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Aoife Mairéad Feb 2013
Dear Miss *,
We regret to inform you that unfortunately at this time we do not have space for you at our company.
Yours,
Xxxx xxxxxxxx

Dear Miss
*,
We regret to inform you that unfortunately at this time we cannot offer you a place with our company as you are under qualified.
Yours ** xxxxx

Dear Miss
*,
Thank you for your application. We regret to inform you that you are over-qualified for the position.
Yours,  xxxxxxx ***

Dear Miss *,
I don’t think so love. This isn’t even a letter, this is my managerial position on you handing me your cv.
Cheers, bahbye now

Dear Miss
*,
This isn’t really a letter either, but despite how un-pc this is, we can’t hire you due to your gender.
Thanks anyway, save your paper.

Dear Miss
*,
Thank you for your application, unfortunately we had stronger applicants.
Yours, etc.,  aaaaaa aaaaaaaaaaaaa

Dear Miss *,
Thank you for your application. Unfortunately we are not hiring at the moment even though we had advertised the job you applied for.
Yours, xxxxxxxxx xxxxx

Dear Miss
*,
We had left it between you and another applicant, and couldn’t decide so we flipped a coin, and she won. You’re a lovely girl though.
Yours, fffffff ffff fffff

Dear Miss *,
I refer to your claim for Jobseekers Benefit/Assistance at VVVVVV’s CCCCCC local office. Jobseekers Benefit/Assistance claims are subject to periodic review, consequently, I would appreciate if you would attend this office for interview on the 31/17/78 and bring the following :
1. Proof of Identity (i.e. Passport or Driving Licence or Long version of your Birth Certificate)
2.  Proof of Residency (e.g. Letter from landlord/ Rent Book/ Lease/ Mortgage Receipt/ Letter from Parents + Household Bill)
3. Written Proof of recent job applications and replies.
4. Proof of job applications made through FAS
5. FAS courses applied for.
6. A copy of your Curriculum Vitae (CV): unemployed from
7. If your spouse/partner is an adult dependent on your claim, please bring his/her GNIB and Passport/Travel Documents.
Failure to respond to this letter may lead to suspension or disallowance of claim.
Yours sincerely,
* *
Local Officer
I’m indebted to the Oxford Dictionary of Quotations, 4th Edition 1996

Ab Imo Pectore

A
b imo pectore,
Blandae mendacia linguae,
Cadit quaestio,
Desunt cetera.
Est modus in rebus.
Faber est quisque fortunae suae,
Gigni de nihilo nihilum, in nihilum nil posse reverti.
Hic finis fandi,
Interdum stultus bene loquitur?
Jacta interdum est alea,
Labuntur et imputantur.
Magni nominis umbra,
Nec scire fas est omnia,
Omne crede diem tibi diluxisse supremun,
Pallida mors aequo pulsat pauperum tabernas regumque turres;
Quid rides, mutato nominee de te fibula narrator,
Res ipsa loquitur.
Solvitur ambulando…
Tempora mutantur, nos et matamur in illis.
Urbi et orbi,
Vestigia nulla retrorsum.



From The Bottom Of The Heart

From the bottom of the heart,  the falsehoods of a smooth tongue,
The question drops, the rest is wanting.
There is a balance in all things, every man is the creator of his own fate.
From nothing, nothing can come, into nothing, nothing can return.
Let there be an end to talking, for who can tell when a fool speaks the truth?
The die is sometimes already cast,
A moment comes and goes, and is laid to our account.
From the smallest shadow to the mightiest name,
No one can claim to know all things,
I believe that every day that dawns may be my last,
Pale death knocks impartially at both poor and rich men’s houses;
Don’t laugh, change the name and the story is yours,
It’s so obvious, it speaks for itself.
As the concept of motion is proven by walking…
So in time all things change, as we must, in time, all change.
And to all the world,
There’s no turning back.

Ab Imo Pectore / From The Bottom Of The Heart

Ab imo pectore,
From the bottom of the heart,
Blandae mendacia linguae,  
The falsehoods of a smooth tongue,
Cadit quaestio,
The question drops,
Desunt cetera.
The rest is found wanting.
Est modus in rebus,
There is a balance in all things,
Faber est quisque fortunae suae.
Every man is the creator of his own fate.
Gigni de nihilo nihilum, in nihilum nil posse reverti.
From nothing, nothing can come, into nothing, nothing can return.  
Hic finis fandi,
Let there be an end to talking,
Interdum stultus bene loquitur?
For who can tell when a fool speaks the truth?
Jacta interdum est alea.
The die is sometimes already cast,
Labuntur et imputantur.
A moment comes and goes, and is laid to our account.
Magni nominis umbra,
From the smallest shadow to the mightiest name,
Nec scire fas est omnia,
No one can claim to know all things,
Omne crede diem tibi diluxisse supremun,
I believe that every day that dawns may be my last,
Pallida  mors aequo pulsat pauperum tabernas regumque turres;
Pale death knocks impartially at both poor man and rich men’s houses;
Quid rides, mutato nominee de te fibula narrator,
Don’t laugh, change the name and the story is yours,
Res ipsa loquitur.
It’s so obvious, that it speaks for itself.
Solvitur ambulando…
As the concept of motion is proven by walking…
Tempora mutantur, nos et matamur in illis.
So in time all things change, as we must, in time, all change.
Urbi et orbi,
And to all the world,
Vestigia nulla retrorsum.
There’s no turning back.


r10.1
I didn’t write a ******* line of this, it’s all cribbed from a dictionary. But I’ll take the credit for its conception and, as good Systems Poetry should do, meaning and beauty appears spontaneously from the random juxtaposition of disparate lines of prose; like frogs from rotting wood…
McKenzie Feb 2015
I thought this day would never come
but here i am
sitting in this crowded room
filled with silence
Distant sounds coming from down the hall
i stare out the windows
watching the wind blow the empty branches
back and forth
like a game of volleyball
i here the sounds of birds singing
their little songs
back and forth
passing back the messages that they can only understand
i sit there in this crowded room
filled with silence as fas as the ear can hear
I think i wroye this in the middle of test and then had to read it out to everyone there i syill remember almost collapsing because of my anxiety
Es tan fácil nacer en sitios que no existen
y sin embargo fueron brumosos y reales
por ejemplo m¡ sitio mi marmita de vida
mi suelta de palomas conservaba
una niebla capaz de confundir las brújulas
y atravesar de tarde los postigos
todo en el territorio de aquella infancia breve
con la casa en la loma cuyo dueño
cara un tal valentín del escobar
y el nombre era sonoro me atraían
las paredes tan blancas y rugosas
ahí descubrí el lápiz como colón su américa
sin saber que era lápiz y mientras lo empuñaba
alguien hacía muecas al costado de un biombo
para que yo comiera pero yo no comía

después es la estación y es el ferrocarril
me envuelven en la manta de viaje y de calor
y había unas mangueras largas ágiles
que lavaban la noche en los andenes

las imágenes quedan como en un incunable
que sólo yo podría descifrar
puesto que soy el único especialista en mí
y sin embargo cuando regresé
apenas treinta y dos años más tarde
no había andén ni manta ni paredes rugosas
ya nadie recordaba la casa en la lomita
tampoco a valentín del escobar
quizá sea por eso que no puedo creer
en pueblo tan ceñido tan variable
sin bruma que atraviese los postigos
y confunda las brújulas
un paso de los toros enmendado
que no tiene ni biombo ni mangueras

el espejo tampoco sabe nada
con torpeza y herrumbre ese necio repite
mi pescuezo mi nuez y mis arrugas
debe haber pocas cosas en el mundo
con menos osadía que un espejo

en mis ojos amén de cataratas
y lentes de contacto con su neblina propia
hay rehenes y brujas
espesas telarañas sin arañas
hay fiscales y jueces
disculpen me quedé sin defensores
hay fiscales que tiemblan frente a los acusados
y jueces majaderos como tías
o deshumanizados como atentos verdugos
hay rostros arduos y fugaces
otros triviales pero permanentes
hay criaturas y perros y gorriones
que van garúa arriba ensimismados
y un sosías de dios que pone cielos
sobre nuestra mejor abolladura
y tampoco el espejo sabe nada
de por qué lo contemplo sin rencor y aburrido

y así de noche en noche
así de nacimiento en nacimiento
de espanto en espantajo
van o vamos o voy con las uñas partidas
de arañar y arañar la infiníta corteza

más allá del orgullo los árboles quedaron
quedaron los presagios las fogatas
allá atrás allá atrás
quién es tan memorioso
ah pero la inocencia ese búfalo herido
interrumpe o reanuda
la fuga o cacería
de oscuro desenlace

todos mis domicilios me abandonan
y el botín que he ganado con esas deserciones
es un largo monólogo en hiladas
turbado peregrino garrafal
contrito y al final desmesurado
para mi humilde aguante

Me desquito clavándole mi agüero
me vengo espolvoreándolo de culpas
pero la soledad
                            esa guitarra
esa botella al mar
esa pancarta sin muchedumbrita
esa efemérides para el olvido
oasis que ha perdido su desierto
flojo tormento en espiral
cúpula rota y que se llueve
ese engendro del prójimo que soy
tierno rebuzno de la angustia
farola miope

tímpano
ceniza
nido de águila para torcazas
escobajo sin uvas
borde de algo importante que se ignora
esa insignificante libertad de gemir
ese carnal vacío
ese naipe sin mazo
ese adiós a ninguna
esa espiga de suerte
ese hueco en la almohada
esa impericia
ese sabor grisáceo
esa tapa sin libro
ese ombligo inservible
la soledad en fin
                              esa guitarra
de pronto un día suena repentina y llamante
inventa prójimas de mi costilla
y hasta asombra la sombra
qué me cuentan

en verdad en verdad os digo que
nada existe en el mundo como la soledad
para buscarnos tierna compañía
cohorte escolta gente caravana

y el espejo ese apático supone
que uno está solo sólo porque rumia
en cambio una mujer cuando nos mira sabe
que uno nunca está solo aunque lo crea
ah por eso hijos míos si debéis elegir
entre una muchacha y un espejo
elegid la muchacha

cómo cambian los tiempos y el azogue
los espejos ahora vienen antinarcisos
hace cuarenta años la gente los compraba
para sentirse hermosa para saberse joven
eran lindos testigos ovalados
hoy en cambio son duros enemigos
cuadrados de rencor bruñidos por la inquina
nos agravian mortifican zahieren
y como si tal cosa pronuncian su chispazo
mencionan lustros y colesterol
pero no las silvestres bondades de estraperlo
la lenta madurez esa sabiduría
la colección completa de delirios
nada de eso         solamente
exhuman
las averías del pellejo añejo
el desconsuelo y sus ojeras verde
la calvicie que empieza o que concluye
los párpados vencidos siniestrados
las orejas mollejas la chatura nasal
las vacantes molares las islas del eczema

pero no hay que huir despavorido
ni llevarle el apunte a ese reflejo
nadie mejor que yo
para saber que miente

no caben en su estanque vertical
los que fui los que soy los que seré
siempre soy varios en parejos rumbos
el que quiere asomarse al precipicio
el que quiere vibrar inmóvil como un trompo
el que quiere respirar simplemente

será que nada de eso está en mis ojos
nadie sale a pedir el vistobueno
de los otros que acaso y sin acaso
también son otros y en diversos rumbos
el que aspira a encontrarse con su euforia
el que intenta ser flecha sin el arco
el que quiere respirar simplemente
será que nada de eso está en mi ceño
en mis hombros mi boca mis orejas
será que ya no exporto dudas ni minerales
no genera divisas mi conducta
tiene desequilibrios mi balanza de pagos
la caridad me cobra intereses leoninos
y acaparo dolor para el mercado interno

será que nada de eso llega al prójimo
pero yo estoy hablando del y con el espejo
y en su Iuna no hay prójima y si hay
será tina entrometida que mira sobre mi hombro

los prójimos y prójimas no están el el luciente
sencillamente son habitantes de mi
y bueno se establecen en mi como pamperos
como arroyos o como burbujas

por ejemplo las dudas no están en el espejo
las dudas que son meras preconfianzas
por ejemplo los miércoles no están
ya que el espejo es un profesional
de noches sabatinas y tardes domingueras
los miércoles de miércoles quien se le va a arrimar
pedestre o jadeante
inhumano y cansado
con la semana a medio resolver
las tardes gordas de preocupaciones
el ómnibus oliendo a axila de campeón

los insomnios no caben por ejemplo
no son frecuentes pero si poblados
de canciones a trozos
de miradas que no eran para uno
y alguna que otra bronco no del todo prevista
de ésas clue consumen la bilis del trimestre

tampoco aquellos tangos en Ios que uno sujeta
en suave diagonal la humanidad contigua
y un magnetismo cálido y a la vez transitorio
consterna los gametos sus ene cromosomas
y entre corte y cortina se esparcen monosílabos
y tanto las pavadas aleluya
como las intuiciones aleluya aleluya
derriban las fronteras ideológicas

verbigracia qué puede rescatar el espejo
de una ausencia tajante
una de esas ausencias que concurren
que numeran sus cartas
y escriben besos ay de amor remoto

qué puede qué podría reconocer carajo
de las vidas y vidas que ya se me murieron
esos acribillados esos acriborrados
del abrazo y el mapa y los boliches
o los que obedecieron a su corazonada
hasta que el corazón les explotó en la mano
sea en el supermarket de la mala noticia
o en algún pobre rancho de un paisaje sin chau

poco puede conocer de los rostros
que no fueron mi rostro y sin embargo
siguen estando en mí
y menos todavía
de los desesperantes terraplenes
que traté de subir o de bajar
esos riesgos minúsculos que parecen montañas
y los otros los graves que salvé como un sordo
así hasta que la vida quedó sin intervalos
y la muerte quedó sin vacaciones
y mi piel se quedó sin otras pieles
y mis brazos vacíos como mangas
declamaron socorro para el mundo

en la esquina del triste no hay espejo
y lo que es
                  más
austero
                                        no
hay auxilio
por qué será que cunden fas alarmas
y no huy manera ya de descundirlas

el país tiene heridas grandes como provincias
y hay que aprender a andar sobre sus bordes
sin vomitar en ellas ni caer como bolos
ni volverse suicida u miserable
ni decir no va más
porque está yendo
y exportamos los huérfanos y viudas
como antes la lana o el tasajo

en el muelle del pobre no hay espejo
y lo que es
                   más
sencillo
                                        no
hay adioses

los tratemos que estaban en el límite
las muchachas que estaban en los poemas
asaltaron de pronto el minuto perdido
y se desparramaron como tinta escarlata
sobre las ínfulas y los sobornos
metieron sus urgencias que eran gatos
en bolsas de arpillera
y cuando las abrieron aquello fue un escándalo
la fiesta prematura
igual que si se abre una alcancía

hacía tanto que éramos comedidos y cuerdos
que no nos vino mal este asedio a la suerte

los obreros en cambio no estaban en los poemas
estaban en sus manos nada más
que animan estructuras telas fibras
y cuidan de su máquina oh madre inoxidable
y velan su garganta buje a buje
y le toman el pulso
y le vigilan la temperatura
y le controlan la respiración
y aquí atornillan y desatornillan
y allí mitigan ayes y chirridos y ecos
o escuchar sus maltrechas confidencias
y por fin cuando suena el pito de las cinco
la atienden la consuelan y la apagan

los obreros no estaban en los poemas
pero a menudo estaban en las calles
eon su rojo proyecto y eon su puño
sus alpargatas y su humor de lija
y su beligerancia su paz y su paciencia
sus cojones de clase
qué clase de cojones
sus olas populares
su modestia y su orgullo
que son casi lo mismo

las muchachas que estaban en los poemas
los obreros que estaban en las mulos
hoy están duros en la cárcel firmes
como las cuatro barras que interrumpen el cielo

pero habrá otro tiempo
es claro que habrá otro
habrá otro ticnlpo porque el tiempo vuela
no importa que ellas y ellos no estén en el espejo
el tiempo volará
                             no
como el cóndor
ni como el buitre ni como el albatros
ni como el churrinche ni como el venteveo
el tiempo volara como la historia
esa ave migratoria de atlas fuertes
que cuando Ilega es para quedarse

y por fin las muchachas estarán en las mulos
y por fin los obreros estarán en los poemas
ay espejo ignorás tanta vida posible
tenés mi soledad
vaya conquista
en qué mago atolón te obligaste a varar
hay un mundo de amor que te es ajeno
así chic no te. quedes mirando má mirada
la modorra no escucha campanas ni promesas
tras de mi sigue habiendo un pedazo do historia
y yo tengo la llave de ese cobre barato
pero atrás más atrás
o adelante mucho más adelante
hay una historia plena
una patria en andamios con banderas posibles
y todo sin oráculo y sin ritos
y sin cofre y sin llave
simplemente una patria

ay espejo las sombras que te cruzan
son mucho más corpóreas que mi cuerpo depósito
el tiempo inagotable hace sus propios cálculos
y yo tengo pulmones y recuerdos y nuca
y otras abreviaturas de lo frágil
quizá una vez, te quiebres
dicen que es mala suerte
pero ningún espejo pudo con el destino
o yo mismo me rompa sin que vos te destruyas
y sea así otra sombra que te cruce

pero espejo ya tuve como dieciocho camas
en los tres años últimos de este gran desparramo
como todas las sombras pasadas o futuras
soy nómada y testigo y mirasol
dentro de tres semanas tal vez me vaya y duerma
en ml cama vacía número diecinueve
no estarás para verlo
no estaré para verte

en otro cuarto neutro mengano y transitorio
también habrá un espejo que empezará a
   escrutarme
tan desprolijamente como vos
y aquí en este rincón duramente tranquilo
se instalará otro huesped temporal como yo
o acaso dos amantes recién homologados
absortos en su canje de verguenzas
con fragores de anule e isócronos vaivenes

no podrás ignorarlos
egos le ignorarán
no lograrás desprestigiar su piel
porque será de estreno y maravilla
ni siquiera podr á vituperar mi rostro
porque ya estaré fuera de tu alcance
diciéndole a otra luna de impersonal herrumbre
lo que una vez te dije con jactancia y recelo

he venido con toldos mis enigmas
he venido con todos mis fantasmas
he venido con lerdees mis amores

y antes de que me mire
como vos me miraste
con ojos que eran sello parodia de mis ojos
soltaré de una vez el desafío

ay espejo cuadrado
nuevo espejo de hotel y lejanía
aquí estoy
                  ya podés
empezar a ignorarme.
Aryan Sam May 2018
Am crying heena ji
Uparo meeh pe reha
uparo gaane ewe de lage hoye ne
sala sab kuch yaad ayi janda
te u nu apne kol na dekh ke
jaan nikli ja rahi

kai dina to me jaan buj ke nai c likh reha kuj
but aj control nai hoea
life pata nai ki ban ke reh *** he
ewe lagda jiwe kuch matlb hi nai he is life da
office jao, ghar aao. Ghar wali naal bi dil ni krda chal nal gal karan da
even oh bi ro lai, ki tuci menu pyar nai krde
oh is krke roi ki usnu lagda kite me chad na dawa us nu thuhade krde
usnu thuhade to bada dar lagda he
thuhade naam to bada dar lagda he

but me fas gea ha
parso sari raat roi gea me.
ghar wali us time so rahi c
menu pata oh raat kiwe langi meri

***, koi value hi nai rakhda ***
bilkul dil nai krda

sala mausam ewe da ban gea ki
rona a gea

Thuhade husband nal dekhea c u nu.
Soh lage, maran da dil kar reha c.
dil kr reha c ki gaddi mara kite le jake

fer tuci 7 phase wali market chale gaye
uthe tuci mehndi lagwai
te me uthi wait kr reha c thuhadi
sach kaha me has jarur reha c
but andro ro reha c
thuhanu dikhana nai c chanda ki
me thuhanu dekh lea he
menu nai pata ki tuci menu dekhea ya nai
but mera koi motive nai c apni shakal
dikhan da thuhanu

Le lao badle heena ji
chup reh ke jeena bada okha he
me bi dekhda ha kinni der
chup beth sakde ** tuci
kinni patients he thuhade wich
me bi dekha.
Harry J Baxter Apr 2013
Let me tell you about the time I got jumped,
my pumped up heart thumped me apart
it was around three AM
and we were drunk again
drinking flavored ***** in my apartment
somewhere in between boys and men
drinking to our heart's content
we head out and hit the cement
we were going to the Camel
where we thought time would unravel
It was a small venue on broad street
they did ska and jazz and other stuff
and it was never full, not by far
but we were in the mood for drunk ska
and we danced
or more so we thrashed
and kicked and punched and all kinds of other ****,
then the show was over
and we headed back
walking down broad street at 3 AM
can make you superstitious
can make you avoid every crack to avoid a broken back
we turned onto first street
and it was dark out
the sort of dark that is only viewed in a six year old's room
the sort of dark that breeds monsters in closets
or under beds, **** it, it's all in our heads,
but people are monsters that do exist
they kick and twist
vicious spirits of malice and ****
I heard the footsteps
clapclapclapclapclap
and just had time to think
"somebody is running awfully fas-"
blinding lights like fireworks
exploded in front of me
and I was on the pavement
about a  foot away from me
or where I was
what was the cause?
my face hurt, and why all this blood?
my friend Michael
he's a skinny art kid
was on the ground
getting what I can only call
the absolute **** kicked out of him
I mean he just couldn't win
they circled like vultures
these rejects of culture
"What you got? What you got?"
he got
a pair of tight skinny jeans
and a pocket full of artistic dreams
they couldn't squeeze past the seams
and they gave up
when somebody at the bus stop
yelled
"******* SOMEBODY CALL THE COPS!"
they were off
and I've never seen people run so fast
I mean seriously
these guys were hauling ***
these members of the criminal class
not bad
just desperate and lost
and sick of being **** on
so they ******* with us
they didn't even get any money
they just left behind a few bruises
and a cracked lens in Michael's glasses
We went up to my apartment
I knew I wouldn't be pressing charges
those men were indiscriminate targets
and actually finding them seemed far fetched
no instead I put some ***** on a paper towel
and put it on the **** on my arm
I then proceeded to run around the apartment
trying to articulate the burning pain of my arm
but instead it came out something like
"oh **** oh **** ohhh Jesus Christ this really ******* hurts!"
and then we drank more
and I passed out on my bed
fully clothed
my ****** arm exposed
and I fell asleep laughing
because ******* it
I was alive
Hannah Christina May 2018
be gin and it seems there is so much time left / pro ceed ing and speed ing much fast er a gain / craw ling and march ing the mo ments count down / the tick ing grows loud er the se cond hand 's shou ting and fas ter yet slo wly i'm fro zen a sleep / i'm thin king in slo mo time's spee ding and surg ing a round de com pos ing and what do i mean  ? what can i show for the min utes i'm was ting ? i need to be mov ing like there 's no time left / can i get some where make some thing be fore the end ? move me to trust you build some thing be cause I can 't / ev er y se cond i'm dying i need your breath /
Trying something a bit different than my usual form.
Edits made 5/27/18
Into Young Womanhood

this glorious role, sans
     helping beget and nurture thine first born
three day shy of Christmas 1996,
     fills thy being
     with joie de vivre and doth add dorn
more resplendent than any horn
of plenty, and aye can only imagine
     more precious than fine spun gold
ah...how this papa doth recall,
     when he didst hold

and/or swaddle his edenic bundle of joy
     and taking stock,
     how she (christened
     Eden Liat) didst mold

herself into an autonomous offspring,
     rarely receiving a scold
cuz, she most times seemed well mannered
     and infrequently told,

and thus said benevolent prized progeny
     required no special programming nor app
even when a child, adolescent or,
     latte (sipping) teen,
     this genetic bounty evinced

     laser like thinking
     with a custom made thinking cap
although...yes, (there erupted a verbal flap
toward the missus or me,
     (the latter and former

     markedly differed asper child rearing,
     which unseen rift
     engendered a figurative gap
mollycoddling, holding, consoling,
     et cetera distraught daughter on me lap

which cradling, fas incubating, rocking...,
     which oft found
     this biomedically cherished baby taking her nap
twas at such poignant bonding moments,
page number two.

     aye DID NOT decry the parent trap,

thus now, special "gifts"
     with bittersweet motions bespeak
as tears (viz - ode to joy)
     stream down each stubbled cheek
this middle aged grown man,
     doth recollect with embarrassment
     how as a teen thyself as classic "geek"
whereat mine demeanor extremely meek
AND let NO chanced avail

     for one to take a peak
and now...unstoppable
     grievousness awoke,
     oh no...nothing un speak
or print able did occur only a human weak

ness, when thine voice
     un-necessarily raised yet,
blink back moistened
     slightly crowsfeet darkened eyes set

tills within this intelligent
     well read and let
hard bloke accepts the "circle game of life"
...listening to thee

     beautiful, charming, exemplary dulcet
an em ma nant treasured
     valuable accouterment tummy life...
     YOU BET!
mikecccc Apr 2016
Surprise
headlights
fight flight
pause
move faster
move fas
too late.
Julian Sep 2019
Verbal IQ:164(1 in 100,730) (Poetry and Philosophy Proves It)
Vocabulary:20
Similarities:19
Information:17
Comprehension:18­( absolutely aced the WAIS-IV in my Psychometrics Class with the most clever answers to the advanced questions on the test. I had a brilliant answer about licentiates being necessary)
Arithmetic:20(clearly)
Digit Span:16
Letter-Number Sequencing: 16
FAS(Verbal Fluency):20.5 =109.875+1.125 for 8 tests=111 Threshold for 160 is 106 on ***
Performance IQ: 151 (1 in 2968)
Block Design:19
Matrix Reasoning:19
Visual Puzzles:14
Figure Weights:18
Picture Completion:14
Cancellation:17
Symbol Search:17
Digit-Symbol Coding:12
Adjusted for 8 tests

Overall IQ:160.1 (One in 31,560) *** 106.3125

https://www.bing.com/images/search?view=detailV2&id=8DE0CC654B9B272B58BD609FE988DE60065108B9&thid=OIP.VNkJ4Z8KsDkue1E7no4bwAHaNQ&mediaurl=https%3A%2F%2Fwww.researchgate.net%2Fprofile%2FSusan_Rai­ford%2Fpublication%2F237303412%2Ffigure%2Ftbl1%2FAS%3A64823181812­9408%401531561917207%2FWISC-IV-CDN-***-Equivalents-of-Sums-of-Sca­led-Scores-Canadian-Norms.png&exph=1521&expw=850&q=general+abilities+index&selectedindex=8&ajaxhist=0&vt=0&eim=0,1,2,3,4,6,8,10
Will the moment comes when we will be together,
arm in arm, embraced as we dance until the morning?

Listening to the songs of the western ocean;
a kiss upon my cheek while on you, my sacred colors adorning.

We embrace and reflect on the first glance of each others' eyes
While the earth below us is illuminated by endless, starry skies.

I never want this moment to end; entwined by land and sea.
I will bless the very day you first glanced at me.

And if the sun fades forever, and our souls become blue,
In this world or in the next, I swear, I will never abandon you.

///

An tig am mionaid nuair a bhios sinn còmhla;
gàirdean air a ghabhail a-steach agus sinn a 'dannsa gu madainn?

Ag èisteachd ri caol a 'chuain an iar;
pòg air mo ghruaidh, fhad 's a tha e ort, mo dhathan naomh a' sgeadachadh.

Bidh sinn a 'gobhail ri agus meòrachadh air a 'chiad sealladh de shùilean a chèile
tha an talamh gu h-ìosal air a shoilleireachadh le speuran gun stad.

Chan eil mi a-riamh ag iarraidh gun tig an ire seo gu crìch, air a cheangle le fearann is muir
Beannaichidh mi an dearbh latha a choimead thu orm an toiseach

Agus ma tha a 'ghrian a' dol fodha gu bràth agus ar n-anaman a' 'fas gorm
Anns an t-saoghal seo no an ath rud, tha mi a 'mionnachadh cha trèig mi thu gu bràth
Michael Mar 2018
I’ve got my Sphere, I’ve got my spells
With plenty other whistles and bells
I’ve got my Journeyman, blue as my heart
Cause I know before we even start
The group may cast and bash and hack
And even drive the Darkness back
But when it ends, despite the pleasure
The increased skill and will and treasure
I’ve pressed myself to breath and bone
And then I’m left here all alone

 I set out with my friends and kin
With holy Light we travel in
To forests bright and caverns dark
And reawaken Aisling Spark
The rogue sets traps with deadly skill
The monk deals death with spirit still
The warrior swings his sword and mace
I fas until I’m blue in the face!
Our wounds with prayers the priest atones
Yet afterwards, I’m all alone

The monsters die, and skills we learn
But quick enough the fiends return
I grow in power every moon
But others pass me just as soon
We drive back Darkness from the night
But does that fill our Souls with Light?
I Awakened for a Lady fair
But she long ago left Temuair
I have Fire, Water, Wind and Stone
But blue I stand here, all alone
Cuz buzzards circle o'er me
eyeing these lovely bones prithee
id est Roy L. T. Canard, Si
hence impossible mission
to be lovey dove vee.

Vague remembrances of dream  
which recurred with frequency
transfixed by Sir Real majesty
shows me and the misssus evicted.

Hum habitually hiccuping
in tandem feeling woozy
virtually celebrating monarchism
with British Royal Family,
and about eager and ready
to take a snoozy
so please pardon this poet
exhibiting being a lil oozy,
nevertheless yours truly
birthed the following verse
a reasonable rhyme and doozy
considering yours truly tipsy and *****.

Now this raggedy man
whilst deep in sleep
this past night
what felt like galactic body
fell upon ma slumbering heap
affecting immediate fear
lest worst nightmare
viz management boot us
into emotional inferno

felt steel tipped kickstarter,
would crush with might
but lo… heavy weighted body
just zee spouse
plunked herself into zzz land
immediately within unconsciousness deep
that's the husband unable
to recaptcha pleasant dreams
well nigh past midnight.

Unable to shake away drunken stupor
nor defeat insomnia
reliving sinister tête-à-tête
so...rather than emit shrieks
like some angry bird
idea arose to resume completing poem
expressing discombobulated state,
whereby sixty shades
of grey matter feels
similar to thick whey curds
palliative sans restorative power
per rest hopefully clear muddled pate

plagued with grogginess
and marauding herds
of mailer daemons worse
than unsuitable mate
or a world wide web filled with nerds,
thus lethargy purged
via catharsis forming swords
follow rhyming pattern
to convey drowsy tipsy mood,
a synonym for my words.

Noah respite despite eliminating kinks
courtesy arched back from cat nap
as ginned tonic, nor lion here
feline groovy getting high temporarily
spells relief and serve as balm
with pillowed temptress ever near
beckons softly inviting calm
before this human
goes awry and berserk on manic tear
being revisited from haunts
inside head of this wordsmith
caught by men in white coats
coming to take me away
**-**, hee-hee, ha-ha,

to the funny farm
straitjacketing this maniac
wrought with weariness
dark ringed circles around eyes  
showing Adonis long since didst veer
Judas Priest or  
if you prefer heavens to murgatroyd
can't stomach bulge
spills o'er tattered underwear,
whose ***** by the way
once upon a time
about the size of average palm pilot,
yet taut for witnessing
three score plus three mortal year.

This ole goat intoxicated,
plus forcibly locked within
fas paux blinding darkness,
the pitch black common
all purpose room
in disarray after Skyping English fete
at fictional Knock Less Apartments aye
daily encounter, one bewitchingly

hair raising dreaded locked
rooted tension doth amplify
fiendishly horrible, jeeringly loopy,
nippy nap noopy,
pugnaciously ravenous, talon
viciously wizened, xenophobic yeti, zapping
zeroing zillion zippers,
zoned alley bye

barred doors fate helplessly jury-rigged
sealed with plaintive cry;
no escape known to this man caught
in a deadly voodoo clutch,
thus doomed to die
ugly cannibalistic, frightful,
heathen rumors myopic eyes espy
alarmed at feeling trapped

akin to a wingless fly
tapping reserves of scapegoat
coping techniques ingenuity,
which earned me moniker "fall guy,"
where accursed cruel fate destined exit
from getting husked, issued
jagged lance like mandibles "hi
there unknown weekly reader,” I

pray for super leftist
write hand man/woman to extricate
(via whipping up literary poetic fabrication),
then joining me to sing jai
(let victory prevail against killer odds)
perhaps summoning division
of British shiver rights phalanx,
hood reply with Hackneyed "oh kai"

springing surprise rescue,
sans swooping inside
mine hermetically faux invisible prison,
where this troubadour doth reside,
yet realistic to accept my
demise without putting up
a good fight well nigh
against inevitable mortality

(out maws of death)
gleefully depriving grim reaper
death his domain and
eventual unavoidable claim,
but if such kind unaccustomed soul
can cushion the blow of penury...
vis a vis philanthropic treatment
manifested as deliverance  

courtesy anonymous altruistic benefactor
plucking one bard
off downward slippery
precipice of homelessness,
ye will be rewarded with apple pie
ala mode enjoying a Quai,
yet moment with
Holden Caulfield doppelganger
made famous qua Catcher in the Rye.
The following poem crafted
not quite thirty months ago,
when severe bad hair day
found yours truly self sequestered
toying with notion
to coif, primp, and tease, his limp locks,
(whose hirsute trademark noncompliant)
donned, heaped, lacquered,
and puffed up swiftly tailored,
and the harried style
analogous to infamous forty fifth president.

I stand, (albeit figuratively) athwart
current mainstream popular opinions concluded
(i.e. swirling) within
metaphorical eddies storied Senate high court
case in point constituting acquittal regarding

good and plenti jinxed
high crimes and misdemeanors
purportedly linkedin quid pro quo
then president Donald John Trump,
whereby Republican partisan tipping point

ultimately decreed triumph
able, eager, ready, and willing to escort
kickstarting naysayers, rebel rousers,
and woebegone yawping zealots
(think Democrats) courtesy,

a fictional humanoid robot christened Gort
first debut appearance in 1951
20th Century Fox American science
fiction film The Day the Earth Stood Still.

Smug mugshot depicts
victorious commander in chief with jutting jaw
can now figuratively wring his hands
(more resembling puffed wheat bear paw)

whereat he reveals sharp glistening
barbed freighted, galvanized pointed claw
daring any elected official to follow scofflaw
(think Nancy Pelosi, who got hustled off -

her role as speaker of the House
security details immediately did withdraw
faster than greased lightning,
and/or Quick Draw Mcgraw
after she ripped Trump’s

State of the Union speech),
she definitely decreed guilty of fas paux
undoubtedly wincing how she got raw
end concerning high stakes Art of the Deal.

Drama under domed capital suddenly
(hello kitty) meow my
tectonically shifted analogous
to hydrogen bomb that fell out of sky
starring loose cannon shot
supremely above United States government law,

oh my dog I wanna die
versus enduring four more years,
one garden variety generic guy
who doth agonizingly decry
what will become of truth tellers forced to lie

thru their teeth...
er (yours truly) dentures, whereby
that will pose no deterrent for bluetooth to spy
every painstaking action cumulative data
nowhere off limits, yupper even

becoming American as apple pie
plus embedded into skein of ordinary house fly,
thus essentially fomenting grassroots
freedom fighting militia to stave off doom...
analogous as one after another protesters
dangle over the River Kwai.
I stand, (albeit figuratively) athwart
current mainstream popular opinions concluded
(i.e. swirling) within
metaphorical eddies storied Senate high court
case in point constituting acquittal regarding

good and plenti jinxed
high crimes and misdemeanors
purportedly linkedin quid pro quo
president Donald John Trump,
whereby Republican partisan tipping point

ultimately decreed triumph
able, eager, ready, and willing to escort
kickstarting naysayers, rebel rousers,
and woebegone yawping zealots
(think Democrats) courtesy,

a fictional humanoid robot christened Gort
first debut appearance in 1951
20th Century Fox American science
fiction film The Day the Earth Stood Still.

Smug mugshot depicts
victorious commander in chief with jutting jaw
can now figuratively wring his hands
(more resembling puffed wheat bear paw)

whereat he reveals sharp glistening
barbed freighted, galvanized pointed claw
daring any elected official to follow scofflaw
(think Nancy Pelosi, who got hustled off -

her role as speaker of the House
security details immediately did withdraw
faster than greased lightning,
and/or Quick Draw Mcgraw
after she ripped Trump’s

State of the Union speech),
she definitely decreed guilty of fas paux
undoubtedly wincing how she got raw
end concerning high stakes Art of the Deal.

Drama under domed capital suddenly
(hello kitty) meow my
tectonically shifted analogous
to hydrogen bomb that fell out of sky
starring loose cannon shot
supremely above United States government law,

oh my dog I wanna die
versus enduring four more years,
one garden variety generic guy
who doth agonizingly decry
what will become of truth tellers forced to lie

thru their teeth...
er (yours truly) dentures, whereby
that will pose no deterrent for bluetooth to spy
every painstaking action cumulative data
nowhere off limits, yupper even

becoming American as apple pie
plus embedded into skein of ordinary house fly,
thus essentially fomenting grassroots
freedom fighting militia to stave off doom...
analogous as one after another protesters
dangle over the River Kwai.

— The End —