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"finery" poems
Today, the words came to me Wrapped in their exclusive finery Ready to take me with them On a tour of the unknown alleys Of my heart, not visited by me Each word is a guide, leading me Towards the core of gratitude Being an avid traveler I was yet to take this journey With childlike glee I read each word Feelings which lay unexpressed Were touched by the magic message Like each new day brings fresh hope Each word spoke with such grace The roots of joy are rejuvenated And springs to blossom eternally To greet me with varied colors Of happiness, gratitude and hope Living each day in wonder Soft morning light ushers new day Gratitude in my prayer Before I start a brand new day
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Oct 10, 2014
Oct 10, 2014 at 9:04 AM UTC
Words of Gratitude
Society has good intentions Bureaucracy is like a friend 5 years ago - other furies other losses - America's trying to control the uncontrollable Forest fires, Vice The essential smile In the essential sleep Of the children Of the essential mind I'm all thru playing the American Now I'm going to live a good quiet life The world should be built for foot walkers Oily rivers Of spiney Nevady I am Jake Cake Rake Write like Blake The horse is not pleased Sight of his gorgeous finery in the dust Its silken nostrils did disgust Cats arent kind Kiddies anent sweet April in Nevada - Investigating Dismal Cheyenne Where the war parties In fields of straw Aimed over oxen At Indian Chiefs In wild headdress Pouring thru the gap In Wyoming plain To make the settlers Eat more dust than dust was eaten In the States From East at Seacoast Where wagons made up To dreadful Plains Of clazer vup Saltry settlers Anxious to ********** The Mongol Sea (I'm too tired in Cheyenne - No sleep in 4 nights now, & 2 to go)
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9.1k
Bus East
how many generations can lay with you in your bed? Matriarch Mama, honorific due you, title earned, not learned, and now a teaching PhDs  of Matriachal Science let us have tea, a tea party in you garden, and the granddaughters dressed in their church finest, running noisy but that's ok, mass is over, and the party is now a backyard affair me, a recorder, standing in the corner, invisible observing, leaning on that old banyan tree, smile playing on my eyes, counting cousins daughters sisters, and best of the best, grand babies wilding in their Sunday finery, even seeing invisible fathers standing beside me, but espy only one Matriarch Mama, sallying forth, gunslinger of poetry, nobody messes with Sally, she is the brood defender, poetess not of the day she is a generational inscriber, an author of a gene pool of life's best, her existence, from heaven, sent a manna, to feed-across-time just one family, an ordinary, if such there was, Matriarch Mama
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Jun 21, 2014
Jun 21, 2014 at 2:01 AM UTC
Matriarch Mama (Sally Forth Sally)
Teresa climbs on the bus before the sun, if she has the fare to get there, where she makes the bread; she's been at this two of her nineteen years   yet she has fears, they will come for her--green card or not; though they like her rolls she kneads the big ***** pulls, pinches, a sculpting of dough, a laying of trays, one after another then, from the Iglesias, they come, decked in their finery though she does not see she only hears the litany of language she can't comprehend, a clanging of trays, laughter the urging of the jefe to work faster, bake the bread; the communion wafers did not fill them now they are here, breaking fast, forgetting the words they just heard the songs they sang Teresa does not complain; she is glad to feed the worshipers, though they will never know her name nor will they stop for her in the pouring rain, the blistering sun Teresa never wavers next Sabbath will be the same: dawn, the dough, the oven it is the work--her hands which make the bread others break, the grace granted to serve holy, holy, holy...
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Apr 2, 2017
Apr 2, 2017 at 8:49 PM UTC
feeding the holier
There’s a scurrying sound of something, burrowing, Down in the depths of the dungeons, hurrying, Skittering, pittering-pattering, scattering When there’s a footstep, hear them chattering: ‘Here come the lords, and here comes the vassal, Tripping their way through Cockroach Castle.’ Here come the ladies, all in their finery Tripping and sipping the wine from the winery, Trailing their silks, their satins and bustling, Up in the ballroom, while the rustling Army beneath the sounds of their razzle Is down in the depths of Cockroach Castle. Spilling their millions up in the glooming Out from the flagstones, terror is looming, Up on the awnings, hung from the ceiling Under the swish of the skirts they’re stealing, Dropping in hair, and burrowing faster, Cockroach Castle is set for disaster. Suddenly all of the room is screaming Flapping of hands, the roaches are teeming, Myriad hordes in the Carbonara, Candles are tipped from the candelabra, Choking smoke from the candles guttered, Flames leap up from the ones that stuttered. Clothing and flags and the awnings razing Silks and satins flare up, and blazing, Roaches in eyes and ears, they’re rasping Clogging their throats, to leave them gasping, There isn’t a lady or lord, or vassal To come out alive from Cockroach Castle! David Lewis Paget
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Apr 3, 2014
Apr 3, 2014 at 1:08 PM UTC
Cockroach Castle
Alien among aliens, Fanning delicate fins to promenade A prim coquette and starchy cavalier Trimmed and tined in ossein finery, Sipping shrimp cocktails, dancing demure Circles before blushing coral courts, Holding hinds in groves of turtle grass Until the paisley bodies Bump bellies, and she imbues his pocket With inklings marooned in dreaming Pegasus.
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Aug 15, 2010
Aug 15, 2010 at 11:10 AM UTC
Seahorses
This yellow saree she wore Just once in her life had wrapped A coy twenty-year-old bride Tentatively setting her dainty foot Into the hesitant bridal home . Somewhere in the backwoods Several industrious silkworms Had spun miles of salivary yarn In the foliage of the mulberry tree To make this golden yellow saree . The rustle of her silk drowned The wails of the boiling cocoons The worms died that beauty would live In their plaintive cries lay bridal hopes . My mother, the bride of yesteryears, Is now as non-existent as the worms That had ceased to exist spinning The smooth silk for her bridal finery . Her bridal fragrance lives on among The delicate folds of these gossamer silks That the worms had died weaving. Death is so fragrant , so memorable.
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Nov 4, 2010
Nov 4, 2010 at 6:03 AM UTC
My mother’s silk
Mine is Gopal, the Mountain-Holder; there is no one else. On his head he wears the peacock-crown: He alone is my husband. Father, mother, brother, relative: I have none to call my own. I've forsaken both God, and the family's honor: what should I do? I've sat near the holy ones, and I've lost shame before the people. I've torn my scarf into shreds; I'm all wrapped up in a blanket. I took off my finery of pearls and coral, and strung a garland of wildwood flowers. With my tears, I watered the creeper of love that I planted; Now the creeper has grown spread all over, and borne the fruit of bliss. The churner of the milk churned with great love. When I took out the butter, no need to drink any buttermilk. I came for the sake of love-devotion; seeing the world, I wept. Mira is the maidservant of the Mountain-Holder: now with love He takes me across to the further shore. ~~~~~~~ mere to giridhara gupaala, duusaraa na koii | jaa ke sira mora mukuTa, mero pati soii || taata, maata, bhraata, baMdhu, apanaa nahiM koii | ghaaM.Da daii, kula kii kaana, kyaa karegaa koii? saMtana Dhiga baiThi baiThi, loka laaja khoii || chunarii ke kiye Tuuka Tuuka, o.Dha liinha loii | motii muu.Nge utaara bana maalaa poii || a.Nsuvana jala siiMchi siiMchi prema beli boii | aba to beli phaila gaii, aanaMda phala hoii || duudha kii mathaniyaa, ba.De prema se biloii | maakhana jaba kaa.Dhi liyo, ghaagha piye koii || aaii maiM bhakti kaaja, jagata dekha roii | daasii miiraa.N giradhara prabhu taare aba moii || ____ Notes I am the translator of this poem, "Torn in Shreds" by Mirabai. I did not copyright it; it's in the public domain and everyone is free to help themselves to it. I simply request that it appear with my name as the translator. Johanna-Hypatia Cybeleia
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4.8k
Torn In Shreds
Mine is Gopal, the Mountain-Holder; there is no one else. On his head he wears the peacock-crown: He alone is my husband. Father, mother, brother, relative: I have none to call my own. I've forsaken both God, and the family's honor: what should I do? I've sat near the holy ones, and I've lost shame before the people. I've torn my scarf into shreds; I'm all wrapped up in a blanket. I took off my finery of pearls and coral, and strung a garland of wildwood flowers. With my tears, I watered the creeper of love that I planted; Now the creeper has grown spread all over, and borne the fruit of bliss. The churner of the milk churned with great love. When I took out the butter, no need to drink any buttermilk. I came for the sake of love-devotion; seeing the world, I wept. Mira is the maidservant of the Mountain-Holder: now with love He takes me across to the further shore. ~~~~~~~ mere to giridhara gupaala, duusaraa na koii | jaa ke sira mora mukuTa, mero pati soii || taata, maata, bhraata, baMdhu, apanaa nahiM koii | ghaaM.Da daii, kula kii kaana, kyaa karegaa koii? saMtana Dhiga baiThi baiThi, loka laaja khoii || chunarii ke kiye Tuuka Tuuka, o.Dha liinha loii | motii muu.Nge utaara bana maalaa poii || a.Nsuvana jala siiMchi siiMchi prema beli boii | aba to beli phaila gaii, aanaMda phala hoii || duudha kii mathaniyaa, ba.De prema se biloii | maakhana jaba kaa.Dhi liyo, ghaagha piye koii || aaii maiM bhakti kaaja, jagata dekha roii | daasii miiraa.N giradhara prabhu taare aba moii || ____ Notes I am the translator of this poem, "Torn in Shreds" by Mirabai. I did not copyright it; it's in the public domain and everyone is free to help themselves to it. I simply request that it appear with my name as the translator. Johanna-Hypatia Cybeleia
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31
Anna entered the room like a butterfly, gossamer to all. Her face told a different story. One of sadness and hurt. She wore only the finest silks and seamed cuban stockings. All eyes latched upon her and followed every step. But no real man ever approached her. No saviour could get near. She wore none of her finery, the choice all his. A trophy bride, sold like raw meat in her childhood. It was normal in her village, her adolescence stolen from her. Anna's delicate neck held an overbearing sapphire necklace. It was overkill in every way. All for show, all chosen by him, all for him. He entered with his cronies as though owning the club. The way he thought he owned her. Thought indeed, for there is always a price in ownership. Hours past champagne and fake laughter abounded. Then she stood up. Immediately challenged! She wished to go and powder her nose. Naturally escorted, god forbid she made outside contact. But she was not watched within. Minutes passed then... The scream. She had left, Anna had escaped him. The anger on his face ! He had no control, lost face in front of them all. For Anna, oh beautiful Anna lay sylph like wrapped like a cloud in her white dress, its silk floating in a pool of her life blood. She had left, she was free. Now her face was different, white, ashen but at peace. Free.. Anna had left.
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Mar 3, 2014
Mar 3, 2014 at 2:20 PM UTC
Anna has left
Saying “Women of the Night” Might be alright As a description for some girls, They stream eastward Along the bank, Checking for marauders and adjusting curls. Yet courtesans are different; They came as swiftly as they went, Called on by important men. From house and hotel they are borne, In carriages, and in finery worn, For those who have a yen. Yet others still elude one name, Of condemnation or fame. They do not wander at men’s whims. They deliver terms to him or him. And live in dwellings finer still, Until the payer has had his fill. But with the latter does he ever Tire of the source of pleasure? For some the need outlasts his want, And he becomes the supplicant! Then woman’s wit becomes the master, While her body wields a whip. The sinner’s desire speeds still faster, As she the body’s scale does tip.
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Sep 5, 2017
Sep 5, 2017 at 11:49 AM UTC
Courtesans and Stars
Sliding fingers over alabaster shafts, crevices and nooks catching at delving digits as they seek between the ****** ***** of remov-ed meat. For before the bones the meat. And before the meat the scalpel, Running liquid through the tendrils with its clever carv-ed lines in the succulent, decadent dead. The gore on the board. Seen in rivulets of scarlet, A tracery of cuts, Multi-layered and exquisite. I taste the smell of this corpulent finery. Hands reaching into the layers, slick with blood pulling at the fat. Sleek and deadly I ply them, my tools. For I am the butcher And you will eat my meat. Feast upon my carnage, And leave me with the bones. And leave me with the bones.
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Feb 19, 2011
Feb 19, 2011 at 1:01 PM UTC
Skeletal
Mine Is Gopal Mine is Gopal, the Mountain-Holder; there is no one else. On his head he wears the peacock-crown: He alone is my husband. Father, mother, brother, relative: I have none to call my own. I've forsaken both God, and the family's honor: what should I do? I've sat near the holy ones, and I've lost shame before the people. I've torn my scarf into shreds; I'm all wrapped up in a blanket. I took off my finery of pearls and coral, and strung a garland of wildwood flowers. With my tears, I watered the creeper of love that I planted; Now the creeper has grown spread all over, and borne the fruit of bliss. The churner of the milk churned with great love. When I took out the butter, no need to drink any buttermilk. I came for the sake of love-devotion; seeing the world, I wept. Mira is the maidservant of the Mountain-Holder: Now with love He takes me across to the further shore.
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3.5k
Mine is Gopal
She sits at the loom Weaving the fabric Interwoven with dreams The threads of trust and surrender It’s an intimate mesh of finery The colors of passion dyeing it To hues of crimson, from the blushes Of the maiden weaving her dreams Intricate designs adorn the taffeta With the future of love and togetherness The bonding of a strong fabric of Love To drape them over their bare bodies Together, gazing at the starry skies As they descend to adorn the drape Shimmering with the passion of Love The maiden and her lover, has woven a drape Celebrating their togetherness For Love has bonded them with fabric of Love A drape so intricate and warm For Love shall always be draped, till eternity © Amitav (Radiance)
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May 23, 2014
May 23, 2014 at 4:45 AM UTC
Fabric of Love
The poet’s quill scribes a vision of the debutante as she rests amongst the bluebells Scattered like jewels over the meadow. The delicate voice of the robins Echo through the valley, Where the gentleman tells of his ardor As they shelter amongst the weeping willows. Curls tumble from the confines of her hat, Parasol tilting to hide girlish blushes, Careless of her silk skirts they are crushed, lying as broken rose petals. She glows with the joy of an un-chaperoned picnic Scent of cinnamon scrolls tempt her senses, as her beau offers cider to moisten their suddenly dry throats. Dapper in his impeccable finery, Coat tails trailing, crisply starched shirt points lifting his chin, Top hat tilted at a rakish angle. Dark eye’s glinting with the thrill of his endeavors. Sunshine silhouettes the glory of the lovers, whom the poet has sewn together as an artist creates a masterpiece. Each syllable as a brushstroke on canvas. A Monet made not of oil and brushes, But ink and parchment. Every word scribed by the care of the poet, Transformed within the mind of the reader
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Oct 21, 2009
Oct 21, 2009 at 12:59 AM UTC
Scribed masterpiece
All work, no play and neon screens menial tasks even coat my dreams. Overboard in bored and a silent phone, oh no, I think I’ve evolved to drone. Punch in, punch out, this is the wrong route. Punch in, punch out, a life of drought. This technological terror has caused life to flash in error. For lady dollar; I can’t bear her, as the riches are even rarer. I’ve become a machine, to crush numbers with no log off for needed slumbers. Now my brain’s racing, a million miles per hour, oh no, I think I’ve gained A.I’s power. Punch in, punch out, this is the wrong route. Punch in, punch out, now what life is about. This technological terror has caused life to flash in error. No sudden movements; don’t want to scare her, she’s updating with no carer. Learning binary, a breathing library, processing slowly but still a finery. I forgot what my hands were for they used to write all that I adore. Now fingertips type, each key a shot, oh no, I think I’ve grown into a robot. Punch in, punch out, this is the wrong route. Punch in, punch out, no one hears me shout. This technological terror has caused life to flash in error. Pure absorption; a simple stare, life’s equation could be fairer. Learning binary, a breathing library, walking geometry complete machinery.
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Oct 12, 2018
Oct 12, 2018 at 10:39 AM UTC
Technological Terror
Anonymous English Folk Song. A holiday, a holiday And the first one of the year Lord Donald's wife came into the church The Gospel for to hear And when the meeting it was done She cast her eyes about And there she saw little Matty Groves Walking in the crowd "Come home with me, little Matty Groves Come home with me tonight Come home with me, little Matty Groves And sleep with me 'til light" "Oh, I can't come home, I won't come home And sleep with you tonight By the rings on your fingers I can tell you are Lord Donald's wife" "But if I am Lord Donald's wife Lord Donald's not at home He is out in the far cornfields Bringing the yearlings home" And a servant who was standing by And hearing what was said He swore Lord Donald he would know Before the sun would set And in his hurry to carry the news He bent his breast and ran And when he came to the broad mill stream He took off his shoes and swam Little Matty Groves, he lay down And took a little sleep When he awoke, Lord Donald Was standing at his feet Saying, "How do you like my feather bed And how do you like my sheets How do you like my lady Who lies in your arms asleep?" "Oh, well I like your feather bed And well I like your sheets But better I like your lady gay Who lies in my arms asleep" "Well, get up, get up", Lord Donald cried "Get up as quick as you can It'll never be said in fair England I slew a naked man" "Oh, I can't get up, I won't get up I can't get up for my life For you have two long beaten swords And I got a pocket knife" "Well, it's true I have two beaten swords And they cost me deep in the purse But you will have the better of them And I will have the worse" "And you will strike the very first blow And strike it like a man I will strike the very next blow And I'll **** you if I can" So Matty struck the very first blow And he hurt Lord Donald sore Lord Donald struck the very next blow And Matty struck no more And then Lord Donald he took his wife And he sat her on his knee Saying, "Who do you like the best of us Matty Groves or me?" And then up spoke his own dear wife Never heard to speak so free "I'd rather a kiss from dead Matty's lips Than you or your finery" Lord Donald, he jumped up And loudly he did bawl He struck his wife right through the heart And pinned her against the wall "A grave, a grave, " Lord Donald cried "To put these lovers in But bury my lady at the top For she was of noble kin"
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Sep 23, 2015
Sep 23, 2015 at 5:22 PM UTC
The Ballad Of Matty Groves
Anonymous English Folk Song. A holiday, a holiday And the first one of the year Lord Donald's wife came into the church The Gospel for to hear And when the meeting it was done She cast her eyes about And there she saw little Matty Groves Walking in the crowd "Come home with me, little Matty Groves Come home with me tonight Come home with me, little Matty Groves And sleep with me 'til light" "Oh, I can't come home, I won't come home And sleep with you tonight By the rings on your fingers I can tell you are Lord Donald's wife" "But if I am Lord Donald's wife Lord Donald's not at home He is out in the far cornfields Bringing the yearlings home" And a servant who was standing by And hearing what was said He swore Lord Donald he would know Before the sun would set And in his hurry to carry the news He bent his breast and ran And when he came to the broad mill stream He took off his shoes and swam Little Matty Groves, he lay down And took a little sleep When he awoke, Lord Donald Was standing at his feet Saying, "How do you like my feather bed And how do you like my sheets How do you like my lady Who lies in your arms asleep?" "Oh, well I like your feather bed And well I like your sheets But better I like your lady gay Who lies in my arms asleep" "Well, get up, get up", Lord Donald cried "Get up as quick as you can It'll never be said in fair England I slew a naked man" "Oh, I can't get up, I won't get up I can't get up for my life For you have two long beaten swords And I got a pocket knife" "Well, it's true I have two beaten swords And they cost me deep in the purse But you will have the better of them And I will have the worse" "And you will strike the very first blow And strike it like a man I will strike the very next blow And I'll **** you if I can" So Matty struck the very first blow And he hurt Lord Donald sore Lord Donald struck the very next blow And Matty struck no more And then Lord Donald he took his wife And he sat her on his knee Saying, "Who do you like the best of us Matty Groves or me?" And then up spoke his own dear wife Never heard to speak so free "I'd rather a kiss from dead Matty's lips Than you or your finery" Lord Donald, he jumped up And loudly he did bawl He struck his wife right through the heart And pinned her against the wall "A grave, a grave, " Lord Donald cried "To put these lovers in But bury my lady at the top For she was of noble kin"
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77
London, Beating heart of England, Charismatic time-capsule thrumming to its own rhythm, History looming, akin to massive waves splashing down, Drenching all, the unwary, the scholar, soaking it up, Savouring every scintillating droplet, blissful, hopeful, Weaving through lives, changing with every moment, Variety of race and creed, intermingling, jostling, noticing, Sharing sight, sound, colour, scents, smiles and frowns, Pulsing soul of people, thriving and alive, buzzing with spirit, In Camden, easy-going, a friendly riot of textured-hazy-peace, Artful structures of Belgravia, magnolia temples of affluence, Lauding architectural finery while mere mortals pass through, Mind swinging through centuries, flowing along the river artery, Bridges carrying us home, keeping their own dark secrets, Cranes rising high, creating modern palaces, new beginnings, Old lives wreathed in the foggy past of legendry deeds, Embellished beyond reality, ghosts crying out, warning, We can never own this city, never know this city, not really, Guardian dragon allows us entrance, pours herself upon us, Takes our love, progresses while we observe, All left behind, knowing, feeling, sensing, We are but shadows in her Light, Dust on her famous streets, Blessed to know her, To breathe her, Love her, London. ©Paul Chafer 2014
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May 19, 2014
May 19, 2014 at 3:49 PM UTC
London
***A Woman's Reflection on Her Reflection (Valence and Value) one poem, written by two authors*** ~~~ **Ever the analyst, A mirror functions as surface to Parse the fleeting constant Of youth's beauty. From genetic gift Of symmetry and bone, To technological tampering, Until the equation is solved, As experience and character Models and maps the result. The answer, a reflection, Of individual valence and value** (written by S.D., a woman) ~~~ (written by N.L., a man) unbidden and unannounced, a "not fully formed poem, but a simple reflection" inbound missile arrives inbox, armed with silent power, the lethality of the Holy Unexpected the man reflects on her mirror-on-the-wall's fulsome reply, parsing the words of a woman's reflection, while gazing on her own every human's momentary glass notation, but an instance of summation, a human poem, whose editing, unceasing a comma here, a period inserted, an eye shadowed, an eyebrow tweezed, a eye dark circle line added, to tree-mark time's authorship all  these but a person's excerpted extraction, notarized, then auto-erased and revised, as out of date,   instantaneously compromised but, ***it is upon  the conceptual, valence and value, more that the man reflects perpetual, less on transitory morphing changes of exterior mortality while overlooking her glassine realization from behind, he concludes: every reflection, no matter how oft the snapshot, the unfleeting constancy of the combining of the princes of principles, valence and value that he witnesses, in the calming pool of her eyes, (those borrowed windows into her soul's well,) so well reflect her unchanging greater finery, her character this reflection, metamorphosis transformed. into a planetary permanency poem, high placed in his the firmament of their conjoined sky***
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Feb 25, 2016
Feb 25, 2016 at 8:54 PM UTC
A Woman's Reflection on Her Reflection (Valence and Value)
***A Woman's Reflection on Her Reflection (Valence and Value) one poem, written by two authors*** ~~~ **Ever the analyst, A mirror functions as surface to Parse the fleeting constant Of youth's beauty. From genetic gift Of symmetry and bone, To technological tampering, Until the equation is solved, As experience and character Models and maps the result. The answer, a reflection, Of individual valence and value** (written by S.D., a woman) ~~~ (written by N.L., a man) unbidden and unannounced, a "not fully formed poem, but a simple reflection" inbound missile arrives inbox, armed with silent power, the lethality of the Holy Unexpected the man reflects on her mirror-on-the-wall's fulsome reply, parsing the words of a woman's reflection, while gazing on her own every human's momentary glass notation, but an instance of summation, a human poem, whose editing, unceasing a comma here, a period inserted, an eye shadowed, an eyebrow tweezed, a eye dark circle line added, to tree-mark time's authorship all  these but a person's excerpted extraction, notarized, then auto-erased and revised, as out of date,   instantaneously compromised but, ***it is upon  the conceptual, valence and value, more that the man reflects perpetual, less on transitory morphing changes of exterior mortality while overlooking her glassine realization from behind, he concludes: every reflection, no matter how oft the snapshot, the unfleeting constancy of the combining of the princes of principles, valence and value that he witnesses, in the calming pool of her eyes, (those borrowed windows into her soul's well,) so well reflect her unchanging greater finery, her character this reflection, metamorphosis transformed. into a planetary permanency poem, high placed in his the firmament of their conjoined sky***
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74
A Beautiful and A Bitter Shroud When I was little, I found a magic box, tucked under the eaves where we were told not to go. Something compelling about the forbidden, triangular space, sealed off by lath and plaster, made me resolved, beyond curious. I kicked and pulled until plaster shattered and wood cracked, delightfully. The large box was filled with silk, organza and tulle, the proud-worn gowns of my mother's college days. At those ***** she danced in them, hair coiled up and earrings sparkling. It was not about the men, I knew, but her need to be admired. I don't recall a punishment for opening the box but she relented and allowed my sister and I to put on her finery and pretend. We wrapped them round us and twirled to imaginary waltzes, stepping on long hems so many times that the gowns all came undone. The rags were put away and the room sealed up. In my youth I recall but a few times Mother gave in and let us be children or fairy princesses for a while. Now she is old and finally trying to wrap me in her shroud, to make resentment drag me down and envy of me, crippled with self-hate. But that no longer works and I tell her, finally grown that this is not allowed. I summon up pity and vague sympathy, even if love left long ago. I tell myself that everyone dies alone.
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Apr 3, 2022
Apr 3, 2022 at 4:16 PM UTC
A Beautiful and A Bitter Shroud
Spring sunshine's loving glance lights a repondant glow in all things young but she is not so kind to the old where man has been exuberant nature is evidenced in decline and decay riotous hedgerows unpruned trees lank lawns while nature prepares to don Easter finery the best you'll get from man is shabby genteel
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Oct 8, 2012
Oct 8, 2012 at 4:01 PM UTC
Cottage Garden
Pickled on quixotic tonics he strives for a polyglot's poise, balancing plaster peas at the end of his tippler's tongue. But the rough-surfaced pearls prickle his too-ticklish bed of pink, and gulped down, he administers only a lessoned indigestion. Flipping the flop, he prevaricates himself into the tight-fit corners of a parallelogram traced by unsolemn processionals bedecked in platitudinous finery. Their porous smirks drip sticky reminders of a plethora of previously pernicious exercises and dampen his fluffy ambition, prodding procrastinations until his drunken promise dries out to become a posthumous wish.
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Apr 7, 2010
Apr 7, 2010 at 5:03 PM UTC
Pickled
Brian Patrick A gift is given without expectation of return A gift is wrapped in anticipation A gift can be hidden in finery A gift is accepted without question or hesitation A gift may be breath into life A gift is a feeling beyond mere words A gift brings joy and solace A gift allows total abandon My gift is beyond all expectations My gift is tall, blonde and exquisite My gift is the greatest promise of life renewed My gift is totally mine without reservation Thankful for my gift of love Thankful for my gift of life Thankful for gift of beauty Thankful for my gift of forever © 2014 Brian Patrick
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May 16, 2014
May 16, 2014 at 2:01 PM UTC
The Gift
stunning coral reefs beneath the tidal oceans a paradise place colors blending beautifully the world of marine finery
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Feb 16, 2017
Feb 16, 2017 at 9:58 PM UTC
Stunning (Tanka)