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"fen" poems
Summer grows old, cold-blooded mother. The insects are scant, skinny. In these palustral homes we only Croak and wither. Mornings dissipate in somnolence. The sun brightens tardily Among the pithless reeds. Flies fail us. he fen sickens. Frost drops even the spider. Clearly The genius of plenitude Houses himself elsewhwere. Our folk thin Lamentably.
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Frog Autumn
Among orange-tile rooftops and chimney pots the fen fog slips, gray as rats, while on spotted branch of the sycamore two black rooks hunch and darkly glare, watching for night, with absinthe eye cocked on the lone, late, passer-by.
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Prospect
Water in the millrace, through a sluice of stone, plunges headlong into that black pond where, absurd and out-of-season, a single swan floats chaste as snow, taunting the clouded mind which hungers to haul the white reflection down. The austere sun descends above the fen, an orange cyclops-eye, scorning to look longer on this landscape of chagrin; feathered dark in thought, I stalk like a rook, brooding as the winter night comes on. Last summer's reeds are all engraved in ice as is your image in my eye; dry frost glazes the window of my hurt; what solace can be struck from rock to make heart's waste grow green again? Who'd walk in this bleak place?
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Winter Landscape, With Rooks
Hunting has a noble heritage, for sure Bringing us together, it forged a species Keen-eyed, communicative, feared by the fierce                So who am I to begrudge you your sport? I, too, love wide open skies, tramping over bog and fen, I even quite like dogs! I imagine nature might reveal herself to you In signs jealously guarded from the armchair carnivore. I can almost reconcile your harsh percussion With the croak of the raven, the sloshing tide And the chewing and mooing of cattle. But the pheasant!  For the love of God, the pheasant? It can hardly be a battle of wits! I've seen him as he sits, a big, red bullseye On fences and ***** Startled by every day he survives. How stirring can it be, Picking off the ones the cars and lorries never got? When you carry him home, Better off dead, Hang him in your garage for a week Feeling like Henry VIII, Cut him down, slit him open and find the crop Stuffed not with heather shoots and beetles But with half a pound of store-bought grain (Generously laced with antibiotics) - I hope the realisation creeps up That you may as well have asserted yourself In the hen coop, Blasting away at befuddled poultry And saving yourself a walk.
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Nov 24, 2010
Nov 24, 2010 at 1:33 AM UTC
The Pheasant
I Some day I will go to Aarhus To see his peat-brown head, The mild pods of his eye-lids, His pointed skin cap. In the flat country near by Where they dug him out, His last gruel of winter seeds Caked in his stomach, Naked except for The cap, noose and girdle, I will stand a long time. Bridegroom to the goddess, She tightened her torc on him And opened her fen, Those dark juices working Him to a saint's kept body, Trove of the turfcutters' Honeycombed workings. Now his stained face Reposes at Aarhus. II I could risk blasphemy, Consecrate the cauldron bog Our holy ground and pray Him to make germinate The scattered, ambushed Flesh of labourers, Stockinged corpses Laid out in the farmyards, Tell-tale skin and teeth Flecking the sleepers Of four young brothers, trailed For miles along the lines. III Something of his sad freedom As he rode the tumbril Should come to me, driving, Saying the names Tollund, Grauballe, Nebelgard, Watching the pointing hands Of country people, Not knowing their tongue. Out here in Jutland In the old man-killing parishes I will feel lost, Unhappy and at home.
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The Tollund Man
Haunched like a faun, he hooed From grove of moon-glint and fen-frost Until all owls in the twigged forest Flapped black to look and brood On the call this man made. No sound but a drunken coot Lurching home along river bank. Stars hung water-sunk, so a rank Of double star-eyes lit Boughs where those owls sat. An arena of yellow eyes Watched the changing shape he cut, Saw hoof harden from foot, saw sprout Goat-horns. Marked how god rose And galloped woodward in that guise.
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Faun
Mayday: two came to field in such wise : 'A daisied mead', each said to each, So were they one; so sought they couch, Across barbed stile, through flocked brown cows. 'No pitchforked farmer, please,' she said; 'May cockcrow guard us safe,' said he; By blackthorn thicket, flower spray They pitched their coats, come to green bed. Below: a fen where water stood; Aslant: their hill of stinging nettle; Then, honor-bound, mute grazing cattle; Above: leaf-wraithed white air, white cloud. All afternoon these lovers lay Until the sun turned pale from warm, Until sweet wind changed tune, blew harm : Cruel nettles stung her angles raw. Rueful, most vexed, that tender skin Should accept so fell a wound, He stamped and cracked stalks to the ground Which had caused his dear girl pain. Now he goes from his rightful road And, under honor, will depart; While she stands burning, venom-girt, In wait for sharper smart to fade.
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Bucolics
Raining down everywhere Autumn tastes bittersweet by the river. I want to paint the land in abstract Subtle lines of a new day. To delight and inebriate the few that call for courage. But a whisper of cloud takes forever to appear. And dead leaves are piled up in corners blown by a strange wind. I wonder, what keeps them there? The shallow water of the River Fen flows to impress, But the warmth has now gone. A heart sunk in mourning and bleakness comes without sound. I see the couples walk by hand in hand, unaware of the bitter sweet breeze that blows from winters harsh advance. The old man walks alone days of youth in his heart, But he looks back without sadness, without nostalgia. A life simplified of images, and now he is able to comprehend the world. But who wants to know this? As for me, I will keep on drifting away, Or break up into many parts, But I remain who I am! Searching for you in this land of drifting souls.
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Nov 4, 2017
Nov 4, 2017 at 4:59 AM UTC
An Autumn Walk
The old priest Peter Gilligan Was weary night and day For half his flock were in their beds Or under green sods lay. Once, while he nodded in a chair At the moth-hour of the eve Another poor man sent for him, And he began to grieve. 'I have no rest, nor joy, nor peace, For people die and die; And after cried he, 'God forgive! My body spake not I!' He knelt, and leaning on the chair He prayed and fell asleep; And the moth-hour went from the fields, And stars began to peep. They slowly into millions grew, And leaves shook in the wind And God covered the world with shade And whispered to mankind. Upon the time of sparrow chirp When the moths came once more, The old priest Peter Gilligan Stood upright on the floor. 'Mavrone, mavrone! The man has died While I slept in the chair.' He roused his horse out of its sleep And rode with little care. He rode now as he never rode, By rocky lane and fen; The sick man's wife opened the door, 'Father! you come again!' 'And is the poor man dead?' he cried 'He died an hour ago.' The old priest Peter Gilligan In grief swayed to and fro. 'When you were gone, he turned and died, As merry as a bird.' The old priest Peter Gilligan He knelt him at that word. 'He Who hath made the night of stars For souls who tire and bleed, Sent one of this great angels down, To help me in my need. 'He Who is wrapped in purple robes, With planets in His care Had pity on the least of things Asleep upon a chair.'
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The Ballad of Father Gilligan
Milton! thou should’st be living at this hour: England hath need of thee: she is a fen Of stagnant waters: altar, sword, and pen, Fireside, the heroic wealth of hall and bower, Have forfeited their ancient English dower Of inward happiness. We are selfish men; Oh! raise us up, return to us again; And give us manners, virtue, freedom, power. Thy soul was like a Star, and dwelt apart: Thou hadst a voice whose sound was like the sea: Pure as the naked heavens, majestic, free, So didst thou travel on life’s common way, In cheerful godliness; and yet thy heart The lowliest duties on herself did lay.
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London, 1802
Mariana in the Moated Grange by Alfred, Lord Tennyson With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"
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Mariana in the Moated Grange
Mariana in the Moated Grange by Alfred, Lord Tennyson With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"
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My heart is a-breaking, dear Tittie, Some counsel unto me come *** To anger them a’ is a pity, But what will I do wi’ Tam Glen? I’m thinking, wi’ sic a braw fellow, In poortith I might mak a fen’: What care I in riches to wallow, If I mauna marry Tam Glen? There’s Lowrie, the laird o’ Dumeller, “Guid-day to you,”—brute! he comes ben: He brags and he blaws o’ his siller, But when will he dance like Tam Glen? My minnie does constantly deave me, And bids me beware o’ young men; They flatter, she says, to deceive me; But wha can think sae o’ Tam Glen? My daddie says, gin I’ll forsake him, He’ll gie me guid hunder marks ten: But, if it’s ordain’d I maun take him, O wha will I get but Tam Glen? Yestreen at the valentines’ dealing, My heart to my mou gied a sten: For thrice I drew ane without failing, And thrice it was written, “Tam Glen”! The last Halloween I was waukin My droukit sark-sleeve, as ye ken: His likeness cam up the house staukin, And the very gray breeks o’ Tam Glen! Come counsel, dear Tittie, don’t tarry; I’ll gie ye my bonie black hen, Gif ye will advise me to marry The lad I lo’e dearly, Tam Glen.
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Tam Glen
This poem is translate from http://hellopoetry.com/poem/warrior-of-tamriel-warrior-of-realitys-breath/ Zu'u faas nid nuz koraav pah, Dii dovah meyz fod Zu'u for. Zu'u imaar verin voknau dii hadrim, Ol nust swirl tuum tiid. Zu'u kriist firm ahrk faar, Waving dii zahkrii ko ven. Dii lein los nunon kein, Ol Zu'u krif wah juh. Nid uth vis gesaag zey fos wah dreh, Zu'u los Kinbokein do Keizaal. Dii bodein los do krilaan praan, ol dii noot everyday, los raal wah gor. Hi krif fah fos hi korah, Hi dir voth dignity. Zin yoz ko hin sostrah, Ol hi unt wah krif stin. Stinun prenlon fod Kendov kriist veyl, Rok uv rek fent kos, saviik wah lein. Tuum Lein do Taazokaan, Zu'u los Lokolteiren Rahzun, Ahrk Punah. Naangein vis kos kendov voknau strife, Orin tuum daar kein, Hi vis kos ges. Aav reid, Unad hin zen. Hi fent kos krongrahkei, Ahrk fen deserve Kendov Dinok. Jur thy dragonkin nu. Nust fen saraan hin arosend. Voknau hin dovah, Fent meyz thy untak. Kest riin tuum lok do Taazokaan, Ol Dovahkiin meyz, Wah Lein do Keizaal. Fus Ro Dah !
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Jan 8, 2014
Jan 8, 2014 at 8:06 AM UTC
Remake
a fair question, deserving of thought, goodly soft care and hard consideration, strangely, instantly and undeniable, one worldly, word achieves ********** whether first or foremost, après ma raison d'être, cannot list, nor rank or certain state, yet my heart repeats, nation, nation, my understanding, instant and complete worthy journey to self-fulfillment, contentedly unhappy to be permanently, one poem short on the one continuum, the-road-trip to salvation, my end, my finality / our self-acualization aking pagtatapos, ang aking katotohanan my einde, my realiteit fen m 'yo, reyalite mwen akhir saya, realiti saya ma fin, ma réalité M write of the ifs of a man's life, and come aboutface to conclusions, instant and long in the making, there are willing ears on this globe, welcoming me open armed, opened lipped, knowing firstly this open-eyed greeting, welcome poet, tell us for we are one nation, everywhere invisible, indivisible with liberty and justice inherent, creation our common good, in fact it is our lifelong wares and goods, letter by letter composing, we sell for the price of free This then single common currency, our ouro, derivation of languages multi and mellifluous here spoke, this my/our nation where birthright and citizenship ego-and-geo boundless, my loves, continentally arrayed, to whom I pledge until last breath utter all, guttural devotion when one of us creates, good manifests, I care not in what tongue, for our tongues intertwine and intertaste this one flavor, communitas, meine gemeinschaft, meine gesellschaft where spoken goodness all the days of life, it has goodly gotten me to you...
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Mar 1, 2014
Mar 1, 2014 at 6:55 AM UTC
where has writing gotten me? (March 2014)
a fair question, deserving of thought, goodly soft care and hard consideration, strangely, instantly and undeniable, one worldly, word achieves ********** whether first or foremost, après ma raison d'être, cannot list, nor rank or certain state, yet my heart repeats, nation, nation, my understanding, instant and complete worthy journey to self-fulfillment, contentedly unhappy to be permanently, one poem short on the one continuum, the-road-trip to salvation, my end, my finality / our self-acualization aking pagtatapos, ang aking katotohanan my einde, my realiteit fen m 'yo, reyalite mwen akhir saya, realiti saya ma fin, ma réalité M write of the ifs of a man's life, and come aboutface to conclusions, instant and long in the making, there are willing ears on this globe, welcoming me open armed, opened lipped, knowing firstly this open-eyed greeting, welcome poet, tell us for we are one nation, everywhere invisible, indivisible with liberty and justice inherent, creation our common good, in fact it is our lifelong wares and goods, letter by letter composing, we sell for the price of free This then single common currency, our ouro, derivation of languages multi and mellifluous here spoke, this my/our nation where birthright and citizenship ego-and-geo boundless, my loves, continentally arrayed, to whom I pledge until last breath utter all, guttural devotion when one of us creates, good manifests, I care not in what tongue, for our tongues intertwine and intertaste this one flavor, communitas, meine gemeinschaft, meine gesellschaft where spoken goodness all the days of life, it has goodly gotten me to you...
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Janus am I; oldest of potentates; Forward I look, and backward, and below I count, as god of avenues and gates, The years that through my portals come and go. I block the roads, and drift the fields with snow; I chase the wild-fowl from the frozen fen; My frosts congeal the rivers in their flow, My fires light up the hearths and hearts of men.
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The Poet’s Calendar: 01 - January
the girl screams at him, 'you do not have to walk this path alone, you do not have to walk it all' but the dread wolf cannot hear her over the sound of the wind her voice is raging in accusation, yet she falls for it every time the old god of betrayal apologizing, for hunting alone once more the fen'harel turns to stare at her eyes fading from his warm color bends down to kiss her, brown eyes flashing to white if he knew the truth on how this would end, why did the dread wolf start hunting the sheep if it was real, why did he leave?
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Mar 15, 2016
Mar 15, 2016 at 2:49 AM UTC
the girl and the dread wolf
He professed he was a professor He knew all the flowers by name The greater stitchwort from the lesser Deadly nightshade and alpine fleabane He said he would build her an Eden The envy of all learned men To find the plants they would be needing They walked on field, hill and fen He said it would be just like ground force He told her to stay out of sight He said it would cost her of course He vanished into the night If ever you meet with this fellow And get filled with botanical cravings It's for the police you should bellow And hang on to your jewels and life savings
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Feb 5, 2012
Feb 5, 2012 at 2:31 AM UTC
Botanical cravings
"Mariana in the Moated Grange" (Shakespeare, Measure for Measure) With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, She wept, "I am aweary, aweary, Oh God, that I were dead!"
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Mariana
"Mariana in the Moated Grange" (Shakespeare, Measure for Measure) With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, She wept, "I am aweary, aweary, Oh God, that I were dead!"
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THE DREAM CATCHER (A RED INDIAN LEGEND)          * By Raj Nandy* The continent of North America during those ancient times, Were inhabited by various Red Indian tribes. The Delawares, the Mohawks, the Choctaws, The Dacotahs, the Omahas, the Blackeet, The Camanches, the Ojibways and the Apaches! They inhabited the forest, the prairies, the marsh lands, The great lakes, the mountains and the fen-lands! They lived close to Nature and honored their Gods, With the spirit of Nature all thing were fraught! If we recall the story of "MacKenna’s Gold", The ‘Shaking Rock’ and ‘Canyon del Oro’, Of human greed, - breeding death, and sorrow! Which in celluloid has often been shown and told; Yet none could take away that Apache gold !! Today I narrate a legend of the ancient Chippawa tribe, About their "magical net" for a peaceful night! An old Medicine Man of this tribe, Wove a ''magical net" with fine gossamer strings, To catch the dreams as they float by! He hung this net above the bed up high, To filter the dreams as they float by, During those darkest hours of the night ! This wondrous net trapped all bad dreams, Letting the good ones pass through its netted seams! And as the bad dreams got entangled in the net, The good ones descended upon the sleeping bed! So should you come across this 'magical net', Never argue about its price, - Just buy the one for your bed size! Then hang the net high above your bed, For there is nothing to be afraid! Since dreams shall never ever cease, Have sweet dreams always, with a good night’s sleep!                         - by Raj Nandy
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Oct 8, 2014
Oct 8, 2014 at 1:05 AM UTC
THE DREAM CATCHER !
THE DREAM CATCHER (A RED INDIAN LEGEND)          * By Raj Nandy* The continent of North America during those ancient times, Were inhabited by various Red Indian tribes. The Delawares, the Mohawks, the Choctaws, The Dacotahs, the Omahas, the Blackeet, The Camanches, the Ojibways and the Apaches! They inhabited the forest, the prairies, the marsh lands, The great lakes, the mountains and the fen-lands! They lived close to Nature and honored their Gods, With the spirit of Nature all thing were fraught! If we recall the story of "MacKenna’s Gold", The ‘Shaking Rock’ and ‘Canyon del Oro’, Of human greed, - breeding death, and sorrow! Which in celluloid has often been shown and told; Yet none could take away that Apache gold !! Today I narrate a legend of the ancient Chippawa tribe, About their "magical net" for a peaceful night! An old Medicine Man of this tribe, Wove a ''magical net" with fine gossamer strings, To catch the dreams as they float by! He hung this net above the bed up high, To filter the dreams as they float by, During those darkest hours of the night ! This wondrous net trapped all bad dreams, Letting the good ones pass through its netted seams! And as the bad dreams got entangled in the net, The good ones descended upon the sleeping bed! So should you come across this 'magical net', Never argue about its price, - Just buy the one for your bed size! Then hang the net high above your bed, For there is nothing to be afraid! Since dreams shall never ever cease, Have sweet dreams always, with a good night’s sleep!                         - by Raj Nandy
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I am the coy smiling handsome man and my feet beat the darkness away when I rush. And I rush, in the alleys, sightless, an actor led by lines of wilting dialogue. And jasmine litters the gutters, fit to be dredged, the aroma and the petals streaked with reminiscence. I rush. I am the man toward an apogee, a scalpel, with tastes as keen as winter lavender, and eyes that feel the weight of tastes behind them. As I dredge the depths for rarer tastes I rush toward the gutter. And like the gutters I thirst, in the levees and fen- In the fen the rush of prey caught Idling fills the space inside my eyes like oil, and I dredge the lake for traces. I am the actor, the dredge, my wit rehearsed and I am acquainted with the lady of the night. I smile as she caresses my oily deluged eyes- And her eyes are filled with bile, accented by jasmine, even in the dimmest light of gutters are rushing to an apogee, fiercer than I'd like them to appear, but I am the scalpel, to incise the insincere- I am the prince, an heir to exacting the coerced- I watch her eyes like windows from the gutter like a vigil and hold tight to her breath. I pour her blood in paper cups until her breath is weightless- And I rush, an actor, in the scene that we portray- I am the giver, the oily deluged eyes that close around the flesh and rend the fruit from the rind.
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Mar 27, 2010
Mar 27, 2010 at 12:52 PM UTC
Artificial Intelligence
When I was young, we dwelt in a vale By a misty fen that rang all night, And thus it was the maidens pale I knew so well, whose garments trail Across the reeds to a window light. The fen had every kind of bloom, And for every kind there was a face, And a voice that has sounded in my room Across the sill from the outer gloom. Each came singly unto her place, But all came every night with the mist; And often they brought so much to say Of things of moment to which, they wist, One so lonely was fain to list, That the stars were almost faded away Before the last went, heavy with dew, Back to the place from which she came— Where the bird was before it flew, Where the flower was before it grew, Where bird and flower were one and the same. And thus it is I know so well Why the flower has odor, the bird has song. You have only to ask me, and I can tell. No, not vainly there did I dwell, Nor vainly listen all the night long.
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In A Vale
The day following Cawdor's capture Was strange and grew stranger: Relief from battle's end, The weary ride's return. Three witches in a fen Pronounced Macbeth's sweet future Named him, "King," hereafter. Their prophecy fazed him, I think. Aware their source could only be the Devil, I queried them, "Prophesy the future to my line." Cackled utterances gave nothing to me, Except the fathering of kings, A promise I can only to leave to God. Shrieking and smoking, The hags evaporated Leaving us shaking, Alone in murky thought. I obeyed, as much as I am able, Macbeth's command To leave the hellish messengers' Words hanging in that fen. Tonight Glamis has become Cawdor; The day has trickled down to night; I am out upon the battlements, Too troubled now to sleep While Macbeth snores, content. He leaves to see his Lady in the morning. King Duncan follows after To celebrate the victory of Scotland, To honor the bravest of his heroes, The two-named Thane. Here above the courtyard, I pace beneath the tent of night, As witches' words I mutter, "And King hereafter." Something is not right.
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Sep 22, 2015
Sep 22, 2015 at 7:10 PM UTC
Banquo, After the Witches...
The little boy lost in the lonely fen, Led by the wand’ring light, Began to cry, but God ever nigh, Appeared like his father in white. He kissed the child & by the hand led And to his mother brought, Who in sorrow pale. thro’ the lonely dale Her little boy weeping sought.
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