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"equivalence" poems
I think it’s important to make peace with your long line of perpetually confused and self-indulgent ancestry once grasping at and fumbling through a life at which they, preceding you, assumed they occupied the centre of and sought to prove this to mostly anyone, with rapacious might and puerile visions of their own success story, which no matter how successful would always only occupy the dark corners of their blood-successors’ historical records of themselves, which is to say you, adding them up with other people who were once important to them and stuffing them into some numerical equation on which they occupy the left, and you the right side of the equal-sign, but all of which exists in the vast and endless vicissitude of spinning void, of which you both (and us all) occupy some cosmic equivalence (and importance) of the universes stray skin-cell, somewhere on the foot perhaps, unconsidered and left alone until we all disappear into the casket of an unrecorded history.
0
Mar 8, 2016
Mar 8, 2016 at 12:11 PM UTC
An anecdote on existentialism: Must we take life seriously?
It is so measured that rising arpeggio, only to fall and rise again in quicker values, through the dominant seventh to the heartache moment of that minor ninth, a very apogee of dissonance. Then it goes higher still to the fifth, holding to that Phrygian harmony before returning to the tonic minor and a measured fall in the bass. This is a deliberate descent to the sub-mediant, and Bach’s touch of magic, the equivalence with the dominant minor ninth. But then he gives us hope: an extended and joyful play through sequences that rise and fall within each bar, to rest finally on the mediant’s echo of that opening, that measured rise and the quickening fall. We have hardly smiled with relief when Bach pulls us back into the insecurity of the dominant of the subdominant, that V of IV acting like a bridge to a long, long discourse in the dominant, a pedal E holding firmly to itself whilst rising arpeggios and falling decorations and sequences pull and pull through innocently related keys. Longer and longer play the rising passages until short motives of imitation interrupt, treble to bass, tenor to alto, until:  a first inversion arpeggio of the dominant seventh measures out the opening rhythm. This happens twice in short succession, as though holding the progress of the music to account. A questioning perhaps before a four-fold sequence asserts the dominant and a chorded caesura. There is a pregnant, though faintly resonant silence as Bach spins the dice of tonality and chooses the subdominant to bring the music towards a waiting Allemande. The music moves through a play of subdominant to dominant, minor to major, the mix of flattened fifth and flattened ninth. It is those intervals that determine Bach as the father of ambiguity in the 20C school of jazz harmony, Arpeggio then a falling scale, and repeat and repeat again, but moving ever higher by sequence. At last five chords – merely a shorthand for closure via the expectation of a right display of the performer’s improvisatory prowess. They prepare us reverently for the tonic minor before the stately Allemande leads the music into the elegant steps of its walking dance.
0
Jan 5, 2013
Jan 5, 2013 at 3:13 AM UTC
On playing the Prelude from Bach’s Second Suite for Violoncello
It is so measured that rising arpeggio, only to fall and rise again in quicker values, through the dominant seventh to the heartache moment of that minor ninth, a very apogee of dissonance. Then it goes higher still to the fifth, holding to that Phrygian harmony before returning to the tonic minor and a measured fall in the bass. This is a deliberate descent to the sub-mediant, and Bach’s touch of magic, the equivalence with the dominant minor ninth. But then he gives us hope: an extended and joyful play through sequences that rise and fall within each bar, to rest finally on the mediant’s echo of that opening, that measured rise and the quickening fall. We have hardly smiled with relief when Bach pulls us back into the insecurity of the dominant of the subdominant, that V of IV acting like a bridge to a long, long discourse in the dominant, a pedal E holding firmly to itself whilst rising arpeggios and falling decorations and sequences pull and pull through innocently related keys. Longer and longer play the rising passages until short motives of imitation interrupt, treble to bass, tenor to alto, until:  a first inversion arpeggio of the dominant seventh measures out the opening rhythm. This happens twice in short succession, as though holding the progress of the music to account. A questioning perhaps before a four-fold sequence asserts the dominant and a chorded caesura. There is a pregnant, though faintly resonant silence as Bach spins the dice of tonality and chooses the subdominant to bring the music towards a waiting Allemande. The music moves through a play of subdominant to dominant, minor to major, the mix of flattened fifth and flattened ninth. It is those intervals that determine Bach as the father of ambiguity in the 20C school of jazz harmony, Arpeggio then a falling scale, and repeat and repeat again, but moving ever higher by sequence. At last five chords – merely a shorthand for closure via the expectation of a right display of the performer’s improvisatory prowess. They prepare us reverently for the tonic minor before the stately Allemande leads the music into the elegant steps of its walking dance.
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1
*“If people bring so much courage to this world the world has to **** them to break them, so of course it kills them. The world breaks every one and afterward many are* strong at the broken places." A Farewell to Arms, Ernest Hemingway <> struggling with so much, then this scripture of writing sent by some unfamiliar, a providential provider; and I am realized, this man is broken in ways you have no idea, can~not comp~re~hend   understanding floods, healing required, for I too have been killed, my trust and beliefs, trashed, too many fools who think that moral equivalence is a thing, that the unspeakable is justified, hatred makes me so broke so low, how, justification is not justice, nor an excuse to do whatever cross the street, and believe, that drivers will honor a red, a stop sign, but plenty think this don’t apply to me, not me getting on the back of a line is for fools, people who cannot answer the arrogant question of the insistent “Do You Know Who I am?” I know who I am, yet the ponderance of evidence says that is not enough, I am insufficient, I am less than human, I am undeserving, because of my ancestry And I will spare you the precise definitions of these statements, for it should be unnecessary, you should be nodding in agreement, clear eyed understanding, intuitive, in your own broken bones felt! But, my bones are broken, and the healing needs a source, a “see here” directive, explain me how my insane madness is not a proper responsa to the weight of hate my eyes see, seen, and that my own eyes are not lying, but believed. but intuitively understood that my broken bones can be healed, each in their own way, so I will retire, perhaps return when, even if not fully recovered, sufficient to care enough, ready to be rebroken, again, for this! this! is my true poetic ancestry thousands of years have not broken us, and never will, for it is not fear that will prevent our resurrection, for we immunized, for what unimaginable have we not known, and yet recovered, this, I believe, my healing will be quiet, solitary, removed from the distractive noises of invective infecting, but I will be present, for my children, and my children’s children will look to this ancestor and learn that his blood and bones deeds them the self-healing properties that always has and always will defeat those who seek to destroy your future 1) the DNA of your ancestry inherited inherent in your bone marrow   and bone tissue is continuously remodeled through the concerted actions of bone marrow cells 2) Stem cells in your red bone marrow (hematopoietic stem cells) create red and white blood cells and platelets, all of which are components of your whole blood. so here is our truth: when, ***The world breaks every one and afterward many are strong at the broken places!*** our whole blood will replenish us
0
Nov 17, 2023
Nov 17, 2023 at 10:09 AM UTC
strong at the broken places, my whole blood
*“If people bring so much courage to this world the world has to **** them to break them, so of course it kills them. The world breaks every one and afterward many are* strong at the broken places." A Farewell to Arms, Ernest Hemingway <> struggling with so much, then this scripture of writing sent by some unfamiliar, a providential provider; and I am realized, this man is broken in ways you have no idea, can~not comp~re~hend   understanding floods, healing required, for I too have been killed, my trust and beliefs, trashed, too many fools who think that moral equivalence is a thing, that the unspeakable is justified, hatred makes me so broke so low, how, justification is not justice, nor an excuse to do whatever cross the street, and believe, that drivers will honor a red, a stop sign, but plenty think this don’t apply to me, not me getting on the back of a line is for fools, people who cannot answer the arrogant question of the insistent “Do You Know Who I am?” I know who I am, yet the ponderance of evidence says that is not enough, I am insufficient, I am less than human, I am undeserving, because of my ancestry And I will spare you the precise definitions of these statements, for it should be unnecessary, you should be nodding in agreement, clear eyed understanding, intuitive, in your own broken bones felt! But, my bones are broken, and the healing needs a source, a “see here” directive, explain me how my insane madness is not a proper responsa to the weight of hate my eyes see, seen, and that my own eyes are not lying, but believed. but intuitively understood that my broken bones can be healed, each in their own way, so I will retire, perhaps return when, even if not fully recovered, sufficient to care enough, ready to be rebroken, again, for this! this! is my true poetic ancestry thousands of years have not broken us, and never will, for it is not fear that will prevent our resurrection, for we immunized, for what unimaginable have we not known, and yet recovered, this, I believe, my healing will be quiet, solitary, removed from the distractive noises of invective infecting, but I will be present, for my children, and my children’s children will look to this ancestor and learn that his blood and bones deeds them the self-healing properties that always has and always will defeat those who seek to destroy your future 1) the DNA of your ancestry inherited inherent in your bone marrow   and bone tissue is continuously remodeled through the concerted actions of bone marrow cells 2) Stem cells in your red bone marrow (hematopoietic stem cells) create red and white blood cells and platelets, all of which are components of your whole blood. so here is our truth: when, ***The world breaks every one and afterward many are strong at the broken places!*** our whole blood will replenish us
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92
is there noon on this comparison, and where does the stabilising hour care to fathom the giant and dwarf shadows of original shapes? if there is no magnetism of the clock's hour, minute, second, then the only magnetism apparent in the encircling of digestion / decimalisation, is to say the north of a compass, the compass' north equivalence of a clock's misdirecting eternity: of space for a clock asserting a mingling reason: the compass found it's existential reason in the north, yet the clock found it's "north" without care for magnetism, it equated the north with space, and yet what was encapsulated with rotary qualities? for clock the perpetuation of tick tock in space / for the clock treated space as a one-dimensional abstract, with its three-temporal awareness, and yet the compass said north thrice, and on the fourth said Antarctica was loosened to be explored. i'm so tired - lifeless poetry, make words encoded; i'm so tired, so tiresome of other people with bellies filled and eyes in medium postponing, to compass the needle a gravity of servitude for the clock of 12 (north), 6 (south), and the disputed 9 (east) with 3 the (west), darting eyes in Bahamas for direction coarse yet coerced by a promise, thus the compass riddling a madness of constant stimulation with magnetism and the magnet cursor of orbit - wound three dimensions of time, space optional, space always optional, as ever time over-arching to be understood... where then the compass, where then the clock, if the compass led by vector of magnetism to an uncertain place, if the clock led by vector of missing magnetism to a certain place of eased: tick, tock, tick, tock... will that be equally given a wavering of east, west, east west.... north, south... what now?!
0
Mar 14, 2016
Mar 14, 2016 at 7:47 PM UTC
compass and clock
is there noon on this comparison, and where does the stabilising hour care to fathom the giant and dwarf shadows of original shapes? if there is no magnetism of the clock's hour, minute, second, then the only magnetism apparent in the encircling of digestion / decimalisation, is to say the north of a compass, the compass' north equivalence of a clock's misdirecting eternity: of space for a clock asserting a mingling reason: the compass found it's existential reason in the north, yet the clock found it's "north" without care for magnetism, it equated the north with space, and yet what was encapsulated with rotary qualities? for clock the perpetuation of tick tock in space / for the clock treated space as a one-dimensional abstract, with its three-temporal awareness, and yet the compass said north thrice, and on the fourth said Antarctica was loosened to be explored. i'm so tired - lifeless poetry, make words encoded; i'm so tired, so tiresome of other people with bellies filled and eyes in medium postponing, to compass the needle a gravity of servitude for the clock of 12 (north), 6 (south), and the disputed 9 (east) with 3 the (west), darting eyes in Bahamas for direction coarse yet coerced by a promise, thus the compass riddling a madness of constant stimulation with magnetism and the magnet cursor of orbit - wound three dimensions of time, space optional, space always optional, as ever time over-arching to be understood... where then the compass, where then the clock, if the compass led by vector of magnetism to an uncertain place, if the clock led by vector of missing magnetism to a certain place of eased: tick, tock, tick, tock... will that be equally given a wavering of east, west, east west.... north, south... what now?!
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27
'Cause when I say, "Go to sleep," It means, "I love you." Or when I tell you to eat, That means, "Hey I care." When you tell me that you love me, and, I call you an idiot, That's me saying it back but with the equivalence of stupidity. You are the reason I stay awake at night and dream with my eyes open, You are the stars in my dark sea that I have been constantly trying to drown myself in, You are, For Gods sake's, My Planet Earth because what else is going to supply me the oxygen I need when my brain says, "Don't breathe." You make me not want to die when all I could think of is dying cause you know, Depression. You are my alarm clock to when I sleep in, My everyday phone call, My back up plan when my back up plan needs a back up plan. There are a billion of people out here that could have chosen me to deal with but you, You at least tolerate me. Thank you for the tolerance, at least.
0
Jul 6, 2017
Jul 6, 2017 at 5:31 AM UTC
Celestial Beings
~               the language of love, it has no equivalence, we speak what we hope, we seek what we love; vacillating? perhaps, but there is no ambivalence. lovers whisper, lovers shout; alternating between holding it in, or getting the words out. whether sweet words of friendship, or letting the heart go, each tells a tale, a heartbeat, one the spirit only knows. is it the “shemomedjamo” of Georgia, the “overindulgence that cannot stop this appetite;” or “lagom” of the Swedes, who speak of moderation? where what i have and what i see, is perfect, just right! the words, “koi no yokan,” from the culture of the east, Japanese speak of the instant of knowing a love that’s “meant to be.” there is “mamihlapinatapai,” used by those at the tip, of Tierra del Fuego’s windswept cliffs, a lover’s wish they can’t set free; further north Brazilians speak, of “cafune,” the sweet tugging at her long and flowing hair; a love that reaches, strokes, so tenderly. the Thai use “greng-jai,” for love that defers... and to sacrifice refers; the French have “retrouvailles,” a love that sparks rediscovery, where distance knows no separation; “onsra,” is a love soon to be a thing of the past; used in Burma and India when spoken of a love that cannot last. the “saudade,” of the Portuguese, of love that can no longer be, though it may have been consuming, is now but bittersweet. and then... there is Arabic’s “tuqburni,” a love that says so gently “without you i am dying!” each, it has no English equivalent yet somehow we manage... we find our true love, in relationships, in marriage, for love is a catholic language; even when there are no words, where touch, where tender looks, translations of the unheard thoughts; where pillows hold the notes of longing, empty bars and stanzas filled; oh love, oh boundless one, under steeples pledge your troth, to death’s door you take your oath, to forever sing your universal song!
0
May 8, 2014
May 8, 2014 at 1:28 AM UTC
language of love
~               the language of love, it has no equivalence, we speak what we hope, we seek what we love; vacillating? perhaps, but there is no ambivalence. lovers whisper, lovers shout; alternating between holding it in, or getting the words out. whether sweet words of friendship, or letting the heart go, each tells a tale, a heartbeat, one the spirit only knows. is it the “shemomedjamo” of Georgia, the “overindulgence that cannot stop this appetite;” or “lagom” of the Swedes, who speak of moderation? where what i have and what i see, is perfect, just right! the words, “koi no yokan,” from the culture of the east, Japanese speak of the instant of knowing a love that’s “meant to be.” there is “mamihlapinatapai,” used by those at the tip, of Tierra del Fuego’s windswept cliffs, a lover’s wish they can’t set free; further north Brazilians speak, of “cafune,” the sweet tugging at her long and flowing hair; a love that reaches, strokes, so tenderly. the Thai use “greng-jai,” for love that defers... and to sacrifice refers; the French have “retrouvailles,” a love that sparks rediscovery, where distance knows no separation; “onsra,” is a love soon to be a thing of the past; used in Burma and India when spoken of a love that cannot last. the “saudade,” of the Portuguese, of love that can no longer be, though it may have been consuming, is now but bittersweet. and then... there is Arabic’s “tuqburni,” a love that says so gently “without you i am dying!” each, it has no English equivalent yet somehow we manage... we find our true love, in relationships, in marriage, for love is a catholic language; even when there are no words, where touch, where tender looks, translations of the unheard thoughts; where pillows hold the notes of longing, empty bars and stanzas filled; oh love, oh boundless one, under steeples pledge your troth, to death’s door you take your oath, to forever sing your universal song!
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65
Rumblings Tummbling Pain Insane Pendulum Swings Graves Enslaved Lust Prevention Corruption Autonomy Interdiction Craves Plenty Flickering Selection Benighted Intention Equivalence Quivering Slithering Impingement Claws Causes Crippled Laws Unbalanced Inoperable Unrequited Injustice Rain Moon Falling Low Control Space Lovers Standing Under
0
Dec 18, 2014
Dec 18, 2014 at 7:58 AM UTC
No Equal
DEAR PENPAL PEOPLE, what is worse than shame? HUMILIATION:\ rumors fly up in the high in the above in my ears in my skies get my squirms of death into the rays of the red dies and the humiliate in the tides shed the tears in silence I fear they collide with looks of disgust and shame they rise upon my eyes just like an equivalence of the delves of the deep from them of a cut to dig drips and swallow grief arise arose arosen awake awoke awoken trap me unnoticed and leave me broken in the heart swollen fed on lies unspoken surrounding in the field am I a prisoner in hell or even better in Tolkien??? I craved and carved the woods into a shade of a pink that I need till you put the greed and stole in brief with no feels want me dead then demand I alive to up come burning and whipping regrets of the twos with the fives if I not to remember wrong counting stars and fleeing out just all in an empty round about ------ravenfeels
0
Apr 13, 2021
Apr 13, 2021 at 4:00 PM UTC
Put To The Squirm Of Death
There are two sides to every story, said the husband to the cop. She annoyed me ’til I shot her; how else could I get her to stop? There are two sides to every story, said the burglar at his trial. They had the stuff I needed; they’ll only cry a little while. There are two sides to every argument, said the person without facts. I’ve a right to my opinion; I’ve no need my brain to tax. There are two sides to every story, but, both may not be of merit. If one side’s without value, let’s not waste the time to air it.
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Sep 25, 2016
Sep 25, 2016 at 7:21 AM UTC
Two Sides to Every Story (the False Equivalence Poem)
Your ideals side by side with the rhythm of your stride, misericorde,   what have I stumbled across. In the middle of the road, you struck a pose so vividly natural, it's as if the outline of your being burst forth from your physicality and sang songs of love and integrity. all in accord to say, you gave me no other choice, but to fall for you and the warmth of your smile. even the ground murmurs with jealousy because gravity has no effect on what you stand for; love, understanding, equivalence and so on...
0
May 26, 2014
May 26, 2014 at 2:46 AM UTC
speculating what I feel
you are absolutely necessary and utterly unimportant. you are not important because everything is important and important means you are better than the mud you are not i can say this because i want to be content. and to be so i think i must owe myself to everything. because every little piece makes the puzzle, every tiny drop of paint changes the color, whether you or i can see it. down to the atom, every rock that i step on, every bird in my ear, every bearable sting of guilt felt from swatting a fly, they have worked in perfect proportion, each paint drops precisely suffused to the present shade of my experience. and if i am to be at peace, my life should not be measured but i must be accepting of everything as it comes. i find this possible in realizing that the stretch in my smile and the tears on my cheek are all just as needed in shading me. no single experience makes the man. and to be accepting of the summation i must accept that every single experience in my collective past was utterly necessary. every single experience, and each minor detail of each experience, and how they scatter on the surface like little melting beads, and how they eventually sink and mix; all single molecules of paint diffusing in the only proportion to make the present shade of my life, none more important than the other, down to the atom, ultimately equal. not in quantity, but in quality everything equal. what it means is that i love you. but i love the sweat greased ball bearings of dirt in my boot i love the percussion of infection drenched nerves in my foot i love the salt stick of your skin and staunch of your cough as you beat through the barreling wind. and i love the invisible river of shivering brush waving like cilia down the valley. into the bioluminescence of our L.A. colony. i love you if you love me and i love you if you hate me. because even your hate will drop like paint into me and change the shade to something i have not yet seen. i know we have different eyes but i think this works for mine. i will love you in equivalence to every molecule i breathe. utterly unimportant and absolutely necessary.
0
Dec 13, 2011
Dec 13, 2011 at 6:53 AM UTC
The Mantra
you are absolutely necessary and utterly unimportant. you are not important because everything is important and important means you are better than the mud you are not i can say this because i want to be content. and to be so i think i must owe myself to everything. because every little piece makes the puzzle, every tiny drop of paint changes the color, whether you or i can see it. down to the atom, every rock that i step on, every bird in my ear, every bearable sting of guilt felt from swatting a fly, they have worked in perfect proportion, each paint drops precisely suffused to the present shade of my experience. and if i am to be at peace, my life should not be measured but i must be accepting of everything as it comes. i find this possible in realizing that the stretch in my smile and the tears on my cheek are all just as needed in shading me. no single experience makes the man. and to be accepting of the summation i must accept that every single experience in my collective past was utterly necessary. every single experience, and each minor detail of each experience, and how they scatter on the surface like little melting beads, and how they eventually sink and mix; all single molecules of paint diffusing in the only proportion to make the present shade of my life, none more important than the other, down to the atom, ultimately equal. not in quantity, but in quality everything equal. what it means is that i love you. but i love the sweat greased ball bearings of dirt in my boot i love the percussion of infection drenched nerves in my foot i love the salt stick of your skin and staunch of your cough as you beat through the barreling wind. and i love the invisible river of shivering brush waving like cilia down the valley. into the bioluminescence of our L.A. colony. i love you if you love me and i love you if you hate me. because even your hate will drop like paint into me and change the shade to something i have not yet seen. i know we have different eyes but i think this works for mine. i will love you in equivalence to every molecule i breathe. utterly unimportant and absolutely necessary.
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32
suspected of being problematic, one is a common but questionable model, and an adjustment may be required to address all the nonsignificant differences— how they nonetheless constitute important arbitrary criterions for equivalence the significance test based on observational data is susceptible to (errors of) interpretation over the question at issue namely, do case differences arise because of exposure to a comparatively small sample or because of another variable? Exposure can be only mediated by crude estimates and so may be misleading during the forming of the hypothesized model of one that describes the association between exposure, bias, and the variables, and reconciles difference with equivalence significantly. The model provides little information that is incontrovertible but the results suggest if adjustment for the variable makes no substantive difference ignore it but if your knowledge indicates the adjusted variable to be preferable then prefer it
0
Mar 27, 2012
Mar 27, 2012 at 7:25 PM UTC
Confounding
He who provides The supreme ambivalence An equivalence of contradictions This trendy late adolescent Who has a disconcerting Dangerous quality about him Who is keen and energetic Like an ad for a fizzy drink
0
May 30, 2012
May 30, 2012 at 3:21 PM UTC
My Friend Hallam
In the morning, I awoke                                to the smell of burning rubber--the bats in paradox with their champagne necks broken,                                                                      telling stories from atop                                 the blisters on the celestial skin. A sublime masochism with irises that devour events, and ribs of sunshine, and this was the gong of the eleventh hour somewhere after four a.m. when the mockingbirds lie bodies in strange angles,                                                          under tracks and atop cars. Garage underdogs howl at the fog after self-inflicted shotgun wounds lying in the corner of the greats things lost and the worst things gained                 the bleach corrodes the bombarded sidewalk that you almost hear smoldering, whimpering on the empathetic verge                                                                                                    of the ocean                   where mini-stars explode, civilization ribbons coat the throats                                          of you pedestrians, humanitarians         all dressed and gifted                                          to the ****** of equivalence,'             and I am tooth drunk                          on the placebo slide, carnations washed beneath the broom                                   clinging to morsels that ***** blue sky down on the trumpeters. On the fall of the eleventh hour---Carpe Diem crushed by sweaty palms into ***** work and screaming dance parties. How low? He, they, it, I, she throw lives away like ships slicing through the ocean, the same reckless, but disciplined authority.
0
Jul 31, 2013
Jul 31, 2013 at 3:52 AM UTC
Sintoys
In the morning, I awoke                                to the smell of burning rubber--the bats in paradox with their champagne necks broken,                                                                      telling stories from atop                                 the blisters on the celestial skin. A sublime masochism with irises that devour events, and ribs of sunshine, and this was the gong of the eleventh hour somewhere after four a.m. when the mockingbirds lie bodies in strange angles,                                                          under tracks and atop cars. Garage underdogs howl at the fog after self-inflicted shotgun wounds lying in the corner of the greats things lost and the worst things gained                 the bleach corrodes the bombarded sidewalk that you almost hear smoldering, whimpering on the empathetic verge                                                                                                    of the ocean                   where mini-stars explode, civilization ribbons coat the throats                                          of you pedestrians, humanitarians         all dressed and gifted                                          to the ****** of equivalence,'             and I am tooth drunk                          on the placebo slide, carnations washed beneath the broom                                   clinging to morsels that ***** blue sky down on the trumpeters. On the fall of the eleventh hour---Carpe Diem crushed by sweaty palms into ***** work and screaming dance parties. How low? He, they, it, I, she throw lives away like ships slicing through the ocean, the same reckless, but disciplined authority.
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30
Two stations’ negation Clasped by ands, the Parentheses betroth Like wedding bands. But faithful constants, Anything but, My mistress, she’s thine And from permutations Is thusly cut. But embrace, do I This incestuous reality And all for the love of my ***** Logicality. And that, in one sense, Flagrant ambivalence, And yet, in another, I blush with kisses from Tautological Equivalence.
0
Mar 3, 2014
Mar 3, 2014 at 8:52 PM UTC
Logic and Love
Fume of the mystic air flows to create an invisible lodge a harmonic rhythm of knowing the other. Sanctuary of Love shelters the Kiss. Received touch makes up points of  Desire as flesh and blood from the etheric. She, A fluid transparency made of interchangeable unique crystalline particles of unseen color, Reflects an indefinable atomic structure Draws contours of a  body that subtly shapes along the kiss. ‘Kiss me’ is a thankful whisper ‘Play me to a oneness’ gratifies the breath along  her neck,   lips, forehead   and knees an anechoic chamber of limpid breeze rectifying bliss an irrefutable awareness of joy   a gifted  Unity an honored desire She feels the colors of zephyr and without visualizing grows into the derived equivalence of emerging pinks or  jutting greens she is destined to remain as invisible as his’… not owned - not reserved interdependency ‘nothing stays nowhere a thing is not received  if you are not there A blessing of the moment  is everywhere you are drawn to where and what you truly were’ As the body gets formed miracle gets real As miracle gets real the body gets formed and mutates a lucent gate towards a universe so The wind can pass At the edge she molds to … …. a ……….something new The lover the love The now at now senses itself   in white lines a bridal delicacy ‘A flower’ tales say with myriad petals living at the edge of the universe She reads the volatile coolness of the warm colored differently sized light trace  that the fumes, the kiss , the breath, the blow, the zephyr, the lover has become for her she traces his ever expanding Trace so that perpetually  he shall progress for the universe while she remains and observes as her nature requires her to be as their dual existence is conditioned to as is nature’s one unconditional or Love’s She,  the precision of  joy that he creates for the eternal witness of bliss Colored by divine light of rejuvenation of freedom of truth breathes at a place beyond thoughts at the edge of a universe.
0
Dec 6, 2014
Dec 6, 2014 at 4:29 PM UTC
Edge of the Universe
Fume of the mystic air flows to create an invisible lodge a harmonic rhythm of knowing the other. Sanctuary of Love shelters the Kiss. Received touch makes up points of  Desire as flesh and blood from the etheric. She, A fluid transparency made of interchangeable unique crystalline particles of unseen color, Reflects an indefinable atomic structure Draws contours of a  body that subtly shapes along the kiss. ‘Kiss me’ is a thankful whisper ‘Play me to a oneness’ gratifies the breath along  her neck,   lips, forehead   and knees an anechoic chamber of limpid breeze rectifying bliss an irrefutable awareness of joy   a gifted  Unity an honored desire She feels the colors of zephyr and without visualizing grows into the derived equivalence of emerging pinks or  jutting greens she is destined to remain as invisible as his’… not owned - not reserved interdependency ‘nothing stays nowhere a thing is not received  if you are not there A blessing of the moment  is everywhere you are drawn to where and what you truly were’ As the body gets formed miracle gets real As miracle gets real the body gets formed and mutates a lucent gate towards a universe so The wind can pass At the edge she molds to … …. a ……….something new The lover the love The now at now senses itself   in white lines a bridal delicacy ‘A flower’ tales say with myriad petals living at the edge of the universe She reads the volatile coolness of the warm colored differently sized light trace  that the fumes, the kiss , the breath, the blow, the zephyr, the lover has become for her she traces his ever expanding Trace so that perpetually  he shall progress for the universe while she remains and observes as her nature requires her to be as their dual existence is conditioned to as is nature’s one unconditional or Love’s She,  the precision of  joy that he creates for the eternal witness of bliss Colored by divine light of rejuvenation of freedom of truth breathes at a place beyond thoughts at the edge of a universe.
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Likewise vanished and collapsed to a destructive state – weighted space spreads across unevenly but equally sequential in relevance to the make up of your matter. For the crossing falls closer to that which floats up, or burrows down. Following the line of least resistance when gravity can be considered a burden. Onward with the dead bodies floating in and out of our solar system. ****** victims with cracked helmets dancing together in an eerily serene motion where they follow sonic waves from this way to that. These are the new beginners whose marrow will travel to worlds yet undiscovered. It is the equivalence of the ***** that makes the journey into the birth canal to fertilize the egg. The once living, now dead, finding a new reason for meaning where the marrow finds placement on a mass of fertile dust. New planets are made with a sickness. Spores and mold grow into rage for the betrayal that laid the god body to rest. Their concept of creation has no meaning. Hatred fed by existence considered bad luck at best.
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May 28, 2013
May 28, 2013 at 6:57 AM UTC
The New Illegitimate Children of Earth: The Worst of a Bad Situation in a New Galaxy
when the moon draws a shape maybe a flower or a heart along the homogeneous equivalence of an asphalt – oh are you driving so fast? made of the frosty glitters of the night show the generosity to accept a gift a gift that can make a difference it’s been set apart for you and only for the blessed you.
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Jan 6, 2015
Jan 6, 2015 at 6:37 PM UTC
shape
*i wish i could ******** like a stephen king once in a while, but then my imagination sometimes gets a kick in the **** from delusional thinking, this the antidote to "a lack of imagination," this the artistic equivalence to a magician's trick, the illusionary works of sawing a woman in half; the many times i spilled some whisky on it... it happens... it happens so automatically that it's sometimes terrifying; now to find that cognitive anchor... ah, here it is: i.* th- following l-tt-rs hav- b--om- -isabl-- **e c d 3 / ω** on my k-yboar-, h-n- th- hyph-nation. p-rhaps to slow m- -own, or what-v-r r-ason th-r- is to it, -onstru-ting a n-w -nigma? so th- r-ason w-str-n so-i-ty is -xp-ri-n-ing a flux of pr-matur- --m-ntia is --u to population siz- an- th- young on-s b-ing for--- into a -ompl-x worl- of s-rious maths an s-rious -h-mistry: so mu-h th-ory an- th-n only giv-n bor--om among banaliti-s of r-p-at r-p-at - -ompl-x th-ori-s to b- thrown into a worl- of -istill-ri-s whisk-y an- vo-ka typos of form-r -ompl-xiti-s r-quiring p-rfum-s to say th- l-ast... -st-rs: sw--t aromati- -h-mistry. but from th- -r-am worl-: 1. paint s-otlan- with 3 r-- strip-s 2. paint -nglan- with 3 blu- strip-s 3. op-n a win- bottl- with a mat-hsti-k     an- fin- -arth in th- bottl-: mu--y     grit, soil. 4. ov-r h-ar talk of my -at-gorisation     of th- anglo-slav; as a -hat up lin-. o-- thing is... it's only th- lin-       3 / £              E                D                  C t--hnophob- m-, th- oth-r 3 works though... on th- mobil-:                         7 8 9                         4 5 6                         1 2 3.
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Nov 18, 2015
Nov 18, 2015 at 12:05 PM UTC
fiction in poetry / delusional verse
*i wish i could ******** like a stephen king once in a while, but then my imagination sometimes gets a kick in the **** from delusional thinking, this the antidote to "a lack of imagination," this the artistic equivalence to a magician's trick, the illusionary works of sawing a woman in half; the many times i spilled some whisky on it... it happens... it happens so automatically that it's sometimes terrifying; now to find that cognitive anchor... ah, here it is: i.* th- following l-tt-rs hav- b--om- -isabl-- **e c d 3 / ω** on my k-yboar-, h-n- th- hyph-nation. p-rhaps to slow m- -own, or what-v-r r-ason th-r- is to it, -onstru-ting a n-w -nigma? so th- r-ason w-str-n so-i-ty is -xp-ri-n-ing a flux of pr-matur- --m-ntia is --u to population siz- an- th- young on-s b-ing for--- into a -ompl-x worl- of s-rious maths an s-rious -h-mistry: so mu-h th-ory an- th-n only giv-n bor--om among banaliti-s of r-p-at r-p-at - -ompl-x th-ori-s to b- thrown into a worl- of -istill-ri-s whisk-y an- vo-ka typos of form-r -ompl-xiti-s r-quiring p-rfum-s to say th- l-ast... -st-rs: sw--t aromati- -h-mistry. but from th- -r-am worl-: 1. paint s-otlan- with 3 r-- strip-s 2. paint -nglan- with 3 blu- strip-s 3. op-n a win- bottl- with a mat-hsti-k     an- fin- -arth in th- bottl-: mu--y     grit, soil. 4. ov-r h-ar talk of my -at-gorisation     of th- anglo-slav; as a -hat up lin-. o-- thing is... it's only th- lin-       3 / £              E                D                  C t--hnophob- m-, th- oth-r 3 works though... on th- mobil-:                         7 8 9                         4 5 6                         1 2 3.
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You showed me your line of vinyls. You know, I always liked the ones that dug their lives into music. The way you'd add your experiences in tunes, your voice much therapeutic. You played me like the violin, stroking your brown soft fingers through my strings. Your blues flowing through my ears, I could feel the skin crawling chilling feelings near & near. Remember when we'd lose ourselves to dance in the middle of your bedroom floor. The way we'd flow our bodies into the  rhythm of the beat helped me adore you much more. The spiritual tunes of Michael Jackson, Oh, you rock my world. The sensual touch of your body is like the equivalence of jazz blues. You always had ways with your words, my operator real smooth. My mind ran deep with your influential words, especially when you'd make me feel as though I was your one & only girl. Blind to anyone else, I felt as if I belonged in your inner world. But all that came between us was fast women, and herbs. All that I have of you are memories in music. The words you gave me, no longer sounds acoustic.
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Oct 12, 2014
Oct 12, 2014 at 3:44 PM UTC
For the Love of Music
I never thought I'd have to hold my tongue so still And you would be the one; reticent. How fascinating our mistakes are, how repetitive And how fascinating that the truth is squeezed from both of us like that last bit of toothpaste from the bottle. I feel a shift. A paradoxical disorder unaccounted for, I fear the change because I am the change. You were always a force that lacked equivalence, And it was your unbalance that undid me; before I thought my balance was my exchange. Now I think you are too quiet, my thoughts too loud. You fight with yourself mostly, and slam doors. I'm too proud to admit I'm wrong. We'll never work out. Not really. And it is a shame.
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Sep 20, 2012
Sep 20, 2012 at 10:49 PM UTC
A Shame
Oh the kiddos outta there whoever again dare to call me names that end it with a Girl or a Mademoiselle You at most reflect an image of me to fit to the level of your potency same as to a ridicule of your fantasy weeping and spitting big turfs of -at most admirably- musical words as your age allows you to be an equivalence that functions still OH THE WOW in most efficiency only whenever the rhythmic pumping ejects seedlings to swim up the rat-race from your reptilian starship   parked at sacred ocean’s depths crossing a few inches behind thyn abdomen towards your jellyfish brain and that’s shorter than TIME oh the poor whining with BIG Holy One hidden in the oaths of your monstrous zombie-town so now listen in PURE Attention to me (if you can)   It’s True my first kiss was at age twenty three HAHAHA and yet not even a romantic one at most an obligatory who knows maybe a task from the higher self probably to teach me or the physical body - YES and the last one at age forty that tried to **** all the ****** futility outta me the rest and the in between remains dark and edgy and thorny who cares when it does not bother me what business does relate to you oh my Sexuality or the inherited **** beauty but that makes not less of me when I am now almost 43   my coal black hair made of Sea Breeze grows the beauty of my aging color to the creamy WHITE topping of delicious wisdom cookies baked by my peaceful wishing the joy of my child innocence remains to fire Passion and Desire which I reserve to one/ single poem only who made me realize the truth of me recently   that I  haven’t yet dated … a Monsieur who dares to call me a Madame with whom I can fully be Me and grow towards a maturity.
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Dec 27, 2014
Dec 27, 2014 at 5:24 PM UTC
Temper MADAME
Oh the kiddos outta there whoever again dare to call me names that end it with a Girl or a Mademoiselle You at most reflect an image of me to fit to the level of your potency same as to a ridicule of your fantasy weeping and spitting big turfs of -at most admirably- musical words as your age allows you to be an equivalence that functions still OH THE WOW in most efficiency only whenever the rhythmic pumping ejects seedlings to swim up the rat-race from your reptilian starship   parked at sacred ocean’s depths crossing a few inches behind thyn abdomen towards your jellyfish brain and that’s shorter than TIME oh the poor whining with BIG Holy One hidden in the oaths of your monstrous zombie-town so now listen in PURE Attention to me (if you can)   It’s True my first kiss was at age twenty three HAHAHA and yet not even a romantic one at most an obligatory who knows maybe a task from the higher self probably to teach me or the physical body - YES and the last one at age forty that tried to **** all the ****** futility outta me the rest and the in between remains dark and edgy and thorny who cares when it does not bother me what business does relate to you oh my Sexuality or the inherited **** beauty but that makes not less of me when I am now almost 43   my coal black hair made of Sea Breeze grows the beauty of my aging color to the creamy WHITE topping of delicious wisdom cookies baked by my peaceful wishing the joy of my child innocence remains to fire Passion and Desire which I reserve to one/ single poem only who made me realize the truth of me recently   that I  haven’t yet dated … a Monsieur who dares to call me a Madame with whom I can fully be Me and grow towards a maturity.
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48
had man more ambition, he'd feed his hunger to be devoid of attaining a god-status... after all: why bother feeding a plagiarism of a plagiarism, of one man's invention being passed down for another man's itemisation of lost artefacts, that can't paraphrase: an urn's equivalence toward the monetary due or shared regrets, remains... or profits. i can't tell you what you want to know, well, "know" - that all it takes is a male cat tidy in his sleeping pose, and his female equivlanet, stirred, jolting, angry, scared, itchy...      in my arms, as without my arms holding her, stirred, jolting, angry, scared, itchy, ready to jump out of the canvas and make still-life a joke. writing this she pretends the austitic stare... as all cats do... her evil eyes peer into me, and i see the shards of the omni-mirror that chords man into being god...    and how belittling the "repose", oh the agony of the multitude in the all encompassing request... what sordid ambition for man to equate himself as god... how follow that knock must feel, asking for a full bodied burden of oak laboured over by man to be made into a door, with a million toothpicks: sentenced into a doorknock: regarding?   good day... what audacious claim you make! three tier question you ask... that is, what will be, or what is? well...      a waiting bed, the male cat fast asleep, the female cat in figgit mode - how i dream of the pillow, how i dream wide awake of placing my head onto it, and erasing all previous dreams from memory... i'm sure memory can be allowed this function: forget the last dream, than attaining autistic memorisation errosion of the alphabet...    did i mention that i think that feline bonsais are autistic? i will die claiming that cats are autistic.... i guess that's why autistic children can comprehend a cat akin to the cat being able to comprehend an autistic child.
0
Aug 18, 2017
Aug 18, 2017 at 7:01 PM UTC
petting cats
had man more ambition, he'd feed his hunger to be devoid of attaining a god-status... after all: why bother feeding a plagiarism of a plagiarism, of one man's invention being passed down for another man's itemisation of lost artefacts, that can't paraphrase: an urn's equivalence toward the monetary due or shared regrets, remains... or profits. i can't tell you what you want to know, well, "know" - that all it takes is a male cat tidy in his sleeping pose, and his female equivlanet, stirred, jolting, angry, scared, itchy...      in my arms, as without my arms holding her, stirred, jolting, angry, scared, itchy, ready to jump out of the canvas and make still-life a joke. writing this she pretends the austitic stare... as all cats do... her evil eyes peer into me, and i see the shards of the omni-mirror that chords man into being god...    and how belittling the "repose", oh the agony of the multitude in the all encompassing request... what sordid ambition for man to equate himself as god... how follow that knock must feel, asking for a full bodied burden of oak laboured over by man to be made into a door, with a million toothpicks: sentenced into a doorknock: regarding?   good day... what audacious claim you make! three tier question you ask... that is, what will be, or what is? well...      a waiting bed, the male cat fast asleep, the female cat in figgit mode - how i dream of the pillow, how i dream wide awake of placing my head onto it, and erasing all previous dreams from memory... i'm sure memory can be allowed this function: forget the last dream, than attaining autistic memorisation errosion of the alphabet...    did i mention that i think that feline bonsais are autistic? i will die claiming that cats are autistic.... i guess that's why autistic children can comprehend a cat akin to the cat being able to comprehend an autistic child.
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