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"embroidered" poems
My voice is a wall of glass On the both side of the wall it's all the same The roof is consisted of umbrella-shaped beams The world is an embroidered web I'm a spider that don't spew silk cling on to intertwining iron bars Accidentally chocked my fly to death Buried it in the oblivion sky Fed on chitchat I'm now becoming a skinny, wind up bird.
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May 27, 2014
May 27, 2014 at 11:53 AM UTC
A Parrot in a cage
He wrote of the light of the world, a testament, a lamp to illuminate the place from which he came —     I saw his lighthouse coalesce     out of the cloaking mist, its blade     shearing the sheath of darkness.     I inhaled the dusk bloom scent     - Four O’Clock Flower, Poinsettia, Frangipani -     beguiled by a road, undeterred     by calls in the night, the rain, the unknown way.     I sang with one thousand night-drunk tree frogs     proclaiming an equatorial cycle to the stars,     choristers intoning a chant of existence.     I rode balanced between     the cycling engine's torque and the     reflective cast of my foreign skin.     I felt the grip of ignominy constrict the stir     of my drink, amongst hands toasting     the crush of entitlement’s bearing.     I walked where people dwell, and stop     to greet and tell news of the market     or of their nets, bearing the sea’s returns.     I savored the song in his speech,     a seasoned stew, unshackling the tongue     to ring like the steel of a drum — a tapestry unfurled: a world paced by sirens of wind and wave, embroidered on the earthbound side of heaven's abiding blanket. Copyright © 2017 Gary Brocks
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Aug 26, 2018
Aug 26, 2018 at 4:46 AM UTC
CARIBBEAN IDYLL with REVERENCE for DEREK WALCOTT
With margerain gentle, The flower of goodlihead, Embroidered the mantle Is of your maidenhead. Plainly I cannot glose; Ye be, as I divine, The pretty primrose, The goodly columbine. Benign, courteous, and meek, With wordes well devised; In you, who list to seek, Be virtues well comprised. With margerain gentle, The flower of goodlihead, Embroidered the mantle Is of your maidenhead.
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To Mistress Margery Wentworth
I’m a Victorian doll with my hair in curls I will make you turn and stare wearing a dress colored royal blue embroidered with diamonds and pearls look at me look at me one and all come and see the most beautiful doll in the world the wonderful beautiful me
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Mar 30, 2014
Mar 30, 2014 at 9:18 PM UTC
Victorian Doll
Aara Priyanka Chopra Beige Net Saree. This bollywood wedding saree is beautified with resham thread embroidery on pallu portion and panels of the saree.Shimmer embroidered patch patti is placed at border of the saree add extra beauty to the saree. Blouse pattern shown in image is only for photo shoot purpose. Ara Priyanka Chopra Beige net Saree color of the product may differ from that shown on your computer screen. Aara Priyanka Chopra Beige Net Saree difference in color is mostly due to flash, monitor or camera settings. The images shown are only for you
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Nov 29, 2013
Nov 29, 2013 at 2:05 AM UTC
AARA PRIYANKA CHOPRA BEIGE NET BOLLYWOOD IIFA AWARD SAREE
Aara Priyanka Chopra Beige Net Saree. This bollywood wedding saree is beautified with resham thread embroidery on pallu portion and panels of the saree.Shimmer embroidered patch patti is placed at border of the saree add extra beauty to the saree. Blouse pattern shown in image is only for photo shoot purpose. Ara Priyanka Chopra Beige net Saree color of the product may differ from that shown on your computer screen. Aara Priyanka Chopra Beige Net Saree difference in color is mostly due to flash, monitor or camera settings. The images shown are only for reference.
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Nov 29, 2013
Nov 29, 2013 at 2:13 AM UTC
AARA PRIYANKA CHOPRA BEIGE NET BOLLYWOOD IIFA AWARD SAREE
can you explain what it means to despise someone? to frame hate and hang it on your wall to count the number of days lost sleep in your coffee mug with the aforementioned's name expensively embroidered on it an old feud, laid in skin and memories so long you no longer remember what the original sin was only the feeling endures an anticlimax that you could go on and on for hours about without rest so much pathos teeming under the surface that you could erupt in volcanic tantrums at the sound of a name the way you clench your fists until your fingers bite blood from your palms over street signs that bring up old memories the way you dream of burning chairs you heard they sat in you find solace in the fact that you are conscious of this pervasive madness that you are not tired of and never will be
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Jan 10, 2014
Jan 10, 2014 at 9:42 PM UTC
a quiet & distasteful manifesto
we are monsters from the boutique to the embroidered throw pillows the pen dashed around the neck stage 5 bone cut sawing ossification to the hollow core we are monsters hooting in tunnels lined with bats coming out to feast creation to scrape the streets shimmy the walls bust the coffin and succckk we are monsters who can't enter under the doorframe fearful of being burned by the sun silver stake rat poison holy water sickle and windmill ash we are monsters sewed stapled dead meat skin hair plugs ceramic teeth tested and tasted by rats we are monsters jumping high over white fences frenzied explosion running through corn angrily bled in a field shot and hunted like embarrassing waterfowl in the jaws of mammalia we are monsters of flaming brilliance flashing in your inbox read us and gnaw braised roasted grilled limbs watch as we watch you be scared and stab I promise we don't die.
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Oct 1, 2015
Oct 1, 2015 at 2:32 PM UTC
march of the writers
Come live with me, and be my love, And we will all the pleasures prove, That hills and valleys, dales and fields, And all the craggy mountain yields. There we will sit upon the rocks, And see the shepherds feed their flocks By shallow rivers, to whose falls Melodious birds sing madrigals. And I will make thee beds of roses, With a thousand fragrant posies, A cap of flowers and a kirtle Embroidered all with leaves of myrtle; A gown made of the finest wool, Which from our pretty lambs we pull; Fair lined slippers for the cold, With buckles of the purest gold; A belt of straw and ivy buds, With coral clasps and amber studs; And if these pleasures may thee move, Come live with me, and be my love. The shepherd swains shall dance and sing For thy delight each May morning: If these delights thy mind may move, Then live with me, and be my love.
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The Passionate Shepherd To His Love
# *Souls embroidered with sweet sighs of passion Musing of nights in lace & white satin On a vista of flesh, flushed with desire Riding the flames on a passage of fire The beating of drums, commanding the night To the rhythm of hearts, passion ignites Wrapped in immortal flames of the sun Burning together, two become one Flesh upon flesh, a spirited dance Welded by whispers of love, of romance Temperatures rise in a fever of lust Stoking the flames, ****** after ****** Riding the swell, in a race to the shore Try to repress, but needing it more Virtue be ****** in the rage of desire Flames rise in hunger, higher n' higher Charging the crest, temperance slips Drawing the reins in a white knuckle grip Crashing of waves unleashes the flood Quaking the heart, and searing the blood Spewing of flames in the crash of the tide In a warm sheen of sweat, fervor subsides Energy spent in the throes of release Collapsing together, the story complete* #
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Aug 20, 2018
Aug 20, 2018 at 7:48 AM UTC
In Lace & White Satin
Moments like these racing through me: Looking out the bus window, stacks of lights in square, blinded blocks of cement. Golden trees turning brown and barren. But moments like these, I'm miles away, I'm someplace else. Moments like these passing me by: As I wonder through streets, alleyways wafting in dark sewerage; Seafood bistros glaring at me. My hips sway, my feet sink into exotic sand, sunshine warm. Floating effortlessly along the dead concrete, opening my tiny door; this nutshell abode. And I can’t breathe here without moments like these. They are the broken pieces of my longing heart. Slowly keeping me together in these moments’ reality. Moments like these, slipping, speeding away: Like endless traffic in angry madness, in cities that awaken in darkening hours. The tranquil silence in my heart guides me to your faces. One by one I dream for each; For all the things we want, the good things we need; For happiness, love, success. Each thought embedded, embroidered into moments like these: Sitting on a bed, millions of miles away, a cold, rainy day – A heart beating for moments not these. (c) Mel D.  Ltd. 2010
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Nov 12, 2010
Nov 12, 2010 at 9:46 PM UTC
Moments
Sleep, darling I have a small daughter called Cleis, who is like a golden flower I wouldn't take all Croesus' kingdom with love thrown in, for her --- Don't ask me what to wear I have no embroidered headband from Sardis to give you, Cleis, such as I wore and my mother always said that in her day a purple ribbon looped in the hair was thought to be high style indeed but we were dark: a girl whose hair is yellower than torchlight should wear no headdress but fresh flowers
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Cleis
I look back at old comments, hoping for something new to see Some old remark of a person I once was That stench that burns your nostrils and kills the back of your throat Stinging into the base of your teeth and down to your fingertips Bite your nails with yellowed teeth and suckle on the nicotine feed That keeps you strong Like balsawood and matchstick towers, We built our castles in the mud and grit of it all A glorious death had I not found my feet Feet running Running rabid and fast, too scared to slow down Too nervous to stop. Stop searching. Stop searching for something to hold onto Let it all out of you Hands released Let the waters take hold of you floating on top. So selfish of me to not see the sun The day breaks and falls to pieces in your hands Crumbling down with a certain sweetness behind Like burnt caramel that sticks As we stand. How beautiful it is We talk of fun things and long weekends Of head highs and analogue eyes Away from the screens and the mess of addiction white skies mottled with rose coloured patches Sewn together jeans with embroidered scratches Chalk line to measure my affliction The people I’m with won’t see my addiction.
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Mar 2, 2023
Mar 2, 2023 at 1:00 PM UTC
MOTTLED SKIES & ROSE COLOURED PATCHES
The Alexandrians were gathered to see Cleopatra's children, Caesarion, and his little brothers, Alexander and Ptolemy, whom for the first time they lead out to the Gymnasium, there to proclaim kings, in front of the grand assembly of the soldiers. Alexander -- they named him king of Armenia, Media, and the Parthians. Ptolemy -- they named him king of Cilicia, Syria, and Phoenicia. Caesarion stood more to the front, dressed in rose-colored silk, on his breast a bouquet of hyacinths, his belt a double row of sapphires and amethysts, his shoes fastened with white ribbons embroidered with rose pearls. Him they named more than the younger ones, him they named King of Kings. The Alexandrians of course understood that those were theatrical words. But the day was warm and poetic, the sky was a light azure, the Alexandrian Gymnasium was a triumphant achievement of art, the opulence of the courtiers was extraordinary, Caesarion was full of grace and beauty (son of Cleopatra, blood of the Lagidae); and the Alexandrians rushed to the ceremony, and got enthusiastic, and cheered in greek, and egyptian, and some in hebrew, enchanted by the beautiful spectacle -- although they full well knew what all these were worth, what hollow words these kingships were.
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Alexandrian Kings
Her name is Halima And she leans from her window In her hijab that covers her hair Halima don't spit on the people below Her mama laughs - My Halima! But that's her little daughter And she knows when Halima spits - It's - the purest rose water Halima's hijab is of the greenest green That covers her chestnut hair With the handprint of a man Large and brown embroidered there And her long white dress embroidered With buds and leaves and thorny stems And secret roots and blooms of roses In her house above the Thames Halima don't spit! Her mama chides But the people sailing by Think the air is filled with roses So they smile and they sigh As Halima in her hijab With the handprint of a man Turns the ***** river to rose water As only Halima can ...
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Mar 12, 2014
Mar 12, 2014 at 11:26 AM UTC
Halima Song
In the drawer were folded fine batiste slips embroidered with scrolls and posies, edged with handmade lace too good for her to wear. Daily she put on shmattehs fit only to wash the car or the windows, rags that had never been pretty even when new: somewhere such dresses are sold only to women without money to waste on themselves, on pleasure, to women who hate their bodies, to women whose lives close on them. Such dresses come bleached by tears, packed in salt like herring. Yet she put the good things away for the good day that must surely come, when promises would open like tulips their satin cups for her to drink the sweet sacramental wine of fulfillment. The story shone in her as through tinted glass, how the mother gave up and did without and was in the end crowned with what? scallions? crowned queen of the dead place in the heart where old dreams whistle on bone flutes where run-over pets are forgotten, where lost stockings go? In the coffin she was beautiful not because of the undertaker's garish cosmetics but because that face at eighty was still her face at eighteen peering over the drab long dress of poverty, clutching a book. Where did you read your dreams, Mother? Because her expression softened from the pucker of disappointment, the grimace of swallowed rage, she looked a white-haired girl. The anger turned inward, the anger turned inward, where could it go except to make pain? It flowed into me with her milk. Her anger annealed me. I was dipped into the cauldron of boiling rage and rose a warrior and a witch but still vulnerable there where she held me. She could always wound me for she knew the secret places. She could always touch me for she knew the pressure points of pleasure and pain. Our minds were woven together. I gave her presents and she hid them away, wrapped in plastic. Too good, she said, too good. I'm saving them. So after her death I sort them, the ugly things that were sufficient for every day and the pretty things for which no day of hers was ever good enough.
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May 9, 2018
May 9, 2018 at 6:24 PM UTC
Marge Piercy's "Putting the good things away"
In the drawer were folded fine batiste slips embroidered with scrolls and posies, edged with handmade lace too good for her to wear. Daily she put on shmattehs fit only to wash the car or the windows, rags that had never been pretty even when new: somewhere such dresses are sold only to women without money to waste on themselves, on pleasure, to women who hate their bodies, to women whose lives close on them. Such dresses come bleached by tears, packed in salt like herring. Yet she put the good things away for the good day that must surely come, when promises would open like tulips their satin cups for her to drink the sweet sacramental wine of fulfillment. The story shone in her as through tinted glass, how the mother gave up and did without and was in the end crowned with what? scallions? crowned queen of the dead place in the heart where old dreams whistle on bone flutes where run-over pets are forgotten, where lost stockings go? In the coffin she was beautiful not because of the undertaker's garish cosmetics but because that face at eighty was still her face at eighteen peering over the drab long dress of poverty, clutching a book. Where did you read your dreams, Mother? Because her expression softened from the pucker of disappointment, the grimace of swallowed rage, she looked a white-haired girl. The anger turned inward, the anger turned inward, where could it go except to make pain? It flowed into me with her milk. Her anger annealed me. I was dipped into the cauldron of boiling rage and rose a warrior and a witch but still vulnerable there where she held me. She could always wound me for she knew the secret places. She could always touch me for she knew the pressure points of pleasure and pain. Our minds were woven together. I gave her presents and she hid them away, wrapped in plastic. Too good, she said, too good. I'm saving them. So after her death I sort them, the ugly things that were sufficient for every day and the pretty things for which no day of hers was ever good enough.
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68
On a thin ribbon of light unfurled from unseen heaven direct to her parted robe and disquieted ear comes an angel’s voice, the dove’s winged companion, with words foretold in the book now slipping to the floor. What hunger fires our flickering imaginations, that require Grace come wrapped in velvet purses- with proof of the child’s purity dripping from tables and prophet encrusted walls? I think they had it all wrong- Fra Angelico, Veronese, van Ecyk, and even Martini with his gilded apprehension. I prefer a scene without unblemished lilies- no fine linens, puffing cherubs, or embroidered pillows on display. I picture her instead at her daily labor- pulling on a ***** rope at the village well. With calloused hands, she draws her trembling reflection skyward, when, announced by the slightest breeze, a stranger appears. Before their eyes meet, a bird’s flight distracts her- water splashes from the bucket washing the dust from her feet and soaking the tattered hem of her robe. His silent glance holds her only for a moment. In the distance, a voice calls out, “Daughter!” She turns, sets off, bowing to her burden. A cloud’s shadow melts in the heat of the road. Tom Spencer © 2018
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Mar 15, 2018
Mar 15, 2018 at 8:30 AM UTC
Painting the Annunciation
*veins of my fingers in riots of blossomed colours like threads made of lilac, lavender, blues and leafs. for the blues are essences of the Elysian skies, while lilacs, lavenders and leafs were stolen from an old man's farm every dawn the sunlit blue wept for the docile stars' hide I knock my knuckles red and wild, like the raspberries from the monsieur's farm my chin against the beige, I gaze to where the magpies talk too loudly on the garden moist swollen and offended by the loud chirps of boisterous dins, the grouchy neighbour cry. I fill my baskets with wild things and papers, I have cheese and juices, fruits and sweet carrots. I have peach trees on my nails for jam I have cherries in my toes for pie I have snows in my lapin's soul for some ice creams I have poppies in my worn pants for a good sight And there's even vineyards of all Verona in my mind the ribbons on the hat loom into the gardens' tunnel; I have herb gardens, I have secret gardens  And I have my old books and pens in there. when my laces are riven, the embroidered flowers are not. the canvas shoes is painted in petrichors and soil my dresses go tattered, sewn with patches into the vines, thorns and russet throats I lilt and leap against smells of rustic wood pencils and redolent flowers There, under a green willow is where to sit and devour wisdom and to drink some saccharine wine with mon lapin and maybe some picnic pies. The abominable tremors will be gone, My morn soul diving into fairy pools of sensuous europhias.*
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Dec 31, 2013
Dec 31, 2013 at 10:09 AM UTC
Picnic Garden
*veins of my fingers in riots of blossomed colours like threads made of lilac, lavender, blues and leafs. for the blues are essences of the Elysian skies, while lilacs, lavenders and leafs were stolen from an old man's farm every dawn the sunlit blue wept for the docile stars' hide I knock my knuckles red and wild, like the raspberries from the monsieur's farm my chin against the beige, I gaze to where the magpies talk too loudly on the garden moist swollen and offended by the loud chirps of boisterous dins, the grouchy neighbour cry. I fill my baskets with wild things and papers, I have cheese and juices, fruits and sweet carrots. I have peach trees on my nails for jam I have cherries in my toes for pie I have snows in my lapin's soul for some ice creams I have poppies in my worn pants for a good sight And there's even vineyards of all Verona in my mind the ribbons on the hat loom into the gardens' tunnel; I have herb gardens, I have secret gardens  And I have my old books and pens in there. when my laces are riven, the embroidered flowers are not. the canvas shoes is painted in petrichors and soil my dresses go tattered, sewn with patches into the vines, thorns and russet throats I lilt and leap against smells of rustic wood pencils and redolent flowers There, under a green willow is where to sit and devour wisdom and to drink some saccharine wine with mon lapin and maybe some picnic pies. The abominable tremors will be gone, My morn soul diving into fairy pools of sensuous europhias.*
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27
Call the roller of big cigars, The muscular one, and bid him whip In kitchen cups concupiscent curds. Let the wenches dawdle in such dress As they are used to wear, and let the boys Bring flowers in last month's newspapers. Let be be finale of seem. The only emperor is the emperor of ice-cream. Take from the dresser of deal, Lacking the three glass knobs, that sheet On which she embroidered fantails once And spread it so as to cover her face. If her ***** feet protrude, they come To show how cold she is, and dumb. Let the lamp affix its beam. The only emperor is the emperor of ice-cream.
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The Emperor of Ice-Cream
'Draw three cards, and I will tell your future . . . Draw three cards, and lay them down, Rest your palms upon them, stare at the crystal, And think of time . . . My father was a clown, My mother was a gypsy out of Egypt; And she was gotten with child in a strange way; And I was born in a cold eclipse of the moon, With the future in my eyes as clear as day.' I sit before the gold-embroidered curtain And think her face is like a wrinkled desert. The crystal burns in lamplight beneath my eyes. A dragon slowly coils on the scaly curtain. Upon a scarlet cloth a white skull lies. 'Your hand is on the hand that holds three lilies. You will live long, love many times. I see a dark girl here who once betrayed you. I see a shadow of secret crimes. 'There was a man who came intent to **** you, And hid behind a door and waited for you; There was a woman who smiled at you and lied. There was a golden girl who loved you, begged you, Crawled after you, and died. 'There is a ghost of ****** in your blood-- Coming or past, I know not which. And here is danger--a woman with sea-green eyes, And white-skinned as a witch . . .' The words hiss into me, like raindrops falling On sleepy fire . . . She smiles a meaning smile. Suspicion eats my brain; I ask a question; Something is creeping at me, something vile; And suddenly on the wall behind her head I see a monstrous shadow strike and spread, The lamp puffs out, a great blow crashes down. I plunge through the curtain, run through dark to the street, And hear swift steps retreat . . . The shades are drawn, the door is locked behind me. Behind the door I hear a hammer sounding. I walk in a cloud of wonder; I am glad. I mingle among the crowds; my heart is pounding; You do not guess the adventure I have had! . . . Yet you, too, all have had your dark adventures, Your sudden adventures, or strange, or sweet . . . My peril goes out from me, is blown among you. We loiter, dreaming together, along the street.
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The House Of Dust: Part 02: 04: Nightmare
'Draw three cards, and I will tell your future . . . Draw three cards, and lay them down, Rest your palms upon them, stare at the crystal, And think of time . . . My father was a clown, My mother was a gypsy out of Egypt; And she was gotten with child in a strange way; And I was born in a cold eclipse of the moon, With the future in my eyes as clear as day.' I sit before the gold-embroidered curtain And think her face is like a wrinkled desert. The crystal burns in lamplight beneath my eyes. A dragon slowly coils on the scaly curtain. Upon a scarlet cloth a white skull lies. 'Your hand is on the hand that holds three lilies. You will live long, love many times. I see a dark girl here who once betrayed you. I see a shadow of secret crimes. 'There was a man who came intent to **** you, And hid behind a door and waited for you; There was a woman who smiled at you and lied. There was a golden girl who loved you, begged you, Crawled after you, and died. 'There is a ghost of ****** in your blood-- Coming or past, I know not which. And here is danger--a woman with sea-green eyes, And white-skinned as a witch . . .' The words hiss into me, like raindrops falling On sleepy fire . . . She smiles a meaning smile. Suspicion eats my brain; I ask a question; Something is creeping at me, something vile; And suddenly on the wall behind her head I see a monstrous shadow strike and spread, The lamp puffs out, a great blow crashes down. I plunge through the curtain, run through dark to the street, And hear swift steps retreat . . . The shades are drawn, the door is locked behind me. Behind the door I hear a hammer sounding. I walk in a cloud of wonder; I am glad. I mingle among the crowds; my heart is pounding; You do not guess the adventure I have had! . . . Yet you, too, all have had your dark adventures, Your sudden adventures, or strange, or sweet . . . My peril goes out from me, is blown among you. We loiter, dreaming together, along the street.
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44
OR The Child Is Father Of The Man, But Not For Quite A While So Thomas Edison Never drank his medicine; So Blackstone and Hoyle Refused cod-liver oil; So Sir Thomas Malory Never heard of a calory; So the Earl of Lennox Murdered Rizzio without the aid of vitamins or calisthenox; So Socrates and Plato Ate dessert without finishing their potato; So spinach was too spinachy For Leonardo da Vinaci; Well, it's all immaterial, So eat your nice cereal, And if you want to name your ration, First go get a reputation.
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Lines To Be Embroidered On A Bib
Once when I was feeling generous I bought my dog a bed from a catalog Embroidered with his name Stuffed with down And a hint of cedar It lies in a corner In near mint condition While he spends all his time Rapturously Chewing an old plastic bottle I once accidentally dropped on the ground
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Mar 1, 2013
Mar 1, 2013 at 5:40 PM UTC
Plastic Water Bottle
Oh, but it is ***** --this little filling station, oil-soaked, oil-permeated to a disturbing, over-all black translucency. Be careful with that match! Father wears a ***** oil-soaked monkey suit that cuts him under the arms, and several quick and saucy and greasy sons assist him (it's a family filling station), all quite thoroughly ***** Do they live in the station? It has a cement porch behind the pumps, and on it a set of crushed and grease- impregnated wickerwork; on the wicker sofa a ***** dog, quite comfy. Some comic books provide the only note of color- of certain color. They lie upon a big dim doily draping a taboret (part of the set), beside a big hirsute begonia. Why the extraneous plant? Why the taboret? Why, oh why, the doily? (Embroidered in daisy stitch with marguerites, I think, and heavy with gray crochet.) Somebody embroidered the doily. Somebody waters the plant, or oils it, maybe. Somebody arranges the rows of cans so that they softly say: ESSO--SO--SO--SO to high-strung automobiles. Somebody loves us all.
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Filling Station
This small green bear, your name embroidered on its chest, was never yours. It would have been our Christmas gift to you, had you lived a month longer. The ones you would give you had already bought, wrapped, labelled - thoughtful, organised to the end, to the bitter end. We unwrapped them on the day, smiled at your kindness, wept at our loss. Early Christmas gifts that you had not organised, that nobody could have anticipated, went to strangers: your pancreas, a life free from daily injections; your kidneys, two lives free from dialysis; your liver, divided, to a young girl and an older lady, who would quite simply have a life they had almost given up hoping for. Your heart, damaged by extended life-support, not suitable for transplantation, yielded its valves to repair the damaged hearts of others. Even bone and skin were harvested for people you never knew. That Christmas you gave hope to so many people, and to us the consolation that they live on because of you, and that you live on in them.
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May 22, 2016
May 22, 2016 at 9:15 AM UTC
Christmas Gifts **