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Àŧùl Nov 2012
As I Wrote My First Examination's Answers,
My Hands Shook From The Sudden Drop In Temperature.
I Wondered Wearing Daredevil Half Sleeves,
My Stunts Took Too Much From My Performance.

As I Wrote My Answers To All The Questions,
My Mind Was Then Persuaded Away From The Cold.
I Wondered Whether It Was Some Other Deeds,
My Brain Had Been Fooled By Exam Conscience.

As I Wrote The Second-Last Of My Answers,
It Was Time-Over For The Exam & All Others Started Filing Out.
I Wondered Gazing Down At My Wrist Watch's Hands,
Whether They Would Give Me Some Extra Time By Medical Case.

As I Looked Up And Sought Few Extra Minutes,
The Kind Invigilator - My H.O.D. Said It Was Fine & Agreed.
Then She Told Me To Follow Her A Few Rooms,
Into The Dimmer Exam Control Room I Followed Her All The Way.

I Was Immediately Asked By The H.O.D. to take any seat,
I Looked Around To Notice A Chair Less ***** & Decided To Be Seated.
Then I wrote and I Just Wrote Till My Answer Was Over.
And Ultimately Came Out Of The Mechanical Block Smiling Triumphantly.
This is the poem I wrote thinking about 'exams' as that day on the 26th of November I'm appearing two exams. Concepts of Bioinformatics exam was done well and similarly the Concepts of Biofuels & Bioenergy exam was done good too.

Not saying more, you should read the poem above itself than reading the explanation of what it is about.

My HP Poem #13
© Atul Kaushal
katewinslet Nov 2015
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sabrina paesler May 2015
you told me to be levelheaded
because symmetry is what makes a beautiful face.

instead,
I will touch my stomach
to the bottom of the pool
so you can’t examine me
without being as low as I am.

if you still want to see,
meet me in the deep end—
we can have a toxic tea party
just you and I.

maybe,
when I finally float to the top
you’ll say
my sense of foolishness
is what you’ve always
loved.
If it form the one landscape that we, the inconstant ones,
Are consistently homesick for, this is chiefly
Because it dissolves in water. Mark these rounded slopes
With their surface fragrance of thyme and, beneath,
A secret system of caves and conduits; hear the springs
That spurt out everywhere with a chuckle,
Each filling a private pool for its fish and carving
Its own little ravine whose cliffs entertain
The butterfly and the lizard; examine this region
Of short distances and definite places:
What could be more like Mother or a fitter background
For her son, the flirtatious male who lounges
Against a rock in the sunlight, never doubting
That for all his faults he is loved; whose works are but
Extensions of his power to charm? From weathered outcrop
To hill-top temple, from appearing waters to
Conspicuous fountains, from a wild to a formal vineyard,
Are ingenious but short steps that a child's wish
To receive more attention than his brothers, whether
By pleasing or teasing, can easily take.

Watch, then, the band of rivals as they climb up and down
Their steep stone gennels in twos and threes, at times
Arm in arm, but never, thank God, in step; or engaged
On the shady side of a square at midday in
Voluble discourse, knowing each other too well to think
There are any important secrets, unable
To conceive a god whose temper-tantrums are moral
And not to be pacified by a clever line
Or a good lay: for accustomed to a stone that responds,
They have never had to veil their faces in awe
Of a crater whose blazing fury could not be fixed;
Adjusted to the local needs of valleys
Where everything can be touched or reached by walking,
Their eyes have never looked into infinite space
Through the lattice-work of a nomad's comb; born lucky,
Their legs have never encountered the fungi
And insects of the jungle, the monstrous forms and lives
With which we have nothing, we like to hope, in common.
So, when one of them goes to the bad, the way his mind works
Remains incomprehensible: to become a ****
Or deal in fake jewellery or ruin a fine tenor voice
For effects that bring down the house, could happen to all
But the best and the worst of us...
That is why, I suppose,
The best and worst never stayed here long but sought
Immoderate soils where the beauty was not so external,
The light less public and the meaning of life
Something more than a mad camp. 'Come!' cried the granite wastes,
"How evasive is your humour, how accidental
Your kindest kiss, how permanent is death." (Saints-to-be
Slipped away sighing.) "Come!" purred the clays and gravels,
"On our plains there is room for armies to drill; rivers
Wait to be tamed and slaves to construct you a tomb
In the grand manner: soft as the earth is mankind and both
Need to be altered." (Intendant Caesars rose and
Left, slamming the door.) But the really reckless were fetched
By an older colder voice, the oceanic whisper:
"I am the solitude that asks and promises nothing;
That is how I shall set you free. There is no love;
There are only the various envies, all of them sad."

They were right, my dear, all those voices were right
And still are; this land is not the sweet home that it looks,
Nor its peace the historical calm of a site
Where something was settled once and for all: A back ward
And dilapidated province, connected
To the big busy world by a tunnel, with a certain
Seedy appeal, is that all it is now? Not quite:
It has a worldy duty which in spite of itself
It does not neglect, but calls into question
All the Great Powers assume; it disturbs our rights. The poet,
Admired for his earnest habit of calling
The sun the sun, his mind Puzzle, is made uneasy
By these marble statues which so obviously doubt
His antimythological myth; and these gamins,
Pursuing the scientist down the tiled colonnade
With such lively offers, rebuke his concern for Nature's
Remotest aspects: I, too, am reproached, for what
And how much you know. Not to lose time, not to get caught,
Not to be left behind, not, please! to resemble
The beasts who repeat themselves, or a thing like water
Or stone whose conduct can be predicted, these
Are our common prayer, whose greatest comfort is music
Which can be made anywhere, is invisible,
And does not smell. In so far as we have to look forward
To death as a fact, no doubt we are right: But if
Sins can be forgiven, if bodies rise from the dead,
These modifications of matter into
Innocent athletes and gesticulating fountains,
Made solely for pleasure, make a further point:
The blessed will not care what angle they are regarded from,
Having nothing to hide. Dear, I know nothing of
Either, but when I try to imagine a faultless love
Or the life to come, what I hear is the murmur
Of underground streams, what I see is a limestone landscape.
The Precursor’s Psalms
Book Two
Chapters VI- X: Ragnarök

A sacred parcel to the soul who looks to ―raptured firmaments for their salvific benison. Se'lah.

VI: The Paean of Lovelight (The Paean of Lovelit Life)

1 Every particle in the soil of my epidermis roves for its emanation,
Its musicality, vibrating in pulsing fuchsia shockwaves,
This melodic energy is the Paean of Lovelit Life.
2 It reverberates the remittance in reminiscence;
yes, the Circle of Life breathes through the conduit,
it peregrinates
The ephemerality, even, the eternity in all entity.
(For in us exist dichotomies)

3 In a moment of self-revelation
I know naught but the vagary of the self;
still, the pain remains,
In the benighted truth of epiphany;
4 Yes, even,
Upon the Visage of Creation
All existence groans in groping
For its Nirvanic Pulse, ―like a wraith.

5 Finding meaning in all that I am,
all that I see, all there will be, and all that is,
I understand the fallacy in knowing, the bane in consciousness:
6 In an instant, one must forget

Page | 1

all they have learned, all they feel, all they sense,
in the diminution of a moment
lest the soul relinquish that which does seamlessly transmit itself through
The Streams of Tempus Fugit.

VII: The Virescent Masquerade

1 Forsake all sorrows of the morrow, for
Beneath the Masquerader’s Virescently Butterfly-Winged Mask, there is a beckoning;
2 O, even amidst foible for which you long to be assoiled, excogitations do roil;
A tremulous heart: eventualities do saunter past, present,
future, and in communing you examine the finitude & the frailty
(Will their Exodus, my Exodus,
Come before I am ready?)
Of those in the Land of the Living.

VIII: Hierarchy of Sacrality

1 Wisdom
Is a cosmos,
2 Love,
―Invictus Dei,
3 Power,
The Cradle of Cosmogenesis,
4 Justizia,
Universal Scales through which Edicts of the Cosmogonist unfurl.

IX: Vagrant Story

1 Profundities lie in our vagrancies,
And in these there lie Faiths;
The faithful hunger for
―Virtue
For through these, we find a Savior.  

Page | 2

2 Our Deiform-Apotheosis is ordained by of the Arbiter of Fates,
3 He Is Our Nexus to Transcendence,
The Empyrean whom carnal perdition hast braved


X: Nelumbo Nucifera (Sacred Lotus)

1 ―O, Jah,
The Sovereign of Songbirds,
Sing in the Key of Elysium,
The Requiem of Our Swansong;
2 Beseech the Earthen Womb
Of the Terraqueous Mother
To conceive us anew that
We partake of an elemental legacy.

3 O, then
Might we re-alight,
Upon an aforetime wearied land,
―Nelumbo Nucifera: The Impregnable Sacred Lotus
4 Whose aegis’d petals through
Dusk, Dawn, Midday, Twilight, and Eve
Might effloresce
In the Aeonic Light of The Empyrean One.

(Se’lah).

Written on
Monday
May 20th, 2019

Page | 3
The Book of 1st John
Chapter 3,
Verses 18 -24

(Verse 18)

“Little children, we should love, not in word or with the tongue, but in deed and truth.”

(Verse 19)

“By this we will know that we originate with the truth, and we will assure our hearts before him”

(Verse 20)

“regarding whatever our hearts may condemn us in, because God is greater than our hearts and knows all things.”

(Verse 21)

“Beloved ones, if our hearts do not condemn us, we have freeness of speech toward God;”

(Verse 22)

“and whatever we ask we receive from him, because we are observing his commandments and doing what is pleasing in his eyes.”

(Verse 23)

“Indeed, this is his commandment: that we have faith in the name of his Son Jesus Christ and love one another, just as he gave us a commandment.”

(Verse 24)

“Moreover, the one who observes his commandments remains in union with him, and he in union with such one. And by the spirit that he gave us, we know that he remains in union with us."

Page | 4

Hearken unto
the
Resplendent Sol,

The Twilight draweth nigh,
Whence erupts from Sundered skies
Arcadia
In
Aeonic Light

Let ye soul
Transcend
By
The Great Apothecary;
His Panacea of Healing Love.

Though
I am a Loveless
Blight, worn, of Earthly Denizens,
I bid you
Immortal heartsease.

Borne of the Father:
Who
forms
all
things.

Page | 5

Sired by the Son:
Who
Conceives
All
Truth.

Begotten by the Spirit:
That
Burgeons in
(our)
―dreams.

The Grand Creator's
Magnum Opera:
Loom
Within
All of us.


Excelsior Forevermore,


Sanders Maurice Foulke III.

Page | 6
Robert Ronnow Aug 2015
The four fundamental forces:
Zeus, Aphrodite, Ares (or Mars), and Adam and Eve.

                            <<0>>                                          >> 0 <<

             Electric field induced by             Electric field induced by
            a positive electric charge            a negative electric charge

"Deutsch thinks that such 'jumps to universality' must occur not only in the capacity to calculate things, but also in the capacity to understand things, and in the closely related capacity to make things happen. And he thinks that it was precisely such a threshold that was crossed with the invention of the scientific method. There were plenty of things we humans could do, of course, prior to the invention of that method: agriculture, or the domestication of animals, or the design of sundials, or the construction of pyramids. But all of a sudden, with the introduction of that particular method of concocting and evaluating new hypotheses, there was a sense in which we could do anything. The capacities of a community that has mastered that method to survive, to learn, and to remake the world according to its inclinations are (in the long run) literally, mathematically, infinite. And Deutsch is convinced that the tendency of the world to give rise to such communities, more than, say, the force of gravitation, or the second law of thermodynamics, or even the phenomenon of death, is what ultimately gives the world its shape, and what constitutes the genuine essence of nature. 'In all cases,' he writes, 'the class of transformations that could happen spontaneously--in the absence of knowledge--is negligibly small compared with the class that could be effected artificially by intelligent beings who wanted those transformations to happen. So the explanations of almost all physically possible phenomena are about how knowledge would be applied to bring those phenomena about.' And there is a beautiful and almost mystical irony in all this: that it was precisely by means of the Scientific Revolution, it was precisely by means of accepting that we are not the center of the universe, that we became the center of the universe."

Danger comes from the root bad brakes and bald tires. Chain saws
      and wildfires. Poisonous
ideologies, housecleaning chemicals and toiletries. Powerful
      industrialists, alcoholic fathers.
Invasive species, illegal immigrants. Concentration camps, attention
      deficit disorder.
Performance phobia, identity enhancements. Pleasure, applause.
      Quiet moments, walking and
talking war buddies. Electoral politics, marriage and divorce. Pest
      exterminator, Yeats seminar.
Love affair, pencil sharpener. Whatever, matter. Ionic and covalent
      bonds, republican hairstyle.
Events in their mere chronology.

"What is a typical place in the universe like? Let me assume that you are reading this on Earth. In your mind's eye travel straight upwards a few hundred kilometers. Now you are in the slightly more typical environment of space. But you are still being heated and illuminated by the sun, and half your field of view is still taken up by the solids, liquids and **** of the Earth. A typical location has none of those features. So, travel a few trillion kilometers further in the same direction. You are now so far away that the sun looks like other stars. You are at a much colder, darker and emptier place, with no **** in sight. But it is not yet typical: you are still inside the Milky Way galaxy, and most places in the universe are not in any galaxy. Continue until you are clear outside the galaxy--say, a hundred thousand light years from Earth. At this distance you could not glimpse the Earth even if you used the most powerful telescope that humans have yet built. But the Milky Way still fills much of your sky. To get to a typical place in the universe, you have to imagine yourself at least a thousand times as far out as that, deep in intergalactic space. What is it like there? Imagine the whole of space notionally divided into cubes the size of our solar system. If you were observing from a typical one of them, the sky would be pitch black. The nearest star would be so far away that if it were to explode as a supernova, and you were staring directly at it when its light reached you, you would not even see a glimmer. That is how big and dark the universe is. And it is cold: it is at that background temperature of 217 Kelvin, which is cold enough to freeze every known substance except helium. And it is empty: the density of atoms out there is below one per cubic meter. That is a million times sparser than atoms in the space between the stars, and those atoms are themselves sparser than in the best vacuum that human technology has yet achieved. Almost all the atoms in intergalactic space are hydrogen or helium, so there is no chemistry. No life could have evolved there, nor any intelligence. Nothing changes there. Nothing happens. The same is true of the next cube and the next, and if you were to examine a million consecutive cubes in any direction the story would be the same."

The 5 colors of sadness:
disappointed, didn't get what was wanted
confused, don't know what to do next, where to go
lonely, no one to love or be loved by
sorry, unable to help or change what happened
depressed, can't get out of bed, want to **** self

"Unless a society is expecting its own future choices to be better than its present ones, it will strive to make its present policies and institutions as immutable as possible. Therefore Popper's criterion can be met only by societies that expect their knowledge to grow -- and to grow unpredictably. And, further, they are expecting that if it did grow, that would help. This expectation is what I call optimism, and I can state it, in its most general form, thus: The Principle of Optimism -- All evils are caused by insufficient knowledge. Optimism is, in the first instance, a way of explaining failure, not prophesying success. It says that there is no fundamental barrier, no law of nature or supernatural decree, preventing progress. Whenever we try to improve things and fail, it is not because the spiteful (or unfathomably benevolent) gods are thwarting us or punishing us for trying, or because we have reached a limit on the capacity of reason to make improvements, or because it is best that we fail, but always because we did not know enough, in time. But optimism is also a stance towards the future, because nearly all failures, and nearly all successes, are yet to come.

As I think of things to do I do them.
Thing by thing I get things done.
That's how my father and his father did things.
I guess my mother and her mother did things that way too.

Sometimes I'm driving and I think how my father and his father drove
      too.
There was weather and they had problems. There is weather and I
      have problems.
Time exists only in the human mind. But if the mind exists, time exists.
Joy everywhere. Joy at birth. Joy at death. All joy, all times.
--Alpert, David, "Explaining it All: How We Became the Center of the Universe", NY Times Book Review, August 12, 2011
--Deutsch, David, The Beginning of Infinity, Viking Press, 2011

www.ronnowpoetry.com
Just think how perfect it all seems.
Examine, if you will, Plants.
If you won’t, “****-You.”
I am not your Cabaret floorshow.
Shall we begin again?
Examine the Plant Kingdom.
And let’s focus on Water—H2O for
You of the Walking/Talking Chemistry Set—
Water: a precise, covalent compound.
And what does it take?
A ***** molecule of hydrogen,
Pulling a 3-way with some pathetic,
Starved for affection,
Me-so-lonely
Me-so-***** atom of
Oxygen.
The rest—as they say--is History.
(CUE my readers—
My sweet, effervescent readers—
They come chiming in,
Avenging my Line 3 *******:
“No, Joe, the rest is actually Chemistry.”)
Although I may lack respect for my readers,
I am certainly not dealing with idiots.
This is Interactive Poetry, Kemosabe:
Life lyrics for the Chorus,
Of thee I sing.
Of thee I am one.
But I digress.

The subject was Water.
Water gets ****** up—&
That has got to feel really good—
Into a vast & elaborate network,
Dispensing itself, climbing to
Leaf-height by mid-morning,
Given that big, white-hot bocce ball in the sky
First warming, then igniting a thousand-million
Stoma/Stomata: Choose One.

Difference Between Stoma & Stomata: Stoma and stomata are similar words, so it's easy to get the two confused. The difference between them is easy to remember, however, as stomata is  just the plural for stoma. A plant uses its stomata to take in and release gases, according to EOEarth.org.... More »

Verdant Stomata?
Sounds like an Italian Pizza Queen,
As defined by Rhode Islanders,
According to Ronnie Conheim,
A crony of my early 20s,
Who has dis-appeared off the
****-cheeks of our planet.
Again, I digress.

LEAVES: the passion pit of our
Randy **** atmosphere.
Manufacturing oxygen for those
On the CO2 side of the equation,
Whatever that means.
Leaves: a reciprocal source & target.
For those of us in these parts who
Exhale carbon dioxide.
And just so we get this straight:
We are the Plant Kingdom’s archenemy,
Their bête noire, their Lex Luther incarnate,
Anathema, slugging & wheezing its way,
Through an eternally ebonic Worm Hole.

Plants & Animals:
These two would **** us both off.
So an ecological truce gets hammered out,
“The Paris Agreement on Climate Change,”
They are calling it, perhaps the most profound
Meeting of the Earth’s collected minds.
EV-VAH, in History or Chemistry . . .
(CUE BRANDO, Sky Masterson,
Guys & Dolls: “YEAH, CHEMISTRY!”
A shrewdly negotiated fairy tale,
With fine print out the yin-yang,
Explaining why only 144 of the 197
Parties to the convention have
Ratified (what rats do when organized?)
Ratified a document fatter than Manhattan’s
White page telephone book:
Behold BTW a species of literature,
Beginning to resemble a dead carcass,
Nearly an anachronism for a once
Vast & potent paper publishing industry.

Plant & Animals: these two
Will **** each other.
The Peace: a fragile trip wire.
The Accord?
A case of hyped ecological stagecraft,
The threshold celebration
Staged in--of all places—
Marrakech, Morocco:
The Hashish Capital of the Eastern Hemisphere.

Marrakesh Express - Wikipedia
https://en.wikipedia.org/wiki/Marrakesh_Express“Marrakesh Express” is a song written by Graham Nash and Performed by the band Crosby, Stills and Nash (CSN). It was first released in May of 1969 on the...

C.S.N Marrakech Express-YouTube/www.youtube.com/watch?
v=0AkYLtegF1MDec 14, 2009 ... Crosby, Stills, Nash & Young – Marrakesh Express (Live at Farm Aid 2000) - Duration: 3:56. Farm Aid 36,976 views · 3:56. CSN - Crosby, Stills...
(www.ads-right-in-******* poem.com)

That’s right! The poet finally figuring out
What it takes to avoid dying diseased &
Psychotic in the gutter.)
THAT’S RIGHT: $$$$ SELL ADS $$$$
RIGHT IN THE $KA-CHING$
MIDDLE OF THE ******* POEM!)

The Big Picture?
Plants & Animals:
These two will **** us all off.
And we'll watch the whole thing on Reality TV.
Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
Nigel Morgan May 2015
In a distant land, far beyond the time we know now, there lived an ancient people who knew in their bones of a past outside memory. Things happened over and over; as day became night night became day, spring followed winter, summer followed spring, autumn followed summer and then, and then as autumn came, at least the well-known ordered days passed full of preparation for the transhumance, that great movement of flocks and herds from the summer mountains to the winter pastures. But in the great oak woods of this region the leaves seemed reluctant to fall. Even after the first frosts when the trees glimmered with rime as the sun rose. Even when winter’s cousin, the great wind from the west, ravaged the conical roofs of the shepherds’ huts. The leaves did not fall.

For Lucila, searching for leaves as she climbed each day higher and higher through the parched undergrowth under the most ancient oaks, there were only acorns, slews of acorns at her feet. There were no leaves, or rather no leaves that might be gathered as newly fallen. Only the faint husks of leaves of the previous autumn, leaves of provenance already gathered before she left the mountains last year for the winter plains, leaves she had placed into her deep sleeves, into her voluminous apron, into the large pockets of her vlaterz, the ornate felt jacket of the married woman.

Since her childhood she had picked and pocketed these oaken leaves, felt their thin, veined, patterned forms, felt, followed, caressed them between her finger tips. It was as though her pockets were full of the hands of children, seven-fingered hands, stroking her fingers with their pointed tips when her fingers were pocketed.

She would find private places to lay out her gathered leaves. She wanted none to know or touch or speak of these her children of the oak forest. She had waited all summer, as she had done since a child, watching them bud and grow on the branch, and then, with the frosts and winds of autumn, fall, fall, fall to the ground, but best of all fall into her small hands, every leaf there to be caught, fallen into the bowl of her cupped hands. And for every leaf caught, a wish.

Her autumn days became full of wishes. She would lie awake on her straw mattress after Mikas had risen for the night milking, that time when the rustling bells of the goats had no accompaniment from the birds. She would assemble her lists of wishes, wishes ready for leaves not yet fallen into the bowl of her cupped hands. May the toes of my baby be perfectly formed? May his hair fall straight without a single curl? May I know only the pain I can bear when he comes? May the mother of Mikas love this child?

As the fine autumn days moved towards the feast day of St Anolysius, the traditional day of departure of the winter transhumance, there was, this season, an unspoken tension present in the still, dry air. Already preparations were being made for the long journey to the winter plains. There was soon to be a wedding now three days away, of the Phatos boy to the Tamosel girl. The boy was from an adjoining summer pasture and had travelled during the summer months with an itinerant uncle, a pedlar of sorts and beggar of repute. So he had seen something of the world beyond those of the herds and flocks can expect to see. He was rightly-made and fit to marry, although, of course, the girl was to be well-kept secret until the day itself.

Lucila remembered those wedding days, her wedding days, those anxious days of waiting when encased in her finery, in her seemingly impenetrable and voluminous wedding clothes she had remained all but hidden from view. While around her the revelling came and went, the drunkenness, the feasting, the riotous eruptions of noise and movement, the sudden visitations of relatives she did not know, the fierce instructions of women who spoke to her now as a woman no longer a young girl or a dear child, women she knew as silent, shy and respectful who were now loud and lewd, who told her things she could hardly believe, what a man might do, what a man might be, what a woman had to suffer - all these things happening at the same time. And then her soon-to-be husband’s drunk-beyond-reason friends had carried off the basket with her trousseau and dressed themselves riotously in her finest embroidered blouses, her intricate layered skirts, her petticoats, even the nightdress deemed the one to be worn when eventually, after three days revelry, she would be visited by a man, now more goat than man, sodden with drink, insensible to what little she understood as human passion beyond the coupling of goats. Of course Semisar had prepared the bright blood for the bridesbed sheet, the necessary evidence, and as Mikas lay sprawled unconscious at the foot of the marriage bed she had allowed herself to be dishevelled, to feign the aftermath of the act he was supposed to have committed upon her. That would, she knew, come later . . .

It was then, in those terrible days and after, she took comfort from her silent, private stitching into leaves, the darning of acorns, the spinning of skeins of goats’ wool she would walnut-dye and weave around stones and pieces of glass. She would bring together leaves bound into tiny books, volumes containing for her a language of leaves, the signs and symbols of nature she had named, that only she knew. She could not read the words of the priest’s book but was fluent in the script of veins and ribs and patterning that every leaf owned. When autumn came she could hardly move a step for picking up a fallen leaf, reading its story, learning of its history. But this autumn now, at the time of leaf fall, the fall of the leaf did not happen and those leaves of last year at her feet were ready to disintegrate at her touch. She was filled with dread. She knew she could not leave the mountains without a collection of leaves to stitch and weave through the shorter days and long, long winter nights. She had imagined sharing with her infant child this language she had learnt, had stitched into her daily life.

It was Semisar of course, who voiced it first. Semisar, the self-appointed weather ears and horizon eyes of the community, who followed her into the woods, who had forced Lucila against a tree holding one broad arm and her body’s weight like a bar from which Lucila could not escape, and with the other arm and hand rifled the broad pockets of Lucila’s apron. Semisar tossed the delicate chicken bone needles to the ground, unravelled the bobbins of walnut-stained yarn, crumpled the delicately folded and stitched, but yet to be finished, constructions of leaves . . . And spewed forth a torrent of terrible words. Already the men knew that the lack of leaf fall was peculiar only to the woods above and around their village. Over the other side of the mountain Telgatho had said this was not so. Was Lucila a Magnelz? Perhaps a Cutvlael? This baby she carried, a girl of course, was already making evil. Semisar placed her hand over and around the ripe hard form of the unborn child, feeling for its shape, its elbows and knees, the spine. And from there, with a vicelike grip on the wrist, Semisar dragged Lucila up and far into the woods to where the mountain with its caves and rocks touched the last trees, and from there to the cave where she seemed to know Lucila’s treasures lay, her treasures from childhood. Semisar would destroy everything, then the leaves would surely fall.

When Lucila did not return to prepare the evening meal Mikas was to learn all. Should he leave her be? He had been told women had these times of strange behaviour before childbirth. The wedding of the Phatos boy was almost upon them and the young men were already behaving like goats before the rut. The festive candles and tinselled wedding crowns had been fetched from the nearest town two days ride distant, the decoration of the tiny mountain basilica and the accommodation for the priest was in hand. The women were busy with the making of sweets and treats to be thrown at the wedding pair by guests and well-wishers. Later, the same women would prepare the dough for the millstones of bread that would be baked in the stone ovens. The men had already chosen the finest lambs to spit-roast for the feast.

She will return, Semisar had said after waiting by the fold where Mikas flocks, now gathered from the heights, awaited their journey south. All will be well, Mikas, never fear. The infant, a girl, may not last its birth, Semisar warned, but seeing the shocked face of Mikas, explained a still-birth might be providential for all. Know this time will pass, she said, and you can still be blessed with many sons. We are forever in the hands of the spirit, she said, leaving without the customary salutation of farewell.
                                               
However different the lives of man and woman may by tradition and circumstance become, those who share the ways and rites of marriage are inextricably linked by fate’s own hand and purpose. Mikas has come to know his once-bride, the child become woman in his clumsy embrace, the girl of perhaps fifteen summers fulfilling now his mother’s previous role, who speaks little but watches and listens, is unfailingly attentive to his needs and demands, and who now carries his child ( it can only be a boy), carries this boy high in her womb and with a confidence his family has already remarked upon.

After their wedding he had often returned home to Lucila at the time of the sun’s zenith when it is customary for the village women to seek the shade of their huts and sleep. It was an unwritten rite due to a newly-wed husband to feign the sudden need for a forgotten tool or seek to examine a sick animal in the home fold. After several fruitless visits when he found their hut empty he timed his visit earlier to see her black-scarfed figure disappear into the oak woods.  He followed her secretively, and had observed her seated beneath an ancient warrior of a tree, had watched over her intricate making. Furthermore and later he came to know where she hid the results of this often fevered stitching of things from nature’s store and stash, though an supernatural fear forbade him to enter the cleft between rocks into which she would disappear. He began to know how times and turns of the days affected her actions, but had left her be. She would usually return bright-eyed and with a quiet wonder, of what he did not know, but she carried something back within her that gave her a peculiar peace and beauty. It seemed akin to the well-being Mikas knew from handling a fine ewe from his flock . . .

And she would sometimes allow herself to be handled thus. She let him place his hands over her in that joyful ownership and command of a man whose life is wholly bound up with flocks and herds and the well-being of the female species. He would come from the evening watch with the ever-constant count of his flock still on his lips, and by a mixture of accident and stealth touch her wholly-clothed body, sometimes needing his fingers into the thick wool of her stockings, stroking the chestnut silken hairs that he found above her bare wrists, marvelling at her small hands with their perfect nails. He knew from the ribaldry of men that women were trained from childhood to display to men as little as possible of their intimate selves. But alone and apart all day on a remote hillside, alone save for several hundred sheep, brought to Mikas in his solitary state wild and conjured thoughts of feminine spirits, unencumbered by clothes, brighter and more various than any night-time dream. And he had succumbed to the pleasure of such thoughts times beyond reason, finding himself imagining Lucila as he knew she was unlikely ever to allow herself to be. But even in the single winter and summer of their life together there had been moments of surprise and revelation, and accompanied by these precious thoughts he went in search of her in the darkness of a three-quarter moon, into the stillness of the night-time wood.

Ah Lucilla. We might think that after the scourge of Semisar, the physical outrage of her baby’s forced examination, and finally the destruction of her treasures, this child-wife herself with child would be desolate with grief at what had come about. She had not been forced to follow Semisar into the small cave where wrapped in woven blankets her treasures lay between the thinnest sheets of impure and rejected parchment gleaned surreptitiously after shearing, but holding each and every treasure distinct and detached. There was enough light for Semisar to pause in wonder at the intricate constructions, bright with the aura of extreme fragility owned by many of the smaller makings. And not just the leaves of the oak were here, but of the mastic, the walnut, the flaky-barked strawberry and its smoothed barked cousin. There were leaves and sheaves of bark from lowland trees of the winter sojourn, there were dried fruits mysteriously arranged, constructions of acorns threaded with the dark madder-red yarn, even acorns cracked and damaged from their tree fall had been ‘mended’ with thread.

Semisar was to open some of the tiny books of leaved pages where she witnessed a form of writing she did not recognise (she could not read but had seen the priest’s writing and the print of the holy books). This she wondered at, as surely Lucila had only the education of the home? Such symbols must belong to the spirit world. Another sign that Lucila had infringed order and disturbed custom. It would take but a matter of minutes to turn such makings into little more than a layer of dust on the floor.

With her bare hands Semisar ground together these elaborate confections, these lovingly-made conjunctions of needle’s art with nature’s purpose and accidental beauty. She ground them together until they were dust.

When Semisar returned into the pale afternoon light it seemed Lucila had remained as she had been left: motionless, and without expression. If Semisar had known the phenomenon of shock, Lucila was in that condition. But, in the manner of a woman preparing to grieve for the dead she had removed her black scarf and unwound the long dark chestnut plaits that flowed down her back. But there were no tears. only a dumb silence but for the heavy exhalation of breath. It seemed that she looked beyond Semisar into the world of spirits invoking perhaps their aid, their comfort.

What happened had neither invoked sadness nor grief. It was as if it had been ordained in the elusive pattern of things. It felt like the clearing of the summer hut before the final departure for the long journey to the winter world. The hut, Lucila had been taught, was to be left spotless, every item put in its rightful place ready to be taken up again on the return to the summer life, exactly as if it had been undisturbed by absence . Not a crumb would remain before the rugs and coverings were rolled and removed, summer clothes hard washed and tightly mended, to be folded then wrapped between sprigs of aromatic herbs.

Lucila would go now and collect her precious but scattered needles from beneath the ancient oak. She would begin again - only to make and embroider garments for her daughter. It was as though, despite this ‘loss’, she had retained within her physical self the memory of every stitch driven into nature’s fabric.

Suddenly Lucila remembered that saints’ day which had sanctioned a winter’s walk with her mother, a day when her eyes had been drawn to a world of patterns and objects at her feet: the damaged acorn, the fractured leaf, the broken berried branch, the wisp of wool left impaled upon a stub of thorns. She had been five, maybe six summers old. She had already known the comforting action of the needle’s press again the felted cloth, but then, as if impelled by some force quite outside herself, had ‘borrowed’ one of her mother’s needles and begun her odyssey of darning, mending, stitching, enduring her mother’s censure - a waste of good thread, little one - until her skill became obvious and one of delight, but a private delight her mother hid from all and sundry, and then pressed upon her ‘proper’ work with needle and thread. But the damage had been done, the dye cast. She became nature’s needle slave and quartered those personal but often invisible
Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.
HEGIRA TO PATMOS  /  COPYRIGHT
onlylovepoetry May 2017
twice by god's accidental interference,
our crash vehicles, super sized shopping carts,
connect, we are manger-penalized for unnecessary roughness
and disturbing the supermarkets peace

what better way to judge character than to examine
a single persons shopping cart  contents?

hers,
all organic, milk, heirloom tomatoes, even the Chardonnay,
grown upon the farms of the island and vineyards on
the forks that shelter the isle from the ravages of the Atlantic

mine,
Hebrew National franks, yellow mustard,
very classy brioche buns, a six pack of Corona Light,
and funny colored, funny looking, rusted russet potato chips

with a tremulous smile, and an overly loud, derisive sniff,
pronounces me dead man walking sooner than later,
to which, I respond,
then, teach me, where shall we dine tonight?

later that night,
after a thousand kisses of her fluttering eyelashes,
she props herself upon an elbow and
in a tone sincere and caring,
extracts from the poet promises of
natural exclusivity

from now on, healthy, natural only, organic and pure,
from the soul soil of our shared habitat

her suntan skin, garden-digging hand, I clasp,
softly climbing on top of her,
announce with total genuine sincerity and solemnity;

I swear it, from now on, all my loving will be sourced locally

rewarded with a laugh and a gentle but hard enough,
garden to table (with her free hand), head smacking,
I noting nod, good naturedly
that both the laugh and smack,
as well,

sourced locally,
sourced lovingly,

which then seeded
this new only love jointly authored poem,
planted in our mingling blossoming crashing
bodies


5/29/17 i
12:43pm
anastasiad Jan 2017
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Browse
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IDE Connector
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http://www.passwordmanagers.net/ Password Manager Windows 7
Traveler Feb 2015
To open the mind
I light a candle
To bring about change
I open my heart
To resolve my doubts
I examine my own
Judgmental contradictions
Then and only then
Does peace and tranquility
Have a place to dwell...
TT
re to 12-18
mxy Mar 2015
question: do we lose ourselves in the midst of romanticizing or do we unravel our true selves.

response: do we lose who we are in the idealistic view of our romantic quests or do we unveil a trait of ourselves that has been there all along? hiding behind the perfect life you saw yourself having before your heart shattered in little tiny pieces when your utopian view took on another perspective. recognizing yourself in a dark state that was clouded by your 'cherry-kissed' outlook on love, you see who you really are. the good, the bad, and the ugly transformed into the hopeless romantic who has only experienced their first heartbreak to then examine every characteristic of themselves and determine if they were 'in the wrong'. your romantic expectations turning you into someone you're not is the controversial topic. but what if it was just the romanticizing that grounded you and brought you back to reality? what if it was the romanticizing that expressed your honest self? what if it were for all of the childhood fantasies and teenage dreams that helped you realize who you want to be with? what if it were for all of the traumatic experiences and unfulfilled relationships  that helped you realize the person you truly are.
-mxy
Even as you leave my presence, I must collect my heart
And softly weave my memories one by one
On the edges, they quietly sit apart
Until I say to myself
I am done

If the ocean could overhear, the memories I recall
I could throw a net reaching out for miles
Capture every bit of love as it falls
To join the lines of our hearts
In my smile

All along the blue skies, in the shadows of the sun
Inside of these memories, I could spend days
Traveling through my heart’s caverns
Inhaling a touch left trailing
Of the things you say

Even as you leave my presence, I must collect my heart
Draw back time enough to sweetly examine
The joy all these memories will impart
Until I say to myself
I am done
Copyright *Neva Flores @2010
www.changefulstorm.blogspot.com
www.stumbleupon.com/stumbler/Changefulstorm
Shit Asstrology Jul 2015
Who's **** about their ****? You are, Virgo. In fact, you are so **** about your own ******* that god forbid you ever run out of baby wipes or are unable to scrub-a-dub-dub after your daily ****. But of course, that will never happen to you because you have planned out exactly where and what time you are to take a ****. If you're working overtime, so is your ****. No one can tell your ******* is throbbing because you have perfected the art of the, No, a **** is not slipping in and out of my ******* right at this very moment poker face. Not only do you have an irrational fear of a ****** *******, but you must examine every inch of your **** for any sign of potential disease or parasites.(with gloves on, of course.) Your ruling planet is Mercury, which means you probably know exactly how many times you have taken a **** in your life up until this point. **** ***? Your worst ******* nightmare.

Advice: Chill the **** out. The only condition you're suffering from is a mental one and it's called Hypochondria.
Breethyr Nov 2020
When i tell people about how i saw beyond reason, they tell me i'm not making any sense. Ironically, that's exactly the point. Something beyond reason can't make sense, logically, but it doesn't mean there isn't anything beyond logic.
We as people often act defying logic, although, arguably, the logic we live by is relative, and that leads to certain logical conclusions. What i am more interested in is, if all the relative points of logic can be seen as parts of objective, or even universal logic, then can i map it's boundaries? The answer is no. For the reason that if you can't see beyond a certain point you can't tell what's behind it. Say i stumble upon the logical end of my thought - it seemingly ends at a certain point, but what is beyond - i cannot know, that's why i can not tell if it's the logical end of it is relative to me or objective. But that is a logical mistake on my part. It's the relatively logical way to think, but objectively it's doomed for failure. For the same reason why we can't find the edge of our universe - not just because we don't see beyond the visible space region, but because it is impossible to reach such an edge in three dimensional space.
Allow me to logically explain why, on example of a two-dimensional space. Imagine yourself in a jar with water, you are swimming on the surface. The boundaries of the jar is your observable, or for better word - reachable universe. But the jar is not the entire universe, beyond the jar there is enormous amount of water. Whether it exists on a three-dimensional sphere or simply goes forever is irrelevant - you will never swim to the edge regardless. But if you were to be able to jump up from the surface of water then you would have understood that the true edge of this universe was actually vertical and you've just escaped through it into a new 3-dimensional one that is an extension of the two-dimensional one you previously were floating in. Now how do you then escape this 3-dimensional one you found yourself in? You know the answer, you jump into the 4th dimension - the logically only true edge of it.
Whether you can do it or not is irrelevant, what matters is what it tells us about logic - the exactly same thing - you can't reach the end of logic by simply looking around for it's borders, you have to fundamentally defy logic and go beyond it from the start.
Before we attempt that i have to lay down some things i kept secret from you until now. Why do i even chase the logical end? The answer is - i don't, i chase the fundamental understanding of the universe. "Whoah - hold up there" you might say, "what a perverse charlatan you are with your irrational methods, leave the universe to scientists!" And i will tell you - you are completely right. I don't understand anything a physicist or astronomer does when they examine what they can about the universe, but i believe, even though objectivity is not a matter of belief, to have a full understanding one can't study things from one aspect. Logic is the counterpart to fact, it is due to logic that facts exist the way they do, and it is due to facts available to us that we have the relative understanding of logic that we have today. Logic is the interpretation of the universe. And to reach a logical limit, in a sense, would be similar to reaching the limit of the universe. I can't jump into the fourth dimension of space, but i still i want to gain the fundamental understanding. I am desperate. That's why i will not stop until i have found it.
I have to derail from logic, and to do so i first need to deconstruct it. Construct is the foundation logic. By tying things into constructs, logic allows for interpretation of facts. Take for example the three dimensional space. It's construct is simple - it is existing in a three-axis fashion. There is left-right, forward-backward, up-down. Very simple, yet if need be it allows for great complexity, which can always be traced down to it's construct - three axis. To go beyond logic's very basic construct would be reaching my goal, but it is too early for that, as i can't yet pin-point what that is; i can do it for the relative space that i operate in, since with logic i interpret it, but to break down the very thing i interpret the world with is a completely different task.
Let's return to constructs. As i have realized, they are the foundation of logic. But further than that, they allow for existence of concepts. Now, beyond being a pretty word, a concept is something that we can logically interpret - understand, deconstruct or construct. Now not to play this game of terms any further, for the sake of logical simplicity i have decided that there are two types of concepts (and nothing further) - relative and objective. Relative concepts are understood in connection to other ones, while objective ones don't need the presence of others to still be ready for interpretation. The truth is, no one operates in objective constructs, because for that you would have to be outside of logic and universe, know it completely and wholly, only then would you truly be able to tell what constructs are objective. Even though relative to us, some concepts seem objective, for example - evolution, we describe it as the process of continuous adaptation. Seems very objective, right? But to proclaim such a thing is a fallacy - as even though it may be connected to our entire relative field of logic, we cannot tell whether is a fundamental property of all layers of the universe beyond our own. Another example - the concept of process. Well, time flows and with it something changes. Very objective. But time is relative to our perception of reality, there may not even be "time" at all and all there is is the way we experience the universe. What if we experienced time backwards? What if we experienced all time available to us at once? What if we did not experience time at all and stayed in a single "time-frame"? Is the concept of process still valid then? As such, all concepts available to us lie in the relative region of logic, and as far as we can understand, they don't stretch beyond it at least objectively.
Now that i have decided upon the features of logic, i need to derail. I don't know where to start so i will attempt to deconstruct a concept, and hopefully i will reach a logical failure - that will indicate to me that i have reached the limit to which i can deconstruct the concept, unless of course i have failed to stay true to logic, which seems contradictory, but really it isn't, as duality is the nature of the universe - even in logic.
If i have to "derail" then i will go with the concept of "a train". The one that travels on rails. What is a train? Is it a machine powered by fuel that goes on rails to transport someone or something, and usually consists of many connected wagons? Yes, but a lot of that is formalities, as how exactly a train works isn't a fundamental part of it's concept. The human idea of train can easily be seen in how we use the word alternatively - "train of thought". Fundamentally, it's something that travels to (hopefully)_a destination (but this train is doomed to fail). As such, i have discovered that "train" is only one of the faces for the fundamental concept of "transportation". Transportation is so fundamental to not just our existence but all life on Earth; because of this the invention of train by humankind was inevitable.
Let us transport somewhere. Conceptually, transportation means continuous movement of object by another. I want to go from point A to point B and i transport myself: i put myself in a cart and the cart takes me there. I want to transport a can of soda from the store to my fridge: i transport it there by carrying it in my hand.
I have realized that transport is a bad word for all of this, since it is not yet the most fundamental concept. What an oversight by me! Let's quickly fix this by proclaiming that more fundamental than transportation is movement. That truly is a great concept, as it is very fundamental, so please replace the word "transportation" for the word "movement" in the previous examples i'd described.
Movement is the primordial concept. I have arrived to such conclusion by thinking for an entire minute. If the construct of our perceivable reality is the three-axis, then by adding the concept of time and cause-effect into the mix, movement inevitably appears. Actually i have messed up with the terminology, so i will clean up the mess: construct of perceivable space is three-axis, but the fundamental construct of our relative reality also consists of time and cause-effect. In such a formation, movement is the primordial construct of this relative reality, as it is the most fundamental act. If you didn't know, non-movement is impossible in our reality due to the principle of relativity: even if you stay in place - from many perspectives you are in fact moving.
How does movement occur?.. What does it describe?.. A process of me moving from one point to another in a certain period of time? But what if it can also be reversed and describe me as moving in time in a certain length of space? Yes, it should, absolutely. Because from a detached perspective, it's the same thing. For me to move a certain distance, a certain amount of time has to pass; when a certain amount of time passes, i inevitably move a certain distance. I can't move to a certain distance without passing through a certain amount of time. I can't pass through a certain amount of time without moving some distance. In fact, i have an idea, i will move through time just because i decided to, and for that to happen i only need to go over a certain distance, or i may not even need to go, as i move through space all the time anyway. I still can only experience the time in one direction which is dictated by the cause-effect first being cause then effect in my relative perception of reality, but all it takes for me to go backwards is to turn around the cause-effect axis the same way i would turn around in the spacial three-dimensional axis'es. Everything would be exactly the same, just going backwards, and would make perfect sense once you apply a different logical interpretation strategy (with the effect being prior to cause).
Now i turn on the cause-effect axis in such a way that to my right is the cause and to my left is the effect. Time is at a standstill. I can't tell for sure but either i experience just one time-frame or all of them at once, but time no longer plays a part in my perception of reality, in fact now i see that to my right is the past and to my left is the future - it's frames like the one in which i currently am but slightly alternated, only if connected in a sequence they combine into time, but standalone they are like three-dimensional pictures.
I have experienced the world in a way i never had yet, but it still makes complete sense. I need to start removing parts of the logical construct. As i still witness past to the right and future to the left i decide that i can also see the alternative pasts and futures - all of those that intersect the one frame i currently inhabit. Why did i even decide i can do that? Because quantum mechanics told me i can, since according to their principles, universe is both deterministic and random - all effects occur from all possible causes and thus form infinite amount of timeline forks - all of which happen but a single observer feels like he only experiences one.
So i am an observer who turned perpendicularly around the cause-effect axis and decided that he can see what other observers he interconnected with experienced and will experience - them being technically other versions of me that cross paths in this frame. Now, when i say i've decided, you must understand, that even though factually none of this is possible, logically it is, just as much as you don't need to actually perform an action to sort of experience it - when you play a video-game or imagine things. Now, back to my experience of this ultra-reality, it is not very comprehensible, as it is similar to having not just one vision but 3 powered by infinity. I can't take it all in, but all my counterpart versions did come to this time-frame too, after-all. Which means that right here and now there's infinite amount of me, and all-together we can comprehend this mess of infinite pictures, one by one. This is definitely some sort of super-consciousness, made possible by all of us observers realizing that we interconnected from divergent paths in this one frame, which in turn was made possible from us rotating on the cause-effect axis. This is as close as it comes for me experiencing something truly divine. Not factually possible, yet logically experienceable.
Now i have seen it all - the entirety of my personal observable universe - or to be more factually correct - the entirety of my relatively available logic. Being only one of those infinite converging observers, i can't really tell you exactly what it consists of, but if you follow me in my previous steps you will understand it without me having to explain it.
Now only just one thing remains to finally derail - as i see everywhere i could ever see, and still wish to see what i could never see. Just like from that two-dimensional water i jumped into the three-dimensional air above it, i have to jump from whatever this thing i currently am experiencing to somewhere beyond it.
And i actually do so. In a way. I can't see **** here. Or at least, i can't figure out what i see, it makes no sense, it is beyond logic, beyond comprehension. Not even the infinite amount of my brethren can figure it out, it is on a completely different plane of existence, or maybe it even is unexistance, i can't know. It's completely quiet, even though maybe it is actually loud, just that the sound doesn't make any sense to me, so it's the same as if i don't hear anything. I just stare into it which is both nothing and so much everything to me that i almost drown in it. It pretty much ***** my thoughtful entirety into it much like a black-hole, it can't really do it but all my thoughts are attracted to it. It is to me like a great void that probably has lots of stuff inside but i can't possibly ever reach it, so to me it's a void. A void beyond logic, the delirious nonsense itself. I cannot reach it.
I get back from it to my plane of existence and turn around into the normal position on cause-effect axis of my relative reality. I really did it, i found that edge, that border. It's such a strange insight unlike anything else i have ever experienced in my head. I both know and don't know so much more about the universe - i experienced that black hole in my head, the end of the line for the train of logic, that drowns out into the vast void of complete irrationality relative to me. Now i know where and how to find it, and while it's not of any use to me, it brings me both despair and solace.
And did You find your end of the line?
Not a poem but a small personal philosophical absurd "treatise".
Sharina Saad May 2013
Unexpected defeat
A shock to the nation
Politic Tsunami, they said
Time to mourn? Time to analyze?
Try to decipher this Tsunami
Being fed the same chocolate flavor
High time to switch to another
  Which flavors they fancy now?
of sweets, of biscuits of cakes
Do you know?
Creativity, innovate, concern
Listen to their plights
Why do they retaliate?
Blame the Tsunami again?
So unintelligent, put yourself under a microscope
analyze, examine, please understand more.
As I am exiting the Abandoned Castle to retrieve what Aziel asked me to get for him a thought comes to mind.. - I wonder what he is going reward me with- I follow a short trail that quickly leads me to the Forest of Whispers suddenly I hear Aziel's voice echo in my head. Aziel: "Frank follow the Trail of Tears Northwest about 12 miles from where you stand there you will find yourself in front of a small creek follow it to the end and to your left there will be a small cave and to your immediate right there will be a huge stone that's been there for thousands of years it's practically impenetrable. However, I will land you my power to pass thru it but first you must enter the small cave and retrieve a sacred relic from it. Good luck my Mortal friend." Frank: Aziel what if I get lost? What about this relic and what do you mean you'll lend me your power?" Aziel: "Don't worry I will explain everything in full detail once your at the site and don't worry about getting lost...A raven will follow you from now on and if you get lost just whistle as loud as you can it will fly ahead of you to show you what route to take" Frank: " Thank you Aziel I will keep all that in mind." As I press on deeper and deeper into the Forest I am fascinated with its Beautiful scenery.

It's 11pm and I class start to get weary so I sit down in the midst of the woods in the Forest. Suddenly I hear a weak gallop like some sort of horse coming closer and closer to where am sitting...so I get up hesitant and finally I see a figure come out of the wilderness and to my surprise it's a creature half man half horse and I whisper to myself "Whoa it's a centaur...." The centaur gets closer to me and it speaks to me in a cold voice....
"What are you doing here in the middle of the Forest almost at midnight human...don't you know it's dangerous to be out here?" I look at the mighty centaur his lower part of the body is indeed a horse with furs at it's feet and the color of his full fur is golden yellowish. I examine his human half and he is covered by battle scars and he seems quite strong in his upper body. I also notice he has green eyes the color of emerald and what seems like 3 claw like scars in his face. I sit quietly for a moment then reply ... Frank: " I made a promise to retrieve something for someone and I am here to fulfill my task." He smiles at me and proceeds to talk. Centaur: " My name is Neur Blackthorn I am the Leader of the Golden Centaurs protectors of the Forest of Whispers. You see am looking for a sacred relic known as Ghruthemtox it's a breast plate made out of the skull of a Cyclop known as Mathalam who lived 3000 years ago here in this very forest and was the Creator and protector of this very place known now as The Forest Of Whispers. Legend tells that whoever finds all the pieces of the breast plate and wears it will be granted 1000 years added to his life span and tremendous magical power. I want this relic in my possession. I heard there are 5 pieces to the breastplate all scattered in this very Forest. If you are able to come across the relic itself it will guide you to all five remaining pieces so legend foretold. It's some sort of magical map the relic itself...but I heard it can only be touched by human hands because if it's touched by anything else the creature or being itself will perish immediately." -Neur looks at me attentively- Frank: - " So let me get this straight...you want me to get this relic for you? Am I right?" Neur: " That's right...in return I shall grant you what you seek from the forest. So tell me what is it that you want to retrieve?" Frank: " I want a vial of her blood from the Goddess of the Forest...Nabyah." Neur: " I will talk to her in your behalf...but I cannot guarantee the blood itself." -I look at Neur with some disgust and disappointment- Neur: " Fine Mortal I will do my very best to retrieve this for you as long as you can find me the relic..." -All the sudden I hear Aziel telepathically communicates to me and he says "Frank what are you doing meddling with Centaurs you cannot trust them...It's a dangerous task he asks of you plus he might **** you after retrieving this relic I advice you play it safe and tell him you will do what he says but with your own mission." Frank: -I speak to Aziel telepathically and I can do this due to the fact he lands me his power to do so...in order for both to speak to each other without no one else knowing...- "Right don't worry I am going to pretend to aid him then do my own thing..." Aziel: " Smart young lad ...don't worry he won't know nothing and by the way I advice you try to stay away from this Centaurs I think they might be linked to the Goddess herself...somewhat." Frank: " Right...now I will proceed..."

All the sudden Neur looks at me with curiosity...Neur: " You look like you where day dreaming for a while...fine I will leave you alone, but please find this I will reward you with what you seek I promise. Now get some rest I will come back to you at midnight" -He dashes towards the darkness of the Forest and disappears in the wilderness...-

--->TO BE CONTINUED

KEY


Trail Of Tears the path where many knights from the Order have shed blood sweat and tears. Many of them have never made it out alive.  Golden Centaurs Protectors of the Forest of Whispers who settled in the Forest 1000's of years ago. Accursed by a Powerful Witch they where once human but no longer have retained their humanity. Now creatures of the forest some of them seek to lift up the curse.
Ghruthemtox An ancient relic worn by a Cyclop Shaman Creator/Protector of the Forest Of Whispers that gave him strong magical prowess.
Protectors Forest Of Whispers ...they where those should work something out. Thanks man.
anastasiad Dec 2016
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CyRhen Sohngs Jun 2011
Liner runs thin
as I examine the skin
where I look for a tell-tale mark
Left of a ring that would prove
I'm not alone.
(it's not there)

My back arches and
my body quakes
as deep inside
Infantile sexuality wakes
as my lips let fly
assumed and guessed sighs
of fabricated pleasure
(whatever that is)

They did not teach me these things
I was left to assume
as hearts often do
when they are kept in a room
and ushered away from the pains and joys
of Love

I stare into a mirror
and I stare back
Until all of a sudden
my smile cracks
and I'm left to stare
into the eyes of one
born to lose.

I hug warm pillows
and stroke my own hair
Until I realize he
is not
wasn't
and will never be there
and I'm left to assemble
a Shattered Glass Heart
with nothing but hammers for tools

But then I see myself
beauty and flaws defined
and at this point I know
the only glass heart I need
is mine
even in pieces, it retains it's strength
and waits to be whole again

So dormant I sit
mesmerized by the prisms the pretty pieces make
as I wait
for a true artist to come
and give this
Shattered Glass Heart
new form
with the heat of reassuring and shared existence
and the grace of gentle words and sweet kisses.
jeffrey conyers Jul 2014
Doctors has examine me.
Even offer that assessment of what's ailing me?
Which I knew before they even touched me.

I'm lovesick.
Being this way since you first affected me.
I can't sleep.
I can't eat.
I can't do many of things without you involved.
Yes, you have affected my heart.

They say, otherwise I'm in good condition.
I'm not surprised by that announcement.
I'm just lovesick.
That's all that making me seem so lost.

Love does come with a cost.
When it concerns the heart
Nat Lipstadt Oct 2020
<for my friends>

Poets, let us examine this friendship thing, again.

This is a poem of humans, regardless of our natural multi- flavored striations, that tend to over-define us, thus separating, instead of celebrating commonalities.

Like most things we enjoy, our five senses are the gateway to pleasure, even the pleasure of friendships.  They act in concert, a symphonic interplay that reenforces and heightens so that in combination they create a whole greater than a single sense could provide singly.

This is on my mind this week, as I wrestle to understand the meaningful possibilities, the limits of friendship.

Poets form bonds without hearing each other’s voices.

Poets connect despite geographic distances that makes grasping each others sinewed arms, caressing the softness of hard cheekbones, without ever having been granted the unique, all encompassing satisfaction of embrace, hugging.

Poets sometimes can hear but not see each other’s words.

Poets sometimes can see/read each other’s words, but never hear them voiced aloud in the authors own, true voice.

Poets sometimes cannot smell or taste each other’s words, though it can take a poem to another, higher sensory level of coloration.

And yet, a bond so strong forms that defies the conventional limitations of the physical. Should we share such a bond, them you know it, no need to ask for confirmation.

Words, can be gifted, without teleportation, even when and if the bridge of a shared spoken language is not extant.

This is nothing short of miraculous.

Just like friendship.

All my wrestling to true comprehend this state, for naught, for the miracle of words is like the color of water. Universal, invisible, but so varied, that it too bridges and is shared by every ! human body regardless of any human shape, color, form of the billions conceivable
.

But wrestle I do nonetheless, for the pleasure of this (non?)soluble problem that both creates queries & quenches simultaneously, so I break off this thinnest wafer to share with you, offering this notional:

All humans are poems.

All poems are human.

Solve this poem for human.

(And ignore the wet spots of my watery, clear tears staining this poem).
MdAsadullah Dec 2015
Put 'Goodness' of a good man on test.
In moderate clime it might appear best.

Examine the 'Goodness' in extremes.
It will be different from what it seems.

Leave 'Goodness' under the desert sun.
To help 'Goodness' there should be none.

With magnifying glass check its sphere.
Cracks and fissures are sure to appear.

Now place 'Goodness' on mountaintop.
Keep it in position with the help of prop.

Leave it in Bone-chilling cold and depart.
Within days it will crumble and fall apart.
Donald Guy Nov 2012
MIT
There's a fire hose:
You drink it.


Well, you try to drink it.


You playfully examine it
For a few moments, then
You wrap your lips around the nozzle,
And pump up the pressure:


It blows you back
And pins you to a wall.


The spray stings your eyes,
But if it brings tears to them,
They are washed away by the flow,
Before you, or anyone else,
Can be sure they were there.


Your limbs ache,
You think that if only
You could rest them,
You could hold them stronger
But the time for rest rarely comes.


Some people, washed in despair
Or simply sanity, step out of the way
Never to look back and never to regret.


Some collapse or simply drown.


Others stand the force.
The mass of the waters accelerates,
But still they stand strong.
Wavering at times,
But never giving up.


And one day the flow slows
To a stream, to a trickle, to a drip
Then it stops.


You stand there:
Sudden and Sullen,
Dripping and Deflated,
Percolated, but Proud,
Wet, but Wise.


And you reach out,
Brass Rat rusted to your knuckle:
You grab a beaker and into it
You wring the waters of knowledge
From the clothes of your experience.


You take this drought and distill it.
You bottle it, you market it, or you give it away,
But, with luck, it takes the world by storm.


From the fire hose flow rises the rarefied results
Filtered through your hands,
Tested in your trials, Fortified in your failures,
Vivified in your victories.


You look back with mixed emotions:
Wondering if it was all really worth it.
Your prospective my grow,
It may never be clear,
But the fire hose flows on...


~D.B. Guy (March 6-12, 2010)
Conor Oberst Sep 2012
My brother finds comfort in calculators.
He assigns every number a name.
He believes that they add up to certainty and he is upset with fractions that remain.
So I examine these maps with my eyes, and at best I can trace with my finger
all the way to that town where she went in an attempt to forget the cracks and the lines of my face.

So Jetsabel cleaned out the closets for me and she piled up the boxes in the hall.
Tomorrow when she wakes she'll come take them away and they'll never haunt me again;
but it is still hard to sleep with the moon's heavy beams.
I run barefoot to the backyard, just to freeze in my place by the rod iron gate;
too afraid and ashamed to advance.

Today I walked through the snow and found a field of headstones.
They were in rows like the weeks in calendars where each box is a day you can never escape
without pills or the poison of sleep.
These memories leak from these faucets that weep.
Hot tears splash against the shower floor and I stand in the steam as if inside a dream--
I can see her again by the sink.
From behind the bathroom mirror she pulls a thermometer and places it under my tongue.

She said, "You're as pale as a sheet. You look awful, my sweet. Lay down and wait for the sun."
So I stayed in that bed. She brought me water and read each night from a volume out loud.
She whispered soft poetry. Her favorite was Anabel Lee.
And those words, like these drugs, comforted me.
But the clocks kept waving their hands
and she couldn't understand why temperature would never drop.
And though she promised with tears that she would always be here,
I heard truth like the sounding sea.

I said, "My Arienette, how soon you forget this house will never be your home,
and you will leave in the fall when the trees become graves and their colors lie dead in the grass."
Gold and green torture me like the lies I believe too easily.

Oh my Jetsabel, look at this hell that I have made.
If you want, maybe drop by sometime-- put some flowers on my grave
so that I will look beautiful in my silent sepulchre.
Yeah, that's fine. Throw some dresses away. I don't want anything of hers.
For the moon never shines and the stars never rise without bringing me dreams,
haunted by the ghosts of those bright eyes.
(for John and Teckla Clark)

Ours yet not ours, being set apart
As a shrine to friendship,
Empty and silent most of the year,
This room awaits from you
What you alone, as visitor, can bring,
A weekend of personal life.

In a house backed by orderly woods,
Facing a tractored sugar-beet country,
Your working hosts engaged to their stint,
You are unlike to encounter
Dragons or romance: were drama a craving,
You would not have come.

Books we do have for almost any
Literate mood, and notepaper, envelopes,
For a writing one (to "borrow" stamps
Is the mark of ill-breeding):
Between lunch and tea, perhaps a drive;
After dinner, music or gossip.

Should you have troubles (pets will die
Lovers are always behaving badly)
And confession helps, we will hear it,
Examine and give our counsel:
If to mention them hurts too much,
We shall not be nosey.

Easy at first, the language of friendship

Is, as we soon discover,
Very difficult to speak well, a tongue
With no cognates, no resemblance
To the galimatias of nursery and bedroom,
Court rhyme or shepherd's prose,

And, unless spoken often, soon goes rusty.
Distance and duties divide us,
But absence will not seem an evil
If it make our re-meeting
A real occasion. Come when you can:
Your room will be ready.

In Tum-Tum's reign a tin of biscuits
On the bedside table provided
For nocturnal munching. Now weapons have changed,
And the fashion of appetites:
There, for sunbathers who count their calories,
A bottle of mineral water.

Felicissima notte! May you fall at once
Into a cordial dream, assured
That whoever slept in this bed before
Was also someone we like,
That within the circle of our affection
Also you have no double.
Amanda Nov 2017
It's wild, isn't it?
How deep our thoughts can go,
How the thunder storm won't ever seem to go away,
The storm floods out of the eyes,
Happiness is a foreign concept
and a social construct.

People say, "it gets better".
I simply scream at them, "When".
I think you fail to see that the future doesn't exist
It is always the present
But I fail to see the present as a gift.

Society medicates itself
to turn the darkness
into a lighter shade of gray
But sometimes, the color gradates from
black, to gray, to white
in one swift gulp.

Do I have hope for the depressed?
I have to.
I have to have enough hope for the both of us
They cannot see it
I see it for them

Examine the depths of your mind
or don't.
It will be fatal either way.

~for Bill T. Jones~

two poets, laureates both,
on the nature of hunger, they discourse,
in temple, where sacrificing is to living arts

I was there, hungry in every aspect,
seeking wisdom of the hungering nature of human.

examine the word, hunger,
hardly a rolling off the tongue mellifluous.
you growl it from the gut, in gowned resplendent ugliness,
go ahead, try it, it’s coarse and powerful insistent.

awoken empty but for the hunger, hungover from
dancing words and imagery not mine, now mine,
maddeningly demanding my dutiful attentions,
as if hunger was the master, me, obedient pupil.

the clean white slate the IPad re-presents repeatedly,
insulted that I have yet to crayon color it with the coherence
of hunger-exhaled words, dismissive that I am but an also-ran,
my village of lexical too unsophisticated,
the page addressed yet unplanned,
Apple white
is the color of the
starving artist.
Alyssa Nena Jul 2015
Waiting for the 217 metro bus
Sunny side of la
My head bowed
Staring at small crack
Lying beneath my feet
With intricate detail
Leaving me
Wondering
How has this come
To be
This crack lying
Beneath my feet..
Head still down
Bowed
Looking under my feet
I seeped my way through
This intricate detail
Of what was
Under the soles of my feet.
In a new space
In a new time
I am
Time warped
Perplexed
Undermined
I hit a new place
I entered a new realm
Something between
Heaven
And
What I remember as a
lost town
A town filled with souls
After all but one thing
A town filled with souls just a group of lost human beings
Trying new drugs
Experimenting new things
A town
Lost with several human beings
The souls there latch
Bind
Imprint on pure things
Take the soul and turn it into something
Never seen
They transform this soul
From pure to
To well tainted
painted
They say welcome
Here is a gift from the lost souls of our town
The souls forgotten but somehow found
We have imprinted on you….
You now can have access
to anything saved
yes yes yes yes and…..
We give you the key to that gate
Yes, look a little harder
It’s a bit chromatic
because you see
We live in this town of lost souls
And few human beings

Yes I know its all so…
confusing
We have no guide
We live not with food
Just an insurmountable
Supply of whatever drug you must use
Right over there is the green goddess
Now give a wave and show your gratitude to what
She provides us with here everyday
Because you see
If she stops growing
We are faced with this thing
This thing …
lost souls don’t ever want to see
This thing this lost town has no recelection
in some millions of years.
Now listen closely as I tell you what it may be
We are all scared of corporeality
Something we never want to be
Now that you understand the entity
of lost souls
Come with me
We embrace you with open arms
We give you the title
The crown
Of our new majesty
Our queen
You are the queen of this lost
Malefic town
So come take step with me
Walk through this door with me
I have imprinted on you
No that means
YOU my queen
That means me +you
Eternity

So try leaving these lost souls
Try leaving this lost town
Try reaching heaven now
Try looking up into the clouds
And thinking back to when you entered
Entered this lost town
Seeped through
To our town
Entered our world
You did just one thing
You left your voice at the door
You left your values on the floor
Now Johnny over there
Johnny hey Johnny
Ya
Ya
Did you find what she left at the door?

Ok great and one more thing
Did you pick up what she forgot on the floor?
Ok great
Because now heaven only exists for you my queen in some foggy grey cloud.
Between heaven and this lost town
And so it is written
Engraved
Imprinted
Once again
Welcome
Welcome to our lost town
Weve named it
And called it
Hell
There is a seat saved for you
Right there next to…
Guess who.

Click
Click
Tick
Tick
Tick
Why thank you kind sir for showing me
This town
This awfully forsaken forgotten lost town
I bring a warm gift
From a place found deep in my heart
A gift you will take
A gift you will pick apart
And examine
Might never figure out the meaning
Oh my very lost soul
My forgotten human being
This lost town is a town I have entered
But as I bid you farewell
Remember that  my body and soul
Belongs to this beautiful place
Not found behind a door
With no objects lying on the floor
A  place a lost soul
May never find.
Has not found..
As I walked through the door
Ground passing beneath my sole
I picked up saved items
And returned with
my soul
and with Every fiber
My whole
Takes root
Back to time
Reality
Corporeality.
“Mam hey mam
Are you waiting for the 217?
Its here”
Before standing up
My eyes hit this crack
They stared at this dark ominous
Intricately placed crack
Now understanding
The  true meaning for its  being
I wrote this on my journey through life in LA..
She was like the iron pyrite
The teacher asked them to examine, and describe;
Cold, dense and prickly,
Difficult to love.
Given the right light
And a gentle handling,
Oh, how she'd sparkle,
But in that place, expectations and sensory overload
rendered her lumpen, and resistant.
Removed from her books and her inner world - all she needed -
And placed in a maelstrom,
She was bewildered and forlorn.
Un-cooperative, they called her,
And the teachers loved the other gems instead,
Pretty little nuggets; Ruby, Jasper, Jade.

Two years of discouragement and dislike
And even the tentative sparkles had darkened.
The other gems enjoyed each other
And moved away from her magnetic pull,
sensing difference.
No outright meanness, not yet,
But hints were brewing, whispers had started
And she wandered alone, in the playground,
Talking to the seagulls, and singing to herself.
The teachers only wanted conformity
And called her parents to voice concern
about her lack of friends.
Had they asked her, allowed her to have a say
She would have told them it didn't matter
But they were determined that it did, to them, if not to her,
And her parents were added to the burden of people
Worried and disappointed, watching.
She knew now, she was different, she had always known but never minded,
Now it was a problem. She didn't fit,
Like that scratchy purple uniform, around her chubby waist
Food didn't judge, dislike or condemn.

That life ended, and a new struggle, in a new school, began.
This was harder; the meanness was apparent now,
Difference wasn't tolerated
And someone wandering alone was a target.
She found a place to hide, behind a staircase, with a book,
But they found her, removed her and patrolled her only refuge
Forcing her to submit to the torture.
Every day was a war zone,
So she found another way, and embraced ill-health, stealthily
Spraying deodorant directly into her own face
induced asthma attacks; and not all those  ear infections were real,
She was an accomplished actress.

She got through it, millions do.
She found her own place, her own friends in her own time.
Among Onyx, Jet and Tigers Eye
Her darkness didn't mark her out as different,
And all that fake illness
Was great prep for theatre,
Where she was able to return to her inner world,
And no-one cared if you feigned madness
Or embraced the real thing.
Difference was celebrated,
The whispers now, were that she had a great stage presence,
And a talent to be nurtured,
Not a difference to be despised.
Liz Delgado Apr 2014
I could miss my favorite part of my favorite song just to hear the sound of your velvety voice and not bother about repeating the song because there wasn't anything else I wanted to hear but your voice.
No music, no metaphor, no lyric could surpass it.
There's not a problem in missing today's sunset if I get to admire your breathtaking face and examine it's imperfections, which make you absolutely perfect to my eyes.
And then I'll close my eyes and you will stay tattooed into my lids and I'll go to sleep, you'll show up in my dreams.
I could miss going to the beach- my favorite place on Earth- just to be in your arms, just to be home.
There are no other stars I'd rather take in sight other than the ones in your eyes along with galaxies and oceans and worlds inside them.
No cup of coffee can compare to your lips in the morning when my eyes are barely opened from a deep slumber.
It has only been 9 months since and it just hit me- this is not infatuation,
*I'm utterly and hopelessly in love with you.
Julian Delia Sep 2018
Is-solitudni hija inkredibbli.
Il-pinna tirtogħod jien u nikteb,
Estensjoni tat-taħwid ta’ ġismi.
Inħossni qisni forti imwaqqa’, inaċċessibli.
Xi kultant, nitħajjar nitfa ruħi għall-irkant;
Nagħmel patt ma’ xi dB jew xi Gasan,
Jew inkella, mal-mexxej, l-aqwa negozjant.

Mhux xorta?
X’fiha billi nilqgħu il-partit f’darna?
X’jimporta?
Mhux l-aqwa li mmorru l-fosos bi ħġarna?

Iżda, mhux dak hu l-messaġġ;
Minn dil-lejla siekta, nixtieq niehu vantaġġ.
Xtaqt neżamina għalfejn ninsab waħdi;
Qiegħed id-dar b’ommi u missieri sular taħti,
Iżda, minflok ninsab hawn, magħluq f’kamarti.
Mistoħbi, bl-iskuża li qiegħed noħloq l-arti.

Sħabi kollha xogħol jew isaħħarhom xi eżami,
B’hekk, ninsab nirrifletti, b’espressjoni gravi.
Fejn tobsor, li ta’ tlieta u għoxrin
Tkun weħilt go ħabs mentali agħar minn Kordin?
Ċella magħmula mill-ħsibijiet,
Joħorgu qishom ħalba mis-smewwiet.

Tgħix b’mohh mixgħul ġo pajjiż li jħobb id-dlam
Tħossok distint daqs tazza inbid aħmar li waqgħet *** l-irham.
Xi kultant, mejjet tkun biex titfieh;
Xejn ma jirnexxilek tagħmel biex tistrieh.

_________

(in English)

The solitude is incredible.
The pen shakes as I write,
An extension of my body's agitation.
I feel like a ruined fort, inacessible.
Sometimes, I fancy putting my soul up for auction;
Strike a deal with dB or Gasan (1),
Or maybe, with our leader, the best merchant (of them all).

Is it not all the same?
So what if we let the party in our household?
What does it matter,
As long as we go to il-Fosos (2), en masse?

But, that is not the message;
Of this quiet night, I'd like to take advantage.
I wanted to examine why I'm all alone;
I'm at home, with my parents a floor below me,
Yet, I find myself here, locked in my room,
Hidden, with the excuse of making art.

My friends are either working or bewitched by an exam,
Hence, I find myself reflecting, with a grave expression.
Who would've thought, at age twenty-three
I would be stuck in a mental prison worse than Kordin (3)?
A cell made of thoughts,
That come out like a storm from the heavens.

To live with an enlightened mind in a country that loves darkness
Feels as distinct as a glass of red wine spilled on a marble tile.
Sometimes, you just wish you could switch it off;
Nothing helps to give you relief.
1 = enormous local entities that have amassed wealth through the exploitation of my country and its people.
2 = a popular spot for political mass meetings in Floriana.
3 = an area in Paola where the local prison is.
Tawanda Mulalu Feb 2016
Perfect: I used that word once to talk about you
as if you were a doll with limbs made of plastic:
stiff and whimsical and subject to the niggardly
commands of the conscious- yet you, who thinks
as aggressively as any doll-house builder do not
construct your own set-pieces; instead you
pirouette into one carefully constructed day to the
next as you delicately
stride
from bed to shower to wardrobe to mirror to desktop to
window to mirror to mirror to
mirror mirror on the wall, who’s the fairest of them
all-
and the staid look on your face when the mirror gives no
answer
because it can’t. Checkered skirt, sharp eyelashes, wary
jumper, almost heels. Perfect, you might think
for a moment before your eyes roll gently from self
to mirror
to self
to mirror
to mirror
the self. What was
it that you were looking for if all it does is lead
you back to your skin? Meanwhile, the snow
stutters softly from above as if God had dandruff-
perfect- and it all gently glazes the spongy surface of the world like
flawless coconut icing on some sorry party cake- perfect- and the morning
bell rings impossibly on time like the last
breath you thought was your last- perfect- and somewhere in
America I use words to remind you of the little
unreachables
of perfection that both start and end with your perfectly
snow-pale skin, where somewhere in
America and somewhere on
your thighs perfect ridges of red have formed themselves like
plastic scratches on a Barbie which we both think
are little but we both know
are big
because you are not plastic.

                                               At nighttime our feet
skip on the icy brick pathways that lead from
the dorm-rooms to the library and we shiver
as the snowflakes bob in and out of our bodies
like thoughts
that seem funny but aren’t quite- they melt away
as soon as they stumble upon our skin. From our mouths
cloudy puffs of being flutter out- little butterflies affirming
out listless snowflake-filled minds, sperming out ice-clouds
from our mouths, our mouths, our mouths; birthing friendship.
Breath, visible, is laughter. I trip and swear and momentarily
skate
across a sudden ice-surface as you speak another ice-breath. We
arrive
at the library but dart towards the empty right-side, the science
classrooms. We hope
to examine the thought-skirmishes on your right thigh, to turn  
and change this hopeless world-spinning into centrifuge
separation-
make apparent the light from the dark
                        the firmament from the void
                        the flesh from the plastic, the-
here we are as you talk
about your family and I
try my best to look you
in the eye so I
can become
your eyes
even when
normally
I
am
so
vehemently
against

staring

at the soul-gates of another being-
here we are as you talk;
God is still missing from the centrifuge
of the endlessly turning world- your
axis
is your skin yet
you trust it
not. The salads without dressing,
        the weighing scales,
        the taste of bile at the back of your
throat-
all for skin that
       you
do
not
      trust.
All for flesh that you think is plastic
so
     you
     cut.
      
             Enough
talk because the bell cuts through the flesh
of our conversation. Enough
talk because the world insists on
turning still
and forcing us to revolve
with it. Enough
breathing, enough
snow, enough
life. I remember you saying
that the ratios of your face are wrong;
that certain equilibriums do not exist between
your cheeks your lips your eyes your life…I remember the science
classrooms where parts of you were as mathematical as the architecture... I remember how
you keep thinking your flesh is plastic… You forget how
inglorious the nature of these words is. The problem
with human thought, with the ratios of your face, with the
geometric structures that cut across your thighs, with the
statistical neatness with which your family decomposes;
the problem with our conception of perfect is how
awkwardly it both exists and does not exist for us to
see.
The ratios of your face which you think are broken are
the same miracles I wonder about as you laugh. The incorrect distance
from your cheek to your eye which you think is wrong is the same
lightyear which separates the stars from the planets. The curvature
of your stomach is the bending of a spacetime to accommodate
the way the air must move to let your body occupy the space and time in which it
exists.
The ratios you speak of spring from your own limitlessness, your own
perfect imperfections , imperfect perfections-
strange oddities and unfathomable beauties and yes. Yes,
even the ridges across your right thigh are minute, red,
gasping
grand-canyons of
flesh,
of human, of breathing clay
flesh-
           never
plastic;
            always
worthy.
            
              Recently the voices in my head have been getting louder,
telling me all sorts of things about how the snow ought to bury me
in its mercilessness. They mention also that my words bear no meaning,
my thoughts even less so. Assumedly, the ridges across your thigh
carry such spectres as well but, I messaged you before you went to bed
about coming out and having an adventure because tick-tock-tick-tock…tick…tock…tick-
the last bell of the day is going to ring soon and the voices and ridges
will assert themselves again with the bedtime silence, but check your Facebook
messages and come outside and let’s go skipping with your friends across
the century-old polished prep-school brick pathways that smell archaic because it’s

snowing outside and it’s lovely.
For a friend.

Update, 4/23/2018, the poem found a home here: https://postscriptpublication.wordpress.com/2018/04/22/ratios/   thanks to a friend.
Keith W Fletcher Sep 2016
All I really wanted
Is someone who needs me
That's all I really want
I play the game
With such precision
But I don't enjoy the hunt

You come around
With your fancy persuasion
And try to stay awhile
You tried to be
My judge and jury
And put my love on trial

Don't try to cross no burning bridges
Don't cross examine me
Don't try to cross no open spaces
Don't try to cross wire me

I'll come to order
When I'm good and ready
Don't try to make me rush
You know the answers
That I'm gonna give you
Won't really tell you much

Take what you get
I'll give you that much
To keep you satisfied
I  have no defense
When it comes to hurtin
I keep it locked inside

I've got no defence
Whe n it comes to  hurtin
The prosecution rests
You bound me over
As your own solution
Even though I had confessed

Don't try to cross. no open spaces
Don't try to cross wire  me
Dont't try to cross no burning  bridges
Don't cross-examine me !!
Connor Ruther Aug 2010
Watching life’s play,
From the nosebleed section.
If I die today,
It’s natural selection.

I hear what people say,
But don’t make the connection,
The past fades away,
To a vague recollection.

99 problems,
No retorts or solutions,
Trying to pay my bills,
Without resorting to prostitution.

Losing is a life lesson,
Hard to learn,
It’s a truth I mention,
In no uncertain terms.

They say if you get knocked down,
Get back up,
But sometimes when I’m knocked out,
I’ve had enough.

My drive and ambition,
Is out of gas,
But I’m stuck in my position,
Can’t change the past.

They said, “It’s okay chum,
There’s a future to make.”
But no, it’s okay son,
I choose not to partake.

I’m on the road of life,
Just taking a jog,
But I can’t run right,
Cause I’m an underdog.



I know I’m not perfect,
I’ve made mistakes,
But I really do deserve it,
So give me a break.

Girlfriend told me,
I’d never succeed.
I choked at her,
Cause I forgot to breathe.

I was told to walk,
Off the beaten track,
I talk one step forward,
Then whisper two steps back.

I’ve been made a fool,
I’ve played the clown,
I never broke the rules,
But I still broke down.

When I look in the mirror,
To examine my features,
It brakes when brought nearer,
So I pick up the pieces.

You know I don’t deal,
In self depreciation,
So what you find here,
Is honest estimation.

I’m not clever as Copernicus,
Or strong as King Kong,
Even when you’re learning this,
You knew it all along.

I’m on the road of life,
Drifting through the fog,
But I can’t see tonight,
Cause I’m an underdog.
Lucius Furius Jul 2017
"23: July 24"
"24: October 5"
"25: February 19"
"26: December 14"
  
The words went right to the pit of my stomach.
All doubt was gone.
I'd graduate/be drafted in June.
By September
I'd be in Vietnam.
  
My high school gym teacher had been an Army sergeant.
He stepped on our stomachs as we did sit-ups,
"toughening us up".
I've had a problem with authority
(unsuited, temperamentally,
to obeying unconditionally).
I'd be a poor soldier in the best of wars.
  
But if a job required some independence/ingenuity --
a pilot or a spy, say --
and if the cause was right
(World War II, for instance),
I could fight as well as another guy.
  
I don't like fighting,
but I'm not so naive as to think it's never a necessity.
There's always someone who, given the chance,
will take our possessions and make us their slaves.
So who should decide
if a particular war is justified?
This seemed to be my own responsibility.
  
Vietnam? I decided it wasn't.
Weren't we protecting a democracy?
No. Thieu lacked popular support.
Wouldn't Thailand and India fall?
No. The domino theory was questionable at best.
Weren't our national interests at stake?
No, not really.
I'd decided I shouldn't fight;
They'd decided to make me fight.

The physical was set for March.
Unless I failed,
I'd go to Vietnam,
go to jail for seven years,
or go to Canada for the rest of my life.
  
In studying Army regulations,
I found a fascinating chart.
It showed for each particular height
the greatest and the smallest weight
the Army would accept.
I'd heard of people who'd gotten out
by injuring themselves intentionally.
Some exaggerated a minor back pain.
Others faked insanity.
Losing weight seemed nobler;
lying/mutilation, not required.
  
The low for me was 118;
lose twenty pounds and I'd be out.
(At 5'10", that's pretty thin.
Could I do it and not get sick?)
My parents thought for sure I'd die.
  
Help from doctors was out of the question;
on my own I studied nutrition.
Cut down on calories,
maintain needed nutrients
(protein, essential fats, vitamins, and minerals).
Once I found a working combination,
I stuck to it without exception.
Cottage cheese, wheat germ, and fish were staples.
Bored fat cells chose self-immolation.
My weight dropped to one hundred and twenty.

In cases where the weight was close
I'd heard the Army sometimes winked:
("Oh we'll fatten this guy up").
I decided to lose to one hundred and ten.
  
Contrary to my parents' fears --
though vigorous exercise made me dizzy --
I really wasn't sick at all.

The Army sent a special bus
to take us to the physical.
Once there, we stripped to underpants,
moved like cattle from each room to the next.
I weighed 110.
They classified me 1-Y
(examine again in a year;
if still unfit, reject).
Losing again would be inconvenient,
but free of worry since I knew that it worked.
  
I'd brought some food.
I drank and ate it ravenously.
  
So what did I feel on that bus heading home?
Triumph? Elation? No.
Relief, sadness, and guilt.
Relief because finally I was free of this mess.
Sadness and guilt because someone else
would be made to go and fight in my place.
It's true this person, on some level,
had chosen not to escape --
but maybe he just hadn't thought it through. . . .
  
Now for a bold statement from a slimy ex-draft-dodger --
I'm sure you'll think this hypocritical -- :
Each of us must be ready to serve.
Responsibility for protecting things we love
can not lie solely with the professional military.
(Future wars could overwhelm them.)
  
Service isn't always guns.
Service might be joining the Peace Corps
or electing leaders who effectively distinguish
false threats from real ones -- and pre-empt war.
  
Wars should be rare, ****** upon us.
No more propping up tottering dictators.
No more shoving "Democracy" down people's throats.
No more sacrificing 10,000 soldiers so we can pay a
      quarter less for gasoline.
  
Wars should be necessary and just;
everyone should serve.
Hear Lucius/Jerry read the poem:  humanist-art.org/old-site/audio/SoF_025_draft.MP3 .
This poem is part of the Scraps of Faith collection of poems ( https://humanist-art.org/scrapsoffaith.htm )

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