talk, we mime
we suffer like dogs, day by day, year by year
we cook our blood and swim in it, without any fear

but we cant manage to work as a community
because in all this chaos we are much rather free.
our wish of shared identity
is killed by the beauty we can't see

so much space and so much that we fill with pain
i know you and you know me, my love, i am
addicted too your touch, without any shame
i could yell it out loud, i wish you would do the same

than suddenly we wouldn't be, maybe like the blue
and i bet, they'd give us better names, like the new
don't you think, it would be easier to be free.
now we are the reds for everyone to see

there, where people kiss without thinking about tomorrow
and we only wave the blue on flags without feeling sorrow.
Eilis Ni Eidhin Feb 2015
When the world turns upside down
Because of a computer virus
Who ya gonna call?
The magical IT department.

On horses of cabled veins
They charge to vanquish
The evil that lurks inside
The internet.

White flags blowing in the breeze
Always on hand and
Well educated
But miserable in their own way.
Anne M Jun 2013
She waged a silent war
on his smile
some mornings.

Because she knew
--if he tried--
he could grasp her
by those white flags.

And all too easily
she'd surrender.
Ugo Feb 2012
1.
Nymphomaniac-addicts,
Overweight bisexual vegetarians
Climbing trees to stay fit
and eating 80’s fried chicken *******

2.
just imagine
Aquarians full of class valedictorians
Swimming on display for graduation ceremony…
reverse-symbolism of how Moolch drowned His *****

3.
Better yet, just imagine
Holy wars,
Beautiful words written to describe the burning pains
Of holocaust...the Kristallnacht nights
Under the mistletoe,
Watching Hall of fame ball hawks on pivot toes
Driving through hoes
After the whistle blows

4
College Literacy classes teaching basic:
Ideas that good questions leads to good answers,
Reading reminders
Free association conceptual constructions

5.
But *******’ professor:
free association **** shticks
misfires, false alarms
are all art, too,
Like sticking a dagger into an apple,
Not the edible, but the technology.

6.
Go head, deconstruct the philosophy
Of oral cute-tification,
according to the Tautology of Leviticus,
With the same three half truths, pogroms
against biological deviant... FLAGS!

7.
Cryptic gospels of a *******
Where three F.F.F’s
Stands for six six six
Like how 1mg of juxtaposition
And a dose of metamorphosis
is the repertoire of a king of curmudgeon
‘cause even the Holy Ghost
drinks from the cup of Christ’s blood.

8.
Reading,
Self-flagellation gospel-manual of Pope John Paul II,
At shrink sessions under the daze of heron Piper methysticum blunts
With sweet phat butts like lit lickerish that droop eyes
Like the psalm of Valeriana officinalis root extract.
Lauren Christine Oct 2017
tired. weary.
of having my red flags always ready
of being on alert for every cue
every subtle hint
from any one of you

i've grown scared of small smiles and long glances
even though that's most of what i do
i'm afraid of seeing it back
because i am always afraid of what complications
your attentions would entail

am i expected to curb my fondness
my friendship
my curiosity
my joy
to keep from leading you on

should i protect your feelings
and in doing so push down my own
do i owe it to you not to
really look in your eyes like i love to
or to not laugh too loudly when i find you funny

do i owe you my reservation my restriction
do i owe it to you to domesticate my affections
so i don't hurt you
when i tell you that:
no, i will not go to dinner with you
even though i would love to
if it didn't mean leading you on

or no, i cannot be that for you,
even though i would love to spend time with you alone
if it didn't mean leading you on

because i love you dearly already
and i want to explore every crevice
of your vibrating soul
but purely platonically

no one else seems to think this way
and i am confused
and sad
i'm tired. i'm weary.
of these ever waving red flags.
i hate the color red. it demands so much.
growingpains Feb 2018
But when all the red flags lose their pigment
When all the shades of red fade and seem to blend
Into familiar scenes, into familiar objects
And remind me of vibrant sunrise and a flowy sundress
Or of the Valentine's day heart-shape chocolate
It's hard to distinguish them
To pick them apart
And to recognize their alarm
Happy Valentine's day!
Blake Sep 2018
And I'll try to delay what you make of my life
But I don't want your way,
I want mine

I’m lying, I’m so very far from fine

I don’t believe, in talking just to breathe

I’m here to give you words as tools that can destroy my heart

He thinks that faith might be dead
Nothing kills a man faster than his own head

*** nobody knows he’s alive

I want to crack the door so I can just fall out

I begin to understand why god died

And I want everyone to know that I am half a soul divided

Don’t be afraid. We’re going home.

We had to steal him from his fate so he could see another day

Am I alive and well or am I dreaming dead?

Where all your blood is washed away and all you did will be undone

We pick songs to sing remind us of things that nobody cares about and honestly we’re probably more suicidal than ever now

If we wake up every morning and decide what we believe we can take apart our very heart and the light will set us free

Please don’t be afraid of what your soul is really thinking

It’s time you pick your battle, and I promise you this is mine.

I know what you think in the morning when the sun shines on the ground

But there’s hope out the window, so that’s where we’ll go, let’s go outside and all join hands but until then you’ll never understand

Simply suggest my chest in this confused music it’s obviously best for them to turn their guns to a fist.

I’m taking over my body back in control no more shorty

I fought it a lot and it seems a lot like flesh is all I got not anymore

You should take my life, you should take my soul

You are surrounding all my surroundings

Fight it. Take the pain ignite it tie a noose around your mind loose enough to breathe fine and tie it to a tree tell it “you belong to me this ain’t a noose this is a leash and I have news for you, you must obey me”

It ain’t the speakers that bump hearts, it’s our hearts that make the beat.

I’m pleading please oh please, on my knees repeatedly asking why it’s got to be like this, is this living free?

Some see a pen I see a harpoon.

I’ll stay awake, *** the dark’s not taking prisoners tonight

I don’t hear those voices calling, I must’ve kicked them out

Why won’t you let me go? Do I threaten all your plans I’m insignificant

I’m afraid to tell you who I adore, won’t tell you who I’m singing towards

I know it’s dire my time today

Somebody stole my car radio and now I just sit in silence

Sometimes quiet is violent
I find it hard to hide it my pride is no longer inside it’s on my sleeve my skin will scream

There’s no hiding for me I’m forced to deal with what I feel there is no distraction to mask what is real

This time there’s no sound to hide behind

I find over the course of our human existence one thing consists of consistence and it’s that we’re all battling fear oh dear I don’t know if we know why we’re here oh my too deep please stop thinking

Peace will win and fear will lose

There’s faith and there’s sleep we need to pick one please because faith is to be awake and to be awake is for us to think and for us to think is to be alive and I will try with every rhyme to come across like I am dying to let you know you need to try to think.

I don’t wanna be heard, I wanna be listened to.

I scream you scream we all scream *** we’re terrified of what’s around the corner.

My brain has given up, white flags are hoisted

The stomach in my brain throws up onto the page

I don’t understand why everything I adore takes a different form when I squint my eyes have you ever done that when you squint your eyes and your eyelashes make it look a little bit right and then when just enough light comes from just the right side and you find you’re not who you’re supposed to be?
This is not what you’re supposed to see, please, remember me I am supposed to be king of kingdom, swinging on a swing, something happened in my imagination the situations becoming dire, my treehouse is on fire, and for some reason I smell gas on my hands. This is not what I had planned.

We’ll be on fire

We have romantic fantasies about what dying truly is

We all know somebody who knows somebody who’s doing great, I know some people who know people who are flying straight, but I’ll kindly enter into rooms of depression, while ceiling fans and idle hands will take my life again.

But I would rather sing a song, for the eyes to sing along

I’m holding onto what I know and what I know I must let go

Redemption’s not that far and darkness is going down.

Nobody thinks what I think, nobody dreams when they blink, think things on the brink of blasphemy I’m my own shrink think things are after me, my catastrophe.

Are you searching for purpose? Then write something and it might be worthless, paint something yeah it might be wordless pointless curses nonsense verses you’ll see purpose start to surface, no one else is dealing with your demons meaning maybe defeating them could be the beginning of your meaning friend.

They will play a game and say they know what you’re doing through and I tried to come up with an artistic way to say they don’t know you and neither do I

I hear a second voice behind your tongue somehow

They will not take you down they will not cast you out

Dear friends here we are again pretending to understand how you think your world is ending sendin signals and red flags in waves it’s hard to tell the difference between blood and water these days
I pray that one day you see
The only difference between life and dying
Is one is trying that’s all we’re gonna do so try to love me and I’ll try to save you

Won’t you stay alive I’ll take you on a ride, I will make you believe you are lovely

Your redemption won’t grow stale, we are now just setting sail, on the seas of what we fear, treason now is growing near to me, I’m coming clean, god hit me straight on.

I know, where you stand, silent in the trees
And that’s where I am

Why won’t you speak, where I happen to Be? Silent in the trees standing cowardly
I can feel your breath, I can feel my death.
I want to know you, I want to see, I want to say, hello

I don’t believe my ears and I’m scared of my own head.

Clearly I am dying, dearly I am writing

I’m lying cause I say I am fine

I’m so sorry but I do believe that all my bridges I have burned and I’ve earned a policy of no return

Today, day, I want to go away, way

I put my sock on my feet, just so that my soul would fall through my toes, And I walk through my door, just so I don’t fall through the floor.

So bold and fearless in the risks we take, laugh in the face of gravity as it’s laws we’d break, on trampolines so high, we reach for the sky, but I do not look up anymore and I don’t know why.

I take my face off at the door because I don’t know who they will take me for

I’m the son of all I’ve done

When we’re done we’ll all have made something new under the sun

“Where’s your home? Where are you going and why are you here?”

I will tell you what I can, but your mind will take a stand, I sing of a greater love, let me know when you’ve had enough.

When your father turns to stone will you take care of me?
I will make you queen of everything you see, I’ll put you on the map, I’ll cure you of disease.
Let’s say we up and left this town and turned our future upside down, we’ll make pretend that you and me, lived ever after happily.

Since we know that dreams are dead, and life turns plans up on their head, I will plan to be a *** so I just might become someone.

Taking my only, friend I know. He leaves a lot. His name is Hope.

I’m never what I like, I’m double sided

*** I’m twisted up, I’m twisted up, inside my mind

When the sun is climbing window sills, and the silver lining rides the hills, I will be safe, for one whole day, until the sun makes the hills it’s grave.

By the time the nights wears off, the dust is down, and shadows burn, I will rise and stand my ground, waiting for, the nights return.

I do not know why I would go in front of you na shied my soul, *** you’re the only one who knows it

I don’t know why I think I could lie, *** there’s a screen on my chest

I’m standing in front of you I’m trying to be so cool, everything together trying to be so cool.

I can’t see past my own nose I’m seeing everything in slow-mo look out below crashing down to the ground

A train from the sky locomotive my motives are insane
My flows not great okay, I conversation with people who know if I flow on a song I’ll get no radio play.
While you’re doing fine, there’s some people and I, who have a really tough time getting through this life so excuse us while we sing to the sky.

We’re broken people

I can’t take them on my own, my own, pa, I’m not the one you know, you know

Don’t wanna give you all my demons, you’ll have to watch me struggle, from several rooms away. But tonight, I need you to stay.

I am up against the wall, the wall, pa, I hear them coming down, the hall.

I want to drive away in the night, headlights call my name.
I’ll never be, be what you see inside, you say I’m not alone but I am petrified.

Is close the closest star? You just feel twice as far.

I’m so afraid, of what you have to say, cause I am quiet now, and silence gives you space

And the wrists of my mind had the bleeding lines that remind me of all the times I have committed

What kids are doing they’re killing themselves, they feel they have no control of their prisoner cells, and if you’re one of them then you’re one of me

Now the night is coming to an end

The sun will rise and we will try again

Stay alive, stay alive, for me.
You will die, but now your life is free take pride in what is sure to die.

I will fear the night again.

I hope I’m not my only friend.

There’s an infestation in my minds imagination

This not rap this is not hip hop, just another attempt to make the voices stop

This doesn’t mean I lost my dream it’s just right now I got a really crazy mind to clean.

Can you save my heavydirtysoul, for me?

If I didn’t know better I’d guess you’re all already dead

You’ve got one time to figure it out, one time to twist and one time to shout, one time to think and I say we start now

Death inspires me like a dog inspires a rabbit

I wish I found some better sounds no ones ever heard, I wish I had a better voice to sing some better words, I wish I found some chords in an order that is new, I wish I didn’t have to rhyme every time I sang

Now I’m insecure, and I care what people think.

Sometimes a certain smell will take me back to when I was young, how come I’m never able to identify where it’s coming from?

It would remind us of when nothing really mattered out of student loans and treehouse homes we all would take the ladder.

We used to play pretend give eachother different names

Used to dream of outer space but now they’re laughing at our face saying wake up you need to make money

I wanna stay in the sun where I find, I know it’s hard sometimes

I think about the end just way too much, but it’s fun to fantasize

I won’t fall in love with falling

I’d die for you that’s easy to say we have a list of people that we would take a bullet for them a bullet for you

Metaphorically I’m the man but literally I don’t know what I’d do, that’s harder to do even harder to say when you know it’s not true and it’s harder to write when you know that tonight there were people back home that tried talking to you

All these questions they’re for real like who would you live for who would you die for and would you ever ****?

I’ve been thinking too much, help me

I’m fairly local, ive been around, ive seen the streets you’re walking down

I’m evil to the core, what I shouldn’t do I will, they say I’m emotional, what I wanna save I’ll ****. Is that who I truly am? I truly don’t have a chance. Tomorrow I keep a beat. And repeat yesterday’s dance

I’m not evil to the core, what I shouldn’t do I will fight. I know I’m emotional, what I wanna save I will try. I know who I truly am. I truly do have a chance. Tomorrow I’ll switch the beat, to avoid yesterday’s dance

It’s the few the proud and the emotional

The world around us is burning but we’re so cold

Our minds change on what we think is good, I wasn’t raised in the hood, but I know a thing or two about pain, and darkness, if wasn’t for the music I don’t know how I would’ve fought this.

I’m in constant confrontation with what I want and what is poppin in the industry it seems to me that singles on the radio are currency my creativities only free when I’m playing shows.

Who would you live and die for on that list but the problem is there’s another list that exists and none really wants to think about this forget sanity, forget salary, forget vanity my morality, if you get in between someone I love and me, you’re gonna feel the heat of my calvary

He cranked out those dismal chords, and his four walls declared him insane.

I found my way right time wrong place

I know my souls freezing hells hot for good reason

But I’m not good with directions and I hide behind my mouth, I’m a pro at imperfections and I’m best friends with my doubt.
Now that minds out and now I hear clear and loud I’m thinking wow I probably should’ve stayed inside my house

I don’t know if this song is a surrender or a revel. I don’t know if this one is about me or the devil.

Help me out, my friends and I we got a lotta problems

Wanted to be a better brother better son wanted to be a better advisory to the evil I have done I have none to show to the one I love

Polarize is taking your disguises sepersting then splitting them up from wrong and right, is deciding when to die and deciding when to fight

I don’t know where you are, you’ll have to come and find me

We have all learned to **** our dreams

I need to know that when I fail you’ll still be here. *** if you stick around I’ll sing you pretty sounds and well make money selling your hair

I don’t care what’s in your hair I just wanna know what’s on your mind.
I used to say I wanna die before I’m old but because if you I might think twice.

What if my dream does not happen. Would I just change what I’ve told my friend. Don’t want to know who I would be. When I wake from a dreamers sleep

Scared of my own image. Scared of my own immaturity

Fear might be the death of me. Fear leads to anxiety. Don’t know what’s inside of me.

Even when I doubt you, I’m no good without you.

Temperature is dropping, I’m not sure if I can see this ever stopping. Shaking hands with the dark parts of my thought no, you ar wall that I’ve got no.

I want the markings made on my skin, to mean something to me again.

Hope you haven’t left without me, please

Who I am today is worse than other times. You don’t know what I’ve done.

Why I’m in denial that they tried the suicidal session. Please use discretion when you’re messing with the message man, these lyrics aren’t for everyone only few understand.

Hope you’re dead *** how could you sleep at a time like this

I’m the kinda guy who takes every moment he knows he confided in
Music to use for others to use it

Life is up here but you comment below And the comments below will become
Common motivation to promote
Your shows next episode
So your brain know to keep going
Even though hope
Is far from this moment but you and I know it gets better when mornin finally reads it’s head, together we’re losers remember the future remember the mornin is when night is dead.

My people singing

Be the one to take my soul and make it undone

Be the one to take me home and show me the sun

Where we’re from, there’s no sun, our hometowns in the dark
Where we’re from, we’re no one, our hometowns in the dark.

We don’t know, how to put back the power in our soul

We don’t know, where to find, what once was in our bones.

I look outside and see a whole world better off without me in it trying to transform it.

Listen I know, this ones a contradiction because of how happy it sounds. But the lyrics are so down.
It’s ok though, because it represents Wait better yet it is, who I feel I am right now.

I’m a goner, somebody catch my breath

I wanna be known, by you.

Though I’m weak, and beaten down. I’ll slip away, into this sound.
The ghost of you is close to me.
I’m inside out, you’re underneath.

I’ve got two faces, blurry’s the one I’m not

I need your help to take him out

Don’t let me be gone.

I can’t believe how much I hate.
Pressures of a new place roll my way.

Spirits in my room, friend or foe?
Felt it in my youth feel it when I’m old

I’ll be right there, but you’ll have to grab my throat and life me in the air. If you need anyone
I’ll stop my plans, but you’ll have to tie me down and then break both my hands.

You can learn to levitate with just a little help

Cowards only come through when the hours late and everyone’s asleep mind you

My heart is with you hiding but my minds not made

No we are not just graffiti on a passing train I got back what I once bought back in that slot I won’t need to replace

Sever all I thought I could depend on my weekends on the freezing ground that I’m sleeping on please keep me from please keep me down from the ledges

At least they all know all they hear comes from a place.

When everyone, you thought you know, deserts your fight, I’ll go with you
You’re facing down, a dark hall, I’ll grab my light and go with you

Surrounded and  up against a wall, I’ll shred em all. And go with you
When choices end, you must defend, I’ll grab a bat, and go with you

Stay with me, no you don’t need to run, stay with me, my blood.

They’re callin for your head and they’re callin for your name, I’ll bomb down on em I’m comin through

Just keep it outside

If you find yourself, in a lions den, I’ll jump right in, and pull my pin.

East is up, I’m fearless when I hear this on the low
Easy is up, I’m careless when I wear my rebel clothes

They will know that, Dema don’t control us

They wanna make you forget

Save your razor blades now, not yet

I’m flying from a fire, from Nico and the Niners.

What I say when I wanna be enough what a beautiful day for making a break for it, we’ll find a way to pay for it, maybe from all the money we made razor blade stores, rent a race horse, and force a sponsor, and start a concert a complete diversion, start a mob and you can be quite certain we’ll win but not everyone will get out.

Can’t stop thinking about if and when I die for now I see that if and when are trike different cries for If is purely panic and when is solemn sorrow and one invade today while the other spies tomorrow

If I keep moving they won’t know I’ll morph to someone else

I’m just a ghost

Defence mechanism mode

What are we here for if not to run straight through all our tormentors

Anybody listening?

This beat is a chemical

Lovin what I’m tasting
Venom on my tongue
Dependant at times
Poisonous vibrations

I’m running for my life

Hide you in my coat pocket

Felt I was invincible you wrapped around my head now different lives I lead my body lives on lead the last two lines may read incorrect until said

I despise you sometimes I love to hate the fight and you in much life is like sippin on straight chlorine

Grows while I decay

Can you build my house with pieces I’m just a chemical

My interior world needs to sanitize
I’ve got to step through or I’ll dissipate
I’ll record my step through for my basement tapes

Nice to my kind will be on my side

And you know you’re a terrible sight but you’ll Be just fine

Your exterior world can step off instead
It might take some friends and a warmer shirt but you don’t get thick skin without getting burnt

No I don’t know which way I’m going
But I can hear my way around

I never look for conflict for the thrill

For you I would get beat to smithereens

And my problem? We glorify those even more when they

My opinion our culture could treat a loss like it’s a win and right before we turn on them we give them the highest of praise and hang their banner from the ceiling communicating further ingravjng and earlier grace is an optional way. No.

What’s my problem don’t get it twisted it’s with the people we praise who may have assisted

I could go out with a band they would know my name they would host and post a celebration . My opinion will not be lenient

We don’t get enough love well they get a fraction they say how could he go if he’s got everything I’ll mourn for a kid but won’t cry for a king.

Neon gravestones try to call for my bones

Promise me this. If I lose to myself you won’t mourn a day and you’ll move on to someone else

But they won’t get them

Don’t get me wrong the rise in awareness is beating a stigma that no longer scares us but for sake of discussion in spirit of fairness could we give this some room for a new point of view and could it be true that some could be tempted to use this mistake as a form of aggression a form of succession a form of a weapon thinking I’ll teach them well in refusing the lesson it won’t resonate in our minds I’m not disrespecting what was left behind just pleading that it does not get glorified maybe we swap out what’s it is that we hold so high. Find your grandparents or someone of age. Pay some respects for the other that they paved to life they were dedicated now that should be celebrated.

I could take the high road but I know that I’m going low

I’m a bandito

This is the sound we make when in between two places where we used to bleed and where our blood needs to be

In city I feel my spirit is contained like neon inside the glass they form my brain but I recently discovered it’s a heartless fire like nicknames they give themselves to uninspire begin with bullet now add fire to the proof but I’m still not sure if fears a rival or close relative to truth either way it helps to hear these words bounce off of you the softest school could be enough for me to make it through

I created this world to feel some control destroy it if I want so I sing Sahlo Folina

I can feel pressure start to posses my mind so I’ll take this beat I should delete to exercise

No I move slow I wanna stop time I’ll sit here til I find the problem

This clique means so much to this dude it could make him afraid of his music and be scared to death he could lose it

You were one of those classic ones
Traveling around this sun

I wish she knew you

You were here when I write this but the masters and mixes will take to long to finish to show you I’m sorry I did not visit did not know how to take it when your eyes did not know me like I know you

Then the day that it happened I recorded this last bit I look forward to having a lunch with you again

I’m tired of tending to this fire

Embers barely showing proof of life in the shadows dancing on my plans

They know that it’s  almost over

The burning is so low it’s concerning *** they know that when it goes out it’s a glorious gone
It’s only time before they show me why no one ever comes back with details from beyond

In time I will leave the city for now I will stay alive

Last year I needed change of pace
Couldn’t take the pace of change
Moving hastily
But this year
Though I’m far from home
In trench inches not alone
These faces facing me
They know what I mean.
I made this more for me than anyone else. It’s a really fricken long piece. They saved me tho so I do not care. K bye.
judy smith Apr 2015
With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses
Francis Duggan Apr 2010
It's Friday evening from life's cares we'll have a brief leave taking
And lets go to the Basy Pub for hour of merry making
In confines of the Settlers Bar the voice of mirth is ringing
And Pete Atkinson from Dublin Town an Irish song is singing.

The Mckelvey men father and son are talking of horse racing
They know the horses inside out from form and race card tracing
Has Vo rogue gone over the hill, can Horlicks race to glory
Can Almaarad come bouncing back and go down in history?

Phil Cronin go back down the years he flick back through life pages
To friends he knew in Millstreet Town he has not seen for ages
Big Jerry Shea and Mister O, James Manley hale and hearty
And Johnny Sing from Millview Lane the life of every party.

Brave Harry the brave English man the one as tough as leather
You'll only see that man in shorts no matter what the weather
A man of elephantine strength yet gentle and kind hearted
And he has taken life's hardest blow since his son this world departed.

Big **** Kissane the Kerry man he doesn't like Maggie Thatcher
And he feels that for Union bashing that few in history could match her
Still he won't go back to Kenmare to weather wet and hazy
He'd much prefer Mt Evelyn it's nearer to the Baysy.

**** Kelleher and Phil Schofield well into greyhound breeding
They talk of how greyhounds should be schooled and for them proper feeding
Two greyhound trainers and of late their reputations growing
And Millstreet Town keep racing on when others dogs are slowing.

Vin Schofield a Manchester Man he does love Man United
And every time United win he feel proud and delighted
But United not doing well of late of late they're not impressing
And this too much for him to take he find it all depressing.

Galway's Matt Duggan and Westmeath's Sean Fay the hurling game debating
On the first sunday of September who will be celebrating
Can Westmeath make the big break through or will Galway flags be waving
Or will Tipperary still be champs their reputation saving?

And Marty Kerins from Mayo a good and happy fellow
I've never met him in bad mood I've always found him mellow
He love the Bayswater Hotel he say there is none better
And to be kept from Settlers Bar he'd have to be in fetter.

And **** O Shea from Dublin his friends are in the many
And he doesn't have one enemy and he doesn't deserve any
He's given homes to Homeless souls and he's easily moved to pity
And good a man as ever came to live in this great City.

The amazing J D Ellis his name and fame keep spreading
And he has bounced back from the floor and for the top he's heading
Still he is easily stirred up and Garry Carter does the stirring
And el tigre he begins to growl the cat's no longer purring.

It's friday evening from life's cares we'll have a brief leave taking
And where better than the Basy Pub for hour of merry making
In Confines of the Settlers Bar the voice of mirth is ringing
And Pete Atkinson from Dublin Town an Irish song is singing.
Julie Grenness Jul 2015
Are all footy fanatics
Total raving lunatics?
The flag's in the bag!
We've got lively lads
The best we've ever had!
Peter Pans on ***,
The flags that time forgot!
Footy finals fever,
Talk about dream weavers!
Footy finals phobia,
TV claustrophobia,
Why didn't we win,
Any old excuse again!
Footy fanatics,
Raving lunatics,
Footy finals fever,
Melbourne's dream weavers!
(And we wouldn't have it any other way!!) Feedback welcome.
Ashton Sky Sep 2015
Because
when you look at someone
with rose colored glasses
all the
red flags
just
look
like
flags
*disclaimer* this isn't my own work, its a quote from such a great comedy. but i just had to.
emma jane Mar 2016
My eyelids seem
to be the strongest part of me.
When the rest of my body
falls
into the ocean
of blankets they
float open upon the white water
atop
the waves of sleep.
This is when you come back.
In this mattress I am a piece
of clay and I can still feel the deep indentations of where your fingers
wrapped themselves like Ivy around my hips.
Hips, that stuck out like white flags of surrender and
fell to the ground in a straight line.
I can still hear
you.
I am a broken record,
and your whispers are the only track that plays at this hour.
“You are fat”
“Look at how flat you are Emma, no boy will ever look at you.”
“You are ugly.”
These are the nights when I can
feel the spiderwebs your words wrapped around my ribs and
listen to the way my heart beats constricted
in its cage, your hand still clenched around it.
Can’t you see me bleeding?
Safety lies
beneath my eyelids but you pull them open
I can feel
your icy touch behind my eyes as I stare
coldly at the ceiling.
you demand to be heard.
Did you mean to put your words
in my pocket when you reached in to steal the sleep that was nestled there like crumpled dollar bills?
Do you realize that you stayed with me?
Can you take your stolen midnight hours back and place them on your pillowcase?
Will your eyelids close?
Or can you still hear my cries of protest as your soundtrack plays into the night?
I don't understand?
Did you think it wouldn't hurt me?
Or did you want to live forever,so you put your
fingerprints where you knew they wouldn't fade.
This is almost the completed version of a poem I am submitting to a contest. Please please please leave feedback and suggestions. I really want this to go somewhere. I believe it is a message that people need to hear.
Jason Chae Nov 2015
While you cover your profile pictures with transparent flags
ranting how terrorism should stop
retweeting and reposting those gory pictures of the victims
keeping up with the latest news
and trying to flow with the trend
like if this was the new ice bucket challenge
but with blood water.

In all honesty,
Do you really pity the victims?
Do you really feel the sorrow?
Were your families even part?
Were your friends even part?
Were you a part?

Or are you doing it for the sake of Likes?

Only truly
if you hate terrorism,
act like as you really do
because you look stupid,
hating what social media tells you to hate.

And only truly
if you hate terrorism,
You would do something more than a click from social media.

If terrorists terrorize to change the world into their own,
what are we doing to change ours?
once again slaves of social media who call themselves "supporting"

— The End —