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"epitaph" poems
dedicated to all the better poets here... don't know much about a quatrain don't know how to write a refrain, surely could not compose a courtyard elegy maybe after and still untilled, I been buried, 'n checked out the neighborhood competition... as for limerick, that is Dr. Seuss and Ogden Nash's shtick with whom, eye, a believed descendant, cannot compete... Oh dear me,   no ode node-ed within, as for a pastoral, kinda hard to feat, where I live, a pastoral is grass cracks surviving under, breaking through to the other side of concrete and blacktop rulers Maybe one of you will haiku, send us a senryu, send off, see ya! the doc once diagnosed a severe case of inflamed iambic pentametery, with antibiotics and a diet of Hamletery, was cured most satisfactorily this silly pen-man-sinking-ship ain't capable of dat, boy how 'bout an epitaph for a graveyard stone, should be plenty of room... as it will be plenty short... all eye see and all eye know is vignettes that birth in me walking down the street, that's my bread and butter, my soul's delicacies... and moments that recorded here, for a posteriored posterity, as noted in my all my living testaments, drinking and spilling the vin, from the uninvented igniting vignettes that consecrate and connect our knowing each other though odds are we will never meet...we can yet drink together ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ "Don't know much about the French I took. But I do know that I love you, And I know that if you love me, too, What a wonderful world this would be."
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May 3, 2015
May 3, 2015 at 7:50 AM UTC
why eye drink the vin in vignette (for all the better poets here)
dedicated to all the better poets here... don't know much about a quatrain don't know how to write a refrain, surely could not compose a courtyard elegy maybe after and still untilled, I been buried, 'n checked out the neighborhood competition... as for limerick, that is Dr. Seuss and Ogden Nash's shtick with whom, eye, a believed descendant, cannot compete... Oh dear me,   no ode node-ed within, as for a pastoral, kinda hard to feat, where I live, a pastoral is grass cracks surviving under, breaking through to the other side of concrete and blacktop rulers Maybe one of you will haiku, send us a senryu, send off, see ya! the doc once diagnosed a severe case of inflamed iambic pentametery, with antibiotics and a diet of Hamletery, was cured most satisfactorily this silly pen-man-sinking-ship ain't capable of dat, boy how 'bout an epitaph for a graveyard stone, should be plenty of room... as it will be plenty short... all eye see and all eye know is vignettes that birth in me walking down the street, that's my bread and butter, my soul's delicacies... and moments that recorded here, for a posteriored posterity, as noted in my all my living testaments, drinking and spilling the vin, from the uninvented igniting vignettes that consecrate and connect our knowing each other though odds are we will never meet...we can yet drink together ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ "Don't know much about the French I took. But I do know that I love you, And I know that if you love me, too, What a wonderful world this would be."
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60
From Alan Lomax to the commercial art and now the money machine. At the turn of the century; when sound recording 1st became available to the masses, recording a song was an opportunity for folk to reach out; and tell the world something up front and personal. It meant that people were able to put themselves on “The record” A way of leaving a permanent audio statement, an epitaph, an audio sound bite immortalising ~ life, mood, emotion captured and bottled for all eternity. (A medium that conveyed messages from artists and storytellers of all kinds) A recording was also a great addition to "The family album" something more tangible, a window to a real person, with a real life, a message and a point of view; a legacy, a blast from the past. Few people expected sound prints to be re-designed, homogenised, formulated, copied, repackaged and that art and the message would be played over and over again by new artists in the form of "cover music" or that the style of the messages would become secularized, seperated into distinctive groups, or constrained by an elite clique or commercial genre. Labelling and streamlining art & music mostly benefits the commercial art & music industry; and no longer the artists and creators. I've no problem with good business, or the multi-billion pound industrys that have gained commercial success. However the process of mass homogenisation, product synthesis, marketing, streamlining and then packaging fashion, sound and synthetic culture to sell a product, leaves very little room for creative people to just be creative. A medium originally open to many for self expression, a historical record, an archive, a voice, a personal message; Is now just a vehicle for advertising and perpetuating a genre of nonsense, so much so that there is now more white noise immortalised than messages. To re-cap ~ I Think that creativity and expressionism; like story telling conveys moods and messages from the present and past! Artists and musicians should have the opportunity to create and produce more information than they copy; thus creating a richer more colourful tapestry, whilst not devaluing the message of their predecessors! Purcy Flaherty.
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Jan 9, 2018
Jan 9, 2018 at 10:38 AM UTC
The media machine and its lack of authenticity
From Alan Lomax to the commercial art and now the money machine. At the turn of the century; when sound recording 1st became available to the masses, recording a song was an opportunity for folk to reach out; and tell the world something up front and personal. It meant that people were able to put themselves on “The record” A way of leaving a permanent audio statement, an epitaph, an audio sound bite immortalising ~ life, mood, emotion captured and bottled for all eternity. (A medium that conveyed messages from artists and storytellers of all kinds) A recording was also a great addition to "The family album" something more tangible, a window to a real person, with a real life, a message and a point of view; a legacy, a blast from the past. Few people expected sound prints to be re-designed, homogenised, formulated, copied, repackaged and that art and the message would be played over and over again by new artists in the form of "cover music" or that the style of the messages would become secularized, seperated into distinctive groups, or constrained by an elite clique or commercial genre. Labelling and streamlining art & music mostly benefits the commercial art & music industry; and no longer the artists and creators. I've no problem with good business, or the multi-billion pound industrys that have gained commercial success. However the process of mass homogenisation, product synthesis, marketing, streamlining and then packaging fashion, sound and synthetic culture to sell a product, leaves very little room for creative people to just be creative. A medium originally open to many for self expression, a historical record, an archive, a voice, a personal message; Is now just a vehicle for advertising and perpetuating a genre of nonsense, so much so that there is now more white noise immortalised than messages. To re-cap ~ I Think that creativity and expressionism; like story telling conveys moods and messages from the present and past! Artists and musicians should have the opportunity to create and produce more information than they copy; thus creating a richer more colourful tapestry, whilst not devaluing the message of their predecessors! Purcy Flaherty.
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Befrilled Godfather, why tune Yours to mine These Rightful Verses your Country observes I, an Eastern Bun's Lord in Mind consign Put my Pun in-place for their own Reserves Now this, a Muse if your Clock does witness Would burn me at stake or hang me condemned All because such Organs defy Fitness And thought the ****** I will reprehend I grow tired of this evident Trough Whilst you once scribbled Trademarks with your Quill How, my Heart-Nosed Configure such enough Yet wish to join you in your White Pipes, still. Your Epitaph stays; I dare not complete Just press these Roses your Approval, meet.
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Mar 13, 2013
Mar 13, 2013 at 11:23 PM UTC
SONNET TRIBUTE SUNDRY - EIGHTY-FOUR - TOM DALEY
An old willow with hollow branches slowly swayed his few high gright tendrils and sang: Love is a young green willow shimmering at the bare wood’s edge.
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Epitaph
. "I shall welcome the majesty of the ****** Loam, the honour of being the daisies mantle The goodly fortune to sleep under the golden Stars who birthed my dream of grace and light. World, ply my ship and sail it to the seas Of love, poem and song, I was unworthy Shaper and so, whereby cold fates decree— Here lies one, whose name is traced in vapour."
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Nov 29, 2013
Nov 29, 2013 at 7:39 PM UTC
Epitaph for the Stone of an Unknown Poet
Heap not on this mound Roses that she loved so well; Why bewilder her with roses, That she cannot see or smell? She is happy where she lies With the dust upon her eyes.
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Epitaph
I see how white light startles. I snapped a pic and she spun in circles. She wanted a photograph to cover her mother's epitaph, so she could have a laugh. She smoked to get away - but this isn't what'd she say, exhaling, "All we are is carbon and a lack of empathy." We blended into hues of microwave dinners and church alters. I used to tell her to go just to halt her. We prayed to get away - but that's not what we'd say, whispering, "Help us be more than carbon and a lack of empathy."
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Jun 4, 2015
Jun 4, 2015 at 8:20 PM UTC
Carbon and a Lack of Empathy
The night has its allure The contrast of the light Against the dark Where faces become blurred,. Intentions hide in truth Walking in shadows Unknown steps…. Leading to nowhere, And taking a chance…. Misty eyes that sparkle, blue in color pale Sunshine in your smile Gestures flowed with wine Like a chameleon You came one night…. And then disappeared Out of sight…. Who are you? Lovely lady of the night, Black be your color Blue be your life, Crimson the sky That watched you go by, Never to return From shadows engulfed Fragrant dahlia a lifeless scent… We’ve never known you But know you all too well… Your story is common The beginning and the middle At best, But in the end the mythic tragedy Turns its horns upon the beast…. What can we do the least… But to run and run and run Try to find you Try to find the devil in you Try to slay the slayer The lavender avenger…. May you rest in peace, sweet child The pieces scattered forth In grasses strewn with blood, invisible.. The essence of your Tortured mind and Myriad soul… Many men have chased their dreams of you The blue eyed black dahlia of the night What prevailed is the secret, Weary light…. Who begs to shine on your grave Because in you, no one can save….. But you haunt us far and near…. Like the waters muddy clear.. So farewell, oh lovely lady Let the dahlia rest upon your hair After all these years you are still fair After all these years, we still do care…. Longing for your eyes that dare… Shine the light on darkness lair…. You will never be forgotten But your mystery remains… Your epitaph shall read… "She’s a star, a shimmering light, And forever spreading, shining bright…."
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Apr 4, 2015
Apr 4, 2015 at 9:21 PM UTC
The Legend of the Black Dahlia
The night has its allure The contrast of the light Against the dark Where faces become blurred,. Intentions hide in truth Walking in shadows Unknown steps…. Leading to nowhere, And taking a chance…. Misty eyes that sparkle, blue in color pale Sunshine in your smile Gestures flowed with wine Like a chameleon You came one night…. And then disappeared Out of sight…. Who are you? Lovely lady of the night, Black be your color Blue be your life, Crimson the sky That watched you go by, Never to return From shadows engulfed Fragrant dahlia a lifeless scent… We’ve never known you But know you all too well… Your story is common The beginning and the middle At best, But in the end the mythic tragedy Turns its horns upon the beast…. What can we do the least… But to run and run and run Try to find you Try to find the devil in you Try to slay the slayer The lavender avenger…. May you rest in peace, sweet child The pieces scattered forth In grasses strewn with blood, invisible.. The essence of your Tortured mind and Myriad soul… Many men have chased their dreams of you The blue eyed black dahlia of the night What prevailed is the secret, Weary light…. Who begs to shine on your grave Because in you, no one can save….. But you haunt us far and near…. Like the waters muddy clear.. So farewell, oh lovely lady Let the dahlia rest upon your hair After all these years you are still fair After all these years, we still do care…. Longing for your eyes that dare… Shine the light on darkness lair…. You will never be forgotten But your mystery remains… Your epitaph shall read… "She’s a star, a shimmering light, And forever spreading, shining bright…."
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67
Driven and persistent When a girl, I was undaunted On acting I was insistent By the stage I was haunted A mere ingénue At the odds I did laugh Until the day that I withdrew Now that ingenue lay neath an epitaph To myself I was untrue Now turn back to dreams I must pursue Lo, I am rebuilding Her broken spirit within Already she is healing Anon let the journey begin again
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Jan 22, 2017
Jan 22, 2017 at 7:06 PM UTC
Out of the Shadows
The Destroyer of the division machine1 Had first to run on the Way of the Cross To have souls over the long lived ruin. Robben, Pollsmoor and Victor2 caused no loss In the Staff Heritage of the Thembu3 Rulers, forever loved by their people, From whom was learnt right fight ain’t to taboo. Good farmers’ teeth run right through the apple; Likely after the Hard Walk to Freedom4 The Son of Gadla and Nosekeni5, When his Soul flies up to the Lord’s Kingdom, Glass will keep his body, and not any Stain will sully the Star of the Nation Whose Light will shine for each generation. 1. The division machine: The Apartheid. 2. Robben, Pollsmoor and Victor: During twenty seven years Mandela was successively jailed at Robben Island, Pollsmoor and Victor Verster prisons. 3. Thembu: The tribe over which ruled Mandela’s ancestors. 4. Hard Walk to Freedom: In September 1953, Andrew Kunene, a co-militant of his, read out Mandela's "No Easy Walk to Freedom" speech at a Transvaal ANC meeting; the title was taken from a quote by Indian independence leader Jawaharlal Nehru, a seminal influence on Mandela's thought. The speech laid out a contingency plan for a scenario in which the ANC was banned. 5. Gadla (Henry Mphakanyiswa): Mandela’s father; Nosekeni ***** His mother.                                                                   Boniface
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Jun 27, 2013
Jun 27, 2013 at 8:33 AM UTC
Preliminary epitaph on Mandela
"What is a man?! A miserable Pile of Secrets!" he shoutes then he sprung his attack with the holy whip of my ancestors in my hand I intended to make it his epitaph. we battled for hours on end, using holy water and dodging fireballs that would've meant my doom when I had him beaten, he transformed into a grotesque demon which also distorted the room I didn't know which I was battling, my own head or Count Vlad Tepes Dracul Anyway, after one final strike, The Undead terror had finally been slain I hoped and prayed that no-one would ever speak his name
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Feb 18, 2015
Feb 18, 2015 at 11:58 AM UTC
Nocturne In The Moonlight
****** Mother Nature As rain forests dwindle, and skyscrapers grow, we leave those who co habit with nowhere to go... Sweet indigenious song birds, all turned off one by one as we bulldoze the trees where they once raised their young... Stealing land from these creatures in each and every direction as we drive them all closer to their own mass extinction... there'll be uproar of course when the last one is gone, but this course of destruction seems to just carry on... In Asia the Tiger's now on it's last legs, hunted down for it's fur and it's teeth ground to dregs, The Bali and Caspian are both sadly gone, a mere five thousand Bengals till they too follow on... Just five hundred Sumatrans, a last thirty Chinese, then this beautiful Feline will just cease to be... There'll be uproar of course when the last one is gone, but our blood thirsty onslaught will just carry on Amur Leopards in Russia, Jaguars in Brazil, being wiped from the Earth as we **** and we **** Silvery Gibbons in Java, Hynobius in Japan, on and on goes the culling of one and all except Man... Polluting the rivers, over fishing the seas, as we spread and infest, like a fatal disease, yeah there's uproar of course at this ill being done, dusty crocodile tears as we still carry on... For an epitaph we'll have as our only distinction, that we were the cause of Earths sixth mass extinction, not a meteor smashing from high outer space, just a cancerous growth called the inHuman race... That we ravaged the planet and drank it's well dry, how we ripped out the goodness and left it to die, how there'd been a huge uproar as they fell one by one, how we ***** Mother Nature... how we just carried on... ©HaroldRizla
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Oct 25, 2014
Oct 25, 2014 at 3:23 AM UTC
****** Mother Nature..
****** Mother Nature As rain forests dwindle, and skyscrapers grow, we leave those who co habit with nowhere to go... Sweet indigenious song birds, all turned off one by one as we bulldoze the trees where they once raised their young... Stealing land from these creatures in each and every direction as we drive them all closer to their own mass extinction... there'll be uproar of course when the last one is gone, but this course of destruction seems to just carry on... In Asia the Tiger's now on it's last legs, hunted down for it's fur and it's teeth ground to dregs, The Bali and Caspian are both sadly gone, a mere five thousand Bengals till they too follow on... Just five hundred Sumatrans, a last thirty Chinese, then this beautiful Feline will just cease to be... There'll be uproar of course when the last one is gone, but our blood thirsty onslaught will just carry on Amur Leopards in Russia, Jaguars in Brazil, being wiped from the Earth as we **** and we **** Silvery Gibbons in Java, Hynobius in Japan, on and on goes the culling of one and all except Man... Polluting the rivers, over fishing the seas, as we spread and infest, like a fatal disease, yeah there's uproar of course at this ill being done, dusty crocodile tears as we still carry on... For an epitaph we'll have as our only distinction, that we were the cause of Earths sixth mass extinction, not a meteor smashing from high outer space, just a cancerous growth called the inHuman race... That we ravaged the planet and drank it's well dry, how we ripped out the goodness and left it to die, how there'd been a huge uproar as they fell one by one, how we ***** Mother Nature... how we just carried on... ©HaroldRizla
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70
At this particular time I have no one Particular person to grieve for, though there must Be many, many unknown ones going to dust Slowly, not remembered for what they have done Or left undone. For these, then, I will grieve Being impartial, unable to deceive. How they lived, or died, is quite unknown, And, by that fact gives my grief purity-- An important person quite apart from me Or one obscure who drifted down alone. Both or all I remember, have a place. For these I never encountered face to face. Sentiment will creep in. I cast it out Wishing to give these classical repose, No epitaph, no poppy and no rose From me, and certainly no wish to learn about The way they lived or died. In earth or fire They are gone. Simply because they were human, I admire.
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In Memory of Anyone Unknown to Me
I wanted to write about walking away the two of us, fading away from each others view I'd decorate it in poetry as if it were anything more than another premature ending but all I'm left with is shrines in the form of mixtapes and days spent wondering what it would feel like if I was still in the backseat of your car instead of sitting upright in the passenger side of his he says he likes the song I'm playing but I think he'd hate it if he knew it's just another epitaph for the nights I spent with you
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Jan 10, 2019
Jan 10, 2019 at 8:22 PM UTC
shrines in the form of mixtapes
It was a restless night denuded of sleep So since it was warm and windless I hit the streets Walking under ancient oaks draped in Spanish moss My path inevitably led to where Everything was at a complete loss Crescent Moon Memorial Cemetery For the dead Where all lie below earthly care Was where my feet had somehow led Row upon row of forgotten names In all of their endeavors Have been eased of their earthly pains And now as I trudged by at a quarter to three A low chorus and chords of music Through the mists came floating to me It startled and intrigued What now is this ? So I had to go see for myself And I silently crept to where came the origins of bliss In a circle of bench seats and monument stones The strangest thing I saw , that of the unborn Ghosts and skeletons playing with bones and singing in moans A see through piano , trombone , bass , saxophone and a silver cornet And one wailing guitar completed the set On the translucent petal bass drum Was the name of the ethereal band And to a catchy tune I began to hum Crescent Moon Memorial Buried Blues Band The epitaph on the vaporous drum stated And I soon found myself a loyal fan What seem like a lifetime they continued to play Quaint rthyms and lyrics now made my day . . . and night ! As the sounds drifted across the river out onto the bay But far off I heard the mornings cock's call Then phiff . . . vanished all into the fog Not a trace as if covered by an invisible pall And then a ray caught the gleam in my eye And I knew that when the time comes Here's where I want to be placed after I die
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Dec 11, 2014
Dec 11, 2014 at 8:38 PM UTC
Crescent Moon Memorial Buried Blues Band
It was a restless night denuded of sleep So since it was warm and windless I hit the streets Walking under ancient oaks draped in Spanish moss My path inevitably led to where Everything was at a complete loss Crescent Moon Memorial Cemetery For the dead Where all lie below earthly care Was where my feet had somehow led Row upon row of forgotten names In all of their endeavors Have been eased of their earthly pains And now as I trudged by at a quarter to three A low chorus and chords of music Through the mists came floating to me It startled and intrigued What now is this ? So I had to go see for myself And I silently crept to where came the origins of bliss In a circle of bench seats and monument stones The strangest thing I saw , that of the unborn Ghosts and skeletons playing with bones and singing in moans A see through piano , trombone , bass , saxophone and a silver cornet And one wailing guitar completed the set On the translucent petal bass drum Was the name of the ethereal band And to a catchy tune I began to hum Crescent Moon Memorial Buried Blues Band The epitaph on the vaporous drum stated And I soon found myself a loyal fan What seem like a lifetime they continued to play Quaint rthyms and lyrics now made my day . . . and night ! As the sounds drifted across the river out onto the bay But far off I heard the mornings cock's call Then phiff . . . vanished all into the fog Not a trace as if covered by an invisible pall And then a ray caught the gleam in my eye And I knew that when the time comes Here's where I want to be placed after I die
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40
He sleeps. An enigma, his life bereft - He lived then died once his angel had left. It happened as simply as anything might, As from day there follows the coming of night.
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Jan 9, 2017
Jan 9, 2017 at 12:22 PM UTC
Valjean's Epitaph
To these whom death again did wed This grave ’s the second marriage-bed. For though the hand of Fate could force ‘Twixt soul and body a divorce, It could not sever man and wife, Because they both lived but one life. Peace, good reader, do not weep; Peace, the lovers are asleep. They, sweet turtles, folded lie In the last knot that love could tie. Let them sleep, let them sleep on, Till the stormy night be gone, And the eternal morrow dawn; Then the curtains will be drawn, And they wake into a light Whose day shall never die in night.
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An Epitaph Upon Husband And Wife, Who Died And Were Buried Together
land's moniker mulls utmost care      Kalinga branding the ox       of men with glaringly   immaculate chiaroscuro, atop hills flourishing with the fruits emblazoning   reticence.   chase angel-ward, the synopsis   of meaningfulness,     jagged, indelible accoutrement     akin to the brand of          chaste heritage,    galvanizing this epitaph      with aesthetic nativity,   gallant mambabatok - fill my bones with the ache of your past,    carve in me what the rippling     shrill of air has toppled       in the highlands   you have us shaking the blood     of this archipelago like boughs    breaking free from water's ebb,    frenzied by the river-warm     serpentine embellishment    the strike of the thorns     mints in our untouched bodies!    altogether in this numerous hike    we go in pursuit, hunting the    nibble from flesh to bone,     revealing the rebel, body        to soul.
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Sep 30, 2015
Sep 30, 2015 at 5:10 AM UTC
Whang Od
Perfection, of a kind, was what he was after, And the poetry he invented was easy to understand; He knew human folly like the back of his hand, And was greatly interested in armies and fleets; When he laughed, respectable senators burst with laughter, And when he cried the little children died in the streets.
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Epitaph On A Tyrant
No Lover saith, I love, nor any other Can judge a perfect Lover; Hee thinkes that else none can, nor will agree That any loves but hee; I cannot say I'lov'd. for who can say Hee was kill'd yesterday? Lover withh excesse of heat, more yong than old, Death kills with too much cold; Wee dye but once, and who lov'd last did die, Hee that saith twice, doth lye: For though hee seeme to move, and stirre a while, It doth the sense beguile. Such life is like the light which bideth yet When the lights life is set, Or like the heat, which fire in solid matter Leave behinde, two houres after. Once I lov's and dy'd; and am now become Mine Epitaph and Tombe. Here dead men speake their last, and so do I; Love-slaine, loe, here I lye.
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John Donne - The Paradox
∙∙∙◦◦•◎•◦◦∙∙∙ Promenade of Colors reality ought to fade watermarks on evening lake the Lad idling was awake Torments of Agony the fear of ambiguity a broidery of epitaph toiling the stars up the top Free of Delusions impassive feelings strut to the unknown that fogs and hems over the mutt Dashes of Silver passing vessels of desolate coxswain sighting out for love moon bobs from the lake Willows of Empathy humming of Mississippi -a friend that greets the lake gave its peace Signs of Eve the breeze whispered a wisp of eyes uncluttered the Lad unshackled Artistry of Sky as spirits begins to fly I was full astound my purpose, now I found
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Aug 20, 2017
Aug 20, 2017 at 11:04 AM UTC
The Lad On The Lake
i seem to only see three constellations in the night sky these days... the modo - it be the sign of: the age of scorpio, there's but the big & little dipper (respectively) º                º                       º                               º                                                             º                                   º                                                      º do these people really need to be spoon fed? the smaller dipper is akin to the big dipper, hence to write in the other and last constellation (minus that odd rhombus without a name) -   and believe me when i say: orthodox astrology doesn't agree with me:                           º                        º                     º                        º                          º                                        º                          º   i guess i managed to draw the right schematic,    besides the point, there are but three constellations in the night sky around here, and one is a revisionist take on the scorpio... **** you hippies, and your age of aquarius,      this is what a scorpion looks like, and nothing what you've indicated, i'm starting to think that astrologists did poorly in geometry class... but i'll end it on a positive note...       *there is more dignity in being ascribed an epitaph, than being given a "proper" burial...* and by "proper" i mean: the leech family members waiting for inheritance,   the sycophantic actors of attendance - throw me into a mass grave, i don't mind for a "proper" burial...    there is no dignity in whatever burial ensues as many will do... but allow man to transcend the date of birth ** / yy / zz and the date of death zz / yy / ** with an epitaph...         however "wise" the man was in life, his dignity only arrives postmortem, in the form of an epitaph... but one epitaph overshadows a thousand quotable mentions of the man, when alive, but one epitaph of a david, overcomes the oeuvre of maxims of a goliath.      whatever argument for light pollution exists, even when in the scottish highlands i didn't see any more stars...   there are only three constellations in play on the night sky,   and one of them is the genuine scorpio constellation, with the orthodox constellation being bogus, fake, unnecessary... i, i've spotted the constellation of scorpio, and i did so: with my naked eyes!
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Oct 12, 2017
Oct 12, 2017 at 8:21 PM UTC
modo tribus constellatio / tempus ex scorpio
i seem to only see three constellations in the night sky these days... the modo - it be the sign of: the age of scorpio, there's but the big & little dipper (respectively) º                º                       º                               º                                                             º                                   º                                                      º do these people really need to be spoon fed? the smaller dipper is akin to the big dipper, hence to write in the other and last constellation (minus that odd rhombus without a name) -   and believe me when i say: orthodox astrology doesn't agree with me:                           º                        º                     º                        º                          º                                        º                          º   i guess i managed to draw the right schematic,    besides the point, there are but three constellations in the night sky around here, and one is a revisionist take on the scorpio... **** you hippies, and your age of aquarius,      this is what a scorpion looks like, and nothing what you've indicated, i'm starting to think that astrologists did poorly in geometry class... but i'll end it on a positive note...       *there is more dignity in being ascribed an epitaph, than being given a "proper" burial...* and by "proper" i mean: the leech family members waiting for inheritance,   the sycophantic actors of attendance - throw me into a mass grave, i don't mind for a "proper" burial...    there is no dignity in whatever burial ensues as many will do... but allow man to transcend the date of birth ** / yy / zz and the date of death zz / yy / ** with an epitaph...         however "wise" the man was in life, his dignity only arrives postmortem, in the form of an epitaph... but one epitaph overshadows a thousand quotable mentions of the man, when alive, but one epitaph of a david, overcomes the oeuvre of maxims of a goliath.      whatever argument for light pollution exists, even when in the scottish highlands i didn't see any more stars...   there are only three constellations in play on the night sky,   and one of them is the genuine scorpio constellation, with the orthodox constellation being bogus, fake, unnecessary... i, i've spotted the constellation of scorpio, and i did so: with my naked eyes!
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I think I will walk out today, ill turn and look the other way Put my darkest sunglasses on and stare directly at the sun When I look back nothing ill see But a bright white glare where you used to be Our names scratched in to old concrete And a lingering taste left not so sweet Ill leave a note slipped under our front door Each word more lost than the word before Picture painted at a lonely pace Now drawn in soft lines on your face Lines that are now filled with tears Memories of days and weeks and months and years Time together spent so alone A lesson ill learn on my own Photos faded chipped and cracked and worn Slowly decay beneath the burning sun The sun will set on a forgotten grave Where lies a piece of me that died that day No stone marker there no epitaph Overgrown with weeds but not far off the path The path that you will walk if you search for me The path that leads you to this old oak tree Beneath I sit alone with pen in hand I write this to you will you understand You’ll forget me not though feelings fade Ill pluck a flower as I walk away Petal after petal and step after step As the petals fall so days I will forget I do not look back after the last one drops For the last one tells me that she loves me not (c)2008 CJG
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Sep 22, 2012
Sep 22, 2012 at 12:38 PM UTC
ForgetMeNot
There at Qunu Will rest forever The Sower no one compares to In morning he sowed the wheat And at noon there they sowed the **** Then he came to **** And his hands they beat Yet holy work never knows failure Thus the wheat grew At harvest As the Messiah did for Judah They were invited to share the bread Without a grudge Now There at Qunu He will rest forever Free from hard work to Freedom found And out of the sweat of The Sower of Peace The Sower of Freedom The Sower of Liberty The Sower of Love They will reap forever And sing forever Rest In Peace
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Dec 10, 2013
Dec 10, 2013 at 6:03 AM UTC
Epitaph on Mandela (The rest of the Sower)
A vehement deity, father of a carpenter, and proprietor of creationism, looked down upon his work, both literally and figuratively. When an ecosystem falls to the egocentricity of man, a vessel will be sought, and contained is the righteousness of a mortal. Serenity became inclination, and with loss of the feminine beauty came regret. For sin masqueraded as black clouds, and whether change occurs, torrential rain begets growth in an environment. Wash over the sins of the ****** what is current can only be exposed as a fallacy when revelation is prevalent, and save for the innocent: innocuous. Even in Hell a cyprus tree would be surrounded by wildflowers. Noah knew not of damnation, and with calloused hands raised to the sky, a hammer came crashing down. Not unlike stone tablets etched with command, the world lay on granite, with a universal epitaph. For Noah to ignore his destiny would be blasphemous.
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Oct 18, 2013
Oct 18, 2013 at 8:20 PM UTC
Noah's Arch