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The Quest for the Damsel Fish  by Keith Collard

Author's  Atmosphere

On the bow of the boat, with the cold cloud of the dismal day brushing your back conjuring goose bumped flesh you hold an anchor.  For the first time, you can pick this silver anchor up with only one hand and hold it over your head. It resembles the Morning Star, a brutal medieval weapon that bludgeons and impales its victims.  Drop it into the dark world beyond the security of your boat--watch the anchor descend.
        Watch this silver anchor--this Morning Star--descend away from the boat and you, it becomes swarmed over with darkness.  It forms a ******-metallic grin at first as it sinks, then the sinking silver anchor takes its last shape at its last visible glimpse.  It is so small now as if it could be hung from a necklace.  It is a silver sword.  
Peering over the side of the boat, the depths collectively look like the mouth of a Cannibalistic Crab, throwing the shadows of its mandibles over everything that sinks down into it--black mandibles that have joints with the same angle of a Reaper's Scythe.  

I am scared looking at this sinking phantasm.  I see something from my youth down there in this dark cold Atlantic.  I see the silver Morning Star again, now in golden armor.  I remember a magnificent kingdom, in a saltwater fish tank I had once and never had again.  A tropical paradise that I see again as I stare down into the depths.  This fish tank was so beautiful with the most beautiful inhabitants who I miss.  Before I could lift the silver anchor--the Morning Star--over my head with only one hand, turning gold in that morning sun-- I was a boy who sat indian style, cross legged--peering into this brilliant spectacle of light I thought awesome.  I thought all the darkness of home and the world was kept at bay by this kingdom of light...

Chapter  1 Begins the Story

The Grey Skies of Mass is the Name of This Chapter.

                                                      ­­                        
    
 Air, in bubbles--it was a world beauty of darkness revealed in slashes of light from dashing fluorescent bulbs overhead this fish tank.
Silver swords of fluorescent energy daring to the bottom, every slash revealing every color of the zodiac--from the Gold of Scorpio to the purple of Libra combining into the jade of the Gemini. 
In the center, like a dark Stonehenge were rocks. The exterior rocks had tropical colors like that of cotton candy, but the interior shadows of the rocks that was the Stonehenge, did not possess one photon of light. The silver messengers of the florescent energy from above would tire and die at their base.  The shadows of the Stonehenge rocks would stand over them as they died.

 
          When the boy named Sake climbed the rickety wood stairs of the house, he did so in fear of making noise, as if to not wake each step.
   Until he could see the glowing aura of his fish tank then he would start down that eerie hall, With pictures of ghosts and ghosts of pictures staring down at him as he walked down that rickety hallway of this towering old colonial home.  He hurried to the glowing tank to escape the black and white gazing picture frames.
                    The faint gurgling, bubbling of the saltwater tank became stronger in his ear, and that sound guided him from the last haunt of the hallway-- the empty room that was perpendicular to  his room.   He only looked to his bright tank as soon as he entered the hallway from the creaky wooden steps.  Then he proceeded to sit in front of this great tropical fish tank in Indian style with his legs folded over one another as children so often would sit.
  The sun was setting.  The reflections from the tank were beginning to send ripples down the dark walls. Increasing  wave after wave reflecting down his dark walls.  He thought they to be seagulls flapping into the darkness until they were overcome as he was listening to the bubbling water of his tank.
                " Hello my fish, hello Angel, hello Tang, hello  Hoomah, hello Clown and hello Damsel … and hello to you Crab...even though I do not like you," he said in half jest not looking at the crab in the entrance of the rocks.  The rocks were the color of cotton candy, but the interior shadows did not possess a photon of luminescence.  All other shadows not caused by the rocks--but by bright swaying ornament--were like the glaze on a candy apple--dark but delicious.  Besides the crab's layer in the rock jumble at the center of the tank which was a Stonehenge within a Stonehenge--the tank was a world of bright inviting light.
                The crab was in its routine,  motionless in the entrance to his foyer, with his scythe-like claws in the air, in expectation of catching one of the bright fish someday.  For that reason the boy tried to remove the crab in the past, but even though the boy was fast with his hand, the optical illusion of the tank would always send his hand where the crab no longer was.  He did not know how to use two hands to rid the crab in the future by trapping and destroying the Cannibal Crab ;  his father, on a weekend visit, gave the Crab to the boy to put into the bright world of the saltwater tank, which Sake quickly regretted.  His father promised him that the Crab would not be able to catch any of the fish he said " ...***** only eat anything that has fallen to the bottom or each other..."

         A scream from the living room downstairs ran up the rickety wood and down the long hall and startled the boy.  His mother sent her shrieks out to grab the boy, allowing her to not have to waste any time nor calorie on her son; for she would tire from the stairs, but her screams would not, allowing her to stay curled up on the couch.  If she was not screaming for Sake, she was talking as loud as screams on the phone with her girlfriends.  The decibels from her laugh was torture for all in the silent house.   A haughty laugh in a gossipy conversation, that overpowered the sound of the bright tropical fish tank in Sake's room that was above and far opposite her in the living room.
               " Sake you have to get a paper-route to pay for the tank, the electricity bill is outrageous," she said while not taking her eyes off the TV and her legs curled up beside her.  He would glad fully get a paper-route even if it was for a made up reason.  He turned to go, and looked back at his mother, and a shudder ran through him with a new thought:  someday her appearance will match her voice.  

              Upon reaching his tank,  Hoomah was trying to get his attention as always.  Taking up pebbles in his big pouty pursed lips and spitting them out of his lips like a weak musket.  The Hoomah was a very silly fish, it looked like one of Sake’s aunts, with too much make up on, slightly overweight, and hovering on two little fins that looked incapable of keeping it afloat, but they did.  The fins reminded him of the legs of his aunt--skinny under not so skinny.’

               The Tang was doing his usual aquanautics , darting and sailing was his trick.  He was fast, the fastest with his bright yellow triangular sail cutting the water.  Next was the aggressive Clown fish, the boy thought she was always aggresive because she didn't have an anemone to sleep on.  The Clown was strong and sleek with an orange jaw and body that was built like a tigress.
  Sake thought something tragic about the body if the  orange Clown and the three silver traces that clawed her body as decoration -they reminded him of the incandescent orange glow of a street lamp being viewed through the rainy back windshield of a car.   The Clown fish was a distraction that craved attention.
The Clown would chase around some of the other fish and jump out of the water to catch the boy's eye. 
                 Next is the Queen Angel fish, she is the queen of the tank, she sits in back all alone, waving like a marvelous banner, iridescent purple and golden jade.  Her forehead slopes back in a French braid style that streams over her back like a kings standard waving before battle, but her standard is of a house of beauty, and that of royal purple.

                    Lastly is the Damsel Fish, the smallest and most vulnerable in the tank.  She has royal purple also, rivaling the queen. Her eyes are lashed but not lidded like the Hoomah.  Her eyes are elliptical, and perhaps the most human, or in the boy’s opinion, she is the most lady like, the Hoomah and the Queen Angel come to her defence if she is chased around by the Clown.  Her eyes penetrate the boys, to the point of him looking away.  

                      Before the tank, in its place in the corner was a painting, an oil painting of another type of Clown donning a hat with orange partial make-up on his face (only around eyes nose and mouth there was ghost white paint) and it  had two tears coming down from its right eye.  The Clown painting was given to him by his mother, it seems he could not be rid of them, but Sake at first was taken in by the brightness of the Clown, and the smooth salacious wet look of the painting. it looked dripping, or submerged, like another alternate reality.  The wet surreal glaze of the painting seemed a portal, especially the orange glow of the Clown's skin without make-up.  .  If he tried to remember of times  before the Clown painting that preceded the Clown fish, he thought of the orange saffron twilight of sunset, and watching it from the high window from his room in the towering house.  How that light changed everything that it touched, from the tree tops and the clouds, to even the dark hallway leading up to his room.  The painting and the Clown fish did not feel the same as those distant memories of sunset, especially the summer sunset when his mother would put him to bed long before the sun had set.  
Sake did not voice opposition to the Clown.
Then he was once again trapped by the Clown.  
            The boy was extremely afraid of this painting that replaced the sunsets , being confined alone with it by all those early bedtimes.
Sake once asked his mother if he could take it down, whereas she said " No."  That clown would follow him into his dreams, always he would be down the hill from the tall house on the hill, trying to walk back to the house, but to walk away or run in a dream was like walking underwater or in black space, and he would make no distance as the ground opened up and the clown came out of the ground hugging him with the pryless grip of eight arms.  He would then wake up amid screams and a tearful hatted clown staring somberly down at him from the wall where it was hung.  Night made him fear the Clown painting more;  that ghost white make-up decorating around the eyes and mouth seeming to form another painting in entirety.  He could only look at the painting after a while when the lights were on, and the wet looking painting was mostly orange from the skin, neck, and forearms of the hat wearing clown.  But the painting is gone now, and the magnificent light display of the tank is there now.  

                Sake pulled out the fish food, all the fish bestirred in anticipation of being fed.  The only time they would all come together; and that was to mumble the bits of falling flakes: a chomp from the Clown, a pucker from the Hoomah, the fast mumble of the Tang, and the dainty chew of the Damsel.  The Queen Angelfish would stay near the bottom, and kiss a flake over and over.   She would not deign herself to go into a friendly frenzy like the other fish; she stayed calm, yet alluring like a flag dancing rhythmically in the breeze, but never repeating the same move as the wind never repeats the same breeze.  She is the only fish to change colors.  When the grey skies of Mass emit through every portal in the house at the height of its bleakness, her colors would turn more fantastic, perhaps why she is queen.

                 He put his finger in the top of the watery world; the warmth was felt all the way up his arm.  After feeding, his favorite thing to do was to trace his finger on the top of the warm water and have the Damsel follow it. She loved it, it was her only time to dance, for the Clown would descend down in somewhat fear ( or annoyance) of the boys finger, and the Damsel and he would dance.  The boy, thought that extraordinary.

                     Sake bedded down that night, to his usual watery world of his room.  The reflective waves running down the walls like seagulls of light, with the rhythmic gurgling sound and it's occasional splash of the Clown, or the Hoomah swooping into the pebbly bottom to scoop up some pebbles for spitting making the sound "ccchhhhh" --cachinging  like a distant underwater register.  The tank’s nocturne sound was therapeutic to the boy.

                      Among waking up, and being greeted by his sparkling treasure tank--that was always of the faintest light in the morning due to the grey skies of Mass coming through every portal to lessen the tropical spectrum-- the boy would render his salutations " Good morning my Hoomah.....good morning Tang, my Damsel, and your majesty Queen Angel.....and so forth.  Until the scream would come to get him, and he would walk briskly past the empty room and the looming family pictures of strangers.  His mother put him to work that day, to "pay for the fish tank" but really to buy her a new cocktail dress for her nightly forays.  The boy did not care, the tank was his sun, emitting through the bleak skies of Mass, and even if the tank was reduced to a haze by the overcast of his life, it only added a log to the fire that was the tropical world at night, in turn making him welcome the dismal day.
                  On a day, when the overcast was so thick, he felt he could not picture his rectangular orb waiting for him at night. He had trouble remembering what houses to deliver the paper.  He delivered to the same house three times.  Newspapers seemed to disappear in his hands, due to their color relation to the sky.   Leaves were falling from the trees—butterfly like—he went to catch one, he missed--a first. For Sake could walk through dense thorned brambles and avoid every barb, as a knight in combat or someone’s whose heart felt the painful sting of the barb before.  He would stand under a tree in late fall, and roll around to avoid every falling leaf, and pierce them to the ground deftly with a stick fashioned as a sword.  He could slither between snow flakes, almost like a fish nimbly avoiding small flakes.  
                  After he finished his paper-route , he went to his usual spot under an oak tree to fence with falling leaves.  As the other boys walked by and poked fun he would stall his imagination, and look to the brown landscape of the dry fall.  The crisp brown leaves of the trees were sword shapes to him.  He held the battle ax shape of the oak leaf over his eye held up by the stick it was pierced through, and spied the woodline through the sinus of the oak leaf lobe.  The brown white speckled scenery, were all trying to hide behind eachother by blending in bleakfully; he pretended the leaf was Hector’s helmet from the Illiad—donned over his eyes.
“ Whatchya doing Sake?” asked a young girl named Summer.  Sake only mumbled something nervously and stood there.  And a pretty Summer passed on after Sake once again denied himself of her pretty company.  He looked to the woodline again, a mist was now concealing the tall apical trees.  It now looked like the brown woodland was not trying to retreat behind eachother in fall concealment, but trying to emerge forth out of the greyness to say "save us."

“ Damgf” he uttered, and could not even grasp a word correctly.  His head lifted to the sky repeatedly, there was no orb, and the shadows were looming larger than ever; fractioned shadows from tree branches were forming scythes all over the ground.
             He entered the large shadow that was his front door, into the house that rose high into the sky, with the simplicity of Stonehenge.  He climbed the rickety petrified stairs and went down the hall.  Grey light had spotlighted every frame on the wall.  He looked into the empty room, nothingness, then his room, the tank seemed at its faintest, and it was nearing twilight.  He walked past the tank to look out the w
Cné Jun 2018

paint me
with the wet tickle
of your tongue
lingering with affection
savoring my fervent flavor
in bold strokes
of your obsession

color my essence
in heated hues
sending shivers
down my spine
in anticipation
of your warm breath
against my flesh
with every blissful caress
to ensue painted petals
of animation

with your supple lips
gently blur the lines
of my curved hips
softly stroking
the subtle shadows
of warm depth,
blushing
quivering thighs
as I gasp
of breath

plunge in
a primer coated palette
dipping your stiff paintbrush
deep within
the folds of my blanket
manipulating
a trembling image
of your voracious lust.

craze me
again and again
in breathless
****** glow,
your sensual brushstrokes
gently murmuring
layer on layer
in alla prima flow

delve deep
into my eyes
paint splattering
the passion
of my soul
drizzling silken strands
of love
in their entirety,
polishing me whole

and then
in blissful backwash
admire
the tangled limbs
interposed
of your
completed masterpiece
in smiling
sated repose

RAJ NANDY Aug 2018
THE ENIGMA OF TIME IN VERSE: PART TWO
Dear Friends, having introduced ‘The Enigma of Time in Verse’ in Part One, along with few selected poetic quotes, I now mention what some of the important Philosophers thought about Time down the past centuries. But while doing so, I have tried my best to simplify some of those early concepts for better understanding and appreciation of my readers. If you like it, kindly re-post the poem. Thanks,  – Raj Nandy of New Delhi.

          THE ENIGMA OF TIME IN VERSE : PART TWO
   I commence by quoting Sonnet 60 of Shakespeare about Time,
   Hoping to seek some blessings for this Part Two composition of
   mine!
“Like as the waves make towards the pebbled shore,
  So do our minutes hasten to their end;
  Each changing place with that which goes before,
  In sequent toil all forwards do contend.
  Nativity, once in the main of light,
  Crawls to maturity, wherewith being crown’d,
  Crooked elipses ’gainst his glory fight,
  And Time that gave doth now his gift confound.
  Time doth transfix the flourish set on youth
  And delves the parallels in beauty’s brow,
  Feeds on the rarities of nature’s truth,
  And nothing stands but for his scythe to mow:
  And yet to times in hope my verse shall stand,
Praising thy worth, despite his cruel hand.”

              PHILOSOPHY OF TIME
Animals are said to live in a continuous present,
Since they have no temporal distinction of past, future,
or the present.
But our consciousness of time, becomes the most
distinguishing feature of mankind.
Though we are mostly obsessed with objective time, -
As the rotation of our Earth separates day from night.
With the swing of the pendulum and the ticking of clocks,
Which regulates our movements, while we try to beat the clock!
But the ancient theologians and philosophers of India and
Greece,
Who were among the first to ponder about the true nature
of all things,
Had wondered about the subjective nature of time;
Was time linear or cyclic, was time endless or finite?

GREEK PHILOSOPHERS ON TIME:
I begin with Heraclitus, the Pre-Socratic philosopher of 6th Century BC born in Ephesus.
He claimed that everything around us, is in a constant state of change and flux.
You cannot step into the same river twice Heraclitus had claimed,
Since water keeps flowing down the river all the while and never
remains the same.
This flow and change in Nature is a process which is ceaseless.
The only thing which remains permanent is impermanence!
Here is a quote from poet Shelley reflecting the same idea:
“World on world are rolling ever
  From creation to decay
  Like the bubbles on a river
  Sparkling, bursting, borne away.”

Now Heraclitus was refuted by Parmenides, born in the Greek colony of Elea,
On the western coast of Southern Italy, as his contemporary.
Parmenides said that our senses deceive us, since all changes are mere illusory!
True reality was only eternal and unchanging ‘Being’, which was both indivisible and continuous - filling up all space.
Zeno, a pupil of Parmenides, through his famous ‘Paradox of Achilles and the Tortoise’ had shown, that when the tortoise was given a head start,
Swift footed Achilles could never catch up with the tortoise,
Since the space between the two were infinitely divisible, resulting in the impossibility of movement and change in motion!
Now the Greeks were never comfortable with the Concept of Infinity.
They preferred to view the universe as continuous existing ‘Being’.  
However, unlike Heraclitus’ ‘world of change and flux’,
Both Parmenides and Zeno have presented us, with a static unchanging universe!
Thus from the above examples it becomes easy for us to derive,  
How those Ancient Greeks had viewed Time.
Time has been viewed as a forward moving changing entity;
And also as an illusory, continuous and indivisible Being!
To clarify this further I quote Bertrand Russell from his ‘History of Western Philosophy’;
“Creation out of nothing, which was taught in the Old Testament, was an idea wholly foreign to Greek philosophy. When Plato speaks of creation, he imagines a primitive matter, to which God gives form as an artificer.”

PLATO AND ARISTOTLE ON TIME:
For Plato, time was created by the Creator at the same instance when he had fashioned the heavens.
But Plato was more interested to contemplate on things which lay
beyond the sway of time and remained unchangeable and eternal;
Like absolute Truth, absolute Justice, the absolute form of Good and Beauty;
Which were eternal and unchangeable like the ‘Platonic Forms’, and were beyond the realm of Time as true reality.
Plato’s pupil Aristotle was the first Greek philosophers to contemplate on reality inside time, and provide a proper definition as we get to see.
He said, “Time is the number of movement in respect to before and after” - as a part of reality.
To measure time numerically, we must have a ‘before’ and an ‘after’, and also notice the difference objectively.
Therefore, time here becomes the change which we see and experience.
Time takes on a linear motion moving from the past to the present;
And to the unknown future like a moving arrow travelling straight.
Aristotle had developed a four step process to understand everything inside of Time and within human experience:
(a) Observe the world using our senses,
(b) Apply logical rules to these observations,
(c) To go back and consult past authorities, if your logic agrees with their logic,
(d) Then only you can come to a logical conclusion.

No wonder in our modern times, experiments conducted by the LDC or the Large Hadron Collider, located 100m underground near the French-Swiss border,
By going back in time simulates the ‘Big Bang’ conditions, that moment of our universe’s first creation.
The scientists thereby, study the evolution of our universe with time, which  resulted in the  finding of the Higgs Boson !  (On 4thJuly 2012)

NOTES :  All elementary particles interacting with the Higg's Field & obtain Mass, excepting for photons & gluons which do not interact with this field. Mass-less photons can travel at the
speed of light with a mind boggling 186,000 miles per second! Now this LDC is a Particle Accelerator 27 kms long ring-shaped tunnel, made mostly of superconducting magnets, inside which two high-energy particle beams are made to travel close to the speed of light in opposite directions, and the shower of particles resulting from the collision is closely examined, presuming that these similar shower of particles must have been produced at the time of the ‘Big Bang’ some 13.8 million years ago, at the time of Creation! Sound like fiction? Well, Prof. Peter Higgs got the Noble Prize for Physics, for locating the particle called ‘Higgs Boson’ among those shower of particles, on 10th Dec. 2013.

NOW TO LIGHTEN UP MY READERS MIND, FEW TIME QUOTE I NOW PROVIDE :

“TIME WASTES OUR BODIES AND OUR WITS,
  BUT WE WASTE TIME, SO WE ARE QUITS!” – Anonymus.

‘Time is a great Teacher, but unfortunately it kills its Pupils!’ – HL Berlioz

“Lost , yesterday, somewhere between sunrise and sunset, two
   golden hours,
   Each set with sixty diamond minutes.
   No reward is offered, for they are gone forever!” – Horace Mann


PLOTINUS & ST. AUGUSTINE ON TIME:
Now getting back to our Philosophy of Time, there was Plotinus of the 3rd Century AD,
The founder of the mystical Neo-Platonic School of Philosophy.
He had followed Plato’s basic concept of Time as “the moving image of eternity.”
Mystic Plotinus tried to synthesize both Aristotle and Plato by saying that the entire process of cosmic creation,
Flows out of the ONE  through a series of emanation!
This ONE gave rise to the ‘Divine Mind’ which he called the ‘Realm of Intelligence’ and is an aspect of reality,
When everything is understood in terms of Platonic Forms of Truth, Justice, the Good, and Beauty.
However, the later Christian theologians had interpreted this ONE of Plotinus, -
As the Christian God, the Divine Creator of the Universe.
For God is eternal, in the sense of being timeless, in God there is no before or after, but only a timeless present.

Now this lead St. Augustine, to formulate a very admirable relativistic theory of Time!
St. Augustine, the greatest constructive teacher of the Early Christian Church, had written in Book XI of his ‘Confessions’ during  5th century AD, -
His thoughts about the enigma of Time which had perplexed the Greek philosophers of earlier centuries.
To simplify St. Augustine’s thoughts, I now paraphrase for the sake of clarity.
Time can only be measured while it is passing, yet there is time past, and time future in reality.
To avoid these contradictions he says that past and future can only be thought of as present: ‘past’ must be identified with memory, and ‘future’ with expectation.
Since memory and expectation being both present facts, there is no contradiction.  
“The present of things past is memory, the present of things present is sight; and the present of things future is expectation,” - wrote St. Augustine.

This subjective notion of time led St. Augustine to anticipate Rene Descartes the French philosopher the 17th Century,
Who proclaimed “Cogito, ergo sum” in Latin, meaning “I think, therefore I am”, and is regarded as the Father of Modern Philosophy.

Now cutting a long story short I come to Sir Isaac Newton, well known for his Laws of Motion and Gravity.
Newton speaks of ‘Absolute Time’ which exists independently, flowing at a consistent pace throughout the universe, which can only be understood mathematically.
Newton’s ‘Absolute Time’ had remained as the dominant concept till the  early years of the 20th Century.
When Albert Einstein formulated ‘Theory of Space-time’ along with his Special and General Theory of Relativity.

Now the German philosopher Leibniz during 17th century, had challenged Newton with his anti-realist theory of time.
Leibniz claimed that time was only a convenient intellectual concept, that enables to sequence and compare happening of events.
There must be objects with which time can interact or relate to as ‘Relational Time’ he had felt.
Ernst Mach, like Leibniz towards the end of 19th Century, said that even if it was not obvious what time and space was relative to,
Then they were still relative to the ‘fixed stars’ i.e. the bulk of matter in the universe.

CONCEPT OF TIME AS 'SPECIOUS PRESENT' :
During late 19th century, Robert Kelley introduced the concept of ‘spacious present’, which was the most recent part of the past.
Psychologist and philosopher William James developed this idea further by describing it as ‘’the short duration of which we are immediately and incessantly sensible’’
William James also introduced the term “stream of consciousness” into literature as a method of narration,
That described happenings in the flow of thought in the mind of the characters, - likened to an internal monologue!
This literary technique was later used by James Joyce in his famous novel ‘Ulysses’.

TIME CONCEIVED AS DURATION: HENRI BERGSON (1859 -1941)
Next I come to one of my favourite philosopher the French born Henri Bergson.
The Nobel Laureate and author of ‘Time and Free Will’ and ‘Creative Evolution’.
Will Durant in his ‘Story of Philosophy’ says Bergson was ‘the David destined to slay the Goliath of materialism.’
It was Bergson’s ‘Elan Vital’ that life force and impelling urge, Which makes us grow and transforms this wandering planet into a theatre of unending creation.
For Bergson, time is as fundamental as space; and it is time that holds the essence of life, and perhaps of all reality.
Time is an accumulation, a growth, a duration, where “duration is the continuous progress of the past which gnaws into the future and which swells as it advances.
The past in its entirety is prolonged into the present and abides there actual and acting.
Duration means that the past endures, that nothing is lost.
Though we think with only a small part of our past; but it is with our entire past that we desire, will, and act.”
“Since time is an accumulation, the future can never be the same as the past, -
For a new accumulation arises at every step, and change is far more radical than we suppose…the geometric predictability of all things, Which is the goal of a mechanistic science, is only a delusion and a dream!”  
Bergson goes on in his compelling lyrical style:            
“For a conscious being, to exist is to change, to change is to mature,
to mature is to go on creating one’s self endlessly. Perhaps all reality is time and duration, becoming and change.”
Bergson differed with Darwin's theory of adaptation to environment, and stated;
“Man is no passively adaptive machine, he is a focus of redirected force, a centre of creative evolution.”

Martin Heidegger, the German thinker in his ‘Being and Time’ of 1927, had said:
“We do not exist within time, but in a very real way we are time!”
Time is inseparable from human experience, since we can allow the past to exist in the present through memory;
And even allow a potential future occurrence to exist in the present due to our human ability to care, and be concerned about things.
Therefore we are not stuck in simple sequential or linear time, but can step out of it almost at will!

CONCLUDING  PART  TWO OF ENIGMA OF TIME IN VERSE
In this part I have tried to convey what the Ancient Greek Philosophers had felt about Time in a simplified way.
Also some thoughts of Medieval and Early Modern philosophers and what they had to say.
Where Sir Isaac Newton stands like a colossus with his Concept of Time, Laws of Motion, and Gravity.
Not forgetting Henri Bergson, one of my favourite philosopher, of the mid-19th and the mid-20th Century.
All through my narration I had tried to hold the interest of my readers, and also educated myself as a true knowledge seeker.
In my concluding Part Three I will cover few Modern Philosophers along with the relativistic concept of time.
Certainly not forgetting the space-time theory of our famous Albert Einstein!
Thanks for reading patiently, from Raj Nandy of New Delhi.
  *ALL COPY RIGHTS ARE WITH THE AUTHOR ONLY
Any song can sound sweet,
if you tune your tone appropriately,
and add a lyric,
with a melody
and I have seen where there is a life,
there is a song
but some songs are not only a love song
that notion was a loop, intense, black and blue passionate song
was not romantic

She was a sad song
and I thought I would know how to make it better
like if I could be the only to love her again,
I believed that everything would fall into a melodious love song
but  I lost a few lines of lyrics
and there was bit melody missing that I couldn't find
and I saw too many scratches on the disc
I couldn't let myself be made no longer
trying to fix her entirety.
.
@Musfiq us shaleheen
scratches on the disc
*** trafficking – the trafficking and debasement of souls; Drug trafficking – the trafficking of substances that debase the body.  Here compared you will find the prevalence, impact, and rehabilitation processes associated with *** and shrug trafficking.  Respective clientele, demographics, and locales that these types of trafficking touch will be revealed in order enlighten you to their world-wide prevalence. The physical, emotional, spiritual, and psychological impact of lifestyles that result from these two types of trafficking will be detailed to etch vividly an image of just how far-reaching the impact of these two activities is. Light will be shed upon the rehab processes that lead to recovery from each.
                 According to UnoDC.org, the United Nations Office on Drugs and Crime, the use of illicit drugs has remained in a stable trend, with approximately the same number of people using illicit drugs each year. This trend has continued for a number of years. Upon examining the world drug report, written by UnoDC.org, production of several drugs exhibit particularly interesting trends. ***** production for example fell and spiked in a somewhat predictable patter from 1990 until 2010. When this data is graphed a reasonable medium appears for all the years, revealing that ***** production has stayed around an average production of roughly 200,000 hectares annually. Likewise, coca cultivation pictures an interesting trend. From 1990 to 2010 coca production appeared to be almost identical each year, and with little to no rise or fall in production, there is a similar trend in its being trafficked.  
Nefarious: Merchant of Souls is a documentary that was released in 2012 by Exodus Cry Its producers and researchers saw firsthand the atrocities of the *** trafficking industry. The film crew interviewed former pimps and prostitutes, spoke to traffickers, the families of the trafficked and to individuals still actively engaged in three sides of the *** trade referring to currently employed pimps and prostitutes as well as those who purchased ***. The researchers and producers interviewed eastern European gang members and took a trip to Amsterdam’s red-light district – home of legal prostitution. They journeyed to Los Angeles and saw the glamorized side of the dark issue of *** trade.
According to Nefarious, the number of humans trafficked for the purpose of providing ****** services is on a shockingly steep rise. In a matter of a few years, *** trafficking rose from the third largest criminal enterprise to the second. It is second only to drug trafficking and is vying for the position as top criminal enterprise in the world. It is encroaching upon that position far more speedily than any authority or decent human being would care to acknowledge.  A survey taken in 2010 by DART (the drug awareness resistance training program) revealed that 21.8 million people aged 12 and older had taken an illicit drug in the previous month. In 2010 it was estimated that between 153 and 300 million people had used an illicit drug at least once in the previous year. These statistics fail to take into account the impact that this usage has on the lives of the families of drug users. Neither do these statistics reveal the extent to which drug users lifestyles are impacted by drugs. However, nearly  every single human trafficked for ****** purposes is completely and utterly enveloped in the lifestyle of prostitution and the violent world of being prostituted. In Nefarious a shocking statistic is revealed. Approximately ten percent of the entire human population of earth has been trafficked. Both human and drug trafficking are prevalent across the globe. Human trafficking occurs in 161 of 192 countries. Illicit drugs are trafficked in every country that has laws that deem substances unlawful. There are little to no race, religion, ethnicity, or age restrictions on who can and is trafficked for use of ***, but drugs are far more limited by age and ethnicity in their use.
Drug trafficking, though similar to *** trafficking in many ways, is in no way as substantial a damaging force to the mind, soul, and spirit as the world of *** trafficking  is in terms of the critical and dangerous force it exhibits in the emotional, physical, psychological, and spiritual  impact it has on young girls. Both drugs and *** trafficking have some influence in all of these respective areas. The primary area in which people are affected by drug use is the physical. Drug users’ health declines, they become physically or psychologically dependent, and they may develop diseases from sharing of needles or lack of inhibitions that lead to *** with an infected individual. Drugs may, in some rare cases, lead to psychoses and mental disorders. They may cause brain damage, which is both physically and mentally damaging. Drugs may even set one’s heart and soul in a place that they are more susceptible to lies or truth. They alter spiritual state for some individuals, but only mildly. However, *** trafficking victims are impacted majorly and in their entirety as a person. In all aspects of the physical, mental, and spiritual, *** trafficking victims are consumed by *** trafficking. In Nefarious it is revealed that In order to “break” *** trafficking victims they are profusely beaten, and are psychologically toyed with to create a twisted trust and dependence on their various handlers. They are repeatedly *****, and are examined like cattle by those who wish to buy women. They are imprisoned in dark rooms and not allowed to leave unless told to do so. They are bedridden and forced to ******* themselves. After being broken in ways described above and sold to a ****, girls are forced every day to meet certain quotas of customers and cash flow. If they do not meet these they are beaten even more. They lay in bed sometimes a week at a time to recover physically enough to usefully return to their “job”.  Through this hellish ordeal, their soul, self-worth and identity are being attacked by circumstances that devalue them. They become like animals.
*** trafficking victims become dependent on their environment for normalcy. This is so true for some individuals that even though they have been rescued from the lifestyle, they return.  This is not because the *** trafficking victims enjoys the lifestyle of prostitution, and it is not because they want to. Instead, it is because they think they can be nothing more than a *******. The *** trafficking victim, in this case, believes that they need to settle into the numb and thoughtless mind state that they develop when broken. Returning to prostitution does not evidence an addiction. In contrast, it is the cry of a soul that is desperately trying to cope. They do this in order to feel as if they can survive.  
The rehab processes for *** and drug trafficking differ greatly in commitment and length, but are similar in that they both require physical and psychological rehabilitation.  Drug rehabilitation programs typically consist of twelve-step programs or something similar. They last a number of months, or occasionally a few years. They allow individuals counsel and encouragement, and they attempt to, by abstinence, exorcise an addicted individual’s addiction. *** trafficking rehabilitation requires the re-creation of an individual. Self-worth must be reconstructed. The spirit must be healed in order to allow for psychological healing. Prostitutes are not addicted to prostitution, but prostitution produces dependence in that the prostituted crave normalcy. This dependence must be killed. Successfully rehabilitating women from this forced lifestyle requires lifelong commitment and endless resources. It requires passionate fanatics, people who will pour their life into changing the lives of others, because only the incurable fanatic can wreak havoc on the tragedy of human trafficking. Any short-term effort to rehabilitate a *** trafficking victim is doomed to failure. The degree to which the brokenness of *** trafficking victims becomes ingrained in them is so extreme that it takes a lifetime to reshape their lives.
While researching *** trafficking in order to accurately produce Nefarious, the researchers and producers of Nefarious became convicted by facts that they collected. The evidence they collected speaks to the fact that *** trafficking does not just attack the body; it attacks the entire being, and in far worse ways than drugs ever could. Varied races and ages are prostituted and / or consume drugs. The impact of both of *** and drug trafficking is severe, but much more so severe in the case of human trafficking. The rehab process for human trafficking is much more in depth and is testament to the horror and degree of psychological, mental, and emotional disfigurement, as well as acclimation to a horrible situation to the point that horror becomes normal – a new definition of addiction. Human trafficking is an atrocity that is far more horrendous and prevalent than imaginable. It is far more destructive than drug trafficking. Drug trafficking is one of the most destructive forces in this generation.  Surely consuming drugs is one of the most horrid things we can do to our bodies, but what about consuming souls? *** trafficking consumes souls, hearts, minds and bodies. It splits, fragments, debases, brutalizes, obliterates, murders, rapes, molests, destroys, and dehumanizes the prostituted.  Drug trafficking attacks the body the soul, and sometimes the mind, but in much milder ways.
Terry O'Leary Sep 2015
1
Though still within our infancy,
we strive to thrive, but woefully
we flash and flaunt our 'primacy',
display our trophies pridefully.

Our terra firma ecstasy
destroys survival's harmony,
lays waste to life on land and sea.
Mankind, thy name is vanity!

By doubting Nature's regnancy,
defying laws with levity,
we strain our spheroid's symmetry
(perhaps a fatal fallacy?)

for, swallowed in the 'world of we',
we feed on vain insanity
with thoughts beyond eternity -
so strange when looked at mortally.

No use to seek a remedy
ensconced in ancient prophecy
for if not handled skillfully,
as clay we'll pay the penalty.

                              2
The Moguls rule with cruel decree,
control the crowds like puppetry,
pursuing greed addictively
with no accountability.

The wind, it reeks of Royalty
(awash in waves of perfidy)
while blowing ’cross the peasantry
(eclipsed in clouds of treachery).

The Queen, well steeped in snobbery,
sits, preening proud Her pedigree,
on throne of sculpted ebony
while sipping Sect immodestly;

to sate Her Regal Majesty,
a caviar clad canapé
is served with golden cutlery
by maidens bent submissively.

The King is bailed from bankruptcy
by Knaves who hoodwink artfully
the down-and-outer evictee
who wallows in their lenity.

Forsooth, the Money Monarchy
exalts the dollar dynasty
engaged in highway robbery
by Peacocks plumed in finery.

Yes, Jesters and the Fools agree
to truckle to duplicity
and laugh about it witlessly.
Long live the peon's penury!

                          3
To champion an oddity
(like two times twelve is fifty three)  
one reaches to theology
through paths of circularity.

In bygone trials of travesty
the doubters, draped in blasphemy,
endured the pain and agony
inflicted by the papacy.

Inspired by the Trinity
fanatics bent cosmology
in geocentric fantasy
while Bruno burned for heresy;

and aged women, randomly
accused of wicked witchery
by justice framed in infamy,
were racked and shown no clemency

That epoch of credulity
(when savants fostered sorcery
and practiced ancient alchemy)
arose in dark age quackery

as clerics dripping piety
(while raging, raving rabidly)
pervaded thralled society
with callous inhumanity;

'repent', they bellowed, 'verily,
forsake the world's iniquity,
live lives of want and chastity,
and give your gelt to God through me'.

                    4
The Masters make a mockery
of freedom and democracy
by holding down the uppity,
released from shackled slavery,

now fettered in a factory
else strewn across the Bowery,
still chained in bonds of bigotry,
immersed in seas of poverty.

And colliers, tapping balefully
in sunken-mine solemnity,
yet thrum a mournful monody
some call the digger's elegy.

To children, pale and raggedy
(behind a day of drudgery),
the boss man, oh so gallantly,
bestows a penny, niggardly;

though some are fed (belatedly),
their eyes recede in apathy
while bellies bulge, inflatedly,
with mothers watching, wretchedly.

When met with health adversity
or broken bone infirmity,
the pauper dangles helplessly
with no insurance policy;

and those engulfed in lunacy
are ailing blobs left floating free
in ******-dream obscurity -
a mired madhouse odyssey.

Ignoring mankind's unity,
the rich and poor dichotomy
breeds dismal doomed finality,
eventual nihility.

                        5
Renewing days of chivalry,
wild warriors fighting valiantly
bring freedom neath the gallows tree
while blending blood and burgundy

to toast the slaughtered enemy,
and so convince the colony
to cede with smile on bended knee
and yield her diamonds, silk and tea.

At first they call the cavalry
and then again the infantry,
so proudly primped in panoply,
with arms from finest armory

(embraced in hands so tenderly
bestow benign atrocity) -
and soon atomic weaponry
will extirpate posterity.

                          6
Misusing high technology
(to feed the face of gluttony)
depletes our Rock of energy,
now slowly dying thermally.

Our gadgets breathing CFC
fuel ozone holes' immensity
while cloud bursts, raining acidly,
wilt woods in their entirety,

and rivers, tainted chemically,
polluted biologically,
refill our cups methodically
and drown our souls organically.

Adjusting genes mechanically
may well blot out the bumble bee
annulling fruits' fecundity,
but brings big bucks reliably.

We wager perpetuity
to revel momentarily
in shadow-like obscurity
ignoring the futility,

but if we bet unknowingly
on fickle fate's contingency
and thereby act haphazardly
we're doomed to lose the lottery.

                 7
The modern day bureaucracy
abuses trust egregiously ,
embeds itself in obloquy
and offers no apology.

It paints the past in reverie
to camouflage the tendency
to strip away our privacy
which paves the path to tyranny.

With earlobes lurking furtively
that listen surreptitiously,
and eyeballs peering piercingly
we've lost cerebral sovereignty,

and those who dare to disagree
must hide away in secrecy
else crowd a black facility
(with water board anxiety).

                  8
Yes, sans responsibility,
our marble in this galaxy
will crumble in catastrophe
ere ever reaching puberty…
Shofi Ahmed Aug 2018
The world is small even heaven isn't big.
But an uncreated Word is,
an expression of love and promise!

The tale of the beginning
the tale of the end without the ending.
Soon God said it 'Qun' be
Bang it couldn't be bigger indeed.

Everything small and big the complete
creations panache came to be so big!
Body is small the soul came in the front.
Every soul banged explored at once.
All heard the same Word it was only one
that sets the tone for the first to the last.
So sweet it took everyone’s heart!

The death wouldn’t touch the soul
that already died but couldn’t die.
Revived there and then instantly,
hearing the 'Qun' the uncreated melody!
Crooned up even through the dead-end
surged up to the other side of the black hole.
Like a waxing Moon passed over, crossing
the asleep body in the shadow, yet in the making!

Adam was yet to be in the body.
It wasn’t in the physical element
that by no means could hear it!
Unlike the abyss soul there
the sea can take a dip.
The cloud spills and rains
but only to revert back to the sea
showering the shallow body.

Unable to resist it, the first big bang
didn’t take place in a physical body!
Not in the star, milky way or in the galaxy
nor an orb is as scientific as the human body!

He said ‘Qun’ again and the first big bang
on the matter takes place in Fathima’s joint
interlacing her live soul and pre-design body!
It cut through the irrational pi in between
the soul and body now gel in melody!
So that the grand manifestation in bloom
shall continue to resonate perpetuating the body.
With pure love without a condition without a boundary.

Nature that was yet to be, gets a mirror in its entirety.
and bang big upon hearing ‘Qun’ be, says the Almighty.
It comes to be and shall perish only to be an eternal body!
Q Sep 2015
When I ask for all of someone
I want them in their entirety
From their thoughts to their skin
To every bit of the world they see.

I'm not asking for the most you've given
To anyone before.
I'm asking for every second you've lived in.

When I count someone as my own
They mean more than every person
They mean the moon, the stars, the air I breathe
They mean all of the love I have to give, and then some.

I reach out for friendship and receive family
I'm not loyal for them
I'm loyal for what they mean to me.

When I've chosen to be close to someone
I've chosen to take on their every burden
Whether big or small or morally corrupt
I'll shoulder the weight of it for them.

I'm not asking them to bind to me
Something so trivial has no appeal
I'm asking for their entirety.
remembering topics I talked to my psychiatrist about (and failed to explain correctly)
More thanks to V for helping me correct the last stanza :)
Nigel Morgan Oct 2012
There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours



He then realised what the date was . . . and slowly let his hands fall to his lap.
Bethany G Blicq Dec 2016
Choosing to love
shows the world
what God is like.
Loving,
is to manifest God.
By loving the entirety
of creation, we become
The Way, The Truth, and The Light.
Written in 2016.
Bethany G. Blicq

Thank you for reading!
judy smith Sep 2016
In light of the recent flood of indie designers coming forth to call foul on fast fashion retailers for copying their designs (paired with a few not-so-fast fashion brands, which have been called out for copying, as well), a common question seems to be: Why is this ok? In particular, why is it perfectly acceptable for Zara to copy these designers’ work? How is this practice legal?

Well, put simply, copyright law is not necessarily a friend to fashion in the United States. This is a blanket statement, of course, but it bears quite a bit of truth, nonetheless. Since copyright law, the sect of intellectual property law that protects "original works of authorship,” such as books, paintings, sculptures, and songs, does not protect useful things, such as clothing and accessories, it provides little protection for those things in their entirety. Creative elements of a design that can be separated from the functional elements are subject to protection, which is why elements of a garment, such as a print that covers it, may be protected (as Pictorial, Graphic or Sculptural Works). This protection-by-separation method, however, does little to ward off copiers.

Moreover, unlike in most cases of the copying of garments, the copying of original jewelry designs often tends to give rise to legal ramifications as jewelry is afforded greater copyright protection in its entirety than garments are. However, as evidenced by Nasty Gal’s continuous sale of infringing jewelry designs, for instance, this also does little to deter copycats.

Other forms of intellectual property protection (think: trademark and patent protection) arguably are not ideal for fashion designs either. Trademark law only protects a designer’s name or logo – with some exceptions under the doctrine of trade dress which are relatively rare. Patent protection – namely, by way of design patents – is not terribly useful for designers because it is expensive (patent protection costs thousands of dollars to achieve) and takes a relatively long time (upwards of one year) to obtain. That’s simply too long for most fashion brands, whose business models depend on trends and season-specific wares. Taken together, this is why fast fashion retailers make hundreds of millions of dollars by copying high fashion designs and only are very rarely sued – let alone penalized – for doing so.

It is worth noting that this is not the case in other countries – namely, in the countries of the U.S.’s international fashion competitors. Copyright protection in the UK is not terribly dissimilar from that in the United States. However, the European Designs Directive introduced a unified system of industrial design rights for both registered and unregistered designs throughout the European Union. This allows for the protection of garments and accessories in their entirety.

Due to its history as the home of innovation in terms of high fashion, it is not surprising that France enjoys the most extensive and longstanding legal rights in connection with fashion designs. The country’s copyright system provides protection for garments and accessories. The same type of protection also applies to Italian designs.

So, it is within these loopholes that retailers like Zara, Forever 21, H&M;, and the like can operate legally (for the most part) and profit from the designs of others.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/****-formal-dresses
ryn Oct 2014
Are we fated to dance to the same tune alone in our separate universes?
Is it true that we must silently keep to our preordained curses?

Are we destined to swoon at the beauty of the moon at differing time slots?
Why were we given invisible ink to connect our lives' dots?

Must it be that our lives revolve around the whims of the sun?
Isn't it ludicrous that we won't see the intricate webs we've spun?

Was it the plan that we exist only in our minds and hearts?
Why do we have to tolerate starting when the other's ending and end at the other's starts?

Has it been written that we can only afford to infinitely chase each others heartbeats?
Was it foretold that we're trapped in a singular notion that never really fits?

Is the game set as such that we can never emerge as winners?
How is it that the ocean was made out of our tears that flowed from rivers?

Why is it that with our entirety we believe but do not know?
What's the reason for the path made clear but we're too afraid to go?

What does it entail to possess the very least but yet you covet it the most?
How do you pride yourself in something but not allowed to boast?

Why do we frantically scramble to piece together jagged shards?
Can't we just play this blasted deck of lousy cards?

Is it destiny or cruelty to have found then lost?
Why does it seem absurd that we have all its takes but can't afford the cost?

Is it the thoughts that **** or the emotions that debilitate?
Is it the challenges we take on or the curveballs we anticipate?

Why bother when sheer folly is all it seems to be?
Why tarry when the heart is free and the mind is ready?

Is it ridiculous to have found myself still very bothered?
Is it wrong to question fate that had always bound us tethered?

Why is the good always bad and the bad becomes worse?
Is it true that the harder we fight, the deeper we immerse?

Has life turned to be but sad little rhetorics?
Are we but performers on stages coerced into theatrics?

Is it time for me to surface this one-man submarine?
Will it be so that if I do, my journey would then begin...?
A host of rhetorical questions from my older writes...

"Surface this one-man submarine"  isn't mine... It's Brandon Boyd's.
Taken off Incubus' " Love Hurts"
Scott M Reamer Apr 2013
Man life know just set eyes way like young world soul day hunger space mouth earth thoughts ignorance blind things mind knew final moment human creation kind creatures souls high forgotten dream love spoke self existence face holy deep bound think home void say surrender ear forever called held ephemeral red state end shall heed hope edge living waking fall sea wake garden need February thought past wanderer got men page colored tepid terrible **** proudly untitled features point painted faceless box forgot render wild spring splendor  handfuls looking half brain lost torn ancestral  unseen vision inner summer honor mister owned banner save today fear groans wasn't smoke  street fable strange year contrast black years  able pain body spoken word known motion  palpitate reeling nature culture disclaimers  cancer beg attentive frames ****** base profound double remember wholly finger death token  cries continue folk oh fishing form broken true  divides spread ah twas away breathe wait warning hallowed wish closer lens turn eye live  constant current author hung theory dangle  bramble chemical new force changes adderall  anymore giving beneath possess pardon commentaries eternity internal walk reason  long change does idea glimpse consciousness  wandering simply wonder physical dreams war  sleep told rest benign prior begging truth little  2012 born tale crow bowels allegory animal rule  exasperate making horse curse hands ones read  rearrange capture doing command fail awake  aperture seedlings shift steely sir nap spead ****** demons slits clever telling loud spits la-la-di-dah killing slip game reflected nameless ask  lovers rabid bear salivate plunder shameless  famously savior mint rides menthol bully fate traded melodies play misunderstand mammals gentle witless fine utterly savage silt tongue-less  dirt dilutes pure non-sensory taste briefly ravage dismember it''ll shedding ruined curtain  knots offers plot fulfills munificent two-act  relegates boxz bug altruistic wintergreen tossing  callously guise grovels one's singers treachery ashes mid-life mutter fashion parading  ambiguity separatist liars staple steeping neath  guidelines scoffing stitch moans civil wrote  Fictitious undoing fables table effigies serve  sonnets staged remark psalm swoll praise harken  beggar verse bread lines heavily electricity detection snow sack-happy preaching credit  spotted wicked best gravity gun campaign owe  barge choir revelry celebratory satiated sinking  headline pack hound persistently propaganda  gentlemen excluding diminished ******* run idles  occupied levies wolfishly honestly misinformation cuba vehemently dumb grace spectator erasing  toned sage crowded secrets inter-connectivity  loaned prayer hymns grave mistaken magnified  vandals selective jump leak escapes says minister  buckle mass honesty shut tar children's hats  monument doping long-lived electrical ladle  exaggerated cartoons address seconds cool cradle bleak yang's mind-framed hypnotic  walker caps folly treble claim streaks mixtures  swelled interstate elapse teasing spoon mobile  succulent witchcraft borderline fatal 99 temple stacks sups plastics creeps neurotic ills tossed  meek sipping old crack interlock wax alleyway  coughing blown freak clock birthdays societies  slow flashing viscous candy argument toothless  pills cerebral rapt wall bisect lives wheezing  photo kid starter foiled pair saturated self-castrating pre-packed naked uncertainly pill  used came chaos coated reprisal fells wrack  irreverent mirth sickly disinherited proudest  collate wheeze appearance palette disharmony  discontented bastardized emotive bio inhale diction beat spoiled reclamation loudest tempo  totally disembodied matte imperfect shells flat  struck sounding imparts flak origin severance remarked bone walls snared leaflets mocking  hot scripting adjective noun agape seemingly  resistant gawk calamity passage paintings wind  trashcans signings sits cheap makers poetry persist scrap slipping individual talk wonders  leaving questions fold actor fancy parchment  fates engenders flown jaws stripped longer music  sacrifice fakers book boldly frown sigh atop patient hang trade occupation blows spectacular  whispers worthy backward waving certainty danced suppose needn't ‘drawkcab’ second-guessing  boys forget marched motto heads tightly lies two-tone earthbound harp twice turns goodnight  lying ***** internally indiscriminate nickname  drunk convictions myth steep  in-consumption  fitting artist **** universal sick expressions bad  du spell melody big siphon proud learn sprawls song spastic something temperaments utter check  fissures stomp totality blend definitely thrall sing rug voice shade pestilence ties commiserate round devil steady brains emotional certain gate  suckling gates dearth decay weight bounce pound  carrier pangs glass startle contest earthen web  tug pressed air patience flush amassed guest gone apprehension staring empathize captain believe fading in-perceivable deathbed guarder makes surrounds scatter drooling ebb blink cob tome  venom near door lair derision draws host stairs scent parts curiosities spider webbing surprise wares tips stepping ascetics starkness realize picture surroundings dictations grand pillars  deaf limited comparisons greet visual residents  personal settings dismiss alien law stability common earthly shiftless places prelude  understanding mosaic keen trifling embodiments  geared inception whisper visible jowls kiss murky  puddle rank dawn dichotomy single faithful fraying pays tailor veil climb mores pence whim  breath wellspring samara god stony pear  shadows fruiting forebodes moonlit looming  shown passed bog gold wracked faint tongues  noble preachers mirror shifting layered depth  threads jungle narcissus bemused seamstress self-worshiping architect's wore slumber anomalous  opened barren seam lip caustic scene coupled brick gardener's clenches -with forms idle breed  embodied lore starving empathy design illusion  tree coat fabricate lucid mason scatter-all  narrative seeking imbued 16th shivering chemicals 17th 15thrisk improperly dare  deliberate plan purge try brought chapter speed  aide utmost spirit leading intervention felt  recall recent advent sincerity times diary  lackluster piously lasting happy holding hear  stem tasteless whimpers wet spine monstrosity  dripping causes position quite softly claws pallet  answer digging tearing beast satiating circle breaks skips redwoods beckoning rotted hushed  gray lapsing monoliths deities creborus  imbuement hand stroll paradigm rendered chorus shy whispering forest residual tension  surrenders tolerance lull anew sentenced  bearing tide birds dirge divergent rim joined  cogs wood hesitant mist emergent towering offer  awareness confinement inverted faultier stowed  plane sanctified blanketing trusting memory fossil flash twists laden self-indulgent fleeting invitation agony grip shore impetus lingering  crows promise gift union swallowing endless floor supposed ecstasy sensory intent  psychotropic cradling placement interned  jagged connectivity exchange congenial begun  summons singular spiral assumes ambient reciprocates re-entry fruition reached aggregate lifetime limbs birthed instinct  frightening tarry proper entire light  boundaries innocence pursuit ago discover left  youth's unknowing sacred time place meager  simple fact cast ceaseless wide-eyed literal  apparent coincidence create boldness morphed  crooked kempt mere stumble buried shutter fairy  pivotal definitive months worth shear ambition sound required journeyed self-reflections title  facets vague restless intimation gut wanderer's  leap motivate path account boy soon bears faith  question tripped reasons uproot awaited confronted days step heal provocations wisps crushing transcend chronicles instance  directness raw drove occurrence objective-less  real enters slightest confident nondescript  typify  foreshortened interment paradox bitter heart  devoid jeopardy angry sensation confidential guilty arrogance mercy compliance reprieve  vincent deadening factual sign emotion awe  inhibition shackled butterflies absence actual sciences acknowledgement violent stagnant  spiritual American doors roots lack matted fore  gestures society cause streams intensity hair impossible discord lonely hearts resounding  jest  what's flavored pains closed toxic contented  happenstance scientific knowledge yeah  wizardry shaking stifled withdrawn bloom  jitter dreads settle asocial hulton make  predisposed figurative reflections demeanors  wondered affect hulton's projected sense  morning industry arrays ghosts feeling  certainly endomorphic where's partially wrath  passer mornings jovial unease advertized asking  trash onward wished tempers media mentality connect pasts sharp-toothed scramble great colours trial test salvation continually lent  degree secretly subjection social waned  disconnected colors grimly intellectual civilization cash trading baffling particular  digest myths monumental ending seasons winter  repetition introducing agent everlasting  shoulders delivered honestly-- possession funny  continence history unsightly function suffering propulsion profession divulge familiar tugs era  importance capability perpetuation spite inventory words entirety leveling fray insight  date record continues writer getting evermore fellow tongue possessions identical proof accuracy education similar sack admittance  favor unravel conveyance guilt gives beginnings  predicting audacity definition bobby heady eaters frameless learned release stone grandeur sang  speak molds sleeps split built seats people folded  sheer pour evoked playhouse liquid boring  tellers frayed stark walked reality pleas doth  preformed shows beak pride squawks opinions  greatest bold stunning sightings he'd loudly slain  sunk watch legend precipice theater deeper compound commentator civility justly silly sin  reverent seen prophetic moral confounds notion  lacking explain attempt prolific viral estrange proclivity scorn hide blur pious strung eden's  horror cut skin arch cruel twig mother vile  pass lend woods peach shrunken trail man's canopy worn 434 eat warm limb familiar father delete.

You are what your reading lady. Now would you hold this gun?
comfrock, you *******
get up off your crazy knees
and I'll belt you down
again --
       what's that?
       you say I eat stem pipes?
I'll **** you!

stop crying. *******.
all right, we dumped your car into the sea
and ***** your daughter
but we are only extending the possibilities of a working
realism, shut up!, I said
any man must be ready for anything and
if he isn't then he isn't a
man a goat a note or a plantleaf,
you shoulda known the entirety of the trap, *******,
love means eventual pain
victory means eventual defeat
grace means eventual slovenliness,
there's no way
out . . . you see, you
understand?

hey, Mickey, hold his head up
want to break his nose with this pipe . . .
*******, I almost forgot the
nose!
death is every second, punk.
the calendar is death. the sheets are death. you put on your
stockings: death. buttons on your shirt are death.
lace sportshirts are death. don't you smell it? temperature is
death. little girls are death. free coupons are death. carrots are
death. didn't you
know?

o.k., Mack, we got the nose.
no, not the *****, too much bleeding.
what was he when? oh, yeah, he used to be a cabby
we snatched him from his cab
right off Madison, destroyed his home, his car, ***** his
12 year old daughter, it was beautiful, burned his wife with
gasoline.
look at his eyes
begging mercy . . .
Michelle Mar 2015
All around me, I see endless fear.
Fear of heights, sure, fear of scuttling things
Fear of darkness, fear of bites
Fear of brightness, fear of fights.
This is the fear we can display
Because it’s little, simple, understandable.
But the fear I really fear
That we all let consume us
Is deeper,
Darker,
Cold.
It’s the fear of friendship, fear of love,
Fear of what’s ahead of us
But even more of what’s behind us
Fear to see what’s really beyond
The faces we all fake.
Fear of the unknowable
Fear of what we know
Fear of speaking out or up or for
Fear of conforming to something more
Fear to test the limits
Fear to taste the truth
Fear of what’s uncomfortable
Rather than the deception of comfort
Fear of what to do
Fear of striving for perfection
When perfection’s so unattainable.
Fear of to leave what has been known
Fear of what has been done
Fear to see past fabrication,
Fear to show the truth.
I’m talking fear of emotion
Or fear of not feeling enough
Fear of silence, but worse,
The fear of candid words.
Fear to look someone in the eye
And say, “I know you,
And I care for you.”
Fear to let someone see the darkness that comes with your light
Fear of rebelling though it’s time someone did
Fear of doing what you want and know
Because of what someone told you you should
Fear of being who you are
Because every day everyone is telling you
What to do and who to be
And what is acceptable
And what is not.
I’m talking fear of having an opinion
Because someone will shoot it down
Fear of defense or service or selflessness
Because someone won’t approve.
Fear to accept because of fear of acceptance
Fear to truly love someone
Because it’s risky,
And you never know
What someone else really feels.
I cry for the fear of
Every person who can’t be
Who they are and who can’t
Let people see them in their entirety
Because after all everyone urges
And persuades and demands and values
And idolizes and expects,
You don’t even know yourself,
Because you've been too busy
With trying to be so many different
“Someone Else"s.

I ache for this relentless fear.
I mourn the stagnancy of the condition
Of the human soul who is so afraid
To let go of fear
And BE somebody,
To do something or say something, or simply believe,
That the only thing they truly trust
Is the familiarity
Of fear itself.
That’s why fear is frightening
That’s why we should be afraid of fear
Because it stops us, cages us,
Bars us behind the façade we display
And muffles the words of our heart.

I see these things and wonder
Why can’t they change?
Why can’t this need to fear be erased
From the human condition?
And I realize it’s because everyone
Is afraid.

And I’m so afraid too.
Hello. I'm back again! This was a poem I did for a poetry slam contest at my school. It's intentionally rough and raw. It does little justice to the art of slam poetry, but spoken the way I did, it was sure relieving to get it off my chest. :)
Natasha Nov 2013
A joker  
A partner
A friend    
A lover (?)  

Suave                
Too copacetic    
For even you      
To handle            

Yet                                          
When I am in your presence
I cannot help                            
But feel                                        

The inferno                                        
That radiates                                        
Through our bodies                              
    In astonishing harmony                        

  So much so                                                    
That a single graze of your skin on mine    
Sets the entirety of my figure                          
A blaze
fROM THE dESK OF THE pOET**

I'm embarrassed to admit this. The night before last I ate an excessive amount of Sour Chewy Sweettarts. If you've ever had them you know that just one or two have enough toxic chemical dust sprinkled on them to make your mouth numb for several minutes. Well I got into a rhythm of eating one, then adding one to it, then another for three, then four, then five, then  six all the way to seven at one time. In that experiment alone I consumed no fewer than 26 Sour Chewy Sweetarts and even that was after having warmed up with several single helpings.

Sour Chewy Sweettarts were at one time marketed under the name  "Shockers". Let me tell you they should have respected the truth in advertising inherent with that label. The intensity of tartness conferred from all these ***** Wonka treats was remarkable and very well could have been the most face-squinching sourness I've experienced in my fifty-plus years.

The unfortunate downswing of these hijinks is that I developed a chemical burn that spread across the entirety of my tongue all the back to and including the area where my uvula hangs.

It's my own stupid fault. I could feel the chemicals eating through too many layers of cells long before the administration of candy pellets had reached four, even five-count multiples. By the time I had the seven pack ****** down to gel the burning was so bad I had to squint my eyes. The question that found priority amongst all that came to me at that moment was "how long is my mouth going to be so alternately sensitive and numb that I won't be able to eat my beloved jalapenos and spicy vittles?" A couple of days later and that answer still has not been found, although progress has been made to the point where I have faith it WILL indeed heal...you know how paranoid I can think sometimes, surely my mouth will never heal from THIS god forsaken self-inflicted injury, after all, I deserve it, hence the term "SELF inflicted". It's nothing but payback being it's usual self. If I never get to taste the wondrous seasonings of a well-mixed chili recipe cooked to perfection by someone who really knows how to make chili...if I never sigh with uninhibited satisfaction after downing a swig of Dr. Pepper or Miller's High Life or Guinness Stout...if I never again will be able to tell the difference between prime Angus beef and succulent Maine Lobster it is for good reason that I've been deprived of these tender mercies. It's because I knew when to stop and I kept on eating, though tears had begun to form.

No, it's more than that. It's because Universal Forces were all the while begging me, whispering in  my ears, "Stop! Stop! Enough! No more!" What would have happened if Joseph had ignored the Lord on that cool December night? Gabriel let Mary in on what was going down, what do you think would have happened if she'd gotten jealous of Joseph and disregarded the angel because he didn't have quite as much clout as her husband's Messenger? What would have happened? Nobody knows. But I know what would have happened if I'd heeded the advice of the benevolent spiritual  beings who were trying to warn me to lay off of the Sour Chewy Sweettarts. I wouldn't be sitting here typing on the hp laptop about how I got the chemical burn from hell.

But it seems like valuable lessons may be learned at every turn. So it is that with almost every experience I am resigned to also look at this one as the hard earned silver lining. Just what exactly have I learned? Well, first of all I've learned that it would probably be a good idea in the future to regulate severely the amount of Sour Chewy Sweettarts (aka Shockers) I eat in one sitting. If I ever eat them again, If the emotional scars of the chemical burn will free me in my sweet tooth's cravings for Wonka Sugar to ever again opt for the sour stuff. I learned that eating Vlasic Kosher Dill Pickles with such a freshly de-sensitized/throbbing chemically-scorched tongue is a prospect that shares much in common with a full day of taste-testing ghost peppers. Only on a slightly smaller scale does the briny pickle juice pack it's own searing acidic punch.

Other lessons? Oh I'm sure I could fill a book with lessons this has taught me. Writing that book might be the most useful, benevolent gesture I ever offered my fellow man but I don't know if I can do it. But if I did, this would have to be the first couple of lines on the very fist page:

Make sure you're going to have a LOT of alone time the morning after.

But that's just plain good advice.
Ryan Bowdish Sep 2013
School was always humuorous to a degree in my opinion because of the underlying idea
that the more damaged you were, the cooler you were in the eyes of the rest of the school.
I have heard numerous conversations that began with something along the lines of, "Oh, you
think YOU got it bad, well my dad blah blah and my best friend blah blah and my life is hell."

I decided to get a little personal and share with you guys something I have never actually
told anyone in entirety yet. I am pretty sure the whole story is still only here in my brain.
I will, out of respect for these people, change their names.

It's October 31, 2012. It's about noon, and all of us sixteen to twenty-two year olds are just waking up.
Brianne woke up probably a few hours ago already to tend to her son, Aaron. He is adorable, one
and a half, blond hair, blue eyes. I have been living here for nearly two months. I am supporting her,
Aaron, and myself with food stamps. I get two hundred dollars a month to basically smoke **** and drink
on the government's budget. Trust me, I'm not proud of it either, and if I could I would pay it back.
Since Brianne is a single mother and an adopted child, she has a single-digit monthly rent (I was *******
baffled to hear this) and receives support from her foster parents. Basically, if I want to stay here forever
with absolutely no consequences save to miss out on a life of my own, I can.

Brandon is putting on clown make-up so he can troll the streets as a juggalo. I find this amusing as I always
liked to mess around with ICP fans, but he's a really cool kid so I let it go and I even help him perfect it.
I notice he has a bottle of Stolichnaya in his backpack and it's practically full. That, to me, is temptation.
I ask if he would mind me taking a few drinks here and there from the bottle and he says it's fine, so I proceed
to get a nice one p.m. buzz. It was always my favorite drunk, very light, and airy, almost like you're still asleep.
Something bogs you down, but it doesn't bother you, somehow it makes you lighter.

For the rest of the day, we hook up with a few friends, go out and trick or treat in the pouring rain, get soaked
and wait for two hours under an overpass while Brianne goes and gets her car. From there, we proceed home.

At this point, everyone is over at Breanne's and we're all making dinner and drinking beer and having a good time
(Aaron is with the grandparents tonight). I guess I started getting angry about the recent events (for about a month,
everyone in our group with the exception of Brandon have been slowly losing items...but they're obviously being stolen.
At a point, a few of us did some research and determined the only person who could possibly have stolen
a good deal of these things has to be Brandon) and I decided I was tired of sitting on the news waiting for no one to make
a move after a solid two weeks of being certain that we had our guy. So I called him out... and proceeded
to begin burning bridges slowly and very surely for the next few days. I am pretty sure a fight would have broken out
if Bri hadn't taken me into her room to relax. When I finally do, it turns out I woke up the upstairs neighbor,
her baby, and everyone in the house has left save for my friend Jeff and his girlfriend Marissa. This concludes night one.

I later learned that Brandon was not actually the person who was stealing from us (unless of course
he just happened to not get caught when we found out who had done most of it) and I feel bad for bringing the whole
thing up because I would have liked to stay in touch with him. We got along swimmingly and he actually did have
a lot of interesting things to talk about. Smart, nice, hilarious... Well, maybe he'll turn up one day.

The next morning, I woke up to find the house empty save for Jeff and Marissa in the next room, but where I am,
it simply appears empty. I don't know what happened but I intuit that I have been sleeping all night without
my girlfriend. This upsets me and I begin to weep like a confused child, which is exactly what you do when you're
helpless and too drunk in the brain to figure out how to pull yourself out of a helpless situation (trust me,
I own the handbook). Marissa walks in and begins to explain to me that I had scared her too much and she slept
on the couch and that she had left to go pick up her son. So I realize I need to calm down, but I can feel
Jeff is not happy with me in the slightest, considering he will not come and talk to me (this is extremely painful
because he is probably one of the best friends I have ever had, with a mind that vastly exceeds that of everyone
I have met save one other, and he's a different story). They leave and I decide to stay in the house all day.

This is a very bad idea. I stay home, watch re-runs of a show I have seen billions of times, and considering
that Brandon and I are no longer on good terms, like a complete *******, I drink the rest of his *****.

In walks Bri, it's around 7. She's not happy. She proceeds to tell me that the night before I asked out a friend of mine
and she said yes. And I was a bit shocked because I couldn't remember it at first. Then it all hit me.

A few days before, Aaron called me "dad." Now remember, this is not my child. I am dark, dark, dark, and she had this kid
about two years after we had any past relationship. I am extremely worried in my mind and I realize I am headed toward nothing.
That I am stagnant and can not even afford to go back to school. This scares me, so I drunkenly asked out Tanya.

Tanya...we had been friends for about five years, and I had tried to get with her so many **** times... she was like
one of those girls you see and you're instantly reminded of an anime character. Tall, thin, beautiful hips, perfect
proportions, lovely hair, eyes, voice, and a personality I can liken to a Disney princess/black metal lumberjack.
The kind of girl who has a tough exterior, but inside, she just wants someone to tell her everything is going to be ok.

After about two hours of pleading with Bri to let me stay, I finally send Tanya a message, and we hang out for the next
two days, whence I whisper in her ear that everything is going to be okay and we proceed to have quite passionate ***
for those nights, where I discovered the secret to making a woman ****** with my tongue (tip: if the underside of your
tongue isn't completely torn apart, you're doing something wrong). But alas, I could not stay.

This is the part I dreaded, because I know I have to go back to Jeff's house and ask him if I can stay there for a while.
And I got the answer I expected.

The words he used...

"I'm *******...extremely ******* at you, and disappointed." It was like a father saying it to you. And him and I
have a very interesting friendship built on such an extreme understanding that I knew exactly how badly I had been spiraling.
I began to leave and he gave me a slice of pizza, with that slight smile that told me "just go find yourself, we'll be fine."

I hobbled off into the night drunk, with one piece of pizza and all my food at Bri's, which could have lasted me another few days,
easing the transition into homeless. And it could have prevented a horrible occurance that took place the following afternoon. I
was crying, because I knew I was dying, but I didn't want to ask either of my parents for help, because this was the first time
I was out on my own and I was far too proud to give up and let the world make me its victim. So I walked...

Sixteen ******* miles...

To the next town. Took me all night because I was dodging traffic, easing into trees, avoiding on and off ramps, trying to stay
away from any police that may exist on the road. When I finally arrived in the next town (where I knew I may have one contact)
I decided to sleep until the morning came so I could have the energy to find my next venture.

It was five thirty am. I had 3 hours until sun-up, I had just walked enough to be burning, and there was plenty of whiskey in my veins.
I had left my sleeping bag with Tanya hours earlier, wishing in the park that I had not been so naiive as to think I would be allowed
back in the house. So I pulled out a pile of ***** clothes and put them over me like blankets, in some random corner of the local
park, under some bushes, hidden from cold and sight, with great hope...

Fifteen minutes pass. My eyes shoot open. I am freezing. The sweat has dried and frozen to my body. This is hell.

I grab my things and with the worst effort I can ever remember myself mustering, I drag myself to the toilet.
When I open it, the first thing I check for is cleanliness. It's spotless. I am so relieved. I sit in the corner of the room,
which my knees to my chest, head in my hands, wrapped in a leather jacket I had gotten from Jeff (ha, he really is my
guardian angel, though he would laugh to hear it).

I catch winks, occasionally looking up to check if the sun is rising. When it finally is, I get up, change my clothes (I had
ONE clean set of clothing and it had been rotting with the rest in the backpack) and immediately head to a thrift store where
a family friend is working.

On my way there, I notice in a little parking lot near the store a sight I had never actually come across but I always thought
would be the most amazing luck, and it was timed in such a spot in my life that it was the ultimate miracle...and a curse in
disguise.

In front of my eyes (this miracle appeared in my path as I was walking looking down, so it startled me) was the worst possible thing
for me: A half finished fifth of Smirnoff, and a half smoked pack of Marlboro 100 Reds. I open the pack and sure enough, the celophane
protected every cigarette inside from any water damage. I am ecstatic. This is not only amazing, but highly unlikely.

So I down the bottle in one go and take the rest of the smokes with me.

When I arrive at the thrift shop, it turns out I am there on a day when my potential savior is not working, so I get her number from the clerk
and head over to a payphone and realize... I have no money. So I decide to go on a quest for dropped pocket change.

Before I even leave the parking lot, I see a young man, no older than 23, sitting on a nice red classic-style Corvette and he's
reading William S. Burroughs. So naturally, I decide to strike up a conversation with the young man. Turns out he's the nicest guy
and his name is Jordan. So him and I got together and decided to go out for a game of disc golf (some may not know what this is;
Imagine frisbee but with a golf theme, so you need to get from a tee pad into a basket. Really fun, centering, and extremely popular
with potheads, Californians, beer-drinkers, and hippies) and before we go, he asks if I would like to snag a few beers first.

I tell him a piece of my story and he can tell I am down on my luck and broke so he decides to help me out. He buys us both some beer
and we proceed to disk.

Turns out he's an ex-****** and has been through quite a bit of hell himself, so we find that we're in a good position to help each
other make some better decisions in life. After the game, we go over to a payphone and he gives me money to call my friend.

Buzz (this the only name I am not changing because her name is ******* badass) answers the phone and unfortunately informs me that
though she would take me in any day of the year, she just moved in to a house with one older lady she takes care of, and its a single
bedroom apartment, so there is just no way it can work.

So I go back to his car and tell him the news, and he says he thinks he may be able to put me up for a few days until I can sort
everything out. We go back out to the store and grab ourselves a fifth of *****.

We end up in the park playing music, talking, performing standup for one another, and I begin to realize I am drinking too fast,
so I try to ease back a little. He was playing a version of a Radiohead song I had never heard before

"Everyone this way. Okay, get your hands against the wall. Spread your legs. Don't move."
The doors clanking, some ******* won't shut up in the next cell over.
More slamming of doors, someone rubbing my body all over trying to find my knives, no doubt.
And my AK 47 I conceal, and my ****, and my ... oh ****, I really did have **** on me.

"Move forward. Turn around. Alright, go to bed."

----------------------------------------------------------­---------------------

"Get up. Come on, slowly... There you go. There's a few more coming in so we got to get you to another cell."

Clank, clank...

"Pick a bed."

----------------------------------------------------------­---------------------

Something is wrong. This bed is not covered. There is no comfort. It's just a mat. And I have no pillow. This is not a house
of any sort, my bag isnt what I am sleeping on. Something is very wrong here.

I am in jail. Oh of course.

I know the answer before I hear it, but I ask anyway: "What are my charges, ma'am?"

"Drunk in public."

-------------------------------------------------------­------------------------

I'm about thirty miles or so North of inner Seattle. Not a bad place to be. I'm working for a Safeway. It's somewhere around
the first of June. I receive word that Bri has been on ******. And I may have left at a crucial time in her life thinking
only of myself, but I needed to go somewhere I could be productive. Yet my decision left her in a position where she turned
to hard drugs...

I can't help but feel I am to blame. I am listening to the dull, stupid words of my ex boss, Rod, who is telling me
that even though I may feel like I need to help her, there is nothing I can do for her, so I should bury myself in my work
instead. He tells me this in about six hundred different ways before I leave the room after twenty minutes. Well great.
I may have no focus here at work today, but at least I killed almost a half hour of the day just listening to someone
*******.

I am at a loss of what to do here, but I eventually get a hold of her, and after a long time not talking, we come to
somewhat of a closure, and she is beginning to sober up herself. I realize we were both in incredibly hard times, and I still
wish with all my heart there could have been some way I could have helped her raise that boy and stayed and been her
love, and at the same time, still go to college, and progress and get a good job...but I was in a small Northern California
town. There was nothing left, all the old shops were out of business. It was time for me to move on then, and we have
all seen better days for it. She looks incredible these days by the way. She lost an insane amount of weight, and I know
a lot of it had to do with the drugs, but if she truly is sober like she says she is, she'll be getting much better.

A few weeks ago 3 people I used to know and hang out with died in the span of a week. It was a terrible tragedy, and I have been
thinking back on all the names of people I used to love very, very much before they got lost in some way.

There's Lorne Holly, who killed himself after a few weeks of detoxing from crank.

Layla Harmon, who died in a car crash, blunt head trauma, with a drunk driver (I have a tattoo for this, I will never drive drunk).

Heavy Eagle, who killed himself after years of drug problems.

Chaz Lipman, who died in a car crash as well.

Ren Rain, who I am still not sure about...

And of course, Tray Beraldi, who was my closest friend's cousin... I wish I were there to mourne with him...

Last night I got a text from my best friend, who said he couldn't sleep and he barely eats anything anymore, and he feels like his throat
is going to explode, and he cant swallow and his neck is killing him constantly. He has been this way for a year, and he is talking constantly
about getting a gun and blowing his head off. And no one believes him because he constantly talks about it because he is in so much pain.
No doctor can diagnose him so far, he has no idea what's wrong with him, he's been tested all over the place, he has no hope, he's barely
cligning and he doesn't know how much longer he can hold on.

All I really want to say is

Lord? What I have done? I don't pray, I never pray, I don't even know who I would pray to. But WHAT ELSE DO I HAVE TO DO?!

I bring myself across hell and I pull myself from the worst depression I h
This is autobiographical...so be prepared for somewhat of a story.
Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------


W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
Connor Reid Apr 2014
A duality of elan vital, two people
Spectres of emotion
Intertwined by a fuselage of bruised skin & tendon
Tissues become orbital, gushing towards grafts
Helixes of snot, **** and lymph
Boy & girl
As they embrace the animating principle and eachother, they fuse
A one piece tapestry adorned seamless with no hem, beginning or end
Always was, always is
Patiently turning to liquid as their being unzips
Lying figures of runny makeup and genetic *****
Quintessence, a texture of synaptic potential
Corpus Callosum
An entirety of self, lost in imbued disintegration
Theory of mind, looped & bound
I will water the thought
Roots envisaged in dystopian amygdala
Piercing data packets with a frost-like intensity
Forgetting our obsolescence moments ago
A neuron dipped in nylon
Theta waves and the non-euclidean crux of dissociation
Ghosts in the machine, your macro god
The sympathies of fractional distillation
Digitised/assimilated unto the nanosphere
Cold hands and brass backs galvanised in oscillated tears
Commodified, sold out and bought
Stretching, from purple, white and black
slowly losing its colour, amorphous in shape
brushed across a smudge, ambiguously chromatic
Monetised flesh god
An eternity bathed in starlight
Cutting an incision in the sky to allow entropy
Divided dimensions of energy
Fleeting and intangible
No longer a delirium of seperation
All semantics become light
As a rusted vehicle passes overhead
And all the worlds questions fade out of existence
Flutters of red tape and foregone growth of practice
Sinew flayed, integrated towards information
Our minds shared
In circuits and resistors
Photons and electrons
We radiate
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------



W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
the dead bird Apr 2016
critical thinking
as you call it;

that which
I seem to lack.
need to
improve
upon.
and I agree in ways.

you said,
it is observing
the situation,
the pieces,
I have at hand,
and deducing
the best possible way
in my knowledge
to make them
fit together.

sounds
quite simple -
common sense.

simple,
if my mind
ran as smoothly as your own.
a trait of yours
I admire greatly.
a trait of others
I am envious of.

but critical thinking
is different when
my mode of
thinking
is not the same

I do not see
my surroundings;
my life,
my reality,
as cogs and gears
that progress
this existence.

I admire
the way you,
and others
pick up on the
little
small
hidden artifacts
that allow yourself
to discover
the best
possible way
to proceed.

if I were to say,
you noticed
the overlooked
and finer details,
I would say
I notice-
no-
I experience awareness
of it's entirety.
how it feels
to me
and how I feel
about it.

if our
individual
thought processes
were placed
in an ever changing river,
whose currents
vary
and are unpredictable?
yours
would be
picking up the driftwood
the sticks,
and objects in grasp.

and as the current carries it,
it would be constructing
a raft
to stay afloat:
safe
and
in the most
comfortable way,
so it could eventually
construct
something suitable
and sturdy
to rest upon,
and relax with content,
while enjoying
the splashes
and warm sunlight
from a safe spot.

instead of
deducing the situation
as yours did,
my thought process
would drift along
the same river,
letting the current
take it under -
if that is where
it felt like going.
finding logs
and debris
to hang on to
when the current
became too much
and it needed a break.

yours may be
high and dry,
but mine has felt
the pebbles
along the bottom
of this river -
the depth and pressure
almost frightening,
but the experience
in itself
always beautiful.
mine floats upon it's back,
like an otter,
enjoying the sunlight
as yours does,
experiencing
this journey through
the rivers path.

and maybe,
if the current gets rough,
if mine is struggling,
it will find the hand
of yours
lifting it up
to keep it safe
until the rocky waters
have passed.

I experience
as I feel,
which may not
be the best approach
all of the time.

but with this,
I am able to
feel
what I believe
is the best choice,
based
on my experience
of the whole.

you make me
feel
and want to
try
new ways of thinking,
new ways
that may help.
you are always pushing
pushing me
to do more
to be more;

which is just one
of the many reasons
why I love you.
umm idk I kinda started writing and then went with it!
Itad Carandang May 2016
I wandered through your ways and fell in love with your beauty
I touched your soul then allowed it to devour my entirety
I fed on you filling me with self-actualization
Now, I'm following you with my hopes of finding the path to my own salvation
Amazed by how a single person could make me play with words like that. Whatever lol.
Shlomo Jan 2019
And…it’s here. A future. Agile? I was not enough to be.

Black in it’s entirety. A new beginning and a new ending.

Clockwork. As though a plan hatched by some supreme being.

Dear dog, which came first? Was it the white or the black?

Either way, it effortlessly taints your profoundly glorious genes.

**** this! Atrocious. Drugs?!

Goodness me. How did we get to this?

Horrible, dehumanising, and it’s here to stay.

“Suppresses”. But really only in the mildest of ways.

As if to constantly remind you of the control you once had.

Now ceded in it’s entirety to a tad bit of fad.
https://anchor.fm/shlomotion/episodes/A-G-e2vrkn
Larry Potter Jul 2013
I was hungry enough to eat the **** end of a skunk.  I felt like gobbling the whole mound of concrete that is half an hour closer from becoming a part of my room.  Make that a quarter. I guess my tummy has had enough grumbling, like a seething network of volcanoes ready to devour Hawaii.  I am sure as exhausted as a zombie after a “battle of life and death” handling a plethora of carpentry tools which I have managed to rummage from our dismal basement.  I’m quite serious with the phrase “battle of life and death”.  I get to have this Obsessive Compulsive Syndrome which gulps a huge amount of my rhythm compelling me to put things in place especially in my chamber.  At times, a weltered pen could instigate an emotional havoc.  Or perhaps an inappropriate collaboration of curtain hues and mattresses would be ample to spin the color wheel concept out of my brain.  But now, my walls have done it.  Well, it was just a microscopic sight of a divine crevice, but how in the world could that escape my eyes?  Without a second thought, I approved an avid proposal from my subconscious – a full concrete room renovation.  And that’s how it brings me here, smothering the last square inch of the genius blueprint with this porridge of lime and clay, the hell with chemistry!  I have found out that my room has achieved the piquancy of a sizzling summer noon, thanks to the mist of dust and the precipitating drops of sweat that come tingling down my overheating body.  Ah! At least my system tells me that I’m not a promising patient of ****** dysfunction.  When the last patch has been perfectly planed in place, I drew my last ounce of pure strength and plunged into my most formidable bed, congratulating myself for a job well done. Alas! A thirty-minute nap and I’m ready for a superb coffee and doughnut delight.

I woke up from a cat’s screech. I peeped through the window. The nap breaker was a Cheshire, one with a dimmer fur, the stripes of gray suppressing the darker color.  Its tail enjoyed dancing around its rear, connoting either fear or excitement. It sure has a distinctive mischievous grin.  The feline was on the verge of climbing up the roof by jumping from a gutter about five feet away.  It seemed to have slipped but has managed to bring its **** next to the roof tiles. It stared at me with intent, giving me the macabre look from its glaring eyes.  It’s as if I’m being watched, stalked and examined in a way I couldn’t see, bringing me that feeling of guilt, of remorse.  Urgh! That’s why I hate cats.  Though I’m planning to keep one, I’ll reconsider it.  But what pains me more is to discover that my alarm was not able to do the job and so I slept three hours more than planned.  I looked down and saw the city lights flashing one by one, the beams glowing like a barrier of radiance diffusing into the gloom of the night. I guess this was the price I have to pay. I traded my snack with a peaceful hibernation, turning the coffee into a glass of iced tea and the doughnut into a great dinner with me, myself and I.

I have learned to cook since I was ten.  My mother believed that culinary prowess could be inherited from generation to generation.  And so, she put her trust on me and I haven’t failed her ever since.  This gourmet brilliance proves to be very useful at times of solitude when you got bored of ordering other’s recipes and decided to make your own buffet.  I remembered her telling me that all food would taste good if there is the chef’s heart flavored in it.  Cooking is an art, combining the loops and the whoops of seasonings and spices to the medley of meat and herbs.  Tonight, I decided that my dinner would equal breakfast, satisfying the grudge that I got from skipping my  diabetic snack attack.  A beef stew and a side of paella made my stomach die in joy, appeased at last that my gears are energized for my routinely nocturnal bookworming activity.

I normally hide under my sheets at nine but tonight, I shall break the rules. Don’t get me wrong, I’ll fix the rules next time. Just this time to spare for I have gained interest on this book entitled “100 Years of Solitude”, talking about how one could live happily even alone, just by creating the world you have ever dreamed of. Gabriel García Márquez is dumping the “no man is an island” concept which anyway sounds inspiring to me.  Finally, I jumped into bed thanking Him for letting me outrun another day living alone in a comfortable apartment, free from all sorts of vexation.  I wished for a better life at school, which gives me an imagery of dull monochromatic memories.  I am not that famous but I can be someday.

A heavy beam of sunlight pierced through my window, refracting on the ***** white floor and creeping up to the mahogany table just right at the corner.  It intercepted with the glass pyramid and created a beautiful prism that glittered all around my room.  It was a really majestic scenery, one that I luckily happen to see every morning, a good optic background, I guess. Two hours before class time – that’s where my pattern starts.  Take a bath, eat, brush teeth, groom, check the doors and power, then I’m off to go. Everybody follows a certain kind of pattern, that’s for sure. Whether you wear different types of clothes everyday or use competing brands of toothpaste, clothes are clothes and toothpastes are toothpastes.  As humanity finds more and more complexities in life, they become wired to doing the things and involving the events which they think would give happiness to them and simplify their equation of life.

As a proof, there’s Mrs. Lanny Honeycut from the house next door. She usually sprinkles her daisies every ten in the morning, wearing that friendly neighborhood smile. On their patio, you could never miss a day seeing her husband, Mr. Blake Honeycut reading the daily papers with a round of tea, jam and bread spread on his table.  On the busy intersection stands traffic enforcer, Red Mayer, waving his arms to and fro while wearing that aura of valor, never seem to get tired of doing the same thing over and over again. Thousands go out for work and go back to sleep everyday and that's the status quo we're talking about. Even inside the academic arena, you can still hold on to that thought; I mean the size of the population doing the same pattern at the same time – my schoolmates, enemies and… friends? Well, I’m not quite sure with the last one, but it’s this: they all make a fun of me.  They say I’m a dork, a nerd, a geek, a freak, and etc.  I wonder if they mean everything that they say or say everything that they mean.  Either way you put it, I’m not buying it. I am not what they say I am.  I just like being alone and that’s where I do best.

And as always, the school is crowded with busy people rushing through the corridors. Others are beating the deadlines while some are happy they could breathe for another break. But no matter how busy everybody could be, there is always a time spent for “information dissemination” or chitchats. But only this time, the topic discussed is the same.  I could hear it on the entire campus, everywhere in the perimeter. Another student in the university is missing leaving no trace of existence.  It’s been going on like this for over two months now and the university council has taken their best courses of action to unknot this mystery while campaigns have been running on TV’s and vigils were spent. Not that I don’t care but it seems that this is also happening to other places, I mean, this is not the only school where maniacs could exist and become professional serial rapists in the making. By the way, this is already the 12th case on the record. Weren’t people overreacting to the issue? Isn’t the case overrated? Did they reject the possibility that these people ran away because they got pregnant, messed up or something like that? Soon, the university area was covered with security troops roaming around like a swarm of bees, buzzing and sometimes boozing all the time.

I guess that’s what happens when you hang out too much with friends who are just jesters plotting your own jeopardy. I don’t think it would be good at all to be bothered with things like that because sometimes, it’s also useful not to have any use at all.  Like the king being admired by his kingdom amidst his sloth and compromises.  But that doesn’t mean I’m not friendly anymore. Actually, if it happens that I got company, I would magnanimously offer a treat at my place.  But the thing is, who would likely do that? I’d cross my fingers on it.

Wishes do come true even for a loner like me.  I think I have a fan. No, that would be too sublime. She’s hot and she’s hotter when you’ll know she’s so cool. Quite a paradox, but that’s just reality.  We came to know each other on our lab class. Her name’s Athena, fitting for her twisted logic and good humor. It makes me burn a lot of calories when I talk to her more than a 5-mile marathon could squirt. We were lab partners and we get along well. I just couldn’t figure out where she got the courage to befriend me. I do regard myself as unwelcoming species, but I might work on it when someone tries to knock the door. We juxtapose ideas. Yes, that’s what makes our conversations spin like a merry-go-round. But we enjoy it nevertheless, evident by the crescent smile we both generate out of the craziest topics in store. Once, she interrogated my way of settling wars with enemies. Well, I told her it was my habit of treating them to my house and giving them souvenirs to show how sorry I could be. She snickered and her eyes glowed like the Andromeda and her face shun the whole universe. Oh, I can do this all day long, if only I got hold of time and space.

Today, she asked me if it would be okay if she’ll stay at my place till nine when her dad could be home and she would be able to call her and ask to pick her up. She reasoned out that otherwise, the night would be scary because she’ll be alone in their house, no company, no security. I was puzzled how the thought of being alone could scare her. It is like freedom from any constraints, no ties, and no limits. But I couldn’t blame her. She’s too fragile, too vulnerable to handle it with herself.  With the speed of the light, I accepted the favor.  Well, that goes even without saying.

It was past six thirty when we arrived at my immaculate apartment. It’s great to be an“ OC” sometimes, I said to myself.  I thought of a winner dinner, one that would make her visit worth reminiscing. I preferred Italian.  I cooked her lasagna and drenched the dinner with sherry. We talked a lot until we run out of resorts. I guess she planned it, or I planned it, synergy perhaps.

The clock ticked nine and there’s no sight of her father’s getaway car. But there’s no sign of worry in her countenance either. I surmise it didn’t reach her inkling yet to phone her dad.  She was busy dissecting my kitchen and living room with her very playful eyes. That doesn’t trouble me though. That’s just as instinctive as any other first time guest could get. She grappled her attention on my antique collection of prehistoric movies, like the Scarlet Letter, The count of Monte Cristo and the likes. She happened to love them too. Well, that makes her more beautiful to me, other than the satin white dress she wears. Suddenly, she got the impulse of going to my room. She said there’s nothing more exciting to see than a gentleman’s bedroom. I startled from the request, but before I could say anything, she leaped straight to my chamber with the gestures of an imp. It’s weird to be in this kind of circumstance because I don’t often invite a lot of visitants to my room. I ain’t no hotel crew, bowing down and waving his hand to the chamber’s destination and leading the VIPs to their cabins. Yet this time, it’s the other way around: it’s my cabin.

But now it’s too late to stop her. She molested the **** and I giggled for some reason. Finally, the door opened a crack and a bend of light escaped from inside. She stepped in, and I followed. She was filled with awe not because my room is all made of gold nor did it resemble a royalty’s den. It was the exaggerated neatness and order that greeted her. In some unknown vortex of my deepest imagining, it made me feel like I’ve been through this instance before. The flashback is not so vivid as it appears, but something tells me this isn’t the first time. Deja vu could be working on it, I infer,although I don’t really believe in those forms of conceptualizations. Perhaps it’s the sherry’s spell infiltrating my mental prognosis. But something, I guess, isn’t really right.

I caught her opening a red box that was hidden behind my cabinet. I tried to steal it away from her but she fought back and it came tossing down the floor. Numerous items spilled from the case. A purple head band with the glittering initials ANNE, a ruby embedded bracelet, and a Nokia handy phone exposed the secrecy. This isn’t going to go along well and fine, I guess. A strong surge of desire came from my core. It tried to envelop my entirety and control me like a lifeless puppet. I felt the tip of the pyramid glass in my hand and I succumbed to lose my consciousness.

Morning came and it felt better than ever. It was a ***** Saturday. There she lies beautifully on the deck, like an immortal bud of red rose trapped in golden amber. The cellophane fits her well, and there’s no doubt she’ll be complaining anymore. I already prepared a cozy place for her deep sleep: A 5x2 feet wall engravement which I was busy molding last night. It wasn’t easy making her go to bed but still it ended up smooth and sound. I helped her get up and fitted her in place.I turned on the radio as I reached for my dear carpentry tools. The news was still nailed on it. But this time, the missing case struck for the 13th turn. Ahh, the hell with society! They never really get a way to deal with it.

I was busy patching the last mound of concrete that is half an hour closer from becoming a part of my room. Make that a quarter. I guess there’s no end to this divine crevice issue. It must be following a pattern too. But I can handle it, thanks to this vicarious personality. I wonder if I could get the chance to invite another visitor in my place. But if I do, I would certainly offer the best treatment they could ever have.
mia ransom Jan 2010
This little man that I know with money in his sockets and routine in his pockets has self proclaimed that he is a tight ***. When I envision a *** such as this, I imagine a bundle -- of securely aggregated, perfectly sharpened number two pencils. The businessman just shy of adulthood and too tired to remember –even the beginning of his of disclosure, denied his struggle to acclimate a multifarious lifestyle, appropriately suggested in the form of a triangle, and a circle, both of which embody polar opposing adaptations of humanistic routine.

The two shapes: The circle, denies the break in motion by imposing a constant cycle of diligent compression, there is no room for pause only steady flow and relentless drive. This influence of life impression slows down the heart, body, and soul while speeding up time. This particular commitment accommodates the dry colorless beings that embrace and accept boxed imprisonment.

Traditionally, the triangle denotes rhythmic patterns that elevate and drop to a point in which imposes a healthy reflective pause: progression, reflection, balance. As stated, as a provincial approach, a regular triangle flat on its base, peaking at the top represents a healthy, solid life routine. In contrast, the triangle can be flipped upside-down introducing an entirely new dynamic, composed of flat-lined monotony, tapered off to a regressed realm of destruction, regret and disorder. Despite the uniqueness of the standard triangle model to the man in question, it is important to compare the negative reflection, for it applies to the entirety of this investigation.

We used to be lovers, he and I. We shared my giant pillow-top that I bought on the black market for a meager two-hundred fifty. -- A mere steal at that rate.


We occasionally exchanged ideas, mainly about ethical concerns related to globalization and the environment.

I attempted to give him a cooking lesson once, but that failed, indefinitely. The bust was not my doing, but simply, a great disinterest on his part; or better yet an inability of not being better than me at something.

Everything has gotten so crowded.
Nat Lipstadt Jul 2013
Mashup

Part I

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.


My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.


Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.


You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.


This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.


You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...


All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.


Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.


Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.


Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.


Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.


Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.


I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp


Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.


And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words
Mashup Part II  Is now posted.

It appears that I write a lot on this topic.   Anyway all theses are indeed snippets from poems  I wrote  and have posted here.  Started with the oldest poems May 18 and working my way thru 'em
Megan H Jul 2017
She said,
I want to die
Just let me die.

And I felt her words
Throughout the entirety of my soul
Because I knew
I knew.

We sat there stroking her back
He and I.
As she kept saying
I want to die
I looked up at him
And I saw it in his eyes
And he saw it in mine
Because he knew.
He knew.

Three broken people
Sitting at a party together.
Her sober thoughts coming out
As drunk words.
I heard it in her voice,
He saw it in my eyes,
I saw it in his eyes,
And for one second,
None of us were alone
Together we shared the pain.
Because we knew.
We knew.
james m nordlund Aug 2018
As they broke their bread for Lent, TrumputiN's team, hellbent,
Contrived a way to derive from the ripping apart of 3000 Latino
Families, an unending flow of your tax dolla's to predominently
Republican manned anti-immigration agencies, it should make you
Wanna holla, they called it 'zero tolerance', just to throw
All off the scent, and muddy the term's use hence, the white
Supremacy for the Black, in ebony and ivory's working together
In perfect harmony, to do away with 'zero tolerance' in schools,
To increase the amount of crime delinquent kids get done before
They're justifiably kicked out, same old, same old, tragically.

RumputiN got donations from one private prison corp, that got
A 200 million $ contract to house the kids, the involved Fed
Agencies then discriminated against families with kids by
Targeting them for family ripping on our South Western border.
These kids were caged, continually shuttled around at early
Morning hours so they'd be noticed less, were given no way
To contact relatives, their parents almost no way to contact
Them, the 'tender age' kids, 8 months old and up, not given
Humane necessary professsional care, etc., which will dictate
Lifelong traumatic effects, and deep psychological problems.

The courts continually order deadlines by which "these families
Must be reunited", but the altright universe invaders working
For trumpler continually miss them, and project genocidal lies
Like, "hundreds of these kids are ineligible to be reunited
With their parents", most parents having been deported already,
Even though a large % were legally asking for asylum at our
Border, this is genocidal and illegal internationally, there
Are no "ineligible" to be together innocent kids and parents,
When will prumptutin's genocide of Latinos, escalation of the
Oligarchy's class war against lower-middle-class to poor, end?

The gov't criminally dictated that "if they want to see their
Kids again they have to sign away their rights and leave", etc.,
Atrocities against these poor souls and groups like the ACLU,
While doing their best to remedy the abuses against them, our
Compadres, they, while not funded by the gov't, are mocked by
RumputiN, and he projects that "they should reunite families",
Instead of the gov't agencies who ripped them apart.  At least
The judges are deligently expressing the entirety of the fault
For these atrocities lies with the **** crime family's flocks
Of felons, and they must rectify it now, when will they?!?!?
When will the prosecutions of them use the REICO Statute,
And thereby, stop being elaborate cover-ups, giving out immunity

To dozens of organized criminals, while only incarcerating
A few.  Who is dense enough to not see through the smoke, mirrors,
Song, dance of the show that must go on's politic theatre macabre
Of the global oligarchy's cover up of itself?  Who is not knowing
That Mueller, who was part of the elite of the repub conspiracy
That purposely didn't prevent attacks on 9-11-01, during king
George and his ****, cheney's reign on the American way of life,
Is part of the intelligence industrial complex's 2016 invisible
Coup during, and hacking of, the presidential election, resulting
In RumputiN's installation in the Blackhouse ('cause once you go
Black you never go back), as well as the continual cover-up?  

Who, that comey, alone, could have been responsible for non-repubs
Loss of the Presidency, and now the supremacy court, especially if
The dems don't stop a kavanaugh vote before the midterms that are
Near?  Who ..., that most of the supposed "school shootings", acts
Of terror, targeting future non-repub leaders, are engineered, timed
And executed by the crimnal repub conspiracy that must be prosecuted
Using the REICO Statute also, who ..., that ebony and ivory, the
Black and white supremacies, working together in perfect harmony,
As are all 21 flavors of our baskin + robbins of supremacies, are
Struggling to mass-****** a million Americans, liquidating the ases
And assets of the masses, and calling it legislation, like ****** did
Before his "final solution", who, that the American daymare must end?
When's Mueller going to be done with his elaborate cover-up (he's purposely not using the REICO Statute that should be, and is necessary), he's giving immunity to a dozen republican criminal conspiracy felons while only prosecuting, convicting, pleading out a few, before or after RumputiN's visible coup steals the midterms?  If you didn't vote for Hillary, you voted for RumputiN.  "...We(e),..." must protect the vote, vote early, GOTV, and protect the results more than ever, before the country gets used to being drunk on democracy's backslider's wine.  Also: All threads in the fabric of life are needed; "..we(e),...", can't allow it to be torn asunder.  Mothers are that which society builds on, their needs are all of ours; and necessary to meet.  "...Suffer the children...", from the Bible, didn't mean cause the kids suffering; when will remocrats, and even some dempublicans (dinos and DinoS), stop doing most everything asbackwards?   reality
ryn Oct 2014
With every set, my anxious heart beats with silver
Each of the beats, counting away the reign of the sun
Before finally taking my shift as guardian of the night sky
In my entirety, pulses of incandescent blood does run

As the sun leaves, I rise and and take my rightful place
I'd find my usual nook on my bed of black
Surrounded by familiar friends scattered all over
A million jewels spilling out of heaven's sack

I'd silently watch the earth, reaching with gentle translucent fingers
Silver searchlights scour the lands, I harvest all in view
But my beams were never meant for others
Do believe that... I've saved them only for you

Amongst the sea of hopefuls, I'd always find yours
Looking up with my reflection branded into those eyes
Let us merge our dreams of mercury and red
Rest in the cradle of my light, as I soothe all your cries

Dear Moongazer, it's been a few nights now
Bound by my predestined orbit, I can't help but turn away
Believe that I am resisting with all that I have in me
Unseen defiance in this futile fight so that longer I'd stay

Several more had passed... I feel the promise of fate encroaching
The crushing weight of universe's anvil bearing down
Tearing a little at a time, leaving me lesser than whole
Now I'm half draped in darkness' gown

As the nights go by, I've long been eaten
I peer from my side as I float a slim silver crescent
The time has arrived, my love, I shall leave you in the company of the stars
They will keep you safe even if they seem indifferent

Fully turned away, I now see only fresh new hearts
They all sing the same but none like you
Still I glow to rekindle their hopes and dreams
But what I long is for this tour to be through

After what seemed like an eternity, I'm coming back round
Looking for your beacon as I shine bright and clear
Let our entities intertwine as the moon and her gazer
I am your lunar love...
                                    *
and I am here...
Inspired by my previous write - "Moongazer"
Michael Kariuki Feb 2018
Blow to my head, I realize that
It may be my destiny.

Smack on my face, I realize that
It may be my reality.

Punch to my chest, I realize that
It may be my entirety.

Strike to my abdomen, I realize that
It may be my infinity.

Whack on my legs, I realize that
It could be gone.

     It was actually She.

          She was actually He.

               He was actually I.

                    I was actually We.

                         We are Celestial Energy.
Nat Lipstadt Jan 2018
based on the essay in the notes below
which was forwarded to me by Liz Balise
<>
all poems and their accompaniment sauces commence with onions,
that start by fouling the air, bringing forth only unrestricted tearings,
but then...

the slow cooking elicits the sugars hid within,
the unpleasant odor, refined into something
minted new sweet and savory.

so too, the poem must simmer, slow cooked,
harmonizing the caramelizing,
even if some ingredients
claim the first born birthright of the eldest first essential,
despite the collective harmonizing.

the ripened color of the blood red tomatoes,
the ruddy cheery sanguinity of
certain words in each poem,
are the coloration of its entirety -
the ones your never forgive for never letting you forget them!

what matters not but how, the daring to substitute the new how,
how you chef see it and color it with the crazy way how
you beckon us over one by one to the big *** for a tasting
accepting critiques and suggestions, a thousand pinches
of your salty sweet essences.

and the recipe is dog stained and pointy corner ear-edged,
cause you cannot exactly write it down, and you bend the corner
for every substitution and variation,
cause every poem
made to taste the how of us,
each one a subtle different.

everyone understands metaphor,
even the society of the reticent ones in the back row,
just say the “trapdoor of depression” and they’ll nod knowingly,
so say to them a poem is a metaphor for you,
and spaghetti sauce is how you see, recreate in words,
how you need to add an ingredient of yourself
to this one,
a word, a phrase, becomes you,
becoming you in it,
in you,
you in it are both poet and poem,

a simmering new and different

————————————————————————-


A Well Written Essay— The Spaghetti Sauce Method

As a teacher and a learner, I have always wanted to see the "nuts and bolts" of everything. Yes, it slows the process down, but the learning is more complete, and a person becomes capable of making endless connections of understanding, branching to other  creative possibilities. Writing like dancing, and all that is worth learning, deserves all of the pieces and steps of the process.
I remember telling my students every year that grammar could indeed be a dry bone, but necessary in the process of good communication. Told them that I would teach writing by the "spaghetti sauce method" (Visualize their perplexed faces here.). "A well-written essay should be like a really good sauce-- smooth, fine textured, with a complete harmony of meat, sweet, tomato, and seasonings-- not one overpowering the others, but all in marvelous union of great flavor and aroma."
I continued, giving the example of my mother's
(God rest 'er) Irish spaghetti sauce" as a contrast. "Mama would throw in onions, peppers (if she had ‘em), hamburger, salt and pepper, fry it all in corn oil, and mix with two cans of plain tomato sauce. This was all okay with me," I went on,“ till I experienced the epiphany of garlic, basil, oregano, pork neck bones and a cup of wine; in the kitchen of an Italian neighbor, who walked me through the process and ingredients of real Italian sauce that was simmered for hours."
I continued to nudge them with the comparison: "Excellent writing is more than talent and passion, otherwise a tirade of curses, knotted ideas, and copied paragraphs of someone else would always do.” "No," I went on, "It is clear thought, captured, slow-cooked in the labor of mind and understanding— and in good time, expressed, in a way that others can comprehend -- with great attention to the cardinal rule: It is not as much WHAT you say-- but HOW you say it."
Through the year I focused on one or two aspects of better writing at a time for each paper. It was an uphill battle, often teaching against the mediocrity of the expectations in the PA State Standards of Assessment. It would add ten hours to my work week to grade and comment on a set of a 115 papers.
If ever I thought I was
worthless
useless
an empty vessel to hold the blame of the world, I was ignorant.

In the shadow of others I did not realize I was outgrowing the limited social garden bed of my ‘friends’ and companions. Friends would be an overstatement and a title many of them have never and will never earn. As a Scorpio my trust is not easily gained, and one lost, it is gone forever. Something in me, though, always forgave, but kept the trespasses against my trust cataloged, loaded, waiting to fire across my synapses is self destruction.

If ever I took your interest as a sign of friendship, I was a fool.
If ever I opened my heart to you, if ever I extended an almost maternal hand to you I was an idiot.

My body has been run ragged with its attempts at pleasing all and apologizing for its darker nature. My narcissism has become a survival mechanism that I once thought needed you.
My soul is weary of your needy hands, your open-bird mouth that I keep feeding more and more of my soul. Compassion has an end with me. In this game of survival, I will always be the fittest and you’ve stopped entertaining the animal within me.

I am worth so much more than being drained of my entirety. I am manifest energy as you are, as the earth is. Like the Earth my resources have been tapped and I can give no longer. Like the Earth I shall strike with ground shattering vengeance.

If ever I thought friendship was giving you everything for nothing in return, I was blind, for I am a Goddess as you are. I am a Goddess as you are a God, and your meager offerings of passing interest and constant need are insufficient. My inner patriarch has fed of your male-centric patterns of thought, and the women of my past lives are too loud in protest for this to continue.

I deserve much more than “friends” like you.

& most of all

If ever I thought my thighs were a sufficient reason for me to hate myself, if ever I thought they were an excuse for you to disrespect me, then I was a *****.
Because you are an *******.
And my body is rad
DaSH the Hopeful Jun 2016
Tonight, I spoke into the darkness,
No stars to light my way,
       The black void all encompassing

   My words drifting up in ribbons,
          I waited for something, anything to happen

              I felt a rumble that was akin to ripples emanating from a drop of water hitting a puddle

        I was small next to the impossible,
And when it spoke back, it changed me
      
        The blank canvas of stark black was pierced by blades of light,
    The sky becoming a shutter in a rain storm
           Blowing open and closed
       The words came and wrapped themselves across my body in its entirety
        Constricting my air flow

             I felt myself shatter
  An implosion of feeble glass
       Ricocheting through a skeleton of paper, reflecting the brightness above inside ripped skin

                I was nothing.
                I didn't exist.
                I floated in an incomprehensible place that had no end, no walls

     No ceiling or floor

            Just illumination in every direction

                    I opened my eyes
  
    And was blinded by an incredible radiance

      I shut my eyes tight and swatted in front of me
        My hand struck something metal and I yelped in pain
          
          I shot up and stared downward
    Towards the desklamp unplugged on the floor
        
          Breathing heavily, I sat upright in my bed,
                 *Struggling to pull away words that had already sunken in
Writer's block
cody metcalfe Jan 2010
The beginning of the beginning stage.

In the patterns that my lack of wisdom supports itself with.
Inside of course of my social blinds; and excuse depraved mind.
Yes locked or latched with what you could picture a key,
which has encrypted in its’ gold textures; certainly not pure gold the words, “Good Luck Son.”
Yes a story of unimaginable setbacks, woes, blows, deception so thick that it doesn’t dwindle to meagerness, but yet modifies like a brain being corrected by an assault on the body.
Yes, in the darkness of these patterns a trust in heroes runs rampant enough to muster conquest, and loss, and redemption soured by lust, and open warfare, and crime in it’s purity, in it’s raw form.
Yes, in these patterns created by lack of youthful imagination crucified if you will out of my conscience behavior tracking skills. A light breaks upon my sins,
and yields itself to a pattering method,
and then there is the plot of guts, blood, spit, tears, sweat, beads of dirt from a worked land,
that seems itself to be more ill-tempered than the folks that share its majestic worth.
These patterns only call out to the insane, and to the loathed, and the forsook, and the poor.
I haven’t caught the demons floundering down the dirt road in East Texas with their tails wagging stirring hot dust particles into the sun light atmosphere.
Now when the description techniques take effect in these patterns; the developed story, yes utterly developed in its’ entirety always in content,
and smiling boisterous to the meek,
and ragged dressed in search for their Sunday school Classroom.
End of the beginning stage
Here we are again in this surreal manner seeing first hand a triumph understood and fabled about in the Southern Grotesque shadows that are still apparent at noon,
at noon my good; well, carry on the well, carry on.

The Beginning of the middle.

The young ****** girl we call her a ***** now a days,
  
cause we had the Scopes Monkey Trial once or twice up in Tennessee I think.

She leaps and bounds and then abides to Christ for an instant, like my speech under oath.

She wrinkles her sections of her lips and blow a kiss to the huge white man lurking in the truck a block back.

The white man loves cigarettes towards abatement and then to City Hall.

The young ****** gal,

fell to a seat like it was grace that fixed the radio in the truck or some last twist or turn or **** from her little decreased hand.

The voice of the white man calling back to her,

singled out her emotional distress,

she always seems as if she has be ***** by this white fellow.

Now well I might have lost some folks by this point,

Now well I got to get to the ****** boy,

Yes well let’s see he carries a cursed burden so bad that every acquaintance felt afterward that this boy had picked a fight…

he moped oblivious to the sowed seeds he made desecrated in all truth. No one every pointed out that there is the place where you are supposed to bleed,

No one said, sonny boy right there is the place where you can be saved,

Nothing was delivered to him at Christmas, and it all went to his ***** sister. So therefore

He came upon the scene with this summer rain gesturing fun, and misery all under this sun.

Now well a thunderous voice came out of the church side windows, which were down,

Actually dismissing the pulpit, now well the bigot thundered, “ I want the fire, I want the praise. Stand up,

I want the fire, I want the praise!” The predicament that willowed the **** in the mouth of the skipping

****** boy, in all his glee and grandeur, caused him to straddled the wired fence on the other side of the truck.

Some would call this a grievance to accolades of vengeances long over due, and over due,

The dogs run free in these parts,

that’s just the simple truth.

But this is the beginning of the middle,

The cotton patch circles the road like a rubber tire on its rim,

And trust was never interracial enough to bide the will of saints on the cusp

Of revenge.

The ****** roared, “Get behind thee satan, or some ****, and some **** it was,

The kiddo trip over himself and tangled his way to the feet of the white man,

Who kindly picked him up, and said,

“not only can your sister **** a good ****, she can fix transistor radios’.”

The church service let out in one small horde to the capture the tensions of one of the old American lime lights befuddling Uncle Sam.

Uncle Sam is no pun, he’s a gentlemen to both the North, and the South.

Sos’ with one huge crack the white man fractured the ****** boy’s jaw,

“Good ole boy, get on back to the picking!”

The next stage of the middle

The folklore of shame added to disgrace is looming,
What can one man do when beaten, left for this effect,
“Bubba can’t walk no either,” said a white eyed spectator,
Angels have no trace here,
no trepidation here,
in my lack luster,
Thoughts,
edges of justice tampered torn by impatience at God,
At the Good Lord.
Let’s see I am the son of a clerk,
A nerd to salvation, and more so a nerd in general.
I called for nerves,
In the nerves that were yet,
to be nerves,
and for that fire on the water,
“where’s the,
Hearkening cries that shudder the barns with frantic frolicking of fire men,
and police men,
The, law say psst, where’s the ******* laws!” I laughed to myself I wasn’t in cahoots with the ******,
or the ***** girl who had began to come back for her brother,
but I wasn’t asking a soul to come in and take my place,
if ya, if ya, if ya get my drift hood wink!
Whoa ay,
my indignant monologues must have jived and then shook,
I was to cool for this,
I was to ready to step up in the world,
lo,
behold,
a pale rider,
“The sheriff, from the south, beware Isaac,” I told myself, “beware.”
The girl slithered like snakes to her bother;
her souls bearings were now plastic, and latched under the arms of the fallen boy.
The rain hastened,
then came stronger,
and then the congregation split as the Sheriff took ground.
I scurried like the rodents, and joined the congregation.
The white man, pulled his gun, and shot the sheriff in the stomach.
“It will heal,” the sheriff hands ******.
The truck was gone,
both ******* and all.

The Middle Stage of the Middle.


The river winds and brings enriches through the earth first,
and second in humanly attributes,
Frankness took to front face of the town,
and the outskirts wailed like someone had burned their property,
Dogs still ran free,
cause that is what happens around here,
and I played a harmonica,
and steel guitar,
Serenity which found facets to seep regardless of where the kidnapped traveled,
and the kidnappers force,
spelled a gearing up for a manhunt,
and even possibly a trial.
The mother of the two kiddos that were gobbled out of the town,
worked for a shyster,
and crook keeping his sanctuary wooden like,
and contemporary.
She had the knack that clings to most maidens middle aged and nudged by bouts of,
Grace.
Like a parasite,
which is the whistling you hear,
some hymn,
hymns,
from passed down relics,
called family.
The crime that spindled like the pap she knew setting down to slumber without meaning to,
Was a embezzlement crisis,
piped from the corner store,
to a small methamphetamine lab,
harboring the man Ms. Clawdy worked for,
until the cops were scarce it was hard to grasp for the town,
and anyway the sweet anyway of my sigh as my mother,
and the preacher were in my bedroom making love when I came in from the lake.
It sounded like she was faking it,
I am pretty sure,
but I am so badly endowed that its hard to believe that,
well,
I hadn’t my father say,
“alright.”
I hadn’t heard the word alright,
in ages!
It was poignant,
and disgruntling in the same instant.
By the way,
my mother was having a seizure,
worse than the tiny ones the ****** girl has.
My father a bank manager is his past life,
and a decent accountant,
shut the door on them.
I haven’t whimsical atrophy or empathy at what happens in jail,
what happens to criminals,
what happens to evil persons once exposed pretty well by children of the Lord.
I am old enough to know better,
I let the dog in,
and lead him into the room,
and shot the dog.
My hopes were,
That my ma would snap out of it,
the drugs spilled to the floor,
and I ran out to the tractor,
And got back to work.
I rhetorically thought to myself,
I wonder why I ever attempt to date a girl,
From these here parts of East Texas.
My parts were to be made ***** quite yet….


The later middle stage of the middle.

The Texas Rangers came in cars,
and the blood hounds met and mingled with the townspeople,
This part in the story is delicate,
and stubborn in its youth,
mainly for the dramatic irony I try to forge.
The character of the father of the two kiddos who were kidnapped and battered takes to drinking,
and lays down like that dog in my room.
The sweet corner store elderly sold him a round of beers in a few quarts,
and he says,
“we sure appreciate, you heard.”
“Now Leroy that was a good boy,
and that Vivian was a sweet child.”
“Still is, you’ll see!”
“Our prayers to the saints our with Mr. Clawdy.”
“Yeah ok,
thank you much,
have a good one!”
The Texas Rangers weren’t as captivated by the alcoholic rampage.
They infiltrated my house right off there beaten path….
The fire and praise replaced the preacher and the Texas Rangers ****** him up,
and **** like the chalk coming off the hands.
Ya mean, ya mean!
They spun a tale that half the gang searching for the ******* as they put it,
well two got snake bitten,
and once they thought they had him cornered a tornado mustered up,
Then it was nothing.
How is it nothing?
I wanted to say,
I saw,
how is it nothing,
my mother straightened up,
and wiped her nose,
and put on some make up,
and the preacher or my father didn’t rat her out, for the drugs.
That is when I guess the prejudice, or injustice, or just the wanting,
the yearning to be grown,
or the despair and weird hormones towards women….
I let it out in front of God, and country,
“Tell it like it is ma, ******* it, tell it like it is, that dog will haunt you, in a heart beat,
more than he is going to haunt me,
God dang, tell it like it is, you high, and skipping, cheating, lying, I hate you!
I hate you!”
“Now son,
we are handling this,
seems this little fella needs some restraint from his parents.”
A quid pro quo was in the midst, I knew I wasn’t speaking in vain.
I knew my father was madder than any of them Texas Rangers.
Yes Texas Rangers eww,
I cried,
and search for something more in me,
but there wasn’t anymore to come,
just another day,
and of course the little man in me pretending to be a sheriff like the one a saw get shot,
that I came to know as a piece a fraction of manhood coming of age.
The men later,
sat my mother down,
and she lied time and time again,
and they went to the other streets,
and to the corner store,
and eventually to the ****** side of town.
I came into contact with a passenger of a greyhound,
who was blind,
and his cane tattled,
and ratted,
towards me like the end of time.
“Protect your name, yes, protect your name, and then some!”
“Bless you.”
“Whose that?”
“Yellow belly.”
“Yellow haired.”
“Ah Good man.”
“Two got bitten, you the new sheriff?”
“Sheriff, think again guy, I am the Preacher.”
The crossing cars slowed and crept in splendor and curiosity,
where and who penetrated the ideology of the passers.
“Two steps, and curb, and the name’s Isaac.”
“How do you do. Preacher ***.”
The deception that I spoke about,
and the turmoil that I so to speak promised echoes in the neighborhoods nearby.
I realized he smelled of pickles, and relish like stenches,
but repellant of mosquitoes came out of his jacket,
and immersed us both in a whirlwind of effort.
Gamblers,
ramblers,
antlers,
all part of the commerce spared themselves the grief,
spared themselves the haphazard and soon what was left was lovers,
and bad men.
And Texas Rangers.
The Texas Rangers flooded the countryside,
and snapped me back at the dinner table,
“take us to the house where the drugs are, or draw us a map!”
“A map, gees you guys don’t need no map,
heck,
take a right on Granger,
a left on Tempest,
and it’s the fourth house on the left.
Say the mans name is Jim.
If ya, if ya, if ya catch my drift! Hood wink!


The End of the Middle Stage.

With the Texas Rangers half crazy,
like the people I know,
and the inner thoughts that have came to become an awareness more or less,
the thought that I will never reproduce,
and the thought that I was fallen,
by the actions that broke my wings,
sank beneath my garnered wretched existence,
the lawmen arrested as the heroes,
and the villains came without a fight,
including my mother,
and Mr. Jim.
And Mr. and Ms. Clawdy got into the station with delight,
and exercising emotions about the missing persons,
by the way of a white man.
I don’t ever get dialogue out of this station sequence but I imagine somewhere,
the words we have a lead into finding the whereabouts of your children.
The drug house was linked to other drug house in this jurisdiction and they didn’t stutter in my dialect. Repentance is unlike amending past fights, and arguments.
The harvest was futuristically here,
and danger was trampled by the lawmen,
and peace and order was restored nicely now.
The shyster was quarreled,
and the commercial trucks picked up the slack,
and the Sunday school classes proceeded.
Ms. Clawdy sat one night about a week after the event involving her children,
and she realized that no one could help her, I
n the place where she needed help the most,
and no one would pardon her anger in the night with her husband drinking so heavily.
I went to their place,
and I took the preacher with me,
and I finally felt what it was like to be in cahoots,
or what a partnership is truly like,
short sided to say the least.
I knocked the flap,
and pounded my feet,
and pounded my feet,
like the fire man told me,
once,
“beat feet bub,”
well I did,
and finally Ms. Clawdy answered the door.
“What’s y’all going to do about getting your kids back?”
“We leaving tonight!”
“In the dark?”
“That’s right!”
“I know where they might be kid.”
“Good deal.”
“That’s right.”
“Is he going with you?”
“Yup, yup, now come on let’s go!”
“***** I ain’t going with you any place.
***** I am drinking my sorrows away!”
“Not going huh.”
She was gone into the night like usual circumstances take people away from their homes in the midst of great trusts wedged between wisdom and fault, and to the great beyond murmured as truth.
“He ain’t going with her.”
“Maybe we should leave Isaac.”
But I was already wound,
the good luck key had already been turned in my spine,
and twisted in my blood,
and I watched Mr. Clawdy throw another quart against the wall crashing down in pieces.

The Beginning of the End stage.

Cliché is a muse in the common man,
or if it isn’t well my mind is to thwarted by degradation,
and much to much pride and jealousy to see love work in the most excellent ways,
so excellent it even would make a mother fly out towards danger,
and attempt to rescue her young.
I read about the Scopes evolution trial,
in the tribune,
and bugles sounded at the death of William Jennings Bryan,
and I thought of him disparagingly…
I gulped and supped,
and wanted to bolt in the dark living room,
and tear a piece out of the ole Clawdy for what he really was,
the blind man cause that what he was now,
stopped me,
pulled me back,
“you want a turn,
you want a turn at this mess,
all day,
this whole time you been wanted a turn.
I know,
now I know for the good, so as to end it.
It isn’t anybody place here now!”
And that was it,
we retreated back to the tractor we road in on,
Failure I blamed my mother for,
retribution was only heard by the croaking frogs,
and crickets.
I had seen enough weddings,
and funerals,
and signed enough books,
I was ready to shoot another dog at least.
But we waited.
My father never peered his or reared his head once,
and the morning came the fields were tilled,
and re tilled,
before noon,
and soon the blind man said,
I need to ***.
Yes,
and so we went into the pasture,
and urinated.
When we came back we were confronted
Nicole Bonomi Mar 2015
...And I will look at you, through the windows to your soul and I will speak from beyond the depths of my ocean. Just as Mother Earth has a heat at her core that only the Sun understands, only you will understand as I speak from this place. Only you will recognise and feel the melodic vibration from my every syllable. I will be completely without fear when I tell you that I will love you until the end of the ages, through the entirety of this epoch and to the next one. I will promise you that I will risk everything to allow a moment of serendipity to unite us again and again, as we cycle through this projected expression called the human experience. For it is only you, and it has only ever been you. You see this love I wish to express in the physical plane, will be one so pure, and one so real that it will emit its own force field, an unbreakable one that allows a poetic unity to blossom fruit never tasted before. This beautiful unity - one without *******...
Olivia Kent Nov 2013
Whisky!

If I could fit in a bottle.
Change my form entirely.
I'd change myself to whisky.
So you could consume me
Your only love in her entirety.
Then I could be of use to you.
As your body you abuse.
Brain filled with mad poets power.
Poetry profound.
Fueled by whisky's breath.
Every waking hour.
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Not saying I wish to be used or abused! OK....Just a silly piece of writing! Livvi x
Nat Lipstadt Jun 2014
the irises have passed,
their existence, entirety,
a three week, 21 day, gun salute,
to which I was witness to but four

the Kabbalist among us says Kaddish,
and a-Buddhist so-be-it,
celebrating the brevity cycle
of natural things,
and that death makes room for more

ugly yelloe'd and black now,
these irises are now
misfits on a breezy, dancing summer lawn

today, shriveled and misshapen,
they compare and contrast
on a normative, glorious,
June Sunday that
picturesque presents
the living and the deceased,
side by side

all comrades,
all summer sundries
on a dancing grass blanket
half-graveyard battlefield, half-heaven

oft I have writ of the beach detritus,
the shells, the sun burnt *****,
a recycled funeral rectory where
no one utters prayers for the
no longer alive historical artifacts

what has this to do
with that human construct,
artifice of memory,
a string on the finger
of the mind,
a pausation, a man-made creation
to momentarily recall another of nature's cycle -
yours

Have children
Am a father
Had a father in my youthful days

this is a boy scout qualification medal,
marker of me as Expert,
permitting me  to commentary
with gravitas
having becoming a grandfather,
I enjoy superstar freedom
to opine inanely on such matters

of my father have I writ,
of my sons, those remain unseen,

likely neither will mark these day
with a telephone call
or an all-I-got-was-this-lousy-t shirt
gift of gall

I say that's ok for what else is there,
certainly not an unthinking, dismissive
whatever

it saddens me some for sure,
but it makes judge myself as human being
on a gradation of one to none

but more than this internal reflection,
I ponder this hallmark'd day,
as life cycle point notarized,
in verse and rhyme,
for that is what I do best

for before,
many father's day in the priory passed,
most unrecallable,
just another ceremonial checkmark,
habitually acquitted,
but somewhere in a drawer of shirts,
in a home I store stuff in,
I do believe, there are some cards
from decades past, that prove nothing,
other than life goes on,
and we best capture
what we can, as best we can...
with small, objet d'art of sorts

Perhaps one will call after all...
in any event,
to honor the dead,
to mark the existing,
the bannered ship's bell rung,
its sonorous sound,
notable and onerous,
fades as well

but man and animal,
plant and tree,
a living fraternal sorority,
who all look over my shoulder
as I compose on
that chair you see

they know,
for whom the bell tolls this day,
and why as well,
as we all pause and contemplate
where we are on this day,
on our own overlapping cycles
ornate her altar
embossed with jewels rare
they were
beyond compare

he thralled
in her table of praise
she held him spellbound
for an eternity

of her magnificence
he'd ne'er be free
she possessed his thoughts
in complete entirety

— The End —