"fastened" poems
Touch me
With the tips of your fingers
Gently
Across the small of my back
Touch me
With both hands
Securely
Fastened to my hips
Touch me
With the rise of your chest
Intimately
Pressing against mine
Touch me
With your lips, your tongue
Hungrily
Tasting the salt on my neck
Touch me
With the rest of you
Finally
Becoming who you touch
Those little electric currents
That pass from your skin to mine
Frankly
Keep me alive
That's why I'm dying
Nov 16, 2018
Nov 16, 2018 at 9:34 AM UTC
lady craighead played the blues
on a stand-up samick
in the ***** room
along side the parsons project
and squabbling dogs
and night moves
stairs creek
up the mezzanine trek
wool sheets slide
on finished floors
little angels
play late into the seventh
(a closing match nearing
the midnight hour)
croaking toads and cicada
sing in the blue moon
musty smells and mothballs
settle deep in the vault
the kettle boils
and cat coils
as the pump house rolls
its heavy drawl
the red phone rings
and bird clock sings
(behind the ruddy stall)
a sleeman variation of the ruy lopez
employed heartily
by the incomparable master jack
marble toast burning
wringer wash churning
chris craft running
near the old carp canoe
rooster calls
and west wind squalls
rustle through the porch screen door
chicken *** pies
and rogue flies linger
a rocker chair placed
near the sepia face
(softened by the intricate frame)
donkey in tow
(with a fastened ***
maggie in her dreams
of green tambourines
the nocturnes
reflections
and whispering gospel bells
tractors pull on
the grinder stone
horses lay still
in the mid-day sun
a trump card is fingered
at the furnace click
(crosswords and puzzles are next!)
while the sparrow
*and that **** rabid fox*
are drowning
deep in castles well
Mar 14, 2017
Mar 14, 2017 at 10:20 PM UTC
Bees build around red liver,
Ants build around black bone.
It has begun: the tearing, the trampling on silks,
It has begun: the breaking of glass, wood, copper, nickel, silver, foam
Of gypsum, iron sheets, violin strings, trumpets, leaves, ***** crystals.
**** Phosphorescent fire from yellow walls
Engulfs animal and human hair.
Bees build around the honeycomb of lungs,
Ants build around white bone.
Torn is paper, rubber, linen, leather, flax,
Fiber, fabrics, cellulose, snakeskin, wire.
The roof and the wall collapse in flame and heat seizes the foundations.
Now there is only the earth, sandy, trodden down,
With one leafless tree.
Slowly, boring a tunnel, a guardian mole makes his way,
With a small red lamp fastened to his forehead.
He touches buried bodies, counts them, pushes on,
He distinguishes human ashes by their luminous vapor,
The ashes of each man by a different part of the spectrum.
Bees build around a red trace.
Ants build around the place left by my body.
I am afraid, so afraid of the guardian mole.
He has swollen eyelids, like a Patriarch
Who has sat much in the light of candles
Reading the great book of the species.
What will I tell him, I, a Jew of the New Testament,
Waiting two thousand years for the second coming of Jesus?
My broken body will deliver me to his sight
And he will count me among the helpers of death:
The uncircumcised.
21.5k
At the Zoo
Patriots and faux exhibit and binge on synonyms of liberty printed on beer and underwear
Advertising what should be unspoken and inspired to pervert and romanticize
Preludes to the parades and finale above us all
Weeks of saturated irony
Cuckoo bird irony and BBQ
As they reform Phoenix, rebirth of distractions and thievery
Predators in ally ways pursing America's diamonds and legs
Then gunpowder
Gunpowder of colors and cuckoos
Layers of streets in gunpowder
Towns built of gunpowder
Sky is gunpowder
We are born addicted to led and gunpowder
Gunpowder ****** in the air
Success, display and diversion and more gunpowder to ingest.
The Grand Finale
The Volta of the evening
The hammer of the judge
*** appeal of death and nature flexing it's muscles-
show us some skin!
Covering your ears
Eyes fastened-
Ready to burrow back to mothers womb
Binged and free
Chinese celebration hijacked
Red, White and Blue
And a moment of silence
Orchestrated onomatopoeia in heaven
Chorus of arousal on Earth
Band marching war machines in hell
The showdown of 241 years!
This freedom we are all grateful to only talk about
Only free to battle shackling intoxication
Men and women tugging extra weighted offspring
Sulking for indoors and portable addiction
Chanting three letter obedience
God being counted by his blessings
Fear and Statism in every breathe for salvation from our stick swatted enemies
Checkpoints that serve and protect asking for a toll;
liberty synonyms.
Arresting the too free
At the Zoo,
The cuckoos regaining reality.
The phoenix red eye and held under oath
To the next day where we are back
To hate each others freedom, again.
Jul 10, 2017
Jul 10, 2017 at 1:31 AM UTC
The light is like a spider.
It crawls over the water.
It crawls over the edges of the snow.
It crawls under your eyelids
And spreads its webs there--
Its two webs.
The webs of your eyes
Are fastened
To the flesh and bones of you
As to rafters or grass.
There are filaments of your eyes
On the surface of the water
And in the edges of the snow.
9.3k
Forth into the forest straightway
All alone walked Hiawatha
Proudly, with his bow and arrows,
And the birds sang round him, o’er him,
“Do not shoot us, Hiawatha!”
Sang the robin, the Opechee,
Sang the blue bird, the Owaissa,
“Do not shoot us, Hiawatha!”
Up the oak tree, close beside him,
Sprang the squirrel, Adjidaumo,
In and out among the branches,
Coughed and chattered from the oak tree,
Laughed, and said between his laughing,
“Do not shoot me, Hiawatha!”
And the rabbit from his pathway
Leaped aside, and at a distance
Sat ***** upon his haunches,
Half in fear and half in frolic,
Saying to the little hunter,
“Do not shoot me, Hiawatha!”
But he heeded not, nor heard them,
For his thoughts were with the red deer;
On their tracks his eyes were fastened,
Leading downward to the river,
To the ford across the river,
And as one in slumber walked he,
Hidden in the alder bushes.
There he waited till the deer came,
Till he saw two antlers lifted,
Saw two eyes look from the thicket,
Saw two nostrils point to windward,
And a deer came down the pathway,
Flecked with leafy light and shadow.
And his heart within him fluttered,
Trembled like the leaves above him,
Like the birch-leaf palpitated,
As the deer came down the pathway.
Then, upon one knee uprising,
Hiawatha aimed an arrow;
Scarce a twig moved with his motion,
Scarce a leaf was stirred or rustled,
But the wary roebuck started,
Stamped with all his hoofs together,
Listened with one foot uplifted,
Leaped as if to meet the arrow;
Ah! the singing, fatal arrow,
Like a wasp it buzzed and stung him!
Dead he lay there in the forest,
By the ford across the river;
Beat his timid heart no longer,
But the heart of Hiawatha
Throbbed and shouted and exulted,
As he bore the red deer homeward,
And Iagoo and Nokomis
Hailed his coming with applauses.
From the red deer’s hide Nokomis
Made a cloak for Hiawatha,
From the red deer’s flesh Nokomis
Made a banquet in his honor.
All the village came and feasted,
All the guests praised Hiawatha,
Called him Strong-heart, Soan-ge-taha!
Called him Loon-Heart, Mahn-go-taysee!
9.3k
~ ⚘ ⚪ ⚘ ~
But I am relieved.
Not being confined in bright velvets
of the West, or shimmering silks of
the East. Each hand-stitched with
animals and flowers, crystals and
furs, with gold and silver to
parade around in Court.
~ ⚘ ⚪ ⚘ ~
I find far more splendour in a simple
iris-purple kimono-robe, lightweight,
silk-satin and printed with lilies with
a pink silk trim. It strokes my ankles,
and the sleeves, they billow; the sash
firmly fastened around my waist.
~ ⚘ ⚪ ⚘ ~
My handmaid, Ilazi, presents a gilded
bowl with the purest form of fruits -
the ones that were rain-washed. I have
a variety to choose from - strawberries,
blueberries, peaches, green, red and
black grapes which I pick and nibble
on. Hmm, a succulent balance of
sweetness and ****
~ ⚘ ⚪ ⚘ ~
And then my senior handmaid, Anihana,
arrives with a tray in hand, clearly made
from stainless steel with rose-gold accents.
'Sweet Queen,' says she. At the wave of my
hand, the music stops. 'Forgive me for
keeping you waiting. I know how particular
you are with your pearls so I narrowed
them to your favourite three choices.'
~ ⚘ ⚪ ⚘ ~
'Thank you,' I say and as I lean up, she
presents three cream-hued scrolls.
'Lists,' says she, 'of all the ship's
inventory. Would you like to
inspect them, my lady?'
'I will after some tea, Ainhana,
thank you.'
~ ⚘ ⚪ ⚘ ~
Anihana nods and moves by my side
as my eyes fall on the tray's contents.
A small silver five-minute sand-timer,
a glass teapot with bamboo handle,
an infuser and steel lid half filled
with hot water; steam dancing
out of the spout. Then, a lovely
glass teacup, one of the most
beautiful I've seen yet.
~ ⚘ ⚪ ⚘ ~
Aug 4, 2018
Aug 4, 2018 at 7:48 AM UTC
*pain knocks on weathered doors
fastened ever tightly
cryptic access is denied
it camouflages in the shadows
stealthily it watches
hypervigilance enhancing
catastrophe awaiting
it strikes in latent graveyards
the gale begins to form
and unleashes its fierce torrent
the latch shattered and torn
there’s now an open entrance
creeping in it slithers
engulfing to encompass
digging up emotions
buried underground there
hovering and foggy
tho’ murky does not smother
but fleshes out the psyche
entombed and cobweb covered
it crawls along the edges
and peers in secret ledges
seeps into sequesters
like dust settled in feathers
it slides through every feeling
and when it’s at its blackest
it carves the darkness out
and let’s in sunlight’s presence
© 2016janetaylor
May 1, 2016
May 1, 2016 at 12:42 PM UTC
Say this city has ten million souls,
Some are living in mansions, some are living in holes:
Yet there's no place for us, my dear, yet there's no place for us.
Once we had a country and we thought it fair,
Look in the atlas and you'll find it there:
We cannot go there now, my dear, we cannot go there now.
In the village churchyard there grows an old yew,
Every spring it blossoms anew:
Old passports can't do that, my dear, old passports can't do that.
The consul banged the table and said,
"If you've got no passport you're officially dead":
But we are still alive, my dear, but we are still alive.
Went to a committee; they offered me a chair;
Asked me politely to return next year:
But where shall we go to-day, my dear, but where shall we go to-day?
Came to a public meeting; the speaker got up and said;
"If we let them in, they will steal our daily bread":
He was talking of you and me, my dear, he was talking of you and me.
Thought I heard the thunder rumbling in the sky;
It was ****** over Europe, saying, "They must die":
O we were in his mind, my dear, O we were in his mind.
Saw a poodle in a jacket fastened with a pin,
Saw a door opened and a cat let in:
But they weren't German Jews, my dear, but they weren't German Jews.
Went down the harbour and stood upon the quay,
Saw the fish swimming as if they were free:
Only ten feet away, my dear, only ten feet away.
Walked through a wood, saw the birds in the trees;
They had no politicians and sang at their ease:
They weren't the human race, my dear, they weren't the human race.
Dreamed I saw a building with a thousand floors,
A thousand windows and a thousand doors:
Not one of them was ours, my dear, not one of them was ours.
Stood on a great plain in the falling snow;
Ten thousand soldiers marched to and fro:
Looking for you and me, my dear, looking for you and me.
6.6k
The Alexandrians were gathered
to see Cleopatra's children,
Caesarion, and his little brothers,
Alexander and Ptolemy, whom for the first
time they lead out to the Gymnasium,
there to proclaim kings,
in front of the grand assembly of the soldiers.
Alexander -- they named him king
of Armenia, Media, and the Parthians.
Ptolemy -- they named him king
of Cilicia, Syria, and Phoenicia.
Caesarion stood more to the front,
dressed in rose-colored silk,
on his breast a bouquet of hyacinths,
his belt a double row of sapphires and amethysts,
his shoes fastened with white
ribbons embroidered with rose pearls.
Him they named more than the younger ones,
him they named King of Kings.
The Alexandrians of course understood
that those were theatrical words.
But the day was warm and poetic,
the sky was a light azure,
the Alexandrian Gymnasium was
a triumphant achievement of art,
the opulence of the courtiers was extraordinary,
Caesarion was full of grace and beauty
(son of Cleopatra, blood of the Lagidae);
and the Alexandrians rushed to the ceremony,
and got enthusiastic, and cheered
in greek, and egyptian, and some in hebrew,
enchanted by the beautiful spectacle --
although they full well knew what all these were worth,
what hollow words these kingships were.
6.4k
they danced in a dream
of bending shadows
face down
begging ***
all hungry back door paradise
ankles strapped on a foot worn floor
paint faced in whorey nights
with pin needle eyes
beded
blood crimson neon's
cut curtains
like kissing claws
so their bodies wouldn't forget
dark pleasures lightening
and biting tantra tantrums
they swallowed mad ***** blossoms of hell candy
breathing the others inhalations
foot sniffing ballet arch
in fastened Japanese melting red slippers
gazing upwards rectums prayer
solar eyed insurrection
finger by finger
clutching wrists like the grave
for bloods salty cove
an injured landscape
a dire pink desert
like bogs hold bones
a rave for a slave
covered in yellow ocher rubber sheets
soft on the feet
x rated amputee costume
made of blood and spit
look mommy no arms
a bellied tattoo
of hennaed homunculi
burning Candomblé Jejé, skull
black eyed beauty hissing
while accordion throated
rip tie tighten
another notch please
a dizzy *******
down silver fluted gullet
in a steamed up bath house
party of blotted sockets
*** kitten
kissed dead girls thighs
tremulous and stretched
a shimmering serum
like wide tubular channels
as pontoon edges slit
through midnight howls for velvet skinned girl
who thrills
her head a veiled Jehovah
saliva wagging tongue ****
a stuttering ****** dance
a hula hot momma in rubble
slapping hot lipped kisses
over starved darkness
along telegraphs avenue
melting eyes like butter
a globed pudding spill
******* drool drops of gold
and black river gladiators
slaughter lies
with every long stroke
between cascading squeals
paraphilias mausoleum
like tumbling eels
a scapegoat pulp fiction
chiseled in cement
******* rips
drip drip drip
babbling **** bubbles
**** spasms ooze like a hot glue gun
fire spats soil cherry clover
Jan 12, 2019
Jan 12, 2019 at 3:39 PM UTC
Aqua white, in a glacial vanity cabinet
of pan cake foundation, pure like progeny,
The wind sings the squirrels to sleep
in this acreage of dreams. The lunar reflection
Off the snow shows one how they will die, peaceful
thought broken by a sudden clamor of crunching
One can sense under imagined steps
like the sun on your shoulder one perfect day,
It feels like memories past. An undulation of swift muscle
appears from the void into the moon glow cream,
Moving through the scape like the ocean foaming,
without direction, yet perfectly on path.
Peace not broken, rather fastened by the past,
the present, an no necessary future,
Here in the snow, where squirrels can be caught thinking
and the deer gambol with the timeless winds.
Jun 18, 2012
Jun 18, 2012 at 7:28 PM UTC
They gathered by Williamson Road at sun-up
from neighboring spreads across the Tioga valley.
They came with carts laden with lumber stacks -
with saws, adzes, hammers and sundry tools.
They gathered with the homesteaders bond.
to co-build their neighbor's' dreams.
Sweet music of community echoed off the hills.
Chisels clanged into rock, shaping the foundation,
saws sang into boards to frame a timbered skeleton.
The staccato syncopation of hammers fastened walls
that soon would shelter plowshares, stock and grain.
A smithy leaned over his fire and forge -
chiming iron into sturdy latches and hinges.
Children scurried about mixing squeals and laughter
with exuberant fetching and lifting whenever called.
In two short passings of the sun the deed was done
and a handsome new barn, decked out in a wash of red
was silhouetted tall and proud against the fading light.
Homesteaders gathered at a celebration table
to share a hearty meal adorned by the music
of fiddles, grateful smiles and easy laughter.
Then one by one they steered their wagons home
gazing back at what their labors had wrought -
knowing to the depth of their communal souls
that we are more together than we are apart
Listen up, America! This is the music of community.
We are more together than we are apart.
© 2016 by Robert Charles Howard
Jul 31, 2016
Jul 31, 2016 at 10:16 AM UTC
Up in the crows nest with the hawsers,a steel vest that ran up the ship and fastened itself to the West wind that blew,
sat, Tamale the blue,
so named, because of his dour expression,that was compressed on his features like a cold North depression,
and he wailed at the gales,the unfairness of being, a hangdog of a ****** who saw nothing worth seeing.
The salt etched in deep and slept in his face though the vessel awake,raced on in the night,
Tamale saw nothing until the Bosun cried, 'land of the starboard bow'
too late then, when Tamale awoke,the ship hit the reef line and the hull broke in two,
and Tamale the blue was thrown down to meet his very first day in the depths of the deep.
Oct 27, 2013
Oct 27, 2013 at 5:46 PM UTC
I did not believe,
standing on the bank of a river
which was wide and swift,
that I would cross
that bridge plaited from thin,
fragile reeds fastened with bast.
I walked delicately,
as a butterfly
and heavily
as an elephant,
I walked surely
as a dancer
and wavered like a blind man.
I did not believe that I would cross that bridge,
and now that I am standing
on the other side,
I do not believe I crossed it.
Apr 19, 2022
Apr 19, 2022 at 11:23 AM UTC
With mechanical portals known to be doors
That either lead to different worlds or take you home,
These cabled vehicles like tunnels on wheels fastened on a railroad track
Stretch to both ends of the universe under a single route.
And as you get in for closure,
You put your trust on the obscure.
Just say the magic words;
It will take you anywhere you wish to be.
Even though magic always comes with a price,
The only cost are countable units of your time
And also a few dimes,
In return for the travel of your life.
Across the carpeted walkway of reaching out,
Through the glass windows of visible silver lining,
Behind the blank and arid faces that lure the soul to sink in deep wonder,
The lights and skyscrapers, and mist silhouetting the scenery,
All appear in bokeh, all blend in your eyes;
Your eyes that glow brighter than fire on ice.
The coldness lashing perennially on your skin
And shaking your bones to its final breakage,
Couldn't beat the absolute zero amity between these strangers.
But your fascination has enough radiation
To melt the tip of the iceberg
And shine over what's behind their opaque walls.
Settled on the plastic seats that serve as time machines,
They nestle between unfamiliar bodies;
Static, in a state of inertia.
Blocking out force, resisting change;
Like cars stuck on parking mode,
Couldn't bring themselves to unload.
Grasping on loose handles
With a grip more secure than seat-belts,
Some tend to pull away despite of the constant push.
Like engines on reverse, they take time to backtrack.
For all we know, for every action,
Is an equal and opposite reaction.
The brakes hit; there goes a screeching sound.
But when it comes to a break, we don't really hang back
Or fall to a complete stop;
We only slide forward.
For we must keep moving ahead,
In order to keep our balance.
The portals once again unlock to let you out to the open galaxy
And let in another for the same adventure.
You've reached the end of the trip,
But not the end of the road; nor the destination.
For the journey is infinite; you know you are going to ride again and again,
Until you've run out of wishes of where you want to be where.
May 31, 2013
May 31, 2013 at 12:33 AM UTC
you're that biological catalyst that alters, speeds up (our) reactions.
with you, the fastened heartbeats, the holding of hands, the chaste kisses--
they all sped up.
with a snap, you've gotten me,
all feverish affections strong and thick.
you've got me, got me!
i am that substrate bound,
bound to your tantalizing active site.
what possessed me to persist staying there,
i'll never find out.
but i forgot, you're an enzyme,
and enzymes never change its form
when they've altered its substrate.
and silly as i was,
pitiful little substrate,
reduced to that of a broken form,
in just a snap, snap!
Nov 24, 2013
Nov 24, 2013 at 4:16 AM UTC
Today's a new.
Took a breath, stepped outside and Ponder upon Paradise Avenue.
Most haven’t a clue.
Stuck between a hard place and a rock bonded by that encrypted glue.
So don’t be rude.
Look the other way While I pursue.
Get in the way and even you’ll be tighten, fastened and ******* Intrigue or intrude?
Acting with passion taking my life wealth of metaphorical food.
I'm not in the mood.
I came to conclude.
The knowledge hidden will soon be removed.
Over the covenant stove.
Hypnotize lives will be brewed.
Ether produced broth of truth I accrued.
So in this life of Manipulating strife.
Conflict of fundamental issues got me on strike.
Take a hike, better yet ride a bike.
My mind has been overlapping Triple stacking in the apparent. Trying to come up with my own Patton of satin.
I will Manifest anything that’s internally speaking in a Ridicule fashion.
I'm rapidly expanding and the abundance is over flowing.
Is it me, is it you, is it us, was it he who walked above the sea?
Yes best believe.
Antiquity relics through Allegory marriage.
Helps to see Beyond and above the perished.
Come to believe and you will achieve.
That’s the hidden recipe.
Aug 5, 2018
Aug 5, 2018 at 2:11 PM UTC
Take me to the windmill
that revolves around the sun
let me feel the air move
as the music carries on
hold me as we turn and turn
and never let me go
take me to the windmill that you know.
Fastened to the gentle breeze with
filaments of fun
laughing 'til we cry as
we revolve around the sun
music playing moodily that just
goes on and on
turn and turn and
never let me go.
Take me to the windmill
let us spin in our desire
winding through the universe
we set our world on fire
hold me one more time and turn
the music lower still
take me to the windmill that you know.
Jun 25, 2014
Jun 25, 2014 at 5:47 AM UTC
Closed like confessionals, they thread
Loud noons of cities, giving back
None of the glances they absorb.
Light glossy grey, arms on a plaque,
They come to rest at any kerb:
All streets in time are visited.
Then children strewn on steps or road,
Or women coming from the shops
Past smells of different dinners, see
A wild white face that overtops
Red stretcher-blankets momently
As it is carried in and stowed,
And sense the solving emptiness
That lies just under all we do,
And for a second get it whole,
So permanent and blank and true.
The fastened doors recede. Poor soul,
They whisper at their own distress;
For borne away in deadened air
May go the sudden shut of loss
Round something nearly at an end,
And what cohered in it across
The years, the unique random blend
Of families and fashions, there
At last begin to loosen. Far
From the exchange of love to lie
Unreachable insided a room
The trafic parts to let go by
Brings closer what is left to come,
And dulls to distance all we are.
3.4k
She could see her arm through the sleeves of her dress
They rested so far from one of the sides
And yet the mirror said she needed to be more light.
Most of the days
She was afraid she would be too much
For a guy to own
Her heart had long been strangled
By her load
And so she no longer ate.
But, here she was months later
Owning half of what she had
And yet carrying too much ,
Her heart was a bit afloat
But still dragged was her soul
For the mirror said
She needed to be more hollow.
Her ribs poked her chest,
She felt them with her fingers
When she was in her room alone,
No one could see them,
She wouldn't let anyone so close
But she wondered if they could feel those bones
Maybe they would have considered her light.
Undressed after a bath
She would turn around at the mirror
Gazing at her backbone- gazing back .
It was all so clear now
You could almost count the bones
Yet the mirror said she must be a bit more hollow.
Her hands were now so much more thin
You could hold them in the stretch of your thumb
And maybe your little finger
And even though you would laugh at her length
She would be scared by your touch
So that you do not know.
Of all the things she lost,
Her sullen cheeks to her coat,
Her smile was the thing she misses most.
Now her smile was too empty,
Previously it was fastened to her face
Now the hollow mouth almost appears
As if her smile would just fall of,
She is now shy to smile
She often wonders back to the day
When that guy had said
She had a beautiful smile.
But you wouldn't know
Photographs never really captured her
Now not anymore.
She often stumbles now,
Lighter to her feet
She does get up herself,
But she wonders now and then
If it had been because most of her
Was now gone.
So vacantly, emptily she walks
A few watch her go,
The world is the mirror
With no memory of the past,
It still calls her heavy
With no appreciation of what she has become.
She has lost herself
And the world needs her
To lose herself more.
She wonders if it's time
To have their demands finally denied.
How much more could she afford to lose ?
How long until she dies?
Apr 16, 2017
Apr 16, 2017 at 3:16 AM UTC
Spanish
Fuera, la noche en veste de tragedia solloza
Como una enorme viuda pegada a mis cristales.
Mi cuarto:…
Por un bello milagro de la luz y del fuego
Mi cuarto es una gruta de oro y gemas raras:
Tiene un musgo tan suave, tan hondo de tapices,
Y es tan vívida y cálida, tan dulce que me creo
Dentro de un corazón…
Mi lecho que está en blanco es blanco y vaporoso
Como flor de inocencia,
Como espuma de vicio!
Esta noche hace insomnio;
Hay noches negras, negras, que llevan en la frente
Una rosa de sol…
En estas noches negras y claras no se duerme.
Y yo te amo, Invierno!
Yo te imagino viejo,
Yo te imagino sabio,
Con un divino cuerpo de marmól palpitante
Que arrastra como un manto regio el peso del Tiempo…
Invierno, yo te amo y soy la primavera…
Yo sonroso, tú nievas:
Tú porque todo sabes,
Yo porque todo sueño…
…Amémonos por eso!…
Sobre mi lecho en blanco,
Tan blanco y vaporoso como flor de inocencia,
Como espuma de vicio,
Invierno, Invierno, Invierno,
Caigamos en un ramo de rosas y de lirios!
English
Outside the night, dressed in tragedy, sighs
Like an enormous widow fastened to my windowpane.
My room…
By a wondrous miracle of light and fire
My room is a grotto of gold and precious gems:
With a moss so smooth, so deep its tapestries,
And it is vivid and hot, so sweet I believe
I am inside a heart…
My bed there in white, is white and vaporous
Like a flower of innocence.
Like the froth of vice!
This night brings insomnia;
There are black nights, black, which bring forth
One rose of sun…
On these black and clear nights I do not sleep.
And I love you, Winter!
I imagine you are old,
I imagine you are wise,
With a divine body of beating marble
Which drags the weight of Time like a regal cloak…
Winter, I love you and I am the spring…
I blush, you snow:
Because you know it all,
Because I dream it all…
We love each other like this!…
On my bed all in white,
So white and vaporous like the flower of innocence,
Like the froth of vice,
Winter, Winter, Winter,
We fall in a cluster of roses and lilies!
3.5k
Everything that once was so simple, now all seems so lost to me.
Lost to the world that fought me.
I feel my words blurring together with a broken jaw type of numbness.
It feels like my thoughts were beaten from my lips from the inside out.
I can still feel the burns of thoughts unsaid. I miss when times were tangible and things were nailed down.
But now my life feels like water.
Violent like the tides, dragging me out into a place where I don’t know how to swim.
It’s the words that I don’t know how to place that fill my lungs with every choking breath.
I’m in life too deep to get out now.
I’m imbedded, addicted.
Fastened to this current.
Like the van der waals force of my heart beating.
My lips tragically crave the taste of air and my heart painfully keeps the rhythm.
Step Step Step Step.
“Let’s go on,” my feet say in agreement with my heart.
The tears drag down and even they demand to be felt.
No parts of me want to go, but they all beat down on me demanding that I supply them with more energy to live.
I grow weak and hobble at my knees and wonder, “When will this addiction end?
When will I get some rest?” and just like that I’m gone.
Not fighting the current, just floating.
Not swimming, just floating.
Not quite drowning,
but still,
only floating.
Nov 29, 2014
Nov 29, 2014 at 11:38 PM UTC
Here are my eyes
my fried eggs
teal lily-pads floating
on white albumen.
Here are my elbows
like deformed peaches
my knuckles the peas
wrist corn on the cob.
Here are my teeth
my frosty Stonehenge
a ring of slabs
solid halibut.
Here are my ankles
four gobstoppers
cracking as rocks
under her size-five feet.
Here is my nose
fastened to my face
the garbage chute
meets hoover hybrid.
Here are my knees
two wrinkled potatoes
mashing in their sockets
as waves crumble on me.
Here is my hair
my straw candyfloss
unlike her buttered popcorn
curly-wurly waterfall.
Here are my tonsils
squashy strawberries
wedged at the back
of the cave I once made.
Here are my lips
azalea-pink sweets
flecked with salt
from our slice of sea.
May 30, 2014
May 30, 2014 at 2:46 PM UTC