Submit your work, meet writers and drop the ads. Become a member
by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
Nigel Morgan Oct 2012
There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours



He then realised what the date was . . . and slowly let his hands fall to his lap.
vircapio gale Aug 2012
on moonstone slab Manmata flames again
from out of ashes rises, gloating unfinality of Shiva's dance
reincarnate offering of endless Self
in Lakshmi's avatar
a fateful prince's heart to lance

and lanced his heart her visage did,
                                                     though with vaster pinions fully pierced was she, in depths
                                                          ­                                                                 ­                 without rivalry~

his lust was sharp to invite solitude,
but easy to conceal,
he imagined cupping her against him,
scoured memory of upward glimpse,
inch  by  inch
with added imagery, invention moulding her
beneath his grasp
from forehead curls along
glowing skin and eyes
to curving, palatially appareled ******* . . .
her open lips . . .  her hips
--but after, merely to dismiss
and even sleep a bit
and quip inside at irony
to be at mercy
of a girl in flowers
when he with arrows demons lay to rest
(though she would, within the selfsame hours lose her wits ;)

in cityscape descried the triad:
gold dome gifts for sky
in shining generosity
Mithila's people overflow with joy
exuding free abundance carelessly--
jewelry loosed on playful street
from overkeen embrace, is left to lie;
loss in ever-present wealth nigh obsolete

musth of elephant, froth of steed,
floral garlands tangle, line and mix
for clouds of honey-bees to lick their feast.
a bustling of virile acrobatic populace--
symphonic mux of chaos tressed,
metropolis of idylls coalesced;
drums, races, grinning faces flinging courtship,
smirking merchants under wigs
bathers splash exotic fish to flit and weave
while ballads sift for higher pitch of love

from elevated terrace ladies prance
and watching from an inner spire
the princess spies her prince--
emerald shoulders, lotus-petal eyes
Vaikunta hidden from their mortal sight
but straining recognition there,
a union ageless as the stars
inspired suddenly another first:
Rama's transfixed stare she feels and meets,
strangers locked entwining glances
--fated simultaneous-- electric heat   like
from a planet sparking for the taste of outer space --
the lightning burns its mark ensouled
in blooms beyond her ripe, anthophilous form,
verdant visions planted in the rays of light
between two instant loves
to slip inside the eyelid entrance
and evermore impregnate with a glory ill,
as separation wills,
to colonize throughout with other Being there
phantasmal yearnings of entrancing elegance
--from dawn of time instilled, akashic script
of binding hurt with joy in love's embrace
condemn desire to a writhing term
when not imbibing such togetherness
a worldless crypt preferred

and so as swift as gymnast flip to fall
the heart is gushing toxic lack,
epic ventricles the viscose tug
in fluid inspiration wrote of Sita's
sudden addict gnashing inner plight
while slips the sight interred within the crowd,
as if a sorcerer the cosmic sea to play her destiny:
the waves inside enraged to overwhelm
the sudden coral crust beneath the swell
an unmarked seaside's lavish drown unto the land
and reeling send this fragile ******
into wilting, her floral haze to drooping fell...
        in revelatory crash of passion's oceanic weight...
attendants pamper uselessly
--from swoon to mood irate
to wait until the next appearance of her mortal god
the only one to sate the shameless need
entwining up within a clenching wrack of milky fits
from bed to sweaty bed they take the burning maiden~
the outer sea inflow in calming dusk meant nothing to the agony of new romance
                       sequestered in hymenic fire, dawning brilliant
                                                       ­                                omni chakral pierce in rays,
                                                                ­                                                              tot­ality relentlessness
and therein descry a wholeness
  yet unregained
a hopeless birdsong careless as the wind
in caring strokes of pollen redolence
for forest ears an endless vibrate mate
of elemental ease the simmer float
upon the dukkha broil paths embroidery of karmic
cookery the godly recipe invoked,
gibed her without cease,
****** flare eternal guna coals to stoke
and spite her with their peace,
for her attainment only next to he
the moon communes the message blinding clear
amid the ghee her girls would light in care
to soften her despair -- but only aggravate her state --
and so by dim refracted moondrops set,
in only gemlight, Sita basks in pain
her gaze entrained by night obsessively
while overhead the crescent hook beams
freely in to fertilize her all-too-chastely girdle there,
petals wilting under body pressed to slab of stone
as mounting groan on groan intones her writhing questioning
of whomever he could be to cast her moaning so
a deity in maidenhead unwitting of such otherlife
left by endless, anthrocosmos' whim to ache, and alone
in wonder scream abandonment from aether poise
confusion reigning noisome nescient choice


















.
Manmata: the god of love, who Shiva is said to have burned to ashes with the purity of his contemplation
Lakshmi: Hindu goddess of wealth, prosperity (both material and spiritual), fortune, and the embodiment of beauty. She is the consort of the god Vishnu. She takes her mortal form as Sita in the Ramayana, destined for Rama (who is Vishnu's avatar).
Guna: an element, 'thread', 'string' or principle of nature; the three gunas are (sattva), (rajas), and (tamas)
Dukkha: suffering
Anthro-: as in 'human'

"The impact of the Ramayana on a poet, however, goes beyond mere personal edification; it inspires him to compose the epic again in his own language, with the stamp of his own personality on it.  The Ramayana has thus been the largest source of inspiration for the poets of India throughout the centuries . . . Thus we have centuries-old Ramayana in Hindi, Bengali, Assamese, Oriya, Tamil, Kannada, Kashmiri, Telugu, Malayalam, to mention a few."   -R.K. Narayan (whose prose version of Kamban's 11th c.e.Tamil --originally written on palm leaves-- i'm reading at the moment, and whose advice i've found myself compelled to follow. in no way am i an authority, but an amateur--literally--'in love')

http://hellopoetry.com/poem/ramas-inauguration-facing-the-murderous-gluttony-of-thataka/

http://hellopoetry.com/poem/soorpanaka-the-demon-as-kamavalli-lusts-for-rama-1/
Lotte Jan 2018
Platonic Love Song

The wind in our hair as our lungs work
Screaming out the lyrics to a teenage summer
As we drive free, racing, to the waves and mountains
Lights in our eyes and hands over hearts
Youthful yearning fills us, as we get caught chasing the sky

Her laughter fills my soul and she begins to dance
While she wraps her arms around me, safe
A fire blazes, but our smiles are what light up the night
We make the stars jealous, 
They beg for half of our shine

Embers and vapour fill the air, 
Hands trading drinks and smoke and care
Music floats and lyrics sink in
Lips trading stories and laughter and kisses
Engines start, stop, jump, and rumble

Her eyes gleam and shift, catching attention
Hypnotising and beautiful, 
They draw us in, keep us safe, and we ask to stay. 

Let yourself love your friends. Let yourself stay with them. 

She pumps music into our lives, her voice loud
We dance to the wild tempo of our heartbeats
Crass and catching, her voice settles in us

Let people in, even when it’s hard. Let yourself love them. 

She scrunches her face up and tosses in jokes,
Making us smile at any price, 
She helps us laugh the pain away. 

Let people love you back. 
I know it can be hard but...

She covers her smile with a hand, 
Else she’d blind us, but we’d be alright,
If that could be the last thing we see

If you aren’t in love with your friends, where is your absolution? 

She swings her hips and we get lost in her lips,
The gold on her skin, the brown in her eyes, 
Entrancing on a new level, and we exalt

If you aren’t in love with your friends, then something is wrong. 

She grabs our hands, reviving and vital, 
Her shoulders jump and so do we, she’s got us on our feet
Her energy is infections, makes us forget imperfection. 

If you aren’t in love with your friends, where are you spending your time? 

Existing in a different state, but in the same hearts, 
And we are all staring at the same jealous stars. 
She feels like a home you’ve never been too. 

If you aren’t in love with your friends, then you’re not doing it right. 

Because for me, they define ride or die, 
The first loves of my life, they mean open
Open arms, open homes, open hearts
They are coffee in the cold and make up in the night, 
Empowerment in the dark and hope in the now. 

Love isn’t just for spouses and partners, 
  Love is for those who you know with your heart, 
Who’s soul touched yours, and said, 
“Hey, it’s been a while. I missed you.” 
And if you haven’t felt that yet then I’m sorry, 

But don’t worry, you’ll find them. 

And when you do, it will be like coming home. 

And you’ll know.
JB Mar 2015
I plunge into the cold water on that warm July day
no goggles, only the loose-fitting swimming trunks
I swim through the blur of chlorine
pushing through the water
when a familiar tune I heard hours earlier traps itself in my brain
and I suddenly become weightless, a plane high above in the air

The water is pure blue sky, below me the clouds
And at the bottom the city in ruins
I take my plane and dive down below the clouds
past the blur, until the city is in view just below me

I level the bomber and let it soar low above the ground
Over the pale white shells of buildings
I remember the museum exhibit that inspires this flight

I walk through, studying the pictures and the uniforms and the weapons on display
when in the distance of the room beyond I hear the familiar tune:
Brian Eno's "Ascent (An Ending)". It brings me closer, and I move past the exhibits
at a quickening pace, past the slow browsers
glancing only briefly to read, to catch a glimpse of an object, a photo, a map

I keep going, "Ascent" on a loop, its minimalist beauty entrancing me
until I find a large television in a small corner.
A few people are gathered around, solemn,
the television entrancing them, the music washing over the room.

First the white words centered against the black screen: "The Bomb".
The come the white-and-black photos and footage of the mushroom clouds hovering above Hiroshima, then Nagasaki,
standing tall like ungainly trees in an empty field.

The soundtrack to the short video before me is "Ascent",
or rather an excerpt, a piece of it, stirring strange emotions
Familiar ones that I give attribution to when I listen to it on my own.
Yet it feels different coming from this;
on the screen a few photographs of corpses and burnt victims flash by.
And then the screen fades to black, a moment of silence
before it all starts again

I hear this loop and see these images before me as I fly above
the imagined city in ruins
And for a brief moment I am the Enola Gay;
I will only know it at the bottom of a hotel pool
I was inspired to write the rough draft of this in the afternoon after I took a swim. Earlier in the day, my father and I went to the National WWII museum in New Orleans, and I came across the exhibit that I first saw as a child and which had the most profound effect on me.
Steven Osborne Oct 2015
I reach out and extend my hand
You take me on an expidition of my mind
But warn me of the demons I may find
Like a dream cast out into the day
We all dance around as we beguine to laugh and play
Avoid the ellaphant in the corner of the room
If you look hime in the eye he'll send us all to doom

Turn on all the party lights
You know this is the way we make it through the nights
Trapped beneath its entrancing ways
I wouldn't want a thing to break my gaze
Because in a way we've all got something we're running from
We've all got something we're yerning to become

As the ball dropped and the lights went out
I became lost so I started to fill with doubt
With a compass of morals and no marks on the map
How would I know where to even start
I beguine to feel myself tear apart

A void with the gravity of 1,000 burnt out sund
The black hole pulls me in on a chain
Maybe too late I've already missed my my train
It is not the words but the ones we do not speak
They are armed to the teeth like a gun
Turn on all the party lights
You know this is the way we make it through the nights
Trapped beneath its entrancing ways
I wouldn't want a thing to break my gaze
Because in a way we've all got something we're running from
We've all got something we're yerning to become

I feel a numbness bleed down my arm
Gripped in my hand was my hunting knife
Dizzy and delirious I was fearing for my life
The blanket draped over my head while laying in my bed
I was left wandering if I was dead
As the coroner looked into my eyes
I felt as my soul started to rise

Out of my body out of my mind
I shot off and left this whole world behind
My whole entire life flashed before my eyes
Apocalyptic epiphany to bring me to realize
I must start moving to move on
Before I could ever find my call
I was forced to face losing it all

Turn on all the party lights
You know this is the way we make it through the nights
Trapped beneath its entrancing ways
I wouldn't want a thing to break my gaze
Because in a way we've all got something we're running from
We've all got something we're yerning to become

After the light went out
I found my whole life turned upside down
I could not help but to beguine to frown
A duplicity of yen and yang happily depressed
The reality I have never confessed

Hoping that one day I can turn life around
So that I might beguine to smile
Or at least be properly expressed
I know exactly what I must do

Turn on all the party lights
You know this is the way we make it through the nights
Trapped beneath its entrancing ways
I wouldn't want a thing to break my gaze
Because in a way we've all got something we're running from
We've all got something we're yerning to become

Resurrected I come back to life
Covered with a chill dripping in cold sweat
The things I've seen I could never forget
Coming back down into a new year
I feel as though everything becomes clear

I have been here grom the beginning
I'll be here untill the very end
You are the one who holds the key
This is something I'll always see
I love you and watched as we both grow
It is killing me not to know

What a long strange trip it has been
I'll never regreat when it all came to beguine
This is the choice I made
To hoping we never fade
Will correct spelling later (posted on my phone)
I feeleth so anxious as the fleshy winds outside,
Invisible as their turquoise screams, I feeleth like everything is just not right;
Ah, but how if even all later suns shan't be fair,
And t'is passivity shan't ever be bound to fade?
For my soul declares-t'at he, it wants not any more to care;
And about thee only, it wants to be quiet, yet witty still-like yon pale lovesick summer glade;
I want to attach myself to our captivated hours right now;
With thee in my lap, and thy gentle whispers-as today shall be replaced by tomorrow.
I want to dream of thee once more tonight, o sweet Nikolaas;
My darling at present and from the future, whilst my only dearest, from the past.
Ah, sweetheart, why are but our subsequent hours-and perhaps paths, to suffer;
If thou art not by my side, and maketh not all t'is terseness better?
Ah, and wouldst it ever make sense any longer;
To live by him-but without thee, wouldst it but make my wild heart easier?
For censure is to which my answer, and is hatred-for I cannot help loving thee more;
I wanteth to love, and age-by thee, and by thee only, within my most passionate core,
And I wanteth not to understand anything-for comprehension shall but renew our last sorrow;
I wanteth instead-to renew t'is despaired wholeness, and its proven compassion-our love has once made nature show.

I still wanteth to remain quiet; to cherish and glitter within my wholesome devotion;
But which duly keepest me sober, and maketh my doubled heart tremble not;
Calmeth me, calmeth me with thy kisses-so enormous and tasty, like a quiet can of little soda;
Maketh me accursed, petty, and corny-maketh me thy lands' most dreaded infanta.
Tease me like I am a quivering little darling, who cannot but tries shyly still-to sing;
With a coarse voice descended from sunlight, where the worst are joy, and lovingly mean everything.
Maketh me honest, and tempteth me deeper and more;
Until I sighest and flittest myself away, with agility like never before.
Consumeth my greed-and with it, drinkest away its all befallen vitality;
For I knoweth thou shalt restore me, and reneweth all my endeavoured weaponry.
Ah, Nikolaas, how sweet doth feel t'ese blessings, by thy very side!
Nikolaas, Nikolaas, my lover-my sweet husband, from whom my hungry soul canst never hide!
Oh, and darling, Amsterdam might be cold, and plastered with one slippery tantrum;
But thou art still too comely to me-with those familiar eyes like a poem;
A poem t'at my very heart owns, and is graciously fat'd to be thine;
And thine only-for as I danceth later-in my princess' frock, I knoweth t'at thou art mine.
Ah, but fear thou not-for shall I protect thee like t'is;
I shall slander thy rival west and east, I shall degrade t'em all to'a yawning beast!
And upon my victory be I at ease-and finely grateful;
On which truth shall spring, and maketh our love venerated-and more fruitful!
Ah, just like I had b'fore-how canst kissing thee be extremely pleasant,
Even whenst he be t'ere, or perhaps-be the one concerned?
I hath to admit, t'at 'tis thee-and not him, I so dearly want;
Thee who hath painted my love, and made everything cross but all fun;
Thee whose disguise is my airs, and who hath ceaselessly promised to be fair,
Thee whom I'th dreamt of t' be my lifelong prince, with whom I wish to be paired,
Thee whose recitations lift my heart upwards, and my delight proud;
Thee whose poems hath I crafted, and oftentimes recited sensibly, out loud.

Ah, t'at devil-who told us t'at our joys cannot be real;
For they are not at all virtuous-nor by any chance, vigorous?
Ah, fear not those human serpents, darling, whose mouths are moth-like-bloodless but who canst ****;
For to God they are mortal still, and to His eyes whose jokes are not fun, nor humorous;
And thus we shall be together, as we indeed already are;
For our delight is not to be altered-no longer, as dwells already, in our heart;
We shall come back to it soon, as tonight's full moon smilingly starts;
And exalt it as wint'r comes-dear winter, as perhaps only be it, one few months' far;
Ah, and be I then, crush all t'is impatient longing, and sorely missed affection;
And vanquish all the way, t'is all omnipotent sin-of having loved only, a severe affliction;
Oh, but under whose guidance, Amsterdam shall embark again, and smile upon us;
And lift our tosses of joys, into the lapses of its sweet thunders, fast!
Ah, Nikolaas, shall we thus be together, under the wings of Amsterdam's rainbow;
To which endings shan't even once appear; as guilt be then dead-and is not to show;
The only left opus of love be ours to sing, as heaven is-so benevolent;
Betray us not, with fruits of indifference-much less once of one malice, and gay impediment;
And our happiness shall be pure-and entangled, like a pair of newborn twins;
To which our fantasies are finally correct, and thus its affixed lust-shall no more be a sin.

Such love and lust-whose fidelities shall be our abode;
But by whose words-delusions shall never arrive, and thus be put aside;
Novelties shall be fine, and their definitions shall be lovely;
They shall twitch not-for a simple moment of starched felicity!
Oh my darling, I needst to come and visit my wealthy Amsterdam;
With authenticity now I entreat: myself, myself, ah, run there-whenst stop doth time!
For as we embarketh, no more worrisome medleys shall they come again, to bring;
And to no more sonata, shall they retort-nor so adversely, and dishonestly, sing.
Ah, Nikolaas, the stars are now obediently looking down at us;
Jealous of our shimmering love, which is the lush garden's yonder, giddy beaut;
Ah, who is shy to its own mirror, and oft' looks away so fast;
But needst not to swerve, factually, for 'tis, on its really own-has but very much truth!
But still, whose hastiness maketh it succumb-and even more bashful then the sky;
Ah, as if those pastimes of its ****** soul are always about-and be termed but as a single lie!
For it shall never happen, to it-who owns our midnight hours-with one promise to be skirted away too fast;
With not even a single pause, nor a second of rest-while it passes?
Ah love, our very love; its circular stains, nevertheless, as left hurriedly-too massive to resist;
For they giveth taste to our plain moonlight-and thick'ning flavours to our kiss;
So at our first night of gaiety thereof-we won't be hunger for earning too much bliss!
Ah, Nikolaas, all shall be perfect-for felicity is no longer on our part-to miss,
And t'is part of our earthly journey shall feel, defiantly like heaven!
I shall be thine-and claim no more my thine self as his;
In thee doth I find my salvation, my fancy dome-and my most studious cavern!
All which, certainly-is his not; all which shall be ripe, and thus fragrant-like a rose perfume;
And by whose spell-we shall be love itself, and even be loved-within the walls of our private haven;
And even then, we shall love each other more-as be cradled in each other's arms; and lost like this, in such a league of harmonious poems.

Amsterdam shan't be rigorous, it shall be all fair,
Its notions are curious, like these but entrancing summer days;
Thinking of which is but a sweat-but a bead of sweat for which I most care,
Which is neither dreadful nor boastful, as I devour it avidly, amongst t'is poem I'm 'bout to say!
And t' mindfulness of which, I shall no more hastily rid of;
I was too dreary back then, crudely foreshadowed by a crippled love!
'Twas my mistake-my supposedly most punished, punished mistake;
For faking a love I ought not t've ever made, and one I ought not t' ever take!
A mere dream I hath now fiercely pushed away;
And from which I hath now returned, to my most precious loyalty,
As thou knoweth-thou hath never wholly, and so freely-left me,
Thou art all too genuine, and pristine, like yon silvery river-as I oft' picture thee.
Ah, so t'at is all true; t'at thou art my most gracious, and unswept loving angel,
A prince of royalty, and my very, very own nighttime spell.
Just like thou hath done hundreds of time, thou maketh me but delight and mischief;
And notions t'at bubble within my most, giving me charms and comfort-for me to continue to live!
Together, our lips shall be warm-and no more joy shall be left naked;
Soon as there are more tears, we shall throttle and fairly feast on it;
Making it all but remotely conscious, and forcibly-but sensibly, deluded;
Making it writhe away impaired, and its all possible soul awesomely flattened!
Ah, Nikolaas, thou shalt be the mere charm t'at leaves my odes too fabulous-by thy wit,
Oh, my darling, for thou art so sweet; o, Nikolaas, I really hath only my words, to play with!

And guess what, my darling, heaven shall but gift us nobly, all too soon;
An heir shall we claim; as descendeth one day beneath the excited full moon.
For he shall be born into our naughtiest perusal;
And demand our affection excitedly, as time is long, as arrives winter-from last fall!
Soft is his hair, clutched in his skin-so bare and naive;
He shall be our triumph, and a farther everyday desire, to continue to live!
And we shall consider him our undefined, yet a priceless fortune;
Light as the night, at times singular but cheery-like the sketch of a fine moon.
And portray in us both the loveliness of a million words;
He shall be handsome, just like our love-which is damp but funny, in whose two brilliant worlds!
Oh, my darling, I now looketh forward to my heavenly Amsterdam;
Whose prettiness shall be thoughtful, as I thinketh of it-from time to time.
Ah, thus-when all finally happeneth, I shall know thou art worth the whole entity of my thousand longings;
Thou art the miracle t'at I hath decently prayed for-and thus fathomably, the very sweet soul-of my everything.
perfectly poised, i paint poignant statures
alive yet devoid, an entrancing actor
diamonds and daggers i dazzled through
a circus girl's cunning, but a heart beats true

pirouette, ball change, waltz and twirl
singsong silly circus girl
my heart is heavy but i cannot weep
my eyes are closed but i never sleep.
.
CA Guilfoyle Apr 2014
Your hypnotic eyes, faceted beguiling jewels
bright as a million stars, entrancing liquid silver pools
and I, just another one of love's dumbfounded fools
pat pakla Jun 2012
Fatima Latima**

I had wished I had no gift of sight
That the worst I could endure is hear you speak
And not snapshot the footfall of your gradation

You may not be a thief
Nor ****, daughter of the dayspring
But definitely my heart you stole

I speak of the daughter of Arabia  
Aesthetically, she rocks
The queen of the pilgrim sands
And aeonian desert stones

Beyond the hijab
Artistically knead with consummate craft
Like the relics of Mecca
Blest by the prophet’s bones
The blessed

I see torches
Beaming with intelligence
Within those mascaras
Exquisitely trimmed and vibrant
A lulu class botany

She fixes a searching gaze
As she saunters close
And the stride and tread
Beats a drum entrancing
Soothed in her solacing spell
I give in, to her lullaby

She halts her perambulation
Stands magniloquent and stupefy
Like some pop diva magazine pose
Or Victorian secret shot
A tactical derangement of her gluteals
As she rests her palm in its cleft
I feel contractions, my dartos muscles

The blew of summertime
Gently beats her exceptional form
Her belt submerge her thigh crevice
Cleft by the sundered rift of fleshy fat
Built by the dainties and delicacies
Seasoned by the finest Arabian chef
As her silken dress slithers and gowns
Under the breeze bulging and blooming
Like a rose blossom or sunflower fore

As she bends down
To assuage the burlesque
The sun specula lilts her sensational
Her smile apologetic bids me stillness
I am caught staring
Guzzling down her scent and
Feasting on empty imaginations
Of What If that accentuate the mind and
Speed a hormone
And I pray I sin no more
Next time we meet and I see her again

For I am but a writer
Learning to use my pen and paper
And hope you but forgive
My linguistic impotence
When I make my confession
Employing too plain a language
When I say thus;

Her smile is classical
Her walk magical
Her beauty celestial
Her stride sensational
Her religion ethical
Her character spotless
And that leaves me breathless

And forgive if I step on broken toe
And try speak of the unspoken
Her ****** is sacred
Her being a type that dresses up
In the milliards of brutes dressing down
And shamelessly style it fashion

I must see a priest
One confession I ought to utter
And even vociferate abroad
For once I had fallen in love
With an Arabian Beautie
A ****** of Mecca.
Yashri Nov 2015
Folds of water
Layers of dirt
Bubbling foam
A vast body
wrapping itself around the Earth

Schools of life
Clumps of Color
This is where it thrives
The souls of creatures
A potpourri of lives

The might of the ocean
The strength of the Sea
No one can match
No one could hardly believe
its ability
to devour kingdoms
Engulf islands and make them its own
Drag them down
Yank them by their legs, shatter their bones
Drag them down
Til they ultimately can descend no more

I can almost hear the primordial sea deity bellow
With a voice so deep
It shocks, explores
and shakes your soul
An immense
Deep bass tone.
It strikes more than just a powerful chord
“Come back to me”
“Return to your mother’s womb, down here, down low”
“You belong to me, my right, my property!”
“Return to the world below.”
“Come back home.”

Under the Sea
What's deep beneath?
The iridescent water
The clouds of foam
Conquered by monsters?
Down there,
Do sirens roam?
We aren't aware
We do not know

Enigmatic waves
Rows of fossils
Caked in dirt
A haven for aquatic raves
A museum holding remnants
telling the story of the Mother Earth

This is the Sea
Take a swim sometime and feel its rhythm
Listen to its story

Flow with the sea’s entrancing beat
I have faith and I believe
That the sea is a world of its own
Accentuated sometimes by its powerful voice or melodious hum
No less mighty than the world above.
Let's keep this beautiful wet world untouched
to keep it as it is, the world we love




©SHREYA DRISTI
My take on the ocean. I have an uncanny connection with the Sea.
I feel it is the epitome of strength. I just love it. I don't know how something so huge and vast can be so personal to me. Ironic.
satellite of lust
stopping the presses
essentially broken
entrancing machine
never back-step
epileptic idol
old ways are dead
adhere to the lies
essentially broken
entrancing machine  
netting a good one
nearer to mid-life
fed up with the ghost
starting blank again
in a different palace
cemented to space
cemented to space
cemented to space
tlp
Brendan Watch May 2013
You're a beautiful mystery clad in gorgeous enigma.
You're poetry that looks good in a skirt.

There's an orchestra on your tongue, playing the sound of your voice like a melody I can't forget,
matching the tempo of the drums in my heart
and the broken strings of my violin compliments.

You are a notebook, a yearbook, a sketchbook, a burn book,
every facet of you written in swirling cursive,
rhymes and famous signatures snaking between cinnamon hair and cleverness.

You are a pen running out of ink,
bleeding dry in Barnes and  Noble Moleskin journals,
but that's okay because I have more ink,
and you can borrow whatever you want from me--
store it in the heart you stole if you're bored enough to hunt my words for the pieces.
You have the key already.

You're the first dream of the boy too scared of nightmares to sleep again.

You are the taste of honey and cigarettes on the lips of the first girl that boy ever kissed,
because she was a rebel and he needed a hero
who wore boots instead of Mary-Janes
and band t-shirts instead of blouses.

You are the rose he drew when he was bored,
an outline with potential,
mysterious, entrancing, incomplete,
not yet ablaze with the red of desire
because he was never good at finishing things.
You are a dictionary. Your picture isn't just under "beautiful."
It's under "dangerous" and "witty" and "myth"
because Medusa bowed at your feet next to James Bond and Edgar Allan Poe,
and you're too good to be true anyways.

You are a poem, a telltale heart beating inside a lesson in vengeance,
temporary only because nothing gold can stay.
You've walked past where the sidewalk ends (certainly the road less traveled by)
and come back far more darling than any buds of May.

(You are the paperback novel he read under the covers,
the flashlight only bright enough to show paragraphs,
and every new page unique in shape and form
while the text remains the same.

You are the raw words read aloud by the daring poet,
standing beneath midnight moon,
the power of the throne,
the breath of a whispered promise falling upon the ear,
the warmth of kisses on the cheek,
the passion of all hope there ever was in trust and truth.

You are the fire in lightning,
the sparkle in the snow and the glitter in the rain,
the fierceness of the wind and the gentle, soothing peace,
the blazing chill of winter and the roar of summer's heat.)

But you're still a mystery.
A beautiful,
beautiful
mystery.
Vicki Kralapp Aug 2012
Gliding through a fish ballet,
moving in unison around hands outstretched.
Colors bursting all around.
leading me deeper into the world of inexplicable beauty.

Bubbles dance reflecting shimmering lights,
revealing life unseen.
Crunching coral in beaks echoes from below,
while swirling stripes beat out the rhythm of the waves

Calm and quiet surround, hypnotizing and entrancing
calling me to dance.
How tiny and insignificant we,
yet this world has existed in breathless eternity.
All poems are copy written and sole property of Vicki Kralapp.
mk Nov 2015
she sat on the beige satin couch
looking down at her feet
which were designed with intricate patterns made of mehndi
her nails painted a light pink
a color much like the subtle blush on her cheeks
she was fair, but not pale,
she had a shine to her, a glow
her face was hidden for the most
with a white lace dupatta
like the midnight moon hidden behind translucent clouds
most of her hair was tucked neatly away
except the loose strand which rested on her forehead
a curl, the color of sweetened caramel
soft, delicate; and ever so sweet
she brushed it back with her small hands
but it bounced right back, falling on her face
she looked up, slightly titling her head towards the light
the way sunlight hit her eyes made you want to never look away
oh, her eyes
lined with kajal, they stood out
the kind of eyes you could find yourself getting lost in
hazel and green- with specks of yellow and blue
there was a universe within those eyes
like the rainforest after a summer sprinkle
lush, pure, mesmerizing
but they were quickly hidden once more
as she delicately pulled the dupatta closer to her face
and smoothed down the crease in her silk kameez
her movements were entrancing
you could not look away
the more you looked, the more you craved to catch one more glance
gentle, soft, kind
never in a rush
you couldn't help but imagine what it felt like to feel her touch
the only words we heard her speak
was right when the sun began to set
and the orange-red rays reflected in the pearls around her neck, the only jewelry she wore, yet enough to adorn her
her puckered mouth opened softly
and she was bearly audible as she spoke
her voice like honey: sweet & melodious
if she never stopped speaking, you'd never stop listening
she spoke with a tender sort of confidence & surety
*"qabool hai, qabool hai, qabool hai"
nikkah is the official marriage ceremony for muslims. here's what i've always imagined a bride in an eastern nikkah to seem like. the whole image is rather enchanting, i must say.
-
mehndi: henna
dupatta: shawl often worn by women in the east
kajal: kohl
kameez: shirt
qabool hai: i do
Kenny Brown Mar 2012
Ominous notes are spewed from the *****,
Shaking the chandelier.
“It’s a syndrome he suffers from, one of being half-reared.”
The monotonous metronome ticks at allegro
While the all too sure foot taps andante.

Entrancing sweet air surrounds that ever-thinning hair
While I chew on half of a pear.
Wear and tear quickly begins to take place
While I erase the ink on my page to make space.
To make space for answers to these overwhelming questions.
I’ve never been much of a winner in this race.
And I’ve heard pace is the key,
But I have no such interest in locks.

Oh yes I’ve got golden goals,
But not the type of gold the count uses for bitter revenge,
Gold more likened to The Idiot’s investments.

Thetis by what mind did you dip only my fingers?
At sunrise my left side malingers.

Hello Mr. and Mrs. Jones I’m a sales representative from corporate united
Can I interested you in a genuine grin this evening.
Oh…that’s fine, I get paid just to ask.
But regardless, I could really use some conversation at the moment.
Would you mind ministering me with melodies?

I scrape the insole of a misfit pair…
Staring and staring at the ground waiting for it to shake.
Trembles are a sort of comforting contagion.

Oh it’s long been cold enough to build fires,
But I’ve only just collected the wood,
And I see no value in conversing alone outside,
Splitting the options with a razor, the sheets are more comfortable.
Lonely days bring still shivers multiplying,
My skin’s grown thin, all my warmth radiates out.
Oh I should have been a pair of scuttling claws…
The salt water is purely a majority,
My spirit is displaced into phytoplankton riding waves.
There there are no graves,
No cremation or consolation.
Just rest.

My I’m tired, I’ve toiled and tilled till morning
And still haven’t seen sprouts.
The bull in my chest shouts and I’ll I want
Is to wring it’s neck.
I’m tired of walking amongst bloodsuckers and
Angry hordes of minotaur’s.
I’m tired of constantly treading over manmade floors,
And walking down the hall
Only to find my destination…a steel locked door,
Then having to implore upon the janitor.
I’m tired of dancing all the time,
Just let me stand in silence.
Katrina Zechman Aug 2015
We are poisonous beneath the tomb
We meet rabid ghosts beyond the dreamscape
Repent! The King is vanishing
Evil and desirous about the *******
You shove glowing keys over the dream
Awaken, awaken! The birth never ends
Strangely entrancing before the tomb
We destroy dank goats against the trees
Yo! The vision is no more
wavering unseeing
walking out of the world
an old passport
Under what skies
the lover
take another road
when the world was new
Nicole tanner Mar 2013
entice me with your language
not  your body but your soul
****** me with your words
sounds of trumpets as a whole
words, rolling off your tongue like Dew on blades of grass
not the typical talk and whispers of your amazing ***
challenge me and contradict
please lets keep this real
do not agree on everything
nevertheless of how you feel
see your mind is what is left, and ultimately the hook
lets talk of music, art and good times past and maybe even a book

****** me with your cleverness
caress me with your wit
to hear such entrancing thoughts has left me quite a bit - entangled in your uneasy tone, but frazzled evermore
completely distraught on how you taught me to leave things at the door

make love to my deepest thoughts, delusions, and desires
for that excites me more than all the daring red hot fires
Shane Knubley Oct 2013
Every single one of us has our own perception and definition of perfection and beauty.

My definition of perfection and beauty is simplistic, but at the same time is insanely intricate and alluring.

My definition of perfection and beauty is her: her riveting smile, her luscious brown hair, the glint of her admirable brown eyes, so perplexing and captivating.

She is different, not quite like all the other girls.

Something about her makes her stand out.

Could it be her inspiring and enchanting positive attitude?  

Or could it be her constant yet elegant and exceptional charismatic display of intellect and wisdom?

Whatever it is, it’s entrancing and spectacular, constantly forcing me to crack a genuine and stimulating smile, even when I may not be feeling the greatest.

The feeling she makes me feel when she’s present is indescribable through words; it’s a feeling that can only be truly understood through enduring it.

There is only one word to truly describe how I feel whenever I talk to her, and that is bliss.

I may be naïve to believe that I am deeply in love with her, but that intense smile and sense of self-worth I feel when I talk to her tells me otherwise.

She gives off similar vibes, leading me to believe that she may feel the same way about me as I do her.

When she displays affection towards me, my face turns slightly red and inevitably, I smile like an idiot.

When I talk with her, everything feels at ease, and I don’t ever have a single worry on my mind.

Every single one of us has our own description of perfection and beauty.

My definition of perfection and beauty is her, and she’s the perfection and beauty that I need.
about a special somebody, thought I'd share
ConnectHook Sep 2015
Your Messiah is not Christ
my Karma is not your dogma
Their AntiChrist is not the Mahdi
His avatar is not yet manifest
Our Dajjal is not their 12th Imam
Your Brahman is not my Elohim
The Atman is not the God-Man
Your God-Man is Luciferian
Our Lucifer is not their Allah
The Djinn are undocumented
some angels fell
Allah is not Ras Tafari
Their Zion is Babylon
Jerusalem is Egypt or *****
Their Angels are ascended Masters
Our Master is your ascended Savior
My Savior is your accuser
Their God is no Savior
His unction is Satanic
The war is spiritual
The Spirit is not obvious
My anointing is carnal
their anointing is moronic
our doctrine is angelic
Your rejection was predestined
our acceptance is divine
Our depravity is documented,
your sanctity is illusory
their power is diabolic
their light is darkness
Their leader is ungodly
Our God is unseemly
His Truth is offensive
The bitter is not sweet
the sweet is unworldly
the world is not heavenly.

Trinity in seven spirits, yet God is One…
Revel in the uncertainty. Have some holy fun
fitting more angels on the pin-head, dancing
before they fall. Rebellion is always entrancing
until the current postmodern theology
hooks up with ******-****** linguistic pathology.

Don’t accept my apology
Olivia Jun 2013
There was once a girl named indigo //
And there was a Christmas tree she wanted to chop down
She possessed all the tools to complete this task
She received a saw for chopping the wood
She picked up the saw and got on her knees
But then something peculiar happened //
Something so ******* strange yet entrancing at the same time
// The tree
began to grow backwards into the ground
the roots became a seed
and life became counter clockwise
counter clockwise of insanity and greed
Bluejays swum while cod fish flew
Her world got kicked over by the bully from school
She wanted to shoot everything because nothing made sense any more
More than anything she just wanted to be
But the subliminal messages she couldn’t read
While supercritical people just watched her bleed
The alphabet no longer went from A to Z
/and there was no such things as vowels//
without vowels she couldn’t write poetry
and without poetry she had no oxygen
her world was no more
it was all in code
it was so ****** up it was like watching the liveliness come out of her father’s throat
Oh wait, I didn’t tell you
Indigo watched the liveliness come out of her father’s throat//
Indigo became a synonym for insanity
the tornado spit her out like a beautiful waterfall
instead of ******* her in//
all she could do is fall //
but//
she can’t breathe
and she’s being compressed
she can’t see
she’s understanding less
she’s trying to act what society classifies as normal
but it is a useless approach
she is climbing in gym class, but without a rope
yet the rope is a noose
She is over analyzing herself into a hiatus space
Where it’s not actually hiatus but filled with chaotic mace
The mace is getting sprayed in her retinas
But she can’t see anything
Regretin the
Upside down world she created
Life stuck in reverse not tolerated
Revolving in ways that make her isolated//
But maybe if she stopped//
Stopped
Separating the separated
Decided to educate the educated
And learn to not under estimate the estimated
Then she too could feel that feeling again
but
Indigo can’t feel
And
She says
Hit me
Punch me
Kick me
Shoot me
Just do whatever you can to make me feel
Feel this feelingless life so I can begin heal
She wakes up and opens her eyes and now she is blind
The chaos has turned her heart into a mind
And mind into the heart
Where brain waves pump blood instead of intellectual parts
And her car won’t stop going in reverse but she is still pushing it forward to start
But it’s stuck
She’s stuck
Help indigo she’s stuck
All I want is for indigo is to be what she is:
a deep captivating blue
and I want her to captivate the blue
like the ocean captivates the white part of the waves//
the part that crashes the hardest at mid day
and I want the wave to push her over
PUSH ME OVER WAVE
HIT ME
PUNCH ME
KICK ME
SHOOT ME
MAKE ME FEEL AGAIN
MAKE ME THE CAPTIVATING BLUE
FORCE ME-TO-CAPTIVATE-THAT-BLUE
AND MAYBE MY BRAIN WILL TURN BACK INTO MY BRAIN
AND MY HEART WILL TURN BACK INTO A HEART
WHERE IT DOES PUMP BLOOD INSTEAD OF INTELLECTUAL PARTS
AND I’LL LEARN TO READ THE SUBLIMINAL MESSAGES PEOPLE SAID TO ME
AND I’LL EVEN APPRECIATE WHEN I BLEED
EVEN IF SUPERCRITICAL PEOPLE WERE THE CAUSE OF IT AND NOT ME
And I’ll learn to breath, I’ll learn to breathe, and I’ll learn all over again because
After all, all Indigo was, was one thing:
A deep captivating blue.
brandon nagley Jun 2015
Overhead the albatross hangs motionless upon the air
And deep beneath the rolling waves in labyrinths of coral caves
The echo of a distant tide
Comes willowing across the sand
And everything is green and submarine

And no one showed us to the land
And no one knows the where's or why's
But something stirs and something tries
And starts to climb towards the light

Strangers passing in the street
By chance two separate glances meet
And I am you and what I see is me
And do I take you by the hand
And lead you through the land
And help me understand the best I can
And no one calls us to move on
And no one forces down our eyes
No one speaks
And no one tries
No one flies around the sun

Cloudless every day you fall upon my waking eyes
Inviting and inciting me to rise
And through the window in the wall
Come streaming in on sunlight wings
A million bright ambassadors of morning

And no one sings me lullabies
And no one makes me close my eyes
So I throw the windows wide
And call to you across the sky
Fire's beauty cannot be contested
even though it can't help but
burn when you come closer.
(He's fire)

The power of a black tiger
is entrancing
until it devours you, body and soul.
(He's an animal)

The high ******* brings is
addictive even when you
fall into a hell of your own making
(He's a drug)

He's fascinating
dangerous
intoxicating.

Stories about him
shock yet his
rampage on the vulnerable hearts
of this world
will never cease.

(He's toxic.)
I wrote this two years ago when a boy broke my heart for the first time. He was the kind of person that was hard to get over, and the heartbreak was what made me start writing poetry in an effort to get the frustration out.
Nat Lipstadt Oct 2013
for Angelique, who found it (at) last,
and who, loved it best
--------------------------------------------


first, I read,
thus educated,
became addicted to
the musicality of word~notes,
enamored with
the artistry of
singing language,
the power to
lift, imagine,
evoke, touch
your skin,
so far away, yet
mine thru smoke,
scribed, now
mine to stroke.

explore, uncover,
the secret interiors of
what was placed
inside of
each of us,
at inception,
without exception.

the keys,
the word picks to
unlock the freedom
to be fearful,
yet courageous.

we, start, all of us,
at the same
starting line,
we, all feel
we, all believe in
the primacy,
the rightness of
I.

but then, one must
began to
observe others.
crossed over the boundary
of mine own
preemptive prepositions,
superseded the need to be
superman,
saw different truths
in the eyes
of others.

listened to the soul songs
of the R&B; breezes of
scented strange,
coming to open
ears, nostrils,
eager to learn how
wind chimes sound in
Nepal, Berlin and the Florida Keys.

standing up, stopped lying,
both up and down,
committed to be
uncommitted to the unjust
accursed ego,
rejected the sophistry of
solipsism.

then changed directions.

went back inside
to relish the passion of
pleasure of both
affection and hatred,
receptors on wavelengths
that varied, in sine,
in in side in in the
co of mr. me.

that the only way out,
to responsively accept,
that to close
the distances within,
to realize real synapses
of words,
there was only
the pathway of
the existence of
outward bound.

kindness, warmth
and generosity,
or
cruelty, inhumanity,
utmost selfishness.

needed to choose.

made my-choices.

thus provisioned and endowed,
voyaged to a place
where there was
no cover, no excuses,
only mirrors that exposed
what lay neath every artifice
conjured up by man to
mislead, deceive, and obfuscate.

There, this place,
where I was
neither the smartest,
bravest, saddest, or wisest,
I sat down and said,
said out loud
words directed to
give yourself away,
myself and anyone
who cared to listen:

”my tongue and my eyes are
one and the same,
my fingertips and my voice,
interchangeable,
my combination of words,
special even if not original,
they are as original to me
as the first prior writer and
the next,
who will create them
anew one more tme,
after he, like me,
leaned to
write them effortlessly,
and to
give yourself away...”


with out fear,
I selected a single word,
a solitary glance,
saw the poetry of an
open window's enchantment,
a head lifted momentarily
from a pillow,
then struggled mightily,  
wept for days with no
verbiage to effect,
make visions entrancing,
no skills,
butterfly net
to capture
the magic of
your loving
my signs.

disgusted by mine,
mine mediocrity,
with the greatest
of effort,
mine,
yet, yielded no results

except scraps of phrases,
that I retrieved
from crumpled sheets
that decorated the
wasteland of my first efforts.

took those phrases,
ran them over my tongue,
over and over again,
intrigued by
their lily lilt,
their unity,
the sensuous pleasure they gave.

how one word
coupled a tune,
the notes of this
new contiguous,
contagious alphabet
rang truer than most,
and moreover,
led me to another that
somehow phrased forward,
sallied forth in rhyme,
like those wind chimes,
now making perfect sense
with the one that followed,
from varied places
so distanced, but now one,
and a couplet was born.

of what did I write?
of what I knew.

no complexity,
nor trickery employed,

no matter that plain words
are my ordinary tools,
with them I scribed
the small,
the little,
what I saw.

grabbed the middle,
held onto the
gravity of the center.

simplicity my golden rule.
write they say,
about what you know best.

rely on and in the
diurnal motions,
the arc of
daily commotions,
in which
do we not all excel?

this poem flew
off my fingers,
twenty, thirty,
maybe sixty minutes,
in the skies above
these United States
of mine,
on American Airlines.

one of my
chiefest blessings
that luck threw onto
my punched ticket,
being born here.

was it effortless?

If you sat beside me,
what would u have seen?

flying fingers urgent unbidden,
neither struggling nor stopping
for the chimes were mine,
once I heard the first verse.
but first ringing was give
unto me by a reimer,
asking how,
I write so effortlessly?

the question innocuous sorta and
sorta knot,
a challenge to
my poetic essence.

I looked inward,
to look outward,
started where
all poems start,
in the quiet places
where you and
I think and thought.

unsure of the answer,
began to begin,
sing and sin,
my fingers,
simple secretaries,
transcribing lyrics
that those
selfsame wind chimes
tuned me up,
turned me on
simple thoughts,
simpler truths
herein recorded and
sworn before you,
most writ on this day that
the Americas have chosen
to recall another kind of
explorer, Columbus.

explore, explore
and then again
explore s'mores.
no matter if it is
covered ground,
covered it once more,
till you see that land
differently, colored so
no one has ever seen
them quite your way.

be an ocean pacific,
that cannot be pacified.

relish the chance,
relieve yourself
of that urge to burst,
put on paper,
gift to me and to
everyone else,
so someday,
we can say
together,
we saw *together,

through one
single set of eyes
upon a ship of
foolish words,
a real child born
in a mind!

new places re-discovered,
yet now storied stored,
living in our
Siamese chests,
to forever keep.

PostScript:

"With or without you,
I can't live,
And you give yourself away,
And you give yourself away....
Only to be with you,
But I still haven't found
what I'm looking for..."
U2.
Notes:
October 14th, 2013,
Taking the Northern route,
between the bear and the empired state,
between and over states where
coal is mined, automobiles built.

if you deem these words poetry swells,
I smile, for they are simple product of
waves of looking, seeing out, out,
an oval airplane window
what lay below,
preparing it
for storage
upon your
eyes.
LN Jul 2014
The moon's modest nature is entrancing
It's splendour is never fully displayed for long for our eyes to indulge in
It transforms itself every night
Leaving us to outline its curves
while it encrusts light in a sombre sky of darkness.
Tommy Johnson Apr 2014
Psst
Hey man
You looking for a boost?
Some bud? Molly? *****?
I gotch you
Let's be out

Let's look forward, shifting eyes
Thick blunts, welcome to The Court of Miracles
Where no ones ever dry and everyone's good

The whole place was flooded with music
Pounding, pulsing, entrancing
thump thump thump thump
Laser lights flashing neon colors
Multicolored creatures of night dancing to the whimsical noise

The DJ was young
Attentive to his machine that dispensed exuberant sensate explosions
Rocking back and forth, flipping switches, turning knobs
We are, we can, we will live forever
Then it all went silent and the whole place shot out with a feeling of anticipation
WE ARE IMMORTAL
BOOM BOOM BOOM BOOM
The bass caused everyone of us to vibrate and pick up the vibrations of one another

Hey bro
Take this
Molly
Nerves become fervent

Now meet my other friend
Lucy
Mind is widened
Now you're candy flipping
Hippy tripping

We met a girl
Her dad was a record producer
She was way out there
She was out of her head

We met an artist
He used different types of wood
And carved shapes and patterns in to them
Then painted it with acrylics
Then smashed it with a sledge hammer

People bought it
He was brilliant
He was ******
I was dazzled

She tasted like *****
He tastes like cigarettes
***** devils
Looking for a time

I saw veterans from Iraq letting loose
Thank you
A sea of sweaty smiles going for miles
Under a baroque moon

Sleeveless shirts
Minuscule skirts
Beads, glow sticks
Unity

Altogether
Under one universe
Dedicated to this single moment
And what it means to us
One mind
Joined
For equal freedom
1330

Without a smile—Without a Throe
A Summer’s soft Assemblies go
To their entrancing end
Unknown—for all the times we met—
Estranged, however intimate—
What a dissembling Friend—
I beheld you once, oh deceitful goddess, blessed passion’s blight
You were dancing, splendid Ishtar, whose wiles no man may evade
Who’s burning eyes, those entrancing pools of gold, can set men’s souls alight
At who’s dainty feet, to her uncouth delight, the blacken corpse is laid

And I, being no mighty atlas, was swayed by your intoxicating dance
I was caught and bound, to one whose beguiling eyes to me were as a snare
And though it was she, my mortal love, not you, who held me in a trance
I was you, oh Aphrodite, with your amorous charms, that lead me there!

Surely, you foul siren, whose voice does strand the sailor out at sea
Do not as well bring love and solace to some unhappy soul?
Tell me, who brings true love, Aphrodite?
Or are you two as faces on a coin, disparate yet together whole?
Trevor Gates Jul 2013
A satisfied appetite is a simply joy

Overlooked and simplified

Like a growing urge, a salivating need

That is entrancing and glorified.



Everlasting for moments we call meals

Forgotten in time, lingering above

But the taste, the lonesome lover pushed aside

Gazes afar and near wanting to be enjoyed again



The young lady with a tongue of raspberry delight

And the matured widow with darkened cacao lips

Ripening nectar of a sliced peach center

Halved and topped with mascarpone crème



The man with a skin of caramel glaze

Caressing and savoring

With a fragrance and scent

Of hazelnut coffee indulgence and sin



In the pursuit of a brief love affair

What oral sensation did my taste buds want?

My odyssey of gustatory endeavors await

Through the seas of lined people and waiting staff



Generous portions and humble pies

Decadent desserts so rich you’ll die


Vine cherry tomatoes sliced and sauté

Over al dente rigatoni in a roasted cashew sauce

A robust aroma and savory appeal

Basil leaves with garlic strips

Olive oil to top the surreal


Hubristic meatball aborigine  

Elysian cuisine or many dreams


Teasing the senses, warming the pit

Of flowing pleasures

And tingling fingertips

Without moral measures

And succulent wines

Rotisserie lamb falling of the bone

Seasoned with Sicilian herbs

And paired with broiled asparagus

Drizzled with lemon juice


And a glass of Merlot

Spices I hardly know



Lachrymose apologies beside a bottle of faded sorrows

With love there is pain, passion endured through the names

Thin soups, flavorless and dull, feeding street-thrown bums

Breathing hard against the delicatessen glass


Hickory smoked hams, pepper-seasoned pastrami

Vinegar cultured pickles and hard dried salami


Unpleasured, without measure, at one's leisure.
Forever my endeavor

Blackcurrant tea laced with slivers of gooping honey
Layers of cinnamon hair atop olive skin

red-painted doors with cedar trim
crushed almonds mixed with hazelnut butter cream spread

devilish rounds of crumbling ***-swirl bread

Smells and wonders, tastes so ...

oh god

Divine and sublime.
A little hobby of mine is cooking, so I thoroughly enjoy looking up new recipes sometimes to try. Movies like Babette's Feast, Ratatouille an The Trip. Amusing how we can associate flavors, smells and tastes with more than just culinary customs. We can correlate joyous emotions, moments of sensuality and comfort.
Madisen Kuhn May 2013
there's something
entrancing about you,
i hear melodies like honey
when you enter my mind

you make me smile
even when
the rain is falling
and i think i could
make you happy, too

the two of us together
could be as beautiful as
the setting sun

but of course
the wicked reality is
we'll never get
the chance
Nameless Nov 2013
Dear Moon,

You looked beautiful tonight.
The kind of beauty
That grabs all eyes
and insists that they pay you attention.

But moon,
tell me,
are you lonely up there?
The infinity of stars that lay
scattered in your presence,
seem as if they could be pleasant company,
but is it all an illusion?

The stars trick the foolish
into thinking that they are in your
constant amity.
That’s what it looks like to us, Moon.
But those stars have never uttered one word to you
have they?
Immeasurable distances
make conversing quite difficult,
I would imagine.

Are you sad, Moon?
Is it distressing, Luna,
that us,
the ignorant,
believe that just because
our eyes see the stars in a way that
makes us believe they are near to you,
that you are not hurting?

Child of the night
who lives solitarily.
Do you weep?
Do you shed tears that we mistake
for beauty against the vast night sky?

Daughter of the dark,
who graces all with her
entrancing despondency,
Was there ever a time when you
had hope that somebody,
anybody
would save you from your fate?

Do you feel forsaken my love?
What have you done, Moon,
that would condemn you to this
paradoxically poetic reality?
You didn’t want this.
You only wanted to shed awe upon us,
and light the path home when it got
too dark.
And what have you gotten in return?

Isolation.
There's something about water that fascinates the mind,
Hypnotic in its passive dancing,
Wheeling in panicked turns to the tune of an inaudible waltz.

The way it ripples with each drop of rain in the cold,
Resonates with me,
As though the water itself is speaking to me,
Desperately wanting to be heard,
It's voice crying in every motion.
Stop!
What is it saying?
Stop! Stop!
I don't know
Please! Stop!
It's too quiet
You're not listening!
All I know is how I feel when I see the way it glistens in the moonlight,
The way it reflects the beauty of a cityscape as dusk falls,
When the day is done water's true beauty is found,
It sparkles below me,
Pinpricks of street lights streak across its surface,
They seem to spread ferociously as my eyes are filled with tears,
Pinpricks becoming blazing stars.

The air whispers to me,
telling me what I need to hear.
Exactly what I need.

Water is pure beauty,
Eternally entrancing my closed-off mind,
Drawing me in,
Because sometimes
Water is more than beauty,
It becomes a perfect friend,
With no capacity to judge,
No way to hate,
Only to fill.
An empty
Heart
Drop
by
Drop
It becomes
Escape



*My legs fold beneath me,
my body goes limp,
I fall.
Becky Oct 2010
Disillusionment encompasses the night.
Your warm breath tickles my ear,
Firm hands caress my skin
leaving no part of my body untouched.
All other distractions, extraneous characters,
everything else is irrelevant.
It is just you, with your smooth dark skin,
comforting embrace,
and those entrancing brown eyes,
and me, with my silky pale skin,
soft curves,
and sad but hopeful eyes.
It is just us and our apprehension in this room,
isolated from reality.
You indulge in my coquettish laugh,
and I take solace in the warmth of your touch.
The contours of my body complement yours
as we both try to savor this feeling of ecstasy.
But the hourglass runs out,
and this moment is fleeting.
The illusion is shattered
when the protagonist reappears,
and I am demoted to understudy.
I am left to replay this scene
in my disillusioned mind
hoping to one day again feel
the softness of your lips
pressed against my bare skin,
but until then, I will replay these events,
ignoring this void in my soul
and embracing the momentary nirvana.
Lexi Cairns Jul 2013
I miss the cold air penetrating my lungs,
Bringing me to life.
For once feeling cut off-
Independent
Completely free.
Its empowering
Entrancing
Intoxicating
Poisonous.
That feeling of freedom
"Just one last cigarette."
Repeated a thousand times
in dreams, on long highways,
at the corner buried in snow at midnight.
One last sin
Again
And again
Ma Cherie Sep 2016
I am painting word pictures today
tasting hot incoming Autumn  breezes
transforming splendor
dreary rain filled moments pass
bidding adieu
and welcome my rustic bamboo
fare thee well to Summer's sun
now in this Burning September

Entrancing
as the
dancing trees
in changing multicolored hues...
skies of crystal clear blue
cut outs of rolling hillsides
and lush Green mountains
in that endless and seamless quilt
sheltering the storms

My eyes are drawn
past the still lively green leaves
as the burning umber
and cardinal tipped ones
radiating
hat tipped
as chlorophyll ...
choking the beauty outward
from the petiole
like greedy verdant fingers...
the palm of my hand
I linger ...a moment
they wave in soft winds
...and I wave back

I remember
old-time Vermonters
like my Father
didn't care for the Sumac trees
thought perhaps a ****
only beautiful to look at
& they are so very lovely

These happy helpers
say hello to Fall
stick around
when everything else
already brown
holding down
needy dry hillsides
from erosion
growing fast and tall
turning into thickets...
for woodland critters
providing borders
unsung heroes beckon
along railroads,
highways ,
pastured Meadows
and Orchard edges
these beauties...
never really go away.

A harvesting moon
giving seasons
  five months
from the time
the leaves fall off
until they grow back
in the spring time
  serrated leafy knives
cut into the sky
a bittersweet
and bashful goodbye
sighing...
to drunken apples
and their dropping dried leafy friends

Surprisingly scrumptious
providing
we are foraging and gleaning
I make a lovely citrusy
sour and fruity tea
like wild cranberry juice...
imaging the Joy
inviting clusters of crimson know

Providing more than food
for winged ones
a sugar depository
loaded with antioxidants &
spreading sunshine
in darker months

Attracting  lovely colorful winter birds
my winsome friends
seed eaters
small singing kindred spirts...
tempted by seeds pods
of the Staghorn Sumac
and remaining wildflowers
bursting like burgundy globes
scarlet and brick reds
mellow yellows
  turning burning
blazing bright oranges
as the seasonal butterfly dreams
unfolding it's summertime schemes
right before my wondering eyes

  European and English
Gardens know
varieties
I can only close my eyes to see
accentuating loose,
textured landscapes
stunning gardens
& fern-like cousins
across the world
A Middle Eastern grind
of this crimson spice
from those crushed dried drupes
while they prepare rice for dinner

I so appreciate
what a gift we have to share
time is running short before
as told to me in times of yore
we brace as one for Winter's Bone
though I am not alone
Vermont it is my earthly home
all I really want to say
thanks for sharing with me  ...
on this perfect picturesque
Vermont September day.

Cherie Nolan © 2016
Changed Title- my apologies.
I miss my father every single day but I was certainly glad to see him in the Sumac trees... I am certain he is watching now consoling my heart as I bid adieu to the days of summer.
vircapio gale Jun 2012
a thunderclap of time is splitting forward all,
the wanderlust of youth                     to grim,
the shedding of the fall                        to whim,
the balmy boon of spring                        to sin,
dividing rife exotic rain
from dry ephedra sprawl,
streaming sunlight angled in
for an ever-quaking earthwise view.

din clatter to escape with dryad love
the hackberry staff of age,
will only rouse the voice of life
to rake its noisome wisdom where i trod,
despite my neophytic whines,
echoed deep in aether cave
of cobwebbed narthex eye
and sage to say the ever-new adage,
'Physis surrounds you too, by the Cycle always bound; live, defy, but soon heed destruction's sound'
..from thickets widely known
to those entrancing dark,
in winged voice alone,
and burning angers lark..
"so, these hooves of sharpened sense are but a poor recompense, when time will wash and slap away the stars. winding words around your path are but a mortal aftermath of vanity and heady lust astray..."
but when scars of war are more than scars,
and vanity and lust are here,
i'd rather spin a tale than trail a tear
across a continent in shards.
through land thick with mind, our
much trodden moss of reveries, and
dimlight gyrewinds of overmind,
the spell our mythos cast
was not for me, but many kinds of me--
the sparkling soup of life in time
shining toward an end and of a kind
of dawning leap the soaking leaf
must make from under rain, at last
for fatal progeny to bend awake
from drifting seed and hapful bed,
by wolfine sleekness take
the ****** consequence in hand:
with final gust incurvate rend
forestal haze of drunken bloom--
the satyr's gait of musky sates
speaks of pleasures gleaned from
blushings red embraced in rooted green
pervading summer night.
bright, bright! inner light is spent
twining two experiments
of cryptic faerie nooks
and sun-baked lace of vines,
the whimper glint of cool delight
on cheeksweat riding trunks of sprite
of bubbling springs and gossamer lives,
unbridled canopy of sighs.

twirling softly, colors *** for bee
and butterfly, prying life and fertile
nectars pour with ease spread brighter still
and sighing on to sip the spell to last...
but sweet is over always soon, for
'honey never drips from lazy hive
nor pollen drift off sickly drone.'
the tempest comes, effluxive force
of noontide awe and verging grin,
battered branching sways the forest new,
with willows whisking seeds from under dew.
Nyx Sep 2018
That smile of his
Held the beauty of the world
It was ever so charming and undeniably sweet
Entrancing all those who lay eyes upon it
There was a time where I once imaged
I could even sell my soul if need be
Whenever I saw his precious smile

Then I came to see
The true colours behind that smile
Twas like a poisonous flower
Blooming and vibrant
Luring in its fragile prey
Bewitching it within its spell
Intoxicated by the nectar
Unable to ever leave

Upon revealing the truth
That lay so evidently to preying eyes
He had already long abandoned me
leaving nothing but a memory of what was
And a forever lingering taste of honey
A sweetness upon my tongue

Though it is best to end this longing
This yearning for that man
Who's smile warmed my heart
halting my breath but for a moment
As if encased within a time
When my entire world was composed of
Only him and that devious smile













Yet my mind refuses to forget....


.
Sakif Hossain Mar 2016
Stumbling upon a wild profile,
Oh I felt so baffled, dumbstruck...
Just the look in her eyes,
Whispered hundreds of sweet stories..
Is she an enchantress??
Entrancing whoever looking at her?!?
Maybe it's her pure soul,
That attracts them all..
By the stairs side
Stands
A tall stranger taking coats
White bags and light hats for that
Easy fumed air
Hanging  
Beside the wide-eyed picture
Framing the dark horses
Running
Trampling with laughter over the growing lawn.

A grey-shaded blooming shudder
Covering over the other,
Catches the light,
Hats seated,
cover over the other
Entrancing over the etched dancers lined against the walls.
Mountains that grew over the ancient
fire, could still be moved.
Behold, the sky's desire.
The glowing jacinth sun was just beginning its descent,
casting long, flittering shadows on horse and rider alike.
Although the horse was young, he walked
with an air of importance,
like a racer entering the track.
As the playful breeze rustled the viridian leaves,
his muscles tensed.
He perked up like a toy soldier,
watching the purpling sky with wary eyes,
the amaranthine clouds reflected in those deep sable orbs.

As he trotted about like a fairy,
his russet coat shone vibrantly in the setting sun,
a body of twinkling rubies set in amber.
The sprite padded softly on the ground
with the delicate nature of a hummingbird,
he had a stride like a river of sweet milk and honey.

The chestnut dreamer skipped across the ground
like notes across a page,
his song light and airy.
he tiptoed and pirouetted,
his three pearly stockings dancing
like the melodious keys of a piano.

Her cinnabar savior bounded over the fences
like a prancing stag,
and his dainty ears pricked forward
as his chocolate-brown eyes fixed on the obstacle ahead.
As he jumped, he lit up with a bravery
that could have been felt all throughout the arena.
Had the two not been alone,
the entrancing sight would have been easily able to charm his way
into the hearts of even the stoniest of onlookers.

With a gleeful snort,
the sunny gelding seemed to fill the air
with good-natured laughter.
The rider reached down to give him a pat,
and he brightened at her touch,
the pet like a kiss on his glossy ginger neck.

And as the last of the daylight filtered away
into the velvety mazarine sky,
his neck stretched down and his walk slowed.
Satisfied with their ride, the two made their way back inside,
surrounding by the growing darkness.

— The End —