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Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
There is nothing here
Not the façade of a façade
Can’t you see our idea fading?
We thought we were Hobbes’ Leviathan
The modern alchemists of state
We’re nothing more than rodents!
Scurrilous, maladapted membranes
Spewing from democracy forth
Ought they to encapsulate us?
They must needs encapsulate the naïve!
Whiling away at the trough as though livestock
I’m to be ground on the wheel regardless;
Nay, stretched on the rack of modernity!
By the comforts of progress and superficiality
Sought after as if vital
By the people, “We the people!”
Rallying cry for throngs, imprisoning themselves
With society, a subtle hocus pocus
The trite, aged argument
Of those who’d force you build your very tenement
Paying rent to breathe,
Countless yet believe
Tripartite consumer, greed and slavery
Surrounding you and me
Separating ignorance from squalor
In a ghetto of the mind
You're right, we're alright
Life's a Beach Sep 2013
It is not who you are,
but rather what you represent, to me,
which defines you.

You encapsulate a love for me,
which I will never know again,
all-defining, pain and fear filled love-
the one he took away.

In a manner, when I look upon you
I look upon him too.
The face of one who
tore my heart and threw it back
cemented in me all that I did lack
which he would then attack.
In a one sided battle,
the blows raining on me like tears,
adding years to my tender age.
You see he had tore the page of childhood,
leaving this book beyond recognition.

Looking back, perhaps I should have had a premonition,
Phil,
of what you were going to be to me.
But I did not want to see
that which would break
the tinted image which I owned of you
which I knew would remain
true
only to a point,
from which it would then be tarnished forever.

I so wanted you to love me back
and so agreed that I lacked
in all that you'd say,
come what may, I know that
I allowed you to control me.
It was not always so one sided.

You bided your time well, you know,
you timed it 'just so', so you
could be sure this final blow would hit.
A finishing spit in the exposed page of my future,

You turned,
you changed,
and the burning pain I felt within,
is possibly your only sin in
this endeavour.
As whatever you are I cannot
blame you for that
which is past.
No matter how long this pain will last-
possibly forever.

And I will prove myself again.
I will prove that I can still love and
be loved in return.
No matter how my heart may yearn,
I have no choice but to spurn those
who are like you.

A half life it may be,
but half full to me.

What you once seemed,
that which I never dreamed you would turn from.
That which, though I may long to,
I shall never see again
when I attempt to see anew.
Not even blindness could hide
all that is true.

Now all I can do is to
bow to the memory
in defeat.
I will never greet who you were again.

You will never eat your words,
you meant them then.
You still do.

The final blow is that;
I will never live up
to the girl you thought
you thought that you once knew.

You reap only the fake crops which
I attempted to sow
in desperation to be,
all that you thought once thought of me.

That girl is dead.
She lives only in my mind
and your heart.
Our paths were meant to be apart.
Hannah Feb 2014
I'm barefoot in 46 degrees and I must remember that my perception of things must not encapsulate how I truly perceive. Soldered commentary  is bleak but is all I've left, all my years have given me and my years have been few.
To be constantly bombarded with the question, "what is it that I really want?" is fervently exhausting and consistently hypocritical and I'm a hack. The conclusion is always that I'm a hack without a win to present or a failure to fall back upon. As a hack, I've left myself with very few plans to alter or hungry mindsets to feed.
After glistening the only thing that remains is to burn out and the thought of extinguishing so prematurely provokes a physical falter and frequent respiratory failure.
Ask your brother if he lingers at times. Ask your sister if sometimes, she means what she says and she should always say no. Ask your friends why you should be anyone's friend and whether or not the chance to swing into hyperbolic criticism ever affects how they make their choices, hoof their steps.
Their answer should always be no and their input should always be invaluable.
Ask yourself if brain power should always be set to alter mind power and ask yourself is alteration is ever even possible. The answer should always be no.
The conclusion to draw should always be his. The choices you make, always expert and ground out by consistent respiratory failure. Ask yourself if you'll always be an animal and when will that stop. Ask yourself if time will determine whether or not this "thing" is worth doing or this "thing" is worth composing. Ask yourself why you're not the young girl who sings soul on the street, whose tremble sets off car alarms and inner requisitioning. The answer will never be the same.
Liam Wales Aug 2015
An oyster survives in its tough shell
Trapped
Stuck
Restricted

It knows nothing apart from its surrounding walls
What it does next will be a surprise to us all

It breaks out of it's shell
Without unleashing hell
It was scared of the outside
It was not born to be free

We can all be summed up as oysters until we break out

Do not be encapsulated
Break free
S Olson Jan 2018
meandering the chorus of his scent, i am lost
between the steeple of his belly
and his mouth

i wander. consuming his pleasure  with teeth,
softly, as though he were a baby bird.


i worship the sunrise in his neck. on all fours,
i pray that the sun sets between us
beautifully. maybe in another life, we

could be a temple of a shared two bodies,
twilight after twilight, upright, hand in hand.

but as it is, tonguing the canyons, the valleys
the napes, and the summits
       his mouth
becomes melody. singing without words
that he will encapsulate me. wholly

much like a tremendous hunter. but gently,
with purpose alight, we surrender. together,

shared steeples above our carnage, heaving.
the doorway to mutual softness   open
Onoma Oct 2013
There's the mosh...sordid details that thing...
creeping of sort...retelling...to stay in focus.
A silent film whose black borders encapsulate
a  slab of skyward white.
Visages...opening...opened...to interpretation.
"The apparition of these faces in a crowd;
Petals on a wet, black bough."....ashen...
daguerreotype of a Zen Garden.

All of nature's pretties cast in an occult brew...
stirred, and stirring...composite sketches posted
and burned upon lampposts.
At large...ritualistic making-of-face...illusion
trafficking the ever present primes of lives...
"the center of which is everywhere, the
circumference nowhere."...attestation o' mugs.

Visages...plucked from a year of our lord,
to be...rendezous of all light's putting to...
years thereof.
Alien unto thyself...oogly boogly, yet mirror-imaging...
behold/beheld/beholden.
By sleight of Hand...visages, who'd otherwise
be as soon pruned and leathery, inanimate under the
sun.
Nat Lipstadt Jun 2015
Preface

(not even 9:00 am and
I've wet myself

this was my to be
my Poet Palm Sunday,
when my pen is in
some room,
by other's well hidden,
and composition is a prohibition,
the hours yet to come,
come negligently but happily,
whiled and whittled,
reading the better poetry of others,
on this, a day of rest for the
body's satisfaction
and the body of the soul's,
even greater

yet a day of rest,
be not South Pole opposite
from a day of no North Pole work

this early I-am-risen Sunday dawn,
finds me focused, two dog ears alert,
forty one poems in descending order,
read and wept over and upon,
a real, not a faux Bush,
"mission accomplished"

lived long and occasionally prospered,
of poets, I am familiar some,
of writing poetry,
have learned my sums,
know what is likeable
love what is
loving and loveable

it is the poetry of every day life

of strange noises of strangers
in the mid of night,
dogs rhythmically snoring,
while you curse/overcome
the bright eyed, darkened alertness of insomnia
by word whittling yourself,
by the softness of skin of a grand kid
that momentarily manages to convince,
it was indeed,
all worth it

the zoo animals of the lawn and trees,
singing concertos in any minor they please,
as long as it's major enough
to command the world's attention

six stanzas and yet have not commenced,
the task God gave me this sabbath morn,
for the problem with seeing the world,
thru the filter of aging eyes,
is you grow vulnerable, wistful,
distracted by your own ancient feeling streams
that lie too deep in the Manhattan schist
of what others call, your heart,
but somehow still manage
to bubble up and geyser out your eyes)

~~~

Joe Cottonwood

as Patton said to Rommel,
"I've read your book"

the book of forty one poems
that are the products of
years in the making, with tools
that hang upon the belt of yourself,
that you acquired long before
the leathered and weathered
tool belt of four decades of you daily dress,
was first ever worn

you tell us of your ancestry,
thus reveal your story simple intimate,
and by the fourth or fifth essay,
our poetic ancestor,
Walt Whitman,
was readily apparent,
in the little life things
the American and all families  
celebrate

of my six decades,
I yet
still struggle for a summary definition
of who I am,
what I'm worth,
yet weep at your simple eloquence,
self described scribe and man
detailing a life well lived

Hammer nails. Write poems. Bake bread. Shake hands.

is that all there is?
Oh god there are veins
in this poet run deeper than the
iron ore that makes his nails,
the sun ray mines that electric heat
his bread oven

they are mined by me this morning

he does not write of
anguish, blood, love or scars,
that are newly born on a
summer's day youthful blush,
no, he writes of
anguish, blood, love or scars
that humans accumulate,
and in poetry encapsulate
of a life very well lived

I know you Joe,
and apologize for the
paucity of mine,
in honoring yours...


~~~
Postface**

the coffee beans grinding,
the pots banging,
the music suddenly turned softer,
surely constellation cosmic signs
that a lover's breakfast soon to arrive

so I away, but in earnest plead,
share the simple joyousness
of his poetry,
and our communal Sunday
and everyday lives
will be indeed come
as a day of comfort blessed,
the only toil,
tear removal...
If your value a skill and love
that captures more of life and love,
please read
http://hellopoetry.com/joe-cottonwood/

a single excerpt,
no two, a sampler
~
Coffee and corn bread.
They putter about with weekend chores:
she waters plants; he snakes the cursed toilet.
They take turns riding the exercise bike.
He cleans the hot tub filter;
she stretches yoga-like while listening to an audiobook.
He makes a wooden toy, gift for a grandchild;
she prepares chicken burgers and salad.
They watch a movie from Netflix
about Miss Potter, Beatrix
a rebel of another century.
In the dark, outdoors, scarred bodies
water-slick in the moonlight,
they soak in the hot tub
while a dog guards, sphinx position, ears *****
to the rustle of raccoons in the underbrush.
At fifteen minutes to midnight
as steam wafts in moonbeams
she says, “Hey — it’s our anniversary.”
Almost forgotten. The forty-sixth. Or fifty-first
in a different calculus, because at the wedding
they’d already been lovers five years. He sings
     Oh my love is a wallflower
     so pretty and so shy
She answers:
     No boy I’d ever marry
     until you gave me a try.
Under water, their toes touch.

~

old bronze
your cheek, so brown
old bronze
brushed with down
shekels of freckles
over a dusky moon

bronze is an alloy
forged in heat
shaped in art
durable as stone
darkens with age
glows when rubbed
still warm
against my lips
Fizza Abbas May 2015
I'm staining your raiment with blood while rolling my tongue to create a sputum so that I can wipe off that blood from your raiment. But, you know what I don't want you to clean your shroud because it is a paradigm of our potential—blood. This blood is so potent that it will remind you of me because it is our dark side where we encapsulate. It is something which makes us distinct in our privy shell. Smears of this blood can create revolutions. You know how? Its redness denotes the umlauts of our love and its states depends upon the crests and troughs of our relationship. When we are reaching the crests, it gets brimmed with oxygen and give rise to a new life but the best part is that our troughs don't boost up the mortality rate, instead bring us back to the life. See, how such a small drop of red liquid is so significant for the two of us. It's because it's not a drop of 'liquid' but life. Blood is life, life is blood. We are blood, blood ARE us!
Mateuš Conrad Jun 2016
westerners: we're basically the people with a big bang theory in our heads (what a ****** name for what used to be an awe-inspiring venture into the natural environment and colours, now just a black dot, no wonder the imagination dried-up at the end of the 20th century and it all became, "a little bit technical" / technology perfected the making of money / no -logy attache with art, the feel got the most of it), and having to still perform menial tasks, most of which became anti-physical, exports to China - an intellectual flatline of bureaucratic esteems, preferably lost among scientific theories that demean, devour and conspire to reach pinnacles of overstretched pronoun usage... too many nouns, too many nouns, there are to many names in this world that gather inert verbs around them - say the word aeroplane and i bet you won't end up being a pilot, able to fly the **** thing from London to Helsinki.*

i just realised i can't do it - applying
poetry to historical prose is exhausting -
the project has been terminated -
it's like two-hydrogen atoms coupled
to an oxygen atom defining the Atlantic,
the Pacific and a few lakes in between -
how can a single human being
encapsulate all that history? i don't
mind people spying on me, i know
spying is a form of fetishism, but trying
to encapsulate all that history in one
unit is counter-productive, non-representative,
i stopped on page 55, i didn't even get to
Greek history - what i love about all
that philosophical bollocking is that it's
airy, a modern arts gallery - you can fudge
in an elephant in there and people would say
that it's the five-blind men - or the sixth
deaf man, given the odd trumpet sound -
history literally does exhaust poetry the
easiest, philosophy at least antagonises it,
it's on the same playing field, both are in tune,
however well or however badly the strummed
guitar / ego - if i was going to sift through
another ******* of historical facts predating
antagonistic history like the events of
the Cold War or the horrendous disintegration
of Yugoslavia (Gorbachev was rightly
pompous to the end, the Soviets went their
separate ways peacefully, now Azerbaijan
sponsors the Euro football tournament) -
but if i were to shove all that **** into my head...
you know where Alzheimer's stems from?
i think i know - too much information,
too much information canvased against
easy, menial tasks... if they only taught us how
to not feel bored, instead of ******* us with
Pythagoras and calculus and whether it was
Newton or Leibniz who finished the finishing line
first... education in the West is a fool's game,
it's like that fable about giving an African
a fish or a fishing rod - they sell this **** in
Calcutta - me? i'm selling you a pirate copy,
don't bother - don't even go to university,
they'll turn you into a double-*** that you already
are, professional academics are not high school
teachers, they're the ones in line with ambitious
Higgs' boson, oh sure, Mr. Blair and that famous
'education, education, education,'
how about go **** yourself, go **** yourself,
go **** yourself?
the educated are in debt and the common
sense people,
well, they're also in debt - mortgages and what
not, but when i think about it...
i'd be earning super money to spend it... on what?
if  had children, fair enough,
the grand selfless act - maybe... erm...
never trust a female politician because she ends
up a tarantula, a black widow, caring for her own
rather than the ***** masturbated into a hanky?
listen, if you had a woman try to ****
you via your childhood friend... you wouldn't be
Kentucky frying chocolate bars to mush and
lovey hubby dub dub either.
Joe Jul 2017
This is the story of how I never told you I loved you.
When we first met, I could only stare at you.
In my eyes, you were a tall, graceful queen
And I felt unworthy of your presence
But when you spoke, your words,
Sweet like honey, trickled out.
Your small voice made you seem less of a nobility
And more of a normal girl
But you still seized all of my attention.
I couldn’t articulate how much I love you.
I couldn’t put my feelings into sentences
Or phrases
Or words.
I couldn’t seem to find the right combination of letters
To encapsulate how important you are to me.
I told too many jokes
But I never told you how I felt.
You always listened and laughed at them
But you never felt
How I intended to make you feel.
I wanted to exude love
But, instead, I emanated comedy.
I wanted to rule beside you
But I was just your jester;
Hiding behind my wit
Because that way, at least,
I could see your smile.
a sapphic tragedy
-d.j.
Mateuš Conrad Nov 2016
i should be handling a champagne flute by now,
i don't know, maybe it's the laughter
that's curbing me from doing so... oh the fizzling
of my shizzle: or whatever's the trend in Campton.

now i'm watching videos on the pros and cons
and i'm thinking: it's really out of my hands -
i can do what Pontius Pilate did, back when
everything political required things to be hygiene prone
- and when there were literate fishermen who
miraculously broke from physical toils
       and wrote anti-Pharisee booklets.
forget Socrates defiling the youth:
it's me and a few old men -
will i become martyred because of it,
am i deluded with an invasion of
Shoreditch coolio across the depth and breadth
of London: who cares?!
       i like a good film, and this one is
always going to be good -
it only takes one word (well, two): the queen;
mainly the logic stuck true to the end
result: it would have been too good to be true...
take that logic and make it into a motto -
        wholeheartedly honestly,
      i have not an inch of my own wet *****
dipped into your ear: that's what
being independent means -
it also means that Copernicus ruined
   all things nautical, sunrise, sunset,
                  and thank **** the earth is
3D, now the problem, what shape is the universe?
   as it goes we're in a fudge swamp -
we aren't going anywhere, we think we are,
but people forgot to twin thought and doubt together,
   instead we have thinking and denial twinned,
which means: no matter how many facts are
spewed and later picked up as golden nuggets
we're not going anywhere.
       that's the beauty of a niche armchair,
      you get to bypass the comforts of crowd and airing concerns -
i'd never miss those emotional reactions
of people slyly: for the world!
    i love how they think that spying is masquerading
and not stating the obvious: which it usually is,
spying is stating that: the opposite has a tradition
built upon using sharpened knives:
                    me and my blunt knives:
i'm tearing into the meat like a vulcher -
what the hell can you do?
   sell the truth for 30 quid, buy it back for 20.
  that's a Homeric certainty -
    no, not the jokey Springfield variety:
the serious Grecian 2000 year old (if not more)
one - and i already asked:
what are you here for?
  me? i'm into writing a 2000 year old chapter
ranging from monkey, neanderthal and man -
     given the obvious disparities
and image issues and ****** favours considering
the pale anorexic Parisian modelling skeletors.
     you know what i found distinct in that story:
Slavs among the Germanic tribalism?
i concentrated on the eyes, rather than admit
a less pronounced *occipital bone
: yeah,
that's almost a tail in evolutionary sprechen.
       all thanks to a girl in school who noted
that "defect".
     i just looked at the eyes and found they were
more ****, and subsequently quasi-Mongolian
and less Germanic fish-eyed fixative of ogling
out as if about to be gouged out, or simply
popping out with a reference to helium.
    once again: a stick has two ends.
         it's the historiological (why the iota in that
i'll never know) demand:
the pendulum simply said: too good to be true -
and it was:
  i'll go one better, better than black and female?
how about native?
   now that would be a game-changer -
      anything less than a native american is
as about as revolutionary or a status quo disciple
or a hamburger for breakfast:
hence the reason why sarcasm and apathy mingle
        and look down at the doormat:
  oh right, only wiping my shoes does it? hell,
i'll wipe my shoes: come in and take a ****.
     thus the misrepresentation of writing on
pixel-paper (or what's called:
       drunk, but still in want of having a chance to
revise, because we're all sloppy when
      staging what the original transgression was);
   i never write with a want to say the things i write,
i just think the misrepresentation comes
when i treat the internet as a punching-bag to think
things through: a voyeuristic-reversal,
        as such a great medium to think things out:
the new ****.
   nonetheless, it's hard not to laugh within
the framework of defending the freedom to sprechen
and leave the defence of the freedom to denken
  within a socialism that never manufactures
    anything: apart from protest marches -
the F. Gumps amid broken vocal chords.
                  you get suspicious about deaf people
hearing more than those able...
                                 to hear a crackpot mantra
and subsequently diffuse it.
                     i wish we lived in world summarised
by the words: all eyes on Mongolia...
            but that's what happens when you popularise
**** and industrialise it:
    a. China and India beat you in terms of industrialising
             it (over a billion buggers by my count, each!)
and b. it's a litmus test of youngsters in the future
              suffering from depression -
now that's really obscure - i don't really have a b.
     point to make... pornographic industrialisation
got me...            come to think of it:
if america didn't industrialise *** i'd be in a transgender
clinic trying to figure out whether i had
    any ego in my phallus - completely bewildered
whether i should accept my ******* as if a dog
accepting its canine extension...
        given women these days
and the fact that i had to pay for the pleasure tells me
a lot...
            i either pay for it and play the genteel role
or i go mad from ****** frustration and ****:
at least we're talking a contract,
like that bubbly Puerto Rican woman in Amsterdam:
                                         **** it... Freud!
so we solved the whole "earth is not flat" debate,
           even though we still require the n.e.w.s.
to go about our daily business... tragic: we now have
to encapsulate the universe as having a shape -
  milestones have been conquered,
  from a 2D earth into a 3D earth
      we now have an infinitely 1D universe -
                because it couldn't have been: a box
within a box, within a box: without an actual box,
or as the people said: hence we having the sport of boxing /
dentistry.
            the Russians put a man and a dog into
space: fair enough...
      we go a step further and end all fairytales
  and turn our children into ambitious astronauts
breakdancing on the moon -
                              then comes Mars...
if we're going with that sort of escapist route then we're done:
   these traditional capitalistic endeavours for
mere competition have turned into a variation of
simple escapism - as i was taught in a catholic school -
imagine yourself in a world, then leaving it -
always imagining the earth from afar, from the moon, say;
all that really was said was the Taoist motto
about not engaging with the world on terms of
rounding up, rabble talking and ******* whatever needed
******* (pervert, i know the slang in the engagement
     of the cultish excesses of skin; rough ***?).
   but that's what it is: escapism -
                         as they said: a message from former
communist countries -
                           a sprouting vogue in western
           societies: with their beards, and chequered shirts,
social conforming hippies know as hipsters:
i don a beard because it's cold around here:
plus i look less of a fat person -
alcohol fat ain't cutie pie fat: it's called being bloated.
       only among an obese population would you
get anorexia - again: historiological logic (the pendulum,
or the Newtonian impression) -
         once Newton was told he was less than accurate
people decided everything was relative:
the Greeks abhorred moral relativism -
   it's not that god died - cause & effect died
in what's modern, and reliably crescendo.          
sure, humanity will go on in any other argumentative suite,
      it's the one thing humanity can't be, i.e.: undermined.
*** is (after all), an existential variant of ******* -
you'd be daft to think that it was or could / would be
  otherwise.
Mary Rosen Jun 2012
Gleeful misconceptions are evaded by misgivings long installed;
Speckled with ineptitude, these terror thoughts return to you somehow,
Amplified a hundred times by sweetness from this pan-electrical view
Histrionic entities encapsulate the madness of your effects

Our parabolic evidence takes lead within our sympathetic forfeit
I would be the therapist, or, the reverse psychologist, in your case
Anyway, we’re made of cells, we’re scavenging, we’re craving reciprocity
And starved of this, we will decay, we’ll whisper psalms through ashen cracked bleeding lips

Indignation finds a path through demigods, through nymphs of evolution
Your paradigm infatuations, are crashing my heart’s narcissistic relents
And stuffing faces with your lies, you bite your tongue, and when you’re dead, we’ll unite
My lungs are there, my head is strong, I’ve made it yet, I’ll find you, always.

My debt has taken heartbeat in this mindset of my over-effective intent
Aligned with yours, the two of us will wave like trees and eyes will not forget us
Extracted like Excalibur, you shall remove the dagger from my forehead
And dreams will leak like memories through space and time in one self-conscious collapse

Your empathy deficiency is also your colloquial integrity
I’m tired of these Trojan lovers, you and I have higher action potential

Your pretense controls me so; it’s better where our voices can be found
Can be found, can be sound.
Deathless laying - strewn -
your hand gripping the bone
in my shoulder.

Mixed are the decaying
shards of skin from
bodies

Everything almost touching
again reduced and
mixed in formation
and your hand
calcifies
to me

What in blank skin covering
the eyes  - which twitter
and in their chaos -
accentuates our inhibition?

Ripe tears fall
never
into
the face catching
follicles
instead

I swam across to the
heartinents in your chest
and my
mother would say not to
fall into grips that
free emotions like
port, port that enters into
worldsea and drifts across
faded hurricane winds to encapsulate
icewinds in
jars like
coffins closing off to
blind light and opening
peoples airways to scream
of fear in love

Free of sight
in wine-flooded dreams
you lay
and I rest as hands
knot over the
abyss that opens for
brooding thoughts
that drip
out of my mind
as I lay my insatiable
eyes to rest.
Vivian Mar 2014
"write poetry for me" she said
but how do you
write poetry for someone
whose splendor eclipses
the magnificence of the sun?
trying to encapsulate
You
in words would be akin to
"caging" a lioness
in a prison of fine china.
so perhaps instead
of trying my hand at writing
about you
I will simply say this:
I Like You A Lot
Poetroyalee Dec 2016
Your eyes are so beautiful but sad.
Ladders on your walls with
"unreachable" peaks encapsulate you.

Chapped lips and blistered palms
symbolize your life's struggles.
Scars coat your arms
as you crawl on such rugged rubble.

God, who lifts his hands to either
punish or reward, heard your prayers.
All your ordeals and prejudices
has burdened you in many layers.

Your eyes are so beautiful but sad.
A rare beauty is what I call you
but I know you wouldn't like that.

Amidst all the troubles of your days,
a compliment might seem like the
last thing to say.

I have seen your trials and denials,
your slavery and hopeless compliance.
I still see the beauty in you and I can
write it in words but cannot sing it in tunes.

But don't worry, pain is temporary
and it would leave soon.
Aria of Midnight Sep 2015
Most of my creativity emerges
from crestfallen summer nights,
where I tear the seams of the scars

that have reopened
after a thoughtless word
after a tasteless comment
after an inconsiderate finger,

jabbing into the insecurities
I imagined myself to bury,
but in reality,
I have not.

Humid,
crestfallen summer nights
encapsulate me,
until the pain numbs
me.
Austin Bauer Apr 2016
Becoming human does not require
Writing sad or dark poetry.
Rather, it requires rejoicing
Amongst the darkness
That can so easily
Encapsulate us all.
David Noonan Feb 2017
Backdropped by your setting midnight sun
This blackened tree of gnarled and crooked branches
Shorn of starlings nest or buds of leaves to bloom
Is but Mother Nature's abandoned child awaiting Proserpina's call
As its frayed ropeswing hangs unstirred and unmoved
A seat for two carved and formed of connecting crosses
One of breathing heart, of hope and purest salvation
One of loneliness, despair and decomposing isolation

For time has never seen right to pass our way
And I've long since stopped believing in some afterlife
Yet with you, i dream to reincarnate another life
Where everything is different yet nothing has changed
And I will seek you out, I will hunt you down if i must
I will choose your beating vibrant heart
Encapsulate it forever in that painted yellow sun
So connected crosses can dance as one before thy Spring is done
sleeplessnxghts Dec 2013
Things that go bump in the night like the roar of the raging lion deafening your arcadian silence
Like the face of a wolf chasing you in your dreams, claws out, jagged teeth already sharpened, salivating at the scent of your fear
And the sudden crash of the lamp on the ground because your clumsy thoughts blew it off the stand in a rush of puzzling ideas and jigsaw hearts overflowing your mind

The fishnets sloshing the seas through the holes, piecing together lost trails of a failed relationship, letting the salty essence linger behind, drifting to the saliva glands inside your mouth
And suddenly you're shot up with a narcotic, straight into the veins where he used to live, vacating the premise, making room for a sense of euphoria that consumed me as a whole

A treacherous path ending with a unceasing fall off a cliff where the rocks slipped too often, and lessons were never learned from the kids next door
Cracking floorboards circumference the room where they used to talk in circles, collecting feelings and saving them inside the pockets that somehow found holes in themselves

Then the wind emulates the whispers hiding behind the fading foliage of the trees that secured everyone's trust and captivated their souls deep within
Violent kisses used to tear my skin apart until a gun to the back of my head held more depth than I've ever experienced in my whole life

I searched the sand for the purpose I wished to hold in the palm of my hands but it sifts right through the solid foundation of my finger tips that rot with poison ivy
Ever since I felt the tree that infected me with  the venom in the form of sharp bristles and empty sap sacks

Whatever the blue sky may represent, I see dark clouds forever and a day, even when the sun returns my calls, and with a bitter tone and a touch of sizzling rain, offers me a chance to see the bright side they all dream of
When the opaque sky eats the sun I find solace in home, where the stars collect my secrets like coins and hold my wishes like the hand of a boy I thought I once loved

I morph into the worst version of myself when the screams encapsulate my emotions and my face is no longer skin and bone, but vicious fangs and yellow eyes
So what, if I differ from the rest of the pack
A lone wolf or a raging lion, I am not them
And I never will be

Until the rings awaken me as my eyes flicker back to their hazel nature
And the bags roll beneath my eyes, with a darkened presence treading under
And the sun returns for the day, a gift I cannot return
And I walk down the same road, leaving the covers rumpled and the sheets entangled with one another

The mess correlates to my dreams
And all of the hearty burdens I continue to bestow inside the treasure chest deep under the ground
I shall keep these somber ideas and thoughts at the top of the bookshelf, a place you'll never look, a place you'll never find
Just smile and fake it until you believe in it's proximity to the truth
Third Mate Third Jun 2014
You: it is 2:10 am
Me:  Eastern Standard Mystical Time, yup...
You: why are you up, writing?
Me: the drugs wore off
You: *** the drugs?
Say it ain't so, kiddo?

Me: yup, I did engage
with some strong stuff
ce soir, the woman too,
and she is drowning in her dreams.
Easy and cheap,
scored some us some................
Asian Fusion
Thai Food, Indonesian small plates...

You: idiot!
Me: just answering your question
You: so where is this poem, shaman?
Me: You!
You: Me?
Me: yup.
You are my early morning poem,
which I have entitled Notification: You!

Notification

I am deeply unsure.

Am I notifying you,
or am I notifying myself?

Lost command of my
native language,
the emotions too strong,
Blue Java
the color of my word blood,
strong swirling,
uncontaminated by cow's milk,
but by cows jumping over the moon,
who have come to give me gifts of
Notifications.

Hey ****** ******,
The Cat and the fiddle,
The Cow jumped over the moon.
The little Dog laughed,
To see such sport,
And the Dish ran away with the Spoon


Perfectly clear to me.
I am the Spoon,
You are the Dish.

(Shaman, Shaman, hey man,
you still sound drugged,
we urgent need some clarifications!)

When I wake up,
uncertain about a slew,
a portmanteau
of important life~things,
(Example: when should I
Capitalize a word,
a life, a me, a You?)


there are strangers,
Strangers still,
yet strangers no more,
sending me uncoded messages
intended to decode me,
Notifications,
they are called,

and they
Explode me.

capsules of comments
that encapsulate me,
emasculate my speaking abilities,
reduced to rolling in the gutter,
guttural cries to emit and utter,
man, I got friends I never met,
and that's ok
we just notify each other
thinking of you
and no more words necessary

life is groovy...
Sharina Saad Jun 2013
I ask myself the question of what,
what do i want?
what is my wish?
I am almost out of words
To think of my wants
To encapsulate my wishes
Reviewing my too many wishes
Putting them together into view
My tantrums start, my head throbs
Too many wants,
too much headaches they say
But surprisingly...
I wish I have More wishes to come
After the review of the
too many wishes and too many wants
map my wishes and my wants together and view
****.. I am almost out of wishes
To Talk about my wants and wishes..
listen to the words there ,
I wish I want more wishes
~ Sharina~
Mateuš Conrad Jul 2016
some would call it a profanity - from the islands of northern Europe i liked the Scots the most, in my first year at Edinburgh Scottish weather played a joke, i don't remember a single gloomy day - i do remember not sleeping one night, and trekking up Arthur's Seat to watch the sunrise, then climbing down, buying Kellogg's cornflakes and full-fat milk and eating them - that magic moment just between daytime fully sets in - it's so fresh, a reality proof, just before the mundane job applicants get up, you get a sense of what's truly taken for granted in society - it only lasts for a few minutes - before the commuters' nagging sets in, and everything fresh (awaiting the new dawn) becomes custard thick - sticky, sickly honey glue pungent... anyway... i'm making a grand profanity at the moment: tier 1 - whiskey and ice, tier oblivion - whiskey and coca cola... but what i'm drinking is like a virus immune to antibiotics, no amount of citrus barley caramel can mask the smoked salmon with a tinge of variously fruity accents can mask it... Glen Moray, single malt, an Elgin Classic - it is a profanity, i agree - i should drink whiskey like mulled wine - but i'm in a hurry for a mindset, and i'm not bothered that much about passing down aesthetics - my palette says otherwise. yeah, my love for Scotland came from climbing up a ladder in the English hierarchy at school - everyone wanted to be taught by Mr. Thomas Boonce - aged 15 went into B1 (or however they noted the selection process) - aged 16 on top of my game, A1 class - a blazing comet trail of ambition, shared the same desk with my enemy shoulder-to-shoulder, the one who promised me a south american plant would give me grand hallucinations, ****** the mother of my ******* son and wa-lah! elephant trunk pulled from a top hat playing jazz - that Jesus bit about loving your enemies? esp. if they're your childhood friends and are **** crazy? you don't love them, your heart turns to stone and it says skipping on lake: what a shame... so much potential in him wasted on jealousy, the way he trusted a woman that is now on some sort of psychiatric medication... i can't love enemies, what i can do is feel sorry for a waste of human potential... (knock on chest)... yep, this ol' ticker is solid stone... and sooner or later it will be added to a mountain i'm constructing in my mind.

thank god for rabbinical literature -
i could pour days over these pages - i literally open a book,
a compilation of entries -
why hasn't anyone noticed the genius of written Hebraic?
i know in the middle east is a wasp nest of harking and
memorable achoo - or quasi (~, literary denotation,
thereabouts, so so, kinda, well, approximate too,
hand gesture in that symbol, good-in-bad-bad-in-good) -
just now i was admiring the fact that Hebraic hides vowels -
truly, they hide them, ingenious buggers -
all the vowels in Hebraic are hidden -
in translation to Latin the Hebrews treat vowels
like post-Latin users of the original S.P.Q.R. alphabet
use diacritical marks - and newspaper Hebraic doesn't
include them in print, only: i suppose in poetry and
rabbinical writings are they exposed -
which stems largely from what is cordoned off -
or rather the fruits of the work of encapsulation -
Latin is slightly biased, no letter is truly encapsulated,
shut-off from another - aye, be, cee, dee, ee, ef, hay'tch (
a distinction), em, en, ***... zed (an exception), ex, you
get the idea - there are no nouns in the post-Latin
alphabet as such - which is why in science Greek letters
were used as constants - these consonant constants
encapsulated not only the phonetic content of a symbol,
but also allowed for an encapsulation of some higher
purpose - e.g. α (angular acceleration) -
β (sound intensity) - γ (gamma rays) - δ (heat in chemistry,
the perfect error, the Laplace operator, etc.) -
ε (set theory, the limit ordinal of the sequence -
    html disapproval to be written as: ω (tier squared ω,
    and one above the squared tier ω, ω root ω double root ω -
    variant alias of this? Hebraic notation of u .
                                                               ­                   .
                                                               ­                      .
     *shurek
) - Θ (Debye notation) - θ (potential temp. in
thermal dynamics) - ι (orbital inclination in celestial mechanics) -
κ (curvature) - Λ (lattice) - λ (decay constant in radioactivity) -
μ (micron, SI prefix, one millionth) - ν (a neutrino) -
ξ (a random variable) - π (too obvious, πr squared) -
ρ (correlation coefficient in statistics) - Σ (summation operator) -
σ (area density) - τ (torque) - φ (the golden ratio, 1.618...) -
ψ (the cat in a box, wave function, quantum mechanics) -
ω (the infinite ordinal);
                                         it's precisely because the Greeks to
encapsulate their phonetic symbols that so much stability
was brought up - look how poverty stricken the Latin variations
are - these are not merely letters, they are actually nouns!
you can recite the whole Greek alphabet a bit like going
to a party and being introduced to people: Jim, Charlie,
George, Rosemarie... obviously there are exceptions for
this observation to be bullet-proof (i.e. μ, ν, ξ, π etc.)
but did the scientists mind not using them? no! they kept to
this interpretation that symbols of sound need to be encapsulated -
held together, stable, each symbol needs to be a balancing act -
an ~equal amount of consonants and vowels need to be
invoked when writing either a or α, b or β, g or γ -
there needs to be an invocation of names to these symbols -
not mere ah be c e ef gee... English for its laziness in omitting
diacritical marks did the unspeakable when digital paper came
about - it turned itself into a quasi encryption tongue,
acronym fuelled and in all honestly - self-conscious of its faults
yet basking in them! but the real genius in encoding signs truly
belongs to the Hebraic school...

you find them so coerced by naked pictures,
that their outer resembles no inner -
you find them bound to an idea that the inner can
somehow compensate - but it can't -
the outer as the inner reveals nothing,
no love, merely a **** - the winged-Hussars die
in Ukrainian fertile land, and with the music,
you can only think of the drudgery of walking
through knee-high mud - you can just picture
the Cossack moustaches wedged behind the ears
like earrings - i too would have eaten my tongue that way
had it been permitted - without permission
i spoke of a stake tartar and my tongue into one -
then the mantra came - kametz, tzeré, chirek, kametz,
tzeré, kametz, kametz, tzeré, tzeré, cholem, kametz, kametz
,
- i will not be treated like some dumb farmer!
      your Yurt empire is fledgling into the sunset!
  and my heart is enshrined into a bitter toil! it will love
as it pleases! not with you saying what there's to love!
tzeré, shurek, kametz, kametz, tzeré, kametz, cholem, tzeré,
chirek, kametz
. what a mantra!
a, e, i, a, e, a, a, e, e, o, a, a, e, u, a, a, e, a, o, e, i, a -
patterns strangre than in a poetic rhyming scheme -
respective incisions into still-life motives of movement -
i.e. if a vowel be my hand, a consonant be a chair i sit on:
kametz of aleph (א), tzeré of bet (ב), chirek of gimel (ג),
kametz of dalet (ד), tzeré of heh (ה), kametz of vav (ו).
kametz of zayin (ז), tzeré of chet (ח), tzeré of tet (ט),
cholem of yod (י), kametz of kaf (ק), kametz of lamed (ל),
tzeré of mem (מ), shurek of nun (נ), kametz of samekh (ס),
kametz of ayin (ע), tzeré of peh (פ), kametz of tzadi (צ),
cholem of kof (ק), tzeré of resh (ר), chirek of shin (ש)... and
finaly the kametz of tav (ת)* - we really like our matchstick
men, don't we? in terms of ancients tongues,
we like our curvatures in modern tongues of Greek
and Latin, don't we?
instilled the names of vowels! kametz (a
                                                 tzeré (e
            chirek (i
                                          cholem (o
                 shurek (u
                                                           pentagon thus far,
    revealed vowels with diacritic interpretation
           kametz, as soured: חָ - tau, vowel as diacritical mark
elsewhere -
                       tzeré - or umlaut below the letter - alternatively:
           וָ qàmetz                   וֵ tzeré
וִ ḥìreq                              וֹ ḥólem                   וּ shùreq
     (c, k, q - make it quick, à, 1st),
                (é - prolong it, to catch a breath, or the first
                      tetragrammaton H),
that's the genius of the encoding though... the omission of
vowels, or vowels as diacritical marks - one shurek (u .
                                                               ­                                   .
                            ­                                                                 ­        .)
among 10 kametz and 7 tzeré - gematria at its purest -
one shurek, 2 chireks and 2 cholems -
a form of encoding deviating from obscure onomatopoeia
and the void and meaninglessness, toward
a sound ushering a word for word, and actions parallel -
but this encapsulation of breath taken and
breath released, as in writing, the speaker does not
suddenly breathe again - but is kept within limit,
a consonant starting point, the zenith of breath or soul
and a return to one body, v A v (e.g.).
but imagines being able to avoid noun insertions -
then Hebrew is very much as modern English -
when modern English ought to utilise diacritical marks
on either vowel or consonant, it does not -
it doesn't have a single sound encoding worthy of a name -
there's no omega, there is only oh -
Hebrews treat their vowels as diacritical marks -
their language is one massive crossword -
how do they even read HBRC? who the hell taught them
when to insert the vowels from following the roots
as stated HBRC toward the tree that's HEBRAIC?
this is ******* bewildering - i don't know how they do it!
what's agonising is their notion that patterns in letters
having numerical values is somehow meaningful,
as if something horrid can be averted - to me 1 + 1 = 2
is enough - i don't need alef / αλεφ / αλεθ (א) + bet / βετ (ב) =
anything but gimel / γιμελ (ג) -
this is the ****-pile of having so many prophets in your society
and not enough philosophers - the Casandra Standard -
Greeks had the philosophers, the Hebrews had their
prophets, both in excess - in the end the cult of prophecy
in Hebraic society turned into a Casandra Standard
borrowed from Greek myth - while Greek philosophers...
i don't actually know what happened to them -
i think most of them became dentists after Aristotle suggested
women had fewer teeth than men.
kerry shepherd Feb 2011
A glimpse of dew at the start of the day.
The sun shining on leaves as they play.
A piece of clay shaped into a loving animal.
The whoosh of sea when entered by a mammal.
A touch of a white flawless face like ivory.
The wearing of fine silk covered in embroidery.
A gleaming,gigantic bridge that meets the skies.
The graceful movement of a bird as it flies.
A sparkle from a clear white gem.
The sleek contours of fast cars preferred by men.
A whiff of newly fresh baked bread.
The scenes of sea,sun and sand in the med.
A cold icy blow from snowy weather.
The rhythm of musical instruments when they work together.
A sleepy eyed glance from your latest lover.
The soft warm,comforting embraces from your mother.
To encapsulate these within in a lotion,
Would surely be the best selling beauty potion.
We would have to put into a special box
Then let everyone have just one drop.
copyright kez
Liz McLaughlin May 2013
I watch in a daze as he wets his lips
whets his lips on stones.
ones that pin me down
and cause sinking feelings in my gut.
--those acrid acrylic licks
painting stains on skin
immune to detergent

‘cause I’m threadbare
and he works his way through
the lesions in my sweaters
and he knows I like to wear things out
shabby little happenings
inside a purple room
that he burst into like a lightning bolt
“Heartthrob” on a Honda 75 CB

and I’m not naive enough for love, no
sir, check that coat at the door
but there’s some supreme
cinematic fascination
inherent in his walk and talk

and I want to encapsulate what he is
and forget what he is not.
Nat Lipstadt Sep 2013
It         is in, the how,
not the why, the where,
or, the when,
no, no, it

Is         the how,
that provisions and provides
all the answers
that any lover needs, for

In         the how, one revels,
but also,                      
unbeknownst, unwillingly, reveals
what one's heart wishes to secret, and conceals
and with

The       single stroke
of a single finger,
lightly across thy cheek,
raising sky colors upon
thy skin's patina and,

How    commences the matina,
with petals of white cloud roses,
blushing anew in your cheeks,
loveliest of failed cover ups,
laughing, I airbrush your
almost, invisible tears away,
residue of melodramas of troubled sleep,
stilled and stolen, mine,
to pacify, keep,
tranquilized in my breast

It,        Is In, The How,
What,  You Are Thinking.

What   vincible arrogance
humans possess when we pray,
we hope, knowing that we are infidels,
hoping to mislead
the eyes that glance upon us

You     give up the shadows painted for me when
filtered beams, rays of
a, and of...kind,
lance shield of densest lead,
lain upon the chest to cloak
the tremors of volcanic hearts,
the eyes of hurricane thoughts,
containers of need that

Are     so full of oh so
many questions, yet,
singularly resolved,
with the answer of
a single stroke,
of a single finger,
lightly across thy cheek,
knowingly full well you are

Thinking  there is no exit,
no right of way to negate
the sum of what we let to ail us,
O disbeliever, how simple be,
for all, all of

It,        Is In, The How,
What,  You Are Thinking,

I soften and modulate,
your conflicted complexion,
with the answer of
a single stroke,
of a single finger,
lightly across thy cheek,
all that is mine,
to encapsulate,
recharge, refill thy vessel
with Bocelli tones of
passioned, gloried harmony

Worry not if my eyesight dims,
be unconcerned if
my hearing, my voices
wearies and weakens,
for all the answers
we shall ever need
remain, contained in  
a single stroke,
of a single finger,
lightly across thy cheek,
and
this is how I know now,
and forever more,
what you are thinking

As long as skin is the coverlet
o'er the bell jar of mind n' heart,
as long oxygen defies gravity,
I will know how,
unveil, open secret chambers,
now and forever more,
what you are thinking
I wrote this ages ago. Don't remember it writing it. Don't think I could write like this anymore. Do with it what you will. This I know, everyday I stroke her cheek with a single finger, still, and it never fails to make her smile. True.
P Pax Oct 2012
I unfurled it, uncurled its edges,
like the first time a boy
who is the first time a man
shakes, and takes, to break open,
with the trepidation of martyrs
the word of God.
And he on ceremony says:

"PASSED BY THE LEGISLATURE
AND ORDERED REFERRED BY PETITION
REFERENDUM MEASURE NO. 74
...concerning marriage...
...allow same-*** couples...
...to marry..."
Voter:
"Approved...
...Rejected"

But all the words were wrong.
Like so many other scriptures,
the words did not encapsulate,
not yet begun to navigate
or in legal language validate
my quintessential being of
a fascinating, adulating, activating
Love.
Axiana Feb 2015
Encapsulate my soul in your whispered secrets
Revitalize the light within my greatest weakness
I come to you when my heart unleashes
Every distant memory in it's own uniqueness

Quench my thirst for balance and solace
As you hold me in your arms, I value your focus
On loving me no matter how long these moments
Last as I cry out to the cosmos...
"I am not hopeless!"

He tells me the truth I knew in my heart
Reminds me of the times I was lost in my art
Now I realize the chaos was my way to restart
The beautiful tapestry, touching every last part
Of the Goddess within this orbiting star chart

I am the wanderer, happy to be forever lost
I am the conqueror of all I had once forgot
To live by my side really is not
All you thought it would be, but you sought
Me in your web of true love so I stay
Away from the pain of each last yesterday
I allow you to come to me in any way
Consume all the love I had hidden away
From anyone, including myself, and in vain

But now it is time to awaken, to shine through
All of these memories, and find my balance with you
I am ready, I am waiting, I am hoping, I am savoring
Each precious moment, ones I know will continue
I am eager, I am tasting, I am a universe always radiating
One love that will always be hopefully
Endlessly
Unwavering
Daniella Mar 2017
To be quite honest, finding the right words to encapsulate my thoughts about you is intimidating. But you take my mind higher than the clouds and shine brighter than any star could try to achieve.

So it's more than worth it.

---
In this world where chaos and stress are the norms, having this source of happiness means absolutely everything.

You are my everything.

Those brown eyes holding me tender as we dance through these days in laughter and love. God, I can rest easy in your arms forever. Slowly but surely, seeds of you have been planted in me, and my garden grows with love blooming from my veins and your words becoming my roots. Through the weeds your smile manages to light up the sky with more colors than any sunset painted. You've sent me flying over those bright nights, over the moon and beyond, leaving me with no intention of coming back down. You've left me awestruck and numb in the most beautiful way possible, and never cease to leave me staring at the sun wondering how life managed to align the stars as perfectly as it did.

Still at a loss of words, with a whole lot of love to give, my heart is full and I'll continue to pour out my appreciation.

Thank you, with all my love.
To my everything; I love you. You mean more than the world to me.
Samantha Page Sep 2013
Burning bright strands of hair
encapsulate my memory.
Fair complexion,
and concrete eyes.
Shifting-
encompassing my pain
At a loss of knowing
no options.
Initial failure
heartbreaking and condemning.
Liberated,
but you don't know.
I am searching
but there is no trail of breadcrumbs.
I am chasing the shadow of a ghost.
So unobtainable.
I cannot give up!
My dreams never looked so bright
as what I am living now.
Yet here I am.
Where are you?
Do you even know
that you changed,
that you saved,
my life?
Cheryl Mukherji Dec 2014
1:35 AM.** I sit by the window and listen to the raindrops sounding like the ring of calls I make to you around the same time, each day to ask you about how your day was. You subtly mention about the times when you thought about me and how it makes you smile: you picture me laughing with the children you befriended on the subway, the wind flowing through my hair, and my eyes getting narrowed as I stare at the sun.

1:36 AM. The patter of the raindrops against the fragile glass picks up speed and I lose touch of the tune I created in my mind with the rhythm as I get distracted. I recount the days when we skip topics like children skip ropes, trying to oblige all days’ craving for each other in three words, lost breathes and skipped heartbeats, when we finally meet.

1:37 AM. I try to pull close the windows to keep the shrivelled leaves that were blown off trees by the rising storm away. In the process, I chip off my nail but my fingers are too numb with cold to hurt. I can still feel your fingers run down my nape, circle on my back and tap on my waist while all I do is quiver, wiggle my toes and complain about how cold your hands are.

1:38 AM. The sky is getting clear but there still is haze and unsettled mist in the air that surrounds me. Some nights, you pull your blanket over our heads and try to encapsulate our world into the warmth beneath it. You have convinced me that we are storms trapped inside lifeless bodies as we lie very still but our breaths chase our heartbeats.
Shane Hunt Sep 2012
I erased your voice-mail today--
     the only remaining evidence
     that we ever loved each other.

     Notes I could part with--
       penmanship doesn't encapsulate you.

       E-mails jettison into cyberspace
         without fanfare.

         Pictures were trashed
             before you left the parking lot.

Flames of rage
         consume indiscriminately.
     Like a bruise,
         black will fade to blue
     until it looks worse than it feels.



       Strangely,
       the voice-mail gave me pause.



Your voice exited that ear-piece
     like a sucker-punch to a glass jaw.

             It took me twenty minutes to punch 7
                 and put the defibrillating pads to my amnesia.


Whoever coined the phrase
     easy as the push of a button
never used one to erase the only
                 "I love you"
      that ever sounded genuine.
Mateuš Conrad May 2016
i love my life, i can describe it, ok, ok
encapsulate it in one word...

                          FREE-FALL

or                 ­   BUNGEE!

                              (see what i mean
about not using diacritical insignia,
bungee v. bunji     - ji      like genie, oh ****
i.e.                  oh gee...       jive in 5...
             steps...                   is this
               a taste of alkali metals dipped into water?!
it better be! never seen a rust instrument in
an orchestra - seen a brass, but never a rust instrument.
Bowie's Jeans Genie - glue, jaded and jotted down
gluttonous - but oh gee and j, glee and Cabaret (or
Caba ray, hey, w'ah hey! Cabaré! olé! sound-eater
octopus that é is... say e, go on, say it!)
now we're talking perfectó muddles and ukuleles
(ó meaning shoved away, salute, missing H...
not a parabola this time... i.e. per-fect-oh!
the little scalpel hovering over the circle
is intended as an exclamation mark...
you're going to have to shout it!
including the silent H... the day when
diacritical marks are given equal status with
punctuation marks - the word as sentence in equality
given its punctuated status of acknowledged syllables,
diacritical marks, slits, cutting ins,
and when that day comes, i will not be here;
so when will umlaut become a colon (:),
and macron a hyphen (-)?
it's called painting on a blank canvas for the time being:
working on the skeleton, fashion, addressing
the lack of tailored attire.
Raquel Butler Sep 2016
Unbeknownst to me,
I was conditioned with unease.
Unbeknownst to me,
the lies could encapsulate everything.
Unbeknownst to me,
the unrest would result in unease.
Unbeknownst to me,
this caused me to expect the worst in the best of things.
Im flipping through my old creative writing journal searching for stuff to finish and I found this gem, written on 2/16/16. I tweaked it a bit :-)
Mateuš Conrad Oct 2016
or that worth of gimp, the hotted sauced out
cradle of predatory amusement              banked on,
                        i have the notes,
mind you, you're clearly laden
with khaki material,
to mind the blackshirts of the SS,
a Vandal epiphany -
                 less khaki juice
and more blackcurrants -
                  or so the motto stands,
asserting brief and all that thought
of tomorrow.
                   all i'll add with this
vague blunt alcohol ridden self?
the vampirism of the abandoned trill
of the R...
                   that's the Vlad-blatant
abandonment of the trilling of the R -
and the competent disregard for
linguistic laws...
                 until tomorrow,
until i find my sobering-up manicure
and in rewrite the notes i've made
when inspired...
                      and i have made them...
it's all about me being nicknamed
a Viking for my tolerance to drink
you under the table, and dabble with nods,
or the blatant hiding of the tetragrammaton
with ghee (said gee) and otherwise,
                  (Indian butter) -
or dhal - or quiet simply daal / dāl:
against the aesthetics, ouch.
     again in French: je t'aime: ř - adding zero
hour to the said: sharpening the shrapnel -
                       jaded temp. / jay temp. /
                  j-j ****** or the rue flu.
oh it's there, in the notes,
as i benign the thought: unfit today,
payday tomorrow.
wait... i might have a sober moment tonight...
         encapsulate that with a question
about Iran, and a quasi-stop in conversation...
        or counting the strokes in a handwritten
variation:
              Yen ( ¥‎) = 4
                      pound (£) = 2
    matchsticks...
                             elsewhere also matchsticks:
º (red)
                = R E D (3, 4, 2) matchsticks,
                 º (
writing is termed another variant of arithmetic,
the total is 7, for one ideogram) -
             the sigma for red
   is 9, but divided by three means
        the European model falls 4 short
of optical indigestion.
     ř (caron) - caron of the missing z -
         not the variant of caron s and c with z:
czekam (i'm waiting), or szukam (i'm looking),
English has this pronoun priority
                   to be included in every phrase,
or what provides the British Empire fabric:
            how a-  (indefinite)
     and the-    (definite) articulation secures
pronouns with excess modifications
  as already apparent conjunction modifications
worthy of exegesis into the exotic / excess.
there are 7 pages worth of notes,
   but i have three quarters worth of whiskey to
drink... give me an Andy Warhol moment
suggesting: in the future, people
will have only 15 minutes worth of rechargeable
         infrastructure; hence the pending /
ongoing / will return to in a minute.
reintroducing the trilled R vogue:
    is a bit like incubating a vampiric
in English,
                    rzekomo (apparently so)
       řekomo -
                         variant of: as already stratified.
               still, the trilling of the R
is so out of fashion in English it's necessarily
a vampirism qualm -
                   never nearer the French hark
when the R summarises a rolling effect -
      by imperial standards charred.
howe then to resemble a trill?
           r̭ ?
                   or wave akin to wavering
                       (ñ) that's necessary above an r?
i need the trill represented!
    for thrill a better word -
                  or 0 and the minded gambit.
as said caron the missing H...
       twins in
                 Y or three-dimensional space,
and W
              of trigonometric absorption...
waves hunny, waves...
                          and three dimensional space
and rabbis... honey cluedo pooh bear...
i still need to find the trilled r!
**** me, the trilled r! virgulilla:
or thus said, a patent otherwise.
        yet again a ******* Yeti,
    counting matchsticks in Japan
   rather than in Iowa...
             cos it really ******* mattered
given the knots -
       and other reminders...
         yen, or Jenny,
      v. p o u n d
            (2 1 2 2 2);
          ś (acute) half-missing caron
      inc. grave v. š (caron)
             or the Sean Connery effect -
e.g. środa (wednesday) or škodaª
             (insert a H or a Z)
           for pronunciation
                        of the Czech car manufacturer,
already the Tetragrammaton descends:
   ªwhat a shame, it's such a shame.
       Mishter Bondè:
                                tequila sunrise?
ney - ney shaken nor shackled to a shtir (
šush it, and wise up, mš. moneypenny).
    just say Sharon and write Šaron:
dimples!
                         or how to paint a Kabbalistic
anatomy of the mouth to slow variation
between ś (acute) / no consonants will ever
acquire a gràve - necessary: the e isn't said
accenting / syllable scalpelling cutting up...
but still the coran s (š - to mention
ch in cheap, and šiš kebabs too).
variation of cutting up the caron into
acute and grave?
      ś: the tongue is primarily squeezed by the psyche /
breath and the mouth rekindles eating a lemon
tightening it's juiced up and juices the tongue
to sting with missing saliva -
š? primarily a serpent's hush -
  the mouth hollows out -
         the breath enters a so does a pufferfish:
antics of hollowed out mouth follow suite,
the diamond or double L

       bone                                    soul
               L muscle                            L teeth
  tendon                               tongue

synonyms and Γ apart -
                                 of the LL, or ΓL
                    or LΓ or ΓΓ.
                      the diamond diadem -
assertion of bone: whether caprais or
   cousin in the mandible family...
    is a tongue a muscle?
            still the Kabbalistic anatomy dynamic...
  the kinned appearance of H or the
variant of bone...
     or?
              a-
                     (+)
                              -theism,
it doesn't mean that God doesn't exist,
it just means that God has no logical attachment
to man's sprechen,
            the omni- can be rightfully disregarded
in that rubric consolidated within
categorisation of: lazy...
      a- (i.e. without)  
                            theology,
              ­       or our abhorrent freedoms of will,
nurtured by a universal lack:
       atheism contemplates talk of god
without a contradictory circumstance of the
human endeavour to find itself a *******
     lacklustre of comparative Raphaelite
                 illustration...
                           always the favourite,
aren't they, the crucified ones, rather than
those enthroned? aren't they? so why are the
Japanese asking about their ****** culture?
over-sexualised west?
let's ask Yokote,
   let's ask Takeshi,
let's ask Masahiro,
             sure... you can ask me:
  i prefered prostitutes because i actually
knew i was using my phallus rather than representing
a ******* identity of some egocentrism
regarding the skyscraper -
                     and the last girlfriend i had?
i wouldn't wish her to be a companion of
any kind of a Mongolian invader as part
of a horde... i had an argument with her
and was so unhappy i actually wished i was dead...
          jerking off never seemed so holy
as when encountering this woman who
stood by the motto: life is ****...
           but i guess money does that to you.
**** me! i never expected to be so Japanese in
my outlook;
tragic, i know, but what can you do,
    you unlock the floodgates of feminism
and you think that lions will start to provide for
the household? then you aren't lionesses; obviously;
or reluctantly so:
           i find the 21st century is withstanding
  any kind of revision, given the 20th century's
revisions aren't working
        for any worthy necessitation of reciprocated
stipend.
Wack Tastic Nov 2014
These are our times,
Each of us in our cyber shells,
Stagnantly appealed to atrophy,
Sailing in search of the long
                Lost spirit,
That one gleam in our existence,
That esteemed ambrosia,
Callused palms,
          Achin’ back
Stars shooting themselves,
Through our wings.

We can dance on moonlight,
We can sing right to the earth,
We can move atop,
          Saunter into the horizon
Yet we safely sit nestled,
Afraid of our neighbors,
A new paranoia,
McCarthyism eat your heart out,
          They’ll ban freedom,
          They’ll root us out,
If only we could come together,
I fear,
That no one is left,
To live as,
The fearless had.
That the once,
Benevolent virtue,
Of being human,
In all that horrid splendor,
Has washed away,
The spirit left on the shore,
Waving.

I haven’t seen anything,
Like the Ol’ Seraphim saw,
Or the Ol’ Duluoz saw,
O has it all been lost,
Somehow the latency has produced,
A grand homogenized pile of ****.
With everyone afraid of the shadow,
Imagined,
Looming overhead,
Heating the backs,
Tearing at the truth at heart,
The sight unbearable,
People try to be people.

The impact of what had happened,
Now riding the rails,
Still on the course,
This wild horse will take,

Things will always change,
There are truisms to be had,
Dissolved into the land,
I hope for a band to come out,

A real group,
A bunch of people all there,
Out there,
In here,
Over there,
Everywhere,
That can think,
Feel,
See,
Be seen,
Communicate,
Chanting,
Silently,
Beheaded,
Buddha-fied,
Chr­istly,
Godliness,
They are bare,
Naked,
Covered in the filth,
Of pure humanity,
Celebrating breath,
Creating something,
It wouldn’t all have to make sense,
Some of it may be hard to follow,
--misinterpreted—
Partitioned as pure nonsense,
The lama lama ding blah blah,
Could come off as that fevored,
Sought after rhythms,
Straight ahead to the main destiny,
That inevitable fortitude,
Caught in the clouds,
Foretold by the unseen Unknown,
Chaos imbedded in our skin,
Slinking off,
Erupting into the cosmos,
Connecting our bemused souls,
Like the rain toppling down the mountain,
No picture can encapsulate
This mosaic of mankind,
But this is our time,
Right here and now,
While the whole thing is still moving,
Almost tripping over its own feet,
As it has always done,
The sigh of relief when,
In the blindest revelation,
In the darkest caves of ignorance,
In the coursing waters,
In the towering worlds here,
Even the truest of falsehoods,
Makes the whole thing called life,
Worth a ****.























Drawing in Dawn:

The sight of it,
The sun,
Being birthed,
From the womb,
Of the Horizon.

I draw a breath,
As I watch,
Reminiscent of,
The Moon,
Entangled in,
The eternal,
Nightly web.

The forces,
The push and pull,
Waves in,
Counter balance,
Like the,
Drawing in of,
Embrace,
The pull of,
Ever drawing time.























The dusty rag tumbled down the mountain,
Only to be shunned by everyone,
Destitute in absolute desolation,
Roaming as it had always done.

Then it came to rest beside the grove,
In an inlet that rang with melodious wonder,
It became awashed by the world’s beauty,
Lost in the splendor of it all.

Time passed faster as the grace seeped in,
The pores of its flesh inflated, elated,
The flash of fiery thunder roared,
The sand fell onto its back, and dust returned.

Time had come to move on and break aloof,
From the fortitude and pleasure allotted,
For the call of the wind was too great,
To ignore for any longer.

— The End —