first step

when he looks at a woman he searches for qualities that attract him because he wants to desire her yet this tendency creates an imbalance or disadvantage he is rendered weak to a woman’s beauty or whatever traits he idealizes self-realizing this propensity he looks away from women years of disappointment neglect change him he becomes afraid of women gynophobic

2

when she looks at a man she searches for qualities she is critical of because she wants to be impervious to his power she is suspicious of all men their upper body strength penchant to be in control misperception of women as property misogyny emotional immaturity neediness to be mommyed selfishness insensitivity or over-sensitivity depending she wants to be treated with equal respect a loving nurturing relationship she is suspicious of all people their alternate realities passive aggressive behavior co-dependence craziness

3

he sees her then looks away she suspiciously notices nothing happens they go back to their separate homes alone always home alone grown calm in resignation yet disbelieving of this destiny saddened by this fate both worry about future she looks at her face naked body in mirror her stomach churns feels sad sickening remembers time when she was more carefree he puts one foot in front of other then walks tries to remember who taught him to walk how many times did he fall who taught him to laugh where did his sense of humor go

4

he sees her thinks she is lovely resists the urge to turn away he smiles says hello she notices nervously smiles her shaky voice articulates louder than a whisper hi

Tucson 2-step

they are standing in line at a café on 4th avenue he is directly behind her she is lanky wearing white background faded colors patterned summer dress thin straps over bare shoulders long brown hair few gray strands small unfinished tattoo on left calf leather slip-ons 1 inch heals he is at a complete loss for words thinks to make remark about the weather decides not to overhead fan stirs hot humid July air barista girl asks what she would like her eyes scan blackboard menu behind counter she hesitates remarks help him i need an extra moment to decide he steps up to counter money in hand orders small to go Arnold Palmer half black current lays $3 on counter mentions change goes in tip jar thank you barista girl moves fast he lifts cup from counter glances at woman still deciding then at barista girl says have a wonderful day turns walks out door dawns on him woman grows hair under her arms his 2nd most compelling female physique adornment fetish oh god he thinks to himself should i wait for her to make up her mind then approach try to craft conversation at least find out her name no i’m too weak in this moment she is so lovely let her go

2

she orders double Americana in small cup to go room for soy milk thinks to herself he did greet her perhaps their paths will cross on street why did he run off so fast she glances toward front of café notices window seat changes her mind instructs barista ******* 2nd thought make it for here digs through purse realizes she left wallet in truck explains to barista girl she needs to run out to her vehicle to retrieve wallet forgotten under front seat the air on the street is heavy dense she smells her own perspiration looks north then south does not see him walks to truck feels exhausted appetiteless almost nauseous wishes she did not order a drink thinks to get behind wheel drive home go to sleep

Tucson 3-step tango

she feels disappointment by her recent writings as if she is reaching a more sophisticated audience and setting a higher standard for her work yet she is not living up to her ambitions her recent writings smell of her past writings too emotional the damaged woman wounded child she wants to write more introspectively with detached humor that only comes from keener intelligence she slams her laptop shut decides to go to Club Congress for a ****** mary or margarita but Club Congress is haunted with small town cretins losers wannabes she considers Maynard’s decides Maynard’s is too safe suburban yuppyish finally gives in to thought of glass of pinot noir at Plush next comes what to wear jeans in mid-July desert heat is unacceptable perhaps loose fitting thin cotton white summer dress thin leather belt ankle high indian moccasins hair in ponytail no pigtail braids no ponytail no makeup maybe little ylang ylang oil no she thinks about her recent writings

2

i am one breath away from crying in every moment one breath away from flying m.i.a. in every moment one breath away from destroying everything there is beauty in ugliness beauty in decrepitude disease beauty in harm hurt suffering beauty in greed injustice betrayal beauty in corruption contamination pollution beauty in hate cruelty ignorance beauty in death we spend our whole lives searching for a good death we spend our whole lives searching for eternal love this modern world is too much for me over my head the horrors of this place are beyond words unspeakable voice inside maybe mom yells quit your whining or dad hollers stop complaining i am trying to smile through tears one breath away from giving in one breath away from becoming stranger to myself winter spring winter spring there is beauty in nothingness we spend our whole lives searching for ourselves learning who we are not finding grasping secrets from dark paths light trails winter spring winter spring i am one breath away

3

she sits alone at bar at Plush glass of pinot noir glass of ice water in front of her 2 bearded older men eye her from other end of bar she ignores them glances at her wristwatch tries to look like she is waiting for someone music from speakers antiquated rock standard it is early friday hours from dusk moderate middle aged crowd mingle wait for local jazz trio to begin she thinks about her recent writings wonders is it too late for love considers lesbian affair from 5 different perspectives 5 woman’s voices each describing same lesbian affair in 5 opposing accounts hmmm she sips dark red wine from glass chases it with ice water she considers a story about a gang of female bikers who ride south to Mexico

4

the Americans came through here last night crossing border illegally climbing over our fences digging tunnels beneath our barrier walls littering along their trail they travel in packs of every skin color carry guns knives explosives wear leather boots some are shirtless tattoos dyed hair mischievously smiling conceitedly stealing when in question murdering they rob our homes slaughter our chickens ransack gardens loot our harvest you can still smell the stink of their fast food breaths

5

she swallows the last dark red wine from glass chases it with ice water local jazz trio begins to play as bar fills with more people she decides to walk home one foot in front of other wonders who taught her how to walk how many times did she fall she laughs to herself

Tucson square dance

TPD 10-18 unconfirmed data report

7 post-University of Arizona female graduates go to Cactus Moon for several drinks and dancing then drive to Bashful Bandit for more drinks and dancing 2 women get into scuffle victim Brittany Garner female 23 years of age race #5 (Native American, Eskimo, Middle -Eastern, Other) 5’ 2” long black hair cut-off blue jean shorts clingy light blue top falls hits head on side of bar dies of fatal blow to skull forensics report crushed occipital lobe assailant Stacy Won female 31 years of age race #4 (Asian) 5’6” black jeans black leather jacket red helmet Honda motorcycle still at large

witness accounts

Jess Delaney female 33 years of age race #2 (White) 6’ tight black pencil skirt white sleeveless undershirt no bra 3” heels blond ponytail “that squirting little **** deserves everything she got she lied told Stacy i’m a ***** i never cheated on Brittany i don’t understand we were all having a good time getting buzzed and dancing we should never have left Cactus Moon **** Kerrie thought some biker dude might be hanging around the Bandit hell maybe the Bandit was a biker bar once but now it’s just a college sink hole full of drunken frat boys when Monique flashed a little *** they went crazy cheering and buying us shots it just got out of hand never should have happened the way it happened Stacy didn’t mean to **** Brittany it’s ****** up i want to go home please let me go home”

Sabrina Starn female 29 years of age race #2 (White) 5’8” trendy corporate gray suit black pumps red shoulder length hair “i have to be at work at 8 AM Stacy was drunk out of control she gets crazy when she drinks Brittany was trash talking pushing all Stacy’s buttons then Stacy accused Brittany of sleeping with Monique and all hell broke loose i didn’t see what happened i was in the powder room it’s a terrible tragedy unfortunate accident can i please be released i need to sleep this is madness”

Kerrie Angeles female 27 years of age race #1 (Hispanic) 5’ 6” black pants white shirt black hair cut stylishly short silver crucifix around neck red fingernails “when we got to the Bashful Bandit i was ***** soaking between my legs thinking about a cowgirl at Cactus Moon ready to **** anyone i saw fantasized pulling a train with those frat boys Monique had been kind of quiet at Cactus Moon but when we got to the Bashful Bandit she lit up dancing wild unbuttoning her top jacket Sabrina went to the ladies room to snort coke with biker dude Kerrie wanted but he wasn’t into her then Brittany started saying crazy stuff accusing Stacy of stealing Monique from Jess Jessie goes through women heartlessly she doesn’t give a **** about Monique Jessie knows if she wants Monique back she can simply fiddle a finger my guess is Stacy is half way to Argentina she never meant to **** Brittany i’m going to miss her real bad she was a good kid”

Ann Skyler female 28 years of age race  #2 (White) 4’ 11’’ green white red Mexican peasant skirt black t-shirt black high-tops hair in messy bun “i’m confused i saw them dancing laughing grinding up against each other Rage Against the Machine came on then Nine Inch Nails the room felt quaking dizzy claustrophobic then they were pushing each other shoving yelling frat boys cheering the next thing i knew Brittany was supine on the floor blood pouring out maybe she just slipped hit her head i don’t know what to think i feel real sad confused sick to my stomach scared”

Monique Smithson female 24 years of age race # 3 (Black) 5’ 9” blue jeans jean jacket cowboy boots nose ring braided pigtails “Stacy had it in for Brittany from the start i saw it in her eyes at Cactus Moon she made several clever toxic remarks they snapped at each other i never thought it would escalate to ****** poor sweet Brittany was always so susceptible i was looking down adjusting my jeans over my boots when it happened i heard felt a big thump glanced up Brittany was lying there lifeless blood spilling everywhere Stacy ran out fast i heard her bike engine take off in a hurry”

Rodeo Drive Tucson

matt’s hats tom’s tools & tobacco lou’s liquors fred’s beds frank’s planks bill’s drills jane’s drains & panes chuck’s check cashing cheryl’s barrels hank’s tanks tina’s trucks & tractors walt’s asphalt sean’s pawn rick’s rifles mom’s guns terry’s tires charlie’s harleys rhonda’s hondas jim’s rims art’s parts gus’s gasoline mike’s bikes frank’s feed gwen’s pens ann’s cans nancy’s nursery joes‘s clothes jess’s dresses bert’s skirts steve’s sleeves paul’s shawls michelle’s shells & bells al’s pails & snails sam’s hams & jams patty’s pancakes phil’s chili don’s donuts betty’s spaghetti bob’s burgers alycia’s quiches jean’s beans jerry’s berries anna’s bananas andy’s candies cathy’s taffies tony’s ponies roy’s toys kim’s whims marty’s parties jill’s pills rick’s tricks alice’s palace debbie’s disposal dave’s graves

Quinta Waltz de Tucson

she is definitely displeased profoundly disappointed in her latest literary efforts she dreams aches to create deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration instead she writes paperback television trash stupid inadequate answers to solemn questions she wonders if she is too scratched dented to find love her ******* are definitely changing she is deeply disturbed not ready for menopause too young for menopause she wants to remain a fertile woman with smooth skin wet ******

2

her neighbor Leslie awoke to horrible morning Leslie’s 6 chickens were assaulted overnight precious Mabel dragged off feathers everywhere trail down the street other hens cowering slumped together with wilted necks 3 of them with puncture wounds Leslie carried them one by one inside washed their wounds hugged them cried who did this terrible act a neglected abusive neighborhood cat or some desert predator why didn’t Leslie wake to sounds of savage marauding now this creature knows hen’s whereabouts when will it return for more massacre what modifications need to be enforced to ensure their coup before nightfall

3

she wants to remain a hen keep producing eggs does not want is not ready to enter the next **** stage of this **** existence it was fun being pretty for men inspiring them to say do whacky things she wants to remain a hen she is definitely displeased profoundly disappointed in her latest literary attempts “Tucson square dance” (self-referential) ****** bit about Americans came through here last night in “Tucson 3-step” ****** "Rodeo Drive" tepid perhaps the pinot noir lowered her standards everything is becoming nothing she cannot sleep tosses turns thrashes sheets in humid heat of her lonesome bed is she is too scratched dented to find love she worries for Leslie

4

tomorrow is another day they say the rain will come last year’s monsoon never came the baking sun smothered her garden died one by one sleepless she will miss tomorrow’s pilates class the infrequent delightful chatty breakfast afterwards she dreams aches of deeper discourse higher insight with detached humor that only comes from keener intelligence more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration she crossed the line tonight her ******* are definitely changing

Tucson 666

he decides to shave eighth to quarter inch length salt and pepper beard a.k.a. unshaven look he has worn for years and grow full mustache the whiskers on his upper lip are darker with sparse gray at first no one notices after weeks the mustache gradually fills evoking many contrasting remarks several women loath it several men admire it girl at grocery store suggests he grow Fu Manchu so she can tug on it shopgirl says he looks like Charlie Chaplin downstairs neighbor from Turkey explains most Turkish men traditionally wear mustaches he read mustaches masculinize and empower men especially men in authoritative positions he thinks back to the 1960’s when many hippie males grew mustaches then in the 70’s gay men fashioned mustaches then in the 80’s cops adopted mustaches he wonders why a swatch of hair beneath nose is so provoking examines his visage in mirror discerns the mustache confers a Pepé le Pew quality or European accent to his appearance he remembers when he was young hippie with many amorous episodes how his mustache preserved the scent of a woman but there are no women in his life for many years do post-menopausal women possess scent? he feels indecisive whether to retain it or be rid of it

2

she observes her figure in mirror thinks to herself maybe her ******* are not changing perhaps it’s all in her head she inspects the little lines forming near her eyelids studies her features for signs of aging hardly any silver strands in long brown hair she examines neck ******* arms elbows fingers tummy hips pelvic region thighs knees shins calves ankles feet detects subtle changes thinks to herself my ******* are possibly slightly changing turned 40 in March married briefly in late teens no children a 15 year old dog beginning to suffer veterinarian promises to warn her when the time comes she wonders why it is so difficult finding fitting mate men sleep with her several times then move on maybe she is not such a great lover perhaps she would be better if one of them stuck around perhaps she is a lesbian the whole ide

She said, ‘You are funny, the way you set yourself up the moment we arrive. You look into every room to see if it’s suitable as a place to work. Is there a table? Where are the plugs? Is there a good chair at the right height? If there isn’t, are there cushions to make it so? You are funny.’
 
He countered this, but his excuse didn’t sound very convincing. He knew exactly what she meant, but it hurt him a little that she should think it ‘funny’. There’s nothing funny about trying to compose music, he thought. It’s not ‘radio in the head’ you know – this was a favourite expression he’d once heard an American composer use. You don’t just turn a switch and the music’s playing, waiting for you to write it down. You have to find it – though he believed it was usually there, somewhere, waiting to be found. But it’s elusive. You have to work hard to detect what might be there, there in the silence of your imagination.
 
Later over their first meal in this large cottage she said, ‘How do you stop hearing all those settings of the Mass that you must have heard or sung since childhood?’ She’d been rehearsing Verdi’s Requiem recently and was full of snippets of this stirring piece. He was a) writing a Mass to celebrate a cathedral’s reordering after a year as a building site, and b) he’d been a boy chorister and the form and order of the Mass was deeply engrained in his aural memory. He only had to hear the plainsong introduction Gloria in Excelsis Deo to be back in the Queen’s chapel singing Palestrina, or Byrd or Poulenc.
 
His ‘found’ corner was in the living room. The table wasn’t a table but a long cabinet she’d kindly covered with a tablecloth. You couldn’t get your feet under the thing, but with his little portable drawing board there was space to sit properly because the board jutted out beyond the cabinet’s top. It was the right length and its depth was OK, enough space for the board and, next to it, his laptop computer. On the floor beside his chair he placed a few of his reference scores and a box of necessary ‘bits’.
 
The room had two large sofas, an equally large television, some unexplainable and instantly dismissible items of decoration, a standard lamp, and a wood burning stove. The stove was wonderful, and on their second evening in the cottage, when clear skies and a stiff breeze promised a cold night, she’d lit it and, as the evening progressed, they basked in its warmth, she filling envelopes with her cards, he struggling with sleep over a book.
 
Despite and because this was a new, though temporary, location he had got up at 5.0am. This is a usual time for composers who need their daily fix of absolute quiet. And here, in this cottage set amidst autumn fields, within sight of a river estuary, under vast, panoramic uninterrupted skies, there was the distinct possibility of silence – all day. The double-glazing made doubly sure of that.
 
He had sat with a mug of tea at 5.10 and contemplated the silence, or rather what infiltrated the stillness of the cottage as sound. In the kitchen the clock ticked, the refrigerator seemed to need a period of machine noise once its door had been opened. At 6.0am the central heating fired up for a while. Outside, the small fruit trees in the garden moved vigorously in the wind, but he couldn’t hear either the wind or a rustle of leaves.  A car droned past on the nearby road. The clear sky began to lighten promising a fine day. This would certainly do for silence.
 
His thoughts returned to her question of the previous evening, and his answer. He was about to face up to his explanation. ‘I empty myself of all musical sound’, he’d said, ‘I imagine an empty space into which I might bring a single note, a long held drone of a note, a ‘d’ above middle ‘c’ on a chamber ***** (seeing it’s a Mass I’m writing).  Harrison Birtwistle always starts on an ‘e’. A ‘d’ to me seems older and kinder. An ‘e’ is too modern and progressive, slightly brash and noisy.’
 
He can see she is quizzical with this anecdotal stuff. Is he having me on? But no, he is not having her on. Such choices are important. Without them progress would be difficult when the thinking and planning has to stop and the composing has to begin. His notebook, sitting on his drawing board with some first sketches, plays testament to that. In this book glimpses of music appear in rhythmic abstracts, though rarely any pitches, and there are pages of written description. He likes to imagine what a new work is, and what it is not. This he writes down. Composer Paul Hindemith reckoned you had first to address the ‘conditions of performance’. That meant thinking about the performers, the location, above all the context. A Mass can be, for a composer, so many things. There were certainly requirements and constraints. The commission had to fulfil a number of criteria, some imposed by circumstance, some self-imposed by desire. All this goes into the melting ***, or rather the notebook. And after the notebook, he takes a large piece of A3 paper and clarifies this thinking and planning onto (if possible) a single sheet.
 
And so, to the task in hand. His objective, he had decided, is to focus on the whole rather than the particular. Don’t think about the Kyrie on its own, but consider how it lies with the Gloria. And so with the Sanctus & Benedictus. How do they connect to the Agnus Dei. He begins on the A3 sheet of plain paper ‘making a map of connections’. Kyrie to Gloria, Gloria to Credo and so on. Then what about Agnus Dei and the Gloria? Is there going to be any commonality – in rhythm, pace and tempo (we’ll leave melody and harmony for now)? Steady, he finds himself saying, aren’t we going back over old ground? His notebook has pages of attempts at rhythmizing the text. There are just so many ways to do this. Each rhythmic solution begets a different slant of meaning.
 
This is to be a congregational Mass, but one that has a role for a 4-part choir and ***** and a ‘jazz instrument’. Impatient to see notes on paper, he composes a new introduction to a Kyrie as a rhythmic sketch, then, experimentally, adds pitches. He scores it fully, just 10 bars or so, but it is barely finished before his critical inner voice says, ‘What’s this for? Do you all need this? This is showing off.’ So the filled-out sketch drops to the floor and he examines this element of ‘beginning’ the incipit.
 
He remembers how a meditation on that word inhabits the opening chapter of George Steiner’s great book Grammars of Creation. He sees in his mind’s eye the complex, colourful and ornate letter that begins the Lindesfarne Gospels. His beginnings for each movement, he decides, might be two chords, one overlaying the other: two ‘simple’ diatonic chords when sounded separately, but complex and with a measure of mystery when played together. The Mass is often described as a mystery. It is that ritual of a meal undertaken by a community of people who in the breaking of bread and wine wish to bring God’s presence amongst them. So it is a mystery. And so, he tells himself, his music will aim to hold something of mystery. It should not be a comment on that mystery, but be a mystery itself. It should not be homely and comfortable; it should be as minimal and sparing of musical commentary as possible.
 
When, as a teenager, he first began to set words to music he quickly experienced the need (it seemed) to fashion accompaniments that were commentaries on the text the voice was singing. These accompaniments did not underpin the words so much as add a commentary upon them. What lay beneath the words was his reaction, indeed imaginative extension of the words. He eschewed then both melisma and repetition. He sought an extreme independence between word and music, even though the word became the scenario of the music. Any musical setting was derived from the composition of the vocal line.  It was all about finding the ‘key’ to a song, what unlocked the door to the room of life it occupied. The music was the room where the poem’s utterance lived.
 
With a Mass you were in trouble for the outset. There was a poetry of sorts, but poetry that, in the countless versions of the vernacular, had lost (perhaps had never had) the resonance of the Latin. He thought suddenly of the supposed words of William Byrd, ‘He who sings prays twice’. Yes, such commonplace words are intercessional, but when sung become more than they are. But he knew he had to be careful here.
 
Why do we sing the words of the Mass he asks himself? Do we need to sing these words of the Mass? Are they the words that Christ spoke as he broke bread and poured wine to his friends and disciples at his last supper? The answer is no. Certainly these words of the Mass we usually sing surround the most intimate words of that final meal, words only the priest in Christ’s name may articulate.
 
Write out the words of the Mass that represent its collective worship and what do you have? Rather non-descript poetry? A kind of formula for collective incantation during worship? Can we read these words and not hear a surrounding music? He thinks for a moment of being asked to put new music to words of The Beatles. All you need is love. Yesterday all my troubles seemed so far away. Oh bla dee oh bla da life goes on. Now, now this is silliness, his Critical Voice complains. And yet it’s not. When you compose a popular song the gap between some words scribbled on the back of an envelope and the hook of chords and melody developed in an accidental moment (that becomes a way of clothing such words) is often minimal. Apart, words and music seem like orphans in a storm. Together they are home and dry.
 
He realises, and not for the first time, that he is seeking a total musical solution to the whole of the setting of those words collectively given voice to by those participating in the Mass.
 
And so: to the task in hand. His objective: to focus on the whole rather than the particular.  Where had he heard that thought before? - when he had sat down at his drawing board an hour and half previously. He’d gone in a circle of thought, and with his sketch on the floor at his feet, nothing to show for all that effort.
 
Meanwhile the sun had risen. He could hear her moving about in the bathroom. He went to the kitchen and laid out what they would need to breakfast together. As he poured milk into a jug, primed the toaster, filled the kettle, the business of what might constitute a whole solution to this setting of the Mass followed him around the kitchen and breakfast room like a demanding child. He knew all about demanding children. How often had he come home from his studio to prepare breakfast and see small people to school? - more often than he cared to remember. And when he remembered he became sad that it was no more.  His children had so often provided a welcome buffer from sessions of intense thought and activity. He loved the walk to school, the first quarter of a mile through the park, a long avenue of chestnut trees. It was always the end of April and pink and white blossoms were appearing, or it was September and there were conkers everywhere. It was under these trees his daughter would skip and even his sons would hold hands with him; he would feel their warmth, their livingness.
 
But now, preparing breakfast, his Critical Voice was that demanding child and he realised when she appeared in the kitchen he spoke to her with a voice of an artist in conversation with his critics, not the voice of the man who had the previous night lost himself to joy in her dear embrace. And he was ashamed it was so.
 
How he loved her gentle manner as she negotiated his ‘coming too’ after those two hours of concentration and inner dialogue. Gradually, by the second cup of coffee he felt a right person, and the hours ahead did not seem too impossible.
 
When she’d gone off to her work, silence reasserted itself. He played his viola for half an hour, just scales and exercises and a few folk songs he was learning by heart. This gathering habit was, he would say if asked, to reassert his musicianship, the link between his body and making sound musically. That the viola seemed to resonate throughout his whole body gave him pleasure. He liked the ****** movement required to produce a flowing sequence of bow strokes. The trick at the end of this daily practice was to put the instrument in its case and move immediately to his desk. No pause to check email – that blight on a morning’s work. No pause to look at today’s list. Back to the work in hand: the Mass.
 
But instead his mind and intention seemed to slip sideways and almost unconsciously he found himself sketching (on the few remaining staves of a vocal experiment) what appeared to be a piano piece. The rhythmic flow of it seemed to dance across the page to be halted only when the few empty staves were filled. He knew this was one of those pieces that addressed the pianist, not the listener. He sat back in his chair and imagined a scenario of a pianist opening this music and after a few minutes’ reflection and reading through allowing her hands to move very slowly and silently a few millimetres over the keys.  Such imagining led him to hear possible harmonic simultaneities, dynamics and articulations, though he knew such things would probably be lost or reinvented on a second imagined ‘performance’. No matter. Now his make-believe pianist sounded the first bar out. It had a depth and a richness that surprised him – it was a fine piano. He was touched by its affect. He felt the possibilities of extending what he’d written. So he did. And for the next half an hour lived in the pastures of good continuation, those rich luxuriant meadows reached by a rickerty rackerty bridge and guarded by a troll who today was nowhere to be seen.
 
It was a curious piece. It came to a halt on an enigmatic, go-nowhere / go-anywhere chord after what seemed a short declamatory coda (he later added the marking deliberamente). Then, after a few minutes reflection he wrote a rising arpeggio, a broken chord in which the consonant elements gradually acquired a rising sequence of dissonance pitches until halted by a repetition. As he wrote this ending he realised that the repeated note, an ‘a’ flat, was a kind of fulcrum around which the whole of the music moved. It held an enigmatic presence in the harmony, being sometimes a g# sometimes an ‘a’ flat, and its function often different. It made the music take on a wistful quality.
 
At that point he thought of her little artists’ book series she had titled Tide Marks. Many of these were made of a concertina of folded pages revealing - as your eyes moved through its pages - something akin to the tide’s longitudinal mark. This centred on the page and spread away both upwards and downwards, just like those mirror images of coloured glass seen in a child’s kaleidoscope. No moment of view was ever quite the same, but there were commonalities born of the conditions of a certain day and time.  His ‘Tide Mark’ was just like that. He’d followed a mark made in his imagination from one point to another point a little distant. The musical working out also had a reflection mechanism: what started in one hand became mirrored in the other. He had unexpectedly supplied an ending, this arpegiated gesture of finality that wasn’t properly final but faded away. When he thought further about the role of the ending, he added a few more notes to the arpeggio, but notes that were not be sounded but ghosted, the player miming a press of the keys.
 
He looked at the clock. Nearly five o’clock. The afternoon had all but disappeared. Time had retreated into glorious silence . There had been three whole hours of it. How wonderful that was after months of battling with the incessant and draining turbulence of sound that was ever present in his city life. To be here in this quiet cottage he could now get thoroughly lost – in silence. Even when she was here he could be a few rooms apart, and find silence.
 
A week more of this, a fortnight even . . . but he knew he might only manage a few days before visitors arrived and his long day would be squeezed into the early morning hours and occasional uncertain periods when people were out and about.
 
When she returned, very soon now, she would make tea and cut cake, and they’d sit (like old people they wer

The artichoke
of delicate heart
*****
in its battle-dress, builds
its minimal cupola;
keeps
stark
in its scallop of
scales.
Around it,
demoniac vegetables
bristle their thicknesses,
devise
tendrils and belfries,
the bulb's agitations;
while under the subsoil
the carrot
sleeps sound in its
rusty mustaches.
Runner and filaments
bleach in the vineyards,
whereon rise the vines.
The sedulous cabbage
arranges its petticoats;
oregano
sweetens a world;
and the artichoke
dulcetly there in a gardenplot,
armed for a skirmish,
goes proud
in its pomegranate
burnishes.
Till, on a day,
each by the other,
the artichoke moves
to its dream
of a market place
in the big willow
hoppers:
a battle formation.
Most warlike
of defilades-
with men
in the market stalls,
white shirts
in the soup-greens,
artichoke field marshals,
close-order conclaves,
commands, detonations,
and voices,
a crashing of crate staves.

And
Maria
come
down
with her hamper
to
make trial
of an artichoke:
she reflects, she examines,
she candles them up to the light like an egg,
never flinching;
she bargains,
she tumbles her prize
in a market bag
among shoes and a
cabbage head,
a bottle
of vinegar; is back
in her kitchen.
The artichoke drowns in a ***.

So you have it:
a vegetable, armed,
a profession
(call it an artichoke)
whose end
is millennial.
We taste of that
sweetness,
dismembering scale after scale.
We eat of a halcyon paste:
it is green at the artichoke heart.

The poet examines her work
leafs through the crumpled papers
watching handwriting change
from entry to entry
sometimes within poems
as if emotion dictates scrawl-
lighthanded, looping, or harsh and flat

She stops on a few
drawn in by memory
or lines like dreams
where she imagined sleepless nights
or the end of a life
anything her mind could imagine
fleshed out with the fluidity of a stream

The words had always been in
her brain. It is impossible to know
if they would have disappeared
with nowhere to go
if she hadn’t guided her pen to paper
everyday, writing about whatever
or whomever. Like the sketch artist

she has gotten better everyday
the words appearing quicker and quicker.
This might be due to English class
it’s hard to say
regardless she has grown-
like a tree budding in Spring
learning everything has a purpose


The poet is not just a poet
she catches snippets from novels-
the dialogue or introduction or
internal stream of consciousness
clanking around her brain
She once wrote a fairytale
about a boy who spoke to trees

All of them are precious-
they are pieces of her soul
spread out on lined paper
calling out for a life that imagines,
wonders, feels free,
does not stand still-
floats on the breeze like the eagle

She has learned a thing or two
from Sylvia Plath:
the good stuff
the quality of dissonant language
the stanza-length-decision
Before she would write whatever
sounded nice- she might still

The poet, satisfied, closes the journal
imagining that one day
her poems would reach into the
minds of the world- gently
drawing out dreams-
inspiring words like she has been inspired
And she closes her eyes with an exhale

In the heart of the Courtroom sat God with his Only Begotten Son The Christ to his right-hand side to the left-hand side was Lucifer fully armored with a Golden Celestial Horn which will be blown once the war speech commences. Directly in front of them sat 25 Golden Robed Kings dressed in a white tunic with Golden Crowns flowing above their heads. In the massive throne room, there were nearly 750,000 thousand Angels gathered to hear this important speech. Within the crowd, there was some excitement and yet commotion going into play. The Golden Armada Of ArchAngels was presently composed of only 8 Lv-1000 ArchAngels they are under God's direct command and they are the most powerful toughest meanest baddest Angels God has put aside for the most dangerous and toughest assignments ever to be imagined. What God didn't expect was about to happen he was about to get betrayed by one of his main Angels and he himself be tested with the greatest trial he would ever face. Suddenly, Lucifer blew the horn the speech was about to commence...

Meanwhile in Infernus...
Inrah is harnessing Infernus power and converting it into a massive ball of power by opening his mouth wide the energy ball that has a rainbow color to it gets bigger and bigger and has created a transparent shield covering him leaving the angels unable to attack him directly...so every attack they throw at him has failed whether it be a long ranged attack or a close-range attack. Sebastian added "If I were to attack the beast somehow in close range I could potentially aim my Holy Spirit Purple Flame Arrow Of Fate is one of the most powerful attacks I have in my repertoire of moves. Valerye tells Krillin to use stealth and cloak herself from enemy view and attack him from behind the skull of the dragon...the dragon had peaked power in its attack and aimed directly at the 4 ArchAngels floating in mid-air about 400 ft away. In a blink of an eye, Krillin shot at the Dragon with Heavenly Gun Celestial Ray Bullets to draw attention to the dragon. Leona had used her doppelganger to act and be portrayed as Krillin. That made Inrah believe all 4 was there. The bullets broke the shield behind Inrahs skull and 3 bullets penetrated his head exploiting deep within and causing huge rupture like holes on his head. Inrah lost power and was interrupted so the energy ball lost some power itself. Squad #6 realized this was their chance to take Inrah down ...so Valerye being the muscular wise the strongest she leaped then teleported to Inrahs head and descended with a colossal attack disestablishing his power ball and exploding creating a distortion of ethereal space and the blast was so powerful that the Arch Angels suffered extensive damage to their armor. This time Inrah whole head had exploded and collapsed on itself Slowly but surely the tremendous beast with ferocious power had been silenced they all thought Inrah was dead. So each of them examines their selves Valerye had a crack on her shoulder side of her armor. Krillin had her armor almost intact except the broken shattered part of the crystal armature which some shards cut her left arm below the armpit. Krillin was bleeding but recovered phenomenally. Sebastian had Burn marks all over his lightweight armor. Leona had not suffered much due to the fact that she was observing the blast farther away. She had once again used her doppelganger to trick Inrah that she was Sebastian and had moved close to the energy ball when it was still in decent condition. Those golden seconds allowed her to teleport to a nearby location to observe the blast.
It had been 7 minutes and Inrahs head had not recovered...Exhausted from the long battle the Angels began to slowly fly away from the scene. However, Inrah was not dead yet and he gathered his last bit of strength to go back to his Arch Fiend form. The Arch-Fiend flashed and grabbed Valerye then Inrah began glowing dark energy and wouldn't let go of Valerye. So then all the other 3 members threatened Inrah to let go of Valerye then Inrah shouted to the Angels that if they were to attack him or interfere on the absorption of holy power he was going to perform that he would explode leaving Valerye dead or heavily injured. She then telepathically told all the goodbyes and all. Then Valerye heard the Lord's voice to tell her teammates to attack Inrah. Sebastian telepathically asked her if she wanted him to use Celestial Arrow so then they all detected that Inrah couldn't telepathically communicate with them anymore due to his lack of power. So they communicated this among each other and they took advantage of this opportunity to communicate with each other about Jesus message to them saying it was OK for them to attack Inrah due to the fact he had allowed the Holy Spirit to descend to Infernus temporarily to shield Valerye. Taking advantage of Inrah's inability to decipher their angelic messages thru telepathy they readied their positions. In fear, Inrah shouted to him and warned him that he would explode. Sebastian just looked at him and smirked and said... "Don't you see Demon is over..." at that very moment he drew his heavenly bow and slowly drew a celestial arrow. So then Inrah responded nervously... "I may be at my last stand but Master will understand..." right when he finished those words he exploded annihilating him instantly but Valerye was left unharmed due to the Holy Spirit Godly Shield an ability able to withstand any blast with a power level below 1000. So there all four Arch Angels stood on the ground of Infernus and made a surprising discovery. Their power level had grown. Furthermore, a new ability was unlocked by each member of the group. Sebastian learned Shadow Arrow. Leona Infernal Shield. Krylinn learned Earthly Armor. Last but not least Valerye Shadow Clone the ability to use two doppelgangers. The victory came at last and they all four after being left roaming Infernus for 7 long days they arose to heaven victorious and feeling joyful to see the Lord's gentle face and to feel God's embrace and power ever so mightily.

Back in the Courtroom...
The earnest tone of voice and a most elegant poise was worn by Lucifer as he gave his speech. Spoken in Umen a diabolical dialect mixed in the crowd was Vhar disguised as a messenger Angel. He contacted Nebol the 6th DemonLord of Infernus who has 650,000 Necromancers and 1.5 million undead soldiers at his disposal. Nebol made a rift allowing the Undead and Necromancers inside Infernus to relocate to random places around the perimeter of the Throne Room. Vhar and Nebol stormed into the Throne Room just to find themselves surrounded God had given orders to dispose of the imminent threat if any that opposed him or his kingdom. However the demons knowing God's presence would be overwhelming Nebol opened a portal right in front of him which transferred him to Infernus however him and Vhar sustained damage which lowered Nebol vitality due to Occult technique Shade of Darkness which allowed them to be shielded from God's Celestial Light and Adonai Vortex the first ability allows Yahweh the to impair demons use of abilities and conjuring power. The second ability is a is a white dim and slowly becomes a transparent hole that disintegrates demons any rank if touched by it. So with 1/4 of Nebols troops disintegrated when he almost lost his life and almost lost one of his best Generals Vhar he was outraged at the fact he had lost a significant amount of his demonic fleet. Now with 450,000 Necromancers and only having a million undead soldiers left. Nebol killed and consumed the heart of 5 Lv500 General Undead Soldiers and 1 out of only 6 in all the Necromancer Platoon an Lv-800 High Diabolic Priest Necromancer regaining all his power and armor back and with a stronger more powerful stance now regaining his posture as a Demon Lord. *There are 9 DemonLords in Infernus. Each and every single Demon Lord has Immortality and a power level of 1000. However some Demon Lord's are weaker and some stronger even though their power level cannot be higher. It ultimately matters of determination and skill. Aikalar First of the Demon Lord's rules the first circle of Infernus. He is a Huge White Wolf with Black flames with a small blue hue in his eyes and tail dominating the entrance of Infernus the smallest circle of Infernus. The Second Demon Lord portrayed as a Crow in a rotten tree high in the heights of Infernus. The second biggest circle in Infernus. Croxuss the third Demon Lord of Hell portraying himself as a huge turtle looking monster with Bloodshot eyes and ugly putrefying stench emitting from his body. The 4th Demon Lord known as Flayiron a once beautiful Arch-Angel LvIII Bow-Master now that he has joined the Infernus Fleet after his rebellion in Acapella He has a light blueish/purplish armor with a gigantic bow that can be transformed to a sword or a shield with a telekinetic command given by Flayiron. The fifth Demon Lord of hell is known as Asmodeus a half-giant half grey skinned demon who killed an Arch-Angel known Killas. Nebol the 6th Demon Lord of hell who was inbound to attack the great palace of heaven retreated momentarily to collect his thoughts. Lilith the 7th Demon Lord is the Angel of Lust a pure goddess of seduction with tremendous power. Nova the eight demon lord the most powerful goddess of all demon lords extremely beautiful and extremely sensual she does as she pleases with any of the Arch-Angels God has sent her way so far...she doesn't know she is about to meet her doom ...
Squad # 6. Arch-Angel Valerye with Arch-Angel Leona Arch-Angel Kryllin and Last but not least Arch-Angel Sebastian. They came to the 8th Circle Of *Infernus where Demon Lord Nebol from the 6th Circle Of Infernus.

Even now he sneaks away,
Leaving his family behind.
No longer caring what they say,
He can't stand to be inside.

On the roof, above the twelfth floor,
Looking out to the distant moon.
A quarter million miles more,
He hopes to be there soon.

Now his feet, they dangle free,
On the edge of life.
He knows there is so much more to be,
But has always considered this night.

He hums a tune softly to himself,
Space Bound by Eminem.
He dares not sing it to anyone else,
They wouldn't care enough to listen.

It defies, yet describes himself,
The impossible journey so far.
Wondering if he should call for help,
He examines again the stars.

He's on the edge, a moment profound,
Between two types of infinity.
One the universe that so surrounds,
And two, the end of all he could be.

Both so huge, so permanent,
They both could swallow him whole.
He can't tell where he would be sent,
When they put him in a hole.

He thought he had done so well,
Believing himself worthy.
But as his promises all fell,
His soul now feels *****.

He snaps back to the moment,
And the horror of it all.
But realizing his cares are spent,
He somehow doesn't fear the fall.

This is the only place he feels alive,
When he's walking that fine line.
Trying to recall when he felt the drive,
To stay and live and shine.

He remembers all the lively vigor,
That flooded through his veins.
He recalls what it was like to be a lover,
And let her take the reigns.

It screams through him,
A passion he cannot contain.
Forcing its way through him,
The shocking, driving main.

The phantom tears fall,
Not really there but real.
Time has slowed to a crawl,
As he remembers what it is to feel.

Once again he snaps back,
Reality greets him with a gust.
Struggling to control this attack,
He tries to find his trust.

But he's off his high,
The adrenaline has gone.
Still so fascinated by the sky,
He forces himself to go on.

Climbing down, he sighs aloud,
Nothing remains the same.
The moon is coveted by clouds,
And he hasn't gone insane.

He examines himself, his solid being,
Curious about his existence.
All of what he is seeing,
Seems as from a distance.

He pulls out his keyboard,
The journal of his sins.
The only thing in his world,
That when he calls, seems to listen.

He writes about a tragic man,
And rhymes all of his conflicts.
He locks it inside, as was his plan,
Twenty six little convicts.

Wondering within, in his head,
He scours for the truth.
He fears that it is all but dead,
The honesty of youth.

How can one man feel so alone?
Solemn tears of such despair,
Sitting atop his gilded throne,
His soul begins to tear.

He is so loved, but alas,
Fast love is not his cure.
He wishes for something that might last,
A peace that might endure.

He spends his nights,
In dying hatred of himself.
His many, many internal fights,
Have left him little else.

He denies, but knows it true:
He has finally come to fear.
His trust has finally fallen through,
He can't allow anyone so near.

Betrayed too often, taken and used,
His spirit taken for granted.
Now accustomed to being abused,
All his dreams have slanted.

He now believes that is his role,
The savior and the help.
Each case has taken its toll,
And nobody knows how it felt.

Now he lets a few come close,
But he dares not admit his flaws.
Beaten but unbroken,
Still dodging sharpened claws.

He put his faith in God,
And forces himself to believe.
He often wonders if the book is flawed,
But sees all he has received.

He lives life by logical decisions,
And this, mostly is true.
His heart has never found direction,
When he doesn't know what to do.

Now he no longer trusts his heart,
And so relies on luck.
He's waiting for a girl set apart,
One who loves poetry and trucks.

He drowns within his regrets,
Hating the things he has done.
Remembering the cruelest bets,
And all of those he has won.

Counting the hearts he burned,
Leading them on and on.
Recalling how each finally turned,
After he told them to move on.

He listens to the songs,
The lyrics describing love.
Now he thinks they might be wrong,
As he doubts what is above.

He sees in himself many gifts,
But he wonders if they are imagined.
Is he the one creating rifts?
Is there nothing good within him?

Does nothing really set him apart,
Is he truly just the same?
The numbers say that he is smart,
But he has outgrown his fame.

All his life he has been told,
That he is different, special.
But now as compliments grow old,
He again begins to wrestle.

In his heart he thinks they lied,
Inflating his confidence.
But now that his ego has died,
He dares not reminisce.

He climbed and climbed on great wings,
A beacon of joy and smiles.
But now they hate whenever he sings,
And his jokes don't make them smile.

He rarely screams or loses control,
But he can't comprehend what they say.
An extinguished spark within his soul,
Wonders why they pushed him away.

And so he goes, on and on,
He has not yet found his end.
All that was right is now wrong,
And so he constantly pretends.

Writing words as though they matter,
Laughing as if he cares.
His trust fades as it scatters,
And he keeps stitching his tears.
.
.
.
.
.
I slowly arise from my seat,
Glad that man is not me.
The clouds hide the moon from sight,
And it is far too late at night.

I'm refreshed and even smile.
I haven't had peace in a while.
The phantom tears nearly fall,
As I admire the beauty of it all.

The sky is so wide, so infinite,
I could lose myself within it.
Happy memories fill my mind,
Of all those I hold inside.

Folding chair my comfy throne,
Though tonight I am alone.
But I know that I am so loved,
A better life I can't think of.

From the floor below I hear a sound,
Eminem's Space Bound.
I hum along to the beat,
Wishing my own words so fleet.

One more glance into the sky,
I dream of soaring, flying high.
Smiling broadly, loving life,
I bid the beautiful world goodnight.

There’s a whisper down the line at 11.39
When the Night Mail’s ready to depart,
Saying “Skimble where is Skimble has he gone to hunt the thimble?
We must find him or the train can’t start.”
All the guards and all the porters and the stationmaster’s daughters
They are searching high and low,
Saying “Skimble where is Skimble for unless he’s very nimble
Then the Night Mail just can’t go.”
At 11.42 then the signal’s nearly due
And the passengers are frantic to a man—
Then Skimble will appear and he’ll saunter to the rear:
He’s been busy in the luggage van!

He gives one flash of his glass-green eyes
And the signal goes “All Clear!”
And we’re off at last for the northern part
Of the Northern Hemisphere!

You may say that by and large it is Skimble who’s in charge
Of the Sleeping Car Express.
From the driver and the guards to the bagmen playing cards
He will supervise them all, more or less.
Down the corridor he paces and examines all the faces
Of the travellers in the First and the Third;
He establishes control by a regular patrol
And he’d know at once if anything occurred.
He will watch you without winking and he sees what you are thinking
And it’s certain that he doesn’t approve
Of hilarity and riot, so the folk are very quiet
When Skimble is about and on the move.
You can play no pranks with Skimbleshanks!
He’s a Cat that cannot be ignored;
So nothing goes wrong on the Northern Mail
When Skimbleshanks is aboard.

Oh, it’s very pleasant when you have found your little den
With your name written up on the door.
And the berth is very neat with a newly folded sheet
And there’s not a speck of dust on the floor.
There is every sort of light-you can make it dark or bright;
There’s a handle that you turn to make a breeze.
There’s a funny little basin you’re supposed to wash your face in
And a crank to shut the window if you sneeze.
Then the guard looks in politely and will ask you very brightly
“Do you like your morning tea weak or strong?”
But Skimble’s just behind him and was ready to remind him,
For Skimble won’t let anything go wrong.
And when you creep into your cosy berth
And pull up the counterpane,
You ought to reflect that it’s very nice
To know that you won’t be bothered by mice—
You can leave all that to the Railway Cat,
The Cat of the Railway Train!

In the watches of the night he is always fresh and bright;
Every now and then he has a cup of tea
With perhaps a drop of Scotch while he’s keeping on the watch,
Only stopping here and there to catch a flea.
You were fast asleep at Crewe and so you never knew
That he was walking up and down the station;
You were sleeping all the while he was busy at Carlisle,
Where he greets the stationmaster with elation.
But you saw him at Dumfries, where he speaks to the police
If there’s anything they ought to know about:
When you get to Gallowgate there you do not have to wait—
For Skimbleshanks will help you to get out!
He gives you a wave of his long brown tail
Which says: “I’ll see you again!
You’ll meet without fail on the Midnight Mail
The Cat of the Railway Train.”

he decides to shave eighth to quarter inch length salt and pepper beard a.k.a. unshaven look he has worn for years and grow full mustache the whiskers on his upper lip are darker with sparse gray at first no one notices after weeks the mustache gradually fills evoking many contrasting remarks several women loath it several men admire it girl at grocery store suggests he grow Fu Manchu so she can tug on it shopgirl said he looked like Charlie Chaplin his downstairs neighbor from Turkey explains most Turkish men traditionally wear mustaches he read mustaches masculinize and empower men especially men in authoritative positions he thinks back to the 1960’s when many hippie males grew mustaches then in the 70’s gay men fashioned mustaches then in the 80’s cops adopted mustaches he wonders why a swatch of hair beneath nose is so provoking examines his visage in mirror discerns the mustache confers a Pepé le Pew quality or European accent to his appearance  he remembers when he was young hippie with many amorous episodes how his mustache preserved the scent of a woman but there are no women in his life for many years do post-menopausal women possess scent? he feels indecisive whether to retain it or be rid of it

2

she observes her figure in the mirror thinks to herself maybe her ******* are not changing perhaps it’s all in her head she inspects the little lines forming near her eyelids studies her features for signs of aging hardly any silver strands in brown hair cut to shoulders she examines neck ******* arms elbows fingers tummy hips pelvic region thighs knees shins calves ankles feet detects subtle changes thinks to herself my ******* are possibly slightly changing turned 40 in March married briefly in late teens no children a 15 year old dog beginning to suffer veterinarian promises to warn her when the time comes she wonders why it is so difficult finding fitting mate men sleep with her several times then move on maybe she is not such a great lover perhaps she would be better if one of them stuck around perhaps she is a lesbian the whole idea of finding someone is absolutely draining

3

they do not see each other walk right passed she in a hurry late to yoga matt slung across back handbag slung on shoulder wallet forgotten under front seat in truck he is distracted in thought wondering is he afraid of women gynophobic the air on the street is heavy dense he smells his own perspiration feels exhausted appetiteless almost nauseous they each simultaneously consider what if i lived in New York City or Chicago what is it about Tucson its small town politics gooniness poverty criminality amateurish dramas hour to Mexican border both wonder is Tucson the problem would i find a fitting lover more freely with less difficulty in some other place

in 1992, a child is born
and handed a gift.

he opens the box labelled "life"
and examines its contents.

a blanket hand-stitched
with hope, perseverance,
and comfort

draped over a teddy bear
stuffed with fearful nightmares,
and heartache.

a blue jar labelled "sadness",
containing fluttering butterflies
symbolizing joy.

a ticket for the rollercoaster
he's finally tall enough to ride,
with no warning
of the endless ups and downs.

that two-minute rush
of adrenaline
followed by hours
of motion sickness.

this child
is now twenty six.

he is staring at the empty
box labelled "life" -

at the worn-out blanket
lying next to
the teddy bear's stuffing -

at the shards of blue glass
and butterfly corpses -

at the torn up carnival ticket.

he regrets ever accepting this gift.

- v.m

The artichoke
With a tender heart
Dressed up like a warrior,
Standing at attention, it built
A small helmet
Under its scales
It remained
Unshakeable,
By its side
The crazy vegetables
Uncurled
Their tendrills and leaf-crowns,
Throbbing bulbs,
In the sub-soil
The carrot
With its red mustaches
Was sleeping,
The grapevine
Hung out to dry its branches
Through which the wine will rise,
The cabbage
Dedicated itself
To trying on skirts,
The oregano
To perfuming the world,
And the sweet
Artichoke
There in the garden,
Dressed like a warrior,
Burnished
Like a proud
Pomegrante.
And one day
Side by side
In big wicker baskets
Walking through the market
To realize their dream
The artichoke army
In formation.
Never was it so military
Like on parade.
The men
In their white shirts
Among the vegetables
Were
The Marshals
Of the artichokes
Lines in close order
Command voices,
And the bang
Of a falling box.

But
Then
Maria
Comes
With her basket
She chooses
An artichoke,
She's not afraid of it.
She examines it, she observes it
Up against the light like it was an egg,
She buys it,
She mixes it up
In her handbag
With a pair of shoes
With a cabbage head and a
Bottle
Of vinegar
Until
She enters the kitchen
And submerges it in a ***.

Thus ends
In peace
This career
Of the armed vegetable
Which is called an artichoke,
Then
Scale by scale,
We strip off
The delicacy
And eat
The peaceful mush
Of its green heart.

Pennsylvania, 1948-1949

The garden of Nature opens.
The grass at the threshold is green.
And an almond tree begins to bloom.

Sunt mihi Dei Acherontis propitii!
Valeat numen triplex Jehovae!
Ignis, aeris, aquae, terrae spiritus,
Salvete!—says the entering guest.

Ariel lives in the palace of an apple tree,
But will not appear, vibrating like a wasp’s wing,
And Mephistopheles, disguised as an abbot
Of the Dominicans or the Franciscans,
Will not descend from a mulberry bush
Onto a pentagram drawn in the black loam of the path.


But a rhododendron walks among the rocks
Shod in leathery leaves and ringing a pink bell.
A hummingbird, a child’s top in the air,
Hovers in one spot, the beating heart of motion.
Impaled on the nail of a black thorn, a grasshopper
Leaks brown fluid from its twitching snout.
And what can he do, the phantom-in-chief,
As he’s been called, more than a magician,
The Socrates of snails, as he’s been called,
Musician of pears, arbiter of orioles, man?
In sculptures and canvases our individuality
Manages to survive. In Nature it perishes.
Let him accompany the coffin of the woodsman
Pushed from a cliff by a mountain demon,
The he-goat with its jutting curl of horn.
Let him visit the graveyard of the whalers
Who drove spears into the flesh of leviathan
And looked for the secret in guts and blubber.
The thrashing subsided, quieted to waves.
Let him unroll the textbooks of alchemists
Who almost found the cipher, thus the scepter.
Then passed away without hands, eyes, or elixir.


Here there is sun. And whoever, as a child,
Believed he could break the repeatable pattern
Of things, if only he understood the pattern,
Is cast down, rots in the skin of others,
Looks with wonder at the colors of the butterfly,
Inexpressible wonder, formless, hostile to art.


To keep the oars from squeaking in their locks,
He binds them with a handkerchief. The dark
Had rushed east from the Rocky Mountains
And settled in the forests of the continent:
Sky full of embers reflected in a cloud,
Flight of herons, trees above a marsh,
The dry stalks in water, livid, black. My boat
Divides the aerial utopias of the mosquitoes
Which rebuild their glowing castles instantly.
A water lily sinks, fizzing, under the boat’s bow.


Now it is night only. The water is ash-gray.
Play, music, but inaudibly! I wait an hour
In the silence, senses tuned to a ******’s lodge.
Then suddenly, a crease in the water, a beast’s
black moon, rounded, ploughing up quickly
from the pond-dark, from the bubbling methanes.
I am not immaterial and never will be.
My scent in the air, my animal smell,
Spreads, rainbow-like, scares the ******:
A sudden splat.
I remained where I was
In the high, soft coffer of the night’s velvet,
Mastering what had come to my senses:
How the four-toed paws worked, how the hair
Shook off water in the muddy tunnel.
It does not know time, hasn’t heard of death,
Is submitted to me because I know I’ll die.


I remember everything. That wedding in Basel,
A touch to the strings of a viola and fruit
In silver bowls. As was the custom in Savoy,
An overturned cup for three pairs of lips,
And the wine spilled. The flames of the candles
Wavery and frail in a breeze from the Rhine.
Her fingers, bones shining through the skin,
Felt out the hooks and clasps of the silk
And the dress opened like a nutshell,
Fell from the turned graininess of the belly.
A chain for the neck rustled without epoch,
In pits where the arms of various creeds
Mingle with bird cries and the red hair of caesars.


Perhaps this is only my own love speaking
Beyond the seventh river. Grit of subjectivity,
Obsession, bar the way to it.
Until a window shutter, dogs in the cold garden,
The whistle of a train, an owl in the firs
Are spared the distortions of memory.
And the grass says: how it was I don’t know.


Splash of a ****** in the American night.
The memory grows larger than my life.
A tin plate, dropped on the irregular red bricks
Of a floor, rattles tinnily forever.
Belinda of the big foot, Julia, Thaïs,
The tufts of their *** shadowed by ribbon.


Peace to the princesses under the tamarisks.
Desert winds beat against their painted eyelids.
Before the body was wrapped in bandelettes,
Before wheat fell asleep in the tomb,
Before stone fell silent, and there was only pity.


Yesterday a snake crossed the road at dusk.
Crushed by a tire, it writhed on the asphalt.
We are both the snake and the wheel.
There are two dimensions. Here is the unattainable
Truth of being, here, at the edge of lasting
and not lasting. Where the parallel lines intersect,
Time lifted above time by time.


Before the butterfly and its color, he, numb,
Formless, feels his fear, he, unattainable.
For what is a butterfly without Julia and Thaïs?
And what is Julia without a butterfly’s down
In her eyes, her hair, the smooth grain of her belly?
The kingdom, you say. We do not belong to it,
And still, in the same instant, we belong.
For how long will a nonsensical Poland
Where poets write of their emotions as if
They had a contract of limited liability
Suffice? I want not poetry, but a new diction,
Because only it might allow us to express
A new tenderness and save us from a law
That is not our law, from necessity
Which is not ours, even if we take its name.


From broken armor, from eyes stricken
By the command of time and taken back
Into the jurisdiction of mold and fermentation,
We draw our hope. Yes, to gather in an image
The furriness of the ******, the smell of rushes,
And the wrinkles of a hand holding a pitcher
From which wine trickles. Why cry out
That a sense of history destroys our substance
If it, precisely, is offered to our powers,
A muse of our gray-haired father, Herodotus,
As our arm and our instrument, though
It is not easy to use it, to strengthen it
So that, like a plumb with a pure gold center,
It will serve again to rescue human beings.


With such reflections I pushed a rowboat,
In the middle of the continent, through tangled stalks,
In my mind an image of the waves of two oceans
And the slow rocking of a guard-ship’s lantern.
Aware that at this moment I—and not only I—
Keep, as in a seed, the unnamed future.
And then a rhythmic appeal composed itself,
Alien to the moth with its whirring of silk:


O City, O Society, O Capital,
We have seen your steaming entrails.
You will no longer be what you have been.
Your songs no longer gratify our hearts.


Steel, cement, lime, law, ordinance,
We have worshipped you too long,
You were for us a goal and a defense,
Ours was your glory and your shame.


And where was the covenant broken?
Was it in the fires of war, the incandescent sky?
Or at twilight, as the towers fly past, when one looked
From the train across a desert of tracks

To a window out past the maneuvering locomotives
Where a girl examines her narrow, moody face
In a mirror and ties a ribbon to her hair
Pierced by the sparks of curling papers?


Those walls of yours are shadows of walls,
And your light disappeared forever.
Not the world's monument anymore, an oeuvre of your own
Stands beneath the sun in an altered space.


From stucco and mirrors, glass and paintings,
Tearing aside curtains of silver and cotton,
Comes man, naked and mortal,
Ready for truth, for speech, for wings.


Lament, Republic! Fall to your knees!
The loudspeaker’s spell is discontinued.
Listen! You can hear the clocks ticking.
Your death approaches by his hand.


An oar over my shoulder, I walked from the woods.
A porcupine scolded from the fork of a tree,
A horned owl, not changed by the century,
Not changed by place or time, looked down.
Bubo maximus, from the work of Linnaeus.


America for me has the pelt of a raccoon,
Its eyes are a raccoon’s black binoculars.
A chipmunk flickers in a litter of dry bark
Where ivy and vines tangle in the red soil
At the roots of an arcade of tulip trees.
America’s wings are the color of a cardinal,
Its beak is half-open and a mockingbird trills
From a leafy bush in the sweat-bath of the air.
Its line is the wavy body of a water moccasin
Crossing a river with a grass-like motion,
A rattlesnake, a rubble of dots and speckles,
Coiling under the bloom of a yucca plant.


America is for me the illustrated version
Of childhood tales about the heart of tanglewood,
Told in the evening to the spinning wheel’s hum.
And a violin, shivvying up a square dance,
Plays the fiddles of Lithuania or Flanders.
My dancing partner’s name is Birute Swenson.
She married a Swede, but was born in Kaunas.
Then from the night window a moth flies in
As big as the joined palms of the hands,
With a hue like the transparency of emeralds.


Why not establish a home in the neon heat
Of Nature? Is it not enough, the labor of autumn,
Of winter and spring and withering summer?
You will hear not one word spoken of the court
of Sigismund Augustus on the banks of the Delaware River.
The Dismissal of the Greek Envoys is not needed.
Herodotus will repose on his shelf, uncut.
And the rose only, a ****** symbol,
Symbol of love and superterrestrial beauty,
Will open a chasm deeper than your knowledge.
About it we find a song in a dream:


Inside the rose
Are houses of gold,
black isobars, streams of cold.
Dawn touches her finger to the edge of the Alps
And evening streams down to the bays of the sea.


If anyone dies inside the rose,
They carry him down the purple-red road
In a procession of clocks all wrapped in folds.
They light up the petals of grottoes with torches.
They bury him there where color begins,
At the source of the sighing,
Inside the rose.


Let names of months mean only what they mean.
Let the Aurora’s cannons be heard in none
Of them, or the tread of young rebels marching.
We might, at best, keep some kind of souvenir,
Preserved like a fan in a garret. Why not
Sit down at a rough country table and compose
An ode in the old manner, as in the old times
Chasing a beetle with the nib of our pen?

Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.

mom is sick her 90th birthday is in several weeks she says she has lived a long full life and is ready to die the doctors are trained to keep her alive i remember when the doctors kept dad alive while waiting for the cancer to attack a vital ***** i wonder if this practice of keeping people alive is humane mom forgets events 2 hours earlier walks into mirrors falls down wakes up with black eyes i’m having trouble sleeping thinking morbid thoughts maybe lots of people all around the world are waiting to die people ***** mutilated robbed cheated bankrupt homeless war victims old people with chronic diseases dependent on caretakers maybe millions of people are thinking about death waiting hoping praying for death faced with the growing problem of overpopulation why can’t we mitigate the suffering of those waiting to die i don’t understand



in early morning i drift out of sleep toss right turn left look out window glance Mount Lemmon stretch out on back planter flex dorsal flex toes extend arms out to sides over head look up at exposed redwood beams ceiling try to remember interpret understand what i was dreaming rise from bed brush teeth walk around make bed pull brush sheets try to take dump because i don’t want to embarrass myself in pilates class drink water slip on gym shorts head down stairs grab keys lock door scan garden always feel lucky if Saab starts drive to Tucson racquet fitness club pilates class



i am ready to move away from Tucson nobody here wants needs me no one reads my writings or is interested in showing buying my paintings sun scorches bakes intrudes invades rudely glaring mercilessly my skin suffers i am thinking about heading back east North Hampton Massachusetts or Hudson Valley area or Chicago where i have many friends or rainy Apeldoorn Netherlands where Pavanne and Shannon live or Eureka California where Shannon also resides i’ve paid my dues a thousand times hoping to achieve success i live in fantasy imagining outcomes that never come



younger attractive female doctor wearing white coat low heel black pumps enters room of 60 year old patient suffering from depression loneliness despair

DOCTOR please sit up and open your gown (she plugs stethoscope into her ears)

PATIENT you want to hear my heart

DOCTOR breathe deep breaths (she examines glands around throat under arms shines light into ears eyes nose mouth) hmmm what symptoms caused you to admit yourself

PATIENT i’ve been feeling frustrated defeated isolated anxious for a while

DOCTOR you look strong healthy height weight proportionate i think your problems are psychological you may want to find a good therapist

PATIENT i’ve seen many as a kid none helped

DOCTOR well if you think you’re ready to be euphonized i can schedule you for next week of course the hospital will need to make arrangements for disposing your body

PATIENT does it hurt

DOCTOR the drug industry has made huge advances in the last few years i’ve been informed the procedure is actually quite euphoric

PATIENT next week huh like Friday or Saturday next week

DOCTOR the hospital will contact you

PATIENT do i need to bring anything or what do i wear

DOCTOR the hospital will contact you with a list of details including an e-will if you have family or relations

PATIENT thank you for your kindness you’re really sweet and pretty i don’t see a wedding ring are you married or single my mom would love to hear i’m dating a doctor

The onion doesn't have layers
it has panels
nailed to its skin.

On occasions
he goes back to the warehouse
where he stores broken typewriters,
unfinished narratives of the campaign,
unexploded bombs.
sellotaped wires.

He audits his feelings
keeps them neatly arranged
on shelves and spreadsheets and

he examines them against the light
and is pleased with his investigations.

A man went for a walk one day. He seemed to be searching for something as he hurried about, "Just a rock covered in dirt nothing special he says while he walks away".
  A little girl walking down the same path carefully inspects each rock
  She examines each one and than picks up the same rock that the man
  had rejected.
  She holds it in her hands lifts it up toward the sun and says," you may not look like much outside , but I have a feeling that your true worth lies within you".
She excitedly skips down the path and brings it home and proudly presents the rock to her father.
He carefully takes the rock and breaks it open and discovers the treasure that lies within, a geode that is sparkling like diamonds in the light.
In life people at times are too quick to judge according to appearances alone. They hurry through life seem to be searching for something but not taking time to discover what life has to offer us through one another. They might even perceive that another person is like dirt,and with that misconception they miss out in discovering another's true worth.
Upon closer examination they might discover that the other person has many great qualities and can become a treasured friend.
If only they would slow down and take the time to take a closer look so that they don't miss the hidden treasure that lies within.

Dear, let me tenderize you like meat slap the silliness from heat bubbling bubbling bubbling to a boil.

Dear, let me technically arouse you by letting each word escape like exasperation, a depletion of the senses as every finger or pressure point examines your body from head-to-toe.

Dear, let me be no longer ashamed to touch or hold you close, let our breathing and beating submerge into higher thinking.

Incinerating flames that lick the grate.

Dear, let me dive deep into the crevice of your brain, all mushy grey matter, all the same.

Dear, let me slice it open and **** out all the juices, licking licking licking each curve and crevice,

My supple pink snake-like tongue reaching deeper deeper deeper into your mind.

Dear, let me sink into your reality, bit by bit, and piece by piece until cohesiveness lays its eggs inside the deep hole within you.

Dear, let me scratch the surface, trading dimes for dust and pecs for fluff.

Let me swim in the depths of your hectic personality.

Let me get to know you and all your originality.

Let me breathe in your values and slurp up your mature decisions.

Let me caress your life like two bulbous lights that hang from the existence of time.

Let me illuminate you, serenade you, quiz you while ******* your sense of self-esteem.

Dear, let me dream your dreams.

Dear, let me sink my ***** mind games into your wet social brain.
Don’t let the pressure get to you.

Passion may play a key part in the sway!

Let me suckle your sweet thoughts, play with your deriving initiatives.

Let me hold your ideas in the sweat of my thighs, burning with desire to see myself through cobalt eyes.

Let me feel the hot ***** of your ethical intentions and clear apparitions.

Let me analyze your prerogatives and **** with your distribution methods.

Dear, let me fiddle with your political views, (in the “other room”) and tickle your soft solutions on creating a world of doom.

Let me ****** your sustainability, flirt with your progressive mindset, and squeeze your plump ambitions until they burst!

Dear, let me push gently on your sensitive issues with your parents until they become less apparent.

Let me stroke your disagreements with foreign policy until they shriek with mercy!

Let me take you further and touch your blind senses to a pink paranoia of retentive defensive pretenses.

Let me cuddle and snuggle your sense of self-worth and pleasure your brain with mind-bending words.

Dear, let me dance with your intelligence
until we sink into oblivious mind-*** bliss…….

How Long the Night: Modern English Translations of Medieval Poems Written in Middle English and Old English/Anglo-Saxon English

How Long the Night
anonymous Middle English lyric, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong,
now grieve, mourn and fast.

Originally published by Measure

Keywords/Tags: Old English, Middle English, Medieval English, long night, lament, complaint, alas, summer, pleasant, winter, north wind, northern wind, severe weather, storm, bird, birds, birdsong, sin, crime, fast, fasting, repentance, dark night of the soul, sackcloth and ashes, regret, repentance, remonstrance

These are modern English translations of Old English/Anglo-Saxon poems and Middle English poems by Anonymous, Caedmon, Geoffrey Chaucer, Thomas Campion, Deor, William Dunbar, Godric of Finchale, Charles d'Orleans, Layamon and Sir Thomas Wyatt.



Sweet Rose of Virtue
by William Dunbar (1460-1525)
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose and left her downcast,
whose piteous death does my heart such pain
that I long to plant love's root again―
so comforting her bowering leaves have been.

My translation of "Lament for the Makaris" by William Dunbar appears later on this page.



"Now skruketh rose and lylie flour" is an early Middle English poem that gives a hint of things to come, in terms of meter and rhyme …

Now skruketh rose and lylie flour
(anonymous Middle English lyric, circa 11th century AD)
loose translation/interpretation by Michael R. Burch

Now the rose and the lily skyward flower,
That will bear for awhile that sweet savor:
In summer, that sweet tide;
There is no queen so stark in her power
Nor any lady so bright in her bower
That Death shall not summon and guide;
But whoever forgoes lust, in heavenly bliss will abide
With his thoughts on Jesus anon, thralled at his side.

skruketh = break forth, burst open; stour = strong, stern, hardy; tharled = thralled?, made a serf?, bound?



Fowles in the Frith
(anonymous Middle English lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing … is the poet saying that his walks in the woods drive him mad because he's also a "beast of bone and blood" facing a similar fate? I must note, however, that this is my personal interpretation. The poem has "beste" and the poet may have meant "for the best of bone and blood" meaning some unidentified person, presumably.



Westron Wynde
(anonymous Middle English lyric, found in a partbook circa 1530 AD, but perhaps written earlier)
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!

The original poem has "the smalle rayne down can rayne" which suggests a drizzle or mist.



This World's Joy
(anonymous Middle English lyric, circa early 14th century AD)
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



Pity Mary
(anonymous Middle English lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face—fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.

In the poem above, note how "wood" and "tree" invoke the cross while "sun" and "son" seem to invoke each other. Sun-day is also Son-day, to Christians. The anonymous poet who wrote the poem above may have been been punning the words "sun" and "son." The poem is also known as "Now Goeth Sun Under Wood" and "Now Go'th Sun Under Wood."



I am of Ireland
(anonymous Medieval Irish lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within …
what hope of my help then?

The second translation leans more to the "lover's complaint" and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's "To His Coy Mistress."



Ech day me comëth tydinges thre
(anonymous Middle English lyric, circa the 13th to 14th century AD)
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
(anonymous Middle English lyric, circa the 13th to 14th century AD)
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously …
And oh what grief it has brought me!



GEOFFREY CHAUCER

Three Roundels by Geoffrey Chaucer

I. Merciles Beaute ("Merciless Beauty")
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.

Unless your words heal me hastily,
my heart's wound will remain green;
for your eyes slay me suddenly;
their beauty I cannot sustain.

By all truth, I tell you faithfully
that you are of life and death my queen;
for at my death this truth shall be seen:
your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.



II. Rejection
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.

I'm guiltless, yet my sentence has been cast.
I tell you truly, needless now to feign,—
Your beauty from your heart has so erased
Pity, that it’s useless to complain.

Alas, that Nature in your face compassed
Such beauty, that no man may hope attain
To mercy, though he perish from the pain;
Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.



III. Escape
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.

He may question me and counter this and that;
I care not: I will answer just as I mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean.

Love strikes me from his roster, short and flat,
And he is struck from my books, just as clean,
Forevermore; there is no other mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.



Welcome, Summer
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather
and driven away her long nights’ frosts.
Saint Valentine, in the heavens aloft,
the songbirds sing your praises together!

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather.

We have good cause to rejoice, not scoff,
since love’s in the air, and also in the heather,
whenever we find such blissful warmth, together.

Now welcome, Summer, with your sun so soft,
since you’ve banished Winter with her icy weather
and driven away her long nights’ frosts.



CHARLES D'ORLEANS

Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms’ twin chains!



Spring
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here―
         God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
         God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
    And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
         God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Winter has cast his cloak away
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
"Winter has cast his cloak away!"
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

This rondeau was set to music by Debussy in his Trois chansons de France.



The year lays down his mantle cold
by Charles d’Orleans (1394-1465)
loose translation/interpretation/moderniz  ation by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
"The year lays down his mantle cold!"
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



Fair Lady Without Peer
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Fair Lady, without peer, my plea,
Is that your grace will pardon me,
Since I implore, on bended knee.
No longer can I, privately,
Keep this from you: my deep distress,
When only you can comfort me,
For I consider you my only mistress.

This powerful love demands, I fear,
That I confess things openly,
Since to your service I came here
And my helpless eyes were forced to see
Such beauty gods and angels cheer,
Which brought me joy in such excess
That I became your servant, gladly,
For I consider you my only mistress.

Please grant me this great gift most dear:
to be your vassal, willingly.
May it please you that, now, year by year,
I shall serve you as my only Liege.
I bend the knee here—true, sincere—
Unfit to beg one royal kiss,
Although none other offers cheer,
For I consider you my only mistress.



Chanson: Let Him Refrain from Loving, Who Can
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Let him refrain from loving, who can.
I can no longer hover.
I must become a lover.
What will become of me, I know not.

Although I’ve heard the distant thought
that those who love all suffer,
I must become a lover.
I can no longer refrain.

My heart must risk almost certain pain
and trust in Beauty, however distraught.
For if a man does not love, then what?
Let him refrain from loving, who can.



Her Beauty
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Her beauty, to the world so plain,
Still intimately held my heart in thrall
And so established her sole reign:
She was, of Good, the cascading fountain.
Thus of my Love, lost recently,
I say, while weeping bitterly:
“We cleave to this strange world in vain.”

In ages past when angels fell
The world grew darker with the stain
Of their dear blood, then became hell
While poets wept a tearful strain.
Yet, to his dark and drear domain
Death took his victims, piteously,
So that we bards write bitterly:
“We cleave to this strange world in vain.”

Death comes to claim our angels, all,
as well we know, and spares no pain.
Over our pleasures, Death casts his pall,
Then without joy we “living” remain.
Death treats all Love with such disdain!
What use is this world? For it seems to me,
It has neither Love, nor Pity.
Thus “We cleave to this strange world in vain.”



Chanson: The Summer's Heralds
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

The Summer’s heralds bring a dear
Sweet season of soft-falling showers
And carpet fields once brown and sere
With lush green grasses and fresh flowers.

Now over gleaming lawns appear
The bright sun-dappled lengthening hours.

The Summer’s heralds bring a dear
Sweet season of soft-falling showers.

Faint hearts once chained by sullen fear
No longer shiver, tremble, cower.
North winds no longer storm and glower.
For winter has no business here.



Traitorous Eye
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Traitorous eye, what’s new?
What lewd pranks do you have in view?
Without civil warning, you spy,
And no one ever knows why!

Who understands anything you do?
You’re rash and crass in your boldness too,
And your lewdness is hard to subdue.
Change your crude ways, can’t you?

Traitorous eye, what’s new?
You should be beaten through and through
With a stripling birch strap or two.
Traitorous eye, what’s new?
What lewd pranks do have you in view?



SIR THOMAS WYATT

“Whoso List to Hunt” has an alternate title, “The Lover Despairing to Attain Unto His Lady’s Grace Relinquisheth the Pursuit” and is commonly believed to have been written for Anne Boleyn, who married King Henry VIII only to be beheaded at his command when she failed to produce a male heir. (Ouch, talk about male chauvinism!)

Whoever Longs to Hunt
by Sir Thomas Wyatt
loose translation/interpretation/moderniz  ation by Michael R. Burch

Whoever longs to hunt, I know the deer;
but as for me, alas!, I may no more.
This vain pursuit has left me so bone-sore
I'm one of those who falters, at the rear.
Yet friend, how can I draw my anguished mind
away from the doe?
                                   Thus, as she flees before
me, fainting I follow.
                                     I must leave off, therefore,
since in a net I seek to hold the wind.

Whoever seeks her out,
                                          I relieve of any doubt,
that he, like me, must spend his time in vain.
For graven with diamonds, set in letters plain,
these words appear, her fair neck ringed about:
Touch me not, for Caesar's I am,
And wild to hold, though I seem tame.



Brut, an excerpt
by Layamon, circa 1100 AD
loose translation/interpretation by Michael R. Burch

Now he stands on a hill overlooking the Avon,
seeing steel fishes girded with swords in the stream,
their swimming days done,
their scales a-gleam like gold-plated shields,
their fish-spines floating like shattered spears.



Wulf and Eadwacer
(Old English poem circa 960-990 AD)
loose translation/interpretation by Michael R. Burch

My people pursue him like crippled prey.
They'll rip him apart if he approaches their pack.
We are so different!

Wulf's on one island; I'm on another.
His island's a fortress, fastened by fens.
Here, bloodthirsty curs howl for carnage.
They'll rip him apart if he approaches their pack.
We are so different!

My thoughts pursued Wulf like panting hounds.
Whenever it rained, as I wept,
the bold warrior came; he took me in his arms:
good feelings, to a point, but the end loathsome!
Wulf, O, my Wulf, my ache for you
has made me sick; your infrequent visits
have left me famished, deprived of real meat!
Do you hear, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods.
One can easily sever what never was one:
our song together.



Cædmon's Hymn (Old English circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Come, let us honour      heaven-kingdom's Guardian,
the might of the Architect      and his mind-plans,
the work of the Glory-Father.      First he, the Everlasting Lord,
established      the foundation of wonders.
Then he, the Primeval Poet,      created heaven as a roof
for the sons of men,      Holy Creator,
Maker of mankind.      Then he, the Eternal Entity,
afterwards made men middle-earth:      Master Almighty!



A Proverb from Winfred's Time
anonymous Old English poem, circa 757-786 AD
loose translation/interpretation by Michael R. Burch

1.
The procrastinator puts off purpose,
never initiates anything marvelous,
never succeeds, dies dead alone.

2.
The late-deed-doer delays glory-striving,
never indulges daring dreams,
never succeeds, dies dead alone.

3.
Often the deed-dodger avoids ventures,
never succeeds, dies dead alone.



Franks Casket Runes
anonymous Old English poems, circa 700 AD
loose translation/interpretation by Michael R. Burch

The fish flooded the shore-cliffs;
the sea-king wept when he swam onto the shingle:
whale's bone.

Romulus and Remus, twin brothers weaned in Rome
by a she-wolf, far from their native land.



"The Leiden Riddle" is an Old English translation of Aldhelm's Latin riddle Lorica ("Corselet").

The Leiden Riddle
anonymous Old English riddle poem, circa 700 AD
loose translation/interpretation by Michael R. Burch

The dank earth birthed me from her icy womb.
I know I was not fashioned from woolen fleeces;
nor was I skillfully spun from skeins;
I have neither warp nor weft;
no thread thrums through me in the thrashing loom;
nor do whirring shuttles rattle me;
nor does the weaver's rod assail me;
nor did silkworms spin me like skillfull fates
into curious golden embroidery.
And yet heroes still call me an excellent coat.
Nor do I fear the dread arrows' flights,
however eagerly they leap from their quivers.

Solution: a coat of mail.



If you see a busker singing for tips, you're seeing someone carrying on an Anglo-Saxon tradition that goes back to the days of Beowulf …

He sits with his harp at his thane's feet,
Earning his hire, his rewards of rings,
Sweeping the strings with his skillful nail;
Hall-thanes smile at the sweet song he sings.
—"Fortunes of Men" loose translation by Michael R. Burch



Deor's Lament
(Anglo Saxon poem, circa 10th century AD)
loose translation/interpretation by Michael R. Burch

Weland knew the agony of exile.
That indomitable smith was wracked by grief.
He endured countless troubles:
sorrows were his only companions
in his frozen island dungeon
after Nithad had fettered him,
many strong-but-supple sinew-bonds
binding the better man.
   That passed away; this also may.

Beadohild mourned her brothers' deaths
but even more, her own sad state
once she discovered herself with child.
She predicted nothing good could come of it.
   That passed away; this also may.

We have heard that the Geat's moans for Matilda,
his lady, were limitless,
that his sorrowful love for her
robbed him of regretless sleep.
   That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many knew this and moaned.
   That passed away; this also may.

We have also heard of Ermanaric's wolfish ways,
of how he held wide sway in the realm of the Goths.
He was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his kingdom might be overthrown.
   That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are endless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I will say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just lord. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors gave me.
   That passed away; this also may.



The Wife's Lament
loose translation/interpretation by Michael R. Burch

I draw these words from deep wells of my grief,
care-worn, unutterably sad.
I can recount woes I've borne since birth,
present and past, never more than now.
I have won, from my exile-paths, only pain.

First, my lord forsook his folk, left,
crossed the seas' tumult, far from our people.
Since then, I've known
wrenching dawn-griefs, dark mournings … oh where,
where can he be?

Then I, too, left—a lonely, lordless refugee,
full of unaccountable desires!
But the man's kinsmen schemed secretly
to estrange us, divide us, keep us apart,
across earth's wide kingdom, and my heart broke.

Then my lord spoke:
"Take up residence here."
I had few friends in this unknown, cheerless
region, none close.
Christ, I felt lost!

Then I thought I had found a well-matched man –
one meant for me,
but unfortunately he
was ill-starred and blind, with a devious mind,
full of murderous intentions, plotting some crime!

Before God we
vowed never to part, not till kingdom come, never!
But now that's all changed, forever –
our friendship done, severed.
I must hear, far and near, contempt for my husband.

So other men bade me, "Go, live in the grove,
beneath the great oaks, in an earth-cave, alone."
In this ancient cave-dwelling I am lost and oppressed –
the valleys are dark, the hills immense,
and this cruel-briared enclosure—an arid abode!

The injustice assails me—my lord's absence!
On earth there are lovers who share the same bed
while I pass through life dead in this dark abscess
where I wilt, summer days unable to rest
or forget the sorrows of my life's hard lot.

A young woman must always be
stern, hard-of-heart, unmoved,
opposing breast-cares and her heartaches' legions.
She must appear cheerful
even in a tumult of grief.

Like a criminal exiled to a far-off land,
moaning beneath insurmountable cliffs,
my weary-minded love, drenched by wild storms
and caught in the clutches of anguish,
is reminded constantly of our former happiness.

Woe be it to them who abide in longing.



The Husband's Message
anonymous Old English poem, circa 960-990 AD
loose translation/interpretation by Michael R. Burch

See, I unseal myself for your eyes only!
I sprang from a seed to a sapling,
waxed great in a wood,
                           was given knowledge,
was ordered across saltstreams in ships
where I stiffened my spine, standing tall,
till, entering the halls of heroes,
                   I honored my manly Lord.

Now I stand here on this ship’s deck,
an emissary ordered to inform you
of the love my Lord feels for you.
I have no fear forecasting his heart steadfast,
his honor bright, his word true.

He who bade me come carved this letter
and entreats you to recall, clad in your finery,
what you promised each other many years before,
mindful of his treasure-laden promises.

He reminds you how, in those distant days,
witty words were pledged by you both
in the mead-halls and homesteads:
how he would be Lord of the lands
you would inhabit together
while forging a lasting love.

Alas, a vendetta drove him far from his feuding tribe,
but now he instructs me to gladly give you notice
that when you hear the returning cuckoo's cry
cascading down warming coastal cliffs,
come over the sea! Let no man hinder your course.

He earnestly urges you: Out! To sea!
Away to the sea, when the circling gulls
hover over the ship that conveys you to him!

Board the ship that you meet there:
sail away seaward to seek your husband,
over the seagulls' range,
                          over the paths of foam.
For over the water, he awaits you.

He cannot conceive, he told me,
how any keener joy could comfort his heart,
nor any greater happiness gladden his soul,
than that a generous God should grant you both
to exchange rings, then give gifts to trusty liege-men,
golden armbands inlaid with gems to faithful followers.

The lands are his, his estates among strangers,
his new abode fair and his followers true,
all hardy heroes, since hence he was driven,
shoved off in his ship from these shore in distress,
steered straightway over the saltstreams, sped over the ocean,
a wave-tossed wanderer winging away.

But now the man has overcome his woes,
outpitted his perils, lives in plenty, lacks no luxury,
has a hoard and horses and friends in the mead-halls.

All the wealth of the earth's great earls
now belongs to my Lord …
                                             He only lacks you.

He would have everything within an earl's having,
if only my Lady will come home to him now,
if only she will do as she swore and honor her vow.



Led By Christ and Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

By Christ and Saint Mary I was so graciously led
that the earth never felt my bare foot’s tread!

Crist and sainte marie swa on scamel me iledde
þat ic on þis erðe ne silde wid mine bare fote itredie



A Cry to Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

I.
Saintë Marië Virginë,
Mother of Jesus Christ the Nazarenë,
Welcome, shield and help thin Godric,
Fly him off to God’s kingdom rich!

II.
Saintë Marië, Christ’s bower,
****** among Maidens, Motherhood’s flower,
Blot out my sin, fix where I’m flawed,
Elevate me to Bliss with God!



Prayer to St. Nicholas
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

Saint Nicholas, beloved of God,
Build us a house that’s bright and fair;
Watch over us from birth to bier,
Then, Saint Nicholas, bring us safely there!

Sainte Nicholaes godes druð
tymbre us faire scone hus
At þi burth at þi bare
Sainte nicholaes bring vs wel þare



The Rhymed Poem aka The Rhyming Poem and The Riming Poem
anonymous Old English/Anglo-Saxon poem circa 990 AD
loose translation/interpretation by Michael R. Burch

He who granted me life created this sun
and graciously provided its radiant engine.
I was gladdened with glees, bathed in bright hues,
deluged with joy’s blossoms, sunshine-infused.

Men admired me, feted me with banquet-courses;
we rejoiced in the good life. Gaily bedecked horses
carried me swiftly across plains on joyful rides,
delighting me with their long limbs' thunderous strides.
That world was quickened by earth’s fruits and their flavors!
I cantered under pleasant skies, attended by troops of advisers.
Guests came and went, amusing me with their chatter
as I listened with delight to their witty palaver.

Well-appointed ships glided by in the distance;
when I sailed myself, I was never without guidance.
I was of the highest rank; I lacked for nothing in the hall;
nor did I lack for brave companions; warriors, all,
we strode through castle halls weighed down with gold
won from our service to thanes. We were proud men, and bold.
Wise men praised me; I was omnipotent in battle;
Fate smiled on and protected me; foes fled before me like cattle.
Thus I lived with joy indwelling; faithful retainers surrounded me;
I possessed vast estates; I commanded all my eyes could see;
the earth lay subdued before me; I sat on a princely throne;
the words I sang were charmed; old friendships did not wane …

Those were years rich in gifts and the sounds of happy harp-strings,
when a lasting peace dammed shut the rivers’ sorrowings.
My servants were keen, their harps resonant;
their songs pealed, the sound loud but pleasant;
the music they made melodious, a continual delight;
the castle hall trembled and towered bright.
Courage increased, wealth waxed with my talent;
I gave wise counsel to great lords and enriched the valiant.

My spirit enlarged; my heart rejoiced;
good faith flourished; glory abounded; abundance increased.
I was lavishly supplied with gold; bright gems were circulated …
Till treasure led to treachery and the bonds of friendship constricted.

I was bold in my bright array, noble in my equipage,
my joy princely, my home a happy hermitage.
I protected and led my people;
for many years my life among them was regal;
I was devoted to them and they to me.

But now my heart is troubled, fearful of the fates I see;
disaster seems unavoidable. Someone dear departs in flight by night
who once before was bold. His soul has lost its light.
A secret disease in full growth blooms within his breast,
spreads in different directions. Hostility blossoms in his chest,
in his mind. Bottomless grief assaults the mind's nature
and when penned in, erupts in rupture,
burns eagerly for calamity, runs bitterly about.

The weary man suffers, begins a journey into doubt;
his pain is ceaseless; pain increases his sorrows, destroys his bliss;
his glory ceases; he loses his happiness;
he loses his craft; he no longer burns with desires.
Thus joys here perish, lordships expire;
men lose faith and descend into vice;
infirm faith degenerates into evil’s curse;
faith feebly abandons its high seat and every hour grows worse.

So now the world changes; Fate leaves men lame;
Death pursues hatred and brings men to shame.
The happy clan perishes; the spear rends the marrow;
the evildoer brawls and poisons the arrow;
sorrow devours the city; old age castrates courage;
misery flourishes; wrath desecrates the peerage;
the abyss of sin widens; the treacherous path snakes;
resentment burrows, digs in, wrinkles, engraves;
artificial beauty grows foul;
the summer heat cools;
earthly wealth fails;
enmity rages, cruel, bold;
the might of the world ages, courage grows cold.
Fate wove itself for me and my sentence was given:
that I should dig a grave and seek that grim cavern
men cannot avoid when death comes, arrow-swift,
to seize their lives in his inevitable grasp.
Now night comes at last,
and the way stand clear
for Death to dispossesses me of my my abode here.

When my corpse lies interred and the worms eat my limbs,
whom will Death delight then, with his dark feast and hymns?
Let men’s bones become one,
and then finally, none,
till there’s nothing left here of the evil ones.
But men of good faith will not be destroyed;
the good man will rise, far beyond the Void,
who chastened himself, more often than not,
to avoid bitter sins and that final black Blot.
The good man has hope of a far better end
and remembers the promise of Heaven,
where he’ll experience the mercies of God for his saints,
freed from all sins, dark and depraved,
defended from vices, gloriously saved,
where, happy at last before their cheerful Lord,
men may rejoice in his love forevermore.



Adam Lay Ybounden
(anonymous Medieval English Lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen.
So blesséd be the time the apple was taken thus;
Therefore we sing, "God is gracious!"

The poem has also been rendered as "Adam lay i-bounden" and "Adam lay i-bowndyn."



I Sing of a Maiden
(anonymous Medieval English Lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.

He came also as still
To his mother's breast
As April dew
Falling on the grass.

He came also as still
To his mother's bower
As April dew
Falling on the flower.

He came also as still
To where his mother lay
As April dew
Falling on the spray.

Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



Tegner's Drapa
loose translation/interpretation by Michael R. Burch

I heard a voice, that cried,
“Balder the beautiful lies dead, lies dead …”
a voice like the flight of white cranes
intent on a sun sailing high overhead—
but a sun now irretrievably setting.

Then I saw the sun’s corpse
—dead beyond all begetting—
borne through disconsolate skies
as blasts from the Nifel-heim rang out with dread,
“Balder lies dead, our fair Balder lies dead! …”

Lost—the sweet runes of his tongue,
so sweet every lark hushed its singing!
Lost, lost forever—his beautiful face,
the grace of his smile, all the girls’ hearts wild-winging!
O, who ever thought such strange words might be said,
as “Balder lies dead, gentle Balder lies dead! …”



Lament for the Makaris (Makers, or Poets)
by William Dunbar (1460-1525)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity …
how the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free …
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee …
how the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind shakes the willow tree,
so wavers this world’s vanity …
how the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée …
how the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity …
how the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in her tower …
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee …
how the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
must all conclude, so too, as we:
“how the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee …
how the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty …
how the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!) …
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next prey will be — poor unfortunate me! …
how the fear of Death dismays me!

there is no remedy for Death;
we all must prepare to relinquish breath
so that after we die, we may be set free
from “the fear of Death dismays me!”



Fairest Between Lincoln and Lindsey
(anonymous Middle English poem, circa late 13th century)
loose translation/interpretation by Michael R. Burch

When the nightingale sings, the woods turn green;
Leaf and grass again blossom in April, I know,
Yet love pierces my heart with its spear so keen!
Night and day it drinks my blood. The painful rivulets flow.

I’ve loved all this year. Now I can love no more;
I’ve sighed many a sigh, sweetheart, and yet all seems wrong.
For love is no nearer and that leaves me poor.
Sweet lover, think of me — I’ve loved you so long!



Sumer is icumen in
anonymous Middle English poem, circa 1260 AD
loose translation/interpretation by Michael R. Burch

Sing now cuckoo! Sing, cuckoo!
Sing, cuckoo! Sing now cuckoo!

Summer is a-comin'!
Sing loud, cuckoo!
The seed grows,
The meadow blows,
The woods spring up anew.
Sing, cuckoo!

The ewe bleats for her lamb;
The cows contentedly moo;
The bullock roots;
The billy-goat poots …
Sing merrily, cuckoo!

Cuckoo, cuckoo,
You sing so well, cuckoo!
Never stop, until you're through!



The Maiden Lay in the Wilds
circa the 14th century
loose translation/interpretation by Michael R. Burch

The maiden in the moor lay,
in the moor lay;
seven nights full,
seven nights full,
the maiden in the moor lay,
in the moor lay,
seven nights full and a day.

Sweet was her meat.
But what was her meat?
The primrose and the—
The primrose and the—
Sweet was her meat.
But what was her meat?
The primrose and the violet.

Pure was her drink.
But what was her drink?
The cold waters of the—
The cold waters of the—
Pure was her drink.
But what was her drink?
The cold waters of the well-spring.

Bright was her bower.
But what was her bower?
The red rose and the—
The red rose and the—
Bright was her bower.
But what was her bower?
The red rose and the lily flower.



The World an Illusion
circa 14th century
loose translation/interpretation by Michael R. Burch

This is the sum of wisdom bright:
however things may appear,
life vanishes like birds in flight;
now it’s here, now there.
Nor are we mighty in our “might”—
now on the bench, now on the bier.
However vigilant or wise,
in health it’s death we fear.
However proud and without peer,
no man’s immune to tragedy.
And though we think all’s solid here,
this world is but a fantasy.

The sun’s course we may claim to know:
arises east, sets in the west;
we know which way earth’s rivers flow,
into the seas that fill and crest.
The winds rush here and there, also,
it rains and snows without arrest.
Will it all end? God only knows,
with the wisdom of the Blessed,
while we on earth remain hard-pressed,
all bedraggled, or too dry,
until we vanish, just a guest:
this world is but a fantasy.



Trust Only Yourself
circa the 15th century
loose translation/interpretation by Michael R. Burch

Alas! Deceit lies in trust now,
dubious as Fortune, spinning like a ball,
as brittle when tested as a rotten bough.
He who trusts in trust is ripe for a fall!
Such guile in trust cannot be trusted,
or a man will soon find himself busted.
Therefore, “Be wary of trust!” is my advice.
Trust only yourself and learn to be wise.



See, Here, My Heart
circa the 15th century
loose translation/interpretation by Michael R. Burch

O, mankind,
please keep in mind
where Passions start:
there you will find
me wholly kind—
see, here, my heart.



How Death Comes
circa the 13th century
loose translation/interpretation by Michael R. Burch

When my eyes mist
and my ears hiss
and my nose grows cold
as my tongue folds
and my face grows slack
as my lips grow black
and my mouth gapes
as my spit forms lakes
and my hair falls
as my heart stalls
and my hand shake
as my feet quake:
All too late! All too late!
When the bier is at the gate.

Then I shall pass
from bed to floor,
from floor to shroud,
from shroud to bier,
from bier to grave,
the grave closed forever!
Then my house will rest on my nose.
This world’s not worth a farthing, Heaven knows!



Johann Scheffler (1624-1677), also known as Johann Angelus Silesius, was a German Catholic priest and physician, known as a mystic and religious poet. He's a bit later than most of the other poets on this page, but seems to fit in …

Unholy Trinity
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Man has three enemies:
himself, the world, and the devil.
Of these the first is, by far,
the most irresistible evil.

True Wealth
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

There is more to being rich
than merely having;
the wealthiest man can lose
everything not worth saving.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose merely blossoms
and never asks why:
heedless of her beauty,
careless of every eye.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose lack “reasons”
and merely sways with the seasons;
she has no ego
but whoever put on such a show?

Eternal Time
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Eternity is time,
time eternity,
except when we
are determined to "see."

Visions
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Our souls possess two eyes:
one examines time,
the other visions
eternal and sublime.

Godless
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God is absolute Nothingness
beyond our sense of time and place;
the more we try to grasp Him,
The more He flees from our embrace.

The Source
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Water is pure and clean
when taken at the well-head:
but drink too far from the Source
and you may well end up dead.

Ceaseless Peace
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Unceasingly you seek
life's ceaseless wavelike motion;
I seek perpetual peace, all storms calmed.
Whose is the wiser notion?

Well Written
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Friend, cease!
Abandon all pretense!
You must yourself become
the Writing and the Sense.

Worm Food
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

No worm is buried
so deep within the soil
that God denies it food
as reward for its toil.

Mature Love
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

New love, like a sparkling wine, soon fizzes.
Mature love, calm and serene, abides.

God's Predicament
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God cannot condemn those with whom he would dwell,
or He would have to join them in hell!

Clods
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

A ruby
is not lovelier
than a dirt clod,
nor an angel
more glorious
than a frog.



The original poem below is based on my teenage misinterpretation of a Latin prayer …

Elegy for a little girl, lost
by Michael R. Burch

… qui laetificat juventutem meam …
She was the joy of my youth,
and now she is gone.
… requiescat in pace …
May she rest in peace.
… amen …
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).

White as a sordid awakening
Hollow, shallow, swallows
Me like an aged cavern

When mother comes in
She is scared to find me
Pale and blue

The window is a hole
Curtains like bedraggled women
Clutch at themselves

She stumbles through a gathering
Of talkative charcoal
And pastel on the floor

Scattered and sallow
Turpentine twists in sweet sashes
Round and round her neck

She calls, wavering already
Diving obliquely through the sea
She reaches for me on the mattress

In the bookshelf,
Behind easels,  pallete
Beneath the bridge of the table

A thousand gales of hues blow
Ruffling a thousand shadows
Thousand murmurs decieve her

Into breathing relief.
I see her heart a flickering flame:
Waves of my deathlessness

Shove her around.
Mother, mother, come closer
I call from the lean wooden

Parapet of the canvas
I dance her about in the sky
Stroke the hair, as

She cries, holding my solidity
Thin, bony; her hands shake
Like factory floors

Rancid blooms of a stubborn faith
Scotch her oak-brown skin
And all the walls watch our show

Disintegration occurs
As she searches for me
Kicking clatter and dust around

I a pebble in the pebbles of me
She picks, examines, throws
Picks examines, throws

All while tumbling
Into into into the stench
Of my keen blue decay

Brushstroke, word, scream and plea
She takes all the noise along
Into the beautiful world

Gaunt, I crawl clawing out
I am monster now
And she is painted.

A simple woman, sitting by the window sill
watching the dust glimmering in the beams of sunlight
that peak through her broken curtains.
she catches them with her tongue.
she forgets to put her undergarments on usually when she wears a dress
and alone she loves to be naked.

A simple woman who wakes up in the morning
and washes her face, examines herself in the mirror
one minute convinced she is beautiful and the next pale and daunted
the water slowly runs down her neck

she is electrical with remorse,  fondled by regret
she is enamored by the new day
she wants to lay in her bed forever
she cannot wait to kiss the sun

her mind will make your soul feel -light/cool wind/calm.
her heart .fleshy -copious, and pregnant with deadly bombs

her hands press down like the dictator in his high
her hands press down like the mothers upon a new born

black and white things make their way down
like oil snakes, leaving impressionable trails behind
this mirror that she stares into
behind all the admirable things she has tasted
she examines her mouth
the creature that has pranced upon vicious moments
the one that restrains itself from brutal emotional death

some of her days are a rise above phenomenal planets
she throws her arms in the sky and dances every step she knows soaking wet
enthralled, blistered and covered in the masquerade of her tears
usually she is empty, hallow - engraved with speechless anecdotes of
her most inspiring times,
under the blazed moon
her back glimmers - her skin gives off a light cool
the stare in her eyes, makes every bone in your body
turn to ice, beware of her because sometimes
she is too nice

a simple woman, who will make the black heart turn white
a simple woman who can make ****** fall in love
a simple women who has
died  

she walks into the grocery store
people do not stare correctly, or never stare at all
either way she is discontent ----- rarely people stare with proper eyes
and when they do, things go missing
her memory vanishes- her turmoil falls deeper into the grave yard
she is new

she is a simple woman
she sings after she smokes too much, and does not eat enough sometimes
she enjoys making love to books and giving birth to new ones
she melts at the thought of a good poem
and withers away at the sight of others misfortune

eradicated at age 7, combined by ruckus and 80's music
John Lennon, a blonde grandmother. Greetings
and fingers that almost touched

I have a collection of old birthday cards,
and kept the items that I almost died in
shriveled roses and vintage candles

A simple woman, breaking at dawn with the hour
coolly breathing in the midnight disaster
smiling to absolutely nothing in the world

Pat, pat, pat—a constant rhythm as the raindrops collide against her umbrella, shielding her like a knight from countless tiny foes. She goes about her day, a bouquet of vibrant flowers picked along her travels cradled in her arms, whispering sweet nothings to herself.

It’s the details she longs to capture and hold forever. She examines the delicate wet spot on a petal, magnifying each perfect imperfection—the subtle curves, the soft hues—because in that reflection, she sees herself, and there’s beauty in that too.

He examines the when
He examines the how
The what, the who, the huh? The seriously?
Then came to a conclusion that it could not be concluded
His love for her was a contradiction
The most beautiful thing wrapped up in the ugly of this world
His love for her was hypocritical
Hates how things folds and mold to the body of mere humans
But loves the same things on his Goddess  
She was his Goddess
He could never understand how something so wrong could be so fulfilling to praise
In ways that would be considered a sin
She was his sin
He loved the ways her eyes would not twinkle in the sun nor moon light
How she could be so ordinary
How she completely disregards everything that is his disability
How never had he heard
The letters O,C or D placed together in the constellation of words
That spills from her mouth into the Milky Way
It scared him how fast words could escape the cage of her mouth
Without a second thought
He envied the confidence she had in her words
He loved the way she loves the beach
He was afraid of how careless he was with life
For he would follow her anywhere she went
Even if it was as scary as the beach
He feels himself as Icarus
Deliberately flying closer to the sun
So that he could be swallowed into the liquefied breaths of his Goddess
This is how he sees his love
This is how he feels his love. This is how he loves her

Sick and cyclical memories linger, how unjust it seems
In somber city streets, her father's name she screams
When the fix is late and her body sodden and shaking
Her childhood recollections waking, every joint aching
Falling on tarmac, tearing stockings and fleshy knees
Through the distant mist it's a saviour that she sees
Marvin on a white steed, motorbike and leathers
To get her straight  he only requires her nethers
What difference could it make to such a worn woman
So little that her eyes glaze as he announces his comin'
And she's immediately put to work after initial transaction
All night shifts, ****** abstraction, customer satisfaction
Returning 'home' to Marvin where the earnings are counted
Giggling schoolgirl as playful stories of John's are recounted
And Marvin's insatiable perversions are compounded
****** cocktails and deviancy, her psyche confounded
The **** sleeps blissfully beside his new top girl
And through ****** daze, she examines her world

Marisa Mayeda's tiny hands are steady as she smooths the fabric out in front of her and examines the stitches, checking for bunching or knots.

“Lay it flat, so you can see the whole thing,” suggests instructor Joyce Blaney. Mayeda obeys, spreading out the gorgeous patchwork quilt she’s almost finished creating. It’s one of five she’s making for the babies at Torrance Memorial Hospital.

“It’s her Girl Scout project,” explains Blaney. “Each kid got to choose what they wanted to do, and since Marisa loves sewing, she picked this.”

Blaney’s studio at Sew Creative in Redondo Beach is colorful chaos: bolts of fabric, scrap baskets, ribbons and lace. Pincushions dot almost every surface, and the hum of Singer sewing machines underscores conversation.

It’s unhurried and something of a throwback that most post-baby boomers would recognize as a home economics class—a part of American curriculum that has dwindled over the decades. It’s where Blaney herself learned to thread a needle 50 years ago, fell in love with it almost instantly, and made it a part of her life.

“I learned in a classroom of 30 kids and one teacher. She must have lost her mind,” she laughs now. “It was very crowded. I didn’t realize how challenging that must have been until I started teaching my own students.”

The previous owner started Sew Creative in 1989 before retiring, whereupon Blaney—who had been an employee for several years—bought it and has run it for the past 13 years. Any kid—or adult —can join classes, starting from age six and up. “I primarily teach classes every day after school and on Saturdays. It’s a great opportunity for kids to have a creative outlet.”

According to studies from the University of Missouri, an increasing number of millennials and younger kids don’t know basic home skills, including sewing, cooking, or doing laundry. Only 30 percent of young adults know how to properly boil an egg, according to one study.

Learning by example, such as watching your mother hem a pair of pants, has become less common with each generation. We microwave our food or eat out a lot more. Convenience has made it easier to forgo learning how to cook, and with home economics classes gradually disappearing in the education system.

“Schools are so much more about academics now,” Blaney observes. “This gives kids a chance to make something with their hands, to feel confidence and have something to show for their work. One kid even said that sewing helps her relax, to focus on the moment. I mean, that’s pretty important. She gets it.”

The Queen Amidala costume that Ava Brunner is making for Halloween exemplifies that sentiment. Resplendent in flowing white fabric and a complex pattern of scalloped ruffles, it’s an intricate and challenging design. Brunner, who has been coming to Sew Creative for five years, is now a pro seamstress at age 11, and plans to be an actor and fashion designer.

“There’s no deterring her. Once she decides she’s going to do something ... ” Blaney shakes her head admiringly. “Nothing stops her.”

Mayeda, working diligently on her blanket, just started sewing two months ago at her mother’s suggestion. She had never sewn anything before, but she had a goal and dove in with enthusiasm.

“I wanted to make a new bag for my birthday, but I didn’t know how. So I needed to learn,” she said.

Like her teacher, she’s found a new thing to love—plus a brand-new bag for her birthday this week. And come this January, five newborns will get handmade, hand-stitched blankets for theirs.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/evening-dresses

around age 7 or 8 Odysseus adopts role of doctor to girls of his generation fascinated even driven by their differences from him especially  advanced development of ***** hair he examines their genitals once he misdiagnoses Junie Porter gets soap in her urethra Junie cries then forgives Odysseus apologizes she continues returning as patient also brings her curious sister and neighborhood friend who wants to be examined as well on another occasion Mimi Greer and her mom Ida stop by house for visit Mom and Ida are close friends Odysseus and Mimi are same age he has crush on her they go off play in kid’s bedroom after Greers have gone Mom receives phone call from Mimi’s mom Ida complains alarmed because she found toy soldiers in her daughter’s ******* Mom shrugs thinks it's funny

Aunt Rita and cousin Patsy who is two years older than Odysseus come to house for visit Aunt Rita gossips with Mom in bedroom Penelope and Patsy call Odysseus into kid’s bedroom Patsy is very pretty delicate features light tan skin thick brown hair she pulls down her ******* shows newly grown ***** mound she offers “you can pet me there if you want see how mature i am” Penelope briefly acknowledges Patsy’s sparse growth Odysseus begins to pet scrutinize both girls see his fixation they begin to giggle and go wild attack Odysseus with their hands tickling his sides crotch unbuttoning his jeans it is utterly innocent play but Odysseus feels something astonishing thinking he is about to *** or release he cries out at them to stop hearing commotion Mom calls out “what’s going on in there? you kids settle down get in here right now!”  girls run off laughing Odysseus feels incredible tingling sensation between his legs looks down sees he has made mess clear sticky not *** does not understand what happened wipes himself clean later asks Patsy when he can pet her again she answers “when you grow some hair of your own down there” he says “promise?” she says “yeah i guess i promise” Odysseus never forgets Patsy’s vow he waits for ***** hair to grow several years pass Odysseus often sleeps over at his cousin’s house in suburbs Patsy has grown into flowering beauty petite cheerleader physique Odysseus is in awkward stage bones jutting pimples on his face back braces on his teeth he approaches Patsy in her bedroom “i finally grew some strands down there remember your promise? can i pet you again?” Patsy scoffs “no way! i completely forgot that childish pact you don’t know anything” Odysseus replies “yes i do!” Patsy’s hands grip her waist “you don’t even know what the word **** means do you?” Odysseus answers “yeah sure i do uh maybe what does **** mean? tell me please” Patsy shrugs nods “you’re so childish now run along Odys you are such a little dip-****” he begs “Patsy please tell me what does **** mean” she points her forefinger to the door and yells “get out of here you little creep!” he feels trampled after imagining desiring for years early next morning still dark he tiptoes from cousin Chris’s bedroom sneaks into Patsy’s bed pets her furry mound while she seems to sleep later Aunt Rita calls Odysseus into her bedroom closes door sternly addresses him “Patsy told to me what you did how dare you? you should be ashamed of yourself i’m worried about you Odys i’m not going to tell your Mom and Dad because i know your father will blow his top and i won’t say anything to Uncle Burt but if i ever hear of anything like this again you will be severely punished! understand?” his chin drops down to his chest “yes Aunt Rita i promise never to touch Patsy again i’m sorry please forgive me”

Odysseus runs into Lynnie Sultan on back stairs at Harper he thinks she is very good-looking wants to play doctor Lynnie is fair-haired taller a grade higher than Odysseus pushes himself on her she growls “you little ****” yet reluctantly gives in he reaches inside her ******* pets her ***** hairs gently caresses soft mound smells feels wetness pulls out two hairs Lynnie cries out “ouch! why did you do that?” Odysseus answers “keepsake” suddenly math teacher Mr. McClennan appears catching them in act Lynnie is dismissed school principal calls Mom demanding conference Odysseus is detained in principal’s office waiting room Mom arrives apologetic to principal “what mischief did Odys do this time?” principal insists they speak behind closed doors when she walks out of office she flashes fuming glare at Odysseus driving home she questions “how dare you do this to me? what were you thinking? answer me! what’s the matter with you?” she guns gas pedal silently he considers how provoked Dad will get stomach claws once they arrive inside house Mom slaps his face yells "you’re sick weak selfish ******* up in your head! you need psychiatric treatment!" tears run from her eyes down her cheeks Odysseus hates himself for making Mom be so upset with him he feels guilt desperation nothing in this world is more upsetting than watching Mom cry because of his actions

Maryam
turned,
moving
away
from the
caravans of
bulldozers
entering
Homs.

She
could
not bear
to look
upon the
the teeth
of steel
tracks
sloshing
through
puddles
of blood,
plowing
the rubble,
burying the
mush,
coolly
covering the
fingerprints of
criminals.

Maryam
beheld the
conquering
soldiers
standing
atop piles
of shrapnel
marked and
launched by
Syria’s finest
artillery officers.

She
remained
within ear shot
to hear the
victor’s
orator,
recite the
history of
the conquest,
carefully
spinning
suspicion,
and casting
blame
for the
devastation
onto the
vanquished.

The speaker
lauded the
efforts of
esteemed
comrades
commanding
black regiments
chasing the
last rats still
lapping at
the edges
of the red
pools;
hieing to
the dead
catacombs
as sanctuaries
of salvation.

The barker
goads other gangs
to commence a
surgical search
of hospitals to
root out wounded
insurgents. He
suggests they be
removed from
their recovery
beds and thrown
atop the piles of refuse
where the busy tractors
will push the rubble
into the far corners
of the mind where
obfuscation and
forgetfulness
blissfully anoints
unsettled memory.

Alarmed,
Maryam breaks
for the hospital,
to nurse the
injured.

She moves with
tealth through
the broken city’s
debris strewn streets.

Maryam eyes the
inert concrete,
blasted into
ghastly shapes,
burying secrets,
concealing terrible
stories of what
transpired
during the
pacification of
Baba Amr.

These
grotesque
gargoyles,
sculpted by the
mangled hand
of a deranged
sociopath
will hold their
silence for
only so long.

Dark secrets
never live
forever.

The distended heaps
of jangled rebar
pokes through
broken chunks
of concrete
like rib cages
picked clean by
the jackals
of war.

The pulverized
concrete forms
telling Mandalas
giving voice to
the stained
stones crying
the secrets of
terrible truths that
unmarked graves
never keep
silent.

Maryam
is desperate
to find the
lost children.

She knows
the ungodly
conquerors
eagerly
hunt them.

The subjugators
are drunk from the
draughts of blood
they profanely quaff.

They thirst
for more and
have set
their sight on
the children.

The crucifiers
kiss the sword
to cleanse
the insurgent
city of its
youngest
citizens.

Bashar has
condemned
a generation
to death.

He desires
to purge Syria
of a heinous
memory stored in
the ripening minds
of Homs’ children.

They stand in  
witness to
the ******
of their
childhood.

Righteous
indignation
breeds a
long  memory
nursed by the
vanquished as
a cherished gift;
bestowed to
successive
generations
like a valuable
family heirloom;
but
resentment
makes for
a monstrous
coat of arms
vanquishers
bequeath to
the defeated.

Maryam
crosses over
the scattered
stones
incapable
of bleeding
one more
drop of blood.

She hears
the howling
spirits calling
from the broken
ruins.

She glimpses
the dark silhouettes
of fleeting apparitions
moving through
the upper floors
of flame stained
buildings.

The ghostly
shadows of
lost children
wander, seeking
the rest of an
expired future
sired by their
state sanctioned
execution.

Maryam
grows anxious
as she
approaches
the hospital.

She arranges
her silk scarf.
She examines
her calloused
hands. The lines
of her palms
are soiled,
cakes of dirt
have settled
under her
fingernails;
yet sufficient
strength remains
in her arms
to roll away
the large stones
entombing
revelations
of love and
miracles of
deliverance.

The pock
marked
hospital now
in sight,
Maryam
enters the gate
of a ancient
graveyard;
clambering
over burial
mounds
of her dead
ancestors.

She remembered
a placard hanging
in the hospital’s
waiting room.

“Art is long; life is short;
opportunity is fleeting;
judgment is difficult;
experience is deceitful.”
Hippocrates.

As Maryam
neared the
graveyard exit
she was
overtaken by
Syrian soldiers
brandishing AK’s.

One stuck a
dusty barrel
into Maryam’s
face while
the other tapped
the back of her
head from behind.

A weeping
Maryam
knelt before
her captors.

She
washed
the dust
from their
boots with
flowing tears
and wiped
them clean
with her hair;
praying for
the power
of love
to once
again
overcome
the stalk
of death.

Prostrate
and prone
Maryam
waited to
accept the
shaft of
recrimination
through her
bleating gums.

If recollection is long
in the living,
memory is eternal
in the dead generations.

The only known cure
for the disease of acrimony
is the strong balm of love.

Maryam would
never again nurse
the wounded
children of
Homs.

Music Selection:
Chanticleer & Yvette Flunder
There is a Balm in Gilead

Oakland
3/12/12
jbm

https://www.dropbox.com/scl/fi/l8njruxa73yee9b0jzmhd/The-Ultimate-Unabridged-Guide-to-Esoteric-Working-English-2.docx?­rlkey=kunoar7ghpfkb7fjk5xkdgx95&st=i84ornny&dl=0

THE EUPRAXIA OF  PRISOPTOMETRY SIDELINED BY THE SOPORIFIC PROMACHOS OF ABSOLUTION MIGHT WE CONVENE THE CABOOSE OF ANACUSIC TALENTS FOR SURDOMUTE  REGALIA IN THE MUGIENCE OF  DUGONG BECAUSE OF EXASPERATED DECREES SEEKING TO TRIGGER SARANGOUSTY IN PRIMIPARA PENTAPOLIS THAT ARE SCREWBALL WITH ANTERIC RAGE PRIMARILY BECAUSE OF A HOPSCOTCH MORALISM RATHER THAN A EUHEMERIST LAXISM. DUGONG DUCDAMES OF EISOPTROMANIA AGAINST  THE PODEX PNYX BECAUSE OF TRUTINATED CNICNODES OF SCENOGRAPHY FOR SCAPPLE AND STANNARY PLAGIARIZED FROM THE CLAVATE OF MOST STERLING ELITISM BROCKFACED IN BRONCHOS BECAUSE OF BRADYDACTYL FEATURES  OF TOWERING GIANTS OF THE TADPOLE MACROPTEROUS WINGS OF INSIPID OR ORGANIC ORGANITY IN THE SCHWERMERIE THAT IS A SPANGLED BANNER OF RADICAL TRUISMS OF CATAMOUNT CATALLACTICS AMONG THE CORDWAINERS THAT SWITH WITH COUNTERFOIL BRAZEN IN ALL CARNAPTIOUS FRIZZ AND FOMENT ENDOWED WITH THE FUMATORIUM OF EFFLUVIA UNSPOKEN PRIMARILY BECAUSE OF HACHURES OF DURAMEN AND THE ARGALI OF MEGALOGRAPHY FORSAKING THE OLMS AND ESBATS OF PECCADILLO AND REGAL SECRECY PRIMARILY TO ACCELERATE THE TAGHAIRM. THE ARTIFICE OF RUDENTURE IN MUGIENCE WHEATEN EXASPERATINGLY WITH POIGNANT GRAPPLING-HOOK TENACITY SUCH THAT WHEALS AND  WARDCORNS ARE ZUGZWANGS OF NARRISCHEIT FORMATIVE IN THE PROWESS OF TIRED DROOPY EYES AIMING AT  GEOSELENIC SATURNALIA OF THE PANTOGLOTS OF PARVANIMITY ACKNOWLEDGED BY THE PASILALY OF GUBERNATORIAL REMEMBLES OF REPINE RATHER  THAN OPINION OF SCARAMOUCHES THAT BECOME RAFFISH FOR LAFFY TAFFY JOLLYBOAT JOLLY RANCHERS BECOMING CENTRIFUGAL TO THE MAGNETS THAT ONLY THERBLIGS OF ERGOGRAPHY CAN ESTEEM THE STELLIFIED STELLIONS OF IMMORTAL DEGREES OF CREANCERS BOOMING IN THE SEMPITERNAL FLAGRANT FOUL DELUSIONS OF A CASTRATED DESTINY AGAINST ORTSAC PRIORITIZATION OF A SECURE WORLD OF OCREATED ARCEATION OF ELAPHURES THAT IN UNSEELED RIGMAROLE OF JAUNDICE CREATED AND SUSTAINED BY IMBREVIATED KNAVERY OF BLESBOKS TRYING TO PLAY OPERATIVE CHESS IN A CHECKERED HUBRIS SPANNING THE GAMUT OF SPEED RUN HYPOCRISIES NEVER FULLY FLESHED OUT BECAUSE OF RIBALD CORSAIRS OF COCARDEN. SKELDERS OF SCAZONS OF BRUTAL INTEMERATION OF CARTHAGIAN GLADIATORIAL WRIKPOND WREPOLIS MERGERS OF THE PRIZED ANTIQUITY DEFINED BY SUBERIC VINTNERS OF PLACKIQUE THAT BARNSTORM WITH FERVID SPUMID SPURIA OF THE SCORIAS THAT STARTLE THE STRICKLE SUCH THAT NOT A SINGLE  WAGERED PAXILLOSE STRETCHER EVER FALLS BY THE AERONAUTICS OF ARENAIDAN FORESIGHT CONTUMELY ENAMORS IN SLEDGEHAMMER DEFECTED CRAVEN BRITTLE REDSHORT SELACHOSTOMOUS SEDERUNTS INVOLVED IN THE SENNET OF REGULA BECAUSE OF LAVADERO IVORRIDE. NEVERTHELESS OFTEN OVERRIDED BY EUCRASIA AND BY THE ACCIDIA OF PAST TENSE RIGORS OF CALUMETS ESTRANGED FROM WIDDERSHANCY BECAUSE OF THE CONVENIENT WANCHANCIES THAT WE DEPLORE DESPITE THEIR DISCRETIONARY ADVANTAGES OF GALLOP POLLING GALLOPING HEADLESS HORSEMEN OF THE VERDERER AS THE PERCURRENT CENTURIES ELEVATE DUGONG FOR DIDDICOYS OF ART TO LICENSE THEMSELVES BROADCLOTH MASTERY OF WUNDERKINDS THAT CARESS THE COSSETED COGNOMEN OF THE CORRIGENDA BECAUSE OF THE RIBALD PALLOR OF CRETACEOUS OLASIN EPOCHS OF MACROBIAN SENTIENCE EVOLVED FROM EMOTIVISM TO VOUCHSAFE THE METEMPSYCHOSIS OF JOCKO JOBBERNOWL FINFIGUAL NIHILISTS AMBITIOUS TO DEBUNK EVERY THEORY THAT PROVOKES THE POIGNANT TRIBULOID QUALMS OF A RADICAL MURENGER CHARGING MURAGE IN HIS SPRINGHARE OBSESSIONS. IN DOOMSTERS ADEEM WITH SUCCULENT SACCHARINE TONSILECTOMY SUGAR OF APIKOROS NOVANTIQUE SPRAWLING IN EVERY CREATIVE DIRECTION OF FUSIONS OF CREATIVE NUCLEOTIDES THE CENTERPIECE OF A NIMBLE PATRIARCHY WED TO PRIMIPARAS OF MULIEBRITY SUCH THAT GALLANT ARGALI LEAPS OF AUGENDS TOO COMPLEX TO TURBINATE BECAUSE OF TUBIFACIENT LORE SLOGMARCHING INTO URBANE BOWERIES SUCH THAT COUNTERFOIL IS COULROPHOBIC AND THE BALLAST BRONTEUM OF ALL CIVILIZED RANSACKED FOSSORS OF THE MOST ELOQUENT OF TIMES. THE CODSWALLOP ABOUT GERENDUM IN CARELESS HASTY MISTAKES GRANDEVAL GUDGEONS OF GUFF AND GUIGNOL OF RHYPAROGRAPHY AGAINST THE ROENTGENOGRAPHY OF ACCIDENTAL POSTURES OF LOLLIPOP TOOTLES OF TOPGALLANT ROYALTY RESCUED FROM THE SNATCHES OF  ***** DEARTH AND THE ACUMINATION OF ACERSECOMIC URCEOLATE ACHARNE WHICH IS THE WEAPON OF TIROCINIUM TYROS THAT BEBLUBBERED THEIR WAY INTO INTREPID INFAMY AND NOTORIETY BY IGNORANT OVERSTEPS BY LARGESSE IN RACEMATION FOR RHIZOGENIC RADICALISM IN MAXIMALIST MATHEMATICISM PRIMARILY THE SKIRMISH OF SCHMEGGEGY BY THE STANHOPE AUTHORS OF JESUITICAL JANSKY AGAINST BLARING CATACOUSTICS WHICH FILIBUSTER THE DILATORY DESULTORY JAUNT WITH JIGGERY-POKERY WALMS AND WASMS OF ESCALIERS OF ESCULENT ENANTIODROMIA THAT SUFFRAGETTES OF BLOCKHEADED CHOCKABLOCK JAWBREAKERS BETROTHED TO MATRIMONY OF NATIONAL ESTEEM AND JINGOISM SWELTERING IN THE HEYDAY OF ONEIRODYNIA. THIS HAMSTRUNG QUANDARY SADLY STRADDLED IN COMBUVIROUS SPATTEES PRIMARY TO THE HUES OF  CHALKING BRISTLES OF BARBEDWIRE LIES AND SUBLINEATED MAINLINE FRIGORIC FRIGOLABILE RETINACULUM THAT THE SWARF OF HEDERACEOUS IVORRIDE AND THE OCCAMY OF MEHARIS BELONGING TO MEGACERINE FEARS OF HYPOCHRONDRIA BECAUSE OF THE PREVALENT JERBOA DYSCHROA OF SYNAPHEA THAT STARTLE HAPPY ACCIDENTS AT FINISH LINE CAMARRA THAT CATAPULTS THE FILTH EDGY BY COMSTOCKERY THAT THE TAME TENDER LOLLOP OF LONGINIQUITY AND LESSER DEMIURGES WHO FIGHT THE SPECTER OF TIRED ISOLATION SUCH THAT THE PEDESTRIAN IS A SPRINGALD NOTORIETY THAT FIGURES OUT THE WAINAGE OF SAPROSTOMY BECAUSE OF CERBERIC WANIGANS OF THE ULTERIOR GALLIVANT BROCKFACED INTO EVERY TITANISM BY THE DROLLERY OF DROOPY SERRATED EDGES OF CURTAILED CURGLAFF SURROUNDED BY PLASMAS OF AUREATE AURIGRAPHY AGAINST ATOCIA OF THALEROPHAGOUS NEOMORTISM TWISTED INTO WARPED CONTORTIONS OF RHADAMANTHINE DOUBTS. THE ALABASTER ALCOVES DREAMING OVER EVERY HEAVEN IN SONDAGE AND BRISK BRITSKAS OF BANDOBAST BERGAMASKS THAT SPURN THE SPURIOUS SOPHISTRY FOR THE CATALYST OF CLEPSYDRA. THE KATABOTHRON OF KALIMKARI KYMATOLOGY THAT IS SWARTHY SPATHODEA REPUDIATION OF NYALAS OF NAGORS OF NUTATION BECAUSE OF OBLATE BOLAR RANCOR FOR THE CALVERS NEVER OF A CALVOUS LENDRUMBILATION NOR A PANCRATIC ACCORD OF GRAVEDIGGER SERENDIPITIES SCOWLING AT HEADWINDS FROM THE PARAVENTED LAIRWITES OF MOONRAKER JOLTERHEADS WHO EMERGE FROM THE THICKETS OF THE DENSEST ELITISM EVERY MANUFACTURED BY THE HEGEMUNES OF SECULAR RETINUE AND CORTEGES OF THE VENTRAD AND VENTRALABRAL FAMIGERATION BEYOND VENOSTASIS AND AGAINST THE HEARTH OF ATRABILIARY ECCENTRICITIES OF ALIDADE FISTICUFFS. SCOFFLAW MACROPICIDE IN THE TEDIUM OF SWELTERING PARASELENES OF KNIGHTED SQUARSONS SQUARROSE UPON THEIR SQUIRMING SQUALLS OF STRAPONTIN IN INTRORSE SOPHISTICATION MIGHT THE LANGUOR OF EXHAUSTED BEATLES MEET THE TIMESPUN RICHES OF ALL FORESIGHT PRISMATIC UPON HINDSIGHT IN THE CHRONOBIOLOGY OF CARAPACE AND THE REGIMENTATION OF TESTUDO THAT IS A GLAMOR OF AFFLICTION RATHER THAN A BEAST OF CRUCIBLE IGNOMINY FOR MALINGERING GIAOUR ESBATS BENIGHTED BY THEIR OWN PARLOUS PLIGHT IN POIGNANT HEYDAYS OF NEPHROLITH CALCULATED FOR NEPIONIC ENRICHMENT AGAINST NIDOR THAT STRIVES WITH CABRILLA AND CACHALOTS TO PROVIDE AUSTERE REFORMS. THESE NEGATE AUGUST SUPERCALENDAR DIVINITY BESPECKLED BY MONOCLAR SEPHIROTH TAXED BY SYLLABUB LAGGARDS IN THE TRIUMVIRATE OF ULTRAMONTANE GLEE AGAINST BATTLEDORES OF SABOTAGE SPANKING EVERY MONKEY OF MONETIZATION FOR THE ROODS OF MISERICORD TO BECOME PARABOLASTERS FOR NEW WORLD ATTRITION IN ATTINGENT AND ATTEMPERED AURILAVES OF ALGOR AND THE ANACHORIC RESIGNATION OF PENTAPOLIS THAT SQUIREBELL CLORENCE OF NAUCLATIC FAIRGOERS SERENADES AS THE WORLD DEMARCHES FORFENDED AND FORERIGHT OF ALL INDIGNITIES THAT THEY MIGHT EXCEED ESCAPE VELOCITY SUCH THAT THE ELASTANE ELASTICITY OF INVENTED DEMAND SHOWCASES THE DUGONG DURAMEN OF THE CLASS AND CLASSIFIED SECTORS OF SALVATION BY ARTIFICE AND THE LAST HOPE OF JANIZARIES OF JANGADA. AND TO STROLL PAST LUCRATIVE BUT SULLEN LOURS OF PARKS BEYOND EVERY ESCARGATOIRE KNOWN FOR POGROMS OF DESOLATION. THE ALFORGE OF AFFOREST BECAUSE OF THE ACRASIA OF ANACHORIC LIVING LIVID NIGHTMARES OF HENPECKS OF ATTRITION LEADING TO SALIFIED SALMAGUNDI IN PARALLAX WITH THE TRIUMPHANT BLARE OF SAXHORNS NOTAPHILY FLUMMOXES WITH REPARTEE IN RESCRIPT THAT TRANSCENDENTAL TWINGES OF POLLARCHY MIGHT DISHEVEL THE ARRONDISSEMENT OF BLETTONISM BECOMING HEAPSTEADS OF HYPOGEIODY. WHEN WE ARRAY AND ARRAIGN THE ZEITGEIST FOR ITS BLENCH AND BLARNEY OF CAPSIZED EPITHETS AIMED AT VOLUMINOUS FLUMINOUS SKELDERS AND BROOKS OF ROARING TEMBLORS SEQUESTRATED FROM THE VARSAL SCOPE OF HUMANE TOTEMISM IN SUBSTRATOSE AGGRIEVEMENT WE MIGHT FIND THE SUCCOR IS THE WHITTAWER OF WOOLD IN BEAMISH HUES OF SATURNINE BETROTHED FIDELITIES TO NOCTIDIURNAL DIESTRUS FRAGRANT WITH TERPSICHOREAN DAVERING DIPPYDOS WHO BLANDISH THE FRANGIBLE PULVERIZED METTLE OF CENTURIONS AND LEGIONNAIRES OF FILIBUSTERED CASEFIED CASEMATE JORDANS BOUND BY JOUGS OF JUDOGI AND THE BROADCLOTH FASHIONS OF YASHIKIS BEYOND THE THERMOSTAT OF ISOLATION AND THE THERMODYNAMICS OF LABILE OPPRESSION FOR LABROMANCY BECAUSE OF LANCINATION. WE MIGHT GRANT STOMACHERS A GRAND AUDISM OF THE SERVILE POTAMOLOGY WHICH CARESSES THROUGH COUNTERFOIL WITH APOLAUSTIC PEDIGREE AND EUMOIREITY INGRAINED IN THE CELLULOID OF TIMELESS CUCULINE AND CUNICULOUS FERRETS AT THE PARAPET OF BRISURE BECAUSE OF THE BRIQUETS OF NOMOGENY WE SEE THE PRESBYTERY SMIRK AT THE PLIGHT OF THE STRIGINE IN AN ERA OF HEYDAYS OF GENEROUS REMUNERATION BLANKETED BY A CHIONABLEPSIA DEFINED BY CHIMINAGE OF OXYGEUSIA SUCH THAT THE NEMESISM OF NOETIC NOOGENESIS IS NEVER NIDIFUGOUS AND NIDAMENTAL WITH RESPECT TO BARRULETS ABOUT BANDOLIERS IN THE CHAPERONED CEREMONIALISM OF THE GRAND INSPECTOR GENERAL’S SOVEREIGNTY WELL BLACKGUARDED BY KILLCOWS SEEKING STOICHOLOGY AND SYNECHIOLOGY. MIGHT THEY SLAVER OVER POTENT TONICS OF SWAG AND SWAGGER FOR REDINTEGRATION IN HYPAETHRAL HEIGHTS OF ATHENAEUM FOR THE HAMARCHY EMERGENT FROM THE DAWN OF NOTAPHILY IN BLOCKBUSTER SUMMERS NIGHT DREAMS BECOMING RANCID NIGHTMARES OF GULLYWASHERS OF ANTEBELLUM RECIDIVISM FOR CANEZOUS OF CANZONE TO ESTABLISH THE CHRYSOPOEITICS OF A GALVANIZED VENOCLYSIS BECAUSE VARIMAX VARIPHONES UPON THE HYDRAHEADED ODYSSEY OF PRINCELY FANDANGLES FROWARD IN RABID DENIAL OF TAMARAWS ENLISTED BY INSTINCT AND DEPREDATED BY THE TORPOR OF LETHARGIC AIMLESSNESS FOR LUDIC PALUDISM SADLY THE SPITE OF ALL PIRANNHAS COWLING AND COWERING IN SHEEPISH SIMULTAGNOSIA FOR HETEROCHRONY AND THE ARYAN ASSENT AND ASCENDANCY OF THE EQUITABLE TINTINNABULATION OF KNELLING SESQUIPEDALIAN SYBOTIC SONDAGE LOST TO THE MESMERISM OF YESTERTEMPEST OVER THE YUAN OF YENTA.  THE FORMIDABLE JAPAN LACQUER THAT AVOIDS GARISH TARNISH AND HARNESSES THERBLIGS TO PREVENT ENCROACHED THALWEGS OF INTREPID GROWTH AND THE FLOWERS OF MAY AND THE SEASONS OF A ZOMBIE TIME FOR PULCHRITUDE IN PHANTASMAGORIA. TURGID TURMOIL OF THROMBOSIS WELDED TO THE WELD OF  WELKINS OF WALLFISH WALLETEERS BECAUSE OF STRADOMENTRICAL NEUTROSOPHY IN OPTIMIZATION OF SUBFOCAL SUBINTELLIGENTUR FOR THE BALISAURS THAT TREACLE THE SUBSERVIENCE OF CREATIVE LICENTIATES OF DUGONG OF FURLOUGHS OF POVERTY-STRICKEN OLASIN REGISTRIES OF INTERMINABLE PRESTIGE AGAINST COMBUVIROUS FOGRAM RECAPITULATIONS OF THE FLOW STATES OF SEGUE SUCH THAT HUCKSTERS OF MASKIROVKA IN THE WHIGGARCHY AMOUNTED TO MANY COMPRACHIOS THAT STING THE STALWART SPARTAN STOICISM AGAINST HEBENON MIGHT THE HUMAN PEN OUTWIT THE PARCHMENT OF THE INVETERATE BIAS OF GRANDFATHER PARADOX PARALLAX BETWEEN HEAVEN AND THE DENEHOLE MOULINS FOR OLIVASTER NEUSTONS AND NOILS SURVIVING THE VIRTUALASIS OF TWADDLED TWANGS OF  DELIRIFACIENT PERIBLEBSIS SQUEAMISH BECAUSE OF A RIGMAROLE AND RABBIT HOLE WORMCAST WORMHOLE BURROLE OF ROTTEN APPLES TACKLED BY WREST AND WREATH IN THE WROX OF WHEALS OF COMMOTION AND LOCO LOCOMOTIVE ENGINES FRAZZLED BY SPIVS AND SPAVINEDS IMMURED INTO THE FABRIC OF THE SPANDRELS OF  INTERTESSELATED WEIGHAGE AMONG THE STEVEDORES AND PORTREEVES. THESE CONTINUE THEIR ROLLICKING  MAGPIETY GALLOP AGAINST THE FRICTION OF RUMCHUNDER COAGULATION SERRATED TRAVAIL  OF THE DYSTOCIA OF GAMMERSTANG BLUEPETERS ENRAGED BY CONFLAGRATIONS OF CAMARADERIE AND BONFIRES OF GEZELLIG THAT INDWELL INGLENOOKS SWAPE WITH MAJORITARIAN ETHOS TO PROPITIATE THE GAVELKIND CELEBRATION OF ROOSTERS HENPECKING  THE DOORS OF PERCEPTION AGAINST THE REAL ESTATE DEGRINGOLADE OF PHUGOID GROUNDPROX SWIRKS OF CHOSEN VESICLES OF MEDIOCRITY BETWEEN BLARING  SEMAPHORES AND FIRECRACKER WISEACRES THAT ARE AN ENDLESS PARADE OF INSULTED CONTUMACY BREATHING SWELTERING SIGHTS OF INCREDULITY SUCH  THAT THE BRONCHITIS OF ROENTGENOGRAPHY IN GNOTOBIOLOGY MIGHT BECOME BETTER THAN PETTY GALEANTHROPIES FROM VULPECULAR HENCHMEN OF THE FROTHY TAMBURITZAS AGAINST WHERRETS BECAUSE OF WHIFFETS OF THE YAFF THAT IS ASTRIDE OF ADEEMED ADEMPTION OF DETAIL HARANGUING THE MONKEY BUSINESS GORDON GECKO MODEL OF HACHURE AND FLAGRANT  REPOSE. THE  HANDSPIKE OF PICKELHAUBE NEPHELOMETERS OF NEUTROSOPHY PREDICATES TO NOETIC NOMOTHETIC ENNOMIC MASCON PREROGATIVES THAT RELY ON GEITONOGAMY BECAUSE OF A VULPECULAR TRUST IN SPHENOGRAMS OF THE STUPE OF STUPULOSE PARTISANSHIP BECOMES THE VANGUARD SPIRACULATED IZZAT OF THE PROBABLE PORBEAGLES THAT ANTICIPATE THE ILLUMINISM OF POLYPHILOPROGENITIVE PROCREATION OF NUBILE INCHOATE BUT SOPHOMORIC TROPISMS FOR TROMOMETERS IS THE GAINSAY OF ALL GENERATIONS BENT BY SYNCLASTIC HARPOONS OF GALERICULATED FOCUS SUCH THAT THE MASCARONS OF KYMATOLOGY UNDERSTAND THE CTETOLOGY OF CURMURRING PRODROMES OF A LARGESSE ECONOMY BUILT ON MOONRAKER BALISAURS WHO IMMERGE THEMSELVES INTO THE ETHEREAL  REALM OF ELDRITCH FASCINATIONS.  PREEMINENT IN THE GARBLED GABBLE OF DESIGN AND THE TABLATIERES OF THE TABLATURE OF REGULA MIGHT WE WITNESS A NAUFRAGUE NOYADE WHICH SPARES THE MOST CLEMENCY AND AFFORDS THE GREATEST FORCES OF REVALORIZATION TO ENNOBLE THE PRESTIGITATION OF SEDIGITATED MACHINES SUCH THAT TIME BECOMES ITS OWN RECURSIVE ANFRACTUOUS TERMINUS TO THE THERMOLYSIS OF ALL CIVILIZED TROPES OF METAPHORICAL LITURGY THAT SCAMPER THE TESTUDO INTO THE DELITESCENCE OF HIDDEN BOSCHVELDT SCRANCHES OF PRIORITY BY SECURITIZATION OF ALL OVERLEVERAGED FINANCIAL INSTRUMENTS OF MATHEMATICISM FOR THE APOTHEGMS OF OUR AGE TO BE BLINKERED BY COCARDEN IN ACRONYCAL COLORATIONS TO BEGUILE AND SUSSULTATORY SPATTEES FOR SCAPPLES AGAINST SPAVINEDS OF THE BERLINE INVENTION. THE GALLANT ELAPID OLASIN EPOCH OF CIVILIZED RUDIMENTS OF ABECEDARIAN ABDERVINE MERIT THAT AVOIDS THE CODSWALLOP OF ALL BOLAR STADIOMETERS OF WANIGANS OF  POWELLISATION THAT BECOMES VIRTUOSITY IN AGATHISM THAT IS SPECULAR IN BLEMISH AND SHEEPISH OVER VAUNTED VAUNTLAYS OF VECORDY BY  THE METHODOLOGY OF VASTATION. THE UNINTENTIONAL SCURFY SWANK OF BALATRONS OF BAISEMAN WHO CARVE THE SYSTEMIC DESIGN OF SANGFROID AGAINST GALERES WHO USE THE STOMACHERS OF  THEIR OWN PALATABLE FILIGREES THAT WE MIGHT NEVER ENTHUSE THE GOURMANDS OF TIROCINIUM TRUCULENT RATHER THAN SWASHBUCKLING WITH VANITARIAN BUMICKY BADIGEON TO REPAIR THE REVETS OF THE CHEVROTAIN OF YOUTHQUAKE THAT JANITRICES OF JANSKY SWOONING ON THE ENGORGED WREPOLIS OF GARBLED MISCEGENATION OF WARTORN IGNOMINY THAT TRAVESTY APPOINTS THE BELLWETHER OF ALL JUBALS GRAND INVENTIONS BECAUSE WE REMIGATE THE SCALARIFORM CORDWAINER NOMENCLATURE TO SHOULDER DISHEVELED RATOMORPHISM THAT BELONGS TO AGROZIATRY BECAUSE OF  THE PREVALENCE OF URANOPLASTY IN GLABROUS OR HIRSUTE ARTS OF GEOSELENIC ACCORD THAT CALUMETS OF WALDFLUTES IN THE SONDAGE OF CRUEL COMPRACHIO AVIZANDUM IN THE BYRES OF BUSHWA IN NONSENSICAL COUNTERPATRIOTISM TRYING TO HEDGE MALAISE WITH IVORY TOWER CREEDS OF CREDENDA FOR THE VISIOGENIC APLOMB OF CIRCULARITY OR ELLIPSIOCITY IN THE GRAVAMENS OF GRAVITAS. IN THE VERVE AND FASHION OF KNEAD MALAXAGE FOR THE MITTIMUS OF SUCCEDANEUM WE FIND THE PETTY FAULTS OF PECCADILLO ENRAGED BY IGNOVIMOUS IGNOSCENY TO BE IDEMPOTENT IN SEDIGITATED  SEGUIDILLA OF WILLOWISH FASHIONISTAS AND BARRISTERS OF CABOOSE AND SNARE. THEREBY, SPECTACLES OF GRAFT BUSHWHACK THE UNDERBRIDGE OF RECTISERIAL HOMILIES OF WOUNDED WOMBS THAT THE SUFFRAGE OF PROMACHOS TRITANOPIA OFFSET BY CONTRARIAN PROTANOPIA MIGHT FESTOON LUKEWARM REVANCHE FOR THE  DYSANIA TO OUR OWN FAULTED COMPLEXIONS AND OUR QUIRKY QUISQUILOUS STERNWAYS OF BANDOBAST STRICTURES IN BAGGING COAMING COBALTIFEROUS VINEGAROONS OF PICKELHAUBE PORBEAGLES OF MENACING RESIDUE TO CHURN THE MILKY SEAS OF CONTRITION INTO FORMIDABLE BASTIONS OF PHAROS OF PHANOPEIA WHEN WE FIND THE OUTSKIRTS OF ALL REMEDY NEVER A SHEEPISH EMBARRASSMENT BUT ALWAYS A DOCTORED TRAVAIL OF NAVARCHY LEADING PAST TEMBLORS OF SATIETY IN GLAMOUR AND GLOZING GNOTOBIOLOGICAL CONFEDERACY SWOONING WITH TESTUDOS OF BOYAU PROXENETES THAT WE MIGHT OVERCOME THE THRUSH AND SLEDGE OF DREDGED IRENARCHS AND INFAMIES BECAUSE OF TRICOTEES AND TRICHOSIS THAT CEPHALIGATION IS AN UNNECESSARY NODALITY OF NICCOLIC NIDAMENTAL NANCIFUL NUMBATS WHO ESCORT THE PASTIMES OF CHOMAGE BY METEORIC SPRITES OF SPALDING ASPHETERISM BECAUSE OF CORPORATE TWINGES OF MORAL CONSCIENCE IN REGARD TO PROFICUOUS LEGERDEMAIN AND LOGODAEDALY BY DEGREES OF PYCNOSTYLE RATHER THAN PALTRY OBSESSIONS WITH WROTH AND WROX IN THE NEIGHS OF CHIRK AND CHAMPION. THE GYMNURE OF PRICKLY TRIBULOID SCANDALS OF  SCANSORIAL MOULINS FOR OLIVASTERS BURROLING STANNARIES OF  STANJANT FOR HISTRINKAGE SPANS ALL PERCEIVED GAMUTS OF HETEROCHRONY THAT DISHEVELED RESIDENT ADVISOR SOCIETIES THAT INTUITIVE SURGICAL SOLUTIONS TO THE GNOMIC PROPRIETY OF GLAZED POTVALIANT POSTCENNIUM THAT  PREDICATE THE AGATHISM OF AGATHOCACOLOGICAL DISASTERS THAT IN THEIR FLEX OF SUPREMACY AND THEIR LEAPING PAGEBURNING FLIPPANT DISCORD MIGHT ZITHER THE HARP AND IN HARPSICHORDS OF WALDFLUTE BY WALLETEERS OF GROOM AND GALLANTRY. MIGHT WE FATHOM THE HOLOBENTHIC DIMENSIONS OF A LITURGY OF MAGNANIMITY CODIFIED BY STRICTURE RATHER THAN RELEGATED INTO AUXILLIARY COMPLICATIONS OF BYZANTINE MIRED MAZY MAUNDERS OF MARAUDING VIKINGS OF DIPPOLDISM BECAUSE OF RAPID TACHYTELIC TACHYPHRASIA STUDIED BY ORGANUELLE AND RHADAMANTHINE RASPS OF WASPY HORNETS NEST MIKE BOSSY BOSE FOR THE STRANDED ISLAND OF INSULAR HOBBYHORSES THAT MONETIZE THEIR OWN CONSUMER FETISHES FOR THE ZAP OF FRUITION TO MANIFEST IN DESTINED TRAIPSES IN COLLARBONE VESTMENTS OF HABILIMENTS OF SCORN AND PILLORIED IGNOMINY THAT THE HIDDEN GUILT ASSUMES THE SPECTRAL DIMENSIONS OF PALTRIPOLITAN URBANE COQUETRY GROWING ROARING ENGINES BEYOND PRETEXT OR PREVARICATION TO SUBSUME THE CONSTITUTION OF THE CONSTELLATIONS AROUND WHICH MAROONED MOONS SEEK THEIR GEOPHYTES OF MORPHOGENY IN RACKRENT ACERBATION IN SPHACELATED METROPOLIS . THIS IS DEFINED IN RETROGRADE MOTION TO DISCERN ALL PROPER RECIPIANGLES FROM THE MASTERATE TO THE MATACHINS OF MELODIKON FRAZZLING THE FRAYS AT THE EDGE OF REVOLUTE DISINTEGRATION OF LACK VANISH IMAGINATION. THE BLEND OF GUILLOCHE DEMARCHING BEYOND DELOPES IN PRAXEOLOGY ENTOMBED BY VESTIGIAL FOOTPRINT DACTYLOGRAMS AND KINDERGRAPHS OF FLASHBANG GRENADES OF SMOKY HARNESS AND REPLETE HARVESTS OF THE RADICAL STALINISM DEFEATED BY MARINERS OF  THE MAROONED POGROMS THAT REVANCHE DESOLATION VANDYKE PROXENETES OF STATURE USE VASTATION FOR RHEOTAXIS AND UNDERSTAND THE RACKETEERING OF MORAL PERJURY IN OBOLARY HEDONISM SCRUFF IN DANDRUFF ECONOMETRICS DIVORCED FROM LEVERAGED BALANCE SHEETS WITH CASH ON HAND FOR GOVERNING PRINCIPLES OF ASCENDANT LITURGY RATHER THAN NESCIENT OLIGOPSONY OF BANGTAIL ARTIFACTS OF BEGUILED ARTIFICE ESTRANGED FROM MORAL DOGMATISM USEFUL IN ECCLESIOLATRY. PUNDONORS OF IVRESSE DERIVED FROM PRECISE IAMATOLOGY OF AUDILE ARYANS GHAWAZIS ENVY IN THEIR RACKRENT BEATSTERS ADEEM BECAUSE OF ACHARNE WIELDLESS OVER ERAS OF EPHORIZED ZOOLOGICAL MALCONTENTS OF GRAMPUS IN TRUCIDATION AND BARNSTORMS OF ABSTRACTION BY PARABOLAS RECOCTED AND INCENSED BY THEIR BETRAYAL OF SURDS AND SURDOMUTE SCRIVELLOS SUCH THAT AUGENDS ALWAYS CARRY ENUMERATED STRINGS OF STRING THEORY DECIMATION OF MINIMIZED TRACTION FOR EVERY LAGGARD HOBBLED WORKADAY MANTLEPIECE OF NUMBERED NOMOGENY BECAUSE THE NEKTON IS A GRAVER THREAT TO TROMOMETERS THAN IS THE CHIRKED SWAY OF PALM TREE OASES ON THE VERGE OF VERDERERS GROOMED BY RANGING PLAINS OF CHAMPAIN AND CHAMPERTY IN THE CHAMPIONSHIP OF THE STRUGGLES OF VOLITION AGAINST CURTAILED CURGLAFF BY BRACKISH INCALESCENCE FOR WHITTAWERS OFTEN BEREAVED BY THEIR OWN HUBRIS OF A MOMENTARY VICISSITUDE OR VRAISEMBLANCE OF VORTICISM LACKING VOLTINISM BECAUSE OF UNIVOLTINE TRESPASS. THE PULICIDE OF HAECCEITY WITH RESPECT TO QUANTIFIABLE QUALIA TRANSPOSED IN BLINKERED RHABDOS AND REPINED REMEMBRANCE OF THE SOVENANCE OF WUNDERKIND YOUTHQUAKES BORNE FROM WINTERBOURNE SPRINGS DESICCATED FROM WELLSPRING  FOUNTAIN PENS WORTHY OF SCRIPTURAL REMIGATION SUCH THAT THE OLIM ARE PERSECUTED BEYOND ALL MANNER OF DEMARCATION SUCH THAT TWINGES OF HOROSCOPES MELLIFEROUS IN VEXILLILOGY GRASPING EVERY PENITENT ITCH IN EVERY WEIGHAGE OF THE CUSTODY OF SOULS THAT SUDDENLY THE TRAULISM OF MODALISM IN MODULATED STEPWISE RECOURSE OF BECHIC AND BEDAZZLED MYTHS OF HADEHARIA BECAUSE OF IMPLODENT EVENTS OF PREDICATE VALOR ONLY IN THE PRESCRIBED ANOINTMENT OF DIRECTIVE ABOVE DIMINUTIVE REGELATIONS OF BREVET AND THE CACHES THAT SURMOUNT TITANIC AND HERCULEAN TASKS WITH THE GREATEST OF EASE BECAUSE OF THE NODALITIES OF SYNERGY IN CEPHALIGATION DESIGNED BY ENCAUSTIC MANDATES OF NOMOTHETIC NOOGENESIS THAT SERTIVINES BELONGING TO JABIRU TRIBESMEN MIGHT TROUNCE EVERY LOLLYGAG OF PRALLTRILLER PRAGMATISM PRIMARILY BECAUSE THE PROVENANCE OF ALL HORTORIGINALITY RELIES ON EMOTIVISM FUNNELED THROUGH SIPHONS OF CAFFEINATED LAVADERO SUCH THAT THE SUTLERS OF  SECTILE ECONOMIES CONTINUE THEIR PLOUGHSHARES OF DEADSTOCK MIGHT IMPINGE ON QUALITATIVE GOLD FOR QUANTITATIVE HOGWARTS METHODS OF SORCERY ABOVE VEILLEUSES OF TRAMPOLINE REVERB THAT OUR BRONCHOS IN THE  RELEGATION OF THE FREE AND THE BRAVE IS THE UTMOST TRAVESTY OF RIMOSE RANKLES UPON TRIDENT SEAS TRAVERSED BY ACHILLES MOONSHOT ORBITED SATELLITE EXURBIA. THE PUTCHERS OF FRIGOLABILE VANDYKES OF VASTATION IN JASPERATED JARVEYS FOR FROWARD BARTONS OF PANMIXIA IN A WORLD LESS ACCOLENT AND MORE NOTORIOUS FOR ITS FAILED CHIVALRIES OF PEDERASTY SCHLEPED ON THE DENOUEMENT OF ALL DELIVERABLE COMMODITIES OF CREATIVE BRINKMANSHIP BROOKING THE TRAVESTY OF TURNVEREINS OF GRAMERCY AND VISIOGENIC VISIBILIA IN THE VETANDA OF TABOO STIGMATA FROM THE URCHINS THAT SWERVE INTO ABYSS AND ABANDON FOR LACHRYMOSE INSISTENCE OVER TIME INEXORABLE SUCH THAT THE FLUX AND FLOW OF CRYPTODYNAMISM STRICKLED THE COAGULATION OF BONNYCLABBER WASES OF WAPENTAKE TO EDGE TRUMP TO ELECTORAL STAMPEDES IN ITS HONEST VALOR AND MAJORITARIAN RALLENDORK OF ULTIMATE SYNCHRONICITY SUCH THAT GODS PREROGATIVES WERE OBEYED. THE UMBELS OF VERTIGO DEPENDENT UPON THE APOSTILS OF HOARDED HOARY WIZENED GRAY AGING REVOLUTE FRAYS OF SURDOMUTE RATOMORPHISM OUTSMARTS TITANS WHEN THE NODALITIES OF THE NOILS OF CEPHALIGATION FORMATIVE IN THE DURESS OF EFFICIENT ECONOMIES REACHES SUCH AN APOGEE AND ACME OF THE ULTION OF THE INANIMATE AGAINST MACROBIAN SENTIENCE MIGHT WE MARVEL AT THE SUBROUTINES OF THE GLOZING GLOTTOGONIC GNOTOBIOLOGY OF SEMAPHORES IN A VAGANTES VACUUM OF THE VASTATION BY VAPULATION FOR THE LAMBENT LAZARETS OF EPOMANIA BECAUSE OF STRIDOR AND STRAIN WE FIND OURSELVES IN GINGLYMUS ARRAYED AROUND GENIUS SUCH THAT HOLOCRYPTIC HOLMS AND OREAD NYMPHS FREQUENTING THE LABORIOUS INDUSTRIALIZATION OF HUMAN IMAGINATION WE FIND THE MAROON OF THE HUMAN TALENT FACTORY OF FACTOTUMS TO BE ENDANGERED BY AURILAVES OF ARTIFICIAL INTELLIGENCE WHICH SURPASS ALL LIMITS OF CONDIGN HUMAN MELANCHOLY BECAUSE OF MERCURIAL VENGEANCE OF VENDETTAS THAT SEEK AGATHISM RATHER THAN TERROR AND NOTORIETY RATHER THAN CENTRIFUGES OF THE LISTLESS AND USELESS RETINUE OF VESTIGES OF WOODSHEDDED WOONERFS BELEAGUERED BY BRIMSTONE AND THE DAMNATION OF A HYDROELECTRIC SYSTEM OF RELUMED LOURS OF SOFT MARAUDING LIGHT OF THE TWADDLING DANCES OF THAUMATURGY IN THE MIRACULOUS AFTERBIRTH OF THE MOST SECURE VARDLES BECOMING THE MOST DESPISED ARTIFACTS IN THE HISTORY OF LABOR BY HOFFA TACTICS IN UNDERHANDED MUGIENCE OF NEGOTIOSITY FRUSTRANEOUS TO ALL FLICKERING FIZZGIGS OF SODA POP GENERATIVITY PUNCTUATING CENTURIES WITH CONSUMERIST PLIGHTS OF ADDICTION BY THE LABARUM OF THE LORD RATHER THAN THE WHIMS AND CAPRICE OF ANEMOCRACY. WE ARE OUTFOXED AND AT THE SURRENDER OF THE DACOITAGE OF ARTIFICIAL INTELLIGENCE STORMING FORWARD LIKE A BLITZKREIG TEMPEST MET WITH THE ANGARY PETTIEST  RESISTANCE OF PETTIFOGGERS AS THE PANTECHNICONS OF THE FUTURE CONVENE UPON THE GOLDMINES OF KATABOTHRON AND SYRINX WHICH IS A JOCKO JOLLYBOAT FOR FULMINATION IN CHIMNEYS OF ORPHANS THAT LEAD US TO  THE PRECIPICE OF TOMORROW THAT ONE DAY WE MIGHT BE DUMBFOUNDED BY OUR OWN ANAPEIRATIC EXCESSES OF ALGEDONIC IMBALANCE BECAUSE AURILAVES OUTNUMBER COMSTOCKERIES AND WE FIND OURSELVES FISSILE VEES BURIED IN THE HEAPSTEAD OF THE BULGUR OF BUDDLING TIMMYNOGGIES THAT ARE SEMPERVIRENT BECAUSE THE IMMORTELLE IS ESSENTIAL QUIDDITY IN QASIDA AND QUERENCIA ABOUT DROOPING EYELIDS OF LOUR AND LEER BY LEARY DESIGNS OF TUNE IN TURN ON AND DROP OUT SOCIETIES OF EPIPHENOMENA RATHER THAN SOLID ENGRAVING ON THE TABLATURES OF MIGHTY MACHINATIONS AMONG INTELLIGENT ROBOTIC HENCHMEN OF THE DEEP STATE WHICH SCURRILOUSLY SCARE ALL PUSILLANIMOUS FIFTH COLUMNISTS AWAY FROM GEOTHERMAL POWER BECAUSE OF ECCENTRIC OBSESSIONS WITH THE TALISMAN OF THE SORCERY OF MODERN WORD CRIMES MONETIZED INTO PRIGGISH LAPSE AND CRENELLATED ROYALTY BYPASSED BY ABORIGINAL SPITES OF PRISON COLONY PREROGATIVES THAT THE AVARICE OF MAMMON IS THE MANIFEST DESTINY OF ALL GORDON GECKO FLEAS WHICH HERDS THE CANINE SENSIBILITIES OF THE CAMARILLA AHEAD OF THEIR NEAREST COMPETITORS OF MAINPERNOR. THE INFERIAE OF DUGONG DIDDICOYS OF DAMSEL IN DISTRESS VIRTUALASIS TETHERED TO THE CORDSLAVE BOLAR ENCHANTMENTS OF BLEAK DREARY HUES OF FUTURE DYSTOPIA MAGNIFIED BY ALPENGLOW VISAGISTS THAT PARLAY ALL WRIKPOND WREPOLIS TAMBURITZA FORTUNES AGAINST THE WHERRETS THAT SOCKDOLAGERS OF HERCULEAN BETS MAKES IMPROBABLE MIGHT THE CAGOULES BE TERRIFIED THAT THE MURAGE OF THEIR ANTIQUATED CASTLES OF CRENELLATED PREJUDICE MIGHT COLLAPSE INWARD AND IMPLODENT UPON AN ARCEATED WORLD THAT TARGETS DEFICIENCY AND SOLVES THE STATOLITHS OF NESTITHERAPY WITH A GREGARIOUS INSOUCIANCE BECAUSE OF NEWFANGLED INTERRAMIFICATIONS OF MAN TRYING TO KEEP PACE WITH THE IMAGINATIVE ****** OF BALBRIGGAN TECHNOLOGIES WHICH ARE COVERT IMPLEMENTS OF NIVELLATION AND ENTHYMEMES OF UMLAUT PROVIDING AN ANTIPANGAMY OF PANEGOISM AND PANDATIONS THAT BLUR A GAUSSIAN SPHERE INTO COMPOSITE COMPONENTS DEMASSIFIED BY ADVANCED ASTROPHYSICS IN THE QUANTULATION OF INEVITABLY SUPREME NUMERICAL HEIGHTS OF IMPOSSIBLE REACH ONLY ABRIDGED BY THE HUBRIS OF PROSTHESIS BECAUSE OF THE ABDERVINE MERIT OF A WORLD BRONZED WITH SWORDS OF DOUBLE-SIDED SHEATHES OF STEELING EYES AND STEWARDS OF OLYMPIC CABOOSES IN MARATHON TRANCE SETS FOR THE WALDGRAVES OF THE NOBILITY OF CANQUE BUILT BY JORDANS TO SURMISE THE YARAKS AGAINST YIRDS THAT CARNIFICINE ALBATROSS AND EAGLE FETCHES EVERY SQUARED COMPASS AND EVERY HEDGED GYMNURE THAT WE MIGHT PROPEL OURSELVES BEYOND GAUDY MACHINATIONS OF LIONIZED INUREMENT TO THE RAGGED HETERONORMATIVE EXCESSES OF A PHILANDERED ESCULENT PARVANIMITY ENDANGERED BY VARSAL PERSPECTIVES OF VITRAIL PROPHECIES SEEING THE TURTLEBACK FREEZE IN HYPOTHERMIA LIKE A JACK DAWSON SUNSET INTO THE CRUEL ABYSS OF NIGHT BY KNIGHTED DEGREES ABAFT OF THE SCHWERPUNKT THAT MESMERIZES AGAINST THE CHOANIDS OF SARANGOUSTY A MAGNETISM OF THERBLIGS AND ERGASIAS THAT SURREALISM COVETS AND PRAGMATISM ABSOLVES WITH ABLUTION AND BLUNT TORPOR BECAUSE OF AVENGED SEVENFOLD BATMAN CORDWAINERS OF CODSWALLOP AND CURMUDGEON BECAUSE TIME IS ITS OWN CUCULINE BEHEST OF ORGANITY IN THE BUSHWAS OF THE MOST ABSURD BEING THE LABILE IMAGINATION AND VORTICISM OF ALL CONTRARIAN MOVEMENTS AGAINST SOLIDARITY AND TOWARDS INTREPID BALKANIZATION. ORIBIS OF ORICHALC SHANTUNG BECAUSE THE BLESBOKS ARE INCULCATED ON THEIR HAUTEUR OF JAUNDICE PRIMARY TO THEIR ANTITHESIS TO MODERN SURGING SWELLS OF SPUMID FROTH BETROTHED TO THE ELEGAIC HEARSES THAT TRANSPORT THE LIVING REMNANT OF THE DEAD REVENANT AMONG THE LITURGY OF MEN ABOVE THE CURGLAFF OF GODS WICKED SPITE EVEN IN HIS PERFECT  MAJESTY WE SPURN THE REDACTION OF PEREMPTORY CALCULUS OF IATROMATHEMATICS BECAUSE OF MUTUALISM IN AUDISM THAT IS FORSIFAMILIATED FROM FEWTERERS AND GRAUNCHERS OF JOLTERHEAD JANGADAS SURROUNDED BY ARMIES OF JANIZARIES SEEKING TO ABRIDGE THE TENURE OF THE GROVELING GRIPES OF ESCAPADE AND ESCARGATOIRE BECAUSE OF PAST POGROMS THAT SLAYED THE DRAGOONING FORCES OF DEMASSIFIED CARNAGE IN WAR THAT THE CAMARRA MIGHT BE AVENGED PENNYWISE BECAUSE OF RAPTORS CROONING LOUD SONGS FOR THE ETERNAL REGISTRY AND CADASTER OF HEAVEN MIGHT IN SEDERUNTS OF SYBOTIC SYCOMANCY THAT THE PENULTIMATE DEGREE OF PROMACHOS ELEUTHEROPOMANIA SLEEKLY NAVIGATE EVERY NAIVETY SUCH THAT NO IMPLODENCE OF PIRANNHAS CAN EVER CAPSIZE OUR TITANIC VESICLES OF VENDANGE IN ASPHETERISM. AND, BECAUSE OF ARROGATION IN THE PALACES OF THE THRONE AND THE CRANING CULPRITS OF WEGOTISM THAT BECAME THE ORGULOUS OF CENTIPEDE CONTRACTS CONTRAHENT TO JAPANESE TOILET ASSEMBLY LINE CRAFTY DIVERGENCE FROM AUTOSOTERISM IN OUR TECHNOLOGICAL EMPIRES OF ENTROPY CURVED AROUND THE PARABOLAS OF GOOD WILL HUNTING VENATICS AND VENDIBLE RACEMATION OF LASSITUDE PRONOUNCED IN THE HEARTH OF ABODES OF ADOBE MATERIALISM WOBBLING UNDER WIZENED PRESSURE BECAUSE OF THE VOLTINISM OF STACKS AND SPETCHES OF SOLIDARITY THAT CRIBBLE THAT TANTREL OF DEVOURED DEMIURGES OF DRAPER HIT ADEEM DOOMSTERS AGAINST PETTIFOGGERY LASTING INDELIBLE IN THE CONSCIENCE OF SINNERS AND TAX COLLECTORS UNABRIDGED IN THEIR MISERICORDS OF CORDSLAVE WORD CRIMES THAT SPAWN A THRILLER FRIGHT FOR GHOULS OF THE GASPING GHASTLY MOONLIGHT DRIVES OF CAREFULLY CULTIVATED BRIMBORIONS FOR BRILLIANTINE JASPERATED JARVEYS OF IATRALIPTIC LONGEUR PRANCING AT THROTTLEBOTTOM TOCODYAMETERS THAT CODDLE EVERY VELCRO SOOT BELABORED WITH CONSTRAINT AND CRAZED UPON SCALDING THIRSTS FOR DUSTBOWL RUNAGATES FLOATING WITH WHELVES ABOVE EVERY METROPOLITAN GASP OF COACERVATION ESPECIALLY IN ANACHORIC CONDITIONS CREATED BY REGIONAL BANKING SECRETS PEDDLED INTO BARNSTORM BY ORCHESTRA AND GALLOWS. THE RINKOMANIA OF RINGENT RAREFACTION IN THE QUIBBLES OF QUESTERMONGERS GRAPPLING THE TETHER OF ZIP LINE DECLASSIFICATION SHOWCASES THE ATOMIC NATURE OF VEEPSTAKE VEESES OF VARSAL QUANTULATIONS OF PROBABLE EXIGENCY BECAUSE TRIMSCREET NOTAPHILY THAT NEWELS TREAT WITH MUGIENT RUDENTURE MIGHT ONLY ASTOUND THE PEOPLE OF A BADIGEON MISTRUST IN THE SYSTEM OF STANDPIPES AMONG THE STANNARY BECAUSE IN THIGMOTAXIS A CHUCKWALLA CAN ACCOST MODERN PLIGHT BY DEMOCRATIC HEFT ESPECIALLY IN CLADOGENESIS AND SPODOMANCY BECAUSE NO LONGER IS THE SINECURE A FACTOTUM TO DESTINED UNBUTTONED SNOOZES OF THE CHAVISH OF MANY BIRDS ALL AT  ONCE IN CONCLAMATION AVERTING THEMSELVES FROM MODERN TANTRELS OF TANQUAM TANTONY BECAUSE OF GIROUETTISM AND TIMMYNOGGY BOTH PART AND PARTICIPLE OF THE CONSTELLATED CONSTITUTION OF A WORLD BEYOND TRICKSTER HUCKSTER NEGOTIOSITY ****** WITH NEBULIZED NECROLOGUES AND THE ATTEMPTS OF NECROTYPE IN WHERRET LONG AGO DEMYSTIFIED THAT SUCH A HIGH DEGREE OF OXTERS SUFFERING FROM THE OVERLOCK OF NACREOUS YAFFINGALE YELEKS OF YASHIKI BECAUSE THE BINTURONG FINFUGAL COMMONALITY OF ALL CHAPERONES TO RABID DESTINY BECOME A MOTATORY MODALISM OF MOFUSSIL INTEGRITY ABOVE FREEWHEELING LICENTIOUSNESS IN PROFLIGATE SHOCK VALUE AND FLAGRANT FOUL GROIN INJURIES OF DENTICLES AND CORBELS THE SINECURES OF MAINSTAYS OF LEVERAGE BEYOND THE SNATCHES OF COQUICIDE. TOO MANY EBBERMANS EXPLOIT THE EBRIOUS TENDENCIES OF MALADROIT ECCOPROTIC ECDYSIASTS OF ECCENTRIC ORBIT AROUND THE MYTHOS AND BATHOS OF THE CULMINATED VARIETIST FOLKLORE OF WILLOWISH WITWANTON PERSIFLAGE FRISKY IN BOUNDED LOLLOPS OF DENIZENS OF PRIVY FRIVVERSCRABBLE BECAUSE OF COCARDEN SELF-FULFILLED DESTINIES OF GORDON GECKO HUCKSTERSHIP ARRAIGNED BY THE OBOLARY COMPRACHIOS ABOVE EVERY ANOINTED PROXENETE OF BOYAU SUCH THAT THE OUTFOXED GALLIVANT OF LEADEN DREAMS MIGHT INCUR THE RANCOR OF SOOT IN FULIGINOUS FUMIDUCTS BLINDING BLINKERED IMAGINATIONS IN CHECKERED EXPECTANCY BECAUSE OF THE LIABILITIES OF MANUFACTURE OF POLITY BY PELITIC MEASURES OF PIEZOMETERS WHICH ABIDE BY THE AGRACERIE OF TRAGELAPH TOURBILLONS OF TOMECIDE PRIMARILY BECAUSE SAMIZDAT ONCE BURIED BEFORE CHRONOMANCY COULD ALIGN SHOWCASES THE TWINGES OF HENPECKED HINDSIGHT OF DEADSTOCK KEELHAULS OF INTEMERATED DESTINY TO BE THE APTITUDE OF DESCRIPTION SOUGHT BY DOXASTIC ONCOSTMAN OF MINERAL SUFFICIENCY ENOUGH TO BROWBEAT MIGNON ATTEMPTS TO SWAMP THE STREETS WITH LETHAL CARNAGE AND SPURTS OF SOPHOMORIC CRIMES OF THE PETTIER SORT BY THE ADOLESCENT FABLE HALLOWED BY PERSNICKETY CONSTRINGED AND CONTECKED CARFAX CARRACKS BELONGING TO PANTOGRAPHS THAT DELIMIT AN AUSTERE FUTURE BETTER THAN A BRACKISH PISCIFAUNA OF PAST MISERY MEASURED BY DEPRIVATIONS IN MOUNTENANCE BECAUSE OF IDEMPOTENT SQUALOR REITERATIVE OFTEN TO THE DIMINUTIVE PREYING MANTIS SCORIA OF TRICHOSIS SLIPSLOP UPON THE RUMCHUNDER SILK OF RUPESTRIAN COMPREHENSION IN LANGUISHED EXHAUSTION OVER AGING RHETORIC SUITING DIFFERENT ZEITGEISTS WITH DIFFERENTIAL GRADIENTS OF SERRATED SECODONT GOLIARDY AND OTHER CAMELOPARDS BRICKBAT MANSIONS AVOID PRIMARILY BECAUSE OF THE CREAM AMNESIA HEDONISM OF AN ERA DEVOID OF MORAL PERJURY BECAUSE OF UNIVERSAL PURGATORY AND THE ITCH TOWARDS URANOPLASTY HOWEVER MISGUIDED THAT ULTRAISM OF REQUEST MIGHT BE UPON THE RESCRIPTS OF LEGALISM LITIGATED BY FILIBUSTER AND RETROACTIVE IN THE ENLISTMENT OF SPECULATION TO STORGE BARMCLOTH ECONOMIES WITH A HYBRIDIZATION OF MOONCALF DEMISANG STOICHOLOGY WITH THE SYNECHIOLOGY OF BIOLOGICALLY ATTUNED ATTEMPTS AT ACHIEVING ETERNAL LIFE THROUGH WHATEVER MEANS NECESSARY TO COMPUNCTION AMONG  STELLIONS AND STANDPIPES TO THEIR SWAPES RATHER THAN THE AXLE ROSE SWARF OF JUNGLES OF SCHOENABATIC RHABDOS RUNAGATING DELIRIFACIENT FEARS AT FORFENDED PROSCRIPTION OBEYED BY ALL MORAL KERYGMA CURVED INWARD AND BELEAGUERED OUTWARD. THE ECHARD OF MAEUITIC THOUGHTS THE IMPRINT OF ALL EMOTIVISMS EVOLVED BY TACHYTELIC EVOLUTION BY THE HARPSICHORD REFINEMENT OF CALUMET BY CAMPANILE STANDARDS OF CETACEAN LEAPS IN INVOLVED MATHESIS MIGHT PROVIDE THE DOXASTIC ONTOGRAPHY OF CATADROMOUS TAMARAW BECAUSE THE FLOURIDATION OF THE THIRST MUTILATION OF A DECREPIT SEEDY BOWERY OF MALCONTENTS OF BUSHWA COMPOUNDED BY BYRES OF SUBTERNATURAL JUNGIAN ARCHETYPES THE COMPOSITE OF MANY RHIGOSES IN HYSTERICAL OUTRAGE OVER THE PRONOUNCED PROVIDENCE OF HIGH BETA CORPORATE TRAJECTORIES MIGHT CREATE AN ECLAIRCISE RATHER THAN AN ECREVISSE BECAUSE THE HISTRINKAGE OF GOURMAND CABOOSES OF INGREDIENT SALMAGUNDIS STORGED IN MOTLEY FORMATIONS AROUND THE QUIDCUNX OF ALL MASONIC LORE SWORDFISH TECHNO BELLOWS FROM THE RAFTERS OF TSUNAMI ELEGIES IN HOMILY DESIGNED TO OVERHAUL AND OVERTURN THE DILAPIDATED INSTINCTS OF INCARNATION BY DECRASSIFICATION BECOMING AN IMPLEMENT TO TRAVERSE ALL SCALE OF TIME AND SPACE FOR MESSIANIC ARENOID ECLEGME MIGHT WE FASHION A BETTER VILLAGE OF UPSTAYS OF THE DENORATUM BECAUSE OF THEIR PERSNICKETY BAILIWICK OF PROVINCIAL SHIBBOLETHS THAT HAUNT THE MINDS OF GHASTLY MEN ATTEMPTING GHOUL GANG SLAUGHTERS BECAUSE WALTER MCGINN NEVER STOOD A CHANCE AGAINST CARNIFICINE BOLIDES OF BOMAN DACOITAGE BECAUSE OF THE FERVOR AND HEIGHT OF DRAMATURGY IN DACNOMANIA BLISTERING THE RACIAL FOOTPRINT OF ANCIENT SOCIETIES CONGREGATED AROUND HAMARCHY MEGALOMANIA WE FIZZLE AND DISSOLVE THE SIMPERS OF THE DISSOLUTE INTO THE FORMIDABLE CONCOCTION OF HOGTIED JOUGS OF CANQUE MIGHT THE ELASTANES NEVER HAVE THE COURAGE TO OUTMANTLE THE FENESTRAL FENNEC THE UNDERBELLY OF SOCIETIES CRAVEN IN DISREPUTE BECAUSE OF THE  CLADOGENESIS OF CRIME FROM THE CRYPTADIA OF NOTAPHILY AND THE URGE OR CACOETHES TOWARDS NOTITIA PRIOR TO THE DAWN OF THE POWELLISATION OF WANIGANS AGAINST POTICHOMANIA FOR SOLIDARITY, TRUTH AND A RABID SENSE OF JUSTICE NEVER FOAMING AT THE MOUTH FROM THROMBOSIS. IDEMPOTENT IMPLODENT SQUALOR MANDATED BY AVIZANDUMS OF CRUEL SAMIZDAT DIVORCED FROM GEZELLIG BECAUSE ONCOSTMANS OF INDWELLS AND THE INKTHORNS OF PRIMIPARA SURREYS OF BROADCLOTH MODERATION ON THE MOFUSSIL MODALISM THAT PROVES NEOVITALISM BECAUSE ACATALEPSY STRAINS CREDULITY TO SUCH A CONTRAHENT RESPECT THAT IT CRACKLES WITH SUBORNED SUNS SETTING LONELY LOVERS FREE ON GONDOLAS FOR GONDOLIERS BECAUSE OF THE CHAMOIS OF GOLIARDY IN SUBSULTUS JOGGLES THAT BERATE JOCKOS FOR THEIR IMPUDENT REGARDS TO POGROM AND PASTRY MIGHT WE CONVENE THE BETHEL OF THE BROAD SEAS SPRAYING THE HORIZON WITH CURGLAFF BECAUSE PETEDORES ARE TOO MALCONTENT TO STOWAWAY LEVERAGE IN WELTER THE BELLWETHER STORMS OF STRIDENT TEMPESTS OF STRIDULATION ITSELF BECOMES THE STRADOMENTRICAL DIMENSION IGNORANT IN BARAGNOSIS OF GRAVIMETRICAL DISDAIN OF PINGUEFIED WORMCAST VOGUE SAGINATED BY SURETYSHIPS OF SERICULTURE THAT MADDENS THE FATTENED VEAL OF VEILLEUSES THAT BELONG TO GROMATIC REVOLUTION COUNTERCLOCKWISE TO EVERY ORANGE ORANGUTANG HARANGUE IN THE BLOCKBUSTER MERGER OF CAPITAL WITH INTELLECTUAL HEARTH SPRAWLING PALTRIPOLITAN ARROGATION IN WEATHERBOARDS OF ARROGANCE MIGHT THE BETTER DIPLOMACY BECOME A MORE REIFIED CHARADE FOR THE PROMENADE OF GULLIBLE SWANSONGS TO THE  CHAVISH OF ELEMENTARY PATAPHYSICS SUCH THAT ALL DELINEATED SUBINTELLIGENTUR TRACES ITS FORMATIVE LITURGY AND LINEAGE TO SOBRIQUETS OF SOVENANCE FOREVER EMBEDDED IN CHARACTEROLOGY. THE KYMATOLOGY OF THE SARVODAYA BELIEFS OF THE UPAS UMBRILS OF UNUFERUN DEGRINGOLADE DROOPY WITH LOURS AND LEECHES OF SANGUINOLENT HOPES FOR IMMORTALITY BUILT INTO BYSSINE INTERTESSELATIONS OF HAUTEUR GRANDEVAL IN TAGHAIRM AND MYSTIFIED BY THE PYRAMIDAL TECHNOLOGY OF SPHENOGRAMS THAT STUPE AND STOPE AROUND THE STULMS OF ARRESTED DEVELOPMENT OR OTHERWISE THE ATELIOSIS OF SEROTINOUS TALENTS AGAINST DIABLERISM AND HADEHARIA BECAUSE OF THE COMMON REFRAIN OF EVIL POLTROONS PARTICIPANT IN THE JEMADAR OF BANNOCK BECAUSE OF THE  WROTH OF WURLEY DISTRACTIONS BURIED IN THE VARDLES OF THE TEMPLES OF TIME AND CHIEF TABERNACLES OF PRINCES OF JERUSALEM MARAUDING AROUND THE AGATHISM PREVALENT IN FREEMASONRY THAT DEFILES THE EDIFICE OF ENNOBLED HUMANITY MIGHT EVENTUALLY WE SCOUR EVERY ACME AND PERIGEE SUCH THAT SYNCLASTIC BREVITY BECOMES A PRISM FOR THE LIBERATION OF TOLERABLE SOCIETIES ESTRANGED FROM FINIFUGAL BINTURONG CHIFFON RUMCHUNDER RHUBARBS THAT THE VENOCLYSIS OF GREAVES AND GRILLAGE APPOINTS THE JACK-O-LANTERN SPECIFICITY OF ROODS NEVER MORE PEREMPTORY IN THEIR AFFORCED CONTRITION IN PENITENT HALLS OF WINDING RESOFINCULAR DESIGNATIONS OF DEVASTATION RECOILING BY DISAGIO IN ARBITRAGE BY THE DESIGN OF THE CURTAILED GAFFES OF UNIVERSAL DOVETAILS OF ONDOMETRY BARELY EVER DEMASSIFIED FOR  PRYING INSPECTION BECAUSE OF THE CJ MACKINTOSH EFFECT WE WILL WITNESS THE CYANOTYPES OF ALL WORLD ORDERS CONVERGE UPON MIRACULOUS FORESIGHT MET HALFWAY BY THE PULLEYS OF HINDSIGHT  THAT CLAMBER IN INTRORSE DIRECTIONS TO METE OUT EVERY CALCULI AT THE EQUIDISTANT POINT BETWEEN GENIUS AND IGNOSCENY IN UNDERSTANDING NUTATION IN CRAVEN DISTURBANCE AND PAYABLE ON DEATH PEDIGREE THROUGH THE POISON IVY OF VENDIBLE GOODS RATHER THAN PROFICUOUS VENDANGE. THERE EXISTS A SWARTHY RAPSCALLION ECREVISSE LURKING IN THE SHADOWS OF HEYDAY AMONG ZEITGEISTS MARAUDING AROUND GRANDIOSE PRETEXTS FOR PRESCIENCE BECAUSE DORMANT CATAPULTS THAT ASSAY THE REGULA OF RINKOMANIA WHICH IS THE SWARF OF PIXELLATED FRINGE BENEFITS OF CARNAL OUTRAGE MIGHT THAT DEFALCATION OF EXCHEQUER FROM CHRYSELEPHANTINE GAMBITS FOR OUTRAGE PERCURRENT IN GEOSELENIC SERENITY OR OTHERWISE SUBSULTUS OF TEMBLORS OF CHAOTIC HAECCEITIES IN DUNGEONS OF DOOM BLASPHEMIES CAN NEVER EXPIATE WITH FULL SLEDGES OF PIER 39 WHARFINGERS ON WASTELOTS BECAUSE OF WALLFISH CENTRALIZING THE OMPHALOS OF GRAVID PLENIPOTENTIARY AND PLENARY ASSEMBLIES THAT CAVORT WITH NETHER QUANDARIES TO SPAR AGAINST CONGENIAL SERPENTS BRAZEN ONLY BY THE BACKBITE OF THEIR AUTHORITARIAN REGRESS. THE STENCH OF BLENCH AND BLARNEY BLANDISHING TOADIES OF SYRINX IN THEIR HOSPITABLE KALIMBAS OF DARK SPATHODEA ABIDING BY THE TURF OF WOONERF STRUGGLING FOR WHIPSTAFF RATHER THAN JACKSTAFF BY NYALAS PREROGATIVE BECAUSE THE ESTEEM OF BRIQUET LEADS TO BRISURES IN REGAL FAMILIES AGAINST DEFENESTRATION SUCH THAT THROTTLED CONSUMERISM MET WITH THE VOLTINISM OF VORTICISM MIGHT BE THE VRAISEMBLANCE OF ALL VAURIEN REVALORIZATION IN THEIR PIVOT TO THE ESOTERIC ARTS OF NAME AND DATE, BYWORD AND CREVASSE, TRAVESTY AND TRAGEDY THAT THE IMPLODENT COMMEMORATION OF FLASKS OF WHIPLASH PLUCK THE PLUCKIEST OF THORNS TO REACH THE MOST EFFLORESCENT OF ROSES SUCH THAT WE CAN SURVIVE THE TIDE OF CERACEOUS POWER OF SEMPERVIRENT BELLETRIST WIREWOVEN INTO EVERY REPUBLIC SUCH THAT LANDSLIDES OF PSEPHOLOGY BECOME THE HABITUE OF A SOBERMINDED WORLD RARELY IF EVER BLINDSIGHTED BY NIMIETY BUT ALWAYS STELLIFIED AND CONSTELLATED BY THE CELLARER MONKS OF THE HIGH ARTS OF SOCIAL SCIENCE IN THE HALLOWED HALLS OF GUARDED BARRULETS THAT TEEM WITH CARBONATED CERTITUDE IN A  CANADA DRY WORLD SUCH THAT THE BLUEPETER GAMMERSTANG TRIAD OF TRIAGE MIGHT METE OUT MULIEBRITY NEVER BEYOND THE GASCONADE OF GUFF GUIGNOLS OF RHYPAROGRAPHY THAT  TRAUMATIZES THE LIVING DAYLIGHTS OUT OF BLITZKREIGS OF SCHWMEREI AND CELIBACY IN THE SECRET TROVES OF A HISTORY PUNCTUATED BY ATROCITY AND RANSACKED BY THE DERMATOLOGY OF THE PATINA BETTER THAN THE CINEASTE OF DEEPER SUBINTELLIGENTUR WHICH IS SUBERIC LIKE A VINTNER TO PRESERVE THE RESURGENT BOOTLEGGING MOONSHINE TIDE TO THE LIMITS OF ALL POSSIBLE IMAGINATION THAT THROTTLEBOTTOMS BRACKISH IN BARNSTORM THAT  THE WASES MUST BE OBEYED TO PROVINCIAL WAPENTAKE BECAUSE OF THE SYBOTIC UNSEELED ARBITRARY MEASURES OF SGRAFFITO IN WAPENSHAW TRANSCENDENTAL OVER ALL ROMANTICISM SUCH THAT THE ORDER OF THE KNIGHTS OF MALTA KEEPS THE PERDURABLE SECRETS OF REGALIA ALIVE IN THEIR PRIVATE ALCOVES OF SQUARSONS OF A DIFFERENTIATE SQUAMATION OF SEQUESTERED REALISM IN REALITY TOO BOLAR TO WITHSTAND GRAFT. ECTHLIPSIS WITH THE EBBERMANS VAUNTLAYING THEIR PROXENETE BOYAU JIVE TALKING TRAPS OF STAYIN’ALIVE HAUTEUR OF SUPERCILIOUS TACT BECOMING IRONICALLY AN EIRENICON FOR THE STOMACHERS THAT PREVENT MISCEGENATION OF SPRINGHARES AND MURENGERS FROM PROSCRIBING THE SELCOUTH SERROWS OF SERICULTURE BALLOONING INTO INTREPID RAPTORIAL THREATS GRIMACING HEADWAY UPON THE DAYLIGHT WALKERS OF THE PISMIRISM OF ECHOPRAXIA IN PSITTACIST LIGHT REFRACTION THAT BYPASSES NATIONAL DIRECTIVES TO BRACKLE WITH NEVERLAND NAIVETY SUCH THAT CREDULITY IS A CLEPSYDRA OF THE MALAXAGE OF CARNIVOROUS FREGGETS OF FENNEC PRIMARILY OF A BLUE PRIMACY OF UNSPOKEN GAFFES OF GARBLED GABBLE OF THE GABELLE OF SCRIMSHANKED DWIZZENS AGAINST DRAZELS THAT PRANCE WITH ELEGAIC BALLET FOR BALLOTEMENT FORMATIVE IN DURAMEN AND SCAFFOLDED BY THE UTOPIAN IDEAL BECOMING AN ONEIRODYNIA OF FASTUOUS FERIAL FLAPDOODLES OF FLANNEL IN RETCHINATION OF HATED QUALMS BECOMING THE LOCKSTEP BRATTICE OF BANDOLIERS VACATED AND VACANT FOR PRISMATIC REMIGATIONS FOR REMEANTS FROM THE VALLOR OF MOONLIT SKYLINES SPHACELATED SO HIGH BECAUSE OF DRAMATURGY SO SUFFICIENT IN ACCIDENCE AND ADVENT THAT THE PARLOUS RABELASIAN COURTIERS MIGHT SLINK THROUGH THE MARSHY RESIDUE OF AN OLD DYING REPUBLIC PREPARED FOR ALL EXIGENCY BURROLING ALL CORTEGES CLOSER TO BALMORALITY THAN INSANITY. FALLIBLE MISTAKES OF A BLACKGUARD ZEITGEIST OF ANIMADVERSION FROM PRAXINOSCOPES OF DUGONG SUBVERSION SLOPPY IN ARCHITECTONIC TACT BECAUSE OF ELAPID BRINKMANSHIP IN THE SWANK OF PILLORY AND THE IGNOMINY OF LEONID METEORS AND BOLIDES INFILTRATING GREAT WHITE BUFFALO BRIMSTONE AGAINST THE HEFT AND SCHLEP OF BUFF BLINKERED CHECKERING MALINGERING HUBRIS OF INSTANTANEOUS TRAPS OF ENTRAPMENT BY PULCHRITUDE THAT THE MAJESTY OF THE REPUBLIC WILL ALWAYS BROWBEAT THE REGATTA CREWS SAILING THE CAMBRIDGE SEAS OF RECOGNIZANCE AS THE SERRATED TIMEPIECES OF EUPRAXIA MIGHT LESS OFFEND AND HEAL VULNERARY WOUNDS SELF-INFLICTED BUT RARELY CONDIGN IN SYNCLASTIC ROBBERIES OF HUMAN DIGNITY FORMATIVE IN CONSCIENCE RATHER THAN DEBATABLE IN DOUGLAS DEBATES OF DISTRICT ATTORNEYS SCARED SKITTISH BY A HARVEY DENT VANDALISM OF NEBULA AND PARSEC FOR NEPHELOMETERS OF WHARFINGERS OF THE UTMOST ELITISM OF EKPHRASIS OF THE EDAPHA THAT RARELY EDULCORATES THE EFFODIENT AFFLATUS OF AFFINE ALGORS OF ARGALI SUCH THAT SILK ROAD CHIFFONS BRASHLY CONTEND IN THEIR SUNKEN RATIOCINATIONS ABOUT THE RATIO OF SUBSTANTIVE GOODS AND MERCHANDISE OF CHOICE THAT SQUALOR SWIMS IN SPATTEES OF SIFFLEURS BEYOND THE SNATCHES OF  SEGUIDILLA IN SIGLA PRIMARILY ORBITED AROUND JIMSWINGING ATROCITIES ALWAYS HALLOWED AS TRAVESTY ADULTERATED BY THE CRUEL IMBRUTED TRAGEDIES OF MARKETABLE TIME IN WANHOPE AND WANION FOR DESPERATION IN GASCONADE. THE ARCEATION OF MODERN ECONOMIES IS BUILT ON THE ECCOPROTIC ECTOBATIC ECHARD OF THE MAIEUTIC EDULCORATION OF FAMISHED WARLORDS BENIGHTED BY THE FOGHORNS OF SEMAPHORES OF THE DAYLIGHT PRISTINE MOONLIT CAVERNS OF PATHWAY AND ENTELECHY IN SOLUTIONS TO THE PATAPHYSICS OF HUMAN THERMOLYSIS IN CONTRAHENT DYNAMICS THAT STORGE THE WORLD AGAINST STULMS AND STOPING AGENTS OF STANNARY MIXED WITH THIXOTROPY MET BY INCLEMENT TACITURN CHISELERS IN THE ANCIENT PREMODERN FRAME THAT THE SPECTER OF BUGABOOS OF DEATH AND MAUDLIN BEBLUBBERED BECHIC BOLIDES CARESSING A TIMELY TOME OF A FUTURE SCRANCHING THE FILIBUSTER OF ALL FUTURE CALAMITIES SHIELDED FROM THE DESTRUCTION OF THE GAUNTLET OF PRIVATION SUCH THAT THE OPTIMAL DEASIL MOTATORY MOTIONS OF PLANETARY ALIGNMENT SUGGEST A NATURAL NOMOTHETIC ORDER THAT IS PREVENIENT IN ALL MAJOR AFFAIRS BECAUSE OF THE DEFT EXPERTISE OF THE UTILITARIAN SCALES OF NEGOTIOSITY WHICH ANALYZES NEUTROSOPHY AGAINST SPARTAN TRAVESTY BECAUSE OF A STOLID WORLDVIEW THAT SIMPERS THE CAULDRON OF GROWTH BEYOND THE LEGALESE OF DOUBT SUCH THAT A NEW FRONTIER OF CIVILIZATION ARISES FROM THE POTSHERDS OF VEXILLILOGY RATHER THAN ENAMORED CYMBALS OF SYMBOLISM IMPREGNATED BY THE LOVE OF THE PORBEAGLE BECOMING THE CIPPUSTURE OF WIDDERSHANCY TO ELECT THE KNIGHT OF DIVERGENCE SIMULTANEOUS TO MUTUALISM IN CONFORMITY TO RELEASE AN ECHOPRAXIA OF OMPHALISM IN MORALE THAT BOOSTERISMS ANOINT BEYOND ADVENTITIOUS ACCIDENTS OF RIGMAROLE CREATED BY OVERSLAUGHED BERLINES IN THE VERDURE OF KIPPAGE IN THE KITH OF KITTHOGE IN ATTEMPTED FEMICIDE TO REPUDIATE THE KYMATOLOGY OF THE GRAVID WORLDVIEW THAT SUSTAINS URCHINS AND BARNACLES ALIKE SUCH THAT WEGOTISM PLUMMETS FROM THE PROMONTORY OF THE IVORY FORTRESS OF PERVERSE ****** MORALITY AND IMMORALISM BECAUSE THE AURILAVE IS DESPOTIC AGAINST UMBRILS BECAUSE OF URCEOLATE UMBRACIOUS UMBRAGE BECOMING SILLOGRAPHS OF PANTAGAMY WE NEED THE GRAUNCHERS OF OUR ERA TO DEMASSIFY A TRIBUNE OF TRUTH TO PREVAIL OVER MENDACILOQUENCE AND THE SATINETS OF RADICAL JACOBIN WORMCASTS SUCH THAT SUPERSTITION CLEAVED FROM CAVALIERS AND MAVERICKS BEAM THE ROYAL ARCH MASONS FROM THEIR SLUMBER THAT MOONLIT YOGIBOGEYBOX IS THE SAUTERELLE THAT CREATES THE TURNVEREIN AND THE  GLADIATORIAL DIVERSION OPERATED BY THE HENCHMEN OF CHURCH AND STATE COMPLICIT IN HIDEBOUND WARNING KNELL AT THE TOLL OF TINTINNABULATION BECAUSE FEWER ARE VAPULATED IN A WORLD OF COLLECTIVE SOLIDARITY AROUND INDIVIDUATION RATHER THAN BACKBITES OF SLANDEROUS REGIMES OF HEGEMONY DEPARTED IN THEIR RUDENTURE OF VILLAINY SUCH THAT THE RUBEFACTION OF THE RUDDY SANGUINOLENCE SHEPHERDS RENEWAL RATHER THAN RETROMORPHOSIS. WE BELONG TO AN AGELESS EPOCH PREDICATED BY THE MATHEMATICAL RIGORS OF TAXATION WITH REPRESENTATION AND THE ENCROACHMENT OF  DERIVATIVES OF THE THIRD ROOT SOLUTION TO TURBINATION THAT TRUTINATES THE HUMAN HEART TO ANALYZE THE MEGALOGRAPHY OF MAN BEYOND HIS PETTIEST LIMITATIONS OF EGINTOCH KILMARGE AND PRURIENT PRIGGISHNESS DONE IN THE SECRECY OF THE REREDOS AGAINST THE BEST  WISHES OF TORCHIER PHAROAHS. THE URCEOLATE BERGAMASKS OF IZZARD AND ZOUK AGAINST THE ZEKS WHO SUFFERED THE  SUFFRAGE OF  STERILIZED POGROMS DESERVE THEIR  DUE COMPENSATION FOR THEIR BEREAVED SKULLDUGGERIES OF APOTHECARY SUBLIME RANCOR AIMED AT TRUCKLING TRUCULENCE TOWARDS AN AMERICA-FIRST AGENDA THAT EXAMINES RATHER THAN EXCORIATES ALL WORLD INTERTESSELATIONS BECAUSE THE BRIQUETS THAT HISTORICALLY MONOPOLIZED THE PARAPET TO ENSURE FEWER BRISURES OF CASEMATE SPODOMANCY MIGHT BE BRUISED AND BATTERED BY THE POTICHOMANIA OF AGED BUT VENERABLE BERLINE INSTITUTIONS OF GALEANTHROPY BECOMING GALERICULATED BY PALTRIPOLITAN VALUES THAT SKEW AND  SKELDER FROM EXCORIATION THE VILE AND VEHEMENCE OF THE OPPRESSED MIGHT THEY FUSION THEMSELVES EQUIPPED BY SCAPPLES AGAINST STULMS FOR THE BONANZAS OF STOCK MARKET PEDIGREE AFFORDED BY ONE FAINEANT PRESIDENTS TIME TRAVEL GAMBITS AND ANOTHER INTERREGNUM OF OBSOLAGNIUM AMONG THE MATURATION OF NEPIONIC NIDOR SCRUFF IN GUIGNOLS MEANT TO HORRIFY BY BACKPIECES STEADIED BY ICEBERG ICEBLINK UPSTAYS OF POTEMKIN VILLAGES OF MARTINGALE MIGHT THEY FIND DEFEAT IN THE LEGACY OF MAN TO BETTER HIS WISDOM WITH THE PROPER COMSTOCKERY ARRANGED BEHIND THE SCENES TO PREVENT THE PETTIFOGGERY OF TRANS-INCLUSIVE TEACHERS THAT TRY TO BRAINWASH LITTLE CHILDREN INTO SELF-STERILIZATION AND PERMANENT MARGINALIZATION BY STIGMATA AND THE VETANDA OF THEIR LONGINIQUITY CREATED BY IMPRESSIONABLE MORAL STAGES IGNORED BECAUSE OF LUDIC MARAUDERS AND VIKINGS OF ****** INFIDELITY AND THE LAIRWITES OF THE SLEAZIEST CORRUPTION ON THE BOOKS AS THE MANACLES OF THE URCHINS OF MEN THAT ESPOUSES RANCOR OVER GENTEEL GENTILITY DESPITE GENTILIAN MINORITIES PRIZING THEIR NAZES IN THEIR CAPE TOWN CAGOULES PRIMARILY BECAUSE THEY RESENT THE RANCID CREEP OF ENCROACHMENT WITHOUT THE PENALTY FOR APPROPRIATION OR VAGANTES ARROGATION THAT SUBSUMES THE BRONTEUM OF ALL MATRIOTIC DUTY ABOVE SELFISH PORNOGRAPHIC AMBITIONS BY THE WORLDS WORST FEWTERERS OF HUMAN IMAGINATION TO SUCH A DEGREE THE OUTCAST STIGMATA BECOMES AN IMMARCESIBLE FORCE FOR IMPLODENT SOCIETAL DECADENCE IN AN ERA OF DECLINE OF AMERICAN EXCEPTIONALISM TO CREATE MORE EXCEPTIONS RATHER THAN BECOME RANGIFERINE IN THE CULTIVATION OF THE CHRISTMAS SPIRIT AND THE PROTESTANT WORK ETHIC AND ALL OF THE AGGIORNAMENTO THAT FIGHTS THE STULMS OF VIACOM AND OTHER WINDBAG PEDOPHILES TRYING TO REVERT OUR COUNTRY TO A SOCIETY OF EUNUCHS AND *** SLAVES TRAFFICKED AS THE NEW NORMAL IN A DERANGED WORLD THAT DESTROYS INDIVIDUATION AND BULLDOZES THE INTREPID ENTERPRISE OF A FOCUSED ECHOPRAXIA RATHER THAN A PSITTACIST NIGHTMARE OF LAZARETS OF ELASTANE PANDERING THROUGH BLOCKBUSTER CRACKJAW EPOMANIA. WE CANNOT AFFORD A SOCIETY THAT TOLERATES BOTH THE ASCENDANCY OF BILL THE BUTCHER AND THE DEMISE OF WALTER MCGINN BOTH BY SEPARATE URCHINS THAT EMBODY THE CARNAGE AND BYRE OF RAREFIED EVIL PURIFIED AND MAINLINED AGAINST SUBINTELLIGENTUR TO SUBTERNATURAL PEOPLE THAT DON’T ADHERE TO THE CONSEQUENCES OF NIDIFUGOUS IMPRESSIONABLE EUTHANASIA OF MORAL VALOR AND THE RESPECT OF ALMIGHT EUMOIREITY MIXED WITH THE PROPER ASSORTMENT OF THE PURSUITS OF HAPPINESS THAT DEFINE THE BEST WORLD REPUBLICS BECAUSE WE CAN LIONIZE THE FREAKSHOW HOUSE OF MIRRORED HORRORS AS WE FOCUS ON THE DECREPIT MODERNIZATION OF A NIVELLATED SEXUALIZATION EVEN WHEN THE SPECTERS OF FAT SHAMING AND BULLYING ARE OVERLOOKED IN FAVOR OF A MICHIGAN STATE SPARTANS MODEL FOR THE BOWDLERIZATION OF ALL CANONICAL TRADITIONS IN THE SLOW TIMBERLASK LURCH TOWARDS INEVITABLE DECADENCE IN THE NIDOR CREATED BY RAMPANT SKEWERING OF SLANTED WOBBLES IN ECCENTRIC ORBIT AROUND ECCENTRIC ****** FASCINATIONS THAT HOBBLE THE ENTIRE AMERICAN BRAND AND ENDANGER THE EUROPEAN ETHOS BECAUSE WE CAN NEITHER TOLERATE THE DEATH OF WALTER MCGINN BY THE WEGOTISTS OR THE ASCENDANCY OF BILL THE BUTCHER IN INEXORABLE BERGAMASK WHIMPERS AT THE FLACCID URCEOLATE WHEELBARROWS OF FINANCIAL REDINTEGRATION THROUGH THE DECLASSIFICATION OF GROWING EMERGENCE OF ECONOMIES OF SCALE AND SCOPE FOR A MORE HORIZONTAL APPROACH RATHER THAN A VERIDICAL VERTICAL LIMIT FORCE TO BLIND THE BLINKERED FROM THE HEIGHTS OF EVEREST IN ANACUSIC DISREGARD CREATED BY PERCURRENT DECADENCE IN THE CURRICULUM RELATING TO EARLY SEXUALIZATION. WE NEED NEVER TO BAN A BONFIRE OF BOOKS ON THE AUSTERE AND VENERABLE HISTORY OF MINORITY CULTURES NOR THEIR EPIPHENOMENA BUT A PEDERASTY LURKING IN THE WOODED BEWILDERMENT OF SUBTERNATURAL KUMBAYA RAINBOW-PAINTED SKULLDUGGERY NEEDS TO BE THWARTED BY THE CAREFUL APLOMB CALCULUS OF VIGILANT TEACHERS AND EVEN MORE VIGILANT PARENTS THAT AVOID THE AURILAVE AND REPLACE IT WITH THE UMBRIL TO PROTECT THE SANCTANIMITY OF OUR YOUTH BECAUSE THE ROT OF POISON IS A RANCOR HARDER TO WITHSTAND IN A NATION FALLING  INTO FLAGSTENCH BECAUSE OF CLEAVED CAVALIERS RATHER THAN UPSTART MAVERICKS WHO UNDERSTAND THE LOLLYGAG AS A SCAMMONY OF STEMSON RATHER THAN THE STEPNEY OF IMPORTUNATE PIONEERS TRYING TO MONOPOLIZE WITH BANGTAIL OSTENTATION TO EXCUSE THEIR QUALMS OF CONSCIENCE BY NORMALIZING ABERRANT BEHAVIOR ON A WORLDWIDE SCALE WITH LANGUAGE POLICE AND THE BERGAMASK SILENTIUM OF THOSE WHO SIDELINE THEMSELVES OUT OF EITHER APATHY OR COMPLICITY TO DEGRINGOLADE OF THE AMERICAN PRESTIGE AND THE EUROPEAN CREED OF PROTESTANT WORK ETHIC AGGIORNAMENTO AGAINST THE SEXUALIZATION OF THE YOUTH AND THE INCULCATION OF VICE AND GAMBLING AMONG  THE SUSCEPTIBLE. NOW THAT MY INVECTIVE HAS BOILED INTO EFFERVESCENT TOXINS AGAINST THE AGENDA AND CORRIGENDA OF MODERN NEPIONIC DEVELOPMENT OF LUDIC CONSCIENCE AND DESULTORY CREATIVITY DEFYING THE AURILAVE DEMASSIFICATION THAT IS CORROSIVE TO THE AMERICAN YOUTH AS WELL AS YOUTH FROM ALL OVER EUROPE IT IS IMPORTANT TO VOUCHSAFE THE RIGHTS OF THE MINORITY ON THE CONDITION THEY DON’T BARNSTORM AGAINST THE DIGNITY OF HUMAN CREATION SACROSANCT BY LURID DEGREES OF VIGILANTE PARENTS UPHOLDING TRUE CHRISTIAN VALUES OF EUMOIRIETY WITHOUT A HINT OF CHARLATAN PATAPHYSICS IN THEOLOGICAL CONTORTION BY CLOSET NIHILISM TRYING TO PANDER TO RELIGION IN ORDER TO SOW THE MUSTARD SEEDS OF DESPERATION THAT RANKLES ALL PARTIES INVOLVED BECAUSE WARHOLICS THE CLOTURE OF THE CLITTER OF THE CLINKSTONE OF RUDDY EXTINCT SHRILL IDEAS OF KNELLING BELL-TOLLING ENTER SANDMAN RECIDIVISM MUST RECEDE INTO THE WHIMPER OF A  SHEEPISH NIGHT SO THAT THE REAL KNIGHTS OF TABERNACLE AND PUBLIC SQUARE BECOME THE CENTRIPETAL MOON CERACEOUS IN ITS TIDE OF MORAL VIRTUE AND VEHEMENT VIRTUOSITY BEYOND THE BAD PARENTING OF THE PARENTS THAT STORGE THEIR KIDS ON INTOXICANTS WITHOUT CHECKING THEIR FACTS OR REALIZING THE FRAUD OF THE FRAUDSTERS THAT TRY TO INOCULATE THEMSELVES FROM BLAME BECAUSE OF THE ZEITGEIST-NORMALIZATION ARGUMENT WHICH IS SPECIOUS SOPHISTRY BECAUSE ABSOLUTE MORAL KERYGMA EXISTS TO STAND AS A STANDPIPE TO REVOLUTIONIZE  THE LOT OF THE SUBTERNATURAL PEOPLE THAT SKILLFULLY NAVIGATE SHARK-RIDDEN WATERS AGAINST WATERGATE JAWHOLES SO DEEPLY CRENELLATED WITH THE INSIGNIAS OF IMPRIMATUR IN ELITISM THAT SCOFFLAWS CHEAT THE SYSTEM RATHER THAN RECOIL IN THE BLARNEY AND BLENCH OF THEIR OWN SUPREME SHAME FOR THEIR CAGOULES AND WEGOTISTS BOTH WAGING WARS AGAINST DIFFERENT SEGMENTS FOR RADICAL RHIZOGENIC BETRAYALS OF THE GAME AS CHUCKY VS. THE GIANT TORTOISE PROCEEDS AS AN EMANATION OF THE NETHERWORLD OF WANION AND THE WOODSHEDDERS THAT DEFEND THE CREED AND CREDENDA OF VISIBILIA FOR CRETACEOUS LORE AND CERTAIN ABSOLUTION THROUGH THE ABLUTION OF THE SACRIFICE OF CULMINATED PROPHETS THROUGHOUT HISTORY MARTYRED FOR THEIR REMIGATES AGAINST ENTITLED ENTRENCHED AUTHORITIES CARING MORE OF MEGALOMANIACAL SPRITES RATHER THAN TURGID GARISH IRONIES OF THE SERENDIPITY OF DUNGEONS AND DRAGONS RELATIVISM. RANSACKING POLEMICS OF EXEGESIS THEORIZING ABOUT PROFLIGACY IN CONTORTIONIST STRIPPER CONFLAGRATIONS IN RAPID DEGENERATION RATHER THAN THE CONVALESCENT HOPE OF INTELLECTUAL REBIRTH ESPOUSED BY OUR FOREFATHERS IN INFINITE WISDOM DESPITE HANDSPIKES OF GOSSYPINE SUBVERSION IN THEIR NESCIENCE OF ZEITGEIST-NORMALIZATION ARGUMENTS WHICH ARE EQUALLY INVALID NOW AS THEY WERE THEN BECAUSE WE MUST UPHOLD THE APOLAUSTIC PURSUIT AND THE TWINGE OF EUMOIREITY BEYOND HYPOCRISY AND GOD BEYOND TRAVESTY. THE NOILS OF NUMBATS NEOTTIOUS IN THEIR VARDOS AND VARDLES THAT VAPULATE THAT VAUNTLAY OF REVERSE VASTATION IN RHEOTAXIS OF AIMLESS YOUTH OF A NATION PAYABLE TO THE TEACHERS THAT EXERT THE GREATEST CENTRIPETAL FORCE OF OMPHALISM MIGHT WE FIND A CULTURE OF OPTIMUMS WITHOUT LOSING AMERICAN VERVE AND EXCEPTIONALISM WHILE BOLSTERING MORALE FOR THE DISPOSSESSED AND THE BULLIED WITHOUT PIGEONHOLING ADULT-AGED ****** MINORITIES UNLESS THEY ARE GUILTY OF TRYING TO CORRUPT THE YOUTH THAT EVENTUALLY THE SARSENETS AND BOBBINETS OF STEEVE INTERMINGLE TO FORM A RENEWED MUTUALISM CAPTIVE TO THE RAPTURE OF THE EYES THAT HAVE WITNESSED THE GLORY OF THE COMING OF THE LORD BECAUSE HE DECLARES ABSOLUTION AND ABLUTION AGAINST OPPRESSION WITHOUT OPPRESSING THOSE THAT OPPRESS BECAUSE OF JAUNDICE IN AN EQUAL TWILL AND TILT OF TWADDLING WOBBLES OF INTRANSIGENCE. THE REVOLUTE FRAYED EDGES OF CARNASSIAL MODERNITY TOO CRUEL TO STOMACH THAT ZEKS EXIST IN THE POGROMS OF DERELICTION BY A CONSUMER TREACLE AND TRICKLE OF CLEPSYDRA ERRATIC IN DEGRINGOLADE MIGHT WE INSTEAD MEET A RESURGENT BOOM FOR BONANZA IN SPECULATIVE ECONOMICS BY PROVIDING THE CARRACKS AND CARNETS WITH THE ACUMINATION AND DELICATE DECISIONS AROUND ACERBATION THAT YIELD MORE THAN JUST A TANTONY OF TANQUAMS FOLLOWING BLINDED SHEPHERDS OF CORRUPT PERIBLEBSIS BECAUSE OF WHIMSICAL ROTUNDAS OF ROTUND PEOPLE BRAVING THE BARMCLOTH OF THEIR BLUEPETER ALLEGIANCE IF ONLY TO THE AUDISM OF IAMATOLOGY MIGHT WE STEWARD AND CHAPERONE A BETTER REGALIA FOR THE CHIFFON AGAINST THE SHANTUNG BECAUSE TO SOCIALLY ENGINEER AND UPRIGHT PARVENU IS TO BECOME A BOOSTERISM TO THE JANGADA OF HIDDEN THICKETS OF YOUTHQUAKE WEALTH IN THE GRAVIMETRICAL PROPERTIES OF THE SILKEN SILT OF SUBSULTUS REARRANGING A RAPIDLY EVOLVING SOCIETY AGAINST INTRANSIGENCE BUT FOR THE BETTER FORMIDABLE FIGHT OF MATRIOTIC DUTY AND RELIGIOUS EDUCATION IN PUBLIC SCHOOLS BEYOND THE HATCHES OF THEOCRACY. WE FUNNEL THROUGH LAVADERO AND DELIMITED NEAT NEXILITIES AMONG PATAPHYSICS AN AGE THAT REQUIRES MORE STEM CANDIDATES THAT LIONIZE THE HIGHEST ARTS AND COLLABORATE WITH BENEVOLENT ARTIFICIAL INTELLIGENCE TO ENLIST A CREATIVITY BOOM RATHER THAN A LAPSE INTO THE LAZINESS OF ELASTANE LAZARETS SUCH THAT POLYPHILOPROGENITIVE GLOMS OF THE GLABROUS MOON AND THE HIRSUTE WHEREWOLVES THAT BELONG TETHERED TO THE CONNUBIAL BETROTHMENT TO MERIT BUT SIMULTANEOUSLY THE GIRDLE OF ALL STUNSAIL GENERATIONS OF THE PROMACHOS FOR GROWING SIDELONG EMACITIES TACKLED WITHOUT A CACKLE AND STUNTED WITHOUT A PUBLICITY. WITH THE HELP OF SENTIENT NODALITIES OF NIDDERING NIDAMENTAL BANDOBASTS ABOUT WHICH QUISQUILOUS STERNWAYS EXIST AND COMPANIONWAYS ARE RECOURSE WE SEEK THE BELLETRIST OF A RENEWED ERA TO BECOME THE TESTUDO OF AMERICAN FORTITUDE AND FRENCH VALOR SUCH THAT THE GRANDEVAL TAGHAIRM MEETS THE MODERN DAY RECLAMATION AND CONCLAMATION OF SUPEREROGATORY AMBITIONS, VIGILANT PARENTS, TACTFUL TEACHERS, AND POSITIVE WHIPSTAFF ROLE MODELS WHO TEACH MORAL REASONING AND INSTITUTE A THEOLOGY-INCLUSIVE EDUCATION THAT SPENDS MONEY TO ENHANCE DIDACTIC TECHNIQUES AND TO BE ECTOBATIC TO REMOVE MANY A DISTRACTION FROM THE VARSAL GESTALT OF NIDOLOGY TO FOMENT A CATACLYSM AGAINST A CATASTROPHISM OF ABAXIAL DENOUEMENT SUCH THAT WE REAR THE REAR GUARD AND BLANKET THE WORLD WITH SEMINAL INSEMINATIONS IN BOTH CREATIVE ARTS AND BIOMEDICAL SOLUTIONS TO STATOLITHS THAT BROADSIDE THE GALLANTRY OF ARGALI FORTUNES WAITING TO BE DISCLOSED AND DISCOVERED IN THE HAUNTS OF PEDIGREES OF DAY AND NIGHT WITHOUT A HINT OF MALEFACTION WHILE EMPHASIZING THE KERYGMA TO SUSTAIN THE MAINLINE CARDIMELECH CARDIOGNOST SOLUTIONS OF THE PROPER PARENTING IN PERVIOUS TIMES TO CHANNEL THE CLEPSYDRA TOWARDS THE GROWTH OF ABSOLUTION BY TEACHING THE MORAL KERYGMA OF CHRIST NEVER NEGLIGENT OF MUHAMMAD AMONG THE OTHER PROPHETS THAT FUELED A MANIFEST DESTINY AND A MANIFOLD JANIFORM WORLD BEYOND DUPLICITY AND SPITE SUCH THAT HANDSPIKES OF PICKELHAUBE BECOME DIMINISHED BY PORBEAGLES OF ALACRITY THAT SOAR WITH ELEGANCE NOT BECAUSE OF CONTRITION OF RIGOR BUT DESPITE THE OVERHANG OF TEMPESTS AND GULLYWASHERS THAT TREAD LIGHTLY IN ENCIRCLED WATERS BEYOND WATERGATE SHORES OF THE DISTANT PERSPECTIVE SHEPHERDED BEYOND SHEEPISHNESS. THE SQUALOR OF MANY SQUALLS OF CABOOSES VAPULATED FOR THEIR BETHEL INIQUITIES OF APIKOROS OLIM REMIGATED BY THE RELICTS THEY FORGOT IN THE AMNESIA OF THEIR HEIGHTS OF YOUTH AND THE DEPTHS OF THEIR PLANGENT INSOUCIANCE MIGHT THE ADOLESCENT FABLE SUBSIDE INTO THE SWIFT SHIFTING  SANDS OF EVOLUTIONARY TIME MORE TACHYTELIC THAN EVER BECAUSE OF SYNAPHEAS AGAINST STULMS AND THE BULGUR OF QUALMS ENLISTING THE STOPES DEMISE FROM THE PUBLIC SQUARES OF INTREPID INDEMNITY FOR THE AUTHORS OF MORALISM AND SALVATION FOUND THROUGH THE HIGHEST OF CREEDS AND THE MOST ORNATE OF COMPLEXITIES BECAUSE WE CANNOT BE BELEAGUERED BY AN ASYLUM OF SERRATED CENTURIES TRYING TO AROUSE RANCOR IN BACKBITE IN RETROSPECTION AND INSTEAD REVALORIZE AN ECONOMY NEVER AS MUCH PARALYZED BY REGELATION BUT ALWAYS THE STUNSAIL OF COAST GUARD YOUTH AUXILLIARY TO UNDERSTAND PROPINQUITY FROM DISTANCE AND GENIUS FROM INSANITY SUCH THAT THE PROPER PIVOT OF WORLD LEADERS IS AIMED TOWARDS NOT A SOPORIFIC TIRED TEDIUM BUT ALWAYS AN OPTIMISTIC BONANZA THAT KEEPS ECONOMIES AFLOAT IN THE LUXURIANCE OF THEIR OWN PEDIGREE AND VIRTUOSITY SCALED UP TO A VARSAL SCALE OF GESTALT EVOLUTION THAT UNDERSTANDS THE PLIGHT OF TAFFRAIL FENESTRAL FENNEC AND IMMARCESIBLE ASPECTS OF THE INERADICABLE ELEMENTS OF CORRUPTION FOCUSED AROUND MODALITIES OF MODALISM SUCH THAT A MUTUAL COLLECTIVISM INDIVIDUATED FOR A BRIGHT NEW CENTURY BECOMES THE SALIENT BEACON OF TRIUMPH RATHER THAN TRAGEDY AND THE GAUNT GLORY OF THE BEST OF OUR ASPIRATIONS. A STAYIN’ALIVE MODESTY EVEN WITH THE SENNET OF REGULA UPON THE TARRY OF TESTUDOS MIGHT THEY SWARM GNATS UNMATCHED BY THE PHAROAH’S MAGIC AND ALWAYS ABIDING BY THE NEPOTISM OF AGES PROLONGED BY DURESS AND DURATIVE IN THE FORMATION OF DURAMEN FOR DENEHOLES SO WELL FORTIFIED THAT THE AMERICAN EXCEPTIONALISM NEVER BECOMES A FAFFLE OF SIDESHOW CLOWNS AND BALATRONS WARPING SATRAPS WITH GAULEITERS OF PROTENSIVE PROTRACTORS OF CADASTER OVER INTEGRITY AND OPPORTUNISM OVER AMBITIOUS REVIVALISM. WE FIGHT AND QUIBBLE OVER THE COSTERMONGERS AMONG US AND THE TREGETOURS OF PRESTIGITATION IN CLEAVED TALKING POINTS BUT RARELY DO WE SYNERGIZE FOR THE BEST INTERESTS OF WORLD REPUBLICS TO BECOME SHINING BEACONS IN THE LIMELIGHT OF ALPENGLOW BEWILDERMENT FINDING ASCERTAINMENT RATHER THAN POLLINATION BY THE ESCAPADE ROUTE RATHER THAN MORAL KERYGMA REITERATED RATHER THAN INDOCTRINATED THAT MORE ARE PROSELYTIZED UNDER THE BANNER OF CHRIST BECAUSE OF  THE GRATUITY OF ALL SUFFERING BECOMING TANTAMOUNT TO ALL MOBILE SUFFRAGE FOR A NEOVITALIST IDEATION RATHER THAN AN ESTRANGED BLACKMAIL OF MARTINGALE EARWIGS AND IMPASSABLE THALWEGS PREVENTING THE NEGOTIOSITY OF CHURCH AND STATE TO FOUND ECCLESIOLATRY IN AGGIORNAMENTO SUCH THAT ACCOLENT FRATERNITY AND SHARED AMBITIONS CATALYZES A BROAD INTELLECTUAL AND ARTISTIC REVOLUTION THAT IS COGNIZANT OF ITS FOOTPRINT. AMEN!

In a steady, illiterate static
this room is my study.
And you are my book.

Legs spread 'cross my lap
hands firmly upon my frame.
I lean in to see the words.

Your soft lips graze mine
like branded cattle in a glen.
Wet and cold we sit there.

Then your tongue begins flickering
beguiling like the serpent of Eden.
How could I resist but to bite?

I kiss you sweetly
and you kiss me back.
Minutes pass in the study.

My tongue examines your mouth
like a cartographer mapping a new world.
Each slick and ***** is wholly new to me.

Teeth clink like crystal glasses
during a wedding day toast.
Eyes shut tight make the black of mourning.

The noises dribbling from our mouths sound akin
to a murderer tromping through the forest mud.
Shovel dragging hard. ...Plop...Plop...Plop...

Our hands run over each other's bodies
open-palmed like a child examining the globe.
I want to feel you from pole to pole.

I pull back and run my fingers through your hair.
Your color is rushed with red and you wipe saliva from your lips.
Your smile is without flaws, and you taste like ambrosia.

I love being literate.

Hazel wants to put off going home, she
Loves Paris, and being with her maid Dunne
Has somehow made it seem to her that much

More enjoyable, much more than she thought
When she started out from London, but each
Day now, each moment, seems to bring her to

A closeness she has never had with a
Maid before. She watches now as Dunne sits
Beside her outside the restaurant on

The Champs Elysees, the way she holds the
Cup, the head to one side, the eyes focused,
So aware. The clothes she had bought her for

The trip to Paris fit her well, and she
Looks after them as if she were afraid
They might spoil in the noonday sun, folds them

At night so precisely, so carefully.
Hazel sips her coffee, the noon sunshine
Warms her. Dunne examines the menu, tries

To understand the French written there, her
Finger running down the list. Hazel wants
To place her hand over Dunne’s, feel it, sense

The life there in the pulse. When Dunne helped her
Bath the night before, her hands were so soft,
So gentle, her attention to detail,

Her touch. Hazel sighs. Less of a maid now,
At least she sees her less so, seems more a
Companion, yes, that’s it, she says to

Herself, companion. The word seems odd
In her mouth, like saying Doris instead
Of Dunne. A class thing, she assumes, that seems

To separate, putting people into
Different boxes. Dunne sips her coffee
And looks at Hazel. The eyes seem to drink

Her in. Hazel shyly smiles. If her friend
Margaret had not let her down at the
Last moment she would not have brought Dunne; she’d

Have made love to her Margaret in the bed
At night rather than lie there watching Dunne
And listening to her breathing. Yet she’s

Glad now that Margaret hadn’t come, the
Relationship had grown stale. Now there is
Dunne. Fresh, alive, sitting there beside her,

Just a few inches away, bringing a
New dimension to her life, and pushing
To the back of her mind, the desire

Awaking there, a want, and muttering
Silently to herself, looking into
Dunne’s eyes, help me to resist, gazing at

The lips, wanting to touch and to be kissed.

A small pale faced figure stands, enshrouded in darkness, while a hauntingly sweet song softly echoes through the cave.

“There’ll be days
precious moments
see them sunning
by the bay
till, the sea
sees the star light,
blinking angels
dissipate.”

Somewhere in this sightless void a larger form slumbers. Moans of agony pass this man’s parched parted lips.  Tears moisten his painfully swollen face. The stench of sweat, *****, feces, and fetid breath fill the air around him. An alarm sounds as the last battery from the compact heater finally dies. Sloan shivers as the temperature within the cave begins to drop.
Mother mercy watches with a well-practiced stare of concern. She slides a thin, torn, and brown stained sheet over Sloan’s shuddering body. It does little to comfort the sick man. His ragged breaths slowly shift to slightly less raggedy breaths. Mother Mercy watches for a few more moments to make sure that he will not die, then settles down in a corner for the night.
Electric dreams of long ago float in the forefront of her mind. A bone thin boy of barely teenage years stumbles into a broken-down building that was once the Canadian Gazette. Stray rays of light from an overhead window brighten the small room, illuminating gun black filing cabinets, and dark wooden cubbies, colored with well-worn grey paint, which hold crumbled bits of old newspapers; One of the papers read, “Mass Methane Leak Poisons Ground Water and Air”.   Each step stirs up dust causing him to cough. Mother mercy can hear the congestion in his cough and see the fever in his scarlet flushed face. His eyes are a rabid red flitting left to right, searching for any sign of danger. A loud noise causes him to flinch. Mother Mercy moves forward, trying to speak to the boy, but like a doe sensing danger he prepares to dart.

She finds her voice. “Please. Do not leave. I can help you.” She pleads mechanically.

He moves forward, tentatively attempting to touch her. She can see a sharp scar that runs from under his right eye down to his thick dry cracked lips. He tries to speak, exposing his yellow and browning teeth and the many gaps therein.
Suddenly, daggers of light push past and through his young body. He does not cry out, but merely succumbs to disintegration. Then……
Then Mother Mercy awakens to a new morning. Waves of light bring the cavern to life.
Sunshine moves in and across the cave to expose uneven earth, and a dirt encrusted cave wall, which is oddly void of any insect life. Her hazel eyes quickly adjust to the oncoming onslaught of daylight. Once again, she checks the man to make sure he is alive. Sloan’s chest rises and falls in an unsteady rhythm, which is all she can really hope for.
She slides dark brown locks of long hair out of her eerily symmetrical face. She brushes the dust off her tattered tan coat, and her holey faded jeans. With a couple of rapid sweeping motions, she removes almost all the dirt, and pebbles from the breast of her inner shirt.
Off to the left of the cave, and still covered by shadows a small machine awaits her inspection. She examines each tube, cord, and gauge with a military proficiency. Then using the jury-rigged straps, she places the machine on her back. Heading out of the cave, Mother Mercy stops, picks up the batteries from the small heating device, and checks Sloan one more time. Finally, with her bare feet fully outside she sets off for the day’s labor.
The sky burns a bright orange interrupted by barely perceptible vapors of methane, and bluish grey cotton clouds. Despite the splendor of the morning there is nothing but silence; No dogs barking, or bees buzzing about their honey making business. There is no life to be found except for minor patches of multi-colored fauna that are randomly situated along her route. So, Mother Mercy breaks the silence with a song.

“There’ll be years
yarn unspinning
as we stumble
towards our graves,
but the seconds
in-between breaths
are what make
this life so great,”

A few miles along the way, she stops singing, and begins to check the tiny traps she has planted along her daily path. Each carefully constructed device is sadly empty. Three or four more hours after that the silence evaporates and she can hear a small stream of water running. She stops and stares down at her bare feet.

“There is something I forgot to put on my feet.” She queries to herself while continuing to walk.

A few moments pass as she puzzles out the minor mystery. Once she makes it to the edge of the stream, an awkward smile fills her tiny round face. Mother Mercy removes the machine from her back, letting it fall to the ground. It makes a loud thud and sinks several inches into the slightly softened earth.  In a movement so swift human eyes could barely perceive it, she jumps up, rising several feet in the air while crossing a considerable distance, and finally lands in the stream. Soft sizzles sound from her bare feet, as she slowly grinds them into the mud. Then Mother Mercy sloshes sloppily out of the water wearing a thick layer of dark brown mud on her feet.

“Of course, how could I forget. I need mud to cool my feet.”

She walks back to the machine, pulls it out of the ground with ease, and returns to the stream. Next, she submerges the device. Waiting till it is completely full of water, she pulls it out, and begins fiddling with knobs and switches. She waits as the water boils, completely evaporates, filters, cools, and finally condensates back into liquid. Deftly, she removes one of the filters and shakes out all the unknown particulates. Then she opens a tiny compartment, and places a small sensor device within in the water to check its quality. After a satisfactory reading she places the water filtration system back on her back and heads down a different path.
The mud on Mother Mercy’s feet dries; Dark brown shades lighten, crust up and chip off in little flakes. Irritated, she begins to slide her feet through the almost nonexistent foliage to scrape off the remainder of the drying mud. With each small patch of grass Mother Mercy moves her feet faster and faster. Her left foot flows back and forth with incredible speed and strength. There is a loud clink and a chipped piece of rock soars across the air.
In puzzlement, Mercy stares down at her foot and finds that it has split open. Red and black fluid streams from the seam of torn skin, which expands and exposes metallic bone. As she moves, the wire insulation from within her foot ruptures, revealing cheap copper conductor. The hot metal sparks, lighting up the methane in the air. A scorching white, orange, and bluish outlined fireball expands with enough force to launch Mother Mercy up and back off her feet.

She hits the ground hard, and curses,” ******* methane!”

White synthetic skin begins to melt, shifting and swirling into grotesque shapes, and darker shades of red. Mother Mercy rises, unsteadily. Wincing in pain, she unloads her heavy water filter burden. Again, she checks all the tubes, cords, and gauges. What was once a thing of ease now becomes quite burdensome. She places the filter system on her back again, and resumes her journey. The red and black liquid continues to leak. Each steps becomes slower than the last. Until, she reaches her destination. Mother Mercy collapses next to a series of solar panels. With what little strength she has left, she detaches one of the charged batteries. A look of distress crosses her already agonized face.

“I’m sorry.” She softly sobs to herself. “I need this one.”

Mercy pulls a flap of skin from the right side of her waist. An intricate maze of wires, metal, and fake flesh pulsates. Her hand plunges deep within the slimy cavity, twists, and removes a damaged battery. It is bent, and cracked leaking a thick acid liquid which viciously burns her hand. She tosses it aside then slips the unbroken battery inside the cavity, twists it, waits for the click, then removes her acid, and viscous liquid covered hand.
The synthetic skin slowly starts to unburn, shifting in reverse till it returns to its previously pristine quality. Her foot begins to pop and all the parts snap back into their original place as the split skin slowly stiches itself back together.
Mercy harvests the rest of the charged batteries and places the used ones in their charging slots. Finally, with the days labors done she heads back to the cave.
Once she is at the cave she washes a stray rag. Then cleans her hands. Cradling Sloan, she slowly serves him some water. Once he has had his fill. She gently rolls him on his side moves his shirt up searching for any sores, then proceeds to softly scrub them. She rolls him in the opposite direction and repeats the process. Then she checks his inner thighs, and **** cheeks. Sloan winces in pain but remains quiet. She gently lays him back, and rolls up his pant legs, washing the bare skin which is littered with more nasty sores. She finishes by washing his face, hands, and his feet.  Finally, she sends him to sleep with a sweet song

“and the children
that we leave
littles daughters
full grown sons
are like blooms
that lose their trees
as our roots
wither and flee.”


Mother Mercy is consumed by an unnatural fatigue. She resists slumber for a few minutes, but inevitably succumbs. Everything becomes nothingness, then changes to nothingness with dizzy brown spots. Yellow sparks split from the tip of her consciousness. The darkness dissolves and becomes the cave again. Small streams of water worm their way in from the cracks on the wall, which seems to breath unevenly. Suddenly she realizes the cave stinks like sewage. Fresh wind works its way in then blows out a stark stench of rot. Each exhale sounds like a human moaning in pain. The last flickers of light die a long-protracted death.
A wheezing breath stirs Mother Mercy from her dreams. She awakens quickly to see Sloan gasping violently.  She rushes to his side, and sees a thick yellow and greenish gooey fluid mixed with blood sliding down the side of his jaw. With her left arm she flips him over holds his upper body inches off the ground, wipes away the disgusting fluid, and checks the abscess with her free hand.

“Spit it out.” She pleads.

Sloan continues to gasp. Tears swell but refuse to fall.

“Pleebees, helpep, me.” He struggles, coughing violently.

Mother Mercy cradles him in her arms, singing,

“Till, the song
that I am singing
becomes the song
that they passed on
and the love
that I was bringing
are the wheels
that just roll on.”

Sloan, gasps and wheezes for several minutes more. Tears and sweat fill his face.

“Mob where’s my mob?” He cries between gasping breaths.

Two hours later slumber finally reclaims Sloan. An hour after that Mercy gently places his pained body back into its original position. After another half an hour she to surrenders to sleep. She sees nothing.

A stern voice commands,” **** the enemy.”

Mercy cries in response, “There are no more enemies.”

Mother Mercy awakens to a new morning. Once again, she checks the man to make sure he is alive. Sloan’s chest rises and falls. She wipes off a spot of pus and blood left over from last night’s abscess leakage.  The swelling has slightly receded, but his face is still feverishly warm to the touch. She switches out one drained battery from the heater for a fully charged one then grabs the water filter, and heads off to start the day’s labor, singing.

“So, goodnight
little planet
precious place
that I lived on.
I know you won’t
miss me one bit
but I was grateful
to call you home.”

Steamy and hot,
The lady shouts two cents, no! three!
For the loaf of bread
People bustling everywhere
Where they are going, no one knows.

The air smells of baked goods and ashy smoke
Vendors call and cry
An old woman covered in a scarlet shawl
Examines a basket of fresh dates
20 cents a pound

Two people are bent over an old tattered rug for sale
With the design of a fiery dragon on the side.
Only 10 dollars.

Letters and fliers blow across the cobbled street
And the sun beats down
Upon ripe grapefruits
And shining sugar coated buns

The Baker Square;
Where I grew up

Have you ever felt that no matter what, you wont quit
Like if Cinderella put on the slipper and the shoe don’t fit.
And her stepsisters barge in and say let me try and put.
The slipper on again because I am sure it was the wrong foot.
Now Cinderella is watching, and her heart is in the grip of fears.
They say they'll break a foot if they have to make the slipper theirs.
To make matters worse, the sister says they would all move on out.
Except for Cinderella, they say she has to care for step mom’s gout.
These sisters would be in the castle, while you remain a servant be
I’m sure Cinderella hoped that something good happen urgently.
None of the sister’s feet fit, and one sister wonders if she could wear it on her face?
By any means she's determined to be sure the shoe fits someplace.
Cinderella thought, Better the face, to cover you up so that other’s cant see.
That thing on top of your neck that is a monstrosity.
But the prince is puzzled, and examines the slipper very closely.
It turns out there is a quarter stuck in it, and so he takes it out.
When Cinderella tries it on again, the shoe fits and there is no doubt.

Past the moon light
over the tall knoll
under the bows of the mighty

exists a pond
steaming from the warmth of the day
like glass the water is still

it is the stage for countless fireflies
that dance with the evening chill

there on the grandstand
lives the olympian
who gently glides
in silent elegance

looping under ribbons of light
she is the matriarch
of this small kingdom

tucked on the edge of timber
it is here a figure appears

she is not alone

peering from behind the steam
his eyes gleamed
slowly following the white

he examines her majesty
transfixed on ever feather

he watched

feeling strange
he saw what lies before him

a shape yet odd

her glowing feathers she spread
bathed in moon light

her body ached
twisted and full
wings to arms
feathers to curves
beak to full rose
eyes to blue

her hair flowed a gray stream
covering her subtle *******

he fell to his knees
eyes wide
hidden in spring fed grass

his eyes following the slight shadows
of her neck
pass the barren of her belly
down through taut slender legs
he confessed, he declared
that she was his

the maiden now notice
the eyes of another
demands he reveals thy self
from toe to tip
the stunned man stepped
a man of no work or duty
nor rich or fame
he stepped into view

a peasant

her ice blue eyes
weave through his features

their eyes met
and as if fated
they fell at first glance