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"enrique" poems
Enrique, Emilio, Lorenzo, the three of them frozen: Enrique by the world of beds; Emilio by the world of eyes and wounded hands; Lorenzo by the world of roofless universities. Lorenzo, Emilio, Enrique, the three of them burned: Lorenzo by the world of leaves and billiard ***** Emilio by the world of blood and white pins; Enrique by the world of the dead and abandoned newspapers. Lorenzo, Emilio, Enrique, the three of them buried: Lorenzo in one of Flora's ******* Emilio in the dead gin forgotten in the glass; Enrique in the ant, the sea, and the empty eyes of birds. Lorenzo, Emilio, Enrique, the three in my hands were three Chinese mountains, three shadows of a horse, three landscapes of snow and a cabin of white lilies by the pigeon coops where the moon lies flat under the rooster. One and one and one, the three of them mummified, with the flies of winter, with the inkwells the dog ****** and the thistle despises, with the breeze that freezes theh eart of all the mothers, by the white ruins of Jupiter where drunks snack on death. Three and two and one, I saw them disappear, crying and singing into a hen's egg, into the night that showed its skeleton of tobacco, into my sorrow full of faces and piercing bone splinters of moon, into my happiness of whips and notched wheels, into my breast troubled by pigeons, into my deserted death with one mistaken wanderer. I had killed the fifth moon and the fans and the applause drank water from the fountains. Hidden away, the warm milk of newborn girls, shook the roses with a long white sorrow. Enrique, Emilio, Lorenzo, Diana is hard, but somtimes she has ******* of clouds. The white stone can beat in the blood of a deer and the deer can dream through the eyes of a horse. When the pure forms sank under the cri cri of daisies I understood they had murdered me. They searched the cafés and the graveyards and churches, they opened the wine casks and wardrobes, they destroyed three skeletons to pull out their gold teeth. Still they couldn't fine me. They couldn't? No. They couldn't. But they learned the sixth moon fled against the torrent, and the sea remembered, suddenly, the names of all her drowned.
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20.5k
Fable and Round of the Three Friends
Enrique, Emilio, Lorenzo, the three of them frozen: Enrique by the world of beds; Emilio by the world of eyes and wounded hands; Lorenzo by the world of roofless universities. Lorenzo, Emilio, Enrique, the three of them burned: Lorenzo by the world of leaves and billiard ***** Emilio by the world of blood and white pins; Enrique by the world of the dead and abandoned newspapers. Lorenzo, Emilio, Enrique, the three of them buried: Lorenzo in one of Flora's ******* Emilio in the dead gin forgotten in the glass; Enrique in the ant, the sea, and the empty eyes of birds. Lorenzo, Emilio, Enrique, the three in my hands were three Chinese mountains, three shadows of a horse, three landscapes of snow and a cabin of white lilies by the pigeon coops where the moon lies flat under the rooster. One and one and one, the three of them mummified, with the flies of winter, with the inkwells the dog ****** and the thistle despises, with the breeze that freezes theh eart of all the mothers, by the white ruins of Jupiter where drunks snack on death. Three and two and one, I saw them disappear, crying and singing into a hen's egg, into the night that showed its skeleton of tobacco, into my sorrow full of faces and piercing bone splinters of moon, into my happiness of whips and notched wheels, into my breast troubled by pigeons, into my deserted death with one mistaken wanderer. I had killed the fifth moon and the fans and the applause drank water from the fountains. Hidden away, the warm milk of newborn girls, shook the roses with a long white sorrow. Enrique, Emilio, Lorenzo, Diana is hard, but somtimes she has ******* of clouds. The white stone can beat in the blood of a deer and the deer can dream through the eyes of a horse. When the pure forms sank under the cri cri of daisies I understood they had murdered me. They searched the cafés and the graveyards and churches, they opened the wine casks and wardrobes, they destroyed three skeletons to pull out their gold teeth. Still they couldn't fine me. They couldn't? No. They couldn't. But they learned the sixth moon fled against the torrent, and the sea remembered, suddenly, the names of all her drowned.
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70
La larga postración lo ha acostumbrado a anticipar la muerte. Le daría miedo salir al clamoroso día y andar entre los hombres. Derribado, Enrique Heine piensa en aquel río, el tiempo, que lo aleja lentamente de esa larga penumbra y del doliente destino de ser hombre y ser judío. Piensa en las delicadas melodías cuyo instrumento fue, pero bien sabe que el trino no es del árbol ni del ave sino del tiempo y de sus vagos días. No han de salvarte, no, tus ruiseñores, tus noches de oro y tus cantadas flores.
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París, 1856
Sabi mo, walang magbabago Pero ngayon, halos hindi na kita makilala Hindi mo lang ako basta isinabay sa iba Ipinagpalit mo pa ako Hanggang sa tuluyan mo na akong kinalimutan Sabi mo, walang magbabago Pero ngayon, ibang-iba ka na Minsan, tinatanong ko ang sarili ko Katulad ng pagtanong ni Liza Soberano kay Enrique Gil “Pangit ba ako?” “Kapalit-palit ba ako?” “Am I not enough?” Dati, halos walang makapaghiwalay sa ating dalawa Ang sabi mo pa, “Ikaw lang at wala nang iba pa” Ako mismo ang naging kaagapay mo sa pagkilala mo sa kanila Pero bakit ako mismo ngayon ang nawalan ng halaga? Bakit ako mismo ngayon ang hindi mo na binibigyang pansin? Nagpaka-layo-layo ka’t ibinaon ako sa limot Ibinaon mo ako sa kahapon Kung saan kasama ko ang mga iba mo pang itinapon Pero tama na Tama na ang pagiging Liza Soberano Hindi na kita kukulitin at magtatanong ng isang milyong bakit Hindi rin ako magiging si Piolo Pascual Na hihingi ng explanation at acceptable reason At lalong hindi rin ako magiging si Bea Alonzo Na hihilingin na “sana ako na lang ulit” Dahil tanggap ko na Hindi ko na hihingin pang ako lang ang piliin mo Magpaparaya ako’t papayag na isabay mo sa iba Isa lang ang hihilingin ko Na sana ‘wag mo akong tuluyang kalimutan Na sana ‘wag mo hayaang tuluyan akong mawala sa buhay mo Dahil gaano man kahabang panahon ang lumipas At gaano man karami ang nagbago sa pagitan nating dalawa Ako pa rin ang tunay na laging andito para sa’yo Ako pa rin ang Wikang Filipino na kahit nagbago man, ay nandito pa rin at nananatili para sa’yo
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May 8, 2018
May 8, 2018 at 10:34 PM UTC
Sabi Mo, "Walang magbabago"
Sabi mo, walang magbabago Pero ngayon, halos hindi na kita makilala Hindi mo lang ako basta isinabay sa iba Ipinagpalit mo pa ako Hanggang sa tuluyan mo na akong kinalimutan Sabi mo, walang magbabago Pero ngayon, ibang-iba ka na Minsan, tinatanong ko ang sarili ko Katulad ng pagtanong ni Liza Soberano kay Enrique Gil “Pangit ba ako?” “Kapalit-palit ba ako?” “Am I not enough?” Dati, halos walang makapaghiwalay sa ating dalawa Ang sabi mo pa, “Ikaw lang at wala nang iba pa” Ako mismo ang naging kaagapay mo sa pagkilala mo sa kanila Pero bakit ako mismo ngayon ang nawalan ng halaga? Bakit ako mismo ngayon ang hindi mo na binibigyang pansin? Nagpaka-layo-layo ka’t ibinaon ako sa limot Ibinaon mo ako sa kahapon Kung saan kasama ko ang mga iba mo pang itinapon Pero tama na Tama na ang pagiging Liza Soberano Hindi na kita kukulitin at magtatanong ng isang milyong bakit Hindi rin ako magiging si Piolo Pascual Na hihingi ng explanation at acceptable reason At lalong hindi rin ako magiging si Bea Alonzo Na hihilingin na “sana ako na lang ulit” Dahil tanggap ko na Hindi ko na hihingin pang ako lang ang piliin mo Magpaparaya ako’t papayag na isabay mo sa iba Isa lang ang hihilingin ko Na sana ‘wag mo akong tuluyang kalimutan Na sana ‘wag mo hayaang tuluyan akong mawala sa buhay mo Dahil gaano man kahabang panahon ang lumipas At gaano man karami ang nagbago sa pagitan nating dalawa Ako pa rin ang tunay na laging andito para sa’yo Ako pa rin ang Wikang Filipino na kahit nagbago man, ay nandito pa rin at nananatili para sa’yo
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37
a developed country is not a place where the poor have cars. it’s where the rich use public transport - paraphrased from enrique penalosa it's also a place where the rich buy a beer bavaria and a beer san migeul (bottled) at less than the asked price of sigma £2.25 and the man buying the beers feels rich because of the lax pax, on the slack - is where even a poor man can feed the feeling of wealth, the cashier accepted his spare change of £2.19 and the man was left fed with a nonchalence worth feeding akin to travel among the sardines of sweat to his abode of mammon feeding. so enthroned upon a saddle of a horse as to garrison politicians into being in game worth merely as pawns; there too the peacock and swan shed their wings to attract the ladies less for the cuneiform quill with fingerprin than simply for admiration and a vanity cleopatra staged against augustus' cold shrug of shoulder in armour worthy of any man ably imitating; then i the one barren in choir to the year one prior, uno pre anno domini; i too took to trust via a hunting dog's eye the dog tamed and affiliated with being made familiar with a homesickness of the woods among the boar; i took domestication in his step: be fed, sleep, entertain... entertain, sleep, be fed... what a horrid existence being so abhorred from the original escapade, in the river of nerves strained to impulse a quasi-tsunami to breach the shore and become a gargantuan hunger to eat the geography into a mapping of a rewrite.
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Dec 16, 2015
Dec 16, 2015 at 9:45 PM UTC
lax pax
a developed country is not a place where the poor have cars. it’s where the rich use public transport - paraphrased from enrique penalosa it's also a place where the rich buy a beer bavaria and a beer san migeul (bottled) at less than the asked price of sigma £2.25 and the man buying the beers feels rich because of the lax pax, on the slack - is where even a poor man can feed the feeling of wealth, the cashier accepted his spare change of £2.19 and the man was left fed with a nonchalence worth feeding akin to travel among the sardines of sweat to his abode of mammon feeding. so enthroned upon a saddle of a horse as to garrison politicians into being in game worth merely as pawns; there too the peacock and swan shed their wings to attract the ladies less for the cuneiform quill with fingerprin than simply for admiration and a vanity cleopatra staged against augustus' cold shrug of shoulder in armour worthy of any man ably imitating; then i the one barren in choir to the year one prior, uno pre anno domini; i too took to trust via a hunting dog's eye the dog tamed and affiliated with being made familiar with a homesickness of the woods among the boar; i took domestication in his step: be fed, sleep, entertain... entertain, sleep, be fed... what a horrid existence being so abhorred from the original escapade, in the river of nerves strained to impulse a quasi-tsunami to breach the shore and become a gargantuan hunger to eat the geography into a mapping of a rewrite.
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32
Masses flooding running, gushing in sclerotic streets from Heliopolis to downtown Cairo and from the great pyramid to the stone lions of Pre-colonial royalty over the river Nile lost in the way for country heart me, my soul, and couple of my friends whom I lead to end arteries of the city hemorrhagic were shot by snipers of  Victorian national police    and some years later, I want to write a poem let´s say cosmic or universal about that trio human dream, death and deception "Emilio, Lorenzo, Enrique Fueron los tres en mis manos" a cancer larynx revolution, of bad alcohol and tobacco? two holy hands of fate, and one of eternal ************    and a bored Lenin setting behind a screen? (the algorithm will do the masses when the masses are ready to run ) but time as God is a lazy surgeon forgot a scalpel in my throat and I am being cured of every thing even the nasty hollow of my tired voice.
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Oct 5, 2019
Oct 5, 2019 at 9:58 AM UTC
Me, my soul, and couple of my friends
Senorita, nosedive in membranes Seizure piano jazz fingers. Lurch closer, I shimmy towards you like Enrique Iglesias Technicolor films Centipedefeet tip-toeing beneath pounding disco strobe lights. Oscillations, Mac-arena side-leaps, leviathan sidesteps to paradise Glints of moonlight in her eyes winking at me She clicks her foot on earth with Ye-ye-ye’s gyrating.
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Jun 17, 2018
Jun 17, 2018 at 2:27 PM UTC
Ye-ye-ye
I wandered the world and I wandered with no aim Everybody's colours changed but yours remained the same Their fleeting sparks of joy was the pure love they used to claim You thrived for a simple sanctuary while they all fought for fame they took the award and we took the blame An award for playing pretend A blame for having no shame It seems we lose every time but we can always play again play like the wounds have healed play like it'll be a fair game And in a room full of kings and queens I would still call out your name To tell you the world hasn't seen your kind stay the same! Stay the same...
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Mar 17, 2020
Mar 17, 2020 at 6:55 PM UTC
A tribute to Enrique
there's nothing quite like being rudely woken by a cat - that sort of shadow you wish you had to steer off the incubus...      only the ugliest of the norse founded kiev...       i wonder, as i manage to peck a spider off the corner of my room, drink, then eat it, and subsequently imitate regurgitation, upon having eaten body, and then finding the legs, these twisting, coiling artefacts of some sort of disembodiment...   i really was planning to drink this whiskey in the afternoon, then the rudeness of the cat waking me,               then the rage against the machine and the idea of a buddhist, and then the voice, that would never amount to the said theatric of burn ****** burn...          i can't compete being drunk and it only being nearing 7 a.m.,        i can only cite:   paper boy took the day off.                         and i lost count to every counted sunday, thinking it a monday; and that's a half of a hey-yah! thong     bridget huan jonson jerking off the next nesting jose johnson, calling him enrique joe.                      or: amazon god king conquistador it's sunrise you ******** people have to "work", yeah, they "work", they're rhetoricians!              they're the embodiment of what's spectacular about western society...           high brow romancing of       the averted moral spectrum, like i really did begin to start ******* cockroaches... and these women were my sunrise...     keep the gangrenes, the ******* the abbies...   i love that term, it's like reviving: greengrocer...         like calling a pet donkey a chihuahua and then for asking oral *** calling it a sloppy-jappy...       as if it was aimed as sushi shooting the raw argument. hence the love of h'america... no, i never admire or fashion the idea of americans waking up i the globalist part of new york, that's gobalist, and the 24h oops... oh wait, you didn't realise we were insomniac?! fucl me... afternoon for them is like pretending breakfast for the rest of us...         i think the dieticians call it fibre, or something twice as hard to digest, twice as hard to constipate out on, and thrice the name of a wife. i really love they didn't catch up on the insult: it's a bit like eating humus, or catching the sunset.
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Oct 1, 2017
Oct 1, 2017 at 2:06 AM UTC
eating spiders
there's nothing quite like being rudely woken by a cat - that sort of shadow you wish you had to steer off the incubus...      only the ugliest of the norse founded kiev...       i wonder, as i manage to peck a spider off the corner of my room, drink, then eat it, and subsequently imitate regurgitation, upon having eaten body, and then finding the legs, these twisting, coiling artefacts of some sort of disembodiment...   i really was planning to drink this whiskey in the afternoon, then the rudeness of the cat waking me,               then the rage against the machine and the idea of a buddhist, and then the voice, that would never amount to the said theatric of burn ****** burn...          i can't compete being drunk and it only being nearing 7 a.m.,        i can only cite:   paper boy took the day off.                         and i lost count to every counted sunday, thinking it a monday; and that's a half of a hey-yah! thong     bridget huan jonson jerking off the next nesting jose johnson, calling him enrique joe.                      or: amazon god king conquistador it's sunrise you ******** people have to "work", yeah, they "work", they're rhetoricians!              they're the embodiment of what's spectacular about western society...           high brow romancing of       the averted moral spectrum, like i really did begin to start ******* cockroaches... and these women were my sunrise...     keep the gangrenes, the ******* the abbies...   i love that term, it's like reviving: greengrocer...         like calling a pet donkey a chihuahua and then for asking oral *** calling it a sloppy-jappy...       as if it was aimed as sushi shooting the raw argument. hence the love of h'america... no, i never admire or fashion the idea of americans waking up i the globalist part of new york, that's gobalist, and the 24h oops... oh wait, you didn't realise we were insomniac?! fucl me... afternoon for them is like pretending breakfast for the rest of us...         i think the dieticians call it fibre, or something twice as hard to digest, twice as hard to constipate out on, and thrice the name of a wife. i really love they didn't catch up on the insult: it's a bit like eating humus, or catching the sunset.
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69
Standing at the confluence our souls I am ready Ready for extremities and places beyond limits To awaken emotions unknown to Enrique Iglesian's verse and prose To make love to you than the wildest Pornographic script in Hollywood To praise your vibe with all my lungs than any Roman in the Colosseum. I am ready... Ready to freeze heaven's supper for angels to look down and whisper, "Wow! That's an artistic **** before asking for a slip of the tongue forgiveness from the Holy One. Psychopathic phrases like "choke me" to be the sweetest of our communication systems I am ready... Are you?
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Dec 29, 2021
Dec 29, 2021 at 9:32 AM UTC
Texas Manifesto