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"epigram" poems
Sir, I admit your general rule, That every poet is a fool, But you yourself may serve to show it, That every fool is not a poet.
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17.1k
Epigram
If, with the literate, I am Impelled to try an epigram, I never seek to take the credit; We all assume that Oscar said it.
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Oscar Wilde
Novice, heed my diction— The learned, the schooled, the politic, Are but fools with conviction.
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Jul 26, 2012
Jul 26, 2012 at 12:11 PM UTC
Epigram
Thick skin, big body and sharp teeth, they slay These greedy animals hunt for their prey Their goal is to get all what they want In the darkness of the night they usually hunt Crocodiles and snakes, they attack like storms How big are those reptiles as compared to the worms? Now modern predators are in tuxedo’s and suits With shiny eyeglasses or well-polished boots These greedy creatures scattered in this world They always make the biggest stories ever told…
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May 10, 2014
May 10, 2014 at 9:35 PM UTC
PREDATORS (Epigram)
When I decided to write my first poem, I thought back to the days, when we were studying poetry and the teacher would amaze, she'd make me write down words and things, I'd be chasing praise. But looking back at my book now, I know what I should do, and so here follows my glossary of things I'll write for you: I have - Alliteration, Antagonist, Allegory and Anapest. Characterisation, Complication, Convention and Connotation. Elegy, Elision, Epigram and Exposition. Free verse, Falling action, Falling meter and also Fiction. Literal language, Imagery, Lyric poem and Irony. Rising action, Resolution, Rising meter with Recognition. Acatalectic, Anacreontic, Amphimacer and Amphibrachic. Cliché, Common Measure, Couplets and Catalectic. Deconstruction, Dispondee, Dialect Verse with a Dictionary. Iambic Meter, Incantation, Impromptu with Inspiration. Laureates and Limericks, Light Verse poems and Linguistics. Metaphors, Mock-Heroics, Middle English and Movement Poets. Oh gosh that seems a little worse, than I had it made to be, I was expecting just to write a poem 'bout my cat and me. I guess it's harder than it looks so I'll just give up now; I'll let those big brave poet people, write them all somehow.
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Apr 29, 2012
Apr 29, 2012 at 11:55 AM UTC
Glossary of Poetic Devices
It was, as the New York Times all but sniffed (Even then, a haughty mix of bluenose and black ink) Further proof the poor, misguided Upstate rubes Were no more than ample fodder For any tinhorn, two-bit confidence man to take for a ride. Fair enough—it was, to the careful eye and unheated psyche Clear as the azure blue sky that, Despite the best efforts of acid wash and a year underground, So obviously a statue as to be absolutely laughable, And yet the vox populi came in waves, Not only one-gallus farmers from the fields nearby, But from the great cities near and far (Chicago, Philadelphia, and, yes, even New York itself To throw Hannum a quarter to view his gargantuan grotesquery Just as described in Genesis itself, he noted solemnly So many, indeed, that Barnum himself was divinely inspired Not only to purloin the giant, but its prior owner’s epigram As to the frequency of the manufacture Of his too-credible customer base. While there was (briefly, at least) some mystery surrounding The origins of the brobdingnagian mass of stone, It remained (to some, anyway) equally unfathomable Why scores of folks would careen in unsteady coaches The full length of the Catskill Turnpike, With its questionable lodging and uneven roadworthiness, Or patiently suffer the mosquito-laden flatboats of Clinton’s Ditch All to spend the cash equivalent of two trips to the county fair To see a perfectly good hootchie-kootchie show Simply to gawk at an unevenly carved rock of questionable authenticity, But that explained quite simply, As the public always gets what the public wants.
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Aug 3, 2018
Aug 3, 2018 at 4:03 PM UTC
In Which We Wonder Upon The Spectacle Of The Cardiff Giant
It was, as the New York Times all but sniffed (Even then, a haughty mix of bluenose and black ink) Further proof the poor, misguided Upstate rubes Were no more than ample fodder For any tinhorn, two-bit confidence man to take for a ride. Fair enough—it was, to the careful eye and unheated psyche Clear as the azure blue sky that, Despite the best efforts of acid wash and a year underground, So obviously a statue as to be absolutely laughable, And yet the vox populi came in waves, Not only one-gallus farmers from the fields nearby, But from the great cities near and far (Chicago, Philadelphia, and, yes, even New York itself To throw Hannum a quarter to view his gargantuan grotesquery Just as described in Genesis itself, he noted solemnly So many, indeed, that Barnum himself was divinely inspired Not only to purloin the giant, but its prior owner’s epigram As to the frequency of the manufacture Of his too-credible customer base. While there was (briefly, at least) some mystery surrounding The origins of the brobdingnagian mass of stone, It remained (to some, anyway) equally unfathomable Why scores of folks would careen in unsteady coaches The full length of the Catskill Turnpike, With its questionable lodging and uneven roadworthiness, Or patiently suffer the mosquito-laden flatboats of Clinton’s Ditch All to spend the cash equivalent of two trips to the county fair To see a perfectly good hootchie-kootchie show Simply to gawk at an unevenly carved rock of questionable authenticity, But that explained quite simply, As the public always gets what the public wants.
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Them bastardized youths fell outside, dizzied by a reality unsolved. Their maws scowled judgment and drooled Pabst down improbable bodies each of them lay in the stink of subtle conformity.   Fiercely unique culture beasts starved away in suburbs; Wikidrifting, those drugged litterbugs scampered. Dropout fish fast against the current of their time, tired from dancing through desperate crowded nights and disparate lonely dawns, dangling degrees and the specters of success burning incessant their pride. They were the ******** made so over time contracted by blind parents to nine-to-blithes in which quiet desperation, credit nooses, and irony were the small print. They were carpenters afraid of their hands.  With chisel to headstone, they lied on the hoods of used Japanese cars, panning the radio for a real connection and gazing up at vanishing constellations.   They were their poison and they their elixir, but a cold cigarette was a much quicker fixer of Helplessness Blues and the back of a Bible where a brief intellectual wrote “I am suicidal.” For how does the turn of the epigram read to those who care less with every new beat of a drummed-up society so high off its piety that seeing stars vanish is simply a shame?   Those ******** dropouts tragically remiss, those Supertramps, Kerouacs, Cohens, and wits. They were the alternative, urbanite fools that littered alleys with Greek fables and Tibetan tattoos.   Criterion flash cards and the literary canon allowed them to flirt with god in verse and art clues until Pollock’s canvas did rip off their eyelids which left them to know only Socrates knew. They danced and they writhed, then ****** to pass time, and kept on their passions till lost were their minds.  Then they all died, those blasphemous ******** But at least they washed on the back of their crimes. At least they danced. At least they were. And there may be something to movement in chaos.
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Oct 29, 2012
Oct 29, 2012 at 8:06 PM UTC
Untitled
Them bastardized youths fell outside, dizzied by a reality unsolved. Their maws scowled judgment and drooled Pabst down improbable bodies each of them lay in the stink of subtle conformity.   Fiercely unique culture beasts starved away in suburbs; Wikidrifting, those drugged litterbugs scampered. Dropout fish fast against the current of their time, tired from dancing through desperate crowded nights and disparate lonely dawns, dangling degrees and the specters of success burning incessant their pride. They were the ******** made so over time contracted by blind parents to nine-to-blithes in which quiet desperation, credit nooses, and irony were the small print. They were carpenters afraid of their hands.  With chisel to headstone, they lied on the hoods of used Japanese cars, panning the radio for a real connection and gazing up at vanishing constellations.   They were their poison and they their elixir, but a cold cigarette was a much quicker fixer of Helplessness Blues and the back of a Bible where a brief intellectual wrote “I am suicidal.” For how does the turn of the epigram read to those who care less with every new beat of a drummed-up society so high off its piety that seeing stars vanish is simply a shame?   Those ******** dropouts tragically remiss, those Supertramps, Kerouacs, Cohens, and wits. They were the alternative, urbanite fools that littered alleys with Greek fables and Tibetan tattoos.   Criterion flash cards and the literary canon allowed them to flirt with god in verse and art clues until Pollock’s canvas did rip off their eyelids which left them to know only Socrates knew. They danced and they writhed, then ****** to pass time, and kept on their passions till lost were their minds.  Then they all died, those blasphemous ******** But at least they washed on the back of their crimes. At least they danced. At least they were. And there may be something to movement in chaos.
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Feathered Fiends by Michael R. Burch Fascists of a feather flock together. Alternate: Conformists of a feather flock together. I came up with the "Fascists of a Feather" epigram after Donald Trump repeatedly praised authoritarian "strong men" like Vladimir Putin, Kim Jong Un, Rodrigo Duterte, Xi Jinping and Recep Tayyip Erdoğan. Heroic Americans fought a war against fascism and many of them paid the ultimate price, so why is Trump giving comfort to the enemy of democracy? The alternate version of this couplet was written first and won a National Couplet Contest sponsored by the Society of Classical Poets. The couplet has now been published in one form or another on the websites of major newspapers and news services like TheHill.com, Haaretz.com (Israel), Crikey.com (Australia), Cleveland.com (as the headline of a letter to the editor), Reddit Political Humor, and Humane Conservatives Unite Blog. Sometimes the epigram is quoted in reader comments, sometimes by the writers of letters to the editor, and sometimes within articles. Keywords/Tags: fascists, flock, together, fascism, conformists, nazis, blackshirts, brownshirts, dictator, tyrant, autocrat, despot, totalitarian, cultist, militarist
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Mar 25, 2020
Mar 25, 2020 at 12:48 AM UTC
Feathered Fiends
These are modern English translations of the "Xenia" epigrams written in collaboration by Johann Wolfgang von Goethe and Friedrich Schiller. #2 - Verse versus Kiss She says an epigram’s too terse to reveal her tender heart in verse ... but really, darling, ain’t the thrill of a kiss much shorter still? ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #5 - Criticism Why don’t I openly criticize the man? Because he’s a friend; thus I reproach him in silence, as I do my own heart. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #11 - Highest Holiness What is holiest? This heart-felt love binding spirits together, now and forever. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #12 - Love versus Desire You love what you have, and desire what you lack because a rich nature expands, while a poor one contracts. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #19 - Nymph and Satyr As shy as the trembling doe your horn frightens from the woods, she flees the huntsman, fainting, uncertain of love. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #20 - Desire What stirs the virgin’s heaving ******* to sighs? What causes your bold gaze to brim with tears? ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #23 - The Apex I Everywhere women yield to men, but only at the apex do the manliest men surrender to femininity. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #24 - The Apex II What do we mean by the highest? The crystalline clarity of triumph as it shines from the brow of a woman, from the brow of a goddess. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #25 -Human Life Young sailors brave the sea beneath ten thousand sails while old men drift ashore on any bark that avails. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #35 - Dead Ahead What’s the hardest thing of all to do? To see clearly with your own eyes what’s ahead of you. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #36 - Unexpected Consequence Friends, before you utter the deepest, starkest truth, please pause, because straight away people will blame you for its cause. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #41 - Earth versus Heaven By doing good, you nurture humanity; but by creating beauty, you scatter the seeds of divinity. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch Keyword/Tags: Goethe, Schiller, epitaph, epigram, German, Germany, translation, love, kiss, friendship, desire, holy, holiness, earth, heaven, beauty, divinity, nature, spirit
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Feb 6, 2021
Feb 6, 2021 at 4:39 AM UTC
Translations of "Xenia" epigrams written in collaboration by Johann Wolfgang von Goethe and Friedrich Schiller.
These are modern English translations of the "Xenia" epigrams written in collaboration by Johann Wolfgang von Goethe and Friedrich Schiller. #2 - Verse versus Kiss She says an epigram’s too terse to reveal her tender heart in verse ... but really, darling, ain’t the thrill of a kiss much shorter still? ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #5 - Criticism Why don’t I openly criticize the man? Because he’s a friend; thus I reproach him in silence, as I do my own heart. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #11 - Highest Holiness What is holiest? This heart-felt love binding spirits together, now and forever. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #12 - Love versus Desire You love what you have, and desire what you lack because a rich nature expands, while a poor one contracts. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #19 - Nymph and Satyr As shy as the trembling doe your horn frightens from the woods, she flees the huntsman, fainting, uncertain of love. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #20 - Desire What stirs the virgin’s heaving ******* to sighs? What causes your bold gaze to brim with tears? ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #23 - The Apex I Everywhere women yield to men, but only at the apex do the manliest men surrender to femininity. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #24 - The Apex II What do we mean by the highest? The crystalline clarity of triumph as it shines from the brow of a woman, from the brow of a goddess. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #25 -Human Life Young sailors brave the sea beneath ten thousand sails while old men drift ashore on any bark that avails. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #35 - Dead Ahead What’s the hardest thing of all to do? To see clearly with your own eyes what’s ahead of you. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #36 - Unexpected Consequence Friends, before you utter the deepest, starkest truth, please pause, because straight away people will blame you for its cause. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch #41 - Earth versus Heaven By doing good, you nurture humanity; but by creating beauty, you scatter the seeds of divinity. ―from “Xenia” by Johann Wolfgang von Goethe and Friedrich Schiller, loose translation/interpretation by Michael R. Burch Keyword/Tags: Goethe, Schiller, epitaph, epigram, German, Germany, translation, love, kiss, friendship, desire, holy, holiness, earth, heaven, beauty, divinity, nature, spirit
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(On the death of a daughter) The death I must pronounce upon For you, parents, the wait was long Across this land unjustly tried Your silence only proof you lied. In pitch darkness, dragged overland By Dingo jaws and human hand Guilty and gaoled, she would have read In her sixth year, were she not dead Just six weeks, never spoke a word Now flies the night, free as a bird Over deserts ochre and red On Uluru she rests her head Wakens and plays in sunlight stark Darts in rock shadows, cool and dark In Rainbow Spirit surely trust She lies lightly in sand and dust. © M.L.Emmett
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Apr 18, 2016
Apr 18, 2016 at 4:56 AM UTC
Coroner's Epigram ~ Darwin
Childless by Michael R. Burch How can she bear her grief? Mightier than Atlas, she shoulders the weight Of one fallen star. Keywords/Tags: mother, mothers, motherhood, child, childless, death, grief, weight, burden, Atlas, epigram, epitaph, elegy, eulogy, lament
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May 10, 2020
May 10, 2020 at 5:49 AM UTC
Childless
Mental disability what an epigram, it bounds on burried complexity Titter inside hysterical effectuation Feeling electrical currents misfiring in my cerebellum Screaming unremebered prayers in my night terrors at the devils fornication Remaining in my presence, anticipating my sleep ***** to reverse the dementia Waking day dreams, lost in unreality Descry vociferation calling my name Wanting to claw my etes out against nebulous shadows creeping behind Wanting a medium to banih apparitions from my space Paranoid of all establishment While securing eye contact with others, they could decipher all my thoughts With binoculars neighbors surveil Me camouflaged with drawn shades and pale skin To go outside summoned all my demons Wanting to battle, rage war to fulfill some morbid desire Annihilating hordes in my dreams by any means ***** to reverse the madness OCD for a little control A million times repeated thoughts flashing in my eyes Confusion! What day is it? Am I doing something wrong? Not glancing in mirrors hiding from myself Garbled guttural utterances in my left ear Hot breath on my neck Bawling at flexibility and spontaneity Not in my scheme for the coming confusing hours Wanting to pull my skull off exposing the insanity Just wanted it to STOP!! ***** to reverse the derangement Limbs not answering brain waves crisscrossed as they dwell On a daily basis surviving hell On a nightly basis in true hell Needing to shriek and explode Afraid to sleep, walking in exhausted dreams Broken pains in my bones No peace day or night My medication saved my life
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Aug 26, 2013
Aug 26, 2013 at 11:48 AM UTC
A Glimpse Into Insanity
Mental disability what an epigram, it bounds on burried complexity Titter inside hysterical effectuation Feeling electrical currents misfiring in my cerebellum Screaming unremebered prayers in my night terrors at the devils fornication Remaining in my presence, anticipating my sleep ***** to reverse the dementia Waking day dreams, lost in unreality Descry vociferation calling my name Wanting to claw my etes out against nebulous shadows creeping behind Wanting a medium to banih apparitions from my space Paranoid of all establishment While securing eye contact with others, they could decipher all my thoughts With binoculars neighbors surveil Me camouflaged with drawn shades and pale skin To go outside summoned all my demons Wanting to battle, rage war to fulfill some morbid desire Annihilating hordes in my dreams by any means ***** to reverse the madness OCD for a little control A million times repeated thoughts flashing in my eyes Confusion! What day is it? Am I doing something wrong? Not glancing in mirrors hiding from myself Garbled guttural utterances in my left ear Hot breath on my neck Bawling at flexibility and spontaneity Not in my scheme for the coming confusing hours Wanting to pull my skull off exposing the insanity Just wanted it to STOP!! ***** to reverse the derangement Limbs not answering brain waves crisscrossed as they dwell On a daily basis surviving hell On a nightly basis in true hell Needing to shriek and explode Afraid to sleep, walking in exhausted dreams Broken pains in my bones No peace day or night My medication saved my life
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In flirtatious quiet we dodge eye contact and escape studious looks in hope that one might fall in love with the other without even a single word.
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Aug 5, 2018
Aug 5, 2018 at 10:05 PM UTC
Epigram 085
At two this midnight the little dark one Became a poem, her all-knowing smile The first stanza and her baby bird- glance Became the next one as she pranced there On the floor up and down like pendulum Swinging in the free air, a full fall of force, A pout of sarcasm from tiny baby lips. I at midnight wanted to round it off With a cool third stanza, of epigram A last line well said, to the deep night. But she wouldn’t let me, the little one That squirmed in my hands like a worm Full of bones that pushed against mine In my withered palms and finger bones. It is life which pushed against my death. As the night creeps I once again go into My epigrammatic mode of the old poet With the bally irony thing barely broached. The curl on my lips that briefly occurred Vanished without trace in my confusion As my eye followed her moving in circles. I thought I had seen the curl on her lips.
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Jan 16, 2011
Jan 16, 2011 at 7:38 PM UTC
The little dark one
He makes a wide ring around my feet, as if him tied to me or me tied to it - moving me over the polished grass, taking my mind away from its machinery; his urgency is mine for a time, mellow violent arcs within arcs, splintering between fork tail and mate, deciding which mood their pattern will make, finally the image of dance ends, where the world is carried further by the replicants of their colour on the hand of skin, between thumb, and fore finger tapping a key board with one speaker in the best room the dusk can buy, the sonata shuts off, eyes made of oil passing over the brim, shivering with innate worlds smashing on a plate unslaved gambles and flushing light, suns night colouring thought in endless epigram, letting the conduits and candles melt down, into the folding pool, to journey out wolves storming bones with silk, and silence, passion without conscience, a planet seducing the hive, so acutely mad that, until it stops to roll the bread in its hands letting its animals eat and love first it cannot grow a swallow followed me back, the village gathers into concrete ***** of feral child scream, and the weeds burst through the concrete, not knowing that heavens humour mocks everything below, the local news, the national news, and any news, make your atoms ache if they join hands for too long but later we form one walk, where our feet whip the path and signal to the storm with the gestures of our own that we make in confidence; turning the lights on, where they are not, buying the last tickets to the last opera, and letting it sing purging the stage, and letting us dance up; feeding the sky as our joy tells the rest, it can just wait, for today.
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Aug 6, 2013
Aug 6, 2013 at 8:13 AM UTC
A swallow followed me home
He makes a wide ring around my feet, as if him tied to me or me tied to it - moving me over the polished grass, taking my mind away from its machinery; his urgency is mine for a time, mellow violent arcs within arcs, splintering between fork tail and mate, deciding which mood their pattern will make, finally the image of dance ends, where the world is carried further by the replicants of their colour on the hand of skin, between thumb, and fore finger tapping a key board with one speaker in the best room the dusk can buy, the sonata shuts off, eyes made of oil passing over the brim, shivering with innate worlds smashing on a plate unslaved gambles and flushing light, suns night colouring thought in endless epigram, letting the conduits and candles melt down, into the folding pool, to journey out wolves storming bones with silk, and silence, passion without conscience, a planet seducing the hive, so acutely mad that, until it stops to roll the bread in its hands letting its animals eat and love first it cannot grow a swallow followed me back, the village gathers into concrete ***** of feral child scream, and the weeds burst through the concrete, not knowing that heavens humour mocks everything below, the local news, the national news, and any news, make your atoms ache if they join hands for too long but later we form one walk, where our feet whip the path and signal to the storm with the gestures of our own that we make in confidence; turning the lights on, where they are not, buying the last tickets to the last opera, and letting it sing purging the stage, and letting us dance up; feeding the sky as our joy tells the rest, it can just wait, for today.
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We sat quietly in the car that never moved covered in the busy shadows of the garage you told me I'm proud of you, you know that? and to silence we returned.
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Jul 8, 2018
Jul 8, 2018 at 10:30 PM UTC
Epigram 074 (1974)
Let us seriously consider bringing back the horse as a means of transportation in our cities.
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Dec 13, 2015
Dec 13, 2015 at 2:45 PM UTC
AN EPIGRAM POEM on The Historic Climate Change Agreement
Nun Fun Undone! by Michael R. Burch after Richard Moore Abbesses’ recesses are not for excesses! Published by Brief Poems. Keywords/Tags: epigram, humor, light verse, doggerel, nun, fun, undone, abbesses, recesses, excesses
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Apr 19, 2020
Apr 19, 2020 at 4:03 AM UTC
Nun Fun Undone!
THE MUSE by Anna Akhmatova This is my English translation of an epigram by Anna Akhmatova … The MUSE by Anna Akhmatova loose translation/interpretation by Michael R. Burch My being hangs by a thread tonight as I await a Muse no human pen can command. The desires of my heart — youth, liberty, glory — now depend on the Maid with the flute in her hand. Look! Now she arrives; she flings back her veil; I meet her grave eyes — calm, implacable, pitiless. “Temptress, confess! Are you the one who gave Dante hell?” She answers, “Yes.” I have also translated this tribute poem written by Marina Tsvetaeva for Anna Akhmatova: Excerpt from “Poems for Akhmatova” by Marina Tsvetaeva loose translation/interpretation by Michael R. Burch You outshine everything, even the sun at its zenith. The stars are yours! If only I could sweep like the wind through some unbarred door, gratefully, to where you are... to hesitantly stammer, suddenly shy, lowering my eyes before you, my lovely mistress, petulant, chastened, overcome by tears, as a child sobs to receive forgiveness... Keywords/Tags: Anna Akhmatova, Marina Tsvetaeva, Russia, Russian, translation, Muse, sun, stars, poems, poetry, poets, writing, mrbtran
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Feb 2, 2021
Feb 2, 2021 at 7:42 AM UTC
THE MUSE by Anna Akhmatova
last night I took a stroll within a dream, a slow procession through the dirt path aisles, within her cemetery's mindful stream, in search of my name carved in stone or tiles, i'd almost missed the marker to my grave, cold winds half-covered with forgetfulness, no epigram was carved to hold and save my memory, entombed in nothingness, two bookend dates to mark my history-- when we were born and when we died in love-- my name, two words containing all of me, a marker quite unseen from up above, now from this stroll i've surely learned a lot, to not inquire of what her mind's forgot (C)2013, Christos Rigakos
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May 12, 2013
May 12, 2013 at 10:54 PM UTC
last night I took a stroll within a dream
How can simple nonoffensive words hurt so much? How can the plain question: "who am I?" make my stomach clutch? Why does the disability to answer make me feel like a bird in a hutch? I try to look for answers, but I end up too weak straying from my goal looking for a crutch. Speaking of going astray, here goes my mind once again. Even I don't know the depths of my thoughts, not the tenth of my brain. After all, I am just a demo, a soul in a chain. What if: "What am I?" is saner? That I can say. I am a human that yet did not drain. A believer of the old saying "no pain no gain." Oh no! I am more than that! I am a grain. And I hold within me the power of a reign. All I need is to grow, all I need is rain. Rain... rain ladies and gentlemen is nature's beloved soundtrack. It is the pitter-patter that makes my heart crack. Sky, why are you so black? What is it that you feel you lack? I promise I won't stand back. Dear horizon ease your anxiety attack, for you are more loved than FLACK. I am a 16RAM program of a telegram whose programmer programmed to deprogram all pogrom to the last gram by the use of an epigram. In simpler terms, I am a poet. I love the world when I'm high and when I'm at my lowest. I believe that I am a poet because poetry is the highest expression of love. I am a lover of this earth and the heavens above. Love isn't just a myth, it does exist. I could go on like this, naming all that I love with a never-ending list. I have learned to adore the darkest of times, I have learned to be fascinated by all lives. Earth why are you falling apart? Why are you so angry? Why are you committing all of these crimes? Ease your typhoons your tornadoes pandemics tsunamis and volcanoes. Dear planet no need for more hives. I can't promise you that we will behave, for mankind is foolish, him who once lived in a cave. I understand your wish for the extinction of all humans. But like any other love story, our love did not last. While earth took us in her arms in the past, whilst earth lovingly caressed humans otherwise. In the present, it has harassed us as if we were Pennywise. The touch of life used to give me butterflies. But for now, all I hear is earth's cries. The earth has loved us so purely, although earth is 22 500 times older than man she has welcomed him so demurely. And yet, man polluted destructed and poisoned. Oh isn't man such a disgrace? How can he look earth in the face?
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Apr 9, 2020
Apr 9, 2020 at 3:28 PM UTC
A Toxic Love
How can simple nonoffensive words hurt so much? How can the plain question: "who am I?" make my stomach clutch? Why does the disability to answer make me feel like a bird in a hutch? I try to look for answers, but I end up too weak straying from my goal looking for a crutch. Speaking of going astray, here goes my mind once again. Even I don't know the depths of my thoughts, not the tenth of my brain. After all, I am just a demo, a soul in a chain. What if: "What am I?" is saner? That I can say. I am a human that yet did not drain. A believer of the old saying "no pain no gain." Oh no! I am more than that! I am a grain. And I hold within me the power of a reign. All I need is to grow, all I need is rain. Rain... rain ladies and gentlemen is nature's beloved soundtrack. It is the pitter-patter that makes my heart crack. Sky, why are you so black? What is it that you feel you lack? I promise I won't stand back. Dear horizon ease your anxiety attack, for you are more loved than FLACK. I am a 16RAM program of a telegram whose programmer programmed to deprogram all pogrom to the last gram by the use of an epigram. In simpler terms, I am a poet. I love the world when I'm high and when I'm at my lowest. I believe that I am a poet because poetry is the highest expression of love. I am a lover of this earth and the heavens above. Love isn't just a myth, it does exist. I could go on like this, naming all that I love with a never-ending list. I have learned to adore the darkest of times, I have learned to be fascinated by all lives. Earth why are you falling apart? Why are you so angry? Why are you committing all of these crimes? Ease your typhoons your tornadoes pandemics tsunamis and volcanoes. Dear planet no need for more hives. I can't promise you that we will behave, for mankind is foolish, him who once lived in a cave. I understand your wish for the extinction of all humans. But like any other love story, our love did not last. While earth took us in her arms in the past, whilst earth lovingly caressed humans otherwise. In the present, it has harassed us as if we were Pennywise. The touch of life used to give me butterflies. But for now, all I hear is earth's cries. The earth has loved us so purely, although earth is 22 500 times older than man she has welcomed him so demurely. And yet, man polluted destructed and poisoned. Oh isn't man such a disgrace? How can he look earth in the face?
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46
we laugh but it's not funny. we laugh because we don't know what else to do. the tears run into my eyes and your blurred outline pulses and dims. i laugh once i cant see you at all anymore. you laugh because it's done and over. we laugh but it's not funny. we laugh because the feel is gone.
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Sep 9, 2013
Sep 9, 2013 at 2:30 AM UTC
a joke is the epigram on the death of a feeling
Die Maske des Bösen (“The Mask of Evil”) by Bertolt Brecht loose translation/interpretation by Michael R. Burch A Japanese woodcarving hangs on my wall— the mask of an ancient demon, limned with golden lacquer. Not unsympathetically, I observe the forehead’s bulging veins, the strain such malevolence requires. Original German text: Die Maske des Bösen An meiner Wand hängt ein japanisches Holzwerk Maske eines bösen Dämons, bemalt mit Goldlack. Mitfühlend sehe ich Die geschwollenen Stirnadern, andeutend Wie anstrengend es ist, böse zu sein. Bertolt Brecht [1898-1956] was a major German poet, playwright, novelist, humorist, essayist, theater director and songwriter. Brecht fled Germany in 1933, when ****** assumed power. A number of Brecht's poems were written from the perspective of a man who sees his country becoming increasingly fascist, xenophobic and militaristic. Keywords/Tags: Bertolt Brecht, German, translation, Holocaust, poem, Japanese, carving, mask, demon, evil, malevolence, sympathy, compassion, understanding, feeling, forehead, veins, swollen, bulging, effort, strain, exhausting, concentration, suggest, suggesting, suggestive, demonstrating, revealing, showing, wall, gold, golden, lacquer, paint, woodwork, totem, malice, hatred, enmity, spite, spitefulness, animosity, anger, maliciousness, malignancy, venom, spleen, viciousness Bertolt Brecht Epigrams and Quotations These are my modern English translations of epigrams and quotations by Bertolt Brecht. Everyone chases the way happiness feels, unaware how it nips at their heels. — loose translation/interpretation by Michael R. Burch The world of learning takes a crazy turn when teachers are taught to discern! — loose translation/interpretation by Michael R. Burch Unhappy, the land that lacks heroes. — loose translation/interpretation by Michael R. Burch Hungry man, reach for the book: it's a hook, a harpoon. — loose translation/interpretation by Michael R. Burch Because things are the way they are, things can never stay as they were. — loose translation/interpretation by Michael R. Burch War is like love; true ... it finds a way through. — loose translation/interpretation by Michael R. Burch What happens to the hole when the cheese is no longer whole? — loose translation/interpretation by Michael R. Burch It is easier to rob by setting up a bank than by threatening the poor clerk. — loose translation/interpretation by Michael R. Burch Do not fear death so much, or strife, but rather fear the inadequate life. — loose translation/interpretation by Michael R. Burch Keywords/Tags: Bertolt Brecht, translation, translations, German, modern English, epigram, epigrams, quote, quotes, quotations
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Mar 20, 2020
Mar 20, 2020 at 11:50 PM UTC
Bertolt Brecht "The Mask of Evil" translation (II)
Die Maske des Bösen (“The Mask of Evil”) by Bertolt Brecht loose translation/interpretation by Michael R. Burch A Japanese woodcarving hangs on my wall— the mask of an ancient demon, limned with golden lacquer. Not unsympathetically, I observe the forehead’s bulging veins, the strain such malevolence requires. Original German text: Die Maske des Bösen An meiner Wand hängt ein japanisches Holzwerk Maske eines bösen Dämons, bemalt mit Goldlack. Mitfühlend sehe ich Die geschwollenen Stirnadern, andeutend Wie anstrengend es ist, böse zu sein. Bertolt Brecht [1898-1956] was a major German poet, playwright, novelist, humorist, essayist, theater director and songwriter. Brecht fled Germany in 1933, when ****** assumed power. A number of Brecht's poems were written from the perspective of a man who sees his country becoming increasingly fascist, xenophobic and militaristic. Keywords/Tags: Bertolt Brecht, German, translation, Holocaust, poem, Japanese, carving, mask, demon, evil, malevolence, sympathy, compassion, understanding, feeling, forehead, veins, swollen, bulging, effort, strain, exhausting, concentration, suggest, suggesting, suggestive, demonstrating, revealing, showing, wall, gold, golden, lacquer, paint, woodwork, totem, malice, hatred, enmity, spite, spitefulness, animosity, anger, maliciousness, malignancy, venom, spleen, viciousness Bertolt Brecht Epigrams and Quotations These are my modern English translations of epigrams and quotations by Bertolt Brecht. Everyone chases the way happiness feels, unaware how it nips at their heels. — loose translation/interpretation by Michael R. Burch The world of learning takes a crazy turn when teachers are taught to discern! — loose translation/interpretation by Michael R. Burch Unhappy, the land that lacks heroes. — loose translation/interpretation by Michael R. Burch Hungry man, reach for the book: it's a hook, a harpoon. — loose translation/interpretation by Michael R. Burch Because things are the way they are, things can never stay as they were. — loose translation/interpretation by Michael R. Burch War is like love; true ... it finds a way through. — loose translation/interpretation by Michael R. Burch What happens to the hole when the cheese is no longer whole? — loose translation/interpretation by Michael R. Burch It is easier to rob by setting up a bank than by threatening the poor clerk. — loose translation/interpretation by Michael R. Burch Do not fear death so much, or strife, but rather fear the inadequate life. — loose translation/interpretation by Michael R. Burch Keywords/Tags: Bertolt Brecht, translation, translations, German, modern English, epigram, epigrams, quote, quotes, quotations
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An epigram's a scorpion thing: A compact body and a potent sting
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Oct 25, 2009
Oct 25, 2009 at 12:38 PM UTC
Epigram 101
Through my mind swim faint ideas-- Vague suggestions of calm reflections, Bound by the weave of desire to inspire, By creating a grand collection of perception. But with senses jaded in dense pretense, I can but jot some coarse epigram, That will tickle the mind of a fickle aesthete, But leave no longstanding, resounding verbatim.
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Aug 8, 2013
Aug 8, 2013 at 1:19 AM UTC
poem of a logolept