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Styles Sep 2016
Bound by flesh; we are,
      oblivious to our minds,
      chemical reactions.
      Enamored with desire,
      our bodies collide,      
      driven by our actions.
      Engrossed by lust; thirsty.
      The primal rush;
      the absolute of attraction
      Prisoners of our passions.
      animal instincts
      of human nature; our habits
      we fashion.
Ormond Feb 2015
.
1
death dirges

Frogs in distance sing  .  .  .
Foxes, herons, join in too,
  .  .  .  A round of croaking.



2
love gifts

Her gift of flowers  .  .  .
Came at night without garden,
  .  .  .  Were picked in bedroom.



3
twins demure

Full moon and she  .  .  .
Beauties without crescent smile,
  .  .  .  Naked in starlight.



4
light music

Before even sun  .  .  .
Gleam opens to paint each day,
  .  .  .  Beauty in birdsong.



5
iridescent

After sun showers  .  .  .
Sparkle of rainbow colours,
  .  .  .  Busy hummingbirds



6
chilling

Hollow sound through trees,
Naked and bare branches sway,
  .  .  .  Old winter creeping.



7
flirting

She wanted a child  .  .  .
Rushed from one suitor to next,
  .  .  .  Clock set to maybe.



8
super villain

Truth once singular  .  .  .
Mucked all up with politics,
  .  .  .  In cowl of falsehoods.



9
casualties

Blood spills in gardens  .  .  .
Naïve worms torn from loose grounds,
.  .  . Red robins, green lawns.



10
stigmata

Each spring miracle  .  .  .
Trees blessed by caterpillars gifts,
  .  .  .  Holey hands of leaves.



11
consecrations

Ripples lead to bows  .  .  .
After fish breaks the water,
  .  .  .  A kingfisher dives.



12
constancy

Steadfast as always  .  .  .
Wildflower in sun and rain,
  .  .  .  Showing true colours.



13
roommates

Chaste lovers wonder  .  .  .
How bodies weather the cold,
  .  .  .  Never knowing touch.



14
swept away

Suddenly we kissed  .  .  .
At beach as tides rolling in,
  .  .  .  Drowning by ocean.



15
seductress

Her red hair so long  .  .  .
Brushing my face, hiding eyes,
  .  .  .  A kind entrapment.
.
SE Reimer Mar 2015
~

something
sinister
this way came,
a lie insidious
steals our name;
one most often
we accept,
one so common
we ignore
its evil dance
concealed
in shame;
cohabitation
at its worst.
a simple line
that looks like this…

though brutal
our abuser
when asked
to spill our soul,
accounting for
another’s misdeeds.
instead our tongues
get caught
with heavy coils
that pull us down.
when cruel jaws
that gripped our leg
could be opened
by our witness,
hungry fangs
clamp tigher still
because we sit
in silence;
and in our silence
witness bear
the marks of
these who hurt us
the ones who
claimed to care.
whose uncovering
feels betrayal
and betrayer
feels the thief,
it adds to
our undoing,
becomes
a web of our
own choosing;
contradiction
of entrapment
traps us in
another's deeds.

i ain't no thief,
i’m just a child
with a story;
the only one
i’ve ever known.
its mine I say,
it fits me well,
it isn't one i stole.
these marks
have made me,
yes... even this
my painful tome.
but take this story
from this child,
you’ll take away
my only home!
take away
my lies
my name
and I’ll
be stripped
of all but bone;
left to wither,
die alone.
i'm just a child
with a story,
the only one
i"ve ever known.


i bear these scars,
i know them well,  
today i wonder why
i never chose to tell.


~

post script


is it too painful to relive the story?
or perhaps it is that in my shedding
i fear it will become my shredding
all that i have come to know,
despite its pain, as part of my own soul.

today i tell others to spill the truth
but am not willing to follow my own advice.
does this not make me guilty of
knowing but failing to act
on my own behalf?
Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
Styles Jul 2017
Bound by flesh;
                      We are,
                        oblivious to our minds,
                        chemical reactions.
                        Enamored with desire,
                        guided by our pleasures,  
                        driven by our actions.
                        Engrossed by lust; thirsty.
                       The primal rush;
                        the absolute of attraction
                        Prisoners of our passions.
                        animal instincts
                         is our human nature; our habits
                        we fashion.
ogdiddynash Jul 2019
a thousand poems stronger
by the Son of Ogden
(1 ~ 30)

preface.  
majestic adjectives of contrary harmonies,
adverbs in adversity that modify our satisfactions,
gut punch our eyes, scramble the taste buds,
now inoperable, incapacitated to distinguish
what is disturbed - what is sweet - what is impossible.
my days ending is nearer to my god than thee,
the crumblings of what I’ve got left,
stale panko crumbs,
here come they in 1000 radium-tipped projectiles of
serious humorous self-destruction,
gifted to you few itinerant followers
brave enough to follow me into the deeps of
radioactive incomprehension,
in no particular disorders
a thousand times
<>

one.
he named me after him
he named me after him,
his best ditty ever,
my inheritance,
a laughing brook of
guppy royalties,
that keep our Labrador
reasonably well fed poetically

and of course his name

his name,
which was not so much inherited,
as deposited, X-mark-the-son

they ask,
no, they declarative announce
as fact,
answered even as asking,
tho their voices rising
in a pretend-questioning format,
are you as good as he was?

Oh no, of course not,
I'm merely the son,
He was the father,
between us now
the celestial
Holy Ghost of Rhyme

two.
platitudes and attitudes
she said
“to find good love,
be receptive never deceptive,
always ever, never never.”

I listened, warming, warning her,
“rhyming is the sophistry of those who cannot decide.”

I drove away, in just my pajama top,
(my bottoms at the crime scene)
lest she ****** macabre me like in an Agatha.

I foresaw a drama developing of her
hanging me by my pj bottoms,
knotted two by too
tightly trite leggings
drawn to prevent the rhyming of my breathing,
each pant to peeve me into panting,
one named
moon and the other,
June

so I decided what the heck,
I’ll go first
for literature’s sake

three.
a thousand poems stronger,
an exercise in 15 minute segments,
18 hours daily, easy peasy,
I’ll have my thousand in a mere
13.8888888888888 days, then
what the heck am I do with those now
superfluous 6 hour wastrels?

drink

four.
chernobyl on peoples mind.
mine too, pretty clear, humanity intent
on destroying itself.

good to know!
I can put off my
my perpetual idea of getting even by suicide,
waiting now until my very last moment,
cause I won’t be cheated
out of course
god and his central committee
of what they have being planning for me,
all my life

five.
which movie do you want to see Saturday night,

Yesterday or Spiderman?

“Spiderman I’ve seen Yesterday”
what!
you saw Spiderman yesterday
without me?
we’re done!
don’t ever text me again!

(parentheses and commas, can keep you together,
get it?
that’s why they call it PUNK’d-you-nat-shun)

six.
the jew in you,
something
you long suspected,
or long lamented, the absence of this moniker
applicable directly to your sorry ***,
after all who doesn’t want to be among the
ch-ch-chosen peeps?

this blessing in disguise, it’s very special
to be hated by almost,
everyone.

Hatred,
the great equalizer,
highlighting your choicest features
race, gender, etc. etc.,
but like the song said,
though somebody may hate unlucky you,
everybody, no exceptions,
hates the jews.

everyone knows the jews own the banks.
everybody hates the banks
who leave you on hold,
leaving you, wondering why, they won’t give you back
at the ATM, the good money you lent them,
so you must be minimum 10%
shrewish (shhhh-jewish) or
whaat! why?

yup, your deposit is a liability on their books,
so you too are a moneylender, congrats!
welcome to the club,
the club of being a liability

we jews travel the world,
chased out from almost everywhere,
so we invented the around-world-cruise,
and the world gave us steerage class
to remember our place.

ask americans why they prefer kosher hebrew national frankfurters
for July fourth cookouts and they will reply they are extra clean,
possibly even a little blessed by the rabbin-ate,
and everybody knows
the jews got all the luck,
so don’t forget the mustard and the
pickled relish,
which rhymes with you know what, 
kosher hot dogs,
love that jewish treat, a digestive hellish,
and proof positive that hot dogs
make america great again

seven.
the hours
she has spent trying to ascertain which,
is she wearing,

is it black or navy,

leave her amazingly distraught;
she stands in bare bulb jaundiced glory undecided,
locked in her not-a-walk-in closet,
till I’m called to catch and release her,
asking me what do I think.

brought her my old school tie,
Joseph-striped of many colors,
only for comparison purposes.

as far as I know,
she’s still hanging there,
right where I left her,
throughly undecided

eight.
since seven ate eight,
one cannot expect much
too much return on my in-vestments,
given the hole in my accounting

five, six, nine
is most unsatisfying,
like brunch.

brunch? neither breakfast or supper,
assuredly not lunch,
pointedly ridiculous
if you don’t know what time it is
by the meal’s nomenclature

nothing sensible rhymes with
supper
except for crupper and scupper,
both of which like brunch,
leave me confused and
wholey unsatisfied
as I’m clueless
as to what each one means,
just like
brunch

by the way,
do have the time?

nine.
Dylan sings to his blue eyed son.
I have two sons, now grown men,
cannot recall the color
of their eyes anymore.

one put seventeen stitches in my skull,
has no interest in my seeing his handiwork,
ok by me, cause he might make some addition &
improvements to my face.

the other, deems himself a failure,
or perhaps just me, guilty,
so he hates me for it,
ergo, ip so facto, he too,
cannot look me straight in my eye.

I have selected my own memory of their
insightful eyeful rightful colorations,
from their visionary visitations in my
unhappy dreams.

one yellow, the other red,
which just now realization dawns,
just happens to be the colors of mine own,
as the song says,
they grew up to be just like me

ten.
loved many women in my daytime life,
still, not enough, to satisfy my needs.
that is why god created the Cohen’s holy dark,
so we can be alone when we
fill out the list I deny keeping,
and only they can see me,
& vice versa, so apropos,
nobody else.

Romance is great,
when it is wordless and silent,
no interrupt-us when writing many
imaginary imagery love poem
with ambidextrous hands!

eleven.
I know you think round about poem number 100,
I’ll curse myself for this sisyphusian self-assigned task.
so far not, as the ideas for poem notions come so fast
I must write them down less they escape my entrapment.
just recall cannot
what this one was to be about...mmm...
entrapment,
maybe?

twelve.
dug a well in the front yard, to be natural and free
fearful of governmental pipes and taxation that grows
under their watchful eye
of all things they controls, that grows and grows,
more, poisonous and Flinty.

next to the well pump,
built a still to harvest
my own liquor, raw and strong,
just like me,
intending to be
a tax-free man, drunk as a skunk,
and dependent on no one.

but I am a puzzled person.

Their adjacencies,
the still and the well,
made a deal in hell,
means they engaged in shameful *******,
and all I can brew is
dis’d-stilled water.

thirteen.
there are so many types of pockets,
especially for jeans.
my favorite is the “ticket pocket,” that little pocket stitched
inside a bigger front pocket,
maybe also called a “watch” pocket,
supposedly
a cowboy designation for safeguarding
their chained pocket watch receptacle.

who ya kidding.

anyway, a second naming more to my liking:

seems cowboys put their train ticket where they could easily
retrieve them as the conductor conducted himself properly,
asking each passenger after every stop to show his ticket.

so it came to be,
Levi gave us pockets of variety,
durable, baggy ones to carry our jewels comfortably,
one for tightly ticket embracing,
and further inspired that
sewn on the hat of every railroad conductor,
a russian motto,
Trust but Verify.

I myself use the ticket pocket for
my keys,
which in any other jeans pocket, movement
causes cruel and unusual pain, but not if that huge bunch of jangling
instruments of torture are tightly tucked in their own prison interior,
incapable of doing hot yoga or
any other stupid exercise requiring
jingling jangling movement

Just don’t you dare ask me what the purpose of each key be,
it is just a tortured secret for men in the private parts of their soul,
to confess that keys carried for three houses ago,
are a metallic proofs that men are indeed as dumb
as women think they are;

show me a rusted lock somewhere,
I got an hour to try ‘em all!

fourteen.
******.
the weather idiot predicted rain and thunderstorms.
planned extensively a day of inside activities, that are time sensitive.
Yes, of course, the sun is shining causing the ladies to question,
my witticisms, my type “A” personnalité, and worse, mocking my
key bulge (see above) as signal sign of my
increasing decreasing procreative masculinity,
due to lead and metallic poisoning.

**** those blonde gorgeous weather persons,
never forget, look out the window!
or
trust but verify

fifteen.
my father was a pretty perfect guy,
beloved by most and especially children.
He was a ‘gallant’ of european extraction,
who tipped his homburg and greeted everyone by name,
forgetting none and who was related to whom,
or their distant cousins in Kansas City,
with whom he stayed when he was a
traveling salesman,
in 1933.

My only complaint, was and remains,
he never went with me
to Yankee Stadium,
saw the emerald green diamond miracle
in the Bronx,
as he,
small businessman, worked six days a week,
and had no time for juvenile nonsense.

Otherwise, he was perfect.

sixteen.
when the kids were young,
invested in fancy luggage
cause we needed vacations
to get away from them.

These luggages,
had them roll to the number combination numbers locks
which was where technology
was back in the nineteen eighties,
when I was a young husband and father,
using the year of their birth
as a four digit code

of course, I programmed them both incorrectly,
and they, who can’t remember anything good
I’ve ever done for them,
remind every time they come to see me,
which is pretty much never.

seventeen.
asked what I desire for breakfast,
replied scones and crumpets from the
good ole U. of K. with a cups of celebratory
invisible tea (tee-hee)

she did not even bother to snort in an elegant
derisory manner,
just walked away,
just turned on her high heeled sneakers,
(a very worthy sight),
saying grilled cheese sandwiches,
it is then,
alright

No need to ask me which cheese,
she experientially knowledgeable in my acculturation,
one will be ameddican, the other swiss, unless
smoked mozzarella is in the larder,
(who has a larder anymore?),
as I am in matters of cheese,
a transgender, formerly bisexual,
but still a questionable
questioning globalist

ateteen.
some men do yoga.
all men do ***.
women prefer,

ah,
never mind,
you know how this ends.

humbug.

nineteen.
man cave(s) versus she-sheds.

A man I know, finished his basement,
a skilled builder, he built it himself and
installed the masculine perquisites items,
recliner and pool table, etc.

When asked how he was enjoying his privy isle
he replied, it’s ok,
but haven’t been down there much lately,
seeing as the pool table is used primarily
for folding laundry, and the recliner
reserved for her unmentionables.

he has
shed his man-cave secondarily
to she,
Cardi-b-Cleopatra,
that rules, the empire,
now it’s
her she-shed,
he cried openly to me,
another man cave-less bro

twentea.
coffee and me and more coffee,
a twining combination made genetically.

no tea for two,
even if it were a lovely twin-ing with milk,
no, my cup of joe, a holy relic,
for holy cherishing.

then they told me about tea thimbles,
their purpose nigh, I know not,
but mightily infuriated,
that they, the tea people
had armament and we bean counters had none.

took a stirring spoon to the tool shed,
cut the spoon in half, then shaved to a pointy edge.
no longer can I stir my hot beverage to
comfort the downtrodden,
poets with zero inspiration,

but who cares,
I am now armed to the
teeth,
or more precisely,
in my gum’s teeth
for that is where  
my pointy thing
decided to make its point,
and poetically,
injure me
egotistically.

twentee one.
if my true name you uncovered,
and called me out by same,
without spasm-ing,
first middle and the lost at-last,
you, like me would wonder
what the heck my parentals
were imbibing
at such a joyous occasion,
at my cursed
naming ceremony

but thanks to them,
I’ll be buried with a full head
of fair thicker hair;
that’s why they say,
“**** good thing
you don’t get
to pick your parents
names!”


twentee two.
every painting in the house is
modestly crooked due to the twinning effects of
vibrations and moonfull spoonfuls of gravity,
causing the tensile strength of the wires to
pensile slowly surrender to point downwards.
It occurs, perhaps
it’s me that’s crooked, but that’s just plainly
croissant crazy, like writing a thousand poems
in one 14 days long sitting. nah, not me...

twentee three.
I am the dishwasher man.
a responsible handyman needs good tools,
given pots and pans to scrub with burnt black stains,
not of mine making, even more infuriating,
of twenty ++ years of Duration
(definitely deserving of a capital D)

went to the supermarket seeking vision,
guidance and a variety of choices,
for a product specific,
not Made in China,
lest we purposely allow ourselves to be poisoned,
so purchased a Scotch-Brite *** scrubbing brush
of hecho mexicano origin

Now I stare at the Amazon screen,
undecided how many replacement brush heads I should acquire,
the cheapest unit price is for a box of 1000,
which no smart store of repute would ever carry,
(cause you would never come back)
@nd which if I actually use up, 1000, it means
I’ll be scrubbing pots from on high.

but my awe for genius wisdom is further esteemed,
as they say of it,
it makes you buy mostly what you don’t need,
or
“each according to his own stupidity.”

twentyfur.
we re-plant hydrangeas annually
which our ravenous tick carrying, **** deer,
munch contentedly,
under our window,
when we are sleeping.

In the last ten years,
today, I saw my first solitary flowering accidental.
as I’m in poem mode, it occurs to me that
the first line is incorrect;
for the sake of brevity,
it should read we retentives,

we re-plant hydrangeas
anally


twentyfiver.
ah pasta!
the quality of good writing is always strained,
salted and drained, the experience of all
your five senses, together in concert, straining,
each rivulet of spaghetti strands stands
indivisible, under god, calorically sinning individually,
defying forking unification,
each recalling the where, the what, or the when,
but not

ah, the how.
matters this know-now,
how,
the how came calling,
the resurrection of inspiration,
the gene sequence of past steppes,
always the first to go

the how of life
grows spoiled, fuzzy first,
because a human assembled
the how,
but allowed time to deconstruct itself-himself,
so
the tomato sauce bolognese inspirational stains
exist to remind us
how
to remain perfect forever

poetica est enim propter cibum

poetry is what you eat

twentysick.
The P Propensity
this benighted dishwasher,
is familiar with the P Propensity Theorem,
as he invented it

the need to solve for the need to P,
while undertaking the great dishwashing,
is mathematically soluble:

N, the number of ***** dishes
                    D%, the variable percentage of how *****,
           (necessitating pre-scrubbing, or not,)
                                M, the meal, breakfast lunch or supper,
(a modifier of N)
Ba2, bladder age squared)

formula:
if N(D%) {M_}
                              [where M1 is breakfast, M2 is lunch etc.]
/Ba2

is >1,

then it is too late,
better get
an adult diaper

twenteesventh.
you write of dismembered leaves,
pains too sweet,
using incontrovertible idiocies like
quiet rain, droplets shining like sunlight,
edible goodbye cheerios,
tastes that burn eyelids colored
blood stained mustard yellow,
the gladness of sadness,
reversible rivers flowing heavenwards,

really?

dechambered hearts, ventricular mysteries,
brains wearing wooly sport jacket helmets
and other
and other Olsonian beauties,
non-lexical non-commonsensical ecumenical hysterical
chemical verbal reactionaries
and then you wonder why

PEOPLE ******* HATE POETRY?

twenteaateth.
people love my poems
especially the ones they never readeth.
fulfilling, like the goop of the witch of Gweneth,
costly to the point of losing their inside sanity,
but they sell like hot cakes,
so complaining is just me poetic feigning,
my deep appreciation for you shelling out 9.99
for poems no publisher would ever

twentytentygoldniners.
“alliteration”
a tool for useful fools
who tongue words to poems.

mmmmmmmmmmmmmmmm

words to a dizzy dancing,
hopelessly hoping, harlequin hovering lover,
tonguing lyrics
like the way I tongue women;
which upon further reflection
alliteration is not a bad idea

mmmmmmmmmmmmmmm
a single alliterative
love poem
with multiple
endings & possibilities

the ***** thirty.
here I pause,
cause I read Mao.


for Jennifer Beetz  -
“Such a list-  I'm exhausted just reading it.
You must have lots of pockets.”


hell yes, I do!

no man-bag for me baby.
the older I get, the more
stuff becomes the usual,
human carrying
sad necessities.

got me one of them vests,
that the photographers employ
when going on safari.

so many bulging pockets,
the TSA people pat me
up and down, more than once,
and once more when I’m boarding
just to be sure no one pocket goes
untouched and check if I’m excited

don’t expect a full list of what
I’m carrying, suffice to say
it could be embarrassing
to my no doggedy dignity (dig-no-ity).

you may someday come to notice
that life’s baggage is cumulative,
you think, get free of the crap,
but the crap says, nah, sticking to ya.

and one mo’ thing...

all them **** poems
need pocket courage and a
Macbethian sticking place
<>
the end for now
Khrystle Rea Feb 2013
With eyes open it's all black. Surrounding
Encased by dark and heavy emotions:
Thinking if I am alone, just heightens
The walls as I grip preparing to swing
To surpass the thoughts of no good doing;
By believing in true self with no harm;
Where words are judged to notify alarms
That brings tunes where sorrow melodies ring.
The frustration moves to show the sky blue,
Knowing my strength is never far away,
Unclear: Why is being together *******?
Thwarted, trying to keep my sea at bay
Fearful to escape this prison I grew
To truly be true to my chimes in prayer.
Devyn Batchelder Jan 2014
The seeds sewn in dishonesty.
K Balachandran Jul 2012
Spider, that wily enchantress,
ogled through the gossamer web-
she meticulously spun for me,
*I was entrapped that very moment!
CRH Sep 2013
You read between
the horizontal lines
And ended up trapped
inside my sweater.
Anderson M May 2017
She hugs me tightly to herself
I feel all resolve ebb away from me
What with being encumbered from all sides with cold
And she offering the only surety of warmth
I sink deeper and deeper into
Her warm fold indefinitely.
Waking up on cold mornings is a war that's seldom won.
jazzz Mar 2012
Love me*
The fragile girl cries
I can feel her ache
Thrashing through my ribcage
On the hardest night of winter
The frost pulses through her veins
And fabricates a home in her soul
Her hatred of hate
Destroying her alive
Her tears are jammed in my throat
Fears caught in my dreams
Love her
Love her
Please
K Balachandran Jan 2016
Your luscious lips fervently seek mine and the time freezes,
the cosmic hum, the primordial love anthem is heard within us,

Your signature scent, perilously plays fiddle with my olfactory nerves,
a garden of love within me blooms, hear the sonorous drone of bees !

A web of silver threads from your eyes, makes me your captive,
stitches the insignia of our love in my heart with the touch of a feather.

On the back of my neck, your broken breath permeates ****** heat,
the hold around my waist,tells what your words couldn't spell out.
The warmth of your lover holds
An infant given no choice
Behold, deliverance into a new world
Hard work, destined just for the ordinary
Raised in great love and care
Left fear in his eyes, to decide how he would live his life
Greatness sprouts in the deepest of dreams
Boundaries kept around, without a sign of being free
Swelling inside, was a concealed beast
The coal furred animal, he holds
Cold deep black eyes, with a mouth made to roar
Once free from entrapment
This Jaguar will pounce from the soul
Out into the real world and soar
Julian Mar 2019
Tantalized by the fractious limerence of a vestigial habiliment of the old order, we conclude that hypertrophy leads to a limbo where random permutations alloyed by the rickety limits of concatenation subsume concepts that are equivocal but populate the imaginations of newfangled art forms that jostle the midwives of rumination to lead to unique pastures that are intuitively calibrated to correspond to definitive unitary events in conceptual space that sprawl unexpectedly towards the desultory but determinative conclusion of a meandering ludic sphere of rambunctious sentiments cobbled together to either rivet the captive audience or annoy the peevish criticaster when they dare to inseminate the canvassed and corrugated tract of intellectual territory created ad hoc to swelter the imagination with audacious ingenuity that is an inevitable byproduct of lexical hypertrophy. In this séance with the immaterial realm of concept rather than the predictable clockwork reductivism of a perceptual welter that is limited by the concretism circumscribed by spatiotemporal stricture we find that an extravagant twinge of even the smallest tocsin in the interstitial carousel of conscientious subroutines compounding recursively to pinprick the cossetted smolder of potentiality rather than extravagate into the vacancy of untenanted nullibiety can spawn a progeny of utilities and vehicles for dexterous abstraction that poach the exotic concepts we fathom by degrees of sapience malingering in lifeless bricolages of erratic abstraction in manners useful to transcend the repose of abeyance and heave awakening into the slumberous caverns of still-life to make them dynamically animated to capture ephemeral events that defy the demarcations of wistful indelicacy of the encumbered bulk of insufficient precision.

Today we embark on a quest to defile the anoegenetic recapitulation of canon that litters the dilapidated avenues of miserly contemplation that has a histeriological certainty and feeds the engines that enable novelty but ultimately remain rancid with the stench of the idiosyncratic shibboleths of synoptic alloyed impoverishment that leads to the vast wasteland of cremated entropy that is a stained foible of misappropriated context interpolated usefully as botched triage for daunting problems that require a nimble legerdemain of facile versatility that we easily adduce to conquer the present with the botched memorial of a defunct salience. Despite the travail of scholars to retreat from the frontier into the hypostatized hegemony of recycled credentialed information, we often are ensnared by the solemn attrition of decay as we traverse the conceptual underpinnings of all bedrock thought only to dangle precariously near the void of lapsed sentience because of transitory incontinence that is contiguous to the doldrums of crudity but nevertheless with mustered mettle we purport that the very self-serious awakening to our hobbling limitations is akin to a prosthetic enhancement of ratiocination capable of feats that stagger beneath the lowest level of subtext to elevate the highest superordinate categorization into heightened scrutiny that burgeons metacognitive limber. Marooned in the equipoise of specifiable enlightenment countermanded by the strictures of working memory we can orchestrate transverse pathways between the elemental quiddity of impetuous meaning and the dignified tropes of transitivity that bequeaths entire universes with feral progeny that modulate their ecosystems with both a taste of approximated symmetry and a cohesive enterprise for productivity that rests on the granular concordance of the highest plane to the indivisible parcels of atomic meaning that solder together to exist as intelligible if strained by the primordial frictions guaranteed by the brunt of motion incipient because of the metaphorical inertia created within insular universes to inform sprawling conurbations of mobilized thoughts designed to reckon with the breakneck pace of the corresponding reality to which they explicitly and precisely refer to.

We must singe surgically the filigrees that amount to the perceptible realities that transmute temperaments into the liturgy of routine conflated with the rigmarole of neural dragnets of reiterative quips in an elegant game of raillery with our supernal contumacy against the rigid authority of aleatory vagaries mandated by a dually arbitrary universe in a probabilistic terpsichorean dance with the depth of our dredge for subliminal acuity or the shallow bellicosity of common modes of glib contemplation characteristic of the basic nobility of improvisation. This basic interface with the world can either be mercurial or tranquil based on the interactionism of the enfeebled trudge of surface senses or blunt intuitions and the smoldering impact of the vestigial cloaks that deal gingerly with the poignant subtext evoked in the cauldron of immediacy rather than pondered with the portentous weight of imperative singularities of uniqueness derived from the plunge into the arcane citadel of microscopic introspection so refined that the ineffable drives we seek to fathom become amenable to the traipse of transcendental time that rarefies itself by defying the brunt of compartmentalized bureaucracies administered by the fulcrum of stereotypical notions of acquired gravitas imputed to mundane pedestrian quidnunc concerns that defile humanity rather than embolden the subaudition of gritty punctilios that show the supernal powers of the axiomatic divinity of sharpened sentience to reign with supremacy over the baser ignoble components of bletcherous nescience that leads to knee-**** platitudes that provoke folksy peevish divisions. We should rather orchestrate our activity by heeding the admonishment about the primogeniture of poignant sabotage buffered by the remonstration of innate tranquility and finding a whipsawed compromise of rationalization with true visceral encounters with the fulgurant quips of brisk emotions that grind industriously into amorphous retinues of the trenchant human imagination to either equip or hobble the leapfrogged interrogation of veracity and more consequently our notions of truth and fact.

When we see the hackneyed results of default ecological dynamics, we find ourselves aloof from purported transcendence because the whimpered bleats and cavils of the importunate masses result in a deafening din of cacophony because we strive throbbing with sprightliness towards the galloped chase of tantalization without the luxury of a terminus for satiation. Obviously a growth mindset is the galvanic ****** that spawns the imaginative swank of the pliable modulations of our perceived reality that, when protean, showcase the limitless verve of our primordial cacoethes for epigenetic evolution rather than the stolid and staid foreclosure of impervious sloth that memorializes the gluttony of speculation about fixed entities rather than imperative jostling urbanity that dignifies the brackish dance with dearth and the exuberant savory taste of momentary excess because it engages the animated pursuit of limerence rather than the exhumed corpse of wistful regret. Nature is a cyclical clockwork system of predatory instinct met with the clemency of the prosperous providence enacted by the travailing ingenuity of successive cumulative generativities that compounded unevenly and unpredictably to predicate a fundamental zeitgeist calculated to engorge the fattened resources of the resourceful and temper the etiolated dreams of the fringed acquiescence of a hulking prejudiced population of dutiful servants that balk at the diminutive prospects of a lopsided distribution of talent and means but slumber in irenic resolve created by the merciful hands of defensive designs that configure consciousness to relish comparative touchstones rather than absolute outcomes that straggle beyond a point of enviable reference to shield the world of the barbarism of botched laments clamoring for an uncertain grave from the gravity of the orbiting satellites of apportioned wealth both sunblind and boorish but simultaneously inextricable from the acclimated fortune of heaped nepotism and herculean opportunism. The intransigence of the weighted destiny of inequity is a squalid enterprise of primeval abrasive and combative tendencies within the bailiwick of the indignant compass inherent to the system that fathoms its deficiencies with crabwise and gingerly pause but airs a sheepish grievance like a bleat of self-exculpation but simultaneously an arraignment of fundamental attribution erroneously indicted without the selfsame reflexiveness characteristic of a transcendent being with other recourses to clamber an avenue to Broadway without malingering in the slums of opprobrious ineffectual remonstration against the arrangement of a blinkered metropolis of uneven gentrification.

We flicker sometimes between the strategic drivel of appeasement and the candor of audacious imprecation of the culprits of indignity or considerate nutritive encomium of the beacons of ameliorated enlightenment because we often masquerade a half-witted glib consciousness lazily sketched by the welters of verve alloyed with the rancid distaste of squalor and slumber on the faculty of conscientious swivels of prudential expeditions with an avarice for bountiful considered thought and wily contortions of demeanor that issue the affirmative traction of adaptive endeavor to cheat a warped system for a reconciled peace and a refined self-mastery. We need to traduce the urchins that sting the system with pangs of opprobrious ballyhoo and the effluvia of foofaraw that contaminate with pettifoggery and small-minded blather the arenas better suited for the gladiatorial combat of cockalorums tinged with a dose of intellectual effrontery beyond the span of dogmatism rather than the hackneyed platitudes that infest the news cycle with folksy backwardation catered to the fascism of a checkered established press that urges insurrection while tranquilizing dissent against the furtive actions of consequence hidden behind the draped verdure of pretense whose byproduct is only a self-referential sophistry that swarms like an intractable itch to devolve the spectator into a pasquinaded spectacle of profound human obtuseness that pervades malignantly the system of debate until the reductionists outwit themselves with the empty prevarication of circular logic that deliberately misfires to miss the target of true importance because of the pandered black hole easily evaded by creatures of high sentience but inevitably ensnaring the special kind of dupe into a cycle of bellicose ferocity of internecine balkanization. The vainglory of the omphalos of entertainment is also another reckoning because it festers a cultural mythos of glorified crapulence parading a philandered promiscuity with half-baked antics that gravitate attention and the lecheries of gaudy tenses of recycled tinsel alloyed by debased aberrations of seedy grapholagnia that magnetize as they percolate because of the insidious catchphrases embedded in pedestrian syncopation that ignite retention and acclimate to mediocrity the sounds of generations discolored by faint pasty rainbows rather than ennobled by majestic landscapes of ignipotent mellifluous sound that stands a supernal amusement still for the resourceful trainspotter.

Despite the contumely aimed in the direction of contrarians for deviating from the lockstep clockwork hustle of stooped pandered manipulation that peddles the wares of an entirely counterfeit reality, I stand obstinately against the melliferous stupefaction of entire genres of myth and subcultures huddled around the sentimental tug of factitious sophistries regaled by thick amorphous apostates that cherish the vacuous sidetracked spotlight with fervor rather than pausing on the enigmatic querulous inquisition about the penumbras that lurk with strained effort beneath or above the categorical nescience of the shadowy unknown that often coruscates with elegance even in obscurity. I fight with labored words to spawn a psychological discipline that invokes the incisive subaudition of the pluckily pricked exorcism of true insight from the husk of buzzwords that constellate auxiliary tangential distractions from the art form of psychological discernment that predicates itself on the concept that the rarefaction of rumination by degrees of microscopic precision enables the introspective hindsight of conscious events that can be parsed without the acrimony of cluttered conflations of the granular prowess of triumphant ratiocination that earns a panoramic perch with the added luxury of perspicacious insight into the atomic structure of the rudiments of our phenomenological field and the abstractions that linger beyond perceptual categorization. When we analyze the gradients of anger, for example, we can either be ****** into a brooded twinge of wistful resentment or we can decipher that through heuristics designed to cloister the provenance of subconscious repose with ignorance there exists a regimented array of tangential accessories embedded deep within the cavernous repository of memory that designates a cumulative trace of compounded symmetries of concordant experience immediately perceptible because of the tangible provocateur of our gripes and the largely subliminal tusk that protrudes because of primal instinct that squirms with peevishness because of the momentary context preceded by the desultory churn of smoldering associations swimming with either complete intangible sputtered mobility through the tract of subconscious hyperspace or rigidly fixated by an arraignment of circumstances with propinquity to the deep unfathomed flicker of bygones receding or protruding because of the warped and largely unpredictable rigmarole of constellated spreading activation.  
When we examine the largesse of the swift recourse of convenience we forget by degrees the travail that once bridged the span of experience from patient abeyance in provident pursuit to now the importunate glare of inflated expectations for immediacy that stings the whole enterprise of societal dynamics because it vitiates us with a complacency for the filigrees of momentary tinsel of a virtualized reality divorced from the concretism that used to undergird interaction and now stands outmoded as a wisp beyond outstretched hands straggling beyond the black mirror of a newfangled narcissistic clannishness that shepherds the ostentation of conceit to a predominant position that swaddles us with fretful diversion that operates on a warped logic of lurid squalor and pasty trends becoming the mainstays of a hypercritical linguistic system of entrapment based on the apostasy of candor for the propitiation of fringed aberration because of the majoritarian uproar about touchy butthurt pedantic criticasters with a penchant for persnickety structuralism. With the infestation of entertainment with the ubiquitous political cavils engineered by the ruling class to have a common arena of waggish irreverence we forget that sometimes the impetuous ****** of propaganda is cloaked by the fashionable implements of a rootless time writhing in a purported identity crisis only to gawk at the ungainly reflection of modernity in the mirror and remain blissfully unaware about the transmogrified cultural psyche that feeds the lunacy of endless spectacle based on the premise that one singular whipping post can unite an entire generation of miscegenated misfits looking for commonality to team up against the aging generations that cling to the sanctity of cherished jingoism against the intentionality of a revamped system that malingers with empty promises using exigency and legerdemain to obscure the mooncalves among their ranks that march on with quixotic dreams that tolerate only the idea of absolute tolerance and moderate only when feasibly permitted by the anchored negotiation of the fulcrum of totemic governmental responsibility between factions that wage volleys of invective at each other to promote a binary choice of vitiated compromises of mendaciloquence that ultimately endanger the republic with either the perils of hidebound conventionalism and nativist fervor or the boondoggles of fiscally irresponsible insanity cloaked with rainbows and participation trophies. Reproach can be distributed to both sides of the aisle because ironically in a world where gender is non-binary the most important reproductive ***** in the free world is a binary-by-default despotism that polarizes extremely ludic fantasies on the left met with the acrimony of the traditionalisms on the right that staunchly resist the fatuous confusions of delegated order only to the sharp rebuke of the revamped political vogue that owes its sustenance to a manufactured diplomacy of saccharine lies and ubiquitous lampoons that are lopsided in the direction of a globalist neoliberal bricolage of moderately popular buzzwords and the trojan horse of insubordinate flippant feminism that seeks to subvert through backhanded manipulation the patriarchy so many resent using lowbrow tactics and poignant case studies rather than legislating the egalitarian system into law using the proper channels. I myself am a political independent who sides with fiscal conservatism but libertarianism in most other affairs because the pettifoggery of law-and-order politics is a diatribe overused by sheltered suburbanites and red meat is often just as fatuous as blue tinsel and sadly in a majoritarian society the ushers of conformity demand corporate divestiture in favor of an ecological system of predictability rather than an opinionated welter of legitimate challenges to a broken system of backwards partisanship and wangled consent. Ultimately, I remain mostly apolitical, but I am a fervent champion of the mobilization of education to a statelier standard that demands rigor and responsibility rather than the chafe of rigmarole that understates the common objectives of humanity and rewards conventional thinking and nominal participation to earn credentialed pedigree when the bulk of talent resides elsewhere.
Brandon Cook Oct 2015
He feels he's fallen
into a pit of despair
he's lost and hauling
himself along
Does anyone care

What if he's forgotten
freezing and lost
looking for a silver lining
lost between thought s
nervous, confused, and ignored
trying to set aside how he feels

Destroying his thoughts
separating what's right from wrong
distinguishing between
if he is memorable or not
or even if he's good enough

What if no one remembers him
the poet with a dream
who's lost in between
deciding on what he wants to do
wants to see wants to know.

Wants her who speaks to him
letting him know
that she cares
wants that moment of peace
wants to know will it consume him

What if no one notices him
just lying there, lost
gone, completely non-existent
with anger so immense
so exhausting
so excruciating
so exhilarating

He can't do it anymore
so he looks for a way out
an opening
but all there is,

Entrapment!!!
Mateuš Conrad Aug 2018
.perhaps it's a good thing,
that i don't succumb to witty
rhyming poetry...
i hate rhyming poetry as much
as Bukowski hated disney...
Homer didn't rhyme...
  and all the better for it...
this rhyming fetish,
whereby, when you start
rhyming, succumbing to
some quasi orthodoxy?
   getting caged?
       better than rhyme...
   noticeable signs of impromptu,
and absolutely no, so
signs of editing...


      if god is dead in philosophical
discussions...
then rhyme is dead
in poetic composition...
    we, really don't need curriculum
poetics for GCSE students...
cages, entrapment,
   not bothering Stendhal from
the brink of a post-existentialist
despair sitting in
that other graveyard,
  the library shelf...
    and seriously?
    why Jane Austen on the 5 quid
banknote, and not Mary Shelley?

and there's a reason why i will
not make a single youtube video...
why?
       on a certain level of the popularity
stratum,
   it's become this,
  american nostalgia for high school,
the gossiping, the undermining,
the atypical Brutus confidant circle
of "content" creators...
   net-novellas -
   a bunch of people my age...
******* up to the tele-novella
       ergonomics that Polish grandmothers
watch, imported from Turkey...
or the English 1985 Eastenders
soap opera...
   ******* have to be different,
through and through,
drive on the "wrong" side of the road,
then they have to start calling
tele-novellas, soap-operas!

short attention span, sure sure...
no problem...
          do your ******* homework
during the week, watch the omnibus
on the weekend...

what's this one youtuber, who said
something about the advertisement blockers?
by the way...
   Samsung?
     all videos have been demonetized...
perhaps on the odd occasion
a vevo ad... but that's about it...

       advertisement blockers?
  seriously?
   are these people so ******* impatient
that they can't locate the mute button?!
i see an advert: MUTE...
   i think of something,
   to craft an anti-zombie
   pause, moment, anything...
    why block advertisement -
when you can merely mute it...
and listen to the vacuous sound
of celestial orbits?

        within a certain tier of content creators,
it's already the ****-smearing,
soap opera, back in a high school
playground "nostalgia"...
  sorry... not for me...
but thank you, for taking the effort,
to take a reed, dive into a lake,
and breath through it,
while remaining covert, hidden...

         again... numbers numbers numbers...
i'm still exercising a freedom of
"speech", but i rather prefer the
practice of writing, as the appropriate
res extensa of the vector origin
for this cascade, the res cogitans
as it were...

   and there really are only two forms
of nuanced language:
a study of philosophy,
   or the study of: law...
      but this youtube **** show...
   this: back in high school,
no revenge time...

                 i only tuned in for the music,
but then these youtubers started
propping up in the recommendation
list for the music i was listening to...

die krupps postscript suggestions
came up with x,
   wooden shjips came up with y...
lao che came up with z recommendations...

on a side note...
   ha ha!
    mark manson's book...
  the art of not giving a ****...
it mentions Bukowski...
  only read the sample...
        that he was a, loser...
and loser is specifically derogatory
term in American society...
to which i reply?
   and what the **** did
mark manson, actually win?
Bukowski at least won
a childhood where his father beat
him silly in the ******* bathroom...

you haven't exactly won anything,
mr. manson...
   if you didn't lose anything
to begin with;

and if you have?
   let's see the follow-up of
to your bestseller,
         of "not giving a ****";
but we won't, will we?
      - hardly brown-nosing,
the guy's dead,
1997... i have to keep
the integrity of the dead
on my bookshelf...
      
      who reads this
reverse masochism of the self-help
literature genre, anyway?
you can't even use these books
as a counter to a decent roll
of toilet paper!
   unless you want to scratch,
ahem, sorry, wipe your *** with
the pages, and start an **** bleeding!
Saige A L Flores Apr 2012
As these few words
capture your attention
confusion devours all your comprehension,
your mind lays trapped
forever in another dimension...
Ya i know its weird and doesn't really make any sense but i guess everyone can think of their own words that can sometimes entrap them. lol :D
Jenny Nov 2018
“and he will rule over you.”

I am not ready to release my religion
the consistency of it has grown with me
i am afraid
if i unleash it from my soul
the preached darkness will consume it
i am afraid
that the possibility of its factuality and actuality
will hover in the atmosphere at noon
i am afraid
that by dismissing God too soon
he will dismiss me

Ironically, with my gaining of knowledge,
i have come to begrudge the man in the sky
who has cursed my *** to serve man
to be taken out of man, to exist only within man
he has given a text for those to quote
when arguing the entrapment of women
how am i to recognize the being
when he has ****** me
to be at the elbow of an entire gender
has blamed my kind for the original sin of sins
The Bible has shaped the complications of communities
it has manipulated the societies that barely function
it has forced people to fight for the basic rights all should hold
how am i to forgive such sins committed against my kind?
to accept the influences of a book that is thousands of years old
that still governs my everyday life?
the separation of church and state has been ignored
Mateuš Conrad Aug 2018
i have to admit...

Bulgarian prostitutes

are the most responsible
women i've ever known...

condoms? full bodied
latex?

      contraception pills?

cam s videos?

                 my my....
what a ******* rainbow!


so conversation is
the supposedly "new ****"?
ahead of my "time"...

if ever coincidentally,
the ideal escapism /
entrapment...

          twangy twangy...
American accent
like the sound of a Boston banjo...
the ******* to boot,
with it...

              that awkward uncle?
and some teenage girl making a video
blog?
about how difficult it was
to enter a video-convention?
what is, and what isn't, funny?

      i tuned into the drama brigade...
like you might tune into
the current MTV with teenage moms...

she's bloated, and
making extra making
pregnant teen jerking off videos?!
**** me...
               that's about a month
that has just disappeared from
my calendar!

           Murphy, meet dropkick
McMurphy...
     McMurphy,
meet kayleigh McDurmut...
yeah...
that one... balancing
the one legged hop and spew...

personally?
i like watching videos of 14 old girls...
gets me in the mood,
of anticipating fatherhood...
which, given my drinking...
will never materialize...

in terms of ****?
i already overstated the excesses of
condoms...
   and what, could always become,
the Latino **** crisis of
a Cuban post-scriptum...
            personally?
i don't appreciate unnecessary
surprises?
  pro-life or alternatively...
   i don't like surprises...
not those kind of surprises...
        esp. involved in trans-nationalism
******* strap-on tendencies
of adhered to normalizations...
no...
     sorry...
L O V E... doesn't spell out
    vole...
        or whatever variant...
i wouldn't even have cared to object
to sustaining a unit of family,
by invigorating the concept of
Anastasia!
            bribing an orphan to
fake a biological clockwork of...
supposing you weren't mine...
  but my mind, which you have began to
ingest...
      what is this, folly,
this geneticist argument about,
both the act of procreation,
and the necessity of the said act,
with the attached confinement of
pursuing the tag of proclaiming
a continuum of genes?!
      i can't, and i won't figure it out...
**** it...
         sad old "uncle" syndrome...
     but a sigh of relief...
i'm actually looking for pornographic
alternatives...
         it doesn't actually begin or end
within the confines of extremity...
.gif, pictures, fine art...
     14 year old girls making
autobiographical videos...
   and? less *******,
and more... giggling...
               could i have had the tenacity
of becoming, a father!
   my god!

i guess a man will always find
adopting a child, more appealing...
to the consensus of
the anti-thesis of a prodigy...
once he has allowed himself
a chance...
to pet, an animal.
Its the mirror which divides her from reality
This medium is where she questions her mentality
For how long will she keep her doors closed
Its so sad and she becomes something from a dream
Its these chains that hold her down  
Her social responsibility that makes her unstable
Her hunger for knowledge still lingers
Since her curiosity remains to grow
For answers that don't exist
Yet in her head she still believes
And through her shallow eyes
Peace is all she wishes to see
Saint Audrey Sep 2017
Grinding....

Leaving it silenced, drawn and quartered
Clawing for the scraps left over

Predicament I found myself in
Or, towards the end of it
Slipping from the edges
Forager focused on finding any way back home
Sidetracked by some apparition left crying
Alone, in the corner

Grinding...

Paused, with rain drops weighted, heavy sense in the air
I can feel my lips turning blue and
Twitching

It's more literal than I would dare dream in a waking nightmare
The smell of every molecule tantamount to another realm

Hangs motionless in the air
The stone transposed becomes a rooftop asylum, overlooking such uncouth misanthropic parcels, self absorbed in this grotesque imagery, a veritable wall of self hate puzzle pieces

Grinding...

Low, on an almost ominous note, still grows colder in my ears
Blowing on winds filled with the spite and righteous
Anti holy
Fully rupturing sound of far off laughter of the
New root

My lips still moving
No sound produced
And my mind
Grinding...

I still pray to god for you
Beset on all sides by the same wickedness
Still afflicted by myself

Argue for arguments sake
****** up on the uptake
I thought that you might want it
I guess I forgot all the subtle ways
The fires spring to life at night

Arguably the wrong choice is
Looking at him
I try not to
Catch that glimpse in his eye
Already my mind races
And my bones are shivering
At the thought alone

Brickwork backing
Still swells maggots
And filing paperwork
For entrapment habits

Grinding
robin Mar 2013
her mouth was sandpaper.

her mouth was sandpaper
and she spoke like
a smooth surface,
words scraped into fluidity
like a wooden sphere,
turned over behind teeth ‘til all friction
is lost.
she spoke like the walls of a birdhouse
in the room of a dead carpenter:
pretty unassembled things.

her mouth was sandpaper
and every kiss chafed,
rubbing raw my lips
and tongue
crafting with each touch
drawing blood like
juice from an apple,
like sap
from wood already cut from the tree.

her mouth was sandpaper
and she told me
i bite my lips,
rip at
the inside of my mouth,
cannibalize myself cell
by cell.

bone saws in her mouth.
the only difference between teeth of jaws
and saws
is mercy
(and she swallowed her mercy long ago).

her mouth was sandpaper
and she spoke like a carpenter’s hands:
rough palms,
tough pads,
a utilitarian artist
a crafter of dead flesh.
a mortician for dryads
and kodama.
the art and the artist
in lips
tongue
and teeth.

her mouth was sandpaper
and i brought mine to hers
again and again,
her bitten-rough lips
opening like doors to
purgatory.
less entrapment than addiction -
returning once more to nails and hammers,
hell’s blacksmiths below
heaven’s painters above.
coming back home
to the space between,
to bone saws
and a carpenter’s hands.

her mouth was sandpaper
and her voice was carpentry,
her teeth bone saws
her words
birdhouse walls.
her mouth was purgatory
but her hands
were hands.

her mouth was sandpaper.
i held her hand
and chafed my lips raw.
beth doddrell Apr 2014
My love, I have tried with all my being
to grasp a form comparable to thine own,
but nothing seems worthy;

I know now why Shakespeare could not
compare his love to a summer’s day.
It would be a crime to denounce the beauty
of such a creature as thee,
to simply cast away the precision
God had placed in forging you.

Each facet of your being
whether it physical or spiritual
is an ensnarement
from which there is no release.
But I do not wish release.
I wish to stay entrapped forever.
With you for all eternity.
Our hearts, always as one
aviisevil Dec 2014
The entrapment worked like a charm,
And the wall caved in on Mr Cane.
He had but a moment to consider,
Had no umbrella to shield from rain.

The weather was but at the horizon,
And sun hasn't been so sane.
There is no thought left to ponder,
For the facts never do change.

Circling the theory of madness,
The colors were fading to black.
What brains have you said he,
There are no footsteps to go back.

Talking to self he wondered,
If two of him would suffice
So he made how the mirror looks,
And then the reflection came alive.

Mr Cane saw in the mirror,
Saw two more than he wished to see.
There were eight of them now,
Nothing is as it's supposed to be.

So he sat through the ruins,
Saw himself disappear one by one.
Two will be enough Mr crane,
That's enough company for someone.

Back to two down from six,
Ladder keeps adding more steps.
So Mr crane climbed over,
And left behind a bit of himself.

The sky was cold,
And the ocean was blue.
Now Mr crane was out,
So the stars had to pay their due.

Within lies the outside,
Said them stars in one breath.
And the biggest of them all,
Laid a crown at his chest.

His heart was made a king,
And the mind was made a slave.
Those eyes that had been dreaming,
Now were wide awake.

He could hear the flowers sing,
A song of thunder and haze.
His eyes crept in closer,
Mr Crane thought he saw a face.

The smile was yet to give birth,
But the swelled eyes had over-grown.
A very peculiar creature he said,
Unlike any other he had ever known.

He soon multiplied in an enemy,
Mr Crane was now afraid.
This lawn said he again,
Should have never been made.

For the trees work like charms,
In the glittering reflection of steel.
Concrete is the slab of foundation,
In this forest that was never real.

The weather was turning warm,
And he had but some walls to scale.
So he threw a rope over the walls,
Lay me a bridge he said.

The entrapment worked like a charm,
And the wall caved in on Mr Cane.
He had but a moment to consider,
Had no umbrella to shield from rain.
Notes (optional)
Paul M Chafer Feb 2015
Sensual entrapment,
Heart, mind, soul, unifying in
Emotional *******.
How I feel about music. You know, some people don't get music at all. I feel for them, for they'll never know the beauty they are missing.
Pyrrha Aug 2019
I keep trying to refuse these feelings
But everytime I beg them to go away
They find new places to invade
The more I turn from them
The more they grow
The more I pull at them
The deeper they go
Like the roots of an ancient tree
They tangle deep inside my heart
So deep that I can't pull them out
Wack Tastic Nov 2012
Destined to never be satisfied, that is me,
I will swallow the world and purge,
Wiping my mouth of the spittle, off too comes the grin,
Momentous occasions amount to invisible entrapment,
They'll try and tell me that it should be enough,
Sedated and post-op lobotomies on pedestals,
Formaldehyde jars packed with vernal reward,
Plopped on sofas staring at the **** tube barrel,
Fancier and well built imports,
**** measuring contest gone wrong,
Debt built up and drowning rats,
Tunnel vision scoped Dharman,
Wicker trinkets, frail mistreated,
Lunatics that love for the wrong reasons,
Insanity epidemic gross over-exaggeration,
Billy clubs fly from hands of misguided lawmen,
Prayers knelt under the bus benches,
***** corroding the underbelly of the social glance,
Blind blues moutharp in the corner still playing,
Trains running on time, taking the life from the patrons,
Steel breathes burnt crimson,
Foggy cauldrons from medieval nightmares,
The haggard ***** dangles her ***** precariously above,
Just an inch or two in the wrong direction,
And all this meaningless mess might be forgotten,
Books burned, learned forgotten, buildings from the sand,
Starting the sick cycle over again,
With an even wider **** eating grin,
Chartreuse Cheshire cats with inviting eyes,
Taking the breath from the first borns,
Replacing motor oil with sugar canes,
HOWLING what history has shown,
Making a prophet from the scammers and thieves,
I can't believe that we don't all see,
What my path of professed malnutrition,
Gambled stimulus, Golden fleece lined nimbus,
Never enough for the scabbed *****,
Never enough for the howling idiots in the sun,
Never enough for the lunatics undistinguished,
Surely never enough for you and me.
Continuing on snickering underhanded,
Snide underbreath worried about repercussions if found out,
Maybe even too ignorantly blissful enough to not give a ****,
Head down looking at your shoes,
Or ready to inflict a flat tire,
Graceful or oafish,
Humble sniveling whelp, prodding pious peacock,
Dividing rod stuck in the teeth of our teeth,
This is the loner society,
At least tolerance is taught in our schools,
Has anyone really learned anything?
K Balachandran May 2014
Your mind, I can read through the mirror of dark eyes,
no iris reading technology this, an ancient practice of lovers
disagreement creeps in to your naughty mind
don't I read it's alphabets and words?
you still smile and act amiable,
just to mislead me and  hide your war tactics.
this little game of ours has a subtext of lust,
in bed we translate it to a physical duel
half moons of my nails etch  blood mark all over  your back
your sharp teeth, give quick bites, lips nibble my earlobes,
love play quickly become a rough and tumble game
when you are the naked aggressor sitting above, I the victim,
moving up and down, we inch forward to culminate in sweet thunder,
you have your sweet revenge, my lover, like in times before,
dissolving your disagreements, in my willing surrender
to your charm,  warm naked body's entrapment, every time my dream
(AP) another tragic report today of snow mermaids resurfacing a phenomena of drastic blizzard conditions young men lost in blinding blowing winds that sends a person forging foreword then back a step are sightings of real or imagined snow nymphs naked gorgeous young women giggling frolicking through 8’ snow drifts arching limbs grinding hips twiddling fingers toes swaying long hair spreading thighs exposing privates pinching ******* pursing lips gesturing to be seduced beckoning into freezing snow entrapment eventually freezing victims into lifeless blue corpses only additional forensic evidence left behind are definite female snow angel signature tracks in surrounding snowfall areas since onslaught of February 1st storm strike 18 male bodies missing 13 bodies recovered all found grasping clutching clinging desirously to unknown source 5 men still missing if you suspect the whereabouts of any of these individuals please contact 911 authorities warn men of a certain age wear appropriate winter gear scarves raised hats lowered eyes squinting look away without delay if you think you are witness to one or more of these deadly snow mermaids GPS immediately to Police postscript in the several thousand years since these occurrences have been recorded not a single snow mermaid has ever been caught
Baggage within
      trappings of illusions,
love packed away
  in neat little compartments
gathering cobwebs at
     makeshift improvisations,
dusting intermittently
      if by chance a light
           should shine,
never wholly untangling
    the snare
mid a labyrinth of
      transparent entrapment,  
as violin strings continue
      to unlatch the same old key
Felicia C Jul 2014
I write too many poems about my body.

but it’s the only house my spirit knows

and the only movement is my own

I could write you a love poem

or one about the way the kids in my hometown

used to walk the traintracks like they led somewhere

but i’m completely obsessed with this idea of entrapment

that i could be more than skin and bones that i could be made of

ink blotch shoulderblades

ribbon ribcages

clothespin wrists

and ruby lips

that i could abandon myself and get out of this cage

that’s too big or too small or whatever the **** they tell me this week.
June 2012
ahmo Aug 2015
I'm not taken aback by the beauty of the sun or moon.

But that's okay, at least I've learned in time that there are very little differences between objects labeled mine and days considered wasted time. Entitlement is a false concept paralleling a religious purgatory.

That's not the point anyways. I'm left with unbearable heat and a pool of thoughts best resembling some sort of molten pudding left out in the sun for weeks of stifling inattention.

Let it just be known that the smell was not my intention.

Regardless of what fills your nostrils ephemerally, keep in mind that this stench haunts me perpetually. It's apathy towards my sensitive skull stifles me. It's as if I was able to just shake off these shadow-inducing invaders like a bad habit. But no matter how much you try to **** a shadow, it's always there following you. Breathing on you. Casting oxygen upon your neck until there's nothing but sweat and fear left to expose.

With such an affinity to what darkness lies behind me, there are few words to authentically compose.

How can I continue? How can the beat stay in rhythm and my words stay in tune when I'm a butterfly stuck in a cocoon? If these hollowed walls could speak I bet they'd entertain the idea on meaningless entrapment.

Go now. My words for this horrid state of mind have run dry. They do nothing but mask themselves and then exponentially multiply.

So leave me for the beauty of the sun and the moon. I'll never wish anything more than a simple, concurrent release of everyone from his or her respective cocoon.
Dr PRERNA SINGLA Oct 2015
"Worst form of ******* is entrapment within self"

© Dr. PRERNA SINGLA, 2015**.
Luke AJ Proctor Jun 2012
Stretching out before me.
A land of opportunity,
a land of hate.
A land of serenity,
of choices too late.
I want it all.
A dominion unexplored and new to me.
So many wonderous wonders for one to see.

The opportunity to run and hide,
escape from the turmoil, turn the tide.
To peer beneath the civilised veneer.
To grasp my life and bring it near.
To engage a whole new frontier.
To run.

I will meet the hate on open ground.
Intolerance, the ******* child of ignorance.
Prejudice, deliberate entrapment of common sense.
Fear, the source, the fuel and ultimately the cause.
I will wipe them clean.
I will show them what i mean.
Intolerant of intolerance,
hater of hate,
I will set the record straight.
I only hope it's not too late.

Serenity embrace me.
A peace found nowhere else but beyond the horizon.
To sleep among the grand design.
To cross the dividing line,
more than feeling or emotion.
A true sense of utter devotion.
A belief in something physical.
Something serene.
Sooth the intensity of a beating heart.
A heart that beats with passion,
supporting a soul that bleeds with pain.
In serenity, you find your true name.

But will the choice come too late?
Too late like many others.
Words exchanged between long lost brothers.
To change, but not.
To heal, yet die.
Inconsequential in nature, a choice remains.
Indecisiveness will be your downfall, he said.
Almost like he knows the ways of the world,
like he knows the ways of the dead.
We all must choose.
One way or another, a justification to lose.

The loss of oneself.
Beautiful.
A persuasion of lust.
Wanderlust.
Wonderful.
Coercion, more sinister, dangerous persuasion.
Inconceivable.
Does this make the path less welcoming?
No.

I will go.
I only wish to know.
Will I find me?
Will I like what I see?
A winding path of entropy and loss awaits.
In which I will blossom and gain,
much more than those who still cling to the game.
In secret its all the same.
But I wont tell them that.
For here I walk,
along the winding path less traversed.
The winding path of those coerced.
Stretching out before me.
Denise Ann Jul 2013
Dear Jay.

I know your name is not really Jay, but at the moment I can't remember what it is. Somewhere between the fire in my throat, the spinning top in my skull, the sixth bottle of beer, I've forgotten.

I'm sorry.

What I want to say is, don't expect this to be poetic. I've written tons of letters, I think most of them are merely corny **** disguised as poems, but I promise you this won't be just as sickening.

This is some awful-tasting beer. Who the **** gave permission for these kinds of things to be sold? But then again I think this is my ninth bottle--I've got no right to complain.

What was I going to say again? Before I finally realized I'm drinking liquid crap and I have no intention of stopping.

Oh, right.

What I want to say is, you've got the most beautiful eyes I've ever seen. Makes me want to pluck them out of their sockets and shovel them down my mouth so a part of you will live inside me.

Hold the **** up, that didn't come out right.

I'm sorry.

What I want to say is, your eyes are hands that touch, that hold, that strangle, that drown me in almost the same nothingness liquor gives me. Your hands are lips that kiss, caress, cradle the emptiness of a mouth full of glass shards. Your lips are knives, and claws, and doors that never open.

And I must be really drunk if I call you my crush, because you are built with words in my mind, screams and cries and echoes of nightmares. No, you're not my crush.

You are the reason I'm sitting in a throne of broken bottles and spilled liquor, shattered glass and stinking *****, beads of jaded crystals and tears of blood and water and where the **** did the rest of my beer go?

No, I didn't mean to include the last part.

I'm sorry.

I'm sorry because you once told me I should stop drinking, because I do stupid things when I'm drunk, like right now, I'm writing to a guy who doesn't give a ****, and I can't even string the right words together, God, it hurts to think, to feel, God, I can't stop thinking about you.

I'm sorry.

You once asked me why I can't stop drinking. Because beer tastes like crap, why the hell would anyone want to drink those stuff? At that time I had no answer, but now I do.

I'm drinking this liquid **** because I want to stop feeling like ****, but it won't stop hurting, it won't stop hurting, *******, it won't ******* stop hurting!

Now my eyes are bleeding, my wrists are weeping crimson tears, I don't remember when I picked up a broken piece of glass and slit my own veins, and now the scent of blood and tears and alcohol and ***** is a choking entrapment, I thought it would stop hurting.

I don't even remember why I started drinking in the first place, why I feel so angry and miserable and lonely. But I remember you. I remember every last piece of you, flashes of lightning in my fists, thunderclaps in my chest, earthquakes beneath my skin, I remember you, you gathering me broken in your arms. I remember you drenched in my blood, in my sorrow.

But you're not here right now, no one is picking up the shattered pieces of me strewn across the velvet carpet, no one is holding me, no one cares, no one is helping, God!

It won't stop hurting.

I'm sorry.

Help me, it hurts to feel, it hurts to think, it hurts to remember, every-*******-thing hurts, *******, help me!

Someone help me, someone care for me, someone fix me, someone, anyone...

More beer, please.


-DA
I wasn't actually drunk when I wrote this. I was just trying to put myself in a drunk's shoes, so I'm sorry for the inaccuracy. xD
Bessem Ayamoh Sep 2016
Your voice is like many mockingbirds
Chanting enchanting nightingale tunes.

Like the wind you blow off my reasoning,
With the way you softly strike my strings.

Your masterliness affirms it's just your job,
An trophy actor from sartudays night fever.

I know i should flee from this cajoling covin,
Yet makes me see colours, beautiful ones.

— The End —