I followed him down the trail until we got to the mouth of the mines. The life and energy of the surrounding maples and birches seemed to come to a still and then die as we walked closer, closer. The air was cold and dark and damp and smelt of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a slimy smile as I stepped out of the sun. It was still inside. The canary chirped.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” He rolled his eyes.
“Spare me.” He trotted off around the corner to the left, whistling.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. In my blinding anger I lost track of his lantern. I stopped, my heartbeat picked up, and I tried to remind myself of what I did in Peru.
I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Somewhere in front of me the canary chirped.

When I first got the job in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack said. He handed me the manila case envelope. “He’s lived in rural Vermont his entire life. Apparently his family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When the accident happened the whole town basically shut down. There were no canaries in the mines the day the gas killed the miners. His mother died in a fire of some sort shortly after. The town blamed the Delvos family and ran them into the woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He ships them to other mining towns across the country now. We want to run a piece about the inhumanity of breeding animals to die so humans won’t.” I stood in silence in front of his deep mahogany desk, suddenly aware of the lack of make-up on my face. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”

“Do you understand the darkness now, Ms. Rivers? Your prestigious masters degrees don’t mean **** down here.” Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me. He relit the oily lantern and turned his back without another word. I reluctantly followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” and hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western themed whiskey bar, and a few greasy spoon restaurants interspersed in-between. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good nights sleep and defeat this towns fear of John Delvos tomorrow.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag and pulled out my Turkish Golds and Macaw-beak yellow BIC. I stepped out onto the dirt in front of my door and lit up. I looked up and the stars stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except it’s sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of night. The father into the darkness the more dizzying the stars dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off.
“I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Waters, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Waters, are you new to town?”
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
The stars tiptoed in their tiny circles above in the silence. Then, they disappeared with a spark as Ian lit up his wooden pipe. It was a light colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the stars dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Waters. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the cold dust beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed, “See that yellow notch?” Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how thankful I am to find out where to find this elusive Mr. Delvos and his canaries.”
“You don’t have to,” he knocked the ash out of his pipe against the tree, “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The stars dance was manic above me as I walked back to my room and shut the door.

The canary chirped and Delvos stopped.
“This is a good place to break out fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We left for the mines as the stars were fading in the vermillion Vermont sky this morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Waters.” Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I hurriedly stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased, “You’ve got steel in you, Ms. Rivers, I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with flickering yellow brushes and songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so of course I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the birds little coops were as well, Dad finally talked. The only thing he could say was ‘Canaries are not the same as a Phoenix, John. Not the same at all.”
The canary chirped, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines, but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?” He spun around, startled, and walked up to me a little too fast.
“Why are you here? Who are you?”
“My name is Lila Waters, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the CEO’s for the magazine and he...”
“Those are my rules, Ms. Waters.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Waters. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the little, yellow canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up and the memory of his green and brown wooded homestead fled from my memory as the mine again consumed my consciousness. Dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.
The canary chirped.
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelt of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The Canary was flitting its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminating the surrounding gloom. All was completely still and even my own vapor seemed to fall out of my mouth and simply die. The canary was dancing a frantic jig, now, similar to the mating dance of the Great Frigate Bird I shot in the Amazon jungle. As I watched the canary and listened to its small wings beat against the cold metal cage I begin to feel dizzy. The bird’s cries had transformed into a scream colder than fire and somehow more fierce.
The ability to fly is what always made me jealous of birds as a child, but as my temple throbbed and the canary danced I realized I was amiss. Screaming, yellow feathers whipped and the entire inside of the cage was instantaneously filled. It was beautiful until the very end. Dizzying, really.
Defeated, the canary sank to the floor, one beaten wing hanging out of the iron bars at a most unnatural angle. Its claws were opening and closing, grasping the tainted cave air, or, perhaps, trying to push it away. Delvos unclipped the cage and sat it on the floor in the space between us, lantern still held swaying above his head. The bird was aflame now, the silent red blood absorbing into the apologetic, yellow feathers. Orange, a living fire. I pulled out my camera as I sat on the ground beside the cage. I took a few shots, the camera’s clicks louder than the feeble chirps sounding out of the canary’s tattered, yellow beak. My head was spinning. Its coal-black eyes reflected the lantern’s flame above. I could see its tiny, red tongue in the bottom of its mouth.
Opening.
Closing.
Opening, wider, too wide, then,
Silence.


I felt dizzy. I remember feeling the darkness surround me; it felt warm.

“I vaguely remember Delvos helping me to my feet, but leaving the mine was a complete haze.” I told the panel back in D.C., “It wasn’t until we had crossed the stream on the way back to the cabin that I began to feel myself again. Even then, I felt like I was living a dream. When we got back to the cabin the sight of the lively yellow canaries in their coops made me cry. Delvos brought me a bottle of water and told me I needed to hit the trail because the sun set early in the winter, so I le

Journal of Darkness: Assassin and Deceptress


Nov 21, 2011, 8:17:32 PM by ~OmegaWolfOfWinter
Journals / Personal




(description of storyline: all characters in this work are dragons, with the ability to change into a human form. they live in present day society, but have a base in the middle of the desert. there is a library with the history of the world, which is operated by stacra, an organization to preserve the peace in the world. there is a rival organization, the dracra, who wish to take it over. the dracra is led by a dragon named Darkheart, a dragon who has haunted the Scar line for millenia.)
"... sahsa...."
what was that mumbled sasha, a small town girl in modern day USA. she was nearly asleep when the voice called to her.
sasha was usually described as a freak. she was a dragon fanatic, and she carried her favorite books wherever she went, Brink of Insanity: journal of the Wild and the Broken; and its companion, Blood curse:  journal of the Destroyer and the Savage. they told of dragons living in new york who had to bear a family curse and sought a way to release it. the author was only known as "Lucian".
"....sasha...."
i'm sure i heard it that time...
"....come to me sasha...."
she didnt know why but she felt as if she absolutely had to find the source. she was barely clothed but quietly snuck out, leaving small footprints in the snow.
"....sasha!...."
she felt panicked. as the voice grew louder so did her heart, beating quickly in her ears. some sort of animal instinct took over and she somehow Managed to run on all fours. her whole body began tingling, her skin writhing. she looked back and nearly choked: wings and a tail... had grown from her body. her whole body turned white as scales etched their way into life over her skin. her body began elongating and enlarging, becoming streamlined and lizardlike. she was transforming...
"...yes!... just as you said, master...."
"...quiet, kovu..."
sashas vision went dark as she stumbled, barrelling through the snow. when she looked up, she saw an enormous dragon, with scars just like the ones in her book. "she will be a fine student."
sasha was dumbfounded as she saw her parents walk up behind them. "greetings, master Lucian, kovu." said her father.
"and you, rydon."
"y-you...know...?" stammered sasha.
"all will be explained in the morning, sasha," replied her mother.
sasha felt tired and her eyes shut as the ground came up to meet her.
sasha sat alone at the picnic table, surrounded by lucian, her father rydon, her mother sophia, and kovu. "so... you're all.... dragons.... like in my books..." she gestured to the two books.
lucian stepped forward and placed a hand on the books. his hand glowed and the glossy books turned to worn, leather journals. "yes, we are dragons. sasha. and you have done well guarding my journals."
"your... journals? but i thought that these were best-selling novels..."
lucian chuckled, "no no. young one, there are only two other copies of each of these in existence."
"wow..."
her father spoke up now, "so what are you here for, master? is it time for her to leave us?"
"leave?! what do you mean leave?!"
rydon looked worriedly at lucian and then at sasha,"you are dragon, and it is tradition for you to be trained."
"but what if i dont want to leave?!"
her father began to become angry,"its not your choice!"
"then whose-"
lucian's eyes glowed red in anger, "rydon, haven't you taught your daughter respect? surely you would know of my ways by now."
rydon nodded, "i- i'm sorry, master. i don't know whats come over her."
sasha ran, shifting to her new dragon form and flying away. darkheart had warned her of this, that lucian was a dictatoria leader. she asked herself, "why had her father taken his side? why did this have to happen so suddenly? and most of all, what was she going to do next?"
darkheart had given her directions to meet her after lucian made contact. sasha flew, tired as she was not used to the extra limbs.
once she reached the spot that darkheart had told her, she waited and thought things through.
once darkheart arrived, she spoke, "i want to join you. i beleive everything you've said."
darkheart chuckled, "i knew you would dear girl, lucian is the same as his grandfather, they both hounded me and tortured me, for their own twisted ways. i've tried to keep as many as possible from falling into their cluthces. i wasn't able to **** scarheart, as he captured me and forced me into his own body as an energy slave. he tortured me even there, and after he died, lucian, his grandson, got me. he too tortured me."
sasha looked at her in sock, "thats terrible. i didnt know..."
"you couldnt have, darling. those evil dragons keep everything from those who should know."
sasha stood, "i want to be trained. by you."
"really? i warn you, it is quite tough. not all survive. you must be willing to do whatever it takes to stop those vile dragons."
*     *     * 3 years later
sasha was 20 years old, and it was time for her to take on her first big mission: infiltrate lucian's schol and learn everything she could.
sasha had already talked to lucian, apologizing for her behavior so long ago. lucian had seemed hesitant but allowed her in. foolish old bat. she thought. she had been at the compund for a year and a half now and had become familiar with their ways.  sasha would often wonder why she was doing this, and she remembered, darkheart had said that lucian killed sashs's father. she always looked at him with scorn and wished to **** him. but she restrained herself and kept on the facade.
today she felt especially hating towards every master she came in contact with. she passed tsai, lucian's right hand dragon, as he went to talk with the master. she tried to eavesdrop but they were speaking in an ancient, coded language. she growled and her white scales flashed in the sun.


"Lucian, somethings not right about that youngling sasha... she's always watching us, like she's gathering information."
"yes, tsai, i know. i know exactly what she is."
"what?" tsai looked skeptical.
"she's an agent, an informant. for darkheart."
tsai stared, incredulous."wha?! how do you know?!"
"ive been under the influence of darkheart before, as have you. something about sasha is of darkheart's doing."
tsai nodded "even still, is she possessed by her or under orders?"
lucian thought for a moment "i beleive under orders..."
both stared as lucian's son, kovu, walked up to sasha.
*       *        
"sasha! hi!" kovu had taken a liking to sasha since his father took her as an apprentice.
"oh, um. hi. kovu..." *i cant let my emotions get in the way of my mission! "how have you been?" sasha felt herself blush under the gaze of the drake. he wasnt half-bad to look at, and she often caught herself watching him.
"i'm doing great, training with tsai is always fun. what about you and master lucian?"
her eyes darted to her master, her target, then back at kovu. "you mean you're... dad?"
"yeah... my dad... but we students can only call them by their designation. even master scaleweaver calls some elders master."
sasha's ears pricked up as she heard scaleweaver's name. she was assigned to gather information on all of the masters. i must make madame darkheart proud... i am worthy... she must see that...
"is... something wrong, sasha?"
she caught herself, "n-no i'm just tired is all... just tired..."
her master lucian came toward her what a fool, he doesnt even know about me... "sasha, i need to speak with you.... alone."
kovu difpped his head and backed away respectfully.
"sasha, come."
she swallowed her pride and said, "yes... master..." and followed him.
once they were outside, lucian turned to her and said, "i know, sasha. i know that darkheart sent u here to gather information on us."
sasha's eyes widened and her mouth dropped. she thought hard how?! how does he know?! this cant be possible....
"i-i dont know what youre talking about, master..."
lucian turned on her with a peircing gaze, and made her wince as he studied her. "there are better ways to lie, youngling... but not to me. ive known for quite some time now."
sasha felt her legs give out beneath her. she sat, looking into the dust, listening incredulously at lucian. "how... how do you know?!?!"
sasha ran forward, clawing at lucian's throat. she was instantly frozen in place, an immensely strong spell holding her legs in place.  "let me go, lucian!"
"its master to you, youngling. and why would i let you go? you just tried to **** me." sasha struggled helplessly against her bonds. she saw lucian mutter something and felt her legs grow suddenly cold. she looked and gasped as ice started to creep up her haunches.
"lucia-master, please let me go... i was only under orders."
lucian chuckled, "how did darkheart get to you?"
"i can't tell you..."
"oh? then let me guess; theres another informant, a higher up in stacra, who told darkheart about you and she arrived, possibly a week before us? she fed you a story of stacra destroying the world and trying to take over the one that they created. she told you that she was only trying to help restore order. am i close?"
sasha felt naked under the gaze of the elder, who saw straight through her act and through her commander's plan. it made her heart quicken and her scales writhe. she felt a sharp pain as the ice crept up and chilled her thighs, creeping steadily upwards. "how... how can you know these things?! darkheart said you wouldnt be able to know... she said that you held her prisoner... that you tortured her... she said that you- you killed my father."
lucian shook his head and wiped something from his face, revealing gruesome scars. "she altered her face to look like mine... look, and know the truth." he placed a claw on her forehead and she gasped as a flood of memories flooded her, darkheart inside lucian's mind, taking over him, taunting him, and forcing him to do terrible things. she heard lucian say, "she tortured me, she held me captive. its true that stacra destroyed the world, but look also;" she saw the corrupt government of old, and their wretched attrocities. "they brought about their own destruction. we created the world you know, but dont wish it to be taken over, we merely want peace...We act as peacekeepers. darkheart seeks to enslave all to do her bidding. and your father died at darkheart's talons, not mine." sasha saw a gruesome scene as lucian tried to save her father.
she felt him withdraw, and felt the magic and ice withdraw from her, the ice's touch fading from her ****. she shivered and crouched low, warming her body.
"sasha, darkheart is a liar... she's been at it for thousands of years." he watched her shiver and said. "come, sit around the fire."
sasha noddded and followed close behind lucian, hiding her vulnerable state.
"i'm sorry, master."
"all will be okay, sasha... all will be fine.."
lucian brought sasha into his study under his wing. he had her sit down in front of the fire and draped a blanket over her. he sat down behind her, looking over the latest reports, waiting for her to speak. after a few minutes she sighed and looked back at lucian, tears forming in her eyes. "is everything you said true? Is darkheart nothing but a deceptionist?"
lucian looked up at her and nodded. "all of it was true. I'm sorry, sasha. darkheart is a gifted deceptionist and many of us have fallen for her tricks.  including me."
sasha turned back and looked into the fire with sad eyes, tears rolling down her cheek. she shuddered and took a shaky breath. lucian came up beside her and placed a comforting paw on her shoulder.
"darkheart forced me to **** my best friend... a she-drake named Clia... in front of her other followers to show that we must be able to turn on anyone to fulfill the mission..."
lucian nodded, "so I had heard... darkheart has become more cruel than ever."
"l-lucian, what can i do to make her pay?"
lucian thought for a while and then shook his head. "let me think more on this, sasha. for now, let no one know that you are an affiliate of darkheart, it could have deadly consequence. you may remain in here if you wish, or you may return to your own quarters. i have some things to attend to."
sasha nodded to him and gasped as everything went still and dimmed, even the fire seemed grey and frozen.
"wha-"
"sasha... you must tell me now, will you work with me?"
she was stunned. "where are you? what do you mean?"
"you want to get back at her, i know how to. but you must tell me if you will work with me."
"i-i will, lucian. but whhy ask now, and in this way?"
"because, there is someone here, that is going to try to **** you. he was listening to us and is going to attack you with magic. ive cast a spell that will give an apearance of death. just let the magic do its stuff and u'll do fine">
"but wait!"
"you must trust me, sasha."
all of a sudden, everything went back to normal, and lucian was gone, she could hear his fading footsteps.
what was that abou- wait! the killer... she kept facing the fire and listened as she had been taught to the clawsteps of the incoming dragon.
"is it true? you're one of them?!"
sasha turned and gasped, flashing him a shocked, innocent look over her shoulder. "what are you talking about, kovu?"
he was angry, and she was struck with fear. "i overheard you and lucian talking. i heard everything."
sasha turned to face him."y-you, heard everything..."
"then you are one of them! i cant beleive it... i cant beleive i trusted you."
kovu stepped forward and sasha's eyes shifted, trying to find a way out. "kovu, i- i can explain."
"you're nothing but a trickster, a deceptress! dont try to talk me out of this."
her heartbeat quickened, stricken with dread. "out of... out of what, kovu?"
he said nothing but uttered the death spell.
*      *    
sasha let herself go, remembering lucian's spell. but as she did so, she thought about why she was doing this. *to make darkheart suffer... she heard lucian in her mind. "you'll be going to death-sleep for a while, a few days to make it beleivable. now sleep, sasha... sleep and i will awaken you soon."
"o-okay, master lucian..."
"there is no need to call me master anymore, sasha. from now on, you no longer exist. which is why darkheart will never see you coming. its time... dont worry."
the death-sleep overcame her and she fell to darkness.
*   * *
lucian ran downstairs and saw kovu standing over sasha's body. he put on a facade of dread and said, "kovu.... what have you done?!"
kovu looked at lucian angrily. "you were going to harbor a killer... i took care of the problem."
lucian became angry now, "no, you made more problems. you didnt think... you didnt listen. she was willing to help."
kovu snarled at lucian, "i did what needed to be done. I killed her for you, father."
lucian responded quietly, "you killed a helpless dragoness in cold blood. i have no choice but to arrest you for ******, my son." he muttered a binding spell and blocked kovu's magic. he watched kovu struggle for a moment then went to pick up sasha's seemingly lifeless body. he contacted her mentally, saying, "i'm taking your body in to the infirmary, i'll oversee your examination. in 2 days, i will wake you, when i do, be very quiet."
"yes, sir."
sasha's new appearance was stunning, quite different from the black color of her original scales, she now looked like each scale was a glittering saphire, and her horns and underside were now a shimmering silver. sasha was astonished by what lucian had done, he had also changed her voice and form, making her more slender and agile, he altered her voice in such a way that it seemed that she could charm the heart out of a rock. even lucian who had a mate of his own had to keep himself composed. but he was undoubtedly pleased that things were turning out well. lucian had to change everything about her, her eyes now a deep green, her draconic fingerprint being her tail-tip and spine, were changed to furry mane and a slender diamond tip.
she looked at herself in amirror and remarked how mature she looked.
"you may have to be put in certain situations which may have you exploit some... erm... feminine charms."
"so i'll have to...."
"only if you let it go that far. it depends on you. you said that you'd  do anything to get back at darkheart. these matters are up to your own discretion."
she thought long about this. "i want to g

I followed Delvos down the trail until we could see the mouth of the mine. The life and energy of the surrounding birches and sentential pines came to a still and then died as we left the trees shelter behind and walked closer, closer. The air was cold and dark and damp and smelled of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a smile as I stepped out of the sun. It was still inside. The canary chirped in its cage.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” I pulled my mousey hair up into a tight ponytail. “I’ve experienced far more fatal feats than following a canary in a cave.”
He rolled his eyes. “Spare me.” He trotted off around the corner to the left, whistling some Louis Armstrong song.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. I lost track of his lantern completely. I stopped, my heartbeat picked up, and I tried to remind myself of what I had done in Peru. The mine was quiet and cold. I wiped my clammy, calloused hands on my trail pants and took a depth breath.

In through the nose. Out through the mouth. This is nothing. I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Behind me I could hear the wind cooing at the mouth of the mine.
Taunting? No. Reminding me to go forward. Into the darkness.
I shifted my Nikon camera off my shoulder and raised the viewfinder to my eyes, sliding the lens cap into my vest pocket. This routine motion, by now, had become as fluid as walking. I stared readily through the dark black square until I saw reflections from the little red light on top that blinked, telling me the flash was charged. I snapped my finger down and white light filled the void in front of me. Then heavy dark returned. I blinked my eyes attempting to rid the memories of the flash etched, red, onto my retina. I clicked my short fingernails through buttons until the photo I took filled the camera screen. I learned early on that having short fingernails meant more precise control with the camera buttons. I zoomed in on the picture and scrolled to get my bearings of exactly what lay ahead in the narrow mine passageway. As I scrolled to the right I saw Delvos’ boot poking around the tunnel that forked to the left.
Gottcha.
I packed up the camera, licked my drying lips, and stepped confidently into the darkness.

When I first got the assignment in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack had said as he handed me the manila case envelope. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”
I opened the envelope and read the assignment details in the comfort of my old pajamas back at my apartment later that night.
John Delvos has lived in rural Vermont his entire life. His family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When “the accident” happened the whole town shut down and the mines never reopened. . There were no canaries in the mines the day the gas killed the miners. The town blamed the Delvos family and ran them into the woods. His mother died in a fire of some sort shortly before Delvos and his father retreated into the Vermont woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He currently ships them to other mining towns across the country. The question of the inhumanity of breeding canaries for the sole purpose of dying in the mines so humans don’t has always been controversial. Find out Delvos’ story and opinions on the matter. Good luck, Lila.
I sighed, accepting my dull assignment and slipped into an apathetic sleep.


After stumbling through the passageway while keeping one hand on the wall to the left, I found the tunnel the picture had revealed Delvos to be luring in. Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me
“Do you understand the darkness now, Ms. Rivers?” He relit the oily lantern and picked back up the canary cage. “Your prestigious masters degrees don’t mean **** down here.”. He turned his back without another word. I followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” then hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western-themed whiskey bar, and a few greasy spoon restaurants. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good night’s sleep and defeat this town’s fear of John Delvos the following day.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag, pulled out my Turkish Golds and Macaw-beak yellow BIC, and stepped out onto the dirt in front of my motel door and lit up. The stars above stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except its sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of Vermont night. The father into the darkness the more dizzying the star’s dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off. “I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Rivers, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Rivers. Are you new to town?” He traced his fingers over a thick, graying mustache as he stared at me.
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
Ian smiled awkwardly, shivered, then began to fumble with his thick jacket’s zipper. I looked up at the night sky and watched the stars as they tiptoed their tiny circles in the pregnant silence. Then, they dimmed in the flick of a spark as Ian lit up his wooden pipe. It was a light-colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“So, Delvos, eh?” He puffed out a cloud of leather smelling smoke toward the stars. “What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the star’s dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Rivers. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the dead pine needles beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed. “See that yellow notch?” he asked. Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how grateful I am.
“You don’t have to.” He knocked the ash out of his pipe against the tree. “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The star’s dance was manic above me as I walked back to my room and shut the door.

The canary’s wings and Delvos stopped. “This is a good place to break our fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We had left for the mines as the stars were fading in the vermillion Vermont sky that morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Rivers.”
Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased. “You’ve got steel in you, Ms. Rivers. I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with wings slashing yellow brushes and cawing songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so and I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the bird’s little coops were as well, Dad finally talked. The only thing he could say was “Canaries are not the same as a Phoenix, John. Not the same at all.”
We sat in silence and I found myself watching the canary flit about in its cage, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?”
He spun around, startled, and walked up to me a little too fast. “Why are you here? Who are you?”
“My name is Lila Rivers, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested.”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the editors for the magazine and he...”
“Those are my rules, Ms. Rivers.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Rivers. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up. The mine was dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I had sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.  
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelled of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The canary was fluttering its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminatin

.the English pronounce the Cornish town's name as: nookie... the **** is it, a Green Day album name, or a Limp Bizkit song? perhaps i'm too French in my pronunciation... quail... eggs... quay... qua-a... if i were Welsh i'd write you the name like so... newyddquaa... but no... but no, has to be nookie... like buggering a ******* chimp... quail eggs... see how language becomes mutated? nothing is apparently, certainly, stable... always the permutation of a flux... i must have ingested a little of the French concept of: je ne sais quoi when learning English... come one... nouveaucarrière: new quarry... nouveauquai... nookie?! seriously?! Q, Q... Quail eggs... quay... new... quay... maybe the usage of hyphenating words into compounds needs to be revised in the english sprechen... ******* mutation... nookie... ****** ******, + a ******* wookie, walking carpet ride worth the name Chew-a-Buck-back-up! i'd settle for: new-key... some sort of variant of a maritime honing device for locating ships sending distress signals during storms... but... no... but hey... it's authentically Welsh territory... Cornwall is, after all... a pre modern extension of Wales... nookie this: shotgun my *** while is spew rhetoric concerning the health benefits of applying feces instead of ****** cream for the benefits of: no one.

over 20 years spent living on these isles,
and i never made the connection -
Welsh nationalism could only work
if you included Cornwall -
   given that Cornish is very much:
a southern dialect of Çymru -

    i guess... i'm not sure...
    let's put it to the etymological filter...
beginning with primary words:

black
           du   (Cornish)
      du   (Çymru)

    red
       rudh (Cornish)
      coch (Çymru)

    white
          gwydn (Cornish)
gwyn (Çymru)
      
        i guess that's how etymology works,
a shared origins story...
etymology is best
  examined with primary words,
basic nouns / adjectives...

that was the adjective test...
now for the noun test:

sun
          howl (Cornish)
  haul (Çymru)
      
  moon
   loor (Cornish)
    lloer (Çymru)...

    sky
               ebron (Cornish)
   awyr (Çymru) -
   ah...
      now we see what becomes from
etymological deviation...
the sky has to have more
inherent connotations
of a religiosity as the resting place
of sort...

i'm sure that sea, earth, water,
and fire, are very much akin
or mountain...
but i could be wrong...

sea
    mor (Cornish)
  môr (Çymru)
        
earth
    dor (Cornish)
   ddaear (Çymru)

   water
         dowr (Cornish)
      *dŵr (Çymru)

fire
          tan (Cornish)
    tân (Çymru)

mountain
   menedh (Cornish)
         mynydd (Çymru) -

ah... well then...
that explains the separatist movement
of Cornwall akin
to the Spanish Basque or
the Catalonia...

  white cross on a black flag...
they're ******* Welsh down
in Cornwall!
   i was eating a Welsh pasty
all along!
           oh... i see...
  
  that's why they're separatists
down there...
but there's one word that's
crucial in all of this,
given the emblem is
on the Welsh flag...

  dragon...
**** me!
       there's an etymological source
for the word in English...
and, it comes from?
Cornish!

   draig (Çymru)
  dragon... in ******* Cornish!
**** me...

what's... snake?
   serpont (Cornish)
    neidr (Çymru)...

   there are similarities though...
blatant ones...
which explains the separatist
sentiment of the Cornish people...
they are like
the Hindu corp
of the Urdu speaking Welsh...
high Welsh and low Welsh...

nice to know...
thank god i didn't make the brash
etymological decision to
find the long lost cousins
of a shared source
akin to "abstract" words,
like...

        gallos-power-gallu...

****!

          g­od?
       DUW | WUD

well... god is a universal word,
and it matches...
  duw is god in Cornish,
and in Çymru...
   as it is also Allah on Malta...
funny as the fact that Malta
and it's Knights Hospitaller
cross of St. John of
                                 1567.

20 ******* years on these isles -
and only now i realize
why the Cornish are separatists...
they're Welsh...
   in disguise,
under the guise of a tourist
hot spot that's "nookie":
                       i.e. Newquay...

come to think of it...
    even though i'm living in England...
i interacted more with
the Welsh, the Irish and the Scots...
than i have with the English...
    i'm starting to think that...
if i don't make my way to
Yorkshire...
  or Newcastle...
then i lived in a country...
where the supposed countrymen
of said name... never existed!
ha!

well, in english you'd never really know
that Cornwall was once part of Wales,
given that Wales, isn't in the name
Cornwall: but that's in English...

in Polonaise?
        well... Wales / Walia (that double-u
  or rather, the double-v,
   since... erm: ωμέγα?)
         ergo?
      Cornwall / Kornwalia...
      probably the most beautiful part of
England you can begin to imagine...

aside...
   the current debate over "the pond" in
h'america... tuition fees, student debt...
as much as the h'americans love to gloat
and boast this that and the other...

i'm looking at myself...
    i went to university, studied chemistry,
and history...
   3rd year? 12 hours per week in
the laboratories...
three tiers of chemistry:
a.  physical - i hated physical chemistry,
it's so un-chemical...
   too much physics / mathematical
*******, so obviously i was weak at it...
b. inorganic chemistry...
    something that mingles with
   geology / metallurgy...
   eh... so so... it was o.k. and finally
c. organic chemistry...
   my strongest route, my faustian dream...
and so much like cooking,
so much so that... well: heston blumenthal...
maybe that's why i love cooking
so much, since it reminds me of
organic chemistry...
   anyways, i digress...
      back when i studied...
  and labour was in power with their:
education, education, education mantra?
that's what was still great
                  about britain...
the last stand as it were,
   ****, i still remember tha handing over
of hong kong...
    fee, per year? 1,250 quid...
                      that's it...
student loan, 3,000 quid per year...
   i actually did manage to live
             on the 3,000 with enough money
spare to do weekend away trips to paris,
stockholm, barcelona etc. - and god:
how i loved to travel alone,
bumping into strangers in hostels...
and the best part?
    i don't have to repay my loan until
i earn over 15,000 quid per year...
and since i'm not earning that...
                  the loan will be annuled after
30 years...
   mind you... a really **** year to go
to university and become a british citizen...
since... in scotland... e.u. citizens didn't
pay tuition fees!
      hence the massive surge of the polans
circa 2005...
                                 so: america, **** yeah!

but on a night like this,
esp. in the evening prior to the night itself,
there's that surge in electricity in the air...
you're walking to the supermarket
and the most mediocre magic happens...
sonny rollins' blues in your ears
you pass a street lamp and it gets switched
on by the grid...

                   it's only special because
your're listening to jazz and when you listen
to jazz and promenade...
you might as well be as content as if
walking a yorkshire terrier...
    
   while on the way back, instead of your
usual beer... you buy yourself...
a rowntrees ice lolly...
    and you eat that... smirking, feeling
                                                 like a badass.

p.s. the best thing i received from
the university wasn't even the degree...
a chance to play squash, mountain climbing
(glen coe was a beau)...
         a t-shirt...
since, once i left: a self-teaching discipline.

The anyway gets in every way anyway and it's just an excuse anyway, a bit like the night saying sorry to the day which as we all know anyway is a crock,
anyway I want to walk away from saying anyway every day if only to save my sanity and sense of self worth although none of that matters anyway.

Erm, anyway erm is another way to make an excuse for the improper use of the language erm spoken word erm written word anyway you know what I mean erm I hope so.

Once upon a time there was a brave girl called Alison Parker. She was on the way to see her mum Michelle Ramsbottom, when she decided to take a short cut through Wyre Forest.

It wasn’t long before Alison got lost. She looked around, but all she could see were trees. Nervously, she felt into her bag for her favourite toy, Bunny, but Bunny was nowhere to be found! Alison began to panic. She felt sure she had packed Bunny. To make matters worse, she was starting to feel hungry.

Unexpectedly, she saw a kind werewolf dressed in a black skirt disappearing into the trees.

“How odd!” thought Alison.

For the want of anything better to do, she decided to follow the peculiarly dressed werewolf. Perhaps it could tell him the way out of the forest.

Eventually, Alison reached a clearing. She found herself surrounded by houses made from different sorts of food. There was a house made from carrots, a house made from biscuits, a house made from cakes and a house made from pancakes.

Alison could feel her tummy rumbling. Looking at the houses did nothing to ease her hunger.

“Hello!” she called. “Is anybody there?”

Nobody replied.

Alison looked at the roof on the closest house and wondered if it would be rude to eat somebody else’s chimney. Obviously it would be impolite to eat a whole house, but perhaps it would be considered acceptable to nibble the odd fixture or lick the odd fitting, in a time of need.

A cackle broke through the air, giving Alison a fright. A witch jumped into the space in front of the houses. She was carrying a cage. In that cage was Bunny!

“Bunny!” shouted Alison. She turned to the witch. “That’s my toy!”

The witch just shrugged.

“Give Bunny back!” cried Alison.

“Not on your nelly!” said the witch.

“At least let Bunny out of that cage!”

Before she could reply, three kind werewolves rushed in from a footpath on the other side of the clearing. Alison recognised the one in the black skirt that she’d seen earlier. The witch seemed to recognise him too.

“Hello Big Werewolf,” said the witch.

“Good morning.” The werewolf noticed Bunny. “Who is this?”

“That’s Bunny,” explained the witch.

“Ooh! Bunny would look lovely in my house. Give it to me!” demanded the werewolf.

The witch shook her head. “Bunny is staying with me.”

“Um… Excuse me…” Alison interrupted. “Bunny lives with me! And not in a cage!”

Big Werewolf ignored her. “Is there nothing you’ll trade?” he asked the witch.

The witch thought for a moment, then said, “I do like to be entertained. I’ll release him to anybody who can eat a whole front door.”

Big Werewolf looked at the house made from pancakes and said, “No problem, I could eat an entire house made from pancakes if I wanted to.”

“That’s nothing,” said the next werewolf. “I could eat twohouses.”

“There’s no need to show off,” said the witch. Just eat one front door and I’ll let you have Bunny.”

Alison watched, feeling very worried. She didn’t want the witch to give Bunny to Big Werewolf. She didn’t think Bunny would like living with a kind werewolf, away from her house and all her other toys.

The other two werewolves watched while Big Werewolf put on his bib and withdrew a knife and fork from his pocket.

“I’ll eat this whole house,” said Big Werewolf. “Just you watch!”

Big Werewolf pulled off a corner of the front door of the house made from biscuits. He gulped it down smiling, and went back for more.

   And more.

      And more.

Eventually, Big Werewolf started to get bigger – just a little bit bigger at first. But after a few more fork-fulls of biscuits, he grew to the size of a large snowball – and he was every bit as round.

“Erm… I don’t feel too good,” said Big Werewolf.

Suddenly, he started to roll. He’d grown so round that he could no longer balance!

“Help!” he cried, as he rolled off down a ***** into the forest.

Big Werewolf never finished eating the front door made from biscuits and Bunny remained trapped in the witch’s cage.Average Werewolf stepped up, and approached the house made from cakes.

“I’ll eat this whole house,” said Average Werewolf. “Just you watch!”

Average Werewolf pulled off a corner of the front door of the house made from cakes. She gulped it down smiling, and went back for more.

   And more.

      And more.

After a while, Average Werewolf started to look a little queasy. She grew greener…

   …and greener.

A woodcutter walked into the clearing. “What’s this bush doing here?” he asked.

“I’m not a bush, I’m a werewolf!” said Average Werewolf.

“It talks!” exclaimed the woodcutter. “Those talking bushes are the worst kind. I’d better take it away before somebody gets hurt.”

“No! Wait!” cried Average Werewolf, as the woodcutter picked her up. But the woodcutter ignored her cries and carried the werewolf away under his arm.

Average Werewolf never finished eating the front door made from cakes and Bunny remained trapped in the witch’s cage.Little Werewolf stepped up, and approached the house made from pancakes.

“I’ll eat this whole house,” said Little Werewolf. “Just you watch!”

Little Werewolf pulled off a corner of the front door of the house made from pancakes. He gulped it down smiling, and went back for more.

   And more.

      And more.

After five or six platefuls, Little Werewolf started to fidget uncomfortably on the spot.

He stopped eating pancakes for a moment, then grabbed another forkful.

But before he could eat it, there came an almighty roar. A bottom burp louder than a rocket taking off, propelled Little Werewolf into the sky.

“Aggghhhhhh!” cried Little Werewolf. “I’m scared of heigh…”

Little Werewolf was never seen again.

Little Werewolf never finished eating the front door made from pancakes and Bunny remained trapped in the witch’s cage.

“That’s it,” said the witch. “I win. I get to keep Bunny.”

“Not so fast,” said Alison. “There is still one front door to go. The front door of the house made from carrots. And I haven’t had a turn yet.

“I don’t have to give you a turn!” laughed the witch. “My game. My rules.”

The woodcutter’s voice carried through the forest. “I think you should give her a chance. It’s only fair.”

“Fine,” said the witch. “But you saw what happened to the werewolves. She won’t last long.”

“I’ll be right back,” said Alison.

“What?” said the witch. “Where’s your sense of impatience? I thought you wanted Bunny back.”

Alison ignored the witch and gathered a hefty pile of sticks. She came back to the clearing and started a small camp fire. Carefully, she broke off a piece of the door of the house made from carrots and toasted it over the fire. Once it had cooked and cooled just a little, she took a bite. She quickly devoured the whole piece.

Alison sat down on a nearby log.

“You fail!” cackled the witch. “You were supposed to eat the whole door.”

“I haven’t finished,” explained Alison. “I am just waiting for my food to go down.”

When Alison’s food had digested, she broke off another piece of the door made from carrots. Once more, she toasted her food over the fire and waited for it to cool just a little. She ate it at a leisurely pace then waited for it to digest.

Eventually, after several sittings, Alison was down to the final piece of the door made from carrots. Carefully, she toasted it and allowed it to cool just a little. She finished her final course. Alison had eaten the entire front door of the house made from carrots.

The witch stamped her foot angrily. “You must have tricked me!” she said. “I don’t reward cheating!”

“I don’t think so!” said a voice. It was the woodcutter. He walked back into the clearing, carrying his axe. “This little girl won fair and square. Now hand over Bunny or I will chop your broomstick in half.”

The witch looked horrified. She grabbed her broomstick and placed it behind her. Then, huffing, she opened the door of the cage.

Alison hurried over and grabbed Bunny, checking that her favourite toy was all right. Fortunately, Bunny was unharmed.

Alison thanked the woodcutter, grabbed a quick souvenir, and hurried on to meet Michelle. It was starting to get dark.

When Alison got to Michelle’s house, her mum threw her arms around her.

“I was so worried!” cried Michelle. “You are very late.”

As Alison described her day, she could tell that Michelle didn’t believe her. So she grabbed a napkin from her pocket.

“What’s that?” asked Michelle.

Alison unwrapped a doorknob made from biscuits. “Pudding!” she said.

Michelle almost fell off her chair.

The End

Airport

Covering my face with my hands, there is an incessant in-pouring of light. I feel like I am in a casket. My brain seems to be swelling, in tune with an invisible pendulum. Waves of nausea flood my body.  Small children thunder around in front of me, like hysterical nightmare projections.

I have never enjoyed being in Airports. They are morgues with an added buzz of visitors and commerce. The sterility of the interior design and the nervous excitability of the passengers sets me very quickly on edge. As a salesman for a major international e-commerce company, I am required to fly often.

To avoid excess stress and anxiety I prepare meticulously. Nothing must be left to chance. I am regimented and purposeful during my preparation. If the luggage allowance is 15kg, then I make sure that my suitcase is dead on that weight. I reweigh my suitcases on several sets of scales. Checking there is no error in their calibration.  I do not carry any prohibited travel items. I ring airline customer support several times to double-check. I rummage through my suitcase repeatedly. I allow no error to go unnoticed. I google articles about travel preparation, checklists, essential travel items and I read articles about anxiety related to fear of flying. Neither my emotional state nor practical matters are to take me by surprise. I am like a samurai undertaking pre-battle rituals.

Check-in is open. I funnel through to the check-in desk. There are several people before me; their movements generate a low pitch buzzing in my head. They are hyper-kinetic, speaking at unreasonably loud volumes in an indecipherable language. My arms vibrate down by my sides, my tongue thickens. I feel warmer and more vulnerable. I start to think about the first meal I’ll eat in Rekyjavik. I have panicked thoughts, recognition of myself in these thoughts is minimal. I swing around to check that nobody is standing directly behind me. The several people check in without issue. A man in all black clothing, I presume, a security guard intercepts me and asks me to go to desk 13. Although there is a sign hanging down from the ceiling with directions to check-in desks 10-15, I am unable to locate desk 13. I double back on myself, I ask the check-in assistant from desk 12 where desk 13 is. She says that it has been temporarily moved to the second floor of the terminal. Desk 13 on the second floor doesn't in the slightest resemble a check-in desk. A burly individual with an absence of ****** expressions or an officious manner mans an oak desk. There is no conveyor belt for the luggage, only a shopping trolley. ''Ermmm can I check in here?''. The man whom lacks an officious manner nods curtly without removing his eyes from the newspaper he is reading. "Documentation''. I hand him my documentation. ''Passport''. ''Going to Reykjavik?'' ''Erm yes''. ‘’Follow me’’.
The man, who lacks an officious manner, leads me a door behind the check-in desk that doesn’t in the slightest resemble a check-in desk. A young child with golden blonde hair in white robes pushes the shopping trolley behind me. We enter a room that is high like a cathedral and tiled in exquisite mosaic tiles; alternating gold and white into infinity. The ceiling is so high it seems to disappear off into a void. Sat down at a bog-standard mass manufactured desk in front of me, is a man who must be at least 13 feet tall, he has enormous ears like an elephant and is speaking in rounds of what sounds like the same phrase. I do not recognise the language. I am ceased from behind by the blonde child and the man who lacks an officious manner. The man with enormous ears like an elephant screams ‘’I hate Iceland’’, the blonde child laughs uncontrollably grabbing his stomach like he is holding his insides in. The ceiling begins to close in and a space opens in the floor. The man who lacks an officious manner says in a sinister tone says ‘’Do you think you would be forgiven”. I say ‘’I have got a ticket, I’m going to Iceland on business’’ I feel a prodding in my lower back and then darkness.

I like rocks and great big granite blocks
But the question remains
Do rocks talk?
( My phychiatrist said.."What do you think"?)
I think this;
Rocks walk and talk in the night when they're out of our sight
And during the day when boys and girls are at play
Rocks are just rocks and are locked up in...Erm..
..Rocks.

Once upon a time there was a special girl called Sonya Randall. She was on the way to see her Dad Tristan Godfrey, when she decided to take a short cut through Hyde Park.

It wasn't long before Sonya got lost. She looked around, but all she could see were trees. Nervously, she felt into her bag for her favourite toy, Laura, but Laura was nowhere to be found! Sonya began to panic. She felt sure she had packed Laura. To make matters worse, she was starting to feel hungry.

Unexpectedly, she saw a naughty Uni-pug dressed in a blue dungarees disappearing into the trees.

"How odd!" thought Sonya.

For the want of anything better to do, she decided to follow the peculiarly dressed Uni-pug. Perhaps it could tell him the way out of the forest.

Eventually, Sonya reached a clearing. In the clearing were two houses, one made from peas and one made from cakes.

Sonya could feel her tummy rumbling. Looking at the houses did nothing to ease her hunger.

"Hello!" she called. "Is anybody there?"

Nobody replied.

Sonya looked at the roof on the closest house and wondered if it would be rude to eat somebody else's chimney. Obviously it would be impolite to eat a whole house, but perhaps it would be considered acceptable to nibble the odd fixture or lick the odd fitting, in a time of need.

A cackle broke through the air, giving Sonya a fright. A witch jumped into the space in front of the houses. She was carrying a cage. In that cage was Laura!

"Laura!" shouted Sonya. She turned to the witch. "That's my toy!"

The witch just shrugged.

"Give Laura back!" cried Sonya.

"Not on your nelly!" said the witch.

"At least let Laura out of that cage!"

Before she could reply, the naughty Uni-pug in the blue dungarees rushed in from a footpath on the other side of the cleaning.

"Hello Big Uni-pug," said the witch.

"Good morning." The Uni-pug noticed Laura. "Who is this?"

"That's Laura," explained the witch.

"Ooh! Laura would look lovely in my house. Give it to me!" demanded the Uni-pug.

The witch shook her head. "Laura is staying with me."

"Um... Excuse me..." Sonya interrupted. "Laura lives with me! And not in a cage!"

Big Uni-pug ignored her. "Is there nothing you'll trade?" he asked the witch.

The witch thought for a moment, then said, "I do like to be entertained. I'll release him to anybody who can eat a whole front door."

Big Uni-pug looked at the house made from cakes and said, "No problem, I could eat an entire house made from cakes if I wanted to."

"There's no need to show off," said the witch. Just eat one front door and I'll let you have Laura."

Sonya watched, feeling very worried. She didn't want the witch to give Laura to Big Uni-pug. She didn't think Laura would like living with a naughty Uni-pug, away from her house and all her other toys.

Big Uni-pug put on his bib and withdraw a knife and fork from his pocket.

"I'll eat this whole house," said Big Uni-pug. "Just you watch!"

Big Uni-pug pulled off a corner of the front door of the house made from cakes. He gulped it down smiling, and went back for more.

   And more.

      And more.

Eventually, Big Uni-pug started to get bigger - just a little bit bigger at first. But after a few more fork-fulls of cakes, he grew to the size of a large snowball - and he was every bit as round.

"Erm... I don't feel too good," said Big Uni-pug.

Suddenly, he started to roll. He'd grown so round that he could no longer balance!

"Help!" he cried, as he rolled off down a ***** into the forest.

Big Uni-pug never finished eating the front door made from cakes and Laura remained trapped in the witch's cage.

"That's it," said the witch. "I win. I get to keep Laura."

"Not so fast," said Sonya. "There is still one front door to go. The front door of the house made from peas. And I haven't had a turn yet.

"I don't have to give you a turn!" laughed the witch. "My game. My rules."

The woodcutter's voice carried through the forest. "I think you should give her a chance. It's only fair."

"Fine," said the witch. "But you saw what happened to the Uni-pug. She won't last long."

"I'll be right back," said Sonya.

"What?" said the witch. "Where's your sense of impatience? I thought you wanted Laura back."

Sonya ignored the witch and gathered a hefty pile of sticks. She came back to the clearing and started a small camp fire. Carefully, she broke off a piece of the door of the house made from peas and toasted it over the fire. Once it had cooked and cooled just a little, she took a bite. She quickly devoured the whole piece.

Sonya sat down on a nearby log.

"You fail!" cackled the witch. "You were supposed to eat the whole door."

"I haven't finished," explained Sonya. "I am just waiting for my food to go down."

When Sonya's food had digested, she broke off another piece of the door made from peas. Once more, she toasted her food over the fire and waited for it to cool just a little. She ate it at a leisurely pace then waited for it to digest.

Eventually, after several sittings, Sonya was down to the final piece of the door made from peas. Carefully, she toasted it and allowed it to cool just a little. She finished her final course. Sonya had eaten the entire front door of the house made from peas.

The witch stamped her foot angrily. "You must have tricked me!" she said. "I don't reward cheating!"

"I don't think so!" said a voice. It was the woodcutter. He walked back into the clearing, carrying his axe. "This little girl won fair and square. Now hand over Laura or I will chop your broomstick in half."

The witch looked horrified. She grabbed her broomstick and placed it behind her. Then, huffing, she opened the door of the cage.

Sonya hurried over and grabbed Laura, checking that her favourite toy was all right. Fortunately, Laura was unharmed.

Sonya thanked the woodcutter, grabbed a quick souvenir, and hurried on to meet Tristan. It was starting to get dark.

When Sonya got to Tristan's house, her Dad threw his arms around her.

"I was so worried!" cried Tristan. "You are very late."

As Sonya described her day, she could tell that Tristan didn't believe her. So she grabbed a napkin from her pocket.

"What's that?" asked Tristan.

Sonya unwrapped a doorknob made from cakes. "Pudding!" she said.

Tristan almost fell off his chair.

The End

/                   as i am pretty sure all americana
feels about "us":
oh 'ook, 'ere comes old man
europe,
           no hemmingway,
and no so: as the casual english
expression solidifies exchanges:
just across the atlantic:
                            the, pond...
haven't the foggiest...
     i'm "new" here,
   and even i find these english prims
& pomps and idiosyncracies
a bit debilitating...
today i walked from my home
with a knife in my pocket...
why... why?!
                         apparently it's worse
than new york,
a belt as a qusimodo boxing
glove won't cut it,
   given that that:
   requires a formal introduction,
prior to a fight...
    guns guns guns...
     over 'ere we 'ave knives knives knives...
and politicians can't exactly
ban them... no, not really...
ban knives, soon you'll be banning
forks, then spoons...
   and then...
   the whole ******* kitchen...
we'll all be eating out,
in public, cheap cheap cheap,
cheap restaurants
like the slovakians eat in...
    can you even imagine that while
in st. petersburg i didn't see,
not one mcdonalds...
    same so in moscow:
                   not a single mcdonalds...
it was like a: relief...
  a bit like only seeing africanos
only, but not elsewhere other than warsaw;
erm: afro-saxons?
            sure! we have them in england,
plenty of afro-saxons...
                so now afro(x)
is not pop-up frizzy hair,
bundled into a french bun...
                    type of... "thing"?
**** yeah!
                                hit the spot!
oh old man europe...
      tired and yet, and yet tired
of his riches,
   how craving the old trenches
of Ypres...
the belgian mud, the rain,
                        the rats and crows...
europe: lament over libya...
or even pseudo-neo-rome
lamenting over carthage being destroyed...

in reverse -
              abbrv. into - orior carthago!
was it cato the elder
   who persisted counter to this?
   as heidegger would have put it:
            that's not even question-worthy.

HaHA, I've done it!  I've created a device
That can tap into my subconscious
and translate it for all to hear.

I will win the Nobel Prize!
I will be rich beyond my wildest dreams!
People will LIKE me!

So let's see here....I put on the cap, set the throttobombulator to 8.
Adjust for fuzzy dialation...set the circuit threshold to .79, make
sure the lucid translation synapses are firing...and yes.  The next
words you hear will surely be written in History books one day,
much like Thomas Edison's first phonograph recording, or the
first telephone call!

Neural connection is active.  Transmitting

TRANSGENDERED KANGAROOS FORNICATE IN THE
PURPLE SHADE OF BETTE MIDLER'S THIGHS.  PLEASE
PERFORM ******* AT THE BEHEST OF BUDDHIST
MONKS WITH LISPS.  COUNT TO TEN AND BECOME
A BUXOM BLONDE ***** WITH BOUNCY *******.  
WHEN THE CLOCK STRIKES TWELVE, CINDARELLA IS
ON HER KNEES AND ELBOWS BECAUSE IT'S ******
HARD TO GET LOW ENOUGH TO PLEASURE A DWARF

Oh dear.  This can't be right....now where's that 'off' switch?


JACK AND JILL WENT OFF THE PILL SO JACK COULD
BE A FATHER.  JACK WENT DOWN TO LONDON TOWN
AND PUNCHED THE DALAI LAMA.  EDIBLE *******
GIVE YOU INDIGESTION.  DO YOU KISS YOUR MOTHER
WITH THAT MOUTH, BECAUSE YOU SHOULD. (AND USE
SOME TONGUE THIS TIME)

Oh My...Ladies and Gentlemen, It's clear that my invention
is experiencing technical difficulties.  If you would please be patient---

SATIN BRAS DON'T CHAFE.  NONE OF THE SMURFS
HAD BLUE ***** THANKS TO SMURFETTE.  I WONDER
WHAT MARY MAGDELINE WAS LIKE IN THE SACK?  *

STUPIDSmashPieceSmashof GARBAGESMASH

DoNT LikE iT?  tucK iT bAcK!!

Connection Lost*


I...erm...clearly have some more work to do before it is ready
for the *****--er..public.  I have run into some...translation
errors...and need to re lubricate--CALIBRATE a few things.

Please don't tell my mother.

It drives me insane when people see me holding a girls hand and ask
“So who’s the guy? You know, who wears the pants?”
I want to scream and say WE ARE LESBIANS. Firstly, neither of us are ever wearing any pants. I want to scream and say WE ARE LESBIANS, and i’m angry because lesbian does not always have to mean woman but where did you get man from? I’m angry because maybe sometimes one of us does identify as a guy. A gay boi with an I. A soft boy. A proud hairy legged 5”4 boy. A drinking pints in the pub with my dad and us both liking that same woman’s tattoo boy. A cries every day boy. A feels cool when drinking beer boy. A boy that had to teach themself to like beer boy. A boy who sometimes does not feel like a boy. A boy. A boy. Oh boy. Boys. You see, this question is confusing for me because when I was fourteen, my boyfriend and I would joke that I was the one wearing the pants, even though at that point I was very much still wearing skirts and hiding behind ****-length hair and also watching the L Word in secret when I got home from school but that’s besides the point. This question is obviously as confusing for you as it is for me because in your mind you see two pairs of **** holding hands on the tube and think: Lesbians. Now, which one’s the man? And I think to myself, there are two ways to answer this: Number 1: So I know lesbian is supposed to mean woman on woman, two vaginas, *******, strap-ons, veganism, art degrees (and a lot of this is true but let’s not stereotype). So I know that to you, although we appear to be two women, two snap-back wearing, sports-bra bearing- I mean I thought about writing *****- tearing here but it just doesn’t seem appropriate- women, the funny thing is that erm, you see, gender and sexuality: as different as my dad to my mum’s other ex-husband. We are not a man and a woman. We are two people and what do pants have to do with it? We are two people and why does one of us always have to be a man? We are two people and the awkward part of the point i’m making is that sometimes I don’t feel like a woman but you wouldn’t know that so let me say: we are not a man and a woman. We did not ask for your confrontation, we are not your designated driver, your answer sheet to an exam you haven’t sat yet, your house party when your parents go away, your girlfriend that you think is obliged to **** your **** even though you will not go anywhere near her ****.  You are not our three year old son who asks too many inappropriate questions. To you, we are strangers and to answer your question, you seem to think that you’re wearing the pants here. So wear them. By the way, Number 2: *******.

i just don't some things,
i don't understand that under the pretense
of writing very little
being able to write a rhyme is enough
to suggest that you're toying with
an art-form...
   personally? i don't know how i got here,
but right now that doesn't really matter.
the whiskey is cold and a cigarette is
only 10 minutes away, gone is the macho
strive to impersonate the Kray twins,
or in that line of thought: blue for boys
pink for girls,
why is the transgender movement happening?
erm... could it be because of
gender stereotyping?
   it probably has nothing to do with
annexing the words from St. Thomas' gospel,
it could really be a rebellion against
                 gender stereotyping...
out comes a woman dressed as a nun,
then out comes a woman dressed in a niqab....
  curtain-sellers! i knew it!
                 what's pajamas in punjabi?
     chuckles?    chack'ah chuck chittering?
**** me and a throng of sparrows, land ahoy!
what i don't get is that there's a science in poetry,
poetry for its lack of volume gets this leechy
science of itemisation, this vague anatomy...
i don't think i write for an anatomy,
i ****** well hope i don't write something
worth an anatomy... i basically write to give people
a feeling of eating sushi, or raw red meat...
    i entrust them with the notion that it's a narrative
that needs to be there between having a glass
of whiskey... i don't write with the hope of being
itemised and stripped bare by some English students
equating a metaphor with liver...
******* bog-standards... i really do not understand
this whole concern for a hussle-and-bussle
that surrounds poetry: you have a ******* pelican
taming the skies, why invite a Mongolian beehive
to fill in the blanks intended with "notes"?
     it's to do with the fact that you don't need to
strain your eyes, *******, it's not:
i write sparingly so you have to comment...
           why note the ****** crap from four words
when you're intended to sorta spread them out,
and feel them over a spectrum of a few days,
so that there's no synonymous-amgiguity ascribed
to them, which means you can act upon
deviating from the idealism of words thought,
and antonym them within the realism of words acted
upon...
        i just can't stand people mutilating poetry,
they're not even performing a postmortem surgery,
they're hacking at a stump of wood
    in a forest, when there are so many trees to be
looted...
               again the point... maybe the transgender
movement is due to the fact of gender-stereotyping?
blue boy, pink girl, salmon fading pink of shirts on
metrosexuals? hey, Sherlock! i'm not the answer!
   what i'm bothered about it the fact that
poetry attracts bothersome flies...
who feel a need to make poetry into prose:
economically speaking, yes prosaic literature is
worth the money, with more words in a chapter than
in a poetry collection.. how's your eyesight though?
    then there's this girl, a Joe Pachelbel (sorta),
and she does the worst thing imaginable to poetry,
the educated norm...
              the bothersome fly bit...
              it's just narration girl, it's just narration
too lazy to invent characters fake schizophrenia
          and say too many words that don't appear in
urban conversations about a ****** or a juicy mango...
and that's why i think people are put off poetry,
the fact that poetry is like this magical artefact that
might give you eternal youth... that you have to
scrutinise it so much that you almost get sick of it...
you couldn't even if you tried put a question of metaphor
into a journalistic entry...
                      so why put so much science into
an area of the humanities?
            where's the feeling part, and the part where you
have to create volume from poetry for it to compete
for an existence alongside prose?
    most prose works these days don't even deserve
a campfire anyway... in the same way that poetry shouldn't
really accept all this excess of narrative,
it's like people who read poetry are characters in
    a prose novel, they're asking for the part of
lynching the narrator into suggesting less ambiguity...
   in prose the narrator is almost too easily discredited
from playing chess, in poetry the chess pieces gain
consciousness that they're being moved and subsequently
rebel and ask too many questions...
          what the **** dragged me into this realm?
the question serves itself...
   and even donning a cravat or a boutique corset you
suggest not talking *****...
   then off the donning attire gets ripped,
   and it's heathen sprechen in onomatopoeia of
knocking on a door to open, a flower to open in spring,
a ***** to get juicy, and de Sade coming home.
                i say fiddle with the idea of a river...
  end this bogus fly-trap of people playing surgeons
with poems like they might play doctor with dolls...
                 it's getting annoying:
it's written sparingly for a reason, the blank spaces between
the words is not a prompt to comment and vandalise
the poem, which they do; pristine bourgeois? you'd
think, wouldn't you... graffiti on some urban slum wall,
a comment in a poetry book: same ****, different cover.
i never understood why they needed to say
so much about poetry in order to make it
economically viable to compete with prose custard,
     i just thought: poetry and photography are akin...
say much more than the photograph endorses
and you've just started blinking...
         which to the photograph in-itself means:
  look at another if your eyes are watering with
            peppery tears that itch; and another... and another...
and another.

This is a formal complaint to one Cupid
on behalf of the population of earth.

We find that you've become somewhat,
how can we put it mildly....
      unsavory
ever since you started drinking.  We've
found that you have not been taking
your job seriously at all since that time

We were understanding at first.  Your
job?  It's not an easy one.  It tolerates
almost no failure, and requires both
physical and mental capacity that is
beyond what most of us can spare.

However...we feel that the alcohol is
affecting your judgement and character
in a way that we can no longer accept.
Below, we've listed the particularly
heinous abuses of your power


1.  Taking bets on what you can make people fall in love with.  John is now smitten with a cactus while Jenny can't stay away from the inflatable Santa Claus on the Morgans' lawn.
2.  Having very attractive women fall in love for your...erm...personal pleasure.  That's just offensive
3.  Having members of the same family fall in love.  The vulgarity of it all is just appalling!  It's an ****** epidemic!
4.  Shooting your arrows at Rhinoceroses and then laughing as they charge a poor unsuspecting person is not funny.
5.  Likewise, shooting an unsuspecting person and having them fall in love with a Rhinoceros who doesn't reciprocate is equally unfunny
6.  Last, but not least...Please fix the Republican Candidates.  Mitt Romney and Rick ******* are trying to get married next week.  While I'm happy that they are now "for" gay marriage, this cannot be tolerated.


So?  Do you have anything to say for
yourself?  Is that alcohol I smell on your
breath?  You don't even care, do you?
Well...we have no choice but to revok---OW!

Oh dear.

(sonnet #MMMMMCCCXCVIII)


I think you'll never understand, in frail
Excuse for mebbe caring in a sense.
I know you can't.  Or what?  Erst wont to thence
Give mourners yes, my only Hope, where's bail
'Cept in the Word of God?  And wherefore pale?
Did I love aught down here?  Ah me.  Come hence
You say?  Forsooth.  And yet.  Oh vain pretense.
Now learn what Mummy knew, and you'll not fail.
Set your affections on the LORD.  Weep fer
Your loss, but seek His face Whose mercies new
Each morning set you in the Way as twere.
I have naught here indeed.  Good.  Now ensue
The LORD Himself forever.  Aught else poor,
I do have Hope.  And crying?  Don't mind me.  You?

19Jan16c

Italeau...Fiamma--my brother wishes likewise that they'd fit.



(sonnet #MMMMMMMCDX)


Boots.  Suede, Italian, and too small fr'intents,
My toes half bruised from jist one two-hour's scale
As twere of wearing, and lo, for the sale
Which netted me this lux'ry I've naught hence
Save yearning for that glor'ous pair which thence
Must be returned, prayrs for a pair t'avail
Me like these should have, with none in a frail
Excuse 'cept made-in-China boots' defense.
I only text YOU 'bout the size as t'were,
Nor know what YOUR opinion is, if YOU
Care two bits whether I've this pair in tour
Or that, just that Italian boots anew
"Run small."  And um, "I wear size ten." But's poor,
Cuz I must foot the bill, with pennies too.

25Sep18b

/ because such examples have to, have to(!) be perpetuated, reiterated, perpetuated, reiterated... these... "things"... these minor quests of establishing being - against, the authoritarian rule of the democracy of beings.

you don't shout,
you don't disturb the "social", "peace",
of proverbial english society...
nope...
   shouting does not good,
akin to:
   silent water eats
         away at the shorelines...
what you do...
is akin to what birds do...
you don't gnash your teeth:
i.e. clench them molars...
gnashing means clenching
your molars -
a gnashing a gnarling,
a pestle & mortar scenario...
no...
    no shouting...
silent movie era of hollywood
translated...
   you... simply... chatter...
you strike incissor teeth against
each other... crafting a lightling storm
like crackling sound,
  like corn flakes...
    in a bowl of milk...
   you... chatter...
                 inspiration? birds...
bird calls...
    you... chatter...
    mind you, unlike the english,
looking into my mouth...
    the jaw should fit within the confines
of the skull...
    the upper set of teeth
should accommodate the jaw's
line of teeth...
   but you simply... chatter...
which is embodied by attempting
to take a phantom bite at "something"...
you...
          echo:
   central incisors against
              the lateral incisors...
you subsequently: chatter (χατερ)...
   i missed the eta (η): given that i also
missed the excess of tau - in what isn't,
a translation - other than a phonetic
equivalent of putting on sunglasses...

because, when your neighbour,
tells you... that you can't smoke...
in your own home, perched on a windowsill,
out of the window,
implying that the smoke is
vacuumed into his bedroom?
   and somehow, the law,
and the air, we share, is somehow his,
and his alone?
    and i can't do, what he can,
within the confines of his property?

NOW WE HAVE A PROPER SHITSHOW!

some english are ******* backward
hardly insulting the ****** community,
with some succumbing to prosopagnosia,
while some (notably down syndrome)
actually having a memory capacity...
that curious look and a familiar expression
waiting for a smile...

i basically live next to a mental illness
example, par uno...
          and englishman who "thinks"
he's king, rather than a convenient
citizen...
                       ****** won't budge...
guess all i'm equipped with is
                          my chatter remedy;
and english society still "thinks"
that i'm the "mad" one.
    
    - because it's like...
  how can you dictate, what someone can,
or cannot do, on their property?!
like smoking a cigarette,
     perched on a windowsill, outside a window,
with the accusation:
   the smoke is coming into my bedroom...
oh right...
   so...
          erm...
                you own the dynamic of air
to suggest such a bias?

my 2nd first kiss was in a romford nightclub dancing
the **** out of tool's stinkfist... don't really know where
the trauma came from, maybe from my real 1st
kiss being aged 4... what was that club's name
though?! rm1? no, it wasn't rm1, is was near rm1... it
had a tutankhamun logo... rm1? i was a club, really...
i was living in gants hill beehive lane and we used to go
there to drink beer, underage as usual... well:
it only me and samuel, and after the club we'd walk down
bus route 86 and sing backstreet boys
song... like ******* our rockers we were...
        less spectacular than stories from first world war trenches:
d'uh...
i can't memory is the best cinema i ever went into...
  they call me mad because they're living out ****** lives...
can help you there: see a psychiatrist? hmm?
i saw 2 or three and i was wondering:
when will you acknowledge that the 2nd
world war isn't a mental illness,
or speaking to relatives that have experienced
it? when will you just: ******* with
  history being a mental disorder?
      like the ****** additions of west germany?
that's "fake" too?
         i mean: who the **** invented
these people? are they needed? are they even
doctors?
          burroughs bukowski and brautigan
would say: don't trust them, they're cuckoo
equivalent of planting their eggs (egos) into
pigeon nests and you being responsible for raising
up even bigger ****-ups than they are...
and if they say that they haven't read anything by
    de sade... i wouldn't trust them...
  not all of doctors adhere to the hippocratic motto...
erm... harold shipman?
to be honest though, i am a supporter of
euthanasia... some also care to call it a case for
dignity.
    ex mort ut amor...
                         some people don't understand love,
i'm just bewildered by life...
          maybe that's why i love leading
toward the standard of: allowing people to live
their lives out?
but indeed it was, my 2nd 1st kiss,
in a shady club... and i remember
the shamanic dance in accordance to tool's
stinkfist... i say my 2nd 1st kiss...
   it was with my acquired tongue,
and i walked home bemused... or rather shell-shocked
as if i were experiencing artillery in belgium...
her mother was there also...
          and then the memory gap convened to
tell me: you remember yopur neighbours living
above your grandparents, and how the man
****** his sister... or something along the lines?
ah, the labours of love...
  whatever that kind love is(,) that prescribes such
a loathing to continue life per se;
                      had there ever been a superiority
complex about to be expressed... it wouldn't be this...
  the part where they mentioned this "objective"
biodiversity was the time to check, whether
there was a superiority complex...
               i feel no less, or more discussing darwinism,
but as it is directed toward populist exploitation
akin to a religious dogma...
     i'm thinking... back off... seriously: back off...
don't touch that ****...
                                              it has basically become too pop
to argue the points... the last time atheists convered
en masse communism appeared...
                  even though from what i heard, under communism,
there was a complete spectrum of sports,
it wasn't just football... football... football...
                         you have an olympic interest in sports...
real "biodiversity"... which is what ****** me off about
the darwinistic argument in england...
                  how about an equal representation of sports?
no? not going to happen?
                so why would i need that argument
in my head?        the time-scale if off the radar...
   oh look... a palindrome...
                      i really don't know why or how i should
conceptualise both the big bang, dinosaurs,
the meteor that killed the dinosaurs and the ****
sapiens with origin in monkey via the extinction
of the neanderthal...  
          or what we called wiping out the entire history
leading up to this point...
                   i'm going to stick to this corner where
i remember my grandfather (who's still alive)
and leave you to the break-up of the nucleus known
as family...
                 or whathever it's called these days
                       in the **** i.v.f. **** relationship;
well, even prostitution had to evolve, i guess;
**** me... you can ask for a service that lasts an hour
and you pay the minimum of 110 quid... so what's 9 months
worth? it's a pretty name though, isn't it? surrogate mothers, eh?

Is it pure coincidence my brother had called for my birthday four nights earlier, and instructed me regarding how to know whether a man loves me?  



(sonnet #MMMMMMMDXXXVII)


I thought of sipping wine, and, to avail
O, nibbling choc'late after hours for sense,
Until YOUR text confirmed the dream which thence
YOUR lies had stoked:  was false.  Now in the hale
Eye of a Winter's dawn where snow to scale
Is piled so whitely 'round, I think fr'intents
Of how but thieves and scoundrels rouse pretense
To mock me e'er anon, and whither's bail?!
We sip the lighter Barry's tea in tour
And talk of sourdough since he makes bread to
Feed all of us cuz my late schedule, poor
As saying, is far too busy.  And I do
Not watch those whitish tendrils waft as twere
Upon my rosy lea, now.  Ah, what's new?

28Nov18a

Or is it?



(sonnet #MMMMMMCCXXXIX)


Yes, anime as from a distance' frail
Note comes to hail me on my own phone hence--
Which brother's taste cavorting gaily thence
Like to a happy air I cherish? pale
As liking by mere halves what plays for bail
Now in the background.  Lo, and for intents
Sis can make calls, whilst oh! don't ask me whence,
But add the p'lice erm, scanner too, to scale.
If only oh, the LORD would e'er and fer
All time take care of little me.  I do
Not know how to whatever, though tis poor,
Ye say, to fess't?  My brother's old phone too,
They set it up for me, and how we tour
Their favrite stuff thereon.  Fun like few knew.

02Apr17b

Once upon a time we had the hymnal propped by the kitchen sink so's I could learn; years later Mum would sing along with me, and now...I like never but once in a blue moon dare to sing aloud, for missing her to tears.



(sonnet #MMMMMMCCXLVII)


What's happened to--me?  Rainy hours detail
Thet eye with silver's touch while green lawns fence
The minutes fog obscures by vague suspense
With softest carpets rolled out to avail,
And I'm not erm, my own in sheer betrayl;
Erst naked trees lost to mists' whitish sense
Of yonder, I could shiver, and do hence,
Cuz in a blink I'm his upon that scale.
One comment like my wont five days ere, poor
As what?  now he distracts aught hours 'til through
Suggestion I am giggling, sober, tour
His deepest sorrows, and maunt say he'd woo?!
Of course, I'm better searching violets, fer
All that.  Let purple wink low, saying we knew.

05Apr17b

As we very reluctantly parted, he queried whether he was just another of my whims.  Ignorantly, I replied I guessed so, provided we never saw each other again.  Erm.  Months later the fire is still burning brightly in the absence of any good reason.  Interesting eh?  Needing a topic as usual, and weary of nature tributes (hahaha, can you believe it?!) I tackled this beloved thread, writing it in the present tense as if from our first days then altering to the present in the second (linked) sonnet.



(sonnet #'s CCCCXLVIII, CCCCXLIX)


You play my heartstrings like a puppeteer
Methinks.  Quite deftly pluck and gently twang
To immelod'ous strains whilst I half hang
'Twixt hope and fear, life's balance near
Precar'ous in that cur'ous dance.  By mere
Sweet words or grim I'm tossed, a boomerang
That can't be lost to you though ev'ry pang
Estranges reason in this game too dear.
All yours because those unseen chords have caught
My heart that like a harp you seem to use,
As sans my will, in strumming half distraught
Or with such ecstasies, howe'er you choose
You ply, in your winds varied whims 'non fraught,
This hapless leaf.  To what end?  Just t'amuse?

# II

To what end?  Just t'amuse, we tried romance?
Who fell in love?  I did.  Did you?  In vain?
Oh, why'd we play that game?  What now remains?
Behold:  a live coal, frosted black, whose stance
Seems quite the opposite; wherein the dance
Of Love's hot passion plays anon, aye reigns
Sans you, and any reason.  Its refrain
Nigh hopeless, sings your name where none supplants.
Because you knew it would.  You told me so.
And while I scoffed, that's how it goes, I see.
Who ******* that hopeful thread, oh sweetness Beau?
'Twas "love at first sight," a rare golden key.
That never quite died but e'er seems to glow.
At least that's how it 'pears in Love's debris.

08Jan12
D67a,b

(sonnet #MMMMMCDXXXII)


How rain's nigh ghastly light haunts vague suspense
Ere darkness yield to after.  In the pale
Note follwing, whiter morsels chase th'exhale
Which moves atwixt these firs as if pretense
Could not decide oer snowbanks' worn intents
And newer puddles thinking of betrayl,
This fragile romance in surreal tones' bail
Lost in the flurry of just whither hence.
I want to ask you what you're doing fer
All we have overnight made me and you
Erm, us and we.  And scared but driving, you're
Not one bit daunted either.  What'd we do?
I've heard of whirlwind stories.  Aren't such poor?
You'd kiss my tear-washed face, and say we knew?

03Feb16

I'm starting to think God loves me better when I'm in stitches and scars,

It's 3pm on a Saturday afternoon and I've ditched a warm house  warm soup and am now in a cathedral whispering " Hi, I'm Allie........ and I erm...I've got an eating disorders"

I'm 50% silk and 50% shards of glass but Somehow I've carried myself past the stairs & now I'm here feeling like the walls are mocking me...

I've spent the past 7 Augusts draped in bulimia and anorexia like a coffin and I'm ready to change clothes because I'm tired of wearing black and I'm tired of how it feels like I've been dressed for my funeral all since I've turned 13 except I'm already there watching myself get lowered into the ground but I never get there.
I never get there

Maybe I'll clean up my act, just to be good.  It did give Shaun the chance to look deeply and most mournfully (nicely empathetic) into my eyes once upon a time ages ago...



(sonnet #MMMMMCMLXXIX)


I'll wear my heart upon this sleeve in pale
Excuse as oft as suits my fancy, whence
Ye all kin chide to no avail from hence,
Whiles I rebuff aught notions in betrayl
Of better sense, cuz nothing here is bail.
Or if some fragile thought seems vague defense,
Tis vanquished ere I've managed to gain thence
A foothold, and I'll be thus stripped and frail.
Ah, love.  Do thou but tempt me with the poor
Suggestion, ye kin laugh 'til ye are blue,
I'm prey, tears dried until tis proven fer
Whatever that twas aye, a jest.  I'll rue
Me folly, cherry-cheeked, and pray whiles your
Much wiser sense erm, coughs.  And yes, I knew.

20Oct16

THIS:  https://www.youtube.com/watch?v=jCHL9b6nBXA



(sonnet #MMMMMMMDCCCII)


Watch Paul McCartney's erm, debut of thence
That soulful number "Yesterday." and they'll
What, eh?  If's not the song itself t'avail,
How 'bout John Lennon's snide remark for sense
To Ringo, was't?  As if there was fr'intents
This rivalry which could not in betrayl
Be satisfied to have Paul up (sans bail?)
Alone on stage where all the girls cooed hence.
As if they did not cry for John in tour,
And that by name, he must begrudge it too?
I'm just a child in sheer compare as twere,
Yet "all grown-up" now to effect, see through
Their boyish ways and fall in love, though's poor.
While "Yesterday's" notes never fail to woo.

22Mar19b

So there.



(sonnet #MMMMMMMVI)


Yes, fire.  We plunked down on the fur rug thence
Afore her fireplace, and I in betrayl
Neglected to erm, lose me on its hale
And licking flames, e'en that romance' pretense
Was blind to--wherefore? Sandwiched for intents
Twixt two guy friends, I was too dull t'avail
Me even there, yea lost myself in pale
'Scuse in auld lines to Nigel, like's good sense.
Now Sunday watches diesel trucks roar fer
Sweet hours through lonesome country roads 'neath blue
Skies nary cloud is but a ghost in, poor
As saying.  I told a friend I'm as a melon you
Cleaned out, sans Mum, and what as twere
Is left?  LORD, give me Thy fruit.  And kids too?

11Mar18b

(sonnet #MMMMMCCCLXXVIII)


Snow.  Thick white flakes whose hapless note's detail
As't measures distance their profusion thence
Half mocks, yet draws the careless eye from whence
These mesmerize sans voice within the pale
Light of an afternoon, and lo tis bail
Enow for losing me upon that sense
I maunt pin down, til playing guitar is hence
Forgot, or trips and chokes in sheer betrayl.
And ah.  You know that word, um, chaste?  Oh sure.
Come, roll it 'cross your tongue and hear anew,
Cuz I am sick of being too naughty, fer
The record, and shall leave erm, you to woo.
If only I sit on me hands 'til you're
Quite ready, that should do.  Snow.  I need you.

09Jan16c

when does mythology end,
and history begin?

          i fear that the current state
of journalism,
we can begin to forget about
this stated conundrum...

where only poetics is bound
to obey the transition period...

like Virgil...
   the gateway between the pagan
and the Christian centuries...
born in 70BC,
dying in 19BC, the poem
(the Aeneid) unfinished,
8 year prior after the republican
government of old Rome
gave place to the rule of emperors,
and only a few years before
the Christian era started...

mythology is the sort of history
that, seemingly, one poets
demand to convey or rather,
upkeep...
                
      and readily misguided as
pure fancy, imagination
and other burdensome
nuances of metaphor...

of course i think that mythology
is real, but it is real only
in the poetic realm,
where language enjoys nuance...
ambiguity...
the tendency to over-hype
unexplored territories and states
of consciousness...

before rigid science gave birth
to journalistic endeavors...
did you know that the Teutonic
order having launched
the norther crusades against
the Baltic lands had the most
effective postal service?

mythology is not real?
     erm... given modern journalism?
hyper-inflated, seemingly
omnipresent, 24 / 7?
             3.42857142857 -
what's the golden ratio?
     1.61803398875...

         whatever comes out...
could be observed, or... another failed
dead end...

    but i've been given three alternative
time-scales to orientate myself
in this current, space,

the dinosaur period...
starting with a monkey...
  and then the big bang...

  if mortality could ever be crushed
by these restrictive proposals...
i can't complain...
but it's just a drag being reminded...
to be forced to believe something
i'm not going to either doubt or deny...
it's like the secular variant of
Islam... the non-believers who
joke about a theory, a theory...

mythology is the cut-off point
from history... it's still history,
but in a poetic variant...
after all... you shouldn't expect
empirical language from people
who knew that: only the poetic
expression mattered...
   at said circa...

            but mythology?
well... the stampeding journalism
treats history like an ill-informed
****** ******* (
late in the news, Manchester...
a woman with an IQ of ~50 was
abused)...
               if journalism can do
that to history, of... say...
only the past 100 years?

what can poetry do to mythology?
explore it, not deny it...
    if poetry kills of mythology
then...
              then poets are no better
than the journalists that have
killed off history...
  
          my Socratic observation
has been made simpler in the realm
of modern times...
i seem to know so much,
but the constant barrage of information,
the journalistic insomnia...
i know nothing...

                      again... not because of
liberal democracies of the western world
that history has ended...
   this 2nd wave of the journalistic endeavor...
you really think
that journalism means as much
as it did, at the time of
the film all the president's men?
hardly...
  that was journalism,
                what's deemed journalism
these days?
                           can i get back to you on
that one...
        i'm about to dive into mythology...
given you've already bypassed
most of history...
   and settled on dinosaurs,
       the magic ape
with a fungus parasite robbing it
off its free will and the big bang.

Erm.
Well...
****.

(sonnet #MMMMMDCCLVI)


I swear, I love you, Robert.  Drive me thence
Up every wall.  In Spartan fashion scale
The hours down as I trim each sorry nail
Erm, with my teeth.  And oh!  What is it hence?
But you're the master of this ship, to fence
Unnumbered minutes with naught to avail,
Cuz I am spoiled?  Or what?!  In sheer betrayl
Oh help me!  but I'm cussing in suspense.
To top it off you have compassion fer
My father.  He swears I'm a task.  You two
Make quite the pair to set me off as twere.
Okay, I'll take up knitting.  That won't do.
You drive me bonkers!  Tell me that's not your
Intent and I'll prove tis.  I love you too.

06Jul16b

westerners: we're basically the people with a big bang theory in our heads (what a ****** name for what used to be an awe-inspiring venture into the natural environment and colours, now just a black dot, no wonder the imagination dried-up at the end of the 20th century and it all became, "a little bit technical" / technology perfected the making of money / no -logy attache with art, the feel got the most of it), and having to still perform menial tasks, most of which became anti-physical, exports to China - an intellectual flatline of bureaucratic esteems, preferably lost among scientific theories that demean, devour and conspire to reach pinnacles of overstretched pronoun usage... too many nouns, too many nouns, there are to many names in this world that gather inert verbs around them - say the word aeroplane and i bet you won't end up being a pilot, able to fly the **** thing from London to Helsinki.*

i just realised i can't do it - applying
poetry to historical prose is exhausting -
the project has been terminated -
it's like two-hydrogen atoms coupled
to an oxygen atom defining the Atlantic,
the Pacific and a few lakes in between -
how can a single human being
encapsulate all that history? i don't
mind people spying on me, i know
spying is a form of fetishism, but trying
to encapsulate all that history in one
unit is counter-productive, non-representative,
i stopped on page 55, i didn't even get to
Greek history - what i love about all
that philosophical bollocking is that it's
airy, a modern arts gallery - you can fudge
in an elephant in there and people would say
that it's the five-blind men - or the sixth
deaf man, given the odd trumpet sound -
history literally does exhaust poetry the
easiest, philosophy at least antagonises it,
it's on the same playing field, both are in tune,
however well or however badly the strummed
guitar / ego - if i was going to sift through
another ******* of historical facts predating
antagonistic history like the events of
the Cold War or the horrendous disintegration
of Yugoslavia (Gorbachev was rightly
pompous to the end, the Soviets went their
separate ways peacefully, now Azerbaijan
sponsors the Euro football tournament) -
but if i were to shove all that **** into my head...
you know where Alzheimer's stems from?
i think i know - too much information,
too much information canvased against
easy, menial tasks... if they only taught us how
to not feel bored, instead of ******* us with
Pythagoras and calculus and whether it was
Newton or Leibniz who finished the finishing line
first... education in the West is a fool's game,
it's like that fable about giving an African
a fish or a fishing rod - they sell this **** in
Calcutta - me? i'm selling you a pirate copy,
don't bother - don't even go to university,
they'll turn you into a double-*** that you already
are, professional academics are not high school
teachers, they're the ones in line with ambitious
Higgs' boson, oh sure, Mr. Blair and that famous
'education, education, education,'
how about go **** yourself, go **** yourself,
go **** yourself?
the educated are in debt and the common
sense people,
well, they're also in debt - mortgages and what
not, but when i think about it...
i'd be earning super money to spend it... on what?
if  had children, fair enough,
the grand selfless act - maybe... erm...
never trust a female politician because she ends
up a tarantula, a black widow, caring for her own
rather than the ***** masturbated into a hanky?
listen, if you had a woman try to ****
you via your childhood friend... you wouldn't be
Kentucky frying chocolate bars to mush and
lovey hubby dub dub either.

Don't ask me.



(sonnet #MMMMMDCCXCIV)


Not mine.  As if a stranger passing thence
From who-knows-where to whither, aught detail
Is like the accents you'll set to avail
Along with artwork for that ***** sense,
Just items in a world that's lost from hence
Its varnish.  His bare room decked on that scale
With table, chairs and knick-knacks, in betrayl
Wood toilet seat's in pieces for pretense.
Tis naked.  Yes, he's glad to see me fer
Old times--"Erm [smiling] what's your name 'gain?  You--
You're so familiar--"  I laugh, to assure
Him's fine, aye tease him.  Yet why does th'ado,
Though fun as ever, strip the dream as twere
Of all its trappings?  Robt, I love you too.

23Jul16c