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"embryos" poems
Poetry is sometimes easy like the wind rushing to where there is not much wind, caressing in waves, invisible and pliant like the air, as effortless as breathing it. Poetry is sometimes impossible, like turning the tumbler of a lock with your fingertip, like climbing a mountain barefoot in a blizzard of screaming, sliding sleet, like a tearing cry that dies into a whimper in your throat as you realize the futility of that which you do, the implacability of the beast you fight. Sometimes, there are no words that can describe the machinations and the subtle ticking of a clock that beats in time to the human soul. Not hearing the rhythm, you forget the music until your heart sings again and you dance free like a young ballerina cutting ballet. No poem is a picture that captures the fluttering, soaring and sinking in the heart’s chambers. You choose a word that fits, discard ten of its brothers, yet feel surprise when your sentences have no answers for the questions in your chest. You mourn every phrase you have lost as you fell asleep. Knowing not what you forgot, you move on to new questions. You cannot miss what you’ve never felt, but you can yearn for something you’ve forgotten. What is the difference to you if you cannot remember the difference? The embryos of the heart and mind are fragile. Your heart sings of a country it cannot see anymore now that your back is turned, you cast fishing nets behind you into the past blindly. You remember that you have forgotten, and you forget what bears remembering. You remember a day long past not as the day that passed but as the memory of its passing, yet feel surprise when years later and many forgettings hence, it happened to someone else altogether.
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Jan 15, 2014
Jan 15, 2014 at 6:59 AM UTC
Sehnsucht
Poetry is sometimes easy like the wind rushing to where there is not much wind, caressing in waves, invisible and pliant like the air, as effortless as breathing it. Poetry is sometimes impossible, like turning the tumbler of a lock with your fingertip, like climbing a mountain barefoot in a blizzard of screaming, sliding sleet, like a tearing cry that dies into a whimper in your throat as you realize the futility of that which you do, the implacability of the beast you fight. Sometimes, there are no words that can describe the machinations and the subtle ticking of a clock that beats in time to the human soul. Not hearing the rhythm, you forget the music until your heart sings again and you dance free like a young ballerina cutting ballet. No poem is a picture that captures the fluttering, soaring and sinking in the heart’s chambers. You choose a word that fits, discard ten of its brothers, yet feel surprise when your sentences have no answers for the questions in your chest. You mourn every phrase you have lost as you fell asleep. Knowing not what you forgot, you move on to new questions. You cannot miss what you’ve never felt, but you can yearn for something you’ve forgotten. What is the difference to you if you cannot remember the difference? The embryos of the heart and mind are fragile. Your heart sings of a country it cannot see anymore now that your back is turned, you cast fishing nets behind you into the past blindly. You remember that you have forgotten, and you forget what bears remembering. You remember a day long past not as the day that passed but as the memory of its passing, yet feel surprise when years later and many forgettings hence, it happened to someone else altogether.
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33
What came first the chicken or the egg eggs bro, just ******* eggs what comes out between a chickens legs eggs bro, just ******* eggs Eggs in ovaries eggs in the ground eggs in the open ocean laid with no sound Eggs at Easter no embryos inside just a little present may within reside So what came first the chicken or the egg well come on it has to be the egg By Christos Andreas Kourtis aka NeonSolaris
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Nov 18, 2013
Nov 18, 2013 at 10:35 AM UTC
Eggs
*Freezing cold, a  strange night of rain and thunder, it got registred deep in his consciousness, as a squiggling liquid presence; an abstract painting, taken in, with layers of meaning, a deluge, the result of injustices heaped against the female principle. The rain lashed out, in the flashes of lightning in between, through the window sills when the curtains where swept aside by a subversive wind, painful face of a frightened girl was visible, at the window of a highrise building, shameful secrets kept concealed peeped out yelling out "HELP"in the shocking words of silence. That night was difficult for an exile from life like him to endure, subconscious echoed terror filled cries; sewer water flowed, towards oblivion, carrying embryos, not fully formed from terminated pregnancies, he heared tree toads speaking in strange tongues, like jilted women seeking vengeance, coyotes hunting in packs with blood thirst howled in delight. In his nightmare, blood dripped from wet trees, "who will rescue our bloodied orphaned planet?" his heart with a collective guilt , beyond words wailed. From denuded mountain slopes, muddy red water copiously gushed  downhill, nature's menstrual flow out of cycle, devastated hillsides cleaving gashes, like scorned woman's fury baring long sharp  fangs- landslides opened gaping wounds. Liquid's rule took over the space of night, lying awake on his bed, he became conscious of the burden of women, who moved around with invisible bridles pretending free, nervously smiling. Swimming in the amniotic fluid of the past he is forced to recount the past sins, nature and women have endured and ask for forgiveness seeking salvation.*
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Nov 21, 2013
Nov 21, 2013 at 2:46 PM UTC
Sin and salvation
*Freezing cold, a  strange night of rain and thunder, it got registred deep in his consciousness, as a squiggling liquid presence; an abstract painting, taken in, with layers of meaning, a deluge, the result of injustices heaped against the female principle. The rain lashed out, in the flashes of lightning in between, through the window sills when the curtains where swept aside by a subversive wind, painful face of a frightened girl was visible, at the window of a highrise building, shameful secrets kept concealed peeped out yelling out "HELP"in the shocking words of silence. That night was difficult for an exile from life like him to endure, subconscious echoed terror filled cries; sewer water flowed, towards oblivion, carrying embryos, not fully formed from terminated pregnancies, he heared tree toads speaking in strange tongues, like jilted women seeking vengeance, coyotes hunting in packs with blood thirst howled in delight. In his nightmare, blood dripped from wet trees, "who will rescue our bloodied orphaned planet?" his heart with a collective guilt , beyond words wailed. From denuded mountain slopes, muddy red water copiously gushed  downhill, nature's menstrual flow out of cycle, devastated hillsides cleaving gashes, like scorned woman's fury baring long sharp  fangs- landslides opened gaping wounds. Liquid's rule took over the space of night, lying awake on his bed, he became conscious of the burden of women, who moved around with invisible bridles pretending free, nervously smiling. Swimming in the amniotic fluid of the past he is forced to recount the past sins, nature and women have endured and ask for forgiveness seeking salvation.*
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37
embryos abandoned by narrow-minded chauvinists became creations that were left to the vagaries of women hallowed feminists with their Ankara bags perfumed head-ties with glittering beads the sounds of their colliding bangles filled the space they had no invitation to the platform but their ways had won a people’s heart protectors of knowledge intellectual midwives the people of the Village of Faces salute you!
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Feb 21, 2015
Feb 21, 2015 at 2:48 PM UTC
WOMAN-made
You mixed two packets of melancholia into your coffee today, and I had to bite my tongue to resist to say, "I thought you liked it black." I watched as you daintily taste-tested it from your spoon and was delighted upon seeing your grimace of disapproval (you're adorable when mad). I took note of how your veins pulsed underneath your deeply tanned skin and I longed to be the blood that traveled through your delicate body. If only I could map out your cardiovascular system and find all the detours and shortcuts to your fragile heart, memorize the freeway that encircled your figure and learn when to avoid rush hour or when to take the fast lane. I found myself fantasizing about the day you were conceived and how you beat out all the other potential embryos - that maybe, you were chosen out of the thousands for the sole purpose of being with me.
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Jul 22, 2013
Jul 22, 2013 at 2:57 AM UTC
i'll take my coffee with melancholia, please
On this day, paper planes white ribs mellow dramatic fowl. get lost or get going get treading or get drowning drift on this day, this comatose wind of graceful banality, get crying or get laughing get saving or get burning this is the liar's limbo, the obscene outrage the thoughtless minds the voiceless tongues the love without limbs sobbing over some jerk's Hollywood half-assed production of that idiotic sequel to some vague kiss, this is the masturbatorial let down of your little brother that safe *** ***** of half aborted embryos good god kid get lying or get dignified lick your elbow or lick your ****** On this day, children breathe adult bodies, naked limbs running just to wade in the sea with the fearlessness
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Aug 14, 2012
Aug 14, 2012 at 12:22 AM UTC
On This Day
Do not abort words from love's womb; she will choke herself because she could not be a mother. Stitch lips together. Let silence, nothing, be purity. Words end. They are hot and furious, oozing sores relishing in their own blood. Organisms, dull black embryos, eyeless until roiled on red tongues; spluttered, screamed, snaked out into being. They heal themselves to death by the hemlock of Time. Dying is a definite thing - words are not immortal, not greater than us. Not love. Autopsies reveal varied, unwanted truths: either heart splintered too swiftly or poison turned flesh to gore, cell by cell. Do not abort words from love's womb; you are wrapping the umbilical cord around your own neck.
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Sep 4, 2015
Sep 4, 2015 at 5:41 AM UTC
Gore
Amidst created worries, troubles and troubles, as if I were falling into a gaping abyss, half-balancing on the edge of animals, hyena-scavengers, like a shaky-legged, slightly hesitant, underestimated tightrope walker, - I can deliberately hold on or not in the draft of depravity. In the purgatory of an endless rail, as if I were one of those Bosch could have painted in his lifetime; a gathering of hell-shaped soul-shadow visions ready to rage. It would be nice to hide back at least sometimes in some strange, sprawling Hawaiian wilderness, where crystal-clear, raw-visceral emotions can also manifest themselves more emphatically, more faithfully to themselves. A middle-aged rose withers and withers in the filth of big cities, because there was no one left to console her instead of her selfish strawman-peddler husband; because even hook-nosed prophets fall for whales, after devouring even the smallest tadpole embryos. Forever chained as mere passengers in spiral circles, because that is how people are now, intentionally tied to the work methods of unbearable, unfulfillable working hours, petty-gallant deadlines. Because now it seems that washerwomen and hostess models are once again selling their commodity love for tinkling silver coins, until another incomprehensible, twisted property division lawsuit comes; "Daddy and Mommy really love you children! You just know that Mommy and Daddy can't stand each other anymore!" They would rather drown each other in a spoonful of water, if they could do that!" - Thus, the slow, conscious disillusionment can still remain. Among the calculated, manipulative genres of attempts and cheap escapes, there is certainly no one left who would actually understand their job and act as their heart commands?! - A casual party queen or a diva imitating luxury is handing out slaps with stamps stuck on guest masks.
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Sep 12, 2025
Sep 12, 2025 at 12:40 AM UTC
PURGATORY OF ENDLESS DEPTHS
Amidst created worries, troubles and troubles, as if I were falling into a gaping abyss, half-balancing on the edge of animals, hyena-scavengers, like a shaky-legged, slightly hesitant, underestimated tightrope walker, - I can deliberately hold on or not in the draft of depravity. In the purgatory of an endless rail, as if I were one of those Bosch could have painted in his lifetime; a gathering of hell-shaped soul-shadow visions ready to rage. It would be nice to hide back at least sometimes in some strange, sprawling Hawaiian wilderness, where crystal-clear, raw-visceral emotions can also manifest themselves more emphatically, more faithfully to themselves. A middle-aged rose withers and withers in the filth of big cities, because there was no one left to console her instead of her selfish strawman-peddler husband; because even hook-nosed prophets fall for whales, after devouring even the smallest tadpole embryos. Forever chained as mere passengers in spiral circles, because that is how people are now, intentionally tied to the work methods of unbearable, unfulfillable working hours, petty-gallant deadlines. Because now it seems that washerwomen and hostess models are once again selling their commodity love for tinkling silver coins, until another incomprehensible, twisted property division lawsuit comes; "Daddy and Mommy really love you children! You just know that Mommy and Daddy can't stand each other anymore!" They would rather drown each other in a spoonful of water, if they could do that!" - Thus, the slow, conscious disillusionment can still remain. Among the calculated, manipulative genres of attempts and cheap escapes, there is certainly no one left who would actually understand their job and act as their heart commands?! - A casual party queen or a diva imitating luxury is handing out slaps with stamps stuck on guest masks.
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4
Oh yes, but this song is for empathy. For the grasses' leaves' greens being yellowed. For when winter   says, "Hello": A song as this might add to its start with an opening chord or two. Oh (yes), but this song is for me: Hello. A greeting is an affirmation of one thinking thing to another. I greet stones. Tie them to my feet when I jump into my own blood. Drown for a bit. Wait for a response. The stones don't say anything. Flowers do sometimes, inspiring a heart to do a little lilt within itself. So much to speak of about flowers: Thick yellow grasses swirling around like the sounds swirling within a severed ear. That's a good painting. But that painting is yellow. Blood is red. Water is blue, or the sky is blue, or our minds make them blue, so where should I jump? Upwards towards the birds or downwards towards the fish? If human embryos look like fish then wombs might be oceans, but amnion fluid is yellow: Like sunflowers. Was Van Gogh a yellow man if he had a gun? And am I blue because words sometimes sing?
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Dec 28, 2018
Dec 28, 2018 at 11:18 AM UTC
A Blue Song.
Darkness made clearer By the accretion disk of a collapsed star Gravity is a force that binds us now: Defining how strong we are In our weakness we could not resist Compelled towards a rift in the sky distorting reality A monstrosity not even light can escape The irony being that we can assuredly See our fate Time slowed down as we neared it soon it simply froze We sailed past the event horizon -onward toward a secret that through fear: not even time is willing to expose The nose of our vessel ripped apart Ejecting us from the safety of our ship, "The Noah's ark" Unable to atone for the embryos aboard we had lost we drifted alone, Together, in the dark rushing head first towards the heart of oblivion The mission escaped from our mind as tidal forces began spaghettifying our skin This wasn't the first time A few seconds felt like They would never end Our destiny swallowed by a black hole in outer space Consuming our only hope to restart the human race Yet in this place I feel peace we are shown a secret that no man should ever see Right before I desist Collapsing Into that eternal nascent sleep Something from beyond the singularity, speaks... I close my eyes.                    "Such sweet release."
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Oct 31, 2022
Oct 31, 2022 at 6:45 PM UTC
The singularity speaks.
I don’t care about Religion! Or Antibiotics! Terror! Embryos! Poetry! None of it! I don’t care about the Chinese! The Americans! Christians! Jews! Muslims! Any Nation or Nationality! I don’t care about you! Or your feelings! Any other human! Inclusive myself! I don’t care about freedom or dictatorships. I don’t care about war or peace. I don’t care about the pollution. The ozone layer. The Panda Bear or any other endangered species. I don’t care about what you are thinking. Or for that matter what you say. I don’t care about stupidity or intelligence. F… arseholes. Clever thinking. I don’t care about ethics deals or moral principles. Mass ****** Genocide. Wrong or rights. I don’t care about the good life or the bad life. Blind black homeless or shabby white trash. Don’t care if you can read between the lines or not. Don’t care if you care or not. I just don’t care! It's all so insignificant to the whole ******* Universe!
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Aug 7, 2014
Aug 7, 2014 at 8:17 AM UTC
******* Universe!
Does creativity spring[?] boundless from the well of the abyss, so we can sing. When you crawl up out of that well and up my ankles up my jeans up over knee hills through thigh valleys. Reach a finger tentatively approaching my hidden alley, a dark moonlit crater you're encroaching. My Annabelle. My Annabelle Lee. Hate me later, love me now, then take your leave. Perpetually pantheistic endless cycles keeping man in a vast panorama of meaningless[?] accomplishments. Is this it? We are embryos patiently awaiting our birth. We are gods, each awaiting our flock of faithful followers. We are embryos awaiting birth.
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Oct 29, 2015
Oct 29, 2015 at 12:25 AM UTC
Falling[?] for Pantheism
Upon blond stripes Lie silken hooves With ripe and gutted cherubs Upon blond stripes Rinse molten flecks The Satan shakes of corporate vest The cubic keys beneath beaten fingers and Stinging needles in women painted Upon blond stripes Curls burning bible Crestfallen to dust against a glistening tongue Upon blond stripes Belched mountain laughter Shattered across Surgical steel Upon blond stripes Children slept with sagging disaster and heaved Trashcan embryos In giggling rage While Under blond stripes The lids close sewn Deaf to the death of unbroken bones
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Jan 3, 2017
Jan 3, 2017 at 6:42 PM UTC
Upon Blond Stripes
Mothers, Husbands, Cuckolds, Embryos, This one is for you. --- If you love someone And this someone and yourself Takes vows to be sincere Under the eyes of God Doubt is already here. The more passion you show You should know but haven't a clue Back down on earth She doesn't like you. --- As time slips by The more you realise There is no feeling in her eyes Which don't like watching what you do She doesn't like you. --- Without a notion Of what is causing this lack Of emotion It isn't the way you are or even who- It is just That She doesn't like you. --- However romantic men can be With concern and care - The more you can guarantee Altho I haven't discovered anything new- It is the same accumulative history She doesn't like you.
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Apr 24, 2014
Apr 24, 2014 at 3:13 PM UTC
APPLIED HUMILIATION
there are soft little pieces of forever shoved into the corners of your teeth on the granite slabs of mountainous look-outs, you sharpen long walking sticks from boughs of fragrant juniper. and forget to pass the small berries to the birds that like them its been a long time wicking out the passion from moments that will out live us. and trying to understand the fine pulverized sand in the fissures: spreading out like veins across boulders that support the weight. our bodies- carefully outlining the places where silent embryos come apart, dragging the backs of our fingernails across the green-grey stone with open palms to catch the stardust we think tumbles out of the ether- casting off all of my anger.  as i watch the tiny flecks of destiny caught in the tips of your eyelashes as they close- and the greatest tragedy of all, as the blue becomes blue. this (and only this)- no one to share the view
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Oct 8, 2012
Oct 8, 2012 at 12:47 PM UTC
blue blue atmosphere
My high school ethics class taught me so much For example, the fact it is completely fictional Reminds me that I shouldn’t care About the world we inhabit or our gaseous air Why worry that we’re ****** every single resource? Why worry about dying breeds of animals or melting polar caps? Should we bother helping honey bees, or consider our affect on bats? Would it be ok to take a person’s land then tell them what to grow? When we took the land from natives, was it generous to tell them where to go? Have you wondered why people living even now think it is ok to **** like Pol? Or why some think we’re better off to be completely baffled by the genome? When do embryos become humans, and what does that mean? Is it ok to grind up cows in machines, or change their names to “Beef”? Should we ignore terrorists sincere qualms? Or refute their “strife” with nuclear bombs? Are we making the planet a more peaceful place? What a success my education has been! Apparently school district officials were just challenging me Because I would have found a purpose If I knew there were so many chances for improvement And I guess I should be thankful That my dawdled years were not interrupted by concern That one philosophy teacher might create Because the way of life they placate May just be in jeopardy The day we learn that ignorance is greed
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Jul 10, 2010
Jul 10, 2010 at 8:34 PM UTC
Greed
You’re silent. You’re embryos of animals You’re charged weapons You’re creatures sitting in the ark You’re TVs You’re a guide of metro You’re passengers without weapons You’re fallen lustres You’re heaters You’re toys Mom loudly cried She ran and hugged the policeman At the window of a shop The policeman, who killed a child yesterday Mom cried loudly She ran and hugged , in the corner of street Next to the church, Padre, in the front of vulcanization Who ***** a girl in the corner of street yesterday, next to a church. Mom is shouting She ran and hugged the politician on pavilion The politician, who sold motherland of others. Mom was screaming and ran to shop And bought ***** Mom drank ***** And whole night she looked alike a wistit You’re silent. You’re embryos of animals You’re charged weapons You’re creatures sitting in the ark You’re TVs You’re a guide of metro You’re passengers without weapons You’re fallen lustres You’re heaters You’re toys You’re the mom , who hugged a guilty policeman with happiness/ And then in the corner of street, next to the church, In the front of vulcanization, hugged a villain padre and a traitor politician standing in a pavilion.
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Jul 9, 2016
Jul 9, 2016 at 11:12 PM UTC
You are silent
*Do you know what's 1+1? No. Seriously! I mean to ask it.* Well it can't be generalized if you asked me. Let me have the privilege of explaining how's, what's & why's... Pay a bit of attention please... Here, let me explain with examples... Case I: Consider a man & woman. They marry each other to add into each other's lives. They go for their honeymoon and have a baby (or some babies if multiple embryos succeed to develop). Case II: Consider unsafe ****** encounters. Teenagers go for unwarranted *** with their counterparts and the girl gets pregnant. Here further cases of possibilities arise. Depending upon how either the girl or the boy and their parents react to the situation, there can be a single child or maybe multiple numbers of offspring here too! So 1+1 = 2. Not always true!
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Jun 29, 2013
Jun 29, 2013 at 2:19 AM UTC
1+1=2. Not Always True
Fri Feb 10 8:12 AM “As artists, we are exposed to a heavy level of scrutiny, mostly from ourselves,” adds Villarini-Velez. “At times we might be insecure when a choreographer asks us to do something that takes us away from our usual, classical vocabulary. I felt like some of my peers who aren’t exposed to this movement would feel insecure at times, but nonetheless, rise up to the challenge of exploring new levels of artistry. It’s easy to rely on our usual bag of tricks, but I enjoy the risks of detaching from what looks good and moving in a way that feels good. It’s our responsibility to rise to these challenges and expand our artistic horizons.”(1) <> guilty. as charged. so, incorporating new words, differing styles. do what does not come naturally. “detach from what looks good, moving in a way that feels good” make radicalization your ethos make new-for-you your eponym. give your name to what you create, a mere signature insufficient, it is not part of the work! taste the wet words upon tongue and lips, let the saliva linkage be to the following morseling phrase, the mouth sac moist be where verbal embryos are birthed. hear them spoke in your voice, but, silently, in your mind, and yet, speak-say them inside with the shocking thunderous force of a newborn’s first cry. and when you read them assembled, weep with pleasure, relieved, this, your child, looks exactly like no one, with but trace elemental traits of you. but it is all yours, sinew and cell, fiber and skin, drawn unformed, ejected from the intramural hollows of the body, then and only then, mark them at last as truly mine..
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Mar 23, 2023
Mar 23, 2023 at 2:05 PM UTC
Bag o’Tricks:
Fri Feb 10 8:12 AM “As artists, we are exposed to a heavy level of scrutiny, mostly from ourselves,” adds Villarini-Velez. “At times we might be insecure when a choreographer asks us to do something that takes us away from our usual, classical vocabulary. I felt like some of my peers who aren’t exposed to this movement would feel insecure at times, but nonetheless, rise up to the challenge of exploring new levels of artistry. It’s easy to rely on our usual bag of tricks, but I enjoy the risks of detaching from what looks good and moving in a way that feels good. It’s our responsibility to rise to these challenges and expand our artistic horizons.”(1) <> guilty. as charged. so, incorporating new words, differing styles. do what does not come naturally. “detach from what looks good, moving in a way that feels good” make radicalization your ethos make new-for-you your eponym. give your name to what you create, a mere signature insufficient, it is not part of the work! taste the wet words upon tongue and lips, let the saliva linkage be to the following morseling phrase, the mouth sac moist be where verbal embryos are birthed. hear them spoke in your voice, but, silently, in your mind, and yet, speak-say them inside with the shocking thunderous force of a newborn’s first cry. and when you read them assembled, weep with pleasure, relieved, this, your child, looks exactly like no one, with but trace elemental traits of you. but it is all yours, sinew and cell, fiber and skin, drawn unformed, ejected from the intramural hollows of the body, then and only then, mark them at last as truly mine..
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27
Sometimes the body is contagion To the soul.  Stars in their mission fall To seed the fertile flesh, ignite Blue waters of sulfureous hearts, And so the flash is set to cancel In the flood.   Sometimes the lip of soul onto seal Will not hold, before he first knocked And let flesh enter, thorny pegs Pricked nerve and pierced bone on his climb To the rose, yea, some stars odd as Meteors crash. In the swan-sea, song-sangy-frame of crib, Rough hewn words bent mold to scrape, like Blasted coral, stood half-submerged Amid sea and sky, for between the leaves, Behind the eye, there are little stars Shining like existence. In a circle world he fashioned green Blazons about the darkling day, Fostered by celestial navigation, Wrote a language for music, on a map of love And charted the force of green in a wind- Rose of discovery. Sometimes the soul is not contained, it Bursts in silent sound like well water From the source.  And of men in streets He saw the pennies in their grumble Eyes, and of love and its course he rubbed, Tickling dim stars. It was his thirty ninth year in that fall To heaven when the steeping cell, Refused to push in its tide.  Homeless And free on scaffold of bone the middling Man retracted from sun to sink With the moon, turn-tiding-toward sea Like a changeling. And as ever, nor often, unwavering eyes Sprout through shifting grains.  And as he spoke Quite rimless, Dylan Thomas was petrified In undying light, and solid set within a rill Of reef sparkling in concert betwixt gas And sea, so becoming in purple sleeves, This constellation of mute singers all, Dried five-fingered-fish, bright embryos Returned to the shell, they burn between the leaves, Beset the grounded skies and show sprite flashes In the dark where He has left his imprints, burning Above and plastered below.  The first rock stars!
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Sep 13, 2012
Sep 13, 2012 at 11:02 AM UTC
Sometimes the Body is Contagion
Sometimes the body is contagion To the soul.  Stars in their mission fall To seed the fertile flesh, ignite Blue waters of sulfureous hearts, And so the flash is set to cancel In the flood.   Sometimes the lip of soul onto seal Will not hold, before he first knocked And let flesh enter, thorny pegs Pricked nerve and pierced bone on his climb To the rose, yea, some stars odd as Meteors crash. In the swan-sea, song-sangy-frame of crib, Rough hewn words bent mold to scrape, like Blasted coral, stood half-submerged Amid sea and sky, for between the leaves, Behind the eye, there are little stars Shining like existence. In a circle world he fashioned green Blazons about the darkling day, Fostered by celestial navigation, Wrote a language for music, on a map of love And charted the force of green in a wind- Rose of discovery. Sometimes the soul is not contained, it Bursts in silent sound like well water From the source.  And of men in streets He saw the pennies in their grumble Eyes, and of love and its course he rubbed, Tickling dim stars. It was his thirty ninth year in that fall To heaven when the steeping cell, Refused to push in its tide.  Homeless And free on scaffold of bone the middling Man retracted from sun to sink With the moon, turn-tiding-toward sea Like a changeling. And as ever, nor often, unwavering eyes Sprout through shifting grains.  And as he spoke Quite rimless, Dylan Thomas was petrified In undying light, and solid set within a rill Of reef sparkling in concert betwixt gas And sea, so becoming in purple sleeves, This constellation of mute singers all, Dried five-fingered-fish, bright embryos Returned to the shell, they burn between the leaves, Beset the grounded skies and show sprite flashes In the dark where He has left his imprints, burning Above and plastered below.  The first rock stars!
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49
Dressed in a bottle of fatal wine Imagination unique with a rare passion A syringe that suffers with shame I moan with anticipation Merging to be inflicted As I become tangled Hushed nudges as I bloom and sway The gray matter is destroyed Hallucinations invited to stay ****** slaves as the embryos pray Tormented by a flame A war of voices with elements I abused
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Sep 12, 2013
Sep 12, 2013 at 10:59 PM UTC
Poison Keeps Me Alive
Once upon an Earth lit night, On NASA Moon base two, I chanced to spy a cute Brunette – A space Cadet named Yu. Her eyes were dark and beautiful Deep as a lunar mare- And, freed from bra and gravity- were ******* beyond compare. Love in Microgravity Is a curious affair She brought me to her snuggle tube And she restrained me there. She straddled on the launching pad And docking was effected And after a few awkward strokes Our cadence was perfected. The Moon Child that resulted From our friendly first embrace Forced Yu to have to shuttle back to Earth from outer space. It seems that Human embryos Need gravity to grow. Else their hearts would be too weak Their reflexes too slow. So, like Salmon, we go back to where our mothers birthed. Procreation’s problematic beyond the bounds of Earth. We named our daughter Luna -Unoriginal, I know. And now we’re out near Jupiter getting busy on Io.
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Jan 10, 2012
Jan 10, 2012 at 11:04 PM UTC
Earthlight ( ****** situations, micro gravity)
Sometimes the body is contagion To the soul. Stars in their mission fall To seed the fertile flesh, ignite Blue waters of sulfureous hearts, And so the flash is set to cancel In the flood. Sometimes the lip of soul onto seal Will not hold, before he first knocked And let flesh enter, thorny pegs Pricked nerve and pierced bone on his climb To the rose, yea, some stars odd as Meteors crash. In the swan-sea, song-sangy-frame of crib, Rough hewn words bent mold to scrape, like Blasted coral, stood half-submerged Amid sea and sky, for between the leaves, Behind the eye, there are little stars Shining like existence. In a circle world he fashioned green Blazons about the darkling day, Fostered by celestial navigation, Wrote a language for music, on a map of love And charted the force of green in a wind- Rose of discovery. Sometimes the soul is not contained, it Bursts in silent sound like well water From the source. And of men in streets He saw the pennies in their grumble Eyes, and of love and its course he rubbed, Tickling dim stars. It was his thirty ninth year in that fall To heaven when the steeping cell, Refused to push in its tide. Homeless And free on scaffold of bone the middling Man retracted from sun to sink With the moon, turn-tiding-toward sea Like a changeling. And as ever, nor often, unwavering eyes Sprout through shifting grains. And as he spoke Quite rimless, Dylan Thomas was petrified In undying light, and solid set within a rill Of reef sparkling in concert betwixt gas And sea, so becoming in purple sleeves, This constellation of mute singers all, Dried five-fingered-fish, bright embryos Returned to the shell, they burn between the leaves, Beset the grounded skies and show sprite flashes In the dark where He has left his imprints, burning Above and plastered below. The first rock stars!
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Oct 9, 2013
Oct 9, 2013 at 2:34 PM UTC
Sometimes the Body is Contagion
Sometimes the body is contagion To the soul. Stars in their mission fall To seed the fertile flesh, ignite Blue waters of sulfureous hearts, And so the flash is set to cancel In the flood. Sometimes the lip of soul onto seal Will not hold, before he first knocked And let flesh enter, thorny pegs Pricked nerve and pierced bone on his climb To the rose, yea, some stars odd as Meteors crash. In the swan-sea, song-sangy-frame of crib, Rough hewn words bent mold to scrape, like Blasted coral, stood half-submerged Amid sea and sky, for between the leaves, Behind the eye, there are little stars Shining like existence. In a circle world he fashioned green Blazons about the darkling day, Fostered by celestial navigation, Wrote a language for music, on a map of love And charted the force of green in a wind- Rose of discovery. Sometimes the soul is not contained, it Bursts in silent sound like well water From the source. And of men in streets He saw the pennies in their grumble Eyes, and of love and its course he rubbed, Tickling dim stars. It was his thirty ninth year in that fall To heaven when the steeping cell, Refused to push in its tide. Homeless And free on scaffold of bone the middling Man retracted from sun to sink With the moon, turn-tiding-toward sea Like a changeling. And as ever, nor often, unwavering eyes Sprout through shifting grains. And as he spoke Quite rimless, Dylan Thomas was petrified In undying light, and solid set within a rill Of reef sparkling in concert betwixt gas And sea, so becoming in purple sleeves, This constellation of mute singers all, Dried five-fingered-fish, bright embryos Returned to the shell, they burn between the leaves, Beset the grounded skies and show sprite flashes In the dark where He has left his imprints, burning Above and plastered below. The first rock stars!
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49
Waking morning clear my head make me some bacon brain must be fed Here's to the hog who gave me his all a sacrifice for sure a gift to us all the aroma that wafts through the air hits all my senses like a drug if I dare Hog flesh and chicken embryos a breakfast delight just have to start the day right
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Mar 21, 2013
Mar 21, 2013 at 6:29 AM UTC
Sacrifice
The irresolvable contradiction, in whose subconscious formula this current absurd-impossible World is immersed, first it turns into non-existence, then it organically emerges into the stagnant Nothingness. The ostrich-faithful gangs of yampecs, like the circus associations of the self-deceivers, seem to even play together a little in the manner of accomplices in the intercontinental businesses of gamblers - because a restless, wandering Soul has long since become a cat and has been tempting the son of man, because there is no partiality, no special difference in a prolonged, incessant Sisyphusian fall. It feels the numbing cracks of the rotting decompositions, while those who remain on the surface are constantly eviscerating the last pennies and silver coins from the pockets of the simpler, working average; Even pitifully degrading bureaucratic wisdom cannot be quite adequate these days: dignity and existence exclude each other just as feudal lords exclude a compromising servant. Free-thinking is not at all chic these days, they are quite calmly content with merely the illusion of truth as long as possible. Now imported idolatry is becoming more and more popular again, but very much so. Because in the guaranteed transitional age, no one and nothing can be themselves, or the same as they were as long as the laws of humanism were observed, the message of conscious blind indifference seems to have been deliberately transplanted into another blind world. Like startled fish embryos, apocryphal passwords glide, wrinkles write the warning message on the secret prison walls of faces: "Pay attention, and rather hide in hiding!" - Every circle must organically close at some point. The wasted seasons are no longer waiting for a silver star ready to wander. It's time to ventilate the soul-crushing stuffiness that is welling up in man!
0
Sep 20, 2025
Sep 20, 2025 at 12:34 AM UTC
Chinovnik-Wisdom
The irresolvable contradiction, in whose subconscious formula this current absurd-impossible World is immersed, first it turns into non-existence, then it organically emerges into the stagnant Nothingness. The ostrich-faithful gangs of yampecs, like the circus associations of the self-deceivers, seem to even play together a little in the manner of accomplices in the intercontinental businesses of gamblers - because a restless, wandering Soul has long since become a cat and has been tempting the son of man, because there is no partiality, no special difference in a prolonged, incessant Sisyphusian fall. It feels the numbing cracks of the rotting decompositions, while those who remain on the surface are constantly eviscerating the last pennies and silver coins from the pockets of the simpler, working average; Even pitifully degrading bureaucratic wisdom cannot be quite adequate these days: dignity and existence exclude each other just as feudal lords exclude a compromising servant. Free-thinking is not at all chic these days, they are quite calmly content with merely the illusion of truth as long as possible. Now imported idolatry is becoming more and more popular again, but very much so. Because in the guaranteed transitional age, no one and nothing can be themselves, or the same as they were as long as the laws of humanism were observed, the message of conscious blind indifference seems to have been deliberately transplanted into another blind world. Like startled fish embryos, apocryphal passwords glide, wrinkles write the warning message on the secret prison walls of faces: "Pay attention, and rather hide in hiding!" - Every circle must organically close at some point. The wasted seasons are no longer waiting for a silver star ready to wander. It's time to ventilate the soul-crushing stuffiness that is welling up in man!
Continue reading...
3