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"examining" poems
When i was 13 I thought that gay and straight were things that other people were People that weren't raised christian People that didn't have dads People that were abused People that i should pray for but not get close to when i was 14 my best friend came out as gay i didn't see it coming but i probably should have she wore ties every day and plaid shirts with the sleeves rolled up and cut her hair short as soon as she could but i didn’t see it because gay was other people when i was 14 i watched as the news spread like wildfire “did you hear? that girl is gay.” I watched as people slowly backed away from her people that knew her all her life that is, the people that didn’t cut her off instantly I watched as the youth group we had both attended asked her to leave I watched as her drama group kicked her out because they were afraid of the yearly camp we went to that somehow knowing that she was gay made her more likely to attack the other girls in their beds than the year before I watched. I didn’t do anything. what changed my mind wasn’t a change of perspective on queer people it still took me a year to decide being gay wasn’t wrong but i decided that my best friend was someone i would stick with because i loved her I quietly stayed. didn’t make a fuss, didn’t call people out when they called her names behind her back. I should have. but i didn’t. I didn’t join in, but i didn’t defend her i didn’t say to these people **** you that girl is beautiful and amazing and if you can’t see through your hatred then i don’t want to be your friend either but i didn’t . I didn’t go through what she did. I didn’t get kicked out of anything, i didn’t lose friends When i was 15, i got fed up I left that drama group. I stopped going to that church. I stepped away from those friends and even though i never said why the look on my face when i ran into them and they asked, “how’s she doing?” answered that question for them. I spent 24 hours examining my bible trying to find the verses that say being gay is wrong there were barely any and they were right next to verses that said eating pork was wrong or planting crops next to each other or wearing two different fabrics there was my answer. this isn't a story of my journey. This isn't me building myself up “hey, I wasn't as bad as those other people I’m good now” this is a story of how one person can change your life forever if i didn't have a gay best friend what a way to start a story, huh? if i didn't have a gay best friend then I would still be there quietly praying for the sins of others, but not trying to understand so don’t look at all Christians and say they’re awful they’re bigoted they’re judgmental because we are but often it’s because we don’t know any better teaching us kindly works leading by example.
0
Apr 24, 2014
Apr 24, 2014 at 1:27 AM UTC
If I Didn't Have a Gay Best Friend
When i was 13 I thought that gay and straight were things that other people were People that weren't raised christian People that didn't have dads People that were abused People that i should pray for but not get close to when i was 14 my best friend came out as gay i didn't see it coming but i probably should have she wore ties every day and plaid shirts with the sleeves rolled up and cut her hair short as soon as she could but i didn’t see it because gay was other people when i was 14 i watched as the news spread like wildfire “did you hear? that girl is gay.” I watched as people slowly backed away from her people that knew her all her life that is, the people that didn’t cut her off instantly I watched as the youth group we had both attended asked her to leave I watched as her drama group kicked her out because they were afraid of the yearly camp we went to that somehow knowing that she was gay made her more likely to attack the other girls in their beds than the year before I watched. I didn’t do anything. what changed my mind wasn’t a change of perspective on queer people it still took me a year to decide being gay wasn’t wrong but i decided that my best friend was someone i would stick with because i loved her I quietly stayed. didn’t make a fuss, didn’t call people out when they called her names behind her back. I should have. but i didn’t. I didn’t join in, but i didn’t defend her i didn’t say to these people **** you that girl is beautiful and amazing and if you can’t see through your hatred then i don’t want to be your friend either but i didn’t . I didn’t go through what she did. I didn’t get kicked out of anything, i didn’t lose friends When i was 15, i got fed up I left that drama group. I stopped going to that church. I stepped away from those friends and even though i never said why the look on my face when i ran into them and they asked, “how’s she doing?” answered that question for them. I spent 24 hours examining my bible trying to find the verses that say being gay is wrong there were barely any and they were right next to verses that said eating pork was wrong or planting crops next to each other or wearing two different fabrics there was my answer. this isn't a story of my journey. This isn't me building myself up “hey, I wasn't as bad as those other people I’m good now” this is a story of how one person can change your life forever if i didn't have a gay best friend what a way to start a story, huh? if i didn't have a gay best friend then I would still be there quietly praying for the sins of others, but not trying to understand so don’t look at all Christians and say they’re awful they’re bigoted they’re judgmental because we are but often it’s because we don’t know any better teaching us kindly works leading by example.
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67
the world needs a lesson in self esteem we can start by re-examining exactly what each part of that term means self (hyphen): "to, with, toward, for, on, in oneself" esteem: "favorable opinion or judgement; respect or regard" self esteem: to hold a favorable opinion or judgement, respect or regard, to, with, toward, for, on, or in oneself the world needs this lesson because our children do not know what this term means because the reason they do not know is because their parents did not know because the reason their parents did not know is because every generation before them passed along a belief that you had to fit into every box, had to blend in to every crowd, had to meet every bullet point on the checklist in order to be considered a person of worth because the great secret that they never told is that people were not made to fit into boxes, or be marked on a checklist because my mother married a man who did not deserve her because she thought that she wouldn't be able to do any better because that man looked at his beautiful new stepdaughter and told her she was worthless, and that her mother knew it too because that girl was cursed with the hips and the **** and the waist of her great grandmother and when she went to school with her stepfather's words in her head a boy in her second grade class said the same **** things, and worse because i was that girl and i was never the girl who got to walk behind me in the hallways and laugh at the way that my shirt was too tight, and my thighs were too big, and laugh even harder when i cried because my best friend in high school was always "the hot one" and because i cried myself to sleep every time one of our guy friends talked to me about how much he wanted to **** her because i craved objectification before i'd even finished ninth grade because i wished that i could sink my hands into my own flesh and rip pieces away and be left with something "beautiful" because i looked in the mirror every day of my life and pointed out every small detail of what was wrong with my reflection because i hoped that would help me pretend it didn't hurt when other people pointed out the imperfections because even after satisfying girlfriend boyfriend girlfriend boyfriend, i still did not feel good about my own body because it took finding the woman that i want to spend the rest of my life with to make me want to turn the lights on when we **** because she is the most beautiful woman that i have ever seen but before me, she'd always wanted to leave the lights off too because we are grateful to each other for the confidence we have gained and because we both wish we hadn't needed the other to find something that should have been found within ourselves the world needs a lesson in self-esteem and i know this because i had to write this poem
0
May 25, 2014
May 25, 2014 at 7:19 PM UTC
The World Needs a Lesson in Self-Esteem
the world needs a lesson in self esteem we can start by re-examining exactly what each part of that term means self (hyphen): "to, with, toward, for, on, in oneself" esteem: "favorable opinion or judgement; respect or regard" self esteem: to hold a favorable opinion or judgement, respect or regard, to, with, toward, for, on, or in oneself the world needs this lesson because our children do not know what this term means because the reason they do not know is because their parents did not know because the reason their parents did not know is because every generation before them passed along a belief that you had to fit into every box, had to blend in to every crowd, had to meet every bullet point on the checklist in order to be considered a person of worth because the great secret that they never told is that people were not made to fit into boxes, or be marked on a checklist because my mother married a man who did not deserve her because she thought that she wouldn't be able to do any better because that man looked at his beautiful new stepdaughter and told her she was worthless, and that her mother knew it too because that girl was cursed with the hips and the **** and the waist of her great grandmother and when she went to school with her stepfather's words in her head a boy in her second grade class said the same **** things, and worse because i was that girl and i was never the girl who got to walk behind me in the hallways and laugh at the way that my shirt was too tight, and my thighs were too big, and laugh even harder when i cried because my best friend in high school was always "the hot one" and because i cried myself to sleep every time one of our guy friends talked to me about how much he wanted to **** her because i craved objectification before i'd even finished ninth grade because i wished that i could sink my hands into my own flesh and rip pieces away and be left with something "beautiful" because i looked in the mirror every day of my life and pointed out every small detail of what was wrong with my reflection because i hoped that would help me pretend it didn't hurt when other people pointed out the imperfections because even after satisfying girlfriend boyfriend girlfriend boyfriend, i still did not feel good about my own body because it took finding the woman that i want to spend the rest of my life with to make me want to turn the lights on when we **** because she is the most beautiful woman that i have ever seen but before me, she'd always wanted to leave the lights off too because we are grateful to each other for the confidence we have gained and because we both wish we hadn't needed the other to find something that should have been found within ourselves the world needs a lesson in self-esteem and i know this because i had to write this poem
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36
the bones were hard to give up, they pushed out like daisies caressed under the hounding heart of a copper sun. unbridled and undried they bore zealous arrogance of themselves, petals dripping ****** convictions and vibrating like awful angels. under cruel devices they tried to soften my bones and mold thick skull constructed of lackluster candles on their last flame. days passed like doctors and white nurses examining old wires that pray tell the routines, the stools, the teeth. i am their Jesus, their Lazarus. my hearse, my sheep keeper, my pretty things, i become the acrobat at the finale, the last supper, supplementing at the **** of my recovery. i lay my skin down for all of you to see:  here is my breast! my toad belly!  my glass feet!
0
Jul 6, 2018
Jul 6, 2018 at 5:02 PM UTC
daisies
I though he carried the light where words would illuminate driving me to a euphoric ****** a man without a face or a trace unhindered in a double live and lies a bubble of psychotic psychic surety his passion was an addiction my reservations moved a notch addicted to a body of ideology the stances of philosophical terms uncovering ancient possibilities the unfelt mysteries of history veiled in icicles of pretence and lies as if a Marxist, a closet bourgeoise The stoicism of present bargains questioning Socrates and morality reasons a fatal dose ,examining the unexamined as colourful as his mind blew my inner glow he was lost in sad and low dialogues afraid to face the earthly shallow shadows yet his spirits moved deep within mine and it paralysed and fed on my energy and his delusion became my seduction but he woke my inner poetic tongue letting it caress all his inner wounds A shadow hiding behind Frankenstein’s a sly monster who lied to my eyes ghosting in with the a pen that weakens romancing with letters of a fiery doom a penpal whom I met within my lowest but whose words lay in a deep unending quarry his warmth I could never ever tell his kiss only a draft on the dewy grass
0
Jul 22, 2018
Jul 22, 2018 at 5:29 PM UTC
2. Declarations on a window sill (series)
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words *** ****** and **** for context the rest was left to an individual imagination as in good poetry! It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics... And here it is : **** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka Eye lashes flicker a shared urgent interest parting - dancing smile My first inspiration was *** passionate life squeezing screaming *** the thumping wall musicality of *** exhaustingly inventive sweaty and wet. I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.   Arousing images captured her moaning splashing loneliness in unusual collocation. I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.   I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown. So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality! Exhausted shivers in windowed naked currents unfolding sinking then surfing vital wavelets drowning screams - pleasures wet bite **
0
May 2, 2010
May 2, 2010 at 7:10 PM UTC
CONSTRUCTIVE CRITIQUE v SOMETHING WORSE
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words *** ****** and **** for context the rest was left to an individual imagination as in good poetry! It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics... And here it is : **** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka Eye lashes flicker a shared urgent interest parting - dancing smile My first inspiration was *** passionate life squeezing screaming *** the thumping wall musicality of *** exhaustingly inventive sweaty and wet. I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.   Arousing images captured her moaning splashing loneliness in unusual collocation. I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.   I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown. So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality! Exhausted shivers in windowed naked currents unfolding sinking then surfing vital wavelets drowning screams - pleasures wet bite **
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19
I can tell by the way you look at me, one eyebrow cocked upward while examining my so called perfection. Completely astonished by my beauty, the beauty I don't even see in myself. Peering out of the right corners of your deep brown eyes without tilting your head at even the slightest angle because you don't want me to know you still think about me. But I've noticed you can't look away. You can't look away because that may be the last time you ever see my face. And the thought of that being your last chance to catch a glimpse at my sparkling blue eyes destroys you. You just can't look away, and that's how I know you still love me (even though you wish you didn't).
0
Jul 5, 2023
Jul 5, 2023 at 12:18 AM UTC
February
by God, I don't know what to do. they're so nice to have around. they have a way of playing with the ***** and looking at the **** very seriously turning it tweeking it examining each part as their long hair falls on your belly. it's not the ******* and ******* alone that reaches into a man and softens him, it's the extras, it's all the extras. now it's raining tonight and there's nobody they are elsewhere examining things in new bedrooms in new moods or maybe in old bedrooms. anyhow, it's raining tonight, on hell of a dashing, pouring rain.... very little to do. I've read the newspaper paid the gas bill the electric co. the phone bill. it keeps raining. they soften a man and then let him swim in his own juice. I need an old-fashioned ***** at the door tonight closing her green umbrella, drops her green umbrella, drops of moonlit rain on her purse, saying **** man, can't you get better music than that on your radio? and turn up the heat..." it's always when a man's swollen with love and everything else that keeps raining splattering flooding rain good for the trees and the grass and the air... good for things that live alone. I would give anything for a female's hand on me tonight. they soften a man and then leave him listening to the rain.
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7.5k
Prayer In Bad Weather
Nobody was born today But you picked up a cake anyway for five dollars fifty plus tax Now you're watching Criminal Minds on a couch made for three and eating it with your hands It vaguely occurs to you that you should be sharing it with someone or at least put on some **** candles You're not even hungry you don't even need to fill a void you did good today You hardly even miss her anymore. You haven't thought about it in weeks. If you just slept you'd be fine in the morning. You consider it all examining the red velvet stuck under your thumbnail Maybe you're looking for a file or a prison shank sunk beneath the frosting Or maybe you just need to make this a Night The Night of the Cake It'll blend in with the others in a matter of time But for a few weeks you'll look back and remember you are a member of those romanticized ranks those plastic or terracotta statues Tomorrow you will feed the dog. And after work you will pick up groceries. And after groceries you will pay your bills. But tonight is the Night of Cake. Tonight you become a stereotype An unforgiving consumer with chocolate-stained hands.
0
Aug 10, 2014
Aug 10, 2014 at 1:33 AM UTC
The Night of the Cake
I peruse exhibits through the modern art museum Nails hammered into wood And trash strewn on the floor I couldn't help thinking What the **** is this **** These can't be the champions of modern art Moonlight and Arrival morphed my empathy and perspective The theater is fine Music is there for those inclined to discover it So what about visual art? I know a few things for certain Nails hammered into wood never changed my perspective Nor does seeing a garbage can in a museum affect my empathy Trash is not art Trash is trash Waste meant to be thrown in the proper receptacles So as not to obstruct our view of true beauty I will concede that Beauty can be found in everything Depending on analyzation variation But those that live an examined life Constantly see silver linings and sour grapes Experiencing comfort in tundras to the point of banality Those visions are much more interesting in their organic state anyway As opposed to an interpersonal expression of the seemingly obvious So what to hang in an art gallery? I have my own opinions At this point in time No visuals elicit more emotions Than dank memes When I'm consuming art Questions are innate in my consumption Is this a vessel for empathy? Is this examining the human condition? Dank memes meet those criteria Satirizing the powerful Highlighting emotions and virtues in ourselves That we're either proud or ashamed of Memes share a common thread with poetry In the sense that everybody can create memes Or be a poet I get the impression that Universality of art diminishes it's importance In the minds of patrons There's an element of truth to that But what makes art special is quality And what makes art truly special is high quality And that's what belongs in museums
0
Jun 14, 2017
Jun 14, 2017 at 11:23 PM UTC
Modern Art
I peruse exhibits through the modern art museum Nails hammered into wood And trash strewn on the floor I couldn't help thinking What the **** is this **** These can't be the champions of modern art Moonlight and Arrival morphed my empathy and perspective The theater is fine Music is there for those inclined to discover it So what about visual art? I know a few things for certain Nails hammered into wood never changed my perspective Nor does seeing a garbage can in a museum affect my empathy Trash is not art Trash is trash Waste meant to be thrown in the proper receptacles So as not to obstruct our view of true beauty I will concede that Beauty can be found in everything Depending on analyzation variation But those that live an examined life Constantly see silver linings and sour grapes Experiencing comfort in tundras to the point of banality Those visions are much more interesting in their organic state anyway As opposed to an interpersonal expression of the seemingly obvious So what to hang in an art gallery? I have my own opinions At this point in time No visuals elicit more emotions Than dank memes When I'm consuming art Questions are innate in my consumption Is this a vessel for empathy? Is this examining the human condition? Dank memes meet those criteria Satirizing the powerful Highlighting emotions and virtues in ourselves That we're either proud or ashamed of Memes share a common thread with poetry In the sense that everybody can create memes Or be a poet I get the impression that Universality of art diminishes it's importance In the minds of patrons There's an element of truth to that But what makes art special is quality And what makes art truly special is high quality And that's what belongs in museums
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49
According to the science of the “unknown”, random samples of emptiness can only scratch the surface of nothingness.. Depleting the distortions of invisibility while examining the possibility of the non-existent state.. Leaving only what appears to be worthless ashes of eternal entropy! ... And in another related stories...
0
Oct 3, 2025
Oct 3, 2025 at 1:28 PM UTC
BREAKING NEWS
THE BALLOONS hang on wires in the Marigold Gardens. They spot their yellow and gold, they juggle their blue and red, they float their faces on the face of the sky. Balloon face eaters sit by hundreds reading the eat cards, asking, "What shall we eat?"-and the waiters, "Have you ordered?" they are sixty ballon faces sifting white over the tuxedoes. Poets, lawyers, ad men, mason contractors, smartalecks discussing "educated ********* here they put ***** into their balloon faces. Here sit the heavy balloon face women lifting crimson lobsters into their crimson faces, lobsters out of Sargossa sea bottoms. Here sits a man cross-examining a woman, "Where were you last night? What do you do with all your money? Who's buying your shoes now, anyhow?" So they sit eating whitefish, two balloon faces swept on God's night wind. And all the time the balloon spots on the wires, a little mile of festoons, they play their own silence play of film yellow and film gold, bubble blue and bubble red. The wind crosses the town, the wind from the west side comes to the banks of marigolds boxed in the Marigold Gardens. Night moths fly and fix their feet in the leaves and eat and are seen by the eaters. The jazz outfit sweats and the drums and the saxophones reach for the ears of the eaters. The chorus brought from Broadway works at the fun and the slouch of their shoulders, the kick of their ankles, reach for the eyes of the eaters. These girls from Kokomo and Peoria, these hungry girls, since they are paid-for, let us look on and listen, let us get their number. Why do I go again to the balloons on the wires, something for nothing, kin women of the half-moon, dream women? And the half-moon swinging on the wind crossing the town-these two, the half-moon and the wind-this will be about all, this will be about all. Eaters, go to it; your mazuma pays for it all; it's a knockout, a classy knockout-and payday always comes. The moths in the marigolds will do for me, the half-moon, the wishing wind and the little mile of balloon spots on wires-this will be about all, this will be about all.
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5.5k
Balloon Faces
THE BALLOONS hang on wires in the Marigold Gardens. They spot their yellow and gold, they juggle their blue and red, they float their faces on the face of the sky. Balloon face eaters sit by hundreds reading the eat cards, asking, "What shall we eat?"-and the waiters, "Have you ordered?" they are sixty ballon faces sifting white over the tuxedoes. Poets, lawyers, ad men, mason contractors, smartalecks discussing "educated ********* here they put ***** into their balloon faces. Here sit the heavy balloon face women lifting crimson lobsters into their crimson faces, lobsters out of Sargossa sea bottoms. Here sits a man cross-examining a woman, "Where were you last night? What do you do with all your money? Who's buying your shoes now, anyhow?" So they sit eating whitefish, two balloon faces swept on God's night wind. And all the time the balloon spots on the wires, a little mile of festoons, they play their own silence play of film yellow and film gold, bubble blue and bubble red. The wind crosses the town, the wind from the west side comes to the banks of marigolds boxed in the Marigold Gardens. Night moths fly and fix their feet in the leaves and eat and are seen by the eaters. The jazz outfit sweats and the drums and the saxophones reach for the ears of the eaters. The chorus brought from Broadway works at the fun and the slouch of their shoulders, the kick of their ankles, reach for the eyes of the eaters. These girls from Kokomo and Peoria, these hungry girls, since they are paid-for, let us look on and listen, let us get their number. Why do I go again to the balloons on the wires, something for nothing, kin women of the half-moon, dream women? And the half-moon swinging on the wind crossing the town-these two, the half-moon and the wind-this will be about all, this will be about all. Eaters, go to it; your mazuma pays for it all; it's a knockout, a classy knockout-and payday always comes. The moths in the marigolds will do for me, the half-moon, the wishing wind and the little mile of balloon spots on wires-this will be about all, this will be about all.
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19
You can fall in love with the way someone pours milk into their cereal, listening to the things they speak about when they sleep talk at three in the morning, and by watching them untangle earphones, which somehow seems to be their biggest challenge of the day. You can fall in love examining the face they make when they try to hold back laughter, if they put their head or their arms through a sweater first, and the way they shiver when it is 23 degrees outside and they are only wearing a leather jacket while drowning in a thick red scarf. You can fall in love. You can fall in love. You can fall in love. And you will fall in love with all of that.
0
Apr 2, 2014
Apr 2, 2014 at 7:32 PM UTC
#4
Under the microscope they walk. And probably never know it. From all perspective they unaware of their power. But a few know it. While only a few uses it. A woman can get a man faster then a man can. Women are selective. While men selects anything for the moment it seems. They under the microscope for everything they do. Their clothes. Their voice. Their physical presence when they been creative blessed. A woman has ways of getting more. Then many men realizes. Even when they think they in control. A woman knows it's only in his mind. The charm. The smile. Just reels them in to her trap. Tell a man, where you live? And watch him purchase a road map. Only, when they don't get their way. Do the male complains. But a honest woman of truth will speak out. She never promise him anything. And they under the microscope for many things. When it seems it's the males. Who brain needs examining?
0
Feb 10, 2013
Feb 10, 2013 at 8:53 AM UTC
Under The Microscope
Midway upon the journey of life I found myself riding zigzag down dark streets, for there was no straight way through that teeming urban grid. Thus I travelled deeper into the night, while rosary beads swung hypnotic from the mirror, reflecting the revenant eyes of one raised by an invisible hand from salt water rocks where as a boy, he said, he should have died. Deftly navigating changing lights of amber, red, and green, he humbly inquired after my beliefs and the state of my soul. As to this I could not say, so I drew it out and held it gingerly by the rough edges, examining as best I might in that dim backseat its wrinkles, creases, and scars. In the reflection he saw all these clearly, and with gentle resonance spoke of things impossible to know, less difficult to believe, and blessed me so that on passing out the door I found my soul again soft and warm.
0
May 26, 2019
May 26, 2019 at 1:25 PM UTC
Ride Share
If you visit google's home page today You will see a Japanese man Examining noodles with a microscope Hahaha Thank you Momofuku Ando! For inventing Top Ramen Although not the healthiest choice Here are the sodium levels for each flavor Top Ramen Oriental Flavor-- 800 mg 33% daily value Top Ramen Beef Flavor-- 760 mg 32 % daily value Top Ramen Chicken Flavor-- 910 mg 38% daily value Top Ramen Shrimp Flavor-- 860 mg 36% daily value Top Ramen Picante Beef Flavor-- 780 mg 32% daily value Top Ramen Chili Flavor-- 760 mg 32% daily value If you are watching your sodium levels Stay away from the chicken and shrimp flavors Lol! Many college students Throughout the past few decades Have relied on Top Ramen As they crammed for their exams I have even indulged And enjoyed Top Ramen Once or twice During my early college years
0
Mar 5, 2015
Mar 5, 2015 at 11:23 AM UTC
A Tribute To Momofuku Ando
I have come humble to seek your knowledge With exhausted feet and weighing burden, I bear my heart I have travelled far to arrive at the world's edge Ready to receive what wisdom you will impart I'll set myself cross-legged on the opposite of you I see you peering, examining my physical entirety With one good eye, you gaze right through Makes me uncomfortable, if I may... But I'll hold steady I notice you muttering but no words could be heard Your hands hovering over a glassy globe with an ominous glow You turn to the left, as if conversing with an invisible third Whispering secrets that I will never learn to know Shifting your gaze now into the crystal orb What do you see, Wise One, in that ball of yours You shudder upon it's touch as though it's power you absorb Tell me, Soothsayer... What lies for me in this course? You swiftly pull your hands behind your back I flinch with a start at your sudden display You bring back your hands revealing cards out of a stack You tremble in spasms, dropping the rest leaving one for play The card you place face down, right in front of me You motion for me to pick it up and flip it round I see the card bore inscriptions and ancient runes, quizzically You ****** the card and begin chanting in odd sounds Reciting your incantations, in a tongue I do not understand They sound like curses rather than the answers I seek It all ends almost as soon as it started... I can't comprehend You then place your warm palms gently touching my cheeks Your features softened as you stared into my sullen eyes A connection like eternity trapped within seconds never going astray Then you turn away to fetch a bundle roped in knots and ties You hand it to me hastily before ushering me on my way I am now perplexed much... What does it show? What did you see, what does my future hold? Please enlighten me what you've come to know From all of that, what could you have foretold? Bundle in hand I turn to leave your rundown shanty As I leave, you speak in your voice, different from before Soft yet raspy you say, *"Do not open till the end of journey" "Open only when in house, behind closed door"* Moon is up illuminating, as I make my way up north Armed in hand a strange, scented, tied up bundle Leaving with the same questions with no answers, I amble forth Wondering if in the bundle I may find the missing pieces of the puzzle...
0
Sep 11, 2014
Sep 11, 2014 at 4:45 AM UTC
Dear Mystic (I)
I have come humble to seek your knowledge With exhausted feet and weighing burden, I bear my heart I have travelled far to arrive at the world's edge Ready to receive what wisdom you will impart I'll set myself cross-legged on the opposite of you I see you peering, examining my physical entirety With one good eye, you gaze right through Makes me uncomfortable, if I may... But I'll hold steady I notice you muttering but no words could be heard Your hands hovering over a glassy globe with an ominous glow You turn to the left, as if conversing with an invisible third Whispering secrets that I will never learn to know Shifting your gaze now into the crystal orb What do you see, Wise One, in that ball of yours You shudder upon it's touch as though it's power you absorb Tell me, Soothsayer... What lies for me in this course? You swiftly pull your hands behind your back I flinch with a start at your sudden display You bring back your hands revealing cards out of a stack You tremble in spasms, dropping the rest leaving one for play The card you place face down, right in front of me You motion for me to pick it up and flip it round I see the card bore inscriptions and ancient runes, quizzically You ****** the card and begin chanting in odd sounds Reciting your incantations, in a tongue I do not understand They sound like curses rather than the answers I seek It all ends almost as soon as it started... I can't comprehend You then place your warm palms gently touching my cheeks Your features softened as you stared into my sullen eyes A connection like eternity trapped within seconds never going astray Then you turn away to fetch a bundle roped in knots and ties You hand it to me hastily before ushering me on my way I am now perplexed much... What does it show? What did you see, what does my future hold? Please enlighten me what you've come to know From all of that, what could you have foretold? Bundle in hand I turn to leave your rundown shanty As I leave, you speak in your voice, different from before Soft yet raspy you say, *"Do not open till the end of journey" "Open only when in house, behind closed door"* Moon is up illuminating, as I make my way up north Armed in hand a strange, scented, tied up bundle Leaving with the same questions with no answers, I amble forth Wondering if in the bundle I may find the missing pieces of the puzzle...
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44
She's a beautiful being much like a flower, from which I could learn, examining for hours. I admire her smell and how she speaks of me, the knowledge she carries makes one feel less lonely. From her crown to her toes she is lovely and free, a companion that was placed here for irrational me. She speaks like the wind knowing I am delicate, drops petal-like compliments that I consider reverant. She seems like a sea in which I could drown, a pure contribution on this heavenless mound. I know her as I know myself; or any book from any shelf. Open it up and read just a sliver, ask your questions- she'll surely deliver. She knows when to play and when to relax, she understands my being- reads through the cracks. She understands the importance of an honest, open heart. She shares my love of music and creates striking art. At times she makes me feel as though I am the advisor, but I have read a few pages from her and feel wiser. I've never quite finished any book that I've read, so I'll put the books down and read into her instead. ~kd
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Mar 1, 2016
Mar 1, 2016 at 6:04 AM UTC
A Must Read
JOY ... weaving two violet petals for a coat lapel ... painting on a slab of night sky a Christ face ... slipping new brass keys into rusty iron locks and shouldering till at last the door gives and we are in a new room ... forever and ever violet petals, slabs, the Christ face, brass keys and new rooms. are we near or far?... is there anything else?... who comes back?... and why does love ask nothing and give all? and why is love rare as a tailed comet shaking guesses out of men at telescopes ten feet long? why does the mystery sit with its chin on the lean forearm of women in gray eyes and women in hazel eyes? are any of these less proud, less important, than a cross-examining lawyer? are any of these less perfect than the front page of a morning newspaper? the answers are not computed and attested in the back of an arithmetic for the verifications of the lazy there is no authority in the phone book for us to call and ask the why, the wherefore, and the howbeit it's ... a riddle ... by God.
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3.9k
Brass Keys
Take me back to a different hotel every night and living out of a suitcase. Getting comfortable in our naked bodies around each other; comparing breast size and stretch marks—examining ourselves like the men who’ve carelessly fondled us before for our likes and dislikes. Sharing a bottle of lukewarm tequila in the world’s smallest bathtub and then I sing you to sleep. Highway cars buzzing past and there’s only one road to get lost on, but we manage it every single time. Your car becomes a dressing room at gas stations where people stare with disapproving glares and worry for the safety of their wallets; because we don’t belong here but we laugh—still drunk from the early morning hours and just trying to find the next check-in spot for the night. There never is a real destination but home always seems too close and we both hate that part. It doesn’t feel right when it ends or when I have to crawl back into my own bed without a time frame to be out by in the morning—before the housekeeping maid comes banging on our door, yet again.
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Dec 12, 2020
Dec 12, 2020 at 1:06 AM UTC
For Aubrey
you see, i like partying, these celebrities ain't partying, they are popping pills in the wrong way, you see i have thoughts that athena heals me in my sleep and sometimes those pills could help, but really dudes paracetaol is good, it's just that that people want to be so ****** perfect, like, i just woke up from a dream where an old mate named james taught me all the mistakes i made when i was young and a bit of mum and dad was thrown into the conversation, when i wasn't paying much attention to what james was actually saying, you see i know i was a crazy mother ****** but that doesn't mean i approve of their partying, but a lot of people don't approve of my partying, but i don't care, athena is helping me, with coke and paracetamol and fluoride and seroquel and serenace, some people hate partying because they are too old, i just say, hi, old i am brian and partying is going to community events and dancing by the stage and i know, that looking and examining this documentary, it shows hos partying can lead to rotten religion, but i believe in rotten religion i believe if you wanna have *** go ahead and have *** and if you like to party into the night, go ahead, just because you party doesn't mean you ain't grown up. it just means i like partying and another thing i am a grown up dude, i loves to party, with coca cola, you see i feel my voices are trying to make me a fucken moral citizen, what is the hell wrong with partying at community events, my motto is learn about your drug your taking, saying, do you really want this kinda life that the drug will provide for you and stay with partying with sugar or alcohol and leave illegal drugs alone, paracetamol is a pill you take to release pain and if you believe it, send spiritual healer athena to you ATHENA WORKS WONDER, take paracetamoil let's party at community events you don't have to look like you party, just say, at least i am out i don't want to be the kind of old dogie who says no to going out partying well, i don't think much of nightclubs anymore
0
Apr 2, 2015
Apr 2, 2015 at 11:38 AM UTC
partying the right way, i still like it
you see, i like partying, these celebrities ain't partying, they are popping pills in the wrong way, you see i have thoughts that athena heals me in my sleep and sometimes those pills could help, but really dudes paracetaol is good, it's just that that people want to be so ****** perfect, like, i just woke up from a dream where an old mate named james taught me all the mistakes i made when i was young and a bit of mum and dad was thrown into the conversation, when i wasn't paying much attention to what james was actually saying, you see i know i was a crazy mother ****** but that doesn't mean i approve of their partying, but a lot of people don't approve of my partying, but i don't care, athena is helping me, with coke and paracetamol and fluoride and seroquel and serenace, some people hate partying because they are too old, i just say, hi, old i am brian and partying is going to community events and dancing by the stage and i know, that looking and examining this documentary, it shows hos partying can lead to rotten religion, but i believe in rotten religion i believe if you wanna have *** go ahead and have *** and if you like to party into the night, go ahead, just because you party doesn't mean you ain't grown up. it just means i like partying and another thing i am a grown up dude, i loves to party, with coca cola, you see i feel my voices are trying to make me a fucken moral citizen, what is the hell wrong with partying at community events, my motto is learn about your drug your taking, saying, do you really want this kinda life that the drug will provide for you and stay with partying with sugar or alcohol and leave illegal drugs alone, paracetamol is a pill you take to release pain and if you believe it, send spiritual healer athena to you ATHENA WORKS WONDER, take paracetamoil let's party at community events you don't have to look like you party, just say, at least i am out i don't want to be the kind of old dogie who says no to going out partying well, i don't think much of nightclubs anymore
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21
"you are so strong" my eyes stared into nothing, burning with the absence of tears. i knew there would be a point where i could not cry anymore. what was everyone seeing? because all i felt was weakness, pain, emptiness. my exterior was bruised and beaten but only inside could i feel the effects. i was not strong i was fragile, scared, and vulnerable. frustrated by words of praise i sank deeper into my delusions, and perfected my 'brave face'. i was not strong i was struggling. listening to the vital carts wheel in and out, my door never a separation but a portal to demons wielding gurneys, needles, charts and machines. i was restless in my immobility. i was not strong i was numb. calling for my mother at 4:00 am she carried my weight, she held my hand, she washed my hair, she changed my clothes, she slept, barely, at my feet. i was not strong my mother was. days piled on; hours lost in isolation maddening my mind and diminishing my willpower. with every test, measurement, and procedure i felt helplessness swallow the living light in me. still, i complied, i waited, i did what was asked. i was not strong i was a quiet fire. looking at my damaged body, examining my inflamed veins. my face was swollen, my hair matted. i shook in my skin disassociating my identity. i was not my condition i was not my self disgust. i can not say that i feel better just different, which is neither positive or negative. reflecting on 10 days as a ghost getting acquainted with myself, filling in the blanks. i was not strong i was surviving.
0
Mar 23, 2015
Mar 23, 2015 at 10:49 PM UTC
surviving
"you are so strong" my eyes stared into nothing, burning with the absence of tears. i knew there would be a point where i could not cry anymore. what was everyone seeing? because all i felt was weakness, pain, emptiness. my exterior was bruised and beaten but only inside could i feel the effects. i was not strong i was fragile, scared, and vulnerable. frustrated by words of praise i sank deeper into my delusions, and perfected my 'brave face'. i was not strong i was struggling. listening to the vital carts wheel in and out, my door never a separation but a portal to demons wielding gurneys, needles, charts and machines. i was restless in my immobility. i was not strong i was numb. calling for my mother at 4:00 am she carried my weight, she held my hand, she washed my hair, she changed my clothes, she slept, barely, at my feet. i was not strong my mother was. days piled on; hours lost in isolation maddening my mind and diminishing my willpower. with every test, measurement, and procedure i felt helplessness swallow the living light in me. still, i complied, i waited, i did what was asked. i was not strong i was a quiet fire. looking at my damaged body, examining my inflamed veins. my face was swollen, my hair matted. i shook in my skin disassociating my identity. i was not my condition i was not my self disgust. i can not say that i feel better just different, which is neither positive or negative. reflecting on 10 days as a ghost getting acquainted with myself, filling in the blanks. i was not strong i was surviving.
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69
No men. But when the conversation starts, they dominate. Worm their way into every sentence, every silence. Every caught breath, exhaled pause. Names, nice-to-meet-yous, passed round with sandwiches and tea. Hole-riddled autobiographies, wadded out with circumstance and need. Explaining themselves, defending their actions. In turn. And I? Have never felt so young. To my left, and working clockwise: Affair-with-the-boss, Heart-condition, High-risk-of-genetic-defects, In-the-middle-of-a-divorce-not-sure-why-she-slept-with-him, Grown-up-children-can’t-bear-to-go-through-that-again, and back to me. (Boyfriend-has-two-kids-wants-no-more) He noticed that I’m pregnant. Was pregnant. Was. We chew our way through sandwiches. Different coloured fillings, no flavour- choked down with lukewarm tea. We know it’s a test. We have to talk, smile, eat, drink, laugh (not manically) if we're to go home. I can’t do it. I want to cry. But I’ve been told off for that already (curled up on a trolley, examining bloodied fingers) I drift, I think. Jump out of my skin when she speaks to me. "You must eat" she says. "You must eat." I search for myself in their eyes, re-make myself from fragments and reflections I find there (Four parts child, one part b-tch) "It’s OK" I tell her, "It’s OK. On my way home I’ll get a Happy Meal. I’m collecting the toys."
0
Jan 7, 2012
Jan 7, 2012 at 4:11 PM UTC
afternoon tea
whenever I feel the tremble start to ooze its way from my compact mind to the tips of my fingers, I immediately anticipate the fate that I have always been able to foresee whenever that familiar first jolt of an anxiety attack sails its way, like a vessel in a storm throughout my entire body heart pounds an intolerable caution lungs wheeze frigid determination with a rough friction that lightly scrapes my core with a ticklish flutter shoulders lift up into a hunch; absolutely automatic the top tray of teeth lock clenched into the bottom tray’s hold a fleet of air hisses in and out of two nostrils like a monk’s meditation capacious eyes flicker from the lid to the lash to the iris to the pupil to see everything everyone is staring everything is too intimidating to look at for longer than two seconds then, the tunnel the clearest, acute vision waters into a soft edged frame, into a pixel mud of a picture, into a black peripheral, black corners rounding in – a narrow and petty circle I use it and follow it to wherever my deepened impulse decides to take me silently contemplating, silently speculating, silently examining the fears I let my feeble self get swallowed up in.
0
Sep 3, 2012
Sep 3, 2012 at 1:42 AM UTC
panic attack
resuming textual trip testing experimental procedures visualizing model tsunami augmenting facetious environment catching abstract architecture noticing rhythmic exchange projecting subtextual database airhorning reggae royalty adding atypical party resolving twitter question noticing emotional mission awaiting emotional dialect installing metaphorical experiment intensifying animated trip displaying dynamic victory programming abstract development releasing emotional exchange deriving fata morgana glorifying referential sequence intensifying facetious map noticing harmonic trip observing radical ratio compiling nomadic message predating google rebranding reticulating facetious panda using hyperreal feedback exploring virtual panda speculating graphic gallery throwing mundane exception targeting graphic experiment replenishing emotional trap localizing asemic animal dropping rhythmic trip propagating immortal experiment displaying lowercase database invading orange bubbles crashing animated trip running conceptual topography remembering collapsed buildings crashing hyperreal coverage propagating hyperreal stipulation finishing western library envisioning neon tessellation reciprocating network likes processing animated device releasing haptic quality examining building seven awaiting rhapsodical ratio sampling death sauce sensing lowercase clone examining symbolic tour processing potential development encapsulating spatial lottery displaying digital paragraph reticulating theoretical source perpetuating western paragraph transmitting monochromatic structure anticipating ambient quality transmitting asemic environment intensifying atomic quality remastering history poem keeping future light hypothesizing eternal game using future library rearranging masonic language transmitting masonic development continuing ceremonial ritual questioning party's legitimacy deferring western coverage finishing asemic hypertext mollifying ostentatious presence synthesizing allegorical icon forming categorical unions sketching app wireframe programming immortal repository
0
Sep 15, 2015
Sep 15, 2015 at 6:52 PM UTC
201509-w2
resuming textual trip testing experimental procedures visualizing model tsunami augmenting facetious environment catching abstract architecture noticing rhythmic exchange projecting subtextual database airhorning reggae royalty adding atypical party resolving twitter question noticing emotional mission awaiting emotional dialect installing metaphorical experiment intensifying animated trip displaying dynamic victory programming abstract development releasing emotional exchange deriving fata morgana glorifying referential sequence intensifying facetious map noticing harmonic trip observing radical ratio compiling nomadic message predating google rebranding reticulating facetious panda using hyperreal feedback exploring virtual panda speculating graphic gallery throwing mundane exception targeting graphic experiment replenishing emotional trap localizing asemic animal dropping rhythmic trip propagating immortal experiment displaying lowercase database invading orange bubbles crashing animated trip running conceptual topography remembering collapsed buildings crashing hyperreal coverage propagating hyperreal stipulation finishing western library envisioning neon tessellation reciprocating network likes processing animated device releasing haptic quality examining building seven awaiting rhapsodical ratio sampling death sauce sensing lowercase clone examining symbolic tour processing potential development encapsulating spatial lottery displaying digital paragraph reticulating theoretical source perpetuating western paragraph transmitting monochromatic structure anticipating ambient quality transmitting asemic environment intensifying atomic quality remastering history poem keeping future light hypothesizing eternal game using future library rearranging masonic language transmitting masonic development continuing ceremonial ritual questioning party's legitimacy deferring western coverage finishing asemic hypertext mollifying ostentatious presence synthesizing allegorical icon forming categorical unions sketching app wireframe programming immortal repository
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75
if when you take an afternoon stroll in the fresh spring air to the library down the street and you spend your time not listening to the birds or examining the new buds but wishing that every car that passed would run you over you probably should rethink a couple things
0
Mar 25, 2013
Mar 25, 2013 at 3:16 PM UTC
flying is simple. not hitting the ground is hard.