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"ferry" poems
For Al, who left us With each passing poem, The degree of difficulty of diving ever higher, Bar incrementally niched, inched, raised, Domain, the association of words, ever lesser, Repetition verboten, crime against pride. Al, You ask me when the words come: With each passing year, In the wee hours of Ever diminishing time snatches, The hours between midnight and rising, Shrinkage, once six, now four hours, Meant for body restoration, Transpositional for poetic creation, Only one body notes the new mark, The digital, numerical clock of Trillion hour sleep deficit, most taxing. Al, you ask me from where do the words come: Each of the five senses compete, Pick me, Pick me, they shout, The eyes see the tall grasses Framing the ferry's to and fro life. Waving bye bye to the End of day harbor activities, Putting your babies to sleep. The ears hear the boat horns Deep voiced, demanding pay attention, I am now docking, I am important, The sound lingers, long after They are no longer important. The tongue tastes the cooling Italian prosecco merging victoriously With its ally, the modestly warming rays Of a September setting sun, finally declaring, without stuttering, Peace on Earth. The odoriferous bay breezes, A new for that second only smell, But yet, very old bartender's recipe, Salt, cooking oil, barbecue sauce, gasoline And the winning new ingredient, freshly minted, Stacked in ascending circumference order, onion rings. These four senses all recombinant, On the cheek, on the tongue, Wafting, tickling, blasting, visioning Merging into a single touch That my pointer finger, by force majeure, Declares, here, poem aborning! Contract with this moment, now satisfied! Al, what you did not ask was this: With each passing poem, I am lessened within, expurgated, In a sense part of me, expunged, Part of me, passing too, Every poems birth diminishes me. _________________________________ (this poem more than most, for its birth celebrates my loss, your loss, which cannot be exonerated 8/7/18) _________________________________ written at 4:38 AM September 8th, 2012 Greenport Harbor, Long Island
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May 21, 2013
May 21, 2013 at 7:07 AM UTC
2013: With Each Passing Poem
For Al, who left us With each passing poem, The degree of difficulty of diving ever higher, Bar incrementally niched, inched, raised, Domain, the association of words, ever lesser, Repetition verboten, crime against pride. Al, You ask me when the words come: With each passing year, In the wee hours of Ever diminishing time snatches, The hours between midnight and rising, Shrinkage, once six, now four hours, Meant for body restoration, Transpositional for poetic creation, Only one body notes the new mark, The digital, numerical clock of Trillion hour sleep deficit, most taxing. Al, you ask me from where do the words come: Each of the five senses compete, Pick me, Pick me, they shout, The eyes see the tall grasses Framing the ferry's to and fro life. Waving bye bye to the End of day harbor activities, Putting your babies to sleep. The ears hear the boat horns Deep voiced, demanding pay attention, I am now docking, I am important, The sound lingers, long after They are no longer important. The tongue tastes the cooling Italian prosecco merging victoriously With its ally, the modestly warming rays Of a September setting sun, finally declaring, without stuttering, Peace on Earth. The odoriferous bay breezes, A new for that second only smell, But yet, very old bartender's recipe, Salt, cooking oil, barbecue sauce, gasoline And the winning new ingredient, freshly minted, Stacked in ascending circumference order, onion rings. These four senses all recombinant, On the cheek, on the tongue, Wafting, tickling, blasting, visioning Merging into a single touch That my pointer finger, by force majeure, Declares, here, poem aborning! Contract with this moment, now satisfied! Al, what you did not ask was this: With each passing poem, I am lessened within, expurgated, In a sense part of me, expunged, Part of me, passing too, Every poems birth diminishes me. _________________________________ (this poem more than most, for its birth celebrates my loss, your loss, which cannot be exonerated 8/7/18) _________________________________ written at 4:38 AM September 8th, 2012 Greenport Harbor, Long Island
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67
big sweaters, ghibli, acrylic paint, cafes, knit blankets and unplanned afternoon naps on the couch, gardens, bananas, vanilla almond milk, soft yarn to crochet into ****** scarves, candles after midnight, the big trees with bulky roots, patio furniture, pianos in random buildings, the internet, manatees, the boundless colours of nail polish, peanut butter & honey, rubber boots, pens that write well, fresh new notebooks, skylights, american netflix, mothers that understand, tête à têtes, one glass of sweet white wine, awkward eye contact that turns into comfortable kissing, airplanes, fresh air, baseball caps, the female collective, the really good dark chocolate, flowers, pumpkin spice lattes and ***** chai lattes, candid laughter, yoga, oceans, high waisted shorts, striped t-shirts, docile cats, playful pups, french presses, integrity, sunscreen, meerkats, penguins, chameleons, autumn leaves, fall fashion, ruby woo mac lipstick, osho, dynamic meditation, compassion, siblings, scrambled eggs, smart phones, garageband, metronomes, hot glue guns, quinoa, ferry boats, soft hands, bicycles, real people, fat snowflakes in ample, graceful ********** backpacks that don't hurt your shoulders, hair conditioner, multi-vitamins, soft sand under bare feet, people that own up to lies, clarity, samsara, satori, samasati, visions, echinacea, lavender oil and frankincense, ambrosia apples and ripe avocados, authenticity, Morgan Freeman's voice, good kissers, ******* iced tea on a hot day, curtains, the smell of beeswax, art galleries, hand massages and foot massages, reiki, plums, mild thunderstorms, soccer ***** good surprises, when birds don't **** on your head.
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Oct 9, 2013
Oct 9, 2013 at 7:24 AM UTC
thank the universe for:
big sweaters, ghibli, acrylic paint, cafes, knit blankets and unplanned afternoon naps on the couch, gardens, bananas, vanilla almond milk, soft yarn to crochet into ****** scarves, candles after midnight, the big trees with bulky roots, patio furniture, pianos in random buildings, the internet, manatees, the boundless colours of nail polish, peanut butter & honey, rubber boots, pens that write well, fresh new notebooks, skylights, american netflix, mothers that understand, tête à têtes, one glass of sweet white wine, awkward eye contact that turns into comfortable kissing, airplanes, fresh air, baseball caps, the female collective, the really good dark chocolate, flowers, pumpkin spice lattes and ***** chai lattes, candid laughter, yoga, oceans, high waisted shorts, striped t-shirts, docile cats, playful pups, french presses, integrity, sunscreen, meerkats, penguins, chameleons, autumn leaves, fall fashion, ruby woo mac lipstick, osho, dynamic meditation, compassion, siblings, scrambled eggs, smart phones, garageband, metronomes, hot glue guns, quinoa, ferry boats, soft hands, bicycles, real people, fat snowflakes in ample, graceful ********** backpacks that don't hurt your shoulders, hair conditioner, multi-vitamins, soft sand under bare feet, people that own up to lies, clarity, samsara, satori, samasati, visions, echinacea, lavender oil and frankincense, ambrosia apples and ripe avocados, authenticity, Morgan Freeman's voice, good kissers, ******* iced tea on a hot day, curtains, the smell of beeswax, art galleries, hand massages and foot massages, reiki, plums, mild thunderstorms, soccer ***** good surprises, when birds don't **** on your head.
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1
Love, such a tender companion yet such a formidable foe. It let's hearts wander, share, and grow. Some say love plays a game that you cannot win, but it's only those who don't believe that lose and cave in. I may be broken, I may be buried, but I will always hope, and keep the faith as I ferry. For the sea of love is infinite, this ship so sturdy and indefinite, I will search until I fade, across the ocean's waves Until I settle on ONE LOVE so my flame may behave
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Oct 15, 2010
Oct 15, 2010 at 6:19 PM UTC
The search
.      ...is a fragile little thing,      that most tend to overlook.      Small word with a **** big meaning*.      Some may uphold it; some may      conveniently have it mistook... Trust...      ...is in the grasp of the unknown      stranger,      that helps you up when you've fallen      down. Trust...      ...is the pact between you and the cab      driver,      as he takes you to where you want to      be, across town. Trust...      ...the bough on which your swing does      sit.      Pray that it doesn't break as you enjoy      its joyous ride. Trust...      ...your cook, hoping in your food he      doesn't spit...      Especially when you've provided      feedback that scuffed his pride. Trust...      ...lays exposed when the keys to your      house you surrender,      to your neighbour who'd keep an eye      while you're away on a retreat. Trust...      ...exists latent in the open palm of your      caregiver...      As a child you'd take his hand so he'd      ferry you safely across the street. Trust...      ...is the unspoken oath that I had thought      we both held sacred...      When I spilled the contents, my heart      couldn't bear much longer. Trust...      ...meant nothing when you took it all for      granted,      when you weakened and succumbed...      ...and then shared with another...
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Jan 21, 2015
Jan 21, 2015 at 7:14 AM UTC
Trust
I want to go back, back to my New Orleans This place that I call New Orleans is actually Louisiana But still, the gorgeousness of this dirt and grime The live oaks stretching over the 6-lane wide streets, Touching leaftips, making a canopy over the passerbys Crepe myrtles showering streets with lacy pink faerie dresses Smells of beignets and seafood fill the French Quarter Intense, consuming, warm, loving sun burning through your shirt In New Orleans to say horses sweat, men perspire and women glow is to be ridiculous. In New Orleans everyone sweats like pigs. As for the grime I mentioned, this exists mainly in the sidewalks cracked by live oaks which make an adventure of every walk down the street And in any semi-deserted street To have a Mardi Gras or St. Patrick's Day without a parade and citywide party is to toss aside traditions and the New Orleanian way The New Orleanians are welcoming, hearty and heartwarming, tough and unafraid to talk to a stranger on the streets. An old black man once greeted me with 'konichiwa' as I walked past A middle aged white man once struck up a conversation with us as he realised we had shared the same ferry earlier in the day An old asian woman conversed familiarly with our family at Cafe Du Monde simply because we are Vietnamese as well A teenaged white boy waved at us as we drove past him jogging A different old black man stopped and serenaded my siblings, mother and me with his trumpet just because we smiled Several young mothers and women have stopped my mother to gush  over my siblings and me, usually when we were very small I, myself, have given directions to a tourist or two, lost near Cafe Du Monde or the levee, And I hope that the warm smiling spirit of the Big Easy will remain forever immortal.
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Oct 11, 2012
Oct 11, 2012 at 7:33 PM UTC
longing for my new orleans
I want to go back, back to my New Orleans This place that I call New Orleans is actually Louisiana But still, the gorgeousness of this dirt and grime The live oaks stretching over the 6-lane wide streets, Touching leaftips, making a canopy over the passerbys Crepe myrtles showering streets with lacy pink faerie dresses Smells of beignets and seafood fill the French Quarter Intense, consuming, warm, loving sun burning through your shirt In New Orleans to say horses sweat, men perspire and women glow is to be ridiculous. In New Orleans everyone sweats like pigs. As for the grime I mentioned, this exists mainly in the sidewalks cracked by live oaks which make an adventure of every walk down the street And in any semi-deserted street To have a Mardi Gras or St. Patrick's Day without a parade and citywide party is to toss aside traditions and the New Orleanian way The New Orleanians are welcoming, hearty and heartwarming, tough and unafraid to talk to a stranger on the streets. An old black man once greeted me with 'konichiwa' as I walked past A middle aged white man once struck up a conversation with us as he realised we had shared the same ferry earlier in the day An old asian woman conversed familiarly with our family at Cafe Du Monde simply because we are Vietnamese as well A teenaged white boy waved at us as we drove past him jogging A different old black man stopped and serenaded my siblings, mother and me with his trumpet just because we smiled Several young mothers and women have stopped my mother to gush  over my siblings and me, usually when we were very small I, myself, have given directions to a tourist or two, lost near Cafe Du Monde or the levee, And I hope that the warm smiling spirit of the Big Easy will remain forever immortal.
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24
The wind blows on the prairie The wind blows on the moor The wind blows in the ferry None compare to your speech before.
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Apr 5, 2014
Apr 5, 2014 at 2:14 AM UTC
Wind
What thoughts I have of you tonight, Walt Whit- man, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon. In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations! What peaches and what penumbras! Whole fam- ilies shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!--and you, Garcнa Lorca, what were you doing down by the watermelons? I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys. I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel? I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective. We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier. Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely. Will we stroll dreaming ofthe lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage- teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe? Berkeley 1955
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A Supermarket In California
What thoughts I have of you tonight, Walt Whit- man, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon. In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations! What peaches and what penumbras! Whole fam- ilies shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!--and you, Garcнa Lorca, what were you doing down by the watermelons? I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys. I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel? I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective. We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier. Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely. Will we stroll dreaming ofthe lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage- teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe? Berkeley 1955
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40
In the yellow, cold light of the wine-dark night, 'tween the brand-new mall and the Roman Site, he staggered alone, drunken with "Magon"* and memories. Vast, so vast is the night - vast as the memory of an English prairie, and an emmer-haired maiden he'd walked to the ferry on a summery day. Vast, so vast is a night masquerading as a want of sight. © LazharBouazzi
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Jul 19, 2018
Jul 19, 2018 at 12:18 PM UTC
Night in Carthage
Remember that afternoon on the ferry Ride to Nantucket The labrador who fell asleep on my foot And the kid who vomited As we stood at the rail, Mist in our faces Foam that curled From the keel in swirls A whole world in that turbulence That no one would ever know of - Focused on the Grey Lady's Promise that a warm comforter Would melt us together again. And it did, amid the strangers We brushed past On the cobbles at the wharf. Back at the dock, You greeted old demons And so did I But kept them secrets From each other On the long ride Through pine forests As you slept, I drove Back home.
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Apr 17, 2010
Apr 17, 2010 at 8:34 PM UTC
Trip to Nantucket
Seasonal construction Path of destruction and rebuild, Traffic crazy, in the car ahead, Face yelling at a speaker phone, Zig-zag path like the road owner, 3:05 late so a five o'clock date, And a seagull sits right on the line, Patient Mockery so sublime, The seagull "walks the line" Waiting can be a hating game, That would be a vacation shame, shame, Shame. So now the seagull is not alone on the line. ©DWE092013
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Sep 12, 2013
Sep 12, 2013 at 6:38 PM UTC
Ferry Terminal (no personal pronoun or I challenge)
Lungs burning with affliction, no prayer can help you realize that you are on fire. Help me, open my ribcage and read the encryption that is my heart. This is where my ideas form; this is where the magic happens. This is where trees become homes when I turn to prose. This is where love becomes tangible. Take the helm from my chest cavity and steer me home. Sew me back up and pretend you didn’t figure out how my mind works from studying my heartbeat. You can keep my memories there, keep my stanzas there. But you cannot lock up an idea. Do you realize that every single time you open your mouth I’m wishing I could have a lobotomy? I don’t want my brain to miss you when you leave. I don’t want my heart to miss you when it realizes that it no longer beats in sync with yours. You can take yourself away from me. You can make me cry so the salt water stings my face like it’s a burning map. You can take my poems from my veins and scatter them in the river. But you cannot lock up an idea. Oh Captain my captain, I think we are going down. But everyone is just an arm’s length from drowning. When life preservers are anchors and every single thing is whispering for you to sink. The Bermuda triangle is just another place where sailors go to pray and what kind of god ***** you in and tests you with a tempest? You and I are so much more than child’s play. Tell me to stay. Tell me my ideas do not belong on the ocean floor. Because you cannot lock up an idea. If the sun shines through your blinds, think of me. Think of the morning. But without all your leaving. Don’t think of the bags packed, of the plane tickets bought. Of the ferry setting off its horn for you in the middle of the night. Think of the morning. Without all your leaving. With the coffee, with the metaphors that were leaking through the walls as you blinked. You wanted to keep them for yourself, hold them hostage in your bones. But you cannot lock up an idea. So next time you think of leaving, think of taking the ferry across the ocean. Next time you think of whispering my secrets into the waves that kiss the rocks like they are not hurting anyone, think of me first. Without the poems. Before I even started writing. Remember how I chased butterflies and the sunset. How I begged you to let me climb up on the roof to watch the sun rise again. Remember that my ideas are my prayers to a god I have not yet found in the curve of your spine. Remember that I want nothing more than to not have to miss you. Remember that every time you dismiss my words, my art, my need to chase the sunset; you are diminishing my creativity. Remember that you cannot lock up an idea.
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Nov 7, 2013
Nov 7, 2013 at 10:18 AM UTC
You Cannot Lock Up An Idea
Lungs burning with affliction, no prayer can help you realize that you are on fire. Help me, open my ribcage and read the encryption that is my heart. This is where my ideas form; this is where the magic happens. This is where trees become homes when I turn to prose. This is where love becomes tangible. Take the helm from my chest cavity and steer me home. Sew me back up and pretend you didn’t figure out how my mind works from studying my heartbeat. You can keep my memories there, keep my stanzas there. But you cannot lock up an idea. Do you realize that every single time you open your mouth I’m wishing I could have a lobotomy? I don’t want my brain to miss you when you leave. I don’t want my heart to miss you when it realizes that it no longer beats in sync with yours. You can take yourself away from me. You can make me cry so the salt water stings my face like it’s a burning map. You can take my poems from my veins and scatter them in the river. But you cannot lock up an idea. Oh Captain my captain, I think we are going down. But everyone is just an arm’s length from drowning. When life preservers are anchors and every single thing is whispering for you to sink. The Bermuda triangle is just another place where sailors go to pray and what kind of god ***** you in and tests you with a tempest? You and I are so much more than child’s play. Tell me to stay. Tell me my ideas do not belong on the ocean floor. Because you cannot lock up an idea. If the sun shines through your blinds, think of me. Think of the morning. But without all your leaving. Don’t think of the bags packed, of the plane tickets bought. Of the ferry setting off its horn for you in the middle of the night. Think of the morning. Without all your leaving. With the coffee, with the metaphors that were leaking through the walls as you blinked. You wanted to keep them for yourself, hold them hostage in your bones. But you cannot lock up an idea. So next time you think of leaving, think of taking the ferry across the ocean. Next time you think of whispering my secrets into the waves that kiss the rocks like they are not hurting anyone, think of me first. Without the poems. Before I even started writing. Remember how I chased butterflies and the sunset. How I begged you to let me climb up on the roof to watch the sun rise again. Remember that my ideas are my prayers to a god I have not yet found in the curve of your spine. Remember that I want nothing more than to not have to miss you. Remember that every time you dismiss my words, my art, my need to chase the sunset; you are diminishing my creativity. Remember that you cannot lock up an idea.
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44
Empty humans echo when tapped Ceramic heartbeats crunch through riverside air BETWEEN IGNORANCE AND WORTHLESSNESS TRAPPED Their senses vaporous, impaired. Those which melancholy cannot reach Across the Styx with curling hands DO NOT EXIST; THEIR WALLS WERE BREACHED With icy fingers, buzzing bland. Empty humans echo when tapped With icy fingers, buzzing bland FROM THE NIGHT BREEZE WHICH LAPPED Across the Styx with curling hands. Those which melancholy cannot reach, Their senses vaporous, impaired ARE A MIASMA ON THE BEACH Ceramic heartbeats crunch through riverside air. *Pottery people are all appearance And their hollows are touched rarely By their own sentience While waiting for the ferry--*
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Dec 26, 2010
Dec 26, 2010 at 12:47 PM UTC
Those Who Wait for the Ferry; Or, Death's Pottery Shipment.
Seeing we never found gay fairyland (Though still we crouched by bluebells moon by moon) And missed the tide of Lethe; yet are soon For that new bridge that leaves old Styx half-spanned; Nor ever unto Mecca caravanned; Nor bugled Asgard, skilled in magic rune; Nor yearned for far Nirvana, the sweet swoon, And from high Paradise are cursed and banned; -Let's die home, ferry across the Channel! Thus Shall we live gods there. Death shall be no sev'rance. Weary cathedrals light new shrines for us. To us, rough knees of boys shall ache with rev'rence. Are not girls' ******* a clear, strong Acropole? -There our oun mothers' tears shall heal us whole
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5.1k
A New Heaven
with well worked hands he pulls on the sea      like the hem of a pale skirt dancing 'round his lovers hips it's what she loves about him most the way that the tide ebbs and flows      with the rise and fall of his sun-stained chest seashells and gull feathers and bits of fishing net      woven into his hair like the threads of canvas sails aqueous thunder-head eyes look like they've seen the fall of every empire       and soon they'll witness the fall of ours he smells of salt-cured wood and the sun and it's the kind of smell you'll never forget nor properly describe he moves like magic like waves      lapping at the shoreline in the calm of dusk with an anxious tongue and an appetite that's never satisfied      he licks the wounds of any heart he's strong enough to bare the weight of any burden           of any trash barge or sea ferry ear pressed to his chest      like a conch-shaped vessle           the labor of his heart valves plays like sailor songs in an empty cabaret      nerve-wrackingly beautiful
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Jul 7, 2013
Jul 7, 2013 at 2:34 PM UTC
poseidon. (washing clean.)
Fingerprints and fibers, Accumulated talk, Whispers in the corners, Bodies demarcated in chalk On the marble courtroom stairs. His misery became a pall. With mourning signs in splattered pairs, Red flowers on the wall. All that he had left behind was grief And powerless rage, A Tansu chest in high relief, A coiled brass clock fatigued with age. Retreating to a white house in Simrishamn, He’d walk his dog along the shore, Find sterile clues amongst the sands, And travel a ferry between two lands. And now: An experiment! Blame Google Translate for this weird (?) Swedish translation: Please tell me if this is a bad translation! Fingeravtryck och fibrer, Ackumulerat samtal, Viskar i hörnen, Kroppar avgränsad i krita På marmor rättssal trappor. Hans elände blev en pall. Med sorgsignaler i splatterade par, Röda blommor på väggen. Allt som han hade lämnat var sorg Och maktlös raseri, En Tansu bröst i hög lättnad, En spolad mässingsklocka utmanad med åldern. Att återvända till ett vitt hus i Simrishamn, Han skulle gå sin hund längs stranden, Hitta sterila ledtrådar bland sandarna,
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Aug 27, 2018
Aug 27, 2018 at 12:24 PM UTC
Wallander
Walt Whitman was a ****** That's what we say when we cross his bridge from South Philly to Jersey and see what he would see: the river solid waveless with trees green around feeding from the water on the left and far beyond the watertable real for a minute from the arched metal and the city visible wholly with warehouses rowhomes inches apart and glass buildings and all burnt orange by four o'clock sun but clear on blue sky but you know he was a ****** and the city all one in your eye if you want it to be and the languages together between the buildings all the blacks asians whites itlalians irish polish moving together and talking and eating the food working and riding cars and buses around the liberty bell and independence hall it is brooklyn ferry it was his prophesy but you know he was ****** a big jersey boy *** yea
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May 28, 2014
May 28, 2014 at 10:29 PM UTC
Walt Whitman was a ******
I was asking for something specific and perfect for my city, Whereupon, lo! upsprang the aboriginal name! Now I see what there is in a name, a word, liquid, sane, unruly, musical, self-sufficient; I see that the word of my city is that word up there, Because I see that word nested in nests of water-bays, superb, with tall and wonderful spires, Rich, hemm’d thick all around with sailships and steamships—an island sixteen miles long, solid-founded, Numberless crowded streets—high growths of iron, slender, strong, light, splendidly uprising toward clear skies; Tide swift and ample, well-loved by me, toward sundown, The flowing sea-currents, the little islands, larger adjoining islands, the heights, the villas, The countless masts, the white shore-steamers, the lighters, the ferry-boats, the black sea-steamers well-model’d; The down-town streets, the jobbers’ houses of business—the houses of business of the ship-merchants, and money-brokers—the river-streets; Immigrants arriving, fifteen or twenty thousand in a week; The carts hauling goods—the manly race of drivers of horses—the brown-faced sailors; The summer air, the bright sun shining, and the sailing clouds aloft; The winter snows, the sleigh-bells—the broken ice in the river, passing along, up or down, with the flood tide or ebb-tide; The mechanics of the city, the masters, well-form’d, beautiful-faced, looking you straight in the eyes; Trottoirs throng’d—vehicles—Broadway—the women—the shops and shows, The parades, processions, bugles playing, flags flying, drums beating; A million people—manners free and superb—open voices—hospitality—the most courageous and friendly young men; The free city! no slaves! no owners of slaves! The beautiful city, the city of hurried and sparkling waters! the city of spires and masts! The city nested in bays! my city! The city of such women, I am mad to be with them! I will return after death to be with them! The city of such young men, I swear I cannot live happy, without I often go talk, walk, eat, drink, sleep, with them!
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4.2k
Mannahatta
I was asking for something specific and perfect for my city, Whereupon, lo! upsprang the aboriginal name! Now I see what there is in a name, a word, liquid, sane, unruly, musical, self-sufficient; I see that the word of my city is that word up there, Because I see that word nested in nests of water-bays, superb, with tall and wonderful spires, Rich, hemm’d thick all around with sailships and steamships—an island sixteen miles long, solid-founded, Numberless crowded streets—high growths of iron, slender, strong, light, splendidly uprising toward clear skies; Tide swift and ample, well-loved by me, toward sundown, The flowing sea-currents, the little islands, larger adjoining islands, the heights, the villas, The countless masts, the white shore-steamers, the lighters, the ferry-boats, the black sea-steamers well-model’d; The down-town streets, the jobbers’ houses of business—the houses of business of the ship-merchants, and money-brokers—the river-streets; Immigrants arriving, fifteen or twenty thousand in a week; The carts hauling goods—the manly race of drivers of horses—the brown-faced sailors; The summer air, the bright sun shining, and the sailing clouds aloft; The winter snows, the sleigh-bells—the broken ice in the river, passing along, up or down, with the flood tide or ebb-tide; The mechanics of the city, the masters, well-form’d, beautiful-faced, looking you straight in the eyes; Trottoirs throng’d—vehicles—Broadway—the women—the shops and shows, The parades, processions, bugles playing, flags flying, drums beating; A million people—manners free and superb—open voices—hospitality—the most courageous and friendly young men; The free city! no slaves! no owners of slaves! The beautiful city, the city of hurried and sparkling waters! the city of spires and masts! The city nested in bays! my city! The city of such women, I am mad to be with them! I will return after death to be with them! The city of such young men, I swear I cannot live happy, without I often go talk, walk, eat, drink, sleep, with them!
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Hypotonic collusions Rising in osmotic lesions An eruptive soul reversion Emissions of embered logs Each lightening with a glow A youthful straw of clemency Pollinated sandals, handled Gripping the flesh in vessels Houses of lost and unreal dreams Vicarage gardens of suppression Masticated in delegated abstractions A surmise of death and redistributions Each a beat rise, slide on frosty ice Un-enveloped in seasons of erosion Delusional commotions sprawled In the dance of the ecstatic programming The body waved and led in hypnosis ********** with the intangible essence To make sense a revised tense,I fence Straying in lenient lunacy to fields afar A merry to ferry the phoenix dance Rattles shaking in transit translations Drums pause settling in finesse pond A coitus of dimensional valour and vice
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Feb 25, 2016
Feb 25, 2016 at 9:37 AM UTC
Hypnotic Trances
I LEAGUERED in fire The wild black promontories of the coast extend Their savage silhouettes; The sun in universal carnage sets, And, halting higher, The motionless storm-clouds mass their sullen threats, Like an advancing mob in sword-points penned, That, balked, yet stands at bay. Mid-zenith hangs the fascinated day In wind-lustrated hollows crystalline, A wan valkyrie whose wide pinions shine Across the ensanguined ruins of the fray, And in her lifted hand swings high o'erhead, Above the waste of war, The silver torch-light of the evening star Wherewith to search the faces of the dead. II Lagooned in gold, Seem not those jetty promontories rather The outposts of some ancient land forlorn, Uncomforted of morn, Where old oblivions gather, The melancholy, unconsoling fold Of all things that go utterly to death And mix no more, no more With life's perpetually awakening breath? Shall Time not ferry me to such a shore, Over such sailless seas, To walk with hope's slain importunities In miserable marriage? Nay, shall not All things be there forgot, Save the sea's golden barrier and the black Closecrouching promontories? Dead to all shames, forgotten of all glories, Shall I not wander there, a shadow's shade, A spectre self-destroyed, So purged of all remembrance and ****** back Into the primal void, That should we on that shore phantasmal meet I should not know the coming of your feet?
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3.7k
An Autumn Sunset
It is no night to drown in: A full moon, river lapsing Black beneath bland mirror-sheen, The blue water-mists dropping Scrim after scrim like fishnets Though fishermen are sleeping, The massive castle turrets Doubling themselves in a glass All stillness. Yet these shapes float Up toward me, troubling the face Of quiet. From the nadir They rise, their limbs ponderous With richness, hair heavier Than sculptured marble. They sing Of a world more full and clear Than can be. Sisters, your song Bears a burden too weighty For the whorled ear's listening Here, in a well-steered country, Under a balanced ruler. Deranging by harmony Beyond the mundane order, Your voices lay siege. You lodge On the pitched reefs of nightmare, Promising sure harborage; By day, descant from borders Of hebetude, from the ledge Also of high windows. Worse Even than your maddening Song, your silence. At the source Of your ice-hearted calling -- Drunkenness of the great depths. O river, I see drifting Deep in your flux of silver Those great goddesses of peace. Stone, stone, ferry me down there.
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3.6k
Lorelei
By Arcassin B , wolf , & soul AB : staring at the lady in the corner wearing make-up, Selling flowers to earn money For her son's college fund, Take three patterns then reverse it, Bring them back to reality, The way people maintain jobs nowadays It isn't fun, But a.. ..it takes a rose to help Cure the pain of whats to gain and What you've lost, To find a way to piece together a suffering flaws, SS : /////Electric rose In all your neon splendor I touch you and remember No more I ***** my thumb Upon your thorn And in death I am reborn I gaze rapt into your night I am drawn into the light Rose of Sharon, petals soft Blood red dreams sent aloft To your power I will yield 'Til I look once more On heaven's fields,///// WS : in fields of Elysium await with gentle memories and flowers of every hue reaching into forever from that street corner in modern blight where a mother's love was the noblest fight and she would give her all for one that worthy offspring, her beloved son tarry ye not, on that dreadful shore pennies for Charon to ferry Styx close thy eyes and weep no more there's nothing that true love may not fix, SS : /////Electric rose In all your neon splendor I touch you and remember No more I ***** my thumb Upon your thorn And in death I am reborn I gaze rapt into your night I am drawn into the light Rose of Sharon, petals soft Blood red dreams sent aloft To your power I will yield 'Til I look once more On heaven's fields,///////
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Sep 25, 2015
Sep 25, 2015 at 7:10 PM UTC
Wolfspirit & Arcassin B - Electric Roses (ft. soulsurvivor)
Forbegging yay Progress, me Most High Lord Besoothe thaye Stock's High-Cast-Baste-Reborough And Livvenny-Lug, quain Twill-Truth's-Be-Word Would Sluggenny-Bust thaye Pell's Arthorough Aye, take them Less to thore Summerful Sum Therr quine bemime blubber-boost up-to-front Shanty ye, Crown, dow Caraparcel's Hum Laugh more shan't take much Desire on Wont We porkify Lub-Senses wore Jiggers clude Feast-Tea ye Merry; Jolly-Cant, digress Till Ferry thaye Maidens; And Torque-Pie, **** Rode ye Arkins - Road! Be thaye Kiss address. Labber ye, Throne, deserve Cot's Privilege Roar Pull-Course Attract; Mine Concubinage.
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Mar 14, 2013
Mar 14, 2013 at 1:04 AM UTC
SONNET TRIBUTE SUNDRY - EIGHTY-SEVEN - TOM DALEY
I I learnt this week that time and distance can be friends to memory their respective lengths only wet and sharpen the edge of love but for us dear friend we hold hard to hope that we may one day soon share the present and live each moment in each other's heart. II Hearing you on Holkham beach - whose soul is greater than the ocean whose spirit stronger than the sea - did I doubt for a moment that you, though buffeted by a cold east wind would never age for me, nor fade, nor die. Nor you for me (she said) Goodbye, my love, a thousand times goodbye. Write me well (she said) and turned and ran. III The Reedham ferry was but a river's width and yet I stood at the water's brink and watched the reeds quiver in the wind, watched the rain splatter on the puddled path. All around to the human eye this valley, a plain of grassland broken only by reed-fringed pools, was a gentle, unpeopled, easy place. The absence of relief left no fixed frame of reference. Places apart from one another would concertina and merge. Tempted to cross I waved a no to the ferryman in his quayside hut then turned and walked quickly back down the long, low road.
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Jan 11, 2014
Jan 11, 2014 at 6:29 PM UTC
Three Norfolk Poems