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"eyeing" poems
A fine mole down the blue mountain sky cannot be weighed out! It's the cosmos's gold dust the earthy depth triumphs. Oh earth, our close clay-star is far ahead of the day at noon. Ahead of the moon ahead of the Neptune! With a million dash of curiosity every new sunrise paints upon her black box with the roaring fire. Yet the ****** is a veiled wonder! It has the plethora a room for everyone and time for timeless times. Guess, with her longhand what an inside scoop did it pick out? You too can be in the know It's the feminine beauty all in all. You may have by now seen women million and one. The earth is eyeing on only one! Her closest admirer is the star of the very luminary bunch with open eyes in the hearts. Her dead man is waking up sniffing the daylight by her. Yet to make the discovery both are still wondering outside!
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Oct 14, 2017
Oct 14, 2017 at 4:52 PM UTC
One Earth One Woman
I have done it again. One year in every ten I manage it---- A sort of walking miracle, my skin Bright as a **** lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin 0 my enemy. Do I terrify?---- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else, I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart---- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash --- You poke and stir. Flesh, bone, there is nothing there---- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air.
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26k
Lady Lazarus
I have done it again. One year in every ten I manage it---- A sort of walking miracle, my skin Bright as a **** lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin 0 my enemy. Do I terrify?---- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else, I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart---- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash --- You poke and stir. Flesh, bone, there is nothing there---- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air.
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84
Anger, is the steaming red on her face refusal creates in an instance; jealousy is foaming green profusion of colors in motion takes this dance for them to upward and downward turns, or a sudden dissolution--- an intense ****** in unison. Even in darkness he  can see the spasmodic ebbing waves sleep is the banana plantation where night wears translucent green "nobody would see us here" she whispers in his ears, as if they are thieving sex,eyeing the yellow banana she likes, to play with Purple is the psychedelic color smeared on horizon when dreams repeatedly fly down like night bats and happen the way mind designs we don't want to leave the scene of the dream even when we know well that the show for us is now over we just want to hang around like the dog,  in the place it  got a juicy bone. Yellow is the banana song that's heard as wave after wave, by the blind bat squadron that roams with raw aggression, for raids above the plantations Unripe bananas show green fingers to say "NO! we aren't ripe" like coy underage virgins. Then, they ripen, go yellow some even bright red, inviting who is blue here is the sky and those bats who got the bananas still raw green Night decents on the banana land as the white umbrella of sun is snatched by the dark maiden. Black is the bat's wing extending and folding like lust, umbrella and the like. He finds her shivering fingers like a serpent, on the banana trunk slithering down, as he dreams bats, banana, blue sky and she slithering over him.
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Jan 3, 2015
Jan 3, 2015 at 5:50 AM UTC
Bats, Banana, Blue sky
Anger, is the steaming red on her face refusal creates in an instance; jealousy is foaming green profusion of colors in motion takes this dance for them to upward and downward turns, or a sudden dissolution--- an intense ****** in unison. Even in darkness he  can see the spasmodic ebbing waves sleep is the banana plantation where night wears translucent green "nobody would see us here" she whispers in his ears, as if they are thieving sex,eyeing the yellow banana she likes, to play with Purple is the psychedelic color smeared on horizon when dreams repeatedly fly down like night bats and happen the way mind designs we don't want to leave the scene of the dream even when we know well that the show for us is now over we just want to hang around like the dog,  in the place it  got a juicy bone. Yellow is the banana song that's heard as wave after wave, by the blind bat squadron that roams with raw aggression, for raids above the plantations Unripe bananas show green fingers to say "NO! we aren't ripe" like coy underage virgins. Then, they ripen, go yellow some even bright red, inviting who is blue here is the sky and those bats who got the bananas still raw green Night decents on the banana land as the white umbrella of sun is snatched by the dark maiden. Black is the bat's wing extending and folding like lust, umbrella and the like. He finds her shivering fingers like a serpent, on the banana trunk slithering down, as he dreams bats, banana, blue sky and she slithering over him.
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49
Every blue patch on the sky keeps an eye, cherishing clouds dancing, hovering over. The songs of deep blue ride the heady air, only to be stunned, all of a sudden, at the first sight— sung down on a perfectly placed mural. The Queen of Sheba tiptoes this way; King Solomon leans to the ground, only to find seas of silent blooms musing, dipping in sun-kissed dews— on gently tilted roses that will not fall, not from this picture-perfect, navel-high! Velvety, the rose rises from the ground; the forever-green Earth hangs low, in the dew on the rose that will not fall. Blossoming, eyeing an acute high, evermore hopeful to scale upward, toward the faraway, awaiting heaven's pool. There, the spotlight does not move— neither north nor south, nor up nor down— until Queen Fathima, the Queen of Heaven, steps on the "as above, so below" slope. There, the newly resurrected Earth will be primed, its minted atoms vibrating beyond bounds, rising, for the first time, atop the navel-high. Perfectly wrapped, the atom's circle finally turns on— the stepping stone that holds no pi-decimal hole. Pure Scientia hangs on the door of Paradise, awaiting the numerically perfect Queen Fathima to step. God willing, she will work in beauty: the most sought-after, perfect works of art— the lost masterpiece, not in translation, but hidden within the pi-decimal abyss of Earth's depth. Lo, the gleaning Sleeping Beauty peeps, trailing the role model Queen. Fathima—the first woman to enter Paradise— walks the walk: perfect, straight, numerically precise. As if she always knew, back from the Earth, of the murals ahead, hanging on Paradise’s wall, mathematically exact! Mirrors of imagination, new wonders on Heaven’s way, etched in the murals at the golden section, navel-high. She zooms past the ever-spinning atom’s perfect span, cemented at the entrance of Paradise. Yet leaves no footprint— for she never did, even on the sublunary Earth. A new wonder blooms in the classic old eyes: oh, Pi, still irrational, still pondering, at the measured, eternal navel-high!
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Oct 31, 2018
Oct 31, 2018 at 5:02 PM UTC
Earth to Heaven: Navel High
Every blue patch on the sky keeps an eye, cherishing clouds dancing, hovering over. The songs of deep blue ride the heady air, only to be stunned, all of a sudden, at the first sight— sung down on a perfectly placed mural. The Queen of Sheba tiptoes this way; King Solomon leans to the ground, only to find seas of silent blooms musing, dipping in sun-kissed dews— on gently tilted roses that will not fall, not from this picture-perfect, navel-high! Velvety, the rose rises from the ground; the forever-green Earth hangs low, in the dew on the rose that will not fall. Blossoming, eyeing an acute high, evermore hopeful to scale upward, toward the faraway, awaiting heaven's pool. There, the spotlight does not move— neither north nor south, nor up nor down— until Queen Fathima, the Queen of Heaven, steps on the "as above, so below" slope. There, the newly resurrected Earth will be primed, its minted atoms vibrating beyond bounds, rising, for the first time, atop the navel-high. Perfectly wrapped, the atom's circle finally turns on— the stepping stone that holds no pi-decimal hole. Pure Scientia hangs on the door of Paradise, awaiting the numerically perfect Queen Fathima to step. God willing, she will work in beauty: the most sought-after, perfect works of art— the lost masterpiece, not in translation, but hidden within the pi-decimal abyss of Earth's depth. Lo, the gleaning Sleeping Beauty peeps, trailing the role model Queen. Fathima—the first woman to enter Paradise— walks the walk: perfect, straight, numerically precise. As if she always knew, back from the Earth, of the murals ahead, hanging on Paradise’s wall, mathematically exact! Mirrors of imagination, new wonders on Heaven’s way, etched in the murals at the golden section, navel-high. She zooms past the ever-spinning atom’s perfect span, cemented at the entrance of Paradise. Yet leaves no footprint— for she never did, even on the sublunary Earth. A new wonder blooms in the classic old eyes: oh, Pi, still irrational, still pondering, at the measured, eternal navel-high!
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49
It’s a coloured and shaded broad daylight. Bring me my hourglass, my paintbrush. Keeping a timepiece, how soon my brush strokes become finer it is not the task. Try once more, strike a fine chord in time, ever ticking but doesn't make a sound!   Let’s read the small prints, the shadow lines on the pitch of the slit sun shines! A dark spot in the light, some dotted lines on a blank paper, however witty you might describe it, count on the tweeting birds short and cute, singing in the open air. Light and dark the two tallies, ins and outs. The times come and go, flowing fine. For now, let’s take a look inside. Tint and shade nor tone them now. Zoom in and out, just watch them as they are. This cool sleek shade on the sunny slate is it a shadow, or some quivering curly hairs or are these reflections of flocking clouds, diligent sea eyeing deep down on the ground? Read the small prints, shadows in the daylight, before the show is wrapped up. And down the evening pool, the sun parts away with the black swan.
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May 23, 2017
May 23, 2017 at 9:11 AM UTC
Mind The Small Prints
I remember that spring morning all too well As much as I wish I could forget It was the Monday after prom I came into math class, the teacher was eyeing me sympathetically Then the principle came in with tears in her eyes What was going on? She started balling, I could barely make out her words Then I heard her loud and clear You were dead No. No. No. Surely I misheard Surely this was all a big misunderstanding and the boy in that car wasn't you Surely you'd stroll into class 10 minutes late as usual But it was you in that car And you never strolled into class again I remember when I told my best friend, the girl you loved and who loved you As I told her you were dead I watched the life drain from her face quicker than an avalanche falling, and it has yet to return And now her face is a reminder And now your empty desk is a reminder And now that bench where you used to sit all the time is a reminder And that one less chair at our graduation is a reminder And that picture of you in the hallway is a reminder Everything is a reminder No one really knows what happened to you that night Do people really crash into brick buildings on accident? Maybe you lost control of the car Maybe you lost control of your life All I know is seventeen is way too young to die All I know is we should've been talking about prom that morning Who kissed who, who wore what, who's after party was the best But instead we were mourning the death of a classmate That morning we lost you, and along with you, we lost our innocence too
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Jul 22, 2013
Jul 22, 2013 at 10:09 PM UTC
Gone too soon
I remember that spring morning all too well As much as I wish I could forget It was the Monday after prom I came into math class, the teacher was eyeing me sympathetically Then the principle came in with tears in her eyes What was going on? She started balling, I could barely make out her words Then I heard her loud and clear You were dead No. No. No. Surely I misheard Surely this was all a big misunderstanding and the boy in that car wasn't you Surely you'd stroll into class 10 minutes late as usual But it was you in that car And you never strolled into class again I remember when I told my best friend, the girl you loved and who loved you As I told her you were dead I watched the life drain from her face quicker than an avalanche falling, and it has yet to return And now her face is a reminder And now your empty desk is a reminder And now that bench where you used to sit all the time is a reminder And that one less chair at our graduation is a reminder And that picture of you in the hallway is a reminder Everything is a reminder No one really knows what happened to you that night Do people really crash into brick buildings on accident? Maybe you lost control of the car Maybe you lost control of your life All I know is seventeen is way too young to die All I know is we should've been talking about prom that morning Who kissed who, who wore what, who's after party was the best But instead we were mourning the death of a classmate That morning we lost you, and along with you, we lost our innocence too
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32
I chose to hide, Behind my veil. In my safe home, My existence frail. My identity and my honour, My own choice to preserve. Hiding within my soul, Modesty that i reserve. Eyeing this dusty world, Lost treasures of faith seven virtues for world, Veil for me is eighth. Proud of my identity, happy on my choice. This is what i am, Hijab is my voice.
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Jun 3, 2013
Jun 3, 2013 at 11:37 PM UTC
MY HIJAB
My body is a temple And yes you may stare But don't come up to me like you have some kind Of speech prepared I'm not your baby Or your honey bun I'm simply delicious And no you can't have some You don't please my eye Or give me the tingles I'm pretty sure your one liners Is a reason why you're single I'm not you're sweet Thang Or something you can eat So stop eyeing me down Like i'm a rare piece of meat My body isn't your wonderland for you to explore I'm an exotic foreign country Not a second class ***** I won't give you my number Or snapchat name I've heard this all before You are all the same . My eyes are up here But you're looking at my chest Last time i checked That's not a sign of respect You say that you're different And not like the rest, That you're number one TO simply to put it "The best" I regret to inform That you are highly mistaken So you're going home tonight To a bed that is vacant. I won't regret this decision And i wont keep you in mind But If you like, take a number Join the other guys in line Who think I'm a ***** Or a stuck up chick But darling pipe down You're just another **** I'm not that type of girl Who randomly ***** If you like go down the street They'll always **** I know my worth And what i deserve I don't have time For a creepy, ass-perve I have a man who loves me and treats me the right way So why would i bother And give you the time of day Hes perfect and handsome A real bread winner So ill deny you again You can't take me out to dinner I'm just not that into you Or however it goes You're going to be leaving As a one man show You should probably go Cause No means no Sorry not sorry I think you learned your lesson though.
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Nov 30, 2014
Nov 30, 2014 at 10:30 PM UTC
Rejection
My body is a temple And yes you may stare But don't come up to me like you have some kind Of speech prepared I'm not your baby Or your honey bun I'm simply delicious And no you can't have some You don't please my eye Or give me the tingles I'm pretty sure your one liners Is a reason why you're single I'm not you're sweet Thang Or something you can eat So stop eyeing me down Like i'm a rare piece of meat My body isn't your wonderland for you to explore I'm an exotic foreign country Not a second class ***** I won't give you my number Or snapchat name I've heard this all before You are all the same . My eyes are up here But you're looking at my chest Last time i checked That's not a sign of respect You say that you're different And not like the rest, That you're number one TO simply to put it "The best" I regret to inform That you are highly mistaken So you're going home tonight To a bed that is vacant. I won't regret this decision And i wont keep you in mind But If you like, take a number Join the other guys in line Who think I'm a ***** Or a stuck up chick But darling pipe down You're just another **** I'm not that type of girl Who randomly ***** If you like go down the street They'll always **** I know my worth And what i deserve I don't have time For a creepy, ass-perve I have a man who loves me and treats me the right way So why would i bother And give you the time of day Hes perfect and handsome A real bread winner So ill deny you again You can't take me out to dinner I'm just not that into you Or however it goes You're going to be leaving As a one man show You should probably go Cause No means no Sorry not sorry I think you learned your lesson though.
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70
I was on my way to a party Dressed in heels and a crop top When I entered the corner store To purchase some snacks And on my way to the cashier A man standing in an aisle Browsing through peanuts Glanced up and stopped mid-search When I clicked past him And proceeded to uncomfortably stare I walked into the gas station Wearing dark wash jeans and a v-neck With my best friend at 2 AM When two drunken men stumbled in And began eyeing us up and smirking My friend leaned in to me and whispered, "I'm really scared." Overhearing her, one man elbowed the other And with a smile on his face taunted, "Oh no, we're scaring them." I was at the laundry mat one night Wearing shorts and a baggy shirt When a middle aged man across the room Kept gawking at me from over the washers Uneasy, I went outside to smoke To which he stood at the window And kept a close eye on me I called a friend and stayed on the phone Because I was afraid to go back And get my clothes alone I stepped out of my vehicle In my sweatpants and flipflops To grab some cigarettes quick When a white bearded man Was already at my heels "Hey, how're you honey?" I quickly replied, "fine". And hurried into the store Without looking back It seems like every time I leave the house It doesn't matter what I'm wearing It could be "provocative" or a burlap sack I always end up feeling threatened Heartbeat in my ears Cold sweat on my back So don't blame it on my outfit Don't blame it on my actions Because I'm not asking for it I just want to be left alone
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Jul 21, 2015
Jul 21, 2015 at 8:34 AM UTC
****** Harassment 101
I was on my way to a party Dressed in heels and a crop top When I entered the corner store To purchase some snacks And on my way to the cashier A man standing in an aisle Browsing through peanuts Glanced up and stopped mid-search When I clicked past him And proceeded to uncomfortably stare I walked into the gas station Wearing dark wash jeans and a v-neck With my best friend at 2 AM When two drunken men stumbled in And began eyeing us up and smirking My friend leaned in to me and whispered, "I'm really scared." Overhearing her, one man elbowed the other And with a smile on his face taunted, "Oh no, we're scaring them." I was at the laundry mat one night Wearing shorts and a baggy shirt When a middle aged man across the room Kept gawking at me from over the washers Uneasy, I went outside to smoke To which he stood at the window And kept a close eye on me I called a friend and stayed on the phone Because I was afraid to go back And get my clothes alone I stepped out of my vehicle In my sweatpants and flipflops To grab some cigarettes quick When a white bearded man Was already at my heels "Hey, how're you honey?" I quickly replied, "fine". And hurried into the store Without looking back It seems like every time I leave the house It doesn't matter what I'm wearing It could be "provocative" or a burlap sack I always end up feeling threatened Heartbeat in my ears Cold sweat on my back So don't blame it on my outfit Don't blame it on my actions Because I'm not asking for it I just want to be left alone
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49
Gentle evening wind, non existent till a moment before lying low among the children playing with the flakes of golden sun fallen on the silver white sand, quickly rises, unnoticed by any one flirt with the comely coconut palms lined on the beach,that act coy, blows towards the long, rolling blue wave, meeting it headlong, a blast, white spray springs up spectacularly like a fountain, then, easily lifts three kitesurfers, fling them high up stylishly across the fortress of water, they look invincible, untouched by the waves, that look foolish eyeing skywards, the milling crowd howls in mirth, seeing the dramatic twist, it's all fun till sun down.
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Sep 10, 2014
Sep 10, 2014 at 1:20 PM UTC
Wind and waves orchestrate a fun-filled evening
What thoughts I have of you tonight, Walt Whit- man, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon. In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations! What peaches and what penumbras! Whole fam- ilies shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!--and you, Garcнa Lorca, what were you doing down by the watermelons? I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys. I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel? I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective. We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier. Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely. Will we stroll dreaming ofthe lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage- teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe? Berkeley 1955
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8.4k
A Supermarket In California
What thoughts I have of you tonight, Walt Whit- man, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon. In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations! What peaches and what penumbras! Whole fam- ilies shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!--and you, Garcнa Lorca, what were you doing down by the watermelons? I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys. I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel? I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective. We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier. Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely. Will we stroll dreaming ofthe lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage- teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe? Berkeley 1955
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40
Give him a skinhead, insignia, boots Less scruples, a swagger-stick, crowds, money. No black shirts visible. Just business suits, and pride is restored: tragic but funny. Proud like a skyscraper, godless as sin Babylonian promises, towering lies Reality shows when plutocrats win, Their rhetoric raining from empty skies. She-wolves, elected by uninformed sheep behave predictably, eyeing the flock Their wool (and the lamb-chops) are hers to keep Grazing voter—this should come as no shock. It’s a bitter pill (more like pilloried) So shall we now be ******* or Hillary-ed?
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May 9, 2016
May 9, 2016 at 8:59 PM UTC
Dual Airbags
Eyeing on the night - its out. Mirroring the colour of the Moon every star flocks in the sky! Just spare an eye - maybe the missing sun keeping an eye out! For it only fancies the billowy sea in the black night.
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Oct 19, 2017
Oct 19, 2017 at 1:08 AM UTC
The Sea of the Night
The Ganga talk eh eh eh What does it say? The Ganga talk eh eh eh She says light me up Light me up The Ganga Talk Ay ay ay She says daddy burn me up Burn me up The Ganga Sing What does she sing? She Singing oh in harmony As I put the flame to her, she seems Soft & Vibrant Honest Eyeing me OH I cannot think Burning my baby Oh I cannot stop Puffing my baby till she's gone Society Has triggered this in me! And All I can think about Is the next time my ganga talk, my baby gonna sing.
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Nov 30, 2015
Nov 30, 2015 at 12:52 PM UTC
Ganga Talk
I was starving in Pennsylvania. One night, I had enough. Done with it all. The poverty and sickness. The drunken mad nights and dog-fight days. Brutality for breakfast. Served sunny side up runny yolks with butterflies trapped in the yellow sunshine. Spiders built webs in my soul. I stood on the torn-up couch in my living room and yelled at the walls. Listen, you devil. You want me, you better be ready for a fight. I paced the floor like a washed-up heavyweight champ, eyeing the ceiling like a drunken sparrow in a cat's mouth.
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Apr 18, 2025
Apr 18, 2025 at 11:59 AM UTC
Standing Eight Count
Busy bee eyeing the flowers Seduced by the bright colors Probing with the proboscis Hairy body covered with pollens Visiting the clovers and hollyhocks Also in love with Dahlias and roses Returning with the days fill Honey sac full of nectar Returning to the honeycomb They are ‘Bee-ing’ happy With all the sweetness Just Bee Happy
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Jul 23, 2014
Jul 23, 2014 at 12:48 PM UTC
Bee Happy
You and I would stand in front of my bathroom mirror and just hold each other, naked, acquainting ourselves with the strange, biblical union of joints and hair and skin and crevices and curves that we make together... Fingerpainting reverently on your chest, I'd kiss your freckled shoulder, eyeing your reflection as it melted, falling for me again-- and you'd tell me in return that my eyes are beautiful, and that they are green, just like yours. They are brown, I'd say, and laugh and leave you to confront only yourself in my mirror. Every day that I stand again in front of my mirror alone-- a similar but emptier amalgamation of joints and curves-- I could swear that my eyes look a little bit paler... like if I point my nose up to the high hat on my ceiling, with the fluorescent light spilling into them the color could certainly pass as the same green in your eyes and I wonder, and I hope that being wrong all this time doesn't mean I was wrong about you, too.
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Dec 22, 2021
Dec 22, 2021 at 11:19 PM UTC
green eyes
I grew up watching romance anime, I loved them even though most were cliché, Shy girl meets popular guy, Two people love each other but they're too shy, I remember waiting all week to see if she gives him her homemade chocolates on Valentines Day, Squeling when they finally say, I love you Then they kiss under the fireworks later, They barely show anything beyond that but I assume it's happily ever after Every single time, they have their first encounter under the cherry blossom tree, I remember thinking hey, why can't that happen to me? But there are no cherry blossoms here you see, The boy you fall in love with at the first day of school, Will not be yours by the last episode, That the guy you always see at your bus stop, Will not always save you a seat, That when he holds out his hand, No, it is not always your hands, he is reaching for That the sparks you feel when your lips touch, Are not always fireworks But maybe just electricity; waiting to shock you I've learned that "I love you" doesn't always mean "Happy Ending" I realized that "I love you" Doesnt always mean "take everything i have" I found out that "I love you" Doesnt always mean "I love you" That "Forever" Is about as real as you meeting the one under a ******* cherry blossom tree Yes, his eyes may sparkle, Yes, they don't see him the way you do Yes, the words I love you Feel like the sweater you finally bought after eyeing it for months, Yes, this moment may feel so surreal, That you can hear the background music and see the sparkles everywhere, But you see, this is not an anime or a movie, This love is'nt gonna end up the way you planned it to, Yes, you may be the author But this, is not just your story. -p.a.r
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Oct 2, 2014
Oct 2, 2014 at 11:26 PM UTC
Expectation
I grew up watching romance anime, I loved them even though most were cliché, Shy girl meets popular guy, Two people love each other but they're too shy, I remember waiting all week to see if she gives him her homemade chocolates on Valentines Day, Squeling when they finally say, I love you Then they kiss under the fireworks later, They barely show anything beyond that but I assume it's happily ever after Every single time, they have their first encounter under the cherry blossom tree, I remember thinking hey, why can't that happen to me? But there are no cherry blossoms here you see, The boy you fall in love with at the first day of school, Will not be yours by the last episode, That the guy you always see at your bus stop, Will not always save you a seat, That when he holds out his hand, No, it is not always your hands, he is reaching for That the sparks you feel when your lips touch, Are not always fireworks But maybe just electricity; waiting to shock you I've learned that "I love you" doesn't always mean "Happy Ending" I realized that "I love you" Doesnt always mean "take everything i have" I found out that "I love you" Doesnt always mean "I love you" That "Forever" Is about as real as you meeting the one under a ******* cherry blossom tree Yes, his eyes may sparkle, Yes, they don't see him the way you do Yes, the words I love you Feel like the sweater you finally bought after eyeing it for months, Yes, this moment may feel so surreal, That you can hear the background music and see the sparkles everywhere, But you see, this is not an anime or a movie, This love is'nt gonna end up the way you planned it to, Yes, you may be the author But this, is not just your story. -p.a.r
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40
The day on a high reaches the peak over the pyramid. Shrouded in twilight now tucked in light pushes the envelope. The whole panache of stars came out in the pitch dark. The North Star is on the way oh do me a favour I will tell you why. Veil the angle of dawn in the black shades of the night. There are dark caves even inside the pyramid scientists, trained eyes yet to tread on that way. Put on it only an instance of your kohl the daylight is already a burnt mole. Light in the wrap in the night your muslin veiled silken moonlight is enough to find the tuberose’s earth. If the tucked away sun crops up once again over the morning’s rose petals. Again it will dive deep into the angle after an angle in the black hole of the night. A far cry from the glowing firefly eyeing blindfolded behind the moon perfectly beyond every looking star. Until the master arts in silk black finds the true pencil not in visualising but catching the views of the sunrise through the lens of the rose pollens’ kohl-eyes.
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Dec 19, 2021
Dec 19, 2021 at 1:48 AM UTC
Master Art In Silk Black
Of serene eyes that follow gently the illicit pill she could not let go it was heavy as the waters pulling her inside serenading her with an estranged voice coming from within — her minimizing the desire to let it out as the sun quiets down and the gibbous moon exhibiting itself at night, resisting the waves occurring — as if it loathed her whole being of her justness and the absence of these causes her grieving and the sirens waltzing, talking through an absentminded eye eyeing her soul finding love that seizes it but hers were two feet and one mouth to breathe in even in all shades of blue, she can get a glimpse of the dark hue illuminating the downside of the ocean pulling her, wrecking her soul. Redemption does not lie — humoring her with plainly just truth craving for the applause of the moon only observing the depth of the ocean eating the once alive soul of her saving her last breath, chiming in with the conversation, she once had with him. It could have been nice the resistance he once had — to throw himself out to the beauty of his light that shed her whole body he once was able to have and he stayed there, eyed her the whole time being eaten on the lonesome of the night for he himself, shading all the blueness like a requiem for the dreams she kept on having like a composition giving life to new generations, he was still on a token and a curse, and he let her be — in all shades of blue.
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Jul 11, 2022
Jul 11, 2022 at 5:21 AM UTC
In All Shades of Blue
I want to tell her But i can't. I watch the spring rain fall. A gentle tapping, Sort of rapping On the window's pane. I focus on the sound until it fades. I close my eyes and remember the day, The scene is painted in a greyscale haze. There stands you Across the room Enveloped in blue. Your favorite colour. It's late on that late winter's night, And we're with our group. If I said I knew who was there I would be lying Because it was you I was eyeing. I'll skip the cliches, like Butterflies Or, better yet, "Love at first sight" Be as they may, They all came true that night. A casual glance became A gaze became A smile. Once, Twice, Thrice, Then Five, We held it for a while. I take a drink and pause the haze. Minutes become hours that drag on for miles We found ourselves in that grassy field Dotted with trees, And rabbits, And owls. A hot summer day- The south suffers waves. Hand in hand we make our way Through the trail. We fall behind our friends, There's something I have to tell. I stumble and fumble Through letters to string, I can't think of what to say. And you say it's okay. I smile and hold you close, A mixed sense of pleasure morose. Your lips touch mine, And my heart explodes. I can't believe we let each other go We became 'twixt, Ivy to our bones. Again Time lapses There I am standing There you are Hanging On him. My rage demanding His end. But you come between Deny instead. Say I'm not right in the head, Well, baby, Love killed me dead. I turn to walk away And in turn you turn to Return to he Who shook your leaves. So we've parted ways And all was well Until recently. When I examined A mural And saw I missed a shard. A blue tile The final part To my stain-glassed heart.
0
Mar 15, 2014
Mar 15, 2014 at 11:34 PM UTC
Blue
I want to tell her But i can't. I watch the spring rain fall. A gentle tapping, Sort of rapping On the window's pane. I focus on the sound until it fades. I close my eyes and remember the day, The scene is painted in a greyscale haze. There stands you Across the room Enveloped in blue. Your favorite colour. It's late on that late winter's night, And we're with our group. If I said I knew who was there I would be lying Because it was you I was eyeing. I'll skip the cliches, like Butterflies Or, better yet, "Love at first sight" Be as they may, They all came true that night. A casual glance became A gaze became A smile. Once, Twice, Thrice, Then Five, We held it for a while. I take a drink and pause the haze. Minutes become hours that drag on for miles We found ourselves in that grassy field Dotted with trees, And rabbits, And owls. A hot summer day- The south suffers waves. Hand in hand we make our way Through the trail. We fall behind our friends, There's something I have to tell. I stumble and fumble Through letters to string, I can't think of what to say. And you say it's okay. I smile and hold you close, A mixed sense of pleasure morose. Your lips touch mine, And my heart explodes. I can't believe we let each other go We became 'twixt, Ivy to our bones. Again Time lapses There I am standing There you are Hanging On him. My rage demanding His end. But you come between Deny instead. Say I'm not right in the head, Well, baby, Love killed me dead. I turn to walk away And in turn you turn to Return to he Who shook your leaves. So we've parted ways And all was well Until recently. When I examined A mural And saw I missed a shard. A blue tile The final part To my stain-glassed heart.
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81
Harriet  turned back off the intercom and stood in the office for a few seconds.  What have we done?  I can't believe I let my ten year old son be the vessel to that thing.  I can't believe we were stupid enough to summon that thing thought Harriet.  Harriet walked out of the office and back to the worship area where Evil was waiting.   "Why do you have a look of concern on your face Harriet?   What did you think I would be like?"  asked Evil.  "I didn't know what to expect" said Harriet.   As Harriet and Evil stood eyeing each other the members of Sinister walked in the worship area. "I'm glad you all could make it.  Now sit down" said Evil.  A stocky middle aged man walked up to Evil looked down at him and said "I don't take orders from children."  with a smile on his face Evil broke the man's leg in half by giving him a front kick to his knee cap.  The stocky man hit the floor and screamed in agony.  The members of Sinister watched in horror as Evil wrapped his arms around the man's head and broke his neck.  He then proceeded to rip the man's head off and throw it out the door of the worship area. "Now if everyone would please listen to me very carefully.  The person you see is not Levi.  I am Evil.  Your priest summoned me and I answered his call.  The vessel you see is Levi but I am Evil.  All of you may address me as Levi" said Evil.  The members of Sinister looked at each other but didn't say a word.  "Sit down.  You all thought the Book of Evil was something to play with and that I wasn't real.  You put the cult Sinister together to pass time and have fun.  I am very real" said Evil as the members of Sinister sat down.  "Your High Priest use to run the show but from now on I'll be running the show.  You may now return to your rooms until I call for you again" said Evil. All of the members of Sinister stood to their feet and returned to their rooms.  When all of the members of Sinister were gone Evil looked at Harriet and said "I need for you to update me on world events.  I need to know what's going on around the world."   "You need to watch the Visual View Screen.  The Visual View Screen is a device that show us World News, entertainment shows, movies, and music.  What you need to watch is world news.  Follow behind me" said Harriet. Harriet led Evil out of the worship area and to a room where there was a Visual View Screen.  She turned on the Visual View Screen, turned the channel to the world news, and the two sat down and watched the world news. "That's it right there.  It's amazing how Scientist and Bio Engeiners come up with things" said Evil.  "What's it?" asked Harriet.  "Don't you just love war?  Your species create genius ways to **** each other.  They created a virus and a cure to for the virus.  The building where the virus is kept is under quarantine.  We are going to release the virus and live in the underground city designed to keep the Scientist and Bio Engeiners safe if the virus ever got loose.  Once the virus **** everyone on planet the members of Sinister will reemerge from the underground city and I will create a new world" said Evil. Written by Keith Edward Baucum
0
Oct 11, 2016
Oct 11, 2016 at 5:22 PM UTC
Evil Levi Chapter Two
Harriet  turned back off the intercom and stood in the office for a few seconds.  What have we done?  I can't believe I let my ten year old son be the vessel to that thing.  I can't believe we were stupid enough to summon that thing thought Harriet.  Harriet walked out of the office and back to the worship area where Evil was waiting.   "Why do you have a look of concern on your face Harriet?   What did you think I would be like?"  asked Evil.  "I didn't know what to expect" said Harriet.   As Harriet and Evil stood eyeing each other the members of Sinister walked in the worship area. "I'm glad you all could make it.  Now sit down" said Evil.  A stocky middle aged man walked up to Evil looked down at him and said "I don't take orders from children."  with a smile on his face Evil broke the man's leg in half by giving him a front kick to his knee cap.  The stocky man hit the floor and screamed in agony.  The members of Sinister watched in horror as Evil wrapped his arms around the man's head and broke his neck.  He then proceeded to rip the man's head off and throw it out the door of the worship area. "Now if everyone would please listen to me very carefully.  The person you see is not Levi.  I am Evil.  Your priest summoned me and I answered his call.  The vessel you see is Levi but I am Evil.  All of you may address me as Levi" said Evil.  The members of Sinister looked at each other but didn't say a word.  "Sit down.  You all thought the Book of Evil was something to play with and that I wasn't real.  You put the cult Sinister together to pass time and have fun.  I am very real" said Evil as the members of Sinister sat down.  "Your High Priest use to run the show but from now on I'll be running the show.  You may now return to your rooms until I call for you again" said Evil. All of the members of Sinister stood to their feet and returned to their rooms.  When all of the members of Sinister were gone Evil looked at Harriet and said "I need for you to update me on world events.  I need to know what's going on around the world."   "You need to watch the Visual View Screen.  The Visual View Screen is a device that show us World News, entertainment shows, movies, and music.  What you need to watch is world news.  Follow behind me" said Harriet. Harriet led Evil out of the worship area and to a room where there was a Visual View Screen.  She turned on the Visual View Screen, turned the channel to the world news, and the two sat down and watched the world news. "That's it right there.  It's amazing how Scientist and Bio Engeiners come up with things" said Evil.  "What's it?" asked Harriet.  "Don't you just love war?  Your species create genius ways to **** each other.  They created a virus and a cure to for the virus.  The building where the virus is kept is under quarantine.  We are going to release the virus and live in the underground city designed to keep the Scientist and Bio Engeiners safe if the virus ever got loose.  Once the virus **** everyone on planet the members of Sinister will reemerge from the underground city and I will create a new world" said Evil. Written by Keith Edward Baucum
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8
I'm facing the horizon, reclining in the cool grass, staring deeply into the pink and purple sky. It is an exemplary evening and I am enticed by its extravagance. I contemplate existence. I contemplate all our lives: The gnat licking sweat of my brow, You, Me, That tree across the street, Your dead friends, my ancestors, that hot Latina chick that works at Panara (not that I really eat at Panara). The undercover cop that won't stop eyeing me. I watch the pink fade into purple fade into nothing at all. The clouds disperse, becoming nothing more than disconnected particles of dirt and water  suspended in midair, and the sun goes down. I **** the gnat and go home.
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Jun 17, 2012
Jun 17, 2012 at 5:10 PM UTC
The fragility of us.
we ate government cheese that came in a dull brown box we were too young to understand what welfare and food stamps meant, our empty bellies never protested at the salty orange blocks in front of the bodega, we saw a woman introduce a hammer to a drunk tyrant’s skull his blood pooling on the streets was too red for new eyes we watched hypodermic needles bloom on stoops cling to life on curbs the graffiti on abandoned buildings was our Louvre, our Salon de Paris sweltering streets our baseball diamonds prostitutes, black or brown or both mothered us between shifts we grew up in projects, that sheltered drab lives and senseless brutalities gunfire, sharp and immutable punctured lullabies we were small boys watching life unfold the way one stares at an accident detached and mildly curious eyeing cooly the despair and impossible hopelessness of growing up poor in Brooklyn
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Mar 28, 2015
Mar 28, 2015 at 10:40 PM UTC
Growing Up Poor in Brooklyn