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"eponym" poems
With obsolescent clarity Amid moribund metaphysical Mutations As the iridium ball rolls From eponym to epitaph Engeneering an epoch diarama In surfeit metronomic hysteria While time chases time into infinity Episodic vagaries celebrate The metaphoric metamorphosis rising to Metaphysical majesty as vacuous As any minutiae will When abstract vagaries Become the vagrant epitome Of a mordant mosaic Made entirely of the lost causes Torn from the very core I surmise As being the virulent.... .....Tragic and irridescent pieces Left along the allegorical antipathy Where those that are left behind By the stigmatation Of any irascible involutions Mired in the mesh Of scribbles and scribes Left After the iridium ball rolls By Leaving vacuous irridescent Symbols of epigraphical Proportions Stymied by The obsolescent clarity Amid moribund metaphysical  mutations.
0
Jan 7, 2016
Jan 7, 2016 at 5:02 PM UTC
As the iridium ball rolls
I have no patron saint. But if I should I doubt that Doubting Thomas would be him. Though well he worked with what he understood, I cannot emulate my eponym: too squeamish still to press your ****** palms, too cowardly to bear the cross you bore. too blind to fall and sing believing psalms. With other saints called Thomas, all the more. But then there's Thomas Cantilupe's career, So concrete: he was born in 1218, was chancellor of Oxford for a year, gave countless counsellings to king and queen and years of selfless service to his see; and lives today recalled by God, and me.
0
May 23, 2010
May 23, 2010 at 6:17 PM UTC
Thomas Cantilupe
Irrelevant and inexperienced tongues speak of things that are merely meek borrowed thoughts, charred and dark none got the zeal or spark of the original mark behold the originator of thought Fierce and finesse opulent and neoteric complex yet tangible veridical and factual juxtaposing tradition and aesthetics original stands out better Pursue your thoughts deliberately choose perdurable possibilities disparate spheres of same thought well deserved appreciation eponymous hero, you will be !!
0
Dec 25, 2013
Dec 25, 2013 at 11:21 AM UTC
Eponym
Fri Feb 10 8:12 AM “As artists, we are exposed to a heavy level of scrutiny, mostly from ourselves,” adds Villarini-Velez. “At times we might be insecure when a choreographer asks us to do something that takes us away from our usual, classical vocabulary. I felt like some of my peers who aren’t exposed to this movement would feel insecure at times, but nonetheless, rise up to the challenge of exploring new levels of artistry. It’s easy to rely on our usual bag of tricks, but I enjoy the risks of detaching from what looks good and moving in a way that feels good. It’s our responsibility to rise to these challenges and expand our artistic horizons.”(1) <> guilty. as charged. so, incorporating new words, differing styles. do what does not come naturally. “detach from what looks good, moving in a way that feels good” make radicalization your ethos make new-for-you your eponym. give your name to what you create, a mere signature insufficient, it is not part of the work! taste the wet words upon tongue and lips, let the saliva linkage be to the following morseling phrase, the mouth sac moist be where verbal embryos are birthed. hear them spoke in your voice, but, silently, in your mind, and yet, speak-say them inside with the shocking thunderous force of a newborn’s first cry. and when you read them assembled, weep with pleasure, relieved, this, your child, looks exactly like no one, with but trace elemental traits of you. but it is all yours, sinew and cell, fiber and skin, drawn unformed, ejected from the intramural hollows of the body, then and only then, mark them at last as truly mine..
0
Mar 23, 2023
Mar 23, 2023 at 2:05 PM UTC
Bag o’Tricks:
Fri Feb 10 8:12 AM “As artists, we are exposed to a heavy level of scrutiny, mostly from ourselves,” adds Villarini-Velez. “At times we might be insecure when a choreographer asks us to do something that takes us away from our usual, classical vocabulary. I felt like some of my peers who aren’t exposed to this movement would feel insecure at times, but nonetheless, rise up to the challenge of exploring new levels of artistry. It’s easy to rely on our usual bag of tricks, but I enjoy the risks of detaching from what looks good and moving in a way that feels good. It’s our responsibility to rise to these challenges and expand our artistic horizons.”(1) <> guilty. as charged. so, incorporating new words, differing styles. do what does not come naturally. “detach from what looks good, moving in a way that feels good” make radicalization your ethos make new-for-you your eponym. give your name to what you create, a mere signature insufficient, it is not part of the work! taste the wet words upon tongue and lips, let the saliva linkage be to the following morseling phrase, the mouth sac moist be where verbal embryos are birthed. hear them spoke in your voice, but, silently, in your mind, and yet, speak-say them inside with the shocking thunderous force of a newborn’s first cry. and when you read them assembled, weep with pleasure, relieved, this, your child, looks exactly like no one, with but trace elemental traits of you. but it is all yours, sinew and cell, fiber and skin, drawn unformed, ejected from the intramural hollows of the body, then and only then, mark them at last as truly mine..
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27
it was winter when i wrote you ; crags, rocks, trees, were all black on white and ice -- ice, it beat on my door -- slivered on the mattress, sheets of it -- a bedfellow, willing, eager. when did the scorpion bring warm coals to temper the night? the howl of the moon, the scorch of the sun -- inside was fire, gurgling. it was froth and magma. i heard the tempest, both sea and sky -- faith, they called it a rock. a deep, black, rock in ice.
0
Nov 25, 2016
Nov 25, 2016 at 9:11 AM UTC
eponym
This idea is so distorted, transfixed, to mark our bodies as shame or lack of respect when in their maternal ****** that rags they wear ornate us and dictate what our respect is when it is completely on the contrary and such rules made by society are claimed to be of God. Our nature and self-confidence of it (can) make even the most shaggy rags radiant and worth of envy. As if coming to meet Them purely from your own will so eager no matter if you’re even just in a towel didn’t count as a great act of devotion. That ****** is illegal, that beaches where you can be non-clad are only for the “major” persons (because underage ones are supposedly not in their right mind), and as Dante Quintana, my eponym, noticed truly: how shoes are unnatural and how not wearing them is not a sign of poverty or lousiness.
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Sep 1, 2020
Sep 1, 2020 at 1:59 PM UTC
Gioielli di Giornale #24
A strange pilot this world is, fighting glassy, distant nomads for space. In time, vends names. Foam alone in fear. “Did you see that?”, I fear not dear. No one was watching. Or they didn’t care. - Gods
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May 13, 2019
May 13, 2019 at 10:45 PM UTC
A Title To Agnomen Eponym