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Julian Mar 2019
Tantalized by the fractious limerence of a vestigial habiliment of the old order, we conclude that hypertrophy leads to a limbo where random permutations alloyed by the rickety limits of concatenation subsume concepts that are equivocal but populate the imaginations of newfangled art forms that jostle the midwives of rumination to lead to unique pastures that are intuitively calibrated to correspond to definitive unitary events in conceptual space that sprawl unexpectedly towards the desultory but determinative conclusion of a meandering ludic sphere of rambunctious sentiments cobbled together to either rivet the captive audience or annoy the peevish criticaster when they dare to inseminate the canvassed and corrugated tract of intellectual territory created ad hoc to swelter the imagination with audacious ingenuity that is an inevitable byproduct of lexical hypertrophy. In this séance with the immaterial realm of concept rather than the predictable clockwork reductivism of a perceptual welter that is limited by the concretism circumscribed by spatiotemporal stricture we find that an extravagant twinge of even the smallest tocsin in the interstitial carousel of conscientious subroutines compounding recursively to pinprick the cossetted smolder of potentiality rather than extravagate into the vacancy of untenanted nullibiety can spawn a progeny of utilities and vehicles for dexterous abstraction that poach the exotic concepts we fathom by degrees of sapience malingering in lifeless bricolages of erratic abstraction in manners useful to transcend the repose of abeyance and heave awakening into the slumberous caverns of still-life to make them dynamically animated to capture ephemeral events that defy the demarcations of wistful indelicacy of the encumbered bulk of insufficient precision.

Today we embark on a quest to defile the anoegenetic recapitulation of canon that litters the dilapidated avenues of miserly contemplation that has a histeriological certainty and feeds the engines that enable novelty but ultimately remain rancid with the stench of the idiosyncratic shibboleths of synoptic alloyed impoverishment that leads to the vast wasteland of cremated entropy that is a stained foible of misappropriated context interpolated usefully as botched triage for daunting problems that require a nimble legerdemain of facile versatility that we easily adduce to conquer the present with the botched memorial of a defunct salience. Despite the travail of scholars to retreat from the frontier into the hypostatized hegemony of recycled credentialed information, we often are ensnared by the solemn attrition of decay as we traverse the conceptual underpinnings of all bedrock thought only to dangle precariously near the void of lapsed sentience because of transitory incontinence that is contiguous to the doldrums of crudity but nevertheless with mustered mettle we purport that the very self-serious awakening to our hobbling limitations is akin to a prosthetic enhancement of ratiocination capable of feats that stagger beneath the lowest level of subtext to elevate the highest superordinate categorization into heightened scrutiny that burgeons metacognitive limber. Marooned in the equipoise of specifiable enlightenment countermanded by the strictures of working memory we can orchestrate transverse pathways between the elemental quiddity of impetuous meaning and the dignified tropes of transitivity that bequeaths entire universes with feral progeny that modulate their ecosystems with both a taste of approximated symmetry and a cohesive enterprise for productivity that rests on the granular concordance of the highest plane to the indivisible parcels of atomic meaning that solder together to exist as intelligible if strained by the primordial frictions guaranteed by the brunt of motion incipient because of the metaphorical inertia created within insular universes to inform sprawling conurbations of mobilized thoughts designed to reckon with the breakneck pace of the corresponding reality to which they explicitly and precisely refer to.

We must singe surgically the filigrees that amount to the perceptible realities that transmute temperaments into the liturgy of routine conflated with the rigmarole of neural dragnets of reiterative quips in an elegant game of raillery with our supernal contumacy against the rigid authority of aleatory vagaries mandated by a dually arbitrary universe in a probabilistic terpsichorean dance with the depth of our dredge for subliminal acuity or the shallow bellicosity of common modes of glib contemplation characteristic of the basic nobility of improvisation. This basic interface with the world can either be mercurial or tranquil based on the interactionism of the enfeebled trudge of surface senses or blunt intuitions and the smoldering impact of the vestigial cloaks that deal gingerly with the poignant subtext evoked in the cauldron of immediacy rather than pondered with the portentous weight of imperative singularities of uniqueness derived from the plunge into the arcane citadel of microscopic introspection so refined that the ineffable drives we seek to fathom become amenable to the traipse of transcendental time that rarefies itself by defying the brunt of compartmentalized bureaucracies administered by the fulcrum of stereotypical notions of acquired gravitas imputed to mundane pedestrian quidnunc concerns that defile humanity rather than embolden the subaudition of gritty punctilios that show the supernal powers of the axiomatic divinity of sharpened sentience to reign with supremacy over the baser ignoble components of bletcherous nescience that leads to knee-**** platitudes that provoke folksy peevish divisions. We should rather orchestrate our activity by heeding the admonishment about the primogeniture of poignant sabotage buffered by the remonstration of innate tranquility and finding a whipsawed compromise of rationalization with true visceral encounters with the fulgurant quips of brisk emotions that grind industriously into amorphous retinues of the trenchant human imagination to either equip or hobble the leapfrogged interrogation of veracity and more consequently our notions of truth and fact.

When we see the hackneyed results of default ecological dynamics, we find ourselves aloof from purported transcendence because the whimpered bleats and cavils of the importunate masses result in a deafening din of cacophony because we strive throbbing with sprightliness towards the galloped chase of tantalization without the luxury of a terminus for satiation. Obviously a growth mindset is the galvanic ****** that spawns the imaginative swank of the pliable modulations of our perceived reality that, when protean, showcase the limitless verve of our primordial cacoethes for epigenetic evolution rather than the stolid and staid foreclosure of impervious sloth that memorializes the gluttony of speculation about fixed entities rather than imperative jostling urbanity that dignifies the brackish dance with dearth and the exuberant savory taste of momentary excess because it engages the animated pursuit of limerence rather than the exhumed corpse of wistful regret. Nature is a cyclical clockwork system of predatory instinct met with the clemency of the prosperous providence enacted by the travailing ingenuity of successive cumulative generativities that compounded unevenly and unpredictably to predicate a fundamental zeitgeist calculated to engorge the fattened resources of the resourceful and temper the etiolated dreams of the fringed acquiescence of a hulking prejudiced population of dutiful servants that balk at the diminutive prospects of a lopsided distribution of talent and means but slumber in irenic resolve created by the merciful hands of defensive designs that configure consciousness to relish comparative touchstones rather than absolute outcomes that straggle beyond a point of enviable reference to shield the world of the barbarism of botched laments clamoring for an uncertain grave from the gravity of the orbiting satellites of apportioned wealth both sunblind and boorish but simultaneously inextricable from the acclimated fortune of heaped nepotism and herculean opportunism. The intransigence of the weighted destiny of inequity is a squalid enterprise of primeval abrasive and combative tendencies within the bailiwick of the indignant compass inherent to the system that fathoms its deficiencies with crabwise and gingerly pause but airs a sheepish grievance like a bleat of self-exculpation but simultaneously an arraignment of fundamental attribution erroneously indicted without the selfsame reflexiveness characteristic of a transcendent being with other recourses to clamber an avenue to Broadway without malingering in the slums of opprobrious ineffectual remonstration against the arrangement of a blinkered metropolis of uneven gentrification.

We flicker sometimes between the strategic drivel of appeasement and the candor of audacious imprecation of the culprits of indignity or considerate nutritive encomium of the beacons of ameliorated enlightenment because we often masquerade a half-witted glib consciousness lazily sketched by the welters of verve alloyed with the rancid distaste of squalor and slumber on the faculty of conscientious swivels of prudential expeditions with an avarice for bountiful considered thought and wily contortions of demeanor that issue the affirmative traction of adaptive endeavor to cheat a warped system for a reconciled peace and a refined self-mastery. We need to traduce the urchins that sting the system with pangs of opprobrious ballyhoo and the effluvia of foofaraw that contaminate with pettifoggery and small-minded blather the arenas better suited for the gladiatorial combat of cockalorums tinged with a dose of intellectual effrontery beyond the span of dogmatism rather than the hackneyed platitudes that infest the news cycle with folksy backwardation catered to the fascism of a checkered established press that urges insurrection while tranquilizing dissent against the furtive actions of consequence hidden behind the draped verdure of pretense whose byproduct is only a self-referential sophistry that swarms like an intractable itch to devolve the spectator into a pasquinaded spectacle of profound human obtuseness that pervades malignantly the system of debate until the reductionists outwit themselves with the empty prevarication of circular logic that deliberately misfires to miss the target of true importance because of the pandered black hole easily evaded by creatures of high sentience but inevitably ensnaring the special kind of dupe into a cycle of bellicose ferocity of internecine balkanization. The vainglory of the omphalos of entertainment is also another reckoning because it festers a cultural mythos of glorified crapulence parading a philandered promiscuity with half-baked antics that gravitate attention and the lecheries of gaudy tenses of recycled tinsel alloyed by debased aberrations of seedy grapholagnia that magnetize as they percolate because of the insidious catchphrases embedded in pedestrian syncopation that ignite retention and acclimate to mediocrity the sounds of generations discolored by faint pasty rainbows rather than ennobled by majestic landscapes of ignipotent mellifluous sound that stands a supernal amusement still for the resourceful trainspotter.

Despite the contumely aimed in the direction of contrarians for deviating from the lockstep clockwork hustle of stooped pandered manipulation that peddles the wares of an entirely counterfeit reality, I stand obstinately against the melliferous stupefaction of entire genres of myth and subcultures huddled around the sentimental tug of factitious sophistries regaled by thick amorphous apostates that cherish the vacuous sidetracked spotlight with fervor rather than pausing on the enigmatic querulous inquisition about the penumbras that lurk with strained effort beneath or above the categorical nescience of the shadowy unknown that often coruscates with elegance even in obscurity. I fight with labored words to spawn a psychological discipline that invokes the incisive subaudition of the pluckily pricked exorcism of true insight from the husk of buzzwords that constellate auxiliary tangential distractions from the art form of psychological discernment that predicates itself on the concept that the rarefaction of rumination by degrees of microscopic precision enables the introspective hindsight of conscious events that can be parsed without the acrimony of cluttered conflations of the granular prowess of triumphant ratiocination that earns a panoramic perch with the added luxury of perspicacious insight into the atomic structure of the rudiments of our phenomenological field and the abstractions that linger beyond perceptual categorization. When we analyze the gradients of anger, for example, we can either be ****** into a brooded twinge of wistful resentment or we can decipher that through heuristics designed to cloister the provenance of subconscious repose with ignorance there exists a regimented array of tangential accessories embedded deep within the cavernous repository of memory that designates a cumulative trace of compounded symmetries of concordant experience immediately perceptible because of the tangible provocateur of our gripes and the largely subliminal tusk that protrudes because of primal instinct that squirms with peevishness because of the momentary context preceded by the desultory churn of smoldering associations swimming with either complete intangible sputtered mobility through the tract of subconscious hyperspace or rigidly fixated by an arraignment of circumstances with propinquity to the deep unfathomed flicker of bygones receding or protruding because of the warped and largely unpredictable rigmarole of constellated spreading activation.  
When we examine the largesse of the swift recourse of convenience we forget by degrees the travail that once bridged the span of experience from patient abeyance in provident pursuit to now the importunate glare of inflated expectations for immediacy that stings the whole enterprise of societal dynamics because it vitiates us with a complacency for the filigrees of momentary tinsel of a virtualized reality divorced from the concretism that used to undergird interaction and now stands outmoded as a wisp beyond outstretched hands straggling beyond the black mirror of a newfangled narcissistic clannishness that shepherds the ostentation of conceit to a predominant position that swaddles us with fretful diversion that operates on a warped logic of lurid squalor and pasty trends becoming the mainstays of a hypercritical linguistic system of entrapment based on the apostasy of candor for the propitiation of fringed aberration because of the majoritarian uproar about touchy butthurt pedantic criticasters with a penchant for persnickety structuralism. With the infestation of entertainment with the ubiquitous political cavils engineered by the ruling class to have a common arena of waggish irreverence we forget that sometimes the impetuous ****** of propaganda is cloaked by the fashionable implements of a rootless time writhing in a purported identity crisis only to gawk at the ungainly reflection of modernity in the mirror and remain blissfully unaware about the transmogrified cultural psyche that feeds the lunacy of endless spectacle based on the premise that one singular whipping post can unite an entire generation of miscegenated misfits looking for commonality to team up against the aging generations that cling to the sanctity of cherished jingoism against the intentionality of a revamped system that malingers with empty promises using exigency and legerdemain to obscure the mooncalves among their ranks that march on with quixotic dreams that tolerate only the idea of absolute tolerance and moderate only when feasibly permitted by the anchored negotiation of the fulcrum of totemic governmental responsibility between factions that wage volleys of invective at each other to promote a binary choice of vitiated compromises of mendaciloquence that ultimately endanger the republic with either the perils of hidebound conventionalism and nativist fervor or the boondoggles of fiscally irresponsible insanity cloaked with rainbows and participation trophies. Reproach can be distributed to both sides of the aisle because ironically in a world where gender is non-binary the most important reproductive ***** in the free world is a binary-by-default despotism that polarizes extremely ludic fantasies on the left met with the acrimony of the traditionalisms on the right that staunchly resist the fatuous confusions of delegated order only to the sharp rebuke of the revamped political vogue that owes its sustenance to a manufactured diplomacy of saccharine lies and ubiquitous lampoons that are lopsided in the direction of a globalist neoliberal bricolage of moderately popular buzzwords and the trojan horse of insubordinate flippant feminism that seeks to subvert through backhanded manipulation the patriarchy so many resent using lowbrow tactics and poignant case studies rather than legislating the egalitarian system into law using the proper channels. I myself am a political independent who sides with fiscal conservatism but libertarianism in most other affairs because the pettifoggery of law-and-order politics is a diatribe overused by sheltered suburbanites and red meat is often just as fatuous as blue tinsel and sadly in a majoritarian society the ushers of conformity demand corporate divestiture in favor of an ecological system of predictability rather than an opinionated welter of legitimate challenges to a broken system of backwards partisanship and wangled consent. Ultimately, I remain mostly apolitical, but I am a fervent champion of the mobilization of education to a statelier standard that demands rigor and responsibility rather than the chafe of rigmarole that understates the common objectives of humanity and rewards conventional thinking and nominal participation to earn credentialed pedigree when the bulk of talent resides elsewhere.
Umi Feb 2018
The sky above me, closed in as the dark, ominous yet fascinating rainclouds have driven near, gathering together in a council.
As it begins to drizzle, soft, warm and little raindrops, fall in
line, gently, carelessly hitting the earth, moistening it in their line.
Once in a while, as the rain gains its strengh, hitting the ground below with more speed and roughlessness in their action,
Rays of the purest light, sent by the sun as it shines above the darkening sky, a sensation for ones optic nerv, a sensation for the eye,
make it through and let this scene shine further more.
Graceful drops, carrried and distorted by the majestic wind,
Create a lovely melody on my window, as they one by one fly into it.
Now as the soil is fertilised, life will surely grow from the sunlight.
Alike the raindrops are carried by the wind, my mind engages with this scene, lets me fall in love with this beautiful earth.
A little rain shall not be the cause of sadness, as it truly is a reminder of the moments of love wich it makes easier to determine.
So I keep my gaze out of the window and enjoy the weather
Until then, the sky clears up and the sun shines again.

~ Umi
Stu Harley Apr 2015
when the
storms of life
rages
faith
and
obedience
engages
A PLAY


BY



ALEXANDER   K   OPICHO









THE CASTE
1. Chenje – Old man, father of Namugugu
2. Namugugu – Son of Chenje
3. Nanyuli – daughter of Lusaaka
4. Lusaaka – Old man, father of Nanyuli
5. Kulecho – wife of Lusaaka
6. Kuloba – wife of Chenje
7. Paulina – Old woman, neighbour to Chenje.
8. Child I, II and III – Nanyuli’s children
9. Policeman I, II and III
10. Mourners
11. Wangwe – a widowed village pastor

















ACTING HISTORY
This play was acted two times, on 25th and 26th December 2004 at Bokoli Roman Catholic Church, in Bokoli sub- location of Bungoma County in the western province of Kenya. The persons who acted and their respective roles are as below;

Wenani Kilong –stage director
Alexander k Opicho – Namugugu
Judith Sipapali Mutivoko- Nanyuli
Saul Sampaza Mazika Khayongo- Wangwe
Paul Lenin Maondo- Lusaaka
Peter Wajilontelela-  Chenje
Agnes Injila -  Kulecho
Beverline Kilobi- Paulina
Milka Molola Kitayi- Kuloba
Then mourners, children and police men changed roles often. This play was successfully stage performed and stunned the community audience to the helm.













PLOT
Language use in this play is not based on Standard English grammar, but is flexed to mirror social behaviour and actual life as well as assumptions of the people of Bokoli village in Bungoma district now Bungoma County in Western province of Kenya.

























ACT ONE
Scene One

This scene is set in Bokoli village of Western Kenya. In Chenje’s peasant hut, the mood is sombre. Chenje is busy thrashing lice from his old long trouser Kuloba, sitting on a short stool looking on.

Chenje: (thrashing a louse) these things are stubborn! The lice. You **** all of them today, and then tomorrow they are all-over. I hate them.
Kuloba: (sending out a cloud of smoke through her tobacco laden pipe). Nowadays I am tired. I have left them to do to me whatever they want (coughs) I killed them they were all over in my skirt.
Chenje: (looking straight at Kuloba) Do you know that they are significant?
Kuloba: What do they signify?
Chenje: Death
Kuloba: Now, who will die in this home? I have only one son. Let them stop their menace.
Chenje: I remember in 1968, two months that preceded my father’s death, they were all over. The lice were in every of my piece of clothes. Even the hat, handkerchief. I tell you what not!
Kuloba: (nodding), Yaa! I remember it very well my mzee, I had been married for about two years by then.
Chenje: Was it two years?
Kuloba: (assuringly) yes, (spots a cockroach on the floor goes at it and crushes it with her finger, then coughs with heavy sound) we had stayed together in a marriage for two years. That was when people had began back-biting me that I was barren. We did not have a child. We even also had the jiggers. I can still remember.
Chenje: Exactly (crashes a louse with his finger) we also had jiggers on our feet.
Kuloba: The jiggers are very troublesome. Even more than the lice and weevils.  
Chenje: But, the lice and jiggers, whenever they infest one’s home, they usually signify impending death of a family member.
Kuloba: Let them fail in Christ’s name. Because no one is ripe for death in this home. I have lost my five children. I only have one child. My son Namugugu – death let it fail. My son has to grow and have a family also like children of other people in this village. Let whoever that is practicing evil machinations against my family, my only child fail.
Chenje: (putting on the long-trouser from which he had been crushing lice) let others remain; I will **** them another time.
Kuloba: You will never finish them (giggles)
Chenje: You have reminded me, where is Namugugu today? I have not seen him.
Kuloba: He was here some while ago.
Chenje: (spitting out through an open window) He has become of an age. He is supposed to get married so that he can bear grand children for me. Had I the grand children they could even assist me to **** lice from my clothes. (Enters Namugugu) Come in boy, I want to talk to you.
Kuloba: (jokingly) you better give someone food, or anything to fill the stomach before you engages him in a talk.
Namugugu: (looks, at both Chenje and Kuloba, searchingly then goes for a chair next to him)
Mama! I am very hungry if you talk of feeding me, I really get thrilled (sits at a fold-chair, it breaks sending him down in a sprawl).
Kuloba: (exclaims) wooo! Sorry my son. This chair wants to **** (helps him up)
Namugugu: (waving his bleeding hand as he gets up) it has injured my hand. Too bad!
Chenje: (looking on) Sorry! Dress your finger with a piece of old clothes, to stop that blood oozing out.
Namugugu: (writhing in pain) No it was not a deep cut. It will soon stop bleeding even without a piece of rag.
Kuloba: (to Namugugu) let it be so. (Stands) let me go to my sweet potato field. There are some vivies, I have not harvested, I can get there some roots for our lunch (exits)
Chenje: (to Namugugu) my son even if you have injured your finger, but that will not prevent me from telling you what I am supposed to.
Namugugu: (with attention) yes.
Chenje: (pointing) sit to this other chair, it is safer than that one of yours.
Namugugu: (changing the chair) Thank you.
Chenje: You are now a big person. You are no longer an infant. I want you to come up with your own home. Look for a girl to marry. Don’t wait to grow more than here. The two years you have been in Nairobi, were really wasted. You could have been married, may you would now be having my two grand sons as per today.
Namugugu: Father I don’t refuse. But how can I marry and start up a family in a situation of extreme poverty? Do you want me to start a family with even nothing to eat?
Chenje: My son, you will be safer when you are a married beggar than a wife- less rich-man. No one is more exposed as a man without a wife.
Namugugu: (looking down) father it is true but not realistic.
Chenje: How?
Namugugu: All women tend to flock after a rich man.
Chenje: (laughs) my son, may be you don’t know. Let me tell you. One time you will remember, maybe I will be already dead by then. Look here, all riches flock after married men, all powers of darkness flock after married men and even all poverty flock after married. So, it is just a matter of living your life.
(Curtains)
SCENE TWO

Around Chenje’s hut, Kuloba and Namugugu are inside the hut; Chenje is out under the eaves. He is dropping at them.
Namugugu: Mama! Papa wants to drive wind of sadness permanently into my sail of life. He is always pressurizing me to get married at such a time when I totally have nothing. No food, no house no everything. Mama let me actually ask you; is it possible to get married in such a situation?
Kuloba: (Looking out if there is any one, but did not spot the eaves-dropping Chenje).
Forget. Marriage is not a Whiff of aroma. My son, try marriage in poverty and you will see.
Namugugu: (Emotionally) Now, if Papa knows that I will not have a happy married life, in such a situation, where I don’t have anything to support myself; then why is he singing for my marriage?
Kuloba: (gesticulating) He wants to mess you up the way he messed me up. He married me into his poverty. I have wasted away a whole of my life in his poverty. I regret. You! (Pointing) my son, never make a mistake of neither repeating nor replicating poverty of this home into your future through blind marriage.
Namugugu: (Approvingly) yes Mama, I get you.

Kuloba: (Assertively) moreover, you are the only offspring of my womb             (touching her stomach) I have never eaten anything from you. You have never bought me anything even a headscarf alone. Now, if you start with a wife will I ever benefit anything from you?
Namugugu: (looking agog) indeed Mama.
Kuloba: (commandingly) don’t marry! Women are very many. You can marry at any age, any time or even any place. But it is very good to remember child-price paid by your mother in bringing you up. As a man my son, you have to put it before all other things in your life.
Namugugu: (in an affirmative feat) yes Mama.
Kuloba: It is not easy to bring up a child up to an age when in poverty. As a mother you really suffer. I’ve suffered indeed to bring you up. Your father has never been able to put food on the table. It has been my burden through out. So my son, pleased before you go for women remember that!
Namugugu: Yes Mama, I will.
(Enters Chenje)
Chenje: (to Kuloba) you old wizard headed woman! Why do you want to put    my home to a full stop?
Kuloba: (shy) why? You mean you were not away? (Goes out behaving shyly)

Chenje: (in anger to Namugugu) you must become a man! Why do you give your ears to such toxic conversations? Your mother is wrong. Whatever she has told you today is pure lies. It is her laziness that made her poor. She is very wrong to festoon me in any blame…. I want you to think excellently as a man now. Avoid her tricky influence and get married. I have told you finally and I will never repeat telling you again.

Namugugu: (in a feat of shyness) But Papa, you are just exploding for no good reason, Mama has told me nothing bad……………………
Chenje: (Awfully) shut up! You old ox. Remove your ears from poisonous mouths of old women!
(Enters Nanyuli with an old green paper bag in her hand. Its contents were bulging).
Nanyuli: (knocking) Hodii! Hodii!
Chenje: (calmly) come in my daughter! Come in.
Nanyuli: (entering) thank you.
Chenje: (to Namugugu) give the chair to our visitor.
Namugugu: (shyly, paving Nanyuli to sit) Karibu, have a sit please.
Nanyuli: (swinging girlishly) I will not sit me I am in a hurry.
Chenje: (to Nanyuli) just sit for a little moment my daughter. Kindly sit.
Nanyuli: (sitting, putting a paper-bag on her laps) where is the grandmother who is usually in this house?
Chenje: Who?
Nanyuli: Kuloba, the old grandmother.
Namugugu: She has just briefly gone out.
Chenje: (to Nanyuli) she has gone to the potato field and Cassava field to look for some roots for our lunch.
Nanyuli: Hmm. She will get.
Chenje: Yes, it is also our prayer. Because we’re very hungry.
Nanyuli: I am sure she will get.
Chenje: (to Nanyuli) excuse me my daughter; tell me who your father is?
Nanyuli: (shyly) you mean you don’t know me? And me I know you.
Chenje: Yes I don’t know you. Also my eyes have grown old, unless you remind
me, I may not easily know you.
Nanyuli: I am Lusaaka’s daughter
Chenje: Eh! Which Lusaka? The one with a brown wife? I don’t know… her name is Kulecho?
Nanyuli: Yes
Chenje: That brown old-mother is your mother?
Nanyuli: Yes, she is my mother. I am her first – born.
Chenje: Ooh! This is good (goes forward to greet her) shake my fore-limb my
daughter.

Nanyuli: (shaking Chenje’s hand) Thank you.
Chenje: I don’t know if your father has ever told you. I was circumcised the same year with your grand-gather. In fact we were cut by the same knife. I mean we shared the same circumciser.
Nanyuli: No, he has not yet. You know he is always at school. He never stays at home.
Chenje: That is true. I know him, he teaches at our mission primary school at Bokoli market.
Nanyuli: Yes.
Chenje: What is your name my daughter?
Nanyuli: My name is Loisy Nanyuli Lusaaka.
Chenje: Very good. They are pretty names. Loisy is a Catholic baptismal name, Nanyuli is our Bukusu tribal name meaning wife of an iron-smith and Lusaaka is your father’s name.
Nanyuli: (laughs) But I am not a Catholic. We used to go to Catholic Church upto last year December. But we are now born again, saved children of God. Fellowshipping with the Church of Holy Mountain of Jesus christ. It is at Bokoli market.
Chenje: Good, my daughter, in fact when I will happen to meet with your father, or even your mother the brown lady, I will comment them for having brought you up under the arm of God.
Nanyuli: Thank you; or even you can as well come to our home one day.
Chenje: (laughs) actually, I will come.
Nanyuli: Now, I want to go
Chenje: But you have not stayed for long. Let us talk a little more my daughter.
Nanyuli: No, I will not. I had just brought some tea leaves for Kuloba the old grandmother.
Chenje: Ooh! Who gave you the tea leaves?
Nanyuli: I do hawk tea leaves door to door. I met her last time and she requested me to bring her some. So I want to give them to you (pointing at Namugugu) so that you can give them to her when she comes.
Namugugu: No problem. I will.
Nanyuli: (takes out a tumbler from the paper bag, fills the tumbler twice, pours the tea leaves  into an old piece of  newspaper, folds and gives  it to Namugugu) you will give them to grandmother, Kuloba.
Namugugu: (taking) thank you.
Chenje: My daughter, how much is a tumbler full of tea leaves, I mean when it is full?
Nanyuli: Ten shillings of Kenya
Chenje: My daughter, your price is good. Not like others.
Nanyuli: Thank you.
Namugugu: (To Nanyuli) What about money, she gave you already?
Nanyuli: No, but tell her that any day I may come for it.
Namugugu: Ok, I will not forget to tell her
Nanyuli: I am thankful. Let me go, we shall meet another day.
Chenje: Yes my daughter, pass my regards to your father.
Nanyuli: Yes I will (goes out)
Chenje: (Biting his finger) I wish I was a boy. Such a good woman would never slip through my fingers.
Chenje: But father she is already a tea leaves vendor!
(CURTAINS)


SCENE THREE
Nanyuli and Kulecho in a common room Nanyuli and Kulecho are standing at the table, Nanyuli is often suspecting a blow from Kulecho, counting coins from sale of tea leaves; Lusaaka is sited at couch taking a coffee from a ceramic red kettle.


Kulecho: (to Nanyuli) these monies are not balancing with your stock. It is like you have sold more tea leaves but you have less money. This is only seventy five shillings. When it is supposed to be one hundred and fifty. Because you sold fifteen tumblers you are only left with five tumblers.
Nanyuli: (Fidgeting) this is the whole money I have, everything I collected from sales is here.
Kulecho: (heatedly) be serious, you stupid woman! How can you sell everything and am not seeing any money?
Nanyuli: Mama, this is the whole money I have, I have not taken your money anywhere.
Kulecho: You have not taken the money anywhere! Then where is it? Do you know that I am going to slap you!
Nanyuli: (shaking) forgive me Mama
Kulecho: Then speak the truth before you are forgiven. Where is the money you collected from tea leaves sales?
Nanyuli: (in a feat of shyness) some I bought a short trouser for my child.
Kulecho: (very violent) after whose permission? You old cow, after whose permission (slaps Nanyuli with her whole mighty) Talk out!
Nanyuli: (Sobbingly) forgive me mother, I thought you would understand. That is why I bought a trouser for my son with your money!
Lusaaka: (shouting a cup of coffee in his hand, standing charged) teach her a lesson, slap her again!
Kulecho (slaps, Nanyuli continuously, some times ******* her cheeks, as Nanyuli wails) Give me my money! Give me my money! Give me my money! Give me my money! You lousy, irresponsible Con-woman (clicks)
Lusaaka: Are you tired, kick the *** out of that woman (inveighs a slap towards Nanyuli) I can slap you!
Nanyuli: (kneeling, bowedly, carrying up her hands) forgive me father, I will never repeat that mistake again (sobs)
Lusaaka: An in-corrigible, ****!
Kulecho: (to Nanyuli) You! Useless heap of human flesh. I very much regret to have sired a sell-out of your type. It is very painful for you to be a first offspring of my womb.
I curse my womb because of you. You have ever betrayed me. I took you to school you were never thankful, instead you became pregnant. You were fertilized in the bush by peasant boys.
You have given birth to three childlings, from three different fathers! You do it in my home. What a shame! Your father is a teacher, how have you made him a laughing stock among his colleagues, teachers? I have become sympathetic to you by putting you into business. I have given you tea leaves to sell. A very noble occupation for a wretch like you. You only go out sell tea leaves and put the money in your wolfish stomach. Nanyuli! Why do you always act like this?
Nanyuli: (sobbing) Forgive me mother. Some tea leaves I sold on credit. I will come with the money today?
Kulecho: You sold on credit?
Nanyuli: Yes
Kul
this is a manuscript of a play, please guys help me get any publisher who can do publishing of this play
i  will appreciate. thanks
When a handsome, charming teenager named Noah (Ryan Guzman) moves in next door

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, newly separated high-school teacher Claire Peterson (Jennifer Lopez) encourages his friendship and engages in a little bit of harmless (or so she thinks) flirtation. Although Noah spends much of the time hanging out with Claire's son, the teen's attraction to her is palpable. One night, Claire gives in to temptation and lets Noah ****** her, but when she tries to end the relationship, he turns violent.
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Omar Kawash Jul 2014
Two villages coexisted peacefully, no interactions
maybe some discussion on boundaries, treaties for peace and trade.
An extraneous rumor appeared in one of these villages.
No one was sure where it had started.
Someone mentioned they had seen beastly faces emerge in the night horizon.
The whispers made its way through
soon the town was mortified.

The others, they were observing us.
What could they want that they could not communicate overtly?
The villagers made a decision to protect themselves,
their lives,
their happiness –their status quo
that had been so well kept; now jeopardized by fear.  

Traders continued their interactions,
sharing goods and language.
The ignorant village heard the small-talk,
the covert operations the coinciding people had been ruminating about.

The newly-informed town magnified and mutated
the gossip;
the folk were riddled with anxiety.
If their neighbors were under threat,
what was stopping them from being the next target?  
This xenophobia was to destroy them.

The two ostracized each other;
initial misperception grew
to a common hallucination amongst the people,
they prepared for the worst scenario.

As humanity goes,
somewhere a zero-sum game emerged.

A council was held,
all that they had known was their own home
and the adjacent peoples.
There was nothing else in the known world,
it must be the others.
They are planning on something villainous,
why else the secrecy?

Cut trade, be vigilant, ostracize.
The other village noticed something amiss
Calamity must be in path.
Taking up arms, arranging a force to handle any offenses, and establishing a wall;
they would not fall.

Feud was conceived.
This is the drive of a mind
who incessantly wonders why and how
a devouring morality.

I digress from the story: the villages, armed and defense ready,
see the village that they once knew as peaceful neutrals
once tranquilly existed transformed to potential threats
for they could overthrow the opposing village.
I should be unconquerable
but I know the kisses stealing my breath come with every
inhale,
exhale; my kryptonite is facing life.

I choose to face that fiend
which wouldn’t let me actually give up when there is so much unknown out there.
It’ll haunt me with the damages that I dealt to the allure yet provocation preserves me.

The two villages are within me.
One is the soul depleting, ego-hunting energy ****,
the other is the false hope that I
can change things-
that things are within my control-
that I’ll fake a smile and a real one will appear.

Two hemispheres connected in a skull,
failing to synchronize
a miscalculating rational with a quixotic imaginative vision.

These two villages smoulder;
the clashes zigzag my intentions.
I just wish I knew
what that fictitious, fruit of the grapevine generated monster even was.
It’s been ages since this conflict ignited,
I don’t think any villager knows why they fight each other perpetually,
other than survival.
Umi Apr 2018
Whereabout of the heart, where might it be ?
When fury is a feeling which engages your senses, your mind and your soul in a raging outburst of negativity expressed in adrenaline,
Everything seems to be one sided, a loop which only fuels your anger with thoughts of unpleasant, disturbing annoyances, making it harder
Harder to resist, until alike a super nova, you explode in a viscious rampage with knows no escape, so, where is the heart ? Where is it?
A tantrum might be encouraged to grow in size if it's revenge you seek, desire, want to live for to make it expire, with violent passion,
Mercy or compassion, forgiveness and simpathy may be forgotten, within the depths of your burning soul, lit ablaze solely by hatred,
You may lose your mind, oh beauty of a living existence, becoming alike a lily of murderous intent, spiteful, yet elegant and wonderful,
A shivering star, ready to take its opponent down with itself while destroying what used to be so precious, unique and simply sweet,
Blemishing the unconscious without thinking of patience or the chance to calm this nuclear meltdown, unfolding in tragedy for us,
The pure light of your praying palms might help in this regard,
Because his remembrance is what makes furious hearts become calm.

~ Umi
Robert Ronnow Aug 2015
Two fine films: The Lost City and Blood Diamond.
I joined Blood Diamond during a village massacre
and said to my wife A gun in every home.
Those devils would think twice
before razing the village and seizing the boys.

A well-regulated militia.
The local militia the most interesting moment
in a strong film with motive (economic, emotional), action (chases,
      fights) and a ****, sexless love story.
Use of violence by the local militia for a limited purpose: protect the
      community, the young
from the janjaweed. The crop from the ****.
Limited scope and defensive posture
but armed and coordinated, cooperative, the men (and the women)
      side by side.
Warriors at the gate, you will not run, you will not bargain.
Just violence = limited scope, defensive posture.

Great music. Cuba, Africa.
The Lost City, when the communists tell the club owner under threat
      of violence
No saxophones in the band. The saxophone!
Invented by a Belgian--Look what the Belgians are doing in the
      Congo!
When the state's violence is turned against the citizenry
for non-violent acts.

This quiet neighborhood, July,
undergirded by violence, force. That's a given--
any farmer, custodian, EMT will tell you that.
Without just violence
Gandhi's scope, and King's, might be vanishingly limited,
negligible (but not non-existent)?
                                                  ­     Regarding King
the matter is simple -- he was non-violent but dependent upon
federal force to counter the South's violence.
No doubt without the larger force, the non-violent would be
      overwhelmed by southern violence.
Here, non-violence was a tactic, not an ethic.
Gandhi, however, had no violent partner to protect him from the
      British. Or did he?
1. There was the potential violence of the population, which Gandhi
    restrained but could release which the British feared, and
2. It was the restrained (limited scope) violence of the British that
    allowed Gandhi to exist rather than be extinguished--this restraint
    was a (British) cultural imperative (limited scope) as well as
    emanating from Britain's view of India as a protectorate and
    valued citizen of the United Kingdom (defensive posture).

What about violence or threat of violence to compel compliance with
      community
as in mortgage foreclosure, driving without license, drug possession.
Perhaps it is necessary violence to maintain orderly commerce, the
      common space, and preempt bad behaviors associated with
      otherwise neutral, private acts.
The defensive posture is the common good; the limited scope is
      forgoing deadly force.
But the citizen, too, must maintain a disciplined, armed non-violence,
in case the state (the janjaweed) engages in an unjust, autoimmune
      violence.
Hence, a gun in every home.
www.ronnowpoetry.com
Bus Poet Stop Apr 2015
eye did.   As my prejudices expected, the odd assortment of "characters"were all present and not to be unaccounted for...a romantic comedy on a good Friday, attracts the believers, the well wishers, the ones who think if only the world was.. and I was not re or so tired of life, unemployed, lonely, damaged in some manner of being...

not too many young, just a few... theater darkness is a masque, with a risqué chance of oh no, I've been witnessed by the non-believers.

the infirm with their mobile caretakers and paraphernalia were there.  Odd couples, were there.  If there was one unifying common characteristic, I selected this one.  We all needed haircuts. eye don't know why but it made me think about going to get one's haircut, and the rituals that requires....and it is and is not a bit like being in a almost totally private world inpublic, where you, the individual and some outside force majeure, hairdresser, movie screen engages and temporarily transforms you.  That is why, I, went to the movies on a Friday afternoon, to be transformed and not reformed, in public, in private...
Pagan Paul Jun 2019
Chance
is being in the right place
at the right time,
coinciding with the orbit
of another searching
the aspirations that you to seek.
A connection needs attention,
a compliment, a smile,
an enquiry of mutual interest
that engages instantly.
The abdication of convenient norms,
a shift in behaviour,
adopting a new travel direction.
It requires no discrimination,
but an open welcoming mind,
conjoining parallel convergence,
Meeting.


© Pagan Paul (2018)
.
Beneath the surface of our daily lives, we are always asking the question, “Who am I, really, and where is my true home?” The answer to this question is so utterly obvious, so beautiful, so ordinary, and yet so profound, that like the nose on our face, we have a hard time seeing it. Because of our own self-imposed limitations, the answer to this mystery can only be revealed little by little, as if a great veil were being lifted inch by inch, until the truth is completely exposed. Yet, we are destined to receive this knowledge.

Today-all around us: the electro-magnetic field is active and alive, whether we feel it or not. Imagine all the electromagnetic-digital devices surrounding us! Take a moment to think about their direct or indirect effect on our bodies. Global warming is by far the most serious manifestation of the “collision”—and Mother Nature is making the evidence ever more obvious. Our bodies are like little vessels of light reflecting our bright birth right. However these vessels constantly need nourishing and care. These are amazing times for us all but we must take care of our bodies inwardly and outwardly, else we are left at the mercies of the “spiraling” energies circumventing the universe. Both scientists and spiritualists have verily presented groundbreaking evidence about what is happening beyond what can be felt, seen or sensed by human sensory perception. At times-you may feel odd sensations or more anxiety than usual. Breathe in slowly and deeply. Take your time amidst the “rollercoaster of the city’s rush hours”. Remember to connect to the “higher frequencies” of a positive lifestyle in healthy ways. Exercise, Pray, Meditate, if you can- use flower essences everyday such as: Silversword, Shooting Star, Morning Glory, Sagebrush, Snap Dragon, Cosmos, White Magnolia. Growing a flower garden has its rich rewards too.
Nature’s healing effects are unquestionable, for within nature we come face to face with the Divine infinite source of All creation-as it was, as it is and as it will ever be.

Yogi Paramahansa Yogananda once quoted:

Harmony with nature will bring you a happiness known to few city dwellers. In the company of other truth seekers it will be easier for you to meditate and think of God.

There is a magic about periodically moving out of the “city’s confinements” to the richness of and around nature: forest walks, boat rides, mountain trekking and much more. The main essence is in feeling a refreshed aura around and within you-an indication that the city and all its toil on you have been left behind. We have to try to get rid of the notion of time. When we have an intense contact of unconditional love with nature or another human being, like a spark, then we can truly understand that there is no time and that everything is eternal.

Other simple ways of raising energy levels include: silence in isolation and more “interaction” within you inner spirit-your Higher-self. There are always two forces warring against each other within us and we can bring these forces to a balance during silent personal introspection.  In order to relate properly with and to your inner being, one must follow the “truth of imagination.” From the word-imagination, we find the word-image, which is the manifestation of our physical form and body identity.

As William Arthur Ward said:

If you can imagine it, you can create it. If you can dream it, you can become it.

More than ever before on our planet, there is now great need for interpersonal sharing and the acknowledgment that ups and downs are a vital part of our everyday life. This process is internal as well as external. The “key” is a flowing pattern that is beneficial to all concerned. Take good care of yourself, your relationships, and your health. Exercising both mind, body, and spirit can bring you the agility to incorporate balance, whether you are alone or with a partner. Life can seem like a seesaw existence, but you can still have a wonderful time if you maintain a playful attitude.

The “image” we carry of our self within our mind and heart carries the power to bridge our highest ideals into our everyday practical life. On the other hand, attachment to a poor image of self condemnation and suffering carries the potential to destroy our right to joy and abundance. Which do we choose? Practicing the laws of “visualization” is not unlike the practice of prayer or meditation, where the seeker opens oneself to channels of higher guidance and inspiration. Ideally, we are given the opportunity to walk through the gardens and forests of the earth with astute concentration and attunement, opening our opportunity to the light of healing and service, each and every day.

Whatever your tradition or practice, however you offer your skills to the world, trace your roots and find the center of stillness and peace within. Only from this grace-filled place can we restore the health and well being of ourselves and our planet. Become one who engages the full power of the mind, heart, and spirit in the interest of alleviating suffering and making our present world a true “Garden of Eden”

Remember to build the world around you in a practical manner. Is your spiritual, mental, emotional, and physical universe anchored in truth and wisdom? Follow the “call of the wild” and listen to your inner voice within that guides you to fulfill your higher destiny. Take time to make weighty decisions. Realize the implications of your acts for the future. Stop wasting your strength by criticizing others. Recall the ancient adage “Judge not, lest you be judged”.

Reinforce your positive, upbeat, and inherently good nature so that the dark elements of this world cannot break down your resolve and dedication. For those who have suffered emotional pain from all sorts of physical or spiritual abuse, If you are to walk the path of consciousness, enlightment and empowerment, you must go beyond your “old wounds” and accept this golden opportunity to metamorphose into a new “body of light” – one that rejoices with the understanding that all aspects of life are sacred and it is in the weaving of the dark and light within ourselves that we find our true wholeness. We heal ourselves and others by first contacting the inner nourishment or the "water fountain of life" within us which sustains our ability to create beautiful things in the world as well as to act from the depth of our hearts.

Imagine opening your arms to upward spirals of your divine existence like a beautiful chalice and ask that all love pour into the vessel of your heart. This love is abundant and rich, offering the fertile elixir of passion and creativity. These are exciting time and we must accept the challenges offered to humanity at this time; in it all: Unconditional Love, Peace and Unity is the answer. Change all bad habits-those that leave you with tingling bits of guilt. Cleanse your body and home and adore the “temple of beauty” that is your embodiment: your real reason for being!

The mystery of the universe is within and without us. Love the world...Love yourself...Love the change. Anticipate illuminating insights from places deep within you. Let the inner truth of your radiance come shining through. Most importantly, focus your attention and thoughts and blossom like the beautiful morning-glory. The yearning for our lost perfection, the urge to do and be that which is the noblest, the most beautiful of which we are capable, is the creative impulse of every high achievement. We strive for perfection here on mother Earth because we long to be restored to our true oneness with Almighty God.



Muhumuza Kenneth Ezra.
Umi Mar 2018
Dear life, what is it that makes you take on a journey which always leads towards an unavoidable, devestating yet resenting death ?
Since I cannot understand it fully I wander upon this world without finding any clear answers to satisfy the curiousity my heart bears.
In the realm of dreams I find rest, as my mind engages into this illusion and frees me from this reality for as long as my body pleases.
Awakened by loitering darkness, these questions are repeating themselves on a path of recurrance, without decreasing in strengh.
As my breath dies while feeling the agony, flames of hatred are seeping through my fragile, delicate existence, giving energy.
Rumbling, boiling in sadness I tell myself that anyone's forgiveness is not neccesary, losing control over this riot of pure fury without heart.
Looking back a thousand times, it remains as my very best choice.
Letting these emotions race, rage and rampage uncontrollably
Whilst losing ones self within a lunatic laughter to release pressure
I cannot stop these tears, pitying the past long gone rolling down my cheeks, moistening the very soil I am growing on, as a pure lily
Until the moment comes in which my body exhausts itself and allows me to enter the world of dreams, where despair fades into happiness.
Until the sun rises once again

~ Umi
Keith W Fletcher Apr 2018
All along that grey draped zig-zagging shoreline
The men sat or stood in resolute silence
Each trying to reach back into minds
Scrambled like eggs by the fear of impending violence

Soon the hard faced men will open the gates
As the race will start as hearts will change pace
Then by push and twist they load like cattle
Into great grey hulking hearse's barely floating
Plunging through grey roiling seas toward thunder
Echoing across the channel quotation marks of the battle

That rages ,engages not turning ÷ripping out pages of history
When the water turns red punctuated by the floating dead....
........The question marks and periods
Exclamation marks in the book thats still being written ...
        ......to what end?
That is what makes any plot a vagrant thought
With a premise being an unresolved mystery
Such are .....
The vagaries of the ever repeating chapters of human history!
K Balachandran Jul 2013
A forest adventure-we didn't plan it that way at all,
the call of the wild prompted us, is all I can now guess
hand in hand in to the woods we ventured like two possessed,
magical, it felt, we soon disappeared, from the eyes of curious intruders.

erogenous scent of damp earth, after the first sprinkling of monsoon clouds,
pepped up our interest in hunting mushrooms
popping up everywhere, like fragments of white clouds descended,
we pulled out, egg shaped mushrooms that came in to our view
the frenzy we fell in to,  possessed us in total,
after all we we are also young and hot blooded,

We competed like hounds in hot pursuit,
ran, collided with each other, fell down,
with a gentle thud, upon each other.
She did lay flat, face down on my chest,
I smelt,musk on her neck a slow intoxicant
and mushrooms hidden in her both armpits,
which I pursued and found out,we were getting hot,
in pursuit of each other's secrets.
the world, we had forgotten completely for long!!

We didn't see evening light melt and
darkness spread stealthily over the woods
that engages the robust body of the night,
from the rendezvous, of these secret lovers,
we sneaked out and saw lighted torches,
approach us from all four directions.

they zeroed in on us,"Who goes there?"
a harsh voice asked,
"This, do you know, is the holy grove,
of mother goddess, strictly  watched
for not to be get desecrated
by people who seek some sort of adventure,
such an act never goes unpunished,
we'll search you and find what you did"

We held out mushrooms before them,
and I saw each face turning  a lotus!
"where did you get this,? Oh! so much!,
Those are so rare and any one is able to pluck it,
only if mother goddess is pleased"

And then we realized this,
in that forbidden sacred wood,
between us a miracle has happened!
that pleased the mother goddess
of the woods,  the blessed presence,
aren't we then  the chosen ones?







,
Have you ever had a fantasy boyfriend?
The kind that thinks that you’re
A couple
Despite the fact that
You don’t have their cell number
Nor their name,
often
You never had *** or traded spit
They don’t know where you live
They, in fact, know nothing about you

A little laughter shared
Perhaps
A momentary giggle waiting
for the bathroom door to open
And bam! Like Zeus.
Without your ever knowing, you are a team.
A team that never engages
but together none the less. Solid.
Ride or Die.
Then one day
You have an ugly break up.
You never saw it coming
What did you do, you wonder?
He won’t speak to me!
He’s mad. Filled with resentment.
His eyes are on fire. I am hated.
He will show up the next time we see one another
with a woman
And that’s when you finally know for certain
You just had a Fantasy Boyfriend
How did you rupture?
It’s an eerie realization.
Like understanding in an instant
that neither are you the ventriloquist
nor the dummy
But somehow
you
go back into the box.

Better still, have you ever encountered the sub-species
Fantasy Bad Boyfriend?
Or Fantasy Abusive Bad Boyfriend?
They are perhaps the worst of the lot, naturally.
They don’t call.
They date other women.
They sit in their living rooms assured that you’re waiting at their front door.
In the rain.
With flowers.
Over and over the bell, ring though it might
It pleads on your behalf.
And yet they will not answer
And I was not standing there.
I was at the beach
watching the rain fall upon on the water.

You never called
so when they
disappear
For
Days
And return unannounced
You’re just now finding out that
there are serious cracks in your relationship.
They used you
They played with your heart
They apologize for the treatment of which you are so very undeserving
They never wanted you.

Yet you never spoke.
Never popped over with
Flowers
Nor cookies!
Never sat in your car waiting
You were out town the entire
Time.
You two did see a movie once.
That is true.

But now you’re over.
And he’s moved on.
And suggests with his absence?
that you do the same.
You can tell.

Some days your paths cross.
He stands still as Jesus
At the Hollywood Farmer’s Market.
With his wife and new baby
Or
Dog.
She looks at you with suspect eyes while you think about the tomatoes.
Someone wags their tail and hopefully they will quickly move along
en famille.
You hold your tomato plants and shudder.
You walk over to the double blossom peppermint tulips.
Tight little babies ready to unfurl.
The ones you never gave him.
Janette Jan 2013
Watch me as I unwrap... passionate,
In the drench of our rain.....






And night falls...


A silent murmur
Where the heart pauses,
A malachite shadow
Penetrates fire,
Burning
A flame's fierce lick
Beneath pulse...



Somewhere....


His smile touches
Warming the red sea of my heart
Pulsating ripples, spread
Soliloquies upon my skin
Orated in Southern sighs...



Slowly...

Desire engages,
******* hardening
Under tongue's brush;
Moist ripe, swollen folds
Tempt his lips to kiss my yielding
Where breath catches,
And I ... smolder within each touch...




Drenched..


My scent quivers languor,
Rhapsodic,
Drowning pools, orchid petaled
Finger parted... tender;
Under sweet seduction,
Stirring the supple bloom,
Tasting the restless currents
That throb through my milky sea...



Small moans...


Electric blue hangs the air..
Primal lust etching curves,
Tracing dewy flesh,
Heating
Skin on skin,
****** scent….arousing,
Tongue brushed hardness
Between dampened lips...


Hot....


The scorching sear... stigmata
Sin licks along thighs,
Essence, dripping,
S  W  E  E  T
Sensory overload,
Breaking my binds...



Feed...

My appetite,
I am.. lashes soft, licking thoughts
No words
No words...



Just....

Feed the need that overwhelms,
Grow inside me,
Fill me once again.......
Stay with me tonight...whisper soft kisses against the folds of my silken shoreline... lap the waves that you create.....as winter storms pulse through me...... J
Bijan Rabiee Jun 2018
Glory to craftsmanship
That endures the wrath of time
Artisans vanish one by one
As is Nature's custom
But their inner beauty
Remains in their labored art.
A masterful stroke of hand
Guided by divine volition
Engages thought's flight
To spheres unknown
Where true art gives birth
To creativity's genius.
Art imparts mystical light
Upon envisioned designs
Shaped by hand, heart and spirit
A poem, a painting, a silver cup
Is brought to life
For the pure joy of creation.
O' masters of the wind
Hearken the hopes of craftsmen
And steer their zing heavenward
They are the symbol of plastic arts
A manifestation of wizardry
Toiling in labyrinth of formation.
this poem is published
Was it luck as I was awe-struck?
It is said that these gleaming falling stars are UFOs
It is also said that at times when UFOs land they then become IFOs... They come to fetch a king as the king dies
Sending him home to distant skies

OR was it merely a sign that the Pleiadians have landed?
Or other races beyond, from Lyra to Procyon
not to mention the bellicose Orions
we wouldn't see this of course
as all that would be would be what isn't and what isn't would be what it truly is
Living in Alice and her wonderland
We see politics and earthly government
but the point is to hide exo-politics, Councils and Houses

We would be asleep when the unseen god is an emperor of just one constellation
We would be asleep as the centre of the Universe serenades Gaia
We wouldn't see as Nihahua engages Sol
We wouldn't see as Tiamat rises to the fourth dimension for we would think we are asleep

We would think of raptures holy as they are protocol to transport souls to other planets
Yes advanced some are as they are 4D others even 5D
and a means of exchange not being money
so that makes our planet a child you see
These things you wouldn't know as they are cleared by the MIB's
These things you wouldn't know when mediums or channelers form religions
These things you wouldn't as hybrids and starseeds form religions
These things would seem ridiculous for you are programmed
You wouldn't know what to believe for restricted are tools to examine
You wouldn't know what to concoct when access to information is limited
It said some serve the upliftment of humanity
I'm talking about the Andromeda Council and Christos Council

From Babylon to Rome
Or was it from Atlantis to Mu then Ur? Before the Annunaki went to Sumer
From Rome to the whole world
Was it Nibiru which heaven was?
Are we really living in Star Wars?
Are we ruled by Star Lords?

Are we humans trying not to be aliens?
Or are we aliens trying to be human?
The strongest angel ever created, the weakest
a sad day in heaven
the angel of light then brought darkness
Not a mystery why light is sought after and its essence

I saw a falling star
Some are abducted, sexually indulged and barred
They are ridiculed in society as they are told that's how insanity starts
There are people who go missing in caverns, not knowing that they would be genetically manipulated and brainwashed
There are communicators of divine knowledge
They are called lunatics who feed ludicrous knowledge
We wouldn't know the difference for we are trapped in matter
We wouldn't care for the physical is all that would matter
From the Els to the Yahweh consciousness
From the Serpent gods to Sorcerer kings and Priest kings
Do we know where it all started?

Religion would be coded astronomy
The movement of stars, astrology
if we knew the galactic anthropology
We wouldn't think we are alone
Science fiction would present technology
Linear time would be no more
Wormholes the doors
The Ark of The Covenant a device used as a good weapon
We would know all and more of this if we saw more falling stars
We would know more of this if we weren't kept busy by the masters
We would know more of this if we stopped thinking we are free
Then we'd know who we are and where we are going
to that place of all knowing.
Listen to Niribu by TaMarah #np on #SoundCloud
https://soundcloud.com/tamarah-taesee/niribu
Md HUDA Jan 2013
Heart’s eyes are more dominant than our eyes
It can gaze far-flung beyond the skies
Where the heaven lies…
Where the Angel stays
Where the Torrent  engages in recreations
Where the eternal bird chants
Where the heavenly rose shows its salsa
Where the leaves making love with each other crafts a fascinating musica
Where the sun can’t go moon can’t smile
Oh heart! Oh heart! Take me, Take me
Bear me aloft, Bear me aloft
Let me fly on your eternal wings that can fly an infinite mile…….


HUDA
Nat Lipstadt Aug 2017
the undulating structure of the sea, woman

~for Megan Sherman~

you message me a brief, sweet like of
my poem's structure,  describing it as
"undulating like the sea."

you deserve much more that I can now provide,
the hour late, yet your succinct observation
engages my retinas deeper into oceans of imagination.

but told to "turn off the light,",
a standard life intrusion,
so for once in my life,
perhaps brevity, may here gain the upper hand.

but probably not.
no, this poem does not undulate.

I live by the sea, and its habits, guises and habitués,
her stockings and high heels, and come hither looks,
well known to me. Ha! most nights it even feeds me.

as I compose, she hides quiet, fifty yards away, no more,
causing no trouble tonight, yet seen it don and unmask
a schizophrenia of multiple personalities most terrible
in minutes as short as seconds.

rage and frothy spit, begging she be allowed to
swallow whole men and ship, harboring monsters,
that populate the nightmares of one called Jonah me.

her murdering riptides and lunar tricks
that are mathematically calculable and therefore predictable,
even then, wise man still most helpless charmed by
the fake news of the surficial, gentile, ladylike, curtsying, cutesy lapping, waving oh hello waves,
drown us with the greatest of ease,
which is what I think you mean when you say
the sea **** be undulating, performing its best and finest trickery.

yes, the sea is a women and its fluidity, nonpareil.

Have you ever seen a woman undulate?
see my notes below;

when the sea or a woman undulate,
things too oft die.  

this poem is unstructured, its heartbeat,
arrhythmic, and now, well, lady past midnight,
indeed, unhappy, unsure of the why of this poem,
its purpose undefined but you said:

                          un   
du
                    lat
           ing
~~~~~~~~~~~~~~~~~~~~~~~~

causing the sovereignty of my un
-conscious
to see a ballerina, her arms, moving unnaturally,
laying herself down to die

did I forget to mention
this poem was born on the ferry crossing the sea,
required to reach the island keep where
the home that I now lay prone in bed now writing
almost, soon enough,
"the end,"
having read your words, felt a poem instant birthing,
as the bow cut thru calm, undulating waves
while a storm in my eyes, the rancor of experience screamed,
my aminotic fluids joining the waters beneath my feet,
your words caused

and a ballerina waving arms swept me low,
asking, imploring,
watch me undulate unto death


and better now I understand the why of you,
for we both ****** addicts,
enslaved by the undulating
arms of our muses, and this then,
the nature of our
shared genius

so be wary of the sea, and writing, the ****** of poetry addiction,
given half a chance,
you will quite happily drown
when they both beckon,
come hither.


<•>
8-19-17 ~ 8-20-17
11::04 pm - 3:24am
https://m.youtube.com/watch?v=G_LHgXxz9VE

an amazing thing to see
Mateuš Conrad Nov 2016
it's almost beautiful, we created the thing called
money, in order to turn tribalism
into a myth of Eden (alone, stark naked) -
          it's almost as if we deviated from
creating it and asking for family values,
            but never got them,
       i'm trying to imagine a Russia where
Rasputin wrote a book
that might have resounded with Nietzsche's
ubermensch - but thankfully precipitated into
world war i & ii... fancy the interlude:
a cold war i, now the cold war ii...
you should be happy, to be honest, it's the best
status quo you'll ever get...
but **** me, 1970s disco craze: even i'm
like Mozart-who?
               a little notebook, and my getting
drunk thoughts in it, funny how drink intellect
knows all too well about the: diminished responsibility
white flag -
              as with the **** chokes come the
drunk-and-writing-a-poem jokes,
                                i'd say blame Al Capone!
you know how many diacritical distinctions i could
insert into that surname? diacritical marks
are ulterior forces at-be when all punctuation goes
*******, not sentences, but words -
Cá       ponè - cockney slang Capone on the phone:
        we had fun: because you really don't say
Cáponé like you might say a torero's olé, do you?!
me? i find it grand to paint syllables with
diacritical marks, i mean: it's not even a blank canvas,
shame the semi-colon isn't minded in distinction,
but still, i already know that poets are scared of
punctuation, hence breaking the lines and not
engaging in a paragraph... tying shoelaces seems about
fine when it comes to modern poets,
talk about knitting jumpers, or scarfs by grannies -
sold as doing that same activity on shredded wheat cereal:
- = a hanging pause (suspense);
       , = necessary pause (or the expected
in a rhythmic cyclone);
   then i say to all my would be assassins:
you'll be doing me a massive favour, to be honest.
at times it really is the age of trusting entertainers
and not the media and certainly not the politicians -
it's almost stating the obvious.
i was in St. Petersburg for a month, and every time
i wanted to go to a danceclub to dance she refused me....
me and my naiveness in thinking that people could
actually be seduced by good...
      i don't mean being exposed to a tsunami
among the other elemental congregations of Shiva
there goes my belief in people being good to each other...
shoom! gone... bye bi!
(origins of dyslexia? maybe).
                                 she took me to the opera and
she started her snarling condescending approach to
the new-rich girls in the next booth...
     **** me, relationships leave me so ill-equipped
i actually find it staggering that i had any...
                 i must have been really naive in believing
that people could do good that i ended up
   a hermetic pessimist or misanthrope -
i never expected to be one, or share the juices of such
a calibration of humankind:
but it's funny how a movement overstates the cartesian
sum and never the cogito,
and when you by chance encounter the actual cogito
organising a movement, you represent nothing
representative of the movement's sum,
because the cogito is actually so staggeringly
divergent from being affiliated to the (e.g.)
         French revolution's guillotine locomotive.
when utilising only one hand in writing?
a black notebooks is written into at a rhombic degree,
yep, slant.
        i have two or three decent points to make,
but, obviously, i have to utilise verbiage to state them,
let's compare that to building a thousand homes
before the leaning tower of Pisa comes along
and people say: wow! in the immediate sense i
will require compensating that exception with
enough social housing for the tower to actually be erected:
that's natural: regurgitating maxims from no experience
would be an equivalence to an exoskeleton:
no experience, no harm... and where's the fun in that?

(interlude no. 1)

almost 15 minutes in an opera house, long enough
for the march from your seat into the street and a smoke,
  i still can't understand while people adopted money
for the demand of talking to each other via pebbles,
we are in our billions and made it so demanding to
only appeal to the few for company... i mean, should
i be sad? we made our company so unbearable because
of engaging in the concept of money that we later had
adapt to books as the conversations we need to have
among people we can't even talk about the weather to.
people always think that talking about money is
shallow... as if it's some really necessary version of
the crucifix (which to my mind sounds like a name for
a charity and the need to be thankful for it being there),
then again: something so geometrically pure
hanging over us and then comes Rodin's the kiss:
that really is a miracle - walking on water can hide itself,
turning water into wine (40 days & nights in the desert would
do that to you, every time you rehydrated, any liquid
would be intoxicating).
             oh hell, i have the notebook narrative,
i need to take a break after having written the unexpected
intro, and subsequent interlude.


it seems to me that language can never be sampled,
sampling language
is anti-scientific,
because it breaches an objectification of things,
which sad,
    are the Balkan states Slavic, Christian or Turkish?
i'm asking because a Greek said
it's Byzantine, and then lapping allah illha Allah
turkish took to Istambul...
*how best to defame a god with ensnarled capitals,
each, levelled,
                                only Islam will reign under the
praise of my name, which alone, will sing my praise.

   to move mountains, one must move throngs.
          to move people you expect them to become
mountains: or sun-tanned noon
  having been charcoaled into obliteration.
     one thought: an ottoman janissary: and vlad
the lesser crucifier and the adamant
impaler, who said that homosexuality shouldn't matter....
   imagine the comparative pain...
i can't: therefore i won't.
                     thus the black scripts of notation...
better than uttering original maxims,
          as in... better to engage in transcendentalº
dialectics
     ºin ref. to Nietzsche: the masses do not hold
an opinion on sanity: hence my concordance
with "him" - and insanity in individuals (self-dividing
                      duos in calamity of one):
insane individuals are rare: but conglomerates are
the norm - thus an agreement of shared truths
that has no debate to support it, because it has been
"plagiarised",
   the transcendental aspect is the lack of dialectics
(replaced with diacritics),
     and also the historical novelty of shared observation
with a disparity of a century's worth of history:
governing still the caveman and the modern man,
            as if the two were mutually compatible.
that one could rewrite the other, and so too true in
reverse.
   i find it harsh having to relinquish the authority
of language, as my own it used,
but only when school-friends suggest it, those
with ******* family members do i foremostly
experience it as my own: well... thanks to you
i'm not a plumber because your father detonated
the atom bomb and never bothered checking what
the gorilla did next with the grand censor of fertility
to protect an aesthetic...
           but then again: you were always Irish.
oo! well: sodomite that oops... it'll be worth something
in 30 years' time. strange how it must read...
Holocaust deniers also have the same lysergic trip.
             insanity in individuals is rare,
among groups it's the norm, within a framework
of Nietzsche: thus an agreement of shared truths,
that has no debate to support it,
because it has been "plagiarised" (necessarily experienced
more than once),
   ºthe transcendental aspect is the actual lack of
dialectics, and also the historical shared novelty of sharing
of observation (the tsunami cult, the earthquake cult)
with a disparity of range toward the century-range...
   philosophy infamously aks purposively
unsolvable questions: or questions that require many
more questions... or what is known as a transcript
of Aristotelian awe: of those who commit to error
with that science of pure wording, to spur people on;
philosophers are the adventurers in error:
only because this engages them in providing a "gravity"
locus... for others to hone onto and correct...
(oh how i'd believe had there been a Koranic surah
on the mindful hoplites)...
         purposively erroring: philosophy;
philosophers are pioneers: birches... scientists
are all but oak: auburn well established.
       but what of transcendental dialectic that expands
into shared truths (as experience) within the dual-disparity
of nearing death and the dawn of the 20th century
   and never-nearing a life at the dawn of the 21st century?
excluding dialectics and diacritics has given us
such a society, where everything is nearly snowflake
lucratively dissolvable and gentle...
                   few people utter truths,
even fewer utter truths than need to be debated...
             for the over-lord truth is mono, or glue...
        but still the tactic of avoiding certain truths
for the necessity of sitting in an armchair rather than
on a cold pavement... for in their pluralism
they express as many universal traits of non-experience,
as they subsequently express enough
    particular traits of experience
(translate rhyming into philosophy and you get this...
going cross-eyed in allocating an understanding,
summarised by the word zez).
hence the unwinding: universals (x, ÷):
       and particulars (+, -):
    of time, and how to encourage abstracting
worded coordination into an advanced literacy rate,
that'll fail, because literacy is power that requires
labouring anyway.
  because you did say "encapsulating a zoo"
readied to perpetrate a staging of a freak-show.
examples: universals (x, ÷):
       and particulars (+, -)        are zeniths in
the narrative compensation to nothing -
        in literature a surprise turn of the plot,
a summarisation, as such stand-out moments,
or quotes: here is a version of encoding verbal
"mathematical" synonymity -
         i too would wish to create a language
that doesn't abide by the language of miles,
but that of metres, but then there's the thesaurus
distinction between metres in deviations of
centimetres and nano in close-proximity
          ruby, crimson, burgundy, bled throughout the week
until pale grey and with an epitaph.
      language never brings us together,
it never did, we all wished to be cats and have said
meow... but we rarely and will never say...
that's nearing toward shame...
  i absolve humanity of the original sin...
                    if sinning was so original i would suggest
other forms of compensating it rather than prayer:
i'm thinking of the original shame...
it's that story of a serial killer who believed he
had no universal traits concerning him,
he had no systematisation of conscience,
he denied having a sense of guilt...
          it's hard to believe such things,
given the ceiling is the universe...
        it's hard to become a rat in a solipsistic maze...
that's ****** had to believe...
                   to deny having universal a priori
is also to deny particular a posteriori...
                           even though nothing really happened
apart from god laughing and man yawning
and the devil crying. it's very hard to believe people
these days, even though they deserve it,
                    it's hard to summate oneself in being
able to;
  thank god philosophers didn't complicate simple words
with remnants of Latin like psychologists did,
there's the prior (a priori) and there's the after (a posteriori),
or the two within a-: without a prior (to) / priority -
                  or without an after / an imitable vogue / trend /
    zeitgeist.
          can you write something like someone disclosing the fudge
of what's technically an arithmetic summary?          
no intelligence is being undermined here,
         what's being undermined is what's critically an optical
   java transitory period.                                                    

(int­erlude no. 2)

the laziest philosophers always write about the word
philosophy without actually philosophising,
you can say as much when saying: i'm thinking about thought.
of all the professions, philosophers don't know theirs...
it's true, if you do it, you do it not-knowing / unconsciously.
modernity does in fact overprescribe the word genius
because it doesn't give practitioners of philosophy any
credit in the slightest of actually being recipients of
life... every time a thought spawns from nothing
the limitation of expressing it is: you don't exist;
soon enough you hang up having any competence in language
and say to people you thought you knew: adios amigos,
good luck: then you wonder why they're so
prematurely depressed, and then you forget about them
and think of a million Chinese carpenters:
simply because it's less depressingly so.
     do you ever write encapsulating a rhombus on a page
with your literary / wanking hand? i know i do,
write in a notebook askew - or that's what's called the
future of absurdity: i'm thinking about thought -
some later claim morality, and some later claim god -
        that should sound more simply as: ought i?
    but it doesn't... hey, here's to self-projecting ****** -
it's not even that good people invented god,
  it's that evil people did...
                  which is always a bit ****** having that
microchip in my abstract mind (the brain) i sometimes
try to get rid off while acting as an atheist for pop super!
       does that sound highly idealistic?
it probably does... have i an influential counter to it?
n'ah. thinking about thought without the either or of
ought leaves me asking outside the box / transcendental
questions about what self is ingested by that
Pontius Pilate... talk of the "true" self and talk of
the "false" self: who the **** is the narrator then?
are we all bleaching our handshakes these days to
give a handshake?!
    some men would claim to be the husbands of that
insatiable "woman" that's Sophia,
         who, after all, is better equipped to satiate 3
men, than a man to satiated 3 women:
the trinity of ****, vaginal: oral - funny that,
how perfectly that plays against all those years of
practising to a demand of the churches': kneel!
i'll just watch you **** him off while Mary Magdalene
spread the schematic that resulted in the Islamic
******* analing the "respected".

(interlude no. 3)

just can't be bothered mate...
  never did so much charity work pour into
      herr Herrman's charity chest of
the never thought of set of poems.


- and a day later, just a blank,
what a formidable evening,
why do i queue for even a trombone, violin,
       a viola, trumpet or a sax to add to my voice?
but in musicological terms: that's exactly what i'm doing.
it's hard to not see this as a cure:
with 16,713 views matta's echo babylon is
truly the antithesis of Prokofiev, or any other,
as might call it: windy character.
        classical music was bound to tornados and
zephyrs - modern music is the epitome of rhythmic
sampling, drum eroded violins,
           and other things happened, too.
rhombus within the framework of the hand-written prior,
on tiny scraps of rectangular paper,
because it's easier to write like that: slanting
and therefore for the imagery of cascading -
and as the pronoun revolution dies down,
                    and the voices go unheard,
   people will start to think about thought
and later thought per se for transcendental purposes...
     because choice will be ejected from
having competent access to it: namely?
   i can't see those **** the ***** protests seriously
if people can't take to shooting guns,
          i mean real rebellion... obviously i'm egging
on the situation and spraying gasoline on it
(obviously), but if the French give you the statue of
liberty as a present, you get to look at the appendix,
and start thinking: where are the guns, so
it looks like a genuine protest? i thought the idea of
being able to own guns (by the people), was to suggest
that if the government was electorally undesired,
people could start shooting... the tongue isn't
a
Alex Jan 2014
Her syllogisms repose trust in her adept beleaguering of unworthy opponents.
Constantly in a state of lassitude for this desultory, inure world of the insouciant youth which dwells upon it's cathartic terrain, she engages not in lachrymose nor is she crestfallen for the hope of romance and it's everlasting ineffability.
She is a fugacious moment of frisson embodied in a human form; a juxtaposition of the serendipitous moments that ever constantly come one after the other in a fickle wheel of steep highs and deep lows. All her life, this girl will lilt through the crossroads of her obstacles and show the world the efflorescence of her beauty. Hush don't speak lest you miss hearing the mellifluous music of her voice of fail to hear the lagniappe that is her name.
She is the cynosure of human attention, the goddess and we are but her humble servants. She is innocence most rare, love most coveted. She is infinite. She is peace.
if you were drawn to this text due to the title and if the word "callipygous" sounded to you as something that denoted a very romantic form of beauty (perhaps white slanted shutters in a small french bungalow overlooking the cote d' zure) then you're right about the beauty part not just of a very romantic French setting type. It's actual definition is *Having beautifully proportioned buttocks*-- in short, someone found a very Shakesperean word for bubble ****.
Liam May 2013
personal journal musings from last week...

Reading in my local coffeehouse last week
  a very large, urban place, always crowded
Well...reading, talking, and watching the human circus in action
  I go there a lot

Taking a standing break from my comfy chair
  one of several surrounding a fireplace
I turn around to view the street activity
  through the windows behind me

A girl I noticed walking by a bit earlier is seated at the window bar
  she catches my eye and lights up like a firework
Exploding from her seat with purpose
  she moves directly toward me with a sparkling trail of excitement

I race through the flash drive of my mind
  searching for a memory to go with the vaguely familiar face
It bothers me when someone recognizes me
  and I can't reciprocate and this appears to be an extreme case

No luck...so I go into my identification crisis default mode
  basically over-animation to distract and buy time
She's quickly in front of me and very close
  greeting me with the type of enthusiasm that leaves me breathless

We hug, or maybe not, unclear right now
  as I am lost in the sparkle of her intense eye contact
She is speaking fast and familiarly, but I don't catch much of it
  until she asks if there is room for us to sit together..."ummm sure"

She flies back to her seat to collect her things
  as I stand there stunned and pleasantly confused
My whole being warmed by our interaction
  feeling so beautifully interconnected

Returning with the same effusive energy
  she engages me with a huge, expectant smile
She lifts her hand so that its contents hover next to her beaming face
  exclaiming "I even brought you a red velvet cupcake!"

Well those words are the death knell for my improbable daydream
 now obvious that this is a rendezvous, probably an internet date
I apologize (
more sorry than she could know*)
  relating that there must be some mistake

She asks whether my name is ...
  I reluctantly reply that it's not
Then her face takes on several shades of embarrassment
  as she glances past me to her actual date a few chairs away and she flees

It happens so fast that I don't even have time to thank her
  not that she'd appreciate the gratitude in her present state
I turn to see them immediately leaving
  likely, and understandably, a sudden change of plans

I hope to see her again if only to elevate her recollection
  of our shared experience, laugh about it together
I know this is a big city
  but a small world...I tell myself

Whenever I replay this film short of my life
  I may just edit out the scene after the cupcake presentation

  I so cherish red velvet greetings
* This is simply a true slice of my life from last week which I decided to journal in free form.*
Mateuš Conrad Feb 2016
you know that there's a weird
but omnipresent eye
wired in the igloo...
yeah... it encodes a message in
Morse... it asks for darting to & fro,
rather than blinking.

i'm waiting to leave the rhythm section
of pop music,
rhythm that was once a standard
soloist impressions in classical
music, and in classical music
solos that were just asking
for broken finger of piano,
while leaving the brass and woodwinds
worrying about schnittlippe smiles,
Chelsea a mile away:
how about... a todgrinsen...
your lips cut off and forever grinning
like an enclosure for a hyena laugh:
teeth to rattle to cages to bars...
make a big O... a big rat tat tat ha ha...
i pray i'm not you once you
entertained me for a while in silence
and in thinking to equate to my inactivity...
they remembered me as a party animal,
ready for the next friday...
sure, i used to be like that,
but i settled down: ready bodied
with weak thought against
a thought strengthened because the body
weaker, once readied for the look,
the applause... the perfected grammar of
changeable fashion appealing...
that's gone, and so the self that once was,
now standing outside the collective...
peering in, because they never attributed
depression to cancer victims...
apparently cancer just affect the body
and not the thinking,
now they realised cancer affects both body and thought...
you can't think of a friday three weeks away
in soberness dubbed sanity when you have
a physical ailment... so why create physical
ailments from simply having the odd thought:
the ancients dug a fetish for immortal creatures
and lived and slaughtered...
the modern congregation of supposed immortal
beings is a ridiculous thought... but so the antidote...
immortal beings disappeared,
but mortal beings turned to a quickened heed
for immortality with a thought rather than activity...
no heroism in the aisles of hospital beds...
no heroism there...
immunity for ideas also lost, immunised
by gaming and shooting blanks into duke nuke 'em
geography of the labyrinths...
by disengaging from immortal beings
where all suffering took place: let's face it,
mortality understands immortal psychology the best
it's simply unendurable -
we invoked a loss of immortal beings
by becoming twice mortal,
by dwelling among animals for a synchronised
systematisation of understanding we lost
many individuations of the unit, the self,
with too much darwinistic interpretations
we claimed some strange mirror,
a multi-diadem mirror of man: a minute a swan,
a minute a monkey, a minute an ant,
a minute a larvae of flies when naked...
no one said the theory is wrong,
but someone said: but that's how i feel about it...
overly objectifying does not look cool,
it limits emotions ready for individuation...
apathy breeds no pathology,
love embraces apathy: the apathy of
someone selling a newspaper while you
commute, the baker, the butcher, the medic...
hatred doesn't appreciate such an apathy,
it embraces pathology, and because of this,
becomes caged.
i just want one stab at it...
to feel a finite resolve of estimation,
to have camouflaged as a mammal among
other mammals, but thinking more complex
more different...
rather than resort to the simplest of simplicities
for a resolve on the matter of ontology...
a pre-dating reasoning...
but you see... it's not darwinism that governs
humanity... it's a plagiarism...
humanity adapts via plagiarism...
all the poor dream of making it big...
the only thing that keeps us moving
is a stress on plagiarism... you see a homeless
guy you get the defence mechanism usher message
telling you: DO NOT PLAGIARISE...
you see a guy with a harem in a black limo
you get a striving mechanism usher message:
PLAGIARISE! it's idiotic to think of /
utilise darwinism in terms of defining origin...
me? monkey over man any day...
simpler diet... plus endless swings and branches...
parasites no much of a problem...
plus moral killers like tigers not too eager
into sadism and mutilation, because just hungry...
not fetishes with carnivores... quick kosher kills.
the only adaptability we have is plagiarism,
because we have a self to worry about
as a. in a collective assertion of it whether
existent or non-existent... and b. in a singular
event asserted by abstracting it, notably
via existential notation, of a "self";
as someone once said:
animals do not commit to genocide...
yes, that's true,
they don't commit to passive genocide
of enforced laws of differentiation
to look cooler or smoother or just plain
caught up in a cultural grooves and edges;
and from the tree of knowledge
of good and evil you will not eat,
because you'll enforce plagiarism,
a consciousness of plagiarism
a consciousness stressing that no self be attached,
with only attachment being via a "self",
the continuum of misunderstanding,
reaching a potential of understanding
once the continuum reaches a twilight peak
at *ad infinitum
, where a randomised
narrator steps in, and deviates from the
orthodoxy of constants and subsequent remnants
of how man de-glorifies god, and glorifies nature,
but doesn't dare to engage nature as nature
engages with itself, apprehensive of nature per se
man defiles a god to abstract nature,
by calling to question the role of nocturnal beings,
insects and parasites... choosing to believe
in god in order to exact due noun to his fellow
creature... for man defiles god and glorifies nature,
but by glorifying nature he ought to despise,
he creates insects parasites and murderers
he eventually lacks the power to despise...
personally? it's hard to write a coherent opinion
in english, too much prepositional / conjunction
shrapnel... poetry is overly elitist, my lamentation...
in an age where overt use of images
numbs a sense of entertainment using words...
and dialectics just lost a disputing partner...
in an age when each to his own, a free-reigning-free-fall...
where non-engagement with one strand of opinions,
leads to another, even more extreme than the one prior.
With no argument I think most people agree
With the adage stating that, "you are what you eat"
But it's possible there's information not known
Having equal importance or maybe more so

All the nutrients eaten; We intake our food
It will travel through digestive tract once consumed
Same can also be said of our actions and thoughts
They're the building blocks making up all that we are

Brains are not like a rigid or fixed type machine
An old dog and new tricks go together it seems
Our plasticity will let us both change and shift
It makes pathways; New neural links over the rifts

These connections might possibly benefit us
But this same mechanism can also do stuff
With a negative scope, the outlook and belief
We might think we're no good; Our lives filled with much grief

If we're constantly saying things inside our heads
Like self-doubting, self-loathing and feelings of dread
Then our brain will re-wire to fit this outlook
Once ensconced in this spectrum; Not easily shook

The same way that a person engages with time
Like activity, also is true with the mind
A small change in the way that we look at ourselves
The new thoughts and beliefs in our mind start to meld

With the make-up within that each one of us holds
Self-beliefs and self-doubts from our birth till we're old
Like a painter with ink; Our brush never is dry
We are always creating what's in our mind's eye

So don't hinder yourself with a picture that's bleak
Just believe in yourself and go get what you seek
You are capable of so much more than you know
All it takes is belief and in time it will show
Written: November 20, 2018

All rights reserved.
[Anapestic Tetrameter format]
Mateuš Conrad Nov 2018
.so there's this scene in the B.B.C. drama series, bodyguard, when the home secretary, with the help of the intelligence services, uncovers several cover-up stories, which include ****** assault and addiction to substances, namely? alcohol... the report reads: 50 units per week... hmm... ****... what's mine? 2 Heineken pints... that's 3.3 units x 2... oh... and that liter of whiskey... 40 units... but that's in a single day... what's that by week? (well... sometimes it's not 2 Heineken pints...) so we're talking ~326 units per week... and i haven't been to rehab... and however much i am, drunk like a skunk... i still have the literary decency to spell correctly... even though at that point, i'm sometimes seeing double, or find myself doing cross-eyed to even out the carousel; go figure.

ah the centenary, of sorts... all sorts...
in the west...
  the mourning, sombre sobering
about the pointless war... sorry...
the "great" / "war to end all wars" world war uno...
basically just a family feud...
between Queen Vic's grandson
and son...
               bravo! b'good day ol' sport...
*******... the whole lot of it...
on the world stage, very similar
to Vietnam...
         so i'm eating my Haribo
tang-tastic (yes yes, spastic fantastic,
ha ha)
             jellies while perusing
today's newspaper...
    i almost choke...
Poland made it into the western press...
extremist try to hijack polish parade...
the far right threatened...
oh for, ****'s, sake!
   in these post-colonial countries
everything right of *****-up-your-***
and a gag-ball-in-your-mouth
is "far" right...
you get you little poppy appeal...
your little Ypres moment...
      give these people their celebration
of something meaningful...
not everyone who goes to a metal
concert engages in a mosh-pit...
savvy?
(insert snigger):
        bet those wankers in H'america
with their tiki torches are scratching
their heads, right about now...
           wankers...
                FLARES! FLARES!
                              the red serpent...
200,000 majority...
             ****... i almost want to...
                  **** it... i wish i was there;
to celebrate what?
             the end of empire(s)...
       why is nationalism so bad all of a sudden...
the British had theirs,
uninterrupted for... how long?
  if the British waited with their media
coverage...
and figured out how it could possibly
be that they were enslaved by a foreign
power...
                    hmm...
how's that consolidation compensation
working out, with the mothers of Manchester?

p.s. well... if you watched more soccer
than the ******* interlude between
halves filled with cheerleaders,
you wouldn't have that ****** tiki torches
fiasco, would you now?
you'd have the 13th warrior wendol
fire-worm...
                       but then again i guess
you need all that padding...
to throw a miniature sized rugby ball...
hence the audacity...
the best defense is an attack...
   and i am part of the hive...
export...
            singled out...
          i'm exerting what is
the required pressure...
  so how's it going with compensating
the mothers of Manchester?
good? good good.
Danny O'Sullivan May 2013
Is a happy accident predictable?
Could I prophecy that red is romance
And that we'll meet in the Tunnel-of-Love
That is part of London's skeleton?
Will the Central Line tie us up,
When happiness is accidental,
Like a red ribbon following 'destiny'?
Am I able to sit on full buses
Without a new fated friend sitting
On that one empty seat?
Dearest Who-Knows-Who
Will I trip and drown you in tea
And stain your ears with words;
Will it be the start of a beautiful
Work-but-never-social relationship?
Can I foresee the strike of chance that
Has two hands reaching for the same
Bottle of milk only to then be locked
Into a battle of politeness with my
Defeat being an exchange of dairy for
Kind ears? Or is our shared liquid desire
Made by a patient and the soon to be
Doctor in, say, seven accidents time?
Perhaps a publisher engages in this war
Of intrinsic social conduct, perhaps my poetry
Is destined for pages because of this bottle,
Perhaps I become a helping hand.
Perhaps perhaps perhaps.

Not all of this is an exercise in futility;
I look out from my window and see a city
Filled with cracked pavements or missed trains
Or shared taxis or dropped books or...or....
Or, perhaps, that ever so unpredictable,
Wonderful, accidental serendipity.
For anyone who doesn't know the London Underground systems the Central Line is the red one that runs through pretty much the middle of the map in all the main tourist places like Oxford Street or Baker street, for example.
Debra Speed Jun 2018
An official looking notice said he had passed away
A service for his tortured soul was being held today,
I plan to get there early, to get a front row seat
I've always loved to people watch -
Who knows who one may meet
Everybodys' whis-pering, they wonder how he died
Though nothing is official -  they're betting suicide

Courtney stands alone in a two piece textured suit,
MJ leans against the wall in high heeled leather boots
A familiar face is walking in - he must have taken leave
Wraps the mother in a hug, her hand upon his sleeve
I've never seen his brothers' in a jacket or a tie
They look so tall and handsome, as usual side by side
Nick and Faith walk in together, she wears a floppy hat
Stands next to Portland hipsters - all buckles, leather straps
Sean engages Stefan, Lisa holds the arm of Vince
He really hasn't aged a day, I haven't seen him since
we double-dated sisters', we bought a birthday card
Tried to get to second base, they smiled and hit us hard.

All heads turn in unison they see you walking in
Lips stained a dark bur-gun-dy, defiance to your chin,
Lowered eyes survey the crowd resigned to this days fate
You wish it hadn't come to this, the switch from love to hate
Your dress is black, above the knee, the bodice spotted lace
A pillbox hat perched on your head, the veil to hide your face
I knew you'd wear your purple heels, they make your legs look long, but underneath the prim facade,
Pink bra and matching thong
I'm enjoying your discomfort as you pause inside the gate
You'd loathe to be too early, and you wouldn't dare be late
You fumble with the clasp of an expensive looking tote
Pull a lighter from its depths- I've never seen you smoke
That pretty auburn haired girl whose name I can't recall
Tells a story of him to muffled laughter and applause
Is that the music starting? We'd better go inside
Someone holds the door for you, you smile, but not to wide

I'm bounding up the staircase - no one appears to see
The view is priceless- truely - front row of balcony
His mother's gently weeping, his father's looking grim
My eyes are one direction on your pale and perfect skin
Mira dabs at her nose, her handkerchief trimmed with lace
Why my wife do tears not run down your exquisite face
Your hand gently fondles a golden chain with hanging heart
But I am focused on your thighs - the ones I used to part
You steal a glance at your watch, you have to be discreet
Think of your waiting lover, parked in a nearby street

I remember that I couldn't sleep, so put on Leonard Cohen
I don't know how he did it - he just had a way of knowin'
Sheets were turning crimson as the blood began to seep
That's all that I remember - I just drifted off to sleep
I dreamed you'd sent hydrangeas, a bright and brilliant blue
Could you not think of something else than what I'd give to you,
Lilies, peonys, tulips, lilac or a rose
I'd buy you blue hydrangeas when you didn't like your nose
Soaring Hallelujah chorus fills my darkened room
From my bed I see the clock, it's time to get up soon
I pad into the kitchen to get my dog a treat
Make a mental note to apologize to my neighbours when we meet,
In the hallway, or the lobby, or the park across the street
" I'm sorry man, the other night, I guess you couldn't sleep "
Turned off my record player that was programmed to repeat

I'd buy you blue hydrangeas - you didn't like your nose
I noticed that you'd changed your hair and you had on new clothes
The clothing and the names are all of real people. The girl in the pillbox hat is real, was sent blue hydrangeas ( her favourite ) by the male in the poem during their 7 years together. Have written 2 other poems of the same vein, each with blue hydrangeas the in the storyline. Thanks for reading, Deb xox
Joshua Adam Jul 2015
Trust in Faith

It's raining and the sun has returned home
although I am by myself, yet I am not alone
mind engages intellect, with time to consider
how this heart of mine, has grown so bitter

Not long ago, reflections of the past were a delight
then in a brief moment, my happiness took flight
once having a life with meaning, love and security
now with remorse and desire, for a heart with purity

Continuing to pursue life normally, while anxieties drown the mind
no matter what I might do, any sense of happiness seems confined
confused with mixed emotions, and knowing that they are both true
yet despite my conflict, still mustering the will to tell her, I love you

With each and every passing day, I look forward to behold
once again to greet those yesterdays, those yesterdays of old
but those yesterdays are buried, the fear of the future takes hold
all of what now remains, are those few tomorrows left to unfold

Worries must stem from this lack of control, how not to consider
thinking of how few years are left to live, could anyone not be bitter
the unknown of what the rest of your life will bring, an awesome fear
when you advance in years, only then does it become all too clear

Times passes, the body ages, memories flounder, and reality sets in
maybe tomorrow the mail will arrive, addressed to: The Next of Kin
finding yourself in an emotional upheaval, there is but one thing to do
forage deep down inside, and uncover your faith, your only rescue

Faith will give you the strength, it will guide you to trust in the One above
fears of the future and of the unknown, disappear in this world called love
experiencing midlife crisis, something you can and will successfully overcome
but first never stop searching, trusting in G-d, and to depression never succumb
A poem that describes a man's midlife crisis and a successful way to deal with it
Mateuš Conrad Oct 2016
a.

227.9 million years away
                   (mars)                   heliocentric model
i.e. away from coordinates (0,0), i.e. the sun

b.

149.6 million years away
                      (earth)                         "               "
etc.

c.

    standard metric system, alternatively
                        this is the geocentric model emerging
i.e.        one day on earth is equivalent
           of a day and forty minutes on Mars...
  we don't have access
                     to a heliocentric model for this
primarily because of the coordinate of the sun
being (0,0), in Kantian symbolism 0 = denial,
therefore the sun cannot encompass day,
or night, hours or minutes...
                             you cannot apply
the relativity of days comparatively being different
on Mars or on Earth using the heliocentric model...
              
      and to think, all it took was for nautical directions
being blessed by the movement of constellations,
        and that phrase of mine: where's Copernican east?

            we're all shouting at the ****** project,
it's either who write the best concentrated plagiarism
of the masses for the visual effects,
          the glued together parts of iron and oxygen
tanks... or who can write the words behind the images
well enough to capture the imagination
        and shift it elsewhere...
oh believe me, i am living in a 48 hour week,
    i'm not writing science fiction,
                       i'm on earth, but this isn't earth,
it doesn't require a measure of distance,
   but still the figures stand... so i might as well
toy with them and get some bogus answer...

d.

what does life constitute on a "planet" that consists
of 48 hours?
                     today i put on something warm,
the cold finally got to me,
                          i'm the butterfly while a hurricane
rages on elsewhere,
                              quantum humanism some call it,
because the physics never really inclined itself
to treat human emotions well enough -
                    just today,
as i peered into the day's sky -
                     the moon and the sun shared the same
blue horizon -
                           in the summer the moon has the
tides - and keeps them at bay, calm,
         but when autumn and winter come,
and the earth tilts - the moon looses the grip on
the tides in the northern hemisphere -
hurricanes in the west, tsunamis in the east,
              storms at Greenwich meantime -
the time of day? when the moon engages in
profane acts with day, appearing and stunning
insomniacs into coherency, as if asking:
            so if i am being given a very quick
and less romantic sunrise, and esp. a less
romantic sunset, by seeing the moon closely aligned
to the sun during the day:
                 am i seeing the nightly delights of
the southern hemisphere, and if so,
            is that to the east, or is that to the west?
i am guessing it's to the east... for i am seeing
the night in the southern Pacific continent -
              i am seeing their night
                          for the moon has transgressed
its boundaries, and left the northern waters
ready to rebel under the polytheistic guise
complimenting the spacious orbs -
                       when order and monotheism of
the north during spring and summer...
         then Poseidon's upheavals with the watery
rebellious graves during autumn and winter:
or how Hades persuaded his two brothers to
pay due and meet with the Titans in Tartarus:
to thus form a pact against the monotheistic concept:
for the soul of the ancient Greeks said:
                shame be unto you, brats,
for shunning the religion of your forefathers!

e.

indeed the 48 hour day, two days and two nights,
or more precisely: three nights and one day -
sooner or later they'll push the clocks back,
a man will go to sleep in the dark,
   and catch but a glimmer of a day - then too
thrown into the darkness: a 48 hour day on a planet
involves three periods of darkness, and one
period of daylight - and if they said Alaska was
torture... here is a man engulfed alone in it.

f.

strange to think that 78.3 million years between
Mars and Earth only add 40 minutes more to a day...
           as ever, the non-uniform suggestion of gravity,
take but one step on that soil,
                           the curse of the astronauts on the moon:
and then invite the poets of the cult of the moon,
the emblem of the moon that's Islam...
                              an then wait for the consequences
and the ***** dreams of those people and their children...
               even the Atom Bomb seems to have
been forgiven by comparison -
                                but never the moon: or the death
of childhood - lunar crown shattered -
                              death of storytelling for children
some might say: 1001 minutes of advertisement
before Cyrus starts weaving a web of entrenched
consumerism - not even the Belgian fields
and their world war 1 trenches could have provided
such a status quo to continue...
            to continue...

g.

so do i multiply that figure by something?
78.3 million years disparity -
                        times the time difference?
i.e. 78.3 multiplied by 40 and added to
the distance from earth?
            λoγος - no!
                                 what's the distance from
starting coordinate (0,0) to the earth? 149.6 million...
      and mars?
227.9 million...
                                      which means 78.3 multiplied
by taking away the negation symbol due
to the double-negation coordinate that the sun is
(timeless and without space-affirming
                  timing to our necessary comprehension
of the day to day) - meaning the distance
of the planet with 48 hour days (three nights and one
day) is 313.2 million years away from the sun...
               Jupiter stands at being 778.5 million years...
and that's a kept in ****... a gaseous giant...
                 so the distance is plausible...
but like i said before: first comes logic,
which splits into rationality and irrationality -
                      but irrationality still uses logic -
      we all know that irrationality is not reasonable -
          but it is ably-reasoned-with
           or can succumb to some variation
                     of the illogical -
                                              namely illogical rationality:
as in passing Platonic theories down the ages,
or succumbing to the Freudian psychoanalysis -
fashion is simpler, cruder -
                                               it cuts off the missing
points, it desecrates the shrines of famous names
and does the grand thing of keeping everyone
hooked in, rather than out of it nostalgic -
       no one is really winning either side of this point.

h.

and this is really what two beers can do to you
to relax after living on plant H-48 -
                     no yoga teacher can tell you that ***
gets better when you pay alms to this world -
         the yoga fakes are making enough dosh laughing:
*** is good, where there's a billion of them,
not a scattering of what i call the real reason
why we evolved to be so numerous:
     cancerous libidos, or overblown libidos,
   and a knack at ******* each other off - which just
says: keep 'em coming!
                                    and they expect people to really
be awe-stricken when you have such nice names
in biology: chlorophyll and enzyme and hydro and
aqua... and for all life to begin with a big bang?
    i thought you couldn't hear astronauts scream
in space?        or maybe that big bang was just
       a big boo - because aren't we **** scared?

i.

American politics has cracked with this presidential
election, the real dynamic is out...
           it reminds me of
the trinity of ******, the brown-shirts
(Sturmabteilung) thugs leader Ernst Röhm
and the man that replaced him:
               Heinrich Himmler of the
less thuggish and more professional murderers'
brigade the (Reichsführer Schutzstaffel) -
you see, i actually have a better attention span
when i live on H-48... did you notice
that neither of the presidential candidates mentioned
the literature in their debates?
one said: tax evasion, the other said: emails!
but these two sly foxes are toying with the whole
process... they're citing the literature...
   tim kaine and mike pence are the geniuses behind
the scenes... you have to give credit to them...
                it's the ingrained discussion -
the gospels -           it subconsciously will even convince
black voters (of a certain age) to vote for Trump,
regardless of his blunders... which are like ******'s
blunders even though Eva Braun has Jewish heritage
(as seen in one documentary on channel 4) -
                    and you know they're running the show
because they only have one debate...
         that's how important they are...
                       did you ever care to watch a
Ingram Bergman film twice? or three times?
i don't think so. once... and then the butterfly is gone,
gone gone. i'm not here for the entertainment -
American protestant-ism isn't European,
                          it's ultra-Catholic -
                    oddly enough, not in terms of all
the iconic symbolism - that's scaled down -
       but the message is profoundly Catholic -
the two men cited the literature - they're
not thugs, they're not blundering rhetoricians like
the two puppets in their hands...
                        they're the power brokers
or what in England we call the kingmakers -
   i'm not into conspiracies, just the obvious things -
****** had a funny moustache,
          Trump has a funny haircut -
J F K was handsome L B J wasn't and was furious
when Marilyn sang the birthday blues...
                   Gerald Ford is the founder of the Mafia...
Nixon wanted in... oops... didn't happen...
                    ever since Ford it's been playtime after
playtime and no one doing the arithmetic on lives -
               well you know, a washing machine
breaks down, you get a new one...
                  but something came up at the turn
of the 21st century, no one expected it -
this is where i only ascribe one conspiracy:
                                         you can't miss it,
it's blatantly there on the geographical map,
S.A. and that beautiful ornament flag with a pretty
sword and Arabic calligraphy...
                             i'm not wetting my appetite with
these words... it's just common sense -
                money is something that provides the
trans-valuation of all things: it's what the alchemists
were always hoping to find, but it was found
so long ago that it didn't matter how childish they
thought they could be: thanks for paracetamol
though...
                                     what's actually the most
mystifying aspect of this is how there's an ingrained
desirability of a status quo:
      you can have a coin with Rex's head on it,
and no matter what the base metal is,
it will still devalue something more precious
                     and increase value of something more
precious...               it happens in the art world
with the artist being recognised posthumously
                                for the object of his work,
but nothing beyond that...
                                              and since it is painfully
obvious... the question is...
                     do you challenge the status quo
                                          or do you consider yourself
a unit of qua                 -
                                   and that's an open question,
if a question at all...
                                        it's because i have left the
exciting part of this poem,
                                    gravity pulled me down to
planet H-24 (otherwise known as earth), and i see
all this ****** misery...
                                       and i think...
even though my life on planet H-48 can sometimes
feel like torture - i know that i'm in control of
certain perks on it...           and all because i decided
to travel there, with one missing clue as to
why it took me 2 years to escape Heidegger's Alcatraz -
            and why i decided to go back in...
      after reading the previously mentioned book
i realised i was given the key into something else,
           kaleidoscopic even -
worded physics, worded chemistry, worded biology,
  not the physics of equations, or chemistry
of electron-migration diagrams in organic reactions,
or biology and its oops after oops and
a boxing match with theology -
                                           i even considered
buying the Alcatraz in English... but that would
make no sense...
                         given the already bilingual dynamic
being established...
                                     as Dante chose Virgil
to wade through hell... you too must also choose
the one companion, and reject all others...
               and if Heidegger chose Aristotle
i must choose Heidegger - and would i say that
my grandfather was a bad man for being a
communist party member? do you think
a small town boy gets sold the highest form of
Versailles intrigue that culminates in
the Siberian gulag? they got you spinning that old
housewives' tale like a dodo doing dodo
                                           rather than being dodo.
andrew desantis Feb 2010
nefarious nested newfound
minds gather in dim-lit bedroom
shining with love.
taking seconds from an
extended time frame.

what eludes to harm done
comes from adultration
of a vision - friendship.
it's been said, no loyalty with
dope fiend drugdrugsdrug addicts.

when under the greensmoke
light of a cracked window
and wheezing-- OH the wheezing--
of youth taking
extra time to become
tomorrow's electronic future.

it's gonna be different
than yester-year, dear.
20% of our feeble country
engages indulges
in this ancient sacredity

&as; for you, my dear ones,
sitting in the dark,
jeopardy, saw IV, daft's
harderbetterfasterstronger
--"i've never seen so many colours!"
my heart calls as yours does,
for a future we're waking up to.

we're not violent vicious vile
backstabbing cold-mongers.
if anything,
laughing at them.
quoting movies, queueing memories.
preparing for world dissolution.


i hate the bane too, kids, but we
know who we are.
Rod E Kok Oct 2014
Murmured voices break the silence

To my right
a cute couple clink
their wine glasses together
in a celebratory toast.

Off to the left,
an older gentleman
engages an old-ish lady
in whispered conversation.
I’m guessing he’s whispering
sweet nothings to his bride.

The well dressed young man
standing at the bar
survey’s the crowd,
looking restless.
He seems to be waiting
for…

Ah, that beautiful girl
that just walked in.
Her eyes light up,
his face breaks into
a big smile.

I love the ambience
of this old place.
Red carpets,
dim lights,
candles flickering in
every direction.

My time here is
almost done.
I only need
some sugar
for this last
cup of coffee.
My prompts for today were the words sweet, chocolate, indulgence and sugar. I struggled with this, but as I sit on my couch with the Coffitivity app playing in my headphones, it came to me. I hope you enjoy it.
judy smith Jan 2016
The news that Jonathan Anderson — a.k.a. J. W. Anderson — would live-stream his fall men’s show exclusively on Grindr, the gay social-networking app, has been the whispered, and then not-so-whispered, talk of the first days of men’s fashion week here. “Now there’s a show that would’ve looked good on Grindr,” one showgoer cracked to another about a collection that featured men in cutout trousers and one very visible pair of thong underwear.

On Sunday, just after 10 a.m., Mr. Anderson’s collection hit the runway and the Internet. Those unsuspecting souls surfing Grindr for lust or companionship were offered the chance to see his show unfold: its polka-dot furs and knitted trousers, appliquéd snails and boxing-boot shoes.

Whether it was what the virtually gathered crowd came to the app for or not, Grindr personnel were sanguine. “You know as well as I do, there are the fashion gays,” Landis Smithers, the company’s vice president of marketing, said in an interview last week. “They love them a show and an exclusive.”

Not everyone was as eager. In the immediate aftermath of the announcement, rumors circulated that model agencies were leery of sending their charges, many of them underage, to participate in the show. (To be live-streamed via Grindr is not the same as to use Grindr, though the company’s terms of service restrict use to those who are at least 18, and in some places, 21.)

But if there were holdouts among the models, it wasn’t immediately evident from the runway, and Mr. Anderson said that he had experienced pushback from potential collaborators only at the outset.

“I think at the beginning there was a bit of unknowingness, which was stressful,” he said. “But I believe in this project. I think it’s very important that brands explore media; I think it’s the only way forward. I don’t see any differentiation between Grindr and Tinder or any sort of dating app, or Instagram. I feel like people now can use any sort of social device to meet people.”The show’s final casting, he added, was “exactly the way it should be.”Among those who saw the show live, without having to resort to the app, the idea was largely popular.The rapper ASAP Rocky, waiting a turn to congratulate Mr. Anderson, expressed an appreciation for the silk pieces in the collection and the good vibes of the Grindr partnership. “I heard about that last minute,” he said. “Gay people supporting gays. That’s what it’s all about: support. I support everybody.”Some wariness persisted. “It is what it is, you know?” said one young model from the show when asked how he felt about appearing on Grindr, before reversing himself and declaring that he was uncomfortable answering the question. He declined to give his name.

“Some people don’t get it,” shrugged Michel Gaubert, the in-demand D.J. who provided the show’s thumping score, “But it’s the gay Facebook.” He called the idea to live-stream the show on the platform “fantastic.”

Certainly the possibilities are large on a platform that engages millions.“Every single person I know is on Grindr,” said Bryan Grey Yambao, better known as the blogger Bryanboy, after the show. (Even assuming some mild hyperbole on Mr. Yambao’s part, the numbers are formidable: seven million users by Grindr’s own estimate, as many as a million or more users are on the platform at any given moment.)He added: “I think it’s a great audience to tap into.”He said that he had downloaded the app that morning but had already deleted it.Whether that suggests less overlap between fashion obsessives and would-be couplers than Grindr might like remains to be seen. But according to Mr. Smithers, by Monday morning (an edited version of the video remained accessible via Grindr for 24 hours following its live debut), Mr. Anderson’s show had been streamed about 100,000 times, about a third of them during the event.

read more:www.marieaustralia.com/red-carpet-celebrity-dresses

www.marieaustralia.com/formal-dresses-adelaide
Allania Berkey Jan 2014
Anger becomes me,
Rage engages my fits .
Such unholy acts transpire through me.
Blood vesicles are visible on my illuminant skin.
Breath becomes heavy,
breath grows slow.
Tears puff in my eyes.
Lost, is my mind,
Solace is solitary.
To me it's all the same,
Solace to anger  
and,
anger to pain.
Rage grows old,
Smiles become unholy,
Tears are solitary.
Anger,
Anger,
Anger.
Hal Loyd Denton Jan 2012
Allure

Beauty from the sultriest with even steady glow exquisite soft lines is perfected in the creature
Dreams are resonant the eyes smolder all tender entry viewed from lips of lushness
Crowned with hair beyond mortal texture it perfectly accentuates loving doll quality’s full mixture
The promise held forth borders crossed unable to envision your dumb all filled with doubt as she pouts

The soul engages as the eyes flame and burn with passion the heart beats with hard thumps
Heavenly body formed from flesh in its force you reel emotional exhilaration extends to enthrallment
Hands touch the visible world seems altered the blood seems to halt its flowing the mind *******
Reconsider the alignment of the stars surly you have passed them in the silver moons glowing stream

The exotic has burst forth on a common stage all has juxtaposed the delirium takes free course
The dance now begun the coupled whirl started here ends among the marveling distant clouds
Enchantment has found its boundless geography it not on any maps it’s truly the heart at it’s source
Governed never the reins to this wild and free spirit has never been made that would be injustice

Has loveliness limits are the galaxies measurable how can they when their ever growing and bestowing
Featureless flawless curvy arts greatest inspiration told through a form that’s made to love and hold
If genius is ever is to be expounded bring the beloved of all men set her in the midst her essence flowing
The world speaks of desirability its fount its ever coursing real ideal is found in timeless womanhood
Paul Stevens Nov 2012
Are we to wither away, say goodbye to the remote possibility of everything or the acceptance of nothing, damaged as we are from life and what it has thrown at us and how we have adapted to it, where is the strength we thought nothing of when we were young – everything was possible, anything could be overcome.

Now it is harder to start from the beginning to rise from the detritus that has left its smudge on this human plane, to  feel warmth from one’s own heart, passions that used to run deep are locked away lost from the moment, will they ever return or are they buried from this reality – what is this reality?

Pure and without stimulus our bodies weak from over indulgence become but empty vessels  for our pain to adhere to, but yet exists this mind of memories that fail to disappear.

These very memories fight with the functionality that we accept as our living life mixed with dreams and our experiences laid bare to improve upon the quality of our anger, frustration, pleasure and happiness that engages us again, enabling us the advantage to overcome our apathy and  withstand hardship and discomfort, both  mentally and  physically.

And once again we shout from the highest imagined ground our intentions and with our determination set to turbo drive, we move out on to the superhighway of our existence, battling  our demons to achieve our presupposed goals, is this living?

Or merely homage to a bygone set of loosely interpreted doctrine absorbed from our greater consciences. Individuality what has this become? – A freedom to define ones uniqueness?

Is it truly accepted or is it frowned  upon, an illusion perhaps, to be held high then massaged by ego, manipulated by the wannabees and dismissed by the pseudo intellectuals for their contrived  ill-gotten gains.

Or is it puerile credo that mutates in to a complex melange of all things material, a substitute for the happiness that existed in a previous incarnation of existence, without doubt a causal effect imploding,  oblivious to the damage that is caused by the ignorance of consideration and distillation of emotion from love, to the banality of acceptance.

Once again the circle is circumvented  and the cycle is begun in earnest until the finality of death is welcomed unto the midst of longing from the soul, in repose before its journey to dance amongst the cosmos.
Nigel Morgan Dec 2014
The Open Studio

Usually the journey by car flattens expectation, and there’s that all-preoccupying conversation, so one only takes in the view where there’s a halt at a traffic light or at the occasional junction. A pattern on a wall, a damaged sign, a curtained window. Waiting, one looks and sometimes remembers, and what one sees later reappears in dreams or moments of disordered contemplation. A train journey is another matter: you sit and look, and when it is a trip rarely made, you put the book away and gaze beyond the ***** windows to a living landscape that scrolls past the frame of view. When you arrive there’s inevitably a walk: today through a town’s industrial hinterland, its pastness where former mill buildings have tactfully changed their use to become creative places, peopled with aspiration and strange activity. Walking reveals the despair of forlorn roadside business falling back into alleys ending in neglected and empty buildings, so much *******, silences of waste and decay.

But here’s the space, there’s a sign on a board outside, OPEN STUDIO TODAY. Entering inside it is quiet and cold, the door remaining open to let in the December air and the hoped-for visitors. But it’s bright and light: a welcoming presence of work and people and coffee and cake. And here’s the studio, a narrow space between make-shift walls where the artist works, where the work awaits, laid out on the surfaces of desks and tables, on shelves and walls, specimens of making; ‘stuff’, the soon-to-be, the collected, the in-progress-perhaps, the experimental.

Good, a heater blows noisily onto cold fingers. In the turbulent air pieces tremble slightly from their hangings on the walls. They are placed at a good height, a ‘good to be close to examine the detail’ height, the constructed, the made, the woven, the stitched, the printed, all assembled by the actions of those quiet, intent, those steady hands. There, a poem on a wall next to the window. Here, photographs of places unlabelled, unrecognised, but undoubtedly significant as a guide to the memory. Look, a dead badger lying in a road.

Next to the studio, a gallery space. Two walls covered with framed prints, well lit, a body of work captured behind glass, in limbo, waiting patiently for the attentive eye to sort the detail, that touch of the object on paper, that mark found and brought out of time and place. Perhaps these ‘things’, some known, some mysteriously foreign adrift from their natural context, have been collected by that bent form on a windswept beach, by the hand reaching out for the  gift in the gutter, struck by the foot on the track, unhidden in the grass by the riverside, what we might pass as without significance and beyond attention. This artist gives even the un-namable a new life, a collected-together form.

Moving closer let the eye enter the artist’s world of form and texture - and colour? There is a patina certainly, colour’s distant echo, what is seen on the edges, a left-behindness, more than any subtlety of language knows how to express, beyond comfortable descriptions, not excitable, where the spirit is damped down and is restful to the mind, a constancy of background, like a capturing of a cloud but bulging full of hints and suggestions, where texture is everywhere, nature’s rich patterns colliding with things once invented and made, used once, once used left and changed, thrown away, to be brought before the selecting eye and the possibility of form with meaning its patient partner.



J.M.W.Turner writes  on poetry and painting

Poetry having a more extensive power
Than our poor art, exerts its influence
Over all our passions; anxiety for our future
Reckoned the most persistent disposition.

Poetry raises our curiosity,
Engages the mind by degrees
To take an interest in the event,
And keeping that event suspended,
Overturns all we might expect.

The painter’s art is more confined,
Has nothing to equate with the poet’s power.
What is done by painting must be done at once,
And at one blow our curiosity receives
All the satisfaction it can know.

The painter can be novel, various and contrast,
Such is our pleasure and delight when put in motion.
Art, therefore, administers only to those wants,
And only to desires that exercise the mind.



Twilight

A day aside and diaried into busy lives
So to a morning walk to Turner’s View
Above the River Wharfe and Farnley Hall
Where it is said the inspiration came
For his famous oil of Hannibal,
with elephants and storm-glad Alps.

On to lunch where six around a table
Souped with salad before we homed
Mid afternoon the day in decline
We were done with words so watched
The edge-timed light flow between our hands.

Inevitably we climbed the stairs to lie
In twilight’s path beneath the skylight’s
Square a sliver-moon we couldn’t see
Gracing the remaining daylight hour
Marbled with shadows our collected
Curves and planes lay as sculptures
In the approaching dimity and dark
Each experimental stroke of touch
Holding us dumb to speech and thought
As night’s soft blanket covered us entire


Northcliffe Woods

Oh nest in the sky, empty of leaves,
Those tangled branches
Reaching out from twisted trunks
Into the sullen clouds above, when

Suddenly a crow -
Corvidae’, she said -
And simultaneously pulled
a hank of ivy from a nearby tree.

Hedera Helix I thought
But did not say, instead
I whispered to myself
Those ancient names I knew.

Bindwood, Lovestone
(For the way it clings
To bricks but ravages walls),
A vine with a mind of its own. But

She, in a different frame that day,
Apart, adrift and far away
From our usual walk and talk,
Fixed her gaze on the woodland floor,

Whilst skyward I sought again that
Corvid high in the branches web
Black beyond black beyond black
Against the pale white canopy above.


Franco*

Blow She Still
Ed insieme bussarono
Sweet Soft Frain
Cloche Lem Small
Spiri About Sezioni
Portrait Eco Agar
Le ruisseau sur l’escalier
Etwas ruhiger im Ausdruck
Jeux pour deux
For Grilly Fili Argor
Atem L’ultima sera
Omar Flag Ave
The Heart’s Eye*

play joy touch
code panel macro
refraction process solo
quick-change constrained
hiatus sonority colour
energy post-serial scintillating
aleatoric reuse transformation

A lonely child who imagined music
on sunday walks, he would talk about
how one lives with music as someone
would talk about how one might live
with illness or a handicap. He said,
‘You cannot write your life story in
music because words express the self
best whereas music expresses something
quite beyond words’.
This is collection of new and previous verse and prose gathered together as a gift for Christmas 2014 and New Year 2015. Each poem was accompanied by a photograph or painting. Sadly the wonderful Hello Poetry has yet to allow such pairings. The poem constructed from the words of J.M.W.Turner makes a good case I think for bringing image and word together - at least occasionally.
Hashim ZK Jan 2014
Dawn breaks as the sun appears over the horizon, swallowing the darkness of an insatiable night.

A fresh breeze ruffles the hair, and the heart, with a peculiar spell as the sounds of rattling trees settles in.

The stains of tears are replaced by the shine of joy, as the sorrows of night dissolves in the mist of a promising dawn.

A sight of a dew shining on a flower, like a beautiful Pearl, instills something pleasant inside..

As the eyes travel further, they're pleasantly surprised by the bed of flowers; the spread of meadows; the colorful birds.. Chirping.. Flying.. Playing.. Nothing to bind them. Free spirits.
A heart envies them for a while.

And when looking upon the vast sky - the sheer vastness of it, leaves one enthralled.
Upon closing the eyes, one could hear the silent whisper of the clouds, of the trees, carried by the passing winds. A strange sense of belonging settles in. Leaving one calm. Inspired.

Perhaps, the birds have felt it too. One wonders.

A mind then engages into a divine contemplation, as the mystery unfolds.. Feeding on the pleasure of unravelling dreams.
A sheer bliss.


PS: Just another perfect dream of a blessed moment.

Hashim.

— The End —