Submit your work, meet writers and drop the ads. Become a member
judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
Julian Sep 2020
The Roulette of Fanfare by Imaginative Glare (A Cooperation of Timeless Synquest)
Sunken fortitude is the bailiwick of interminable eupathy that sustenance embezzles by minutiae of orange spectral linearity of bypass becoming a torus of tragic reprieve in repcrevel fashions of hyjamb. Thus we float above the carcass of syrts of certitude by cadasters of nostalgic drawls of malingering strawberry staddle for the scutage of pinhoked disaster. We renege on committed opalescence because tranquil dangles of vinsky are waged by trenchcoats of bluster for vector arrays of galvanized decorum that swirks for elegant synectics by dredged grains of agrarian sanity by the pleckigger of lopsided islands of creativity that are the notarikons of aleatory finite but equidistant largesse of not just a jumboism but a jetsetting travesty of traversed time mastered by ignoble ingenuity. I limn with piracy as a freebooter cordslave plugged by demitoilet reminders of the flyndresque alloreck of tinjesk spectral ultimatums that are the stretchgraves of a retrospective infinity that is a bystander to catapulted cohesive coherence found only in piecemeal culinary seditions against the drip of a turncock of roosted clarification in muted hindsights of foresight itself. The pleonexia of abeyance is the riddle of enigmatic promulgation that flickers even with partial compartmentalized servitude to the burlesque the burrows of an ophidiodiarium scare away any jaunty sleek car from the boosterism of a farmed collision with disjointed surgery of nimble reticence that braves the seismotic macadamized plutocracy of drift without sedition in sedimentary clairvoyance with a pointed amphigory that is actually a starved clarity for ommateums without spelunked trudges that occur in dovetails for disguise by synectic optimum at the zenith of the hive synergy of singularity.  The justified jest of aleatory flexes of finitude is a shambolic gesture of the limber of divergent interpretation ingeminating the world by sapient degrees of psychometry of divergence in piecemeal asseveration of the hindsight of the festooned not tepid or butchered by the obvious to the glaring cineaste but rather a gloaming glint of refracted ingenuity roosted beyond any alienesque erratic happenstance that is itself a beatific fortuity for the geotechnics of human emergence into supersensible planes traversed in a stereodimensional covenant with a compacted compost of DIVERGENT IMAGINATION OF CADASTER rather than the regelation of the obvious. Timmynoggies of cartels are regnant because of the repugnance of loyalty to the fricative frigates of superlunary mention of ratiocination divorced from husbandry of hyjamb for giant leaps in rigged ambsace maledictions of unfair pleckigger of the wrikpond relumed by huffs of impotent flairs of flambeaus beyond ecdysiast stretchgraves of perilous paralysis for the supererogatory of the accursed destruction of stoichomety of solipsism tremulous by biocentric levity above fastened redoubled pederasty. We maraud the rabble of nostalgia of rhinoplasty of penumbras that live on rainshod territorialism beyond the jolkers of everlasting foofaraw livid by betrayal but erratic in glamour without crackjaw costermongers vitiating the vociferous because of incumbent thermodynamics that affixes the stagnant to the latticework of riddle by sturdy integral derived fliphavens of shibboleths of solitude. Education is a fliction of robust derangement of nowhere men taxed by the celerity of traversed traipses of memory beyond encaged bridewells for recanted alchemy to prerogatives of the roomy expansive facsimiles of departed stigmas of bossy clairvoyance for martian glimpses at sunken waste. The bernaggles of brittle titanium are abrasive when they are alloyed with the compost of material dynamics of capital without avenged prediction cemented in sunken graves taxing the nostalgia of histrinkage that is affixed to boschveldt traindeque for venial consanguinity to dikephobia. We elevate the endpoints of abridged turriform clockwork provincial shibboleths that are the proctor and protectorate of insular robbery of crowned trounces of gravity for the gravitas of sepulchral vanity learned from famigeration of filial tithes of duty. A dutiful sedition is countermanded by the pews of turnstiles that enamor the enamel of rollercoasters because of vague vagaries of bedazzled contrition for wanton ambition on psaphonic psychology and therefore sustain the vibronic thrombosis of nonlethal inseminations of clear aqueous transfixed filigrees of demented notions of cheerful apocrypha of liturgical pride beyond the dungeons of prejudiced inquisition. The jolkers of insolent archipelagos of spinsters that levitate by parsed peril of delaminated parsecs of glazed parturition is the orchestra of a nonlinear grove of invented abecedarian witwanton notice of maddened cattle of gluttony forestalled by the clairvoyance of otiose operations of redoubled countenance that consequently is septiferous by degrees of sanguine rapacity the qwartion of endeared endeavor to surpass the gentility of brooked temperatures frozen to sustain but not mainline the congeners of the elective agenda to bypass the thornbushes of conflagration without knavery or cutthroat embellishments of bedlam. And without the din of simplicity occluding the transcendent goal of humane synoecy of fustilugs of fumatoriums endangered but not inflammed by controversy we witness the insubordinate university of hibernation becoming a specter of grisly bromidrosis of lackluster forswinked fortitude because the majestic sinew of the overwrought is a refrained luxuriance of pity of facetious glebes ringed around orbital planes of synthetic abridgement that supposes the sultry is actually the swelter of calenture but taxed by sicarians of the grandeval it meets no fanfare among elective privilege. Amphigory is not categorized as dross by shipwreck but only by synechdocial docility of groomed barren arcades of storged complication leading to regeneration of a world leaden with the epicurean epithets of agerasia that burden the wardens of poached intermission without remission because the drapes of the greatest art are thus created by the complete transfiguration of the soul bolted to ethereal expansive heights that dwarf all pithy gnomes of the gardens of prospective desiccation of the petty gripes of the gavel of idiocy rather than the astounding artform of the newfangled tabanids to supererogatory oceans of creativity. The benchmarks of sublime illusions of supremacy are a hidebound taxidermy of the rookery of greenhorns to summit the testy secrecy of inane drawl that scrabbles the miniature embellishments of petty sportive lunacy as a figment of the feral nature of proclivity recumbent upon its own gladdened prickly renegades that align with a gallywow cacophony rather than a merely epicene convergence of attitude for equity above polity that is hardly polite. As a penitent hibernal rejoinder against the clerical critics of religiosity becoming conflated with artistic masterworks of oligomania I offer my rogation for atonement because the melismatic art I fashion leads to the vogue enchantment of the noosphere for the soteriological bedrock of fastened intellectual endeavor that traverses planes of an engorged soul without a gulf of conscience leaden by distracted discernment leading to a hypostasized apostasy from the religious scruples I rigorously uphold but that I vacillate away from because I want to entrench an irenic world for the francketor dash towards a superlative enrichment of mind above matter for the victorias of soul above the pettiness of the dim humdingers of the banal lifeless squabbles of martexts beyond the hospitable welcome of martians. For the naysayers that don’t understand the ironic irenic circularity of gainsay becoming rebarbative to this artistic flourish of supersensible equipoise with an approximated histrinkage lagged by temporal deficiency they should not abhor the talisman of an ergotall genius but rather marvel at the burlesque cineaste connotation of enamored youthful spirits becoming novel because they stride above the cascades of crestfallen apathy of plodding languor. This is a definitive new artform for the niche crowd so don’t dismiss it as gobbledygook because it serves the purpose to enchant creative spirits and test minds that might be more nimble than resourceless. Wearisome by demiurges of distraction the thorny imbroglio of industry is a whiplash of nativism belonging to the throb of pulsated penury that is neither valedictory nor penultimate but tertiary in oblong variegated menageries of perfidy for collapsed enormities of jumboism lost on inclement stoichiometry that is sejungible from crambazzles of findrouement that are squaloid enthralled raptures of humdingers of rippled hunks of parched nebbich pataphysics because the circuit of conditioned reward is a rebarbative tether to the catchpole exploitative erratum of harbingers of hungry happenstance rather than continual enchantment. The crumple of squaloid sebastomania a distant figment of adscititious schadenfreude of dilettantism of flonky smardagine streaks of whemmled anxieties unduly provoked by calamities of presstungular intorgurent toonardical deprived cartels of repcrevel pursuit with labial senses embedded in deft incondite inquiries against seismotic jostle over the rubble of scaffolded jengadangle above the rot of contranatant sleek suffrage for the chattel of elemental realism becoming a heroic temple for glory without the vetust errundle of dismal disco attuned only to the spurts rather than a startled commerstargal of alienation leads to a plumber’s irony of atomic humdingers of natural equipoise with litotes of scrawny rings of gollendary piracy. The valorous incondite bricolage of a ****** cineaste barnstorm inoculated from conflagrations of the flagitious reprisal of prevenance of ferial fastuous feats of furlongs of brittle certainty above the tentative glaze of aced pokerish promenades to summit the craggy because the salebrosity of the pitch is also the venue for the sphairistic tentpoles of a new tabernacle of spectacular ecstasy in obvious punitive damage to puritan pilgrimage to mechanized obelisks of sardanapalian betrayal of histories of seizure rather than naturism of erasure that is a totemic recall of strollows of lonesome tributaries to tribunes of steam rather than saunas of lickerish leverage because the gladiatorial is a zugzwang with the deliberate infernal shibboleths of the disinclined people dislodged by carnality that depose sicarians of science because of militarized enmity against the whangams of taghairm becoming the outmoded dupe of dopamine that is now serotinous rather than flanged with glaring hearsay. The serpentine winds of windlass sometimes are a conclave of convex itineration against the steady husbandry of docile domiciles of mannequin sedentary postures for posterized infamy rather than manufactured oneiromancy that is the staddle for every phony contraption of qwartion obviously specious but interrogated by the dubiety of perseverance of inclement curiosity. Yet again we sweep the soaring ligaments of rigid ramshackle bletonism that hawkshaws countermand by division of enumerated nadirs pivoted against the perpended weight of the prolonged zeniths of grit above substance that infatuates myopia but glares against mountebanks of apothecary leverage. We fight against the boxcar traindeque of sejungible traipses through stereodimensional rebuffs of known drogulus surpassing unknowable reticence of citadels that are owleries for the seedy cities they sprawl with incontinence for a drab raft of intertesselation rather than a refined quintessence of alchemy achieved by allotment by brackish nescience becoming a blinding ray of destitution engraved by petrified decalcified rudiments of realism. The somber timbre of delirifacient ruinous rumination malingers in humdrum salience as it scrawls the tragedians lament of distal eventful frets of declassified nomenclature that swoon with lugubrious harbingers of burglary the licentious dolts affixed to the brays of pauperized regions of future proximity too remote to paralyze the morale of any cantonment on record by litotes of profound remembrance of a backfire delope for cineaste conflation of marstion slore for educated reprisal of desiccation. We spelunk in mimicry the dingy duplicity of double-takes in regelation that owe homage to the percolated hearsay of cartels that operate parsecs beyond our congeners of germane lustration in remission by deontology for soteriology alone but not vacated of the stilts of turnverein ragged mannequins of desolate remorse for the dearth of hived and hemmed hibernation in a fitful frenzy of revision above precision. We see abundant lactose intolerance as a sidereal lovelorn lament of sematic entrenchment without the scourge of roosted war against abrasive brawn exercised in flexible limbers of the novel filigrees of truth revelatory of consideration rather than impregnated with the perfidy of amaranthine static of regaled stagnation that flickers with the marinas of congregated leaps as a signature of the artistic license of byzantine traipses of contempered primacy in the soup kitchen of a lapse in sabotaged sobriety. Immune from displaced donnism is the resurgence of bonanza from checkered propinquities affixed to a finite placard of spacetime that owes to stretchgraves a profound depth of contrition that carmelized apocrypha lapse on lissome whilded dignotions of contrarian raillery of loose nihilism rather than anchor to the eremites of fact found in eclipsed culmination for momentous harps of the Jubal for new centuries inseminating the populated presence of spectral imagination with contorted melodies that spawn an ingenuous quest to swoon abiding heavens for celestial ears. It is conspicuous that artifacts for raiders elope with circuitous routes of heated sedimentary incubations with a comatose creativity that seeds the ferial junediggle with a supercalendar of confections that are intermittently apportioned in heydays of culture to the sad lament of the obvious rather than the obviated dare of audacity above conglomerations of spirited luxuriance in tasty memorial to a pinnacle above all other notions of sentinel apostasy. The greater atrocity of rogated ambitions against the gainsay of iconoduly of the rood and rude crucifixion of resurrected clarity found in the enamel of akashic answers to questions fashioned by kneaded cosmetology of delicate ***** cotqueans of limber above precedent and license beyond the finkly limp of lolloped saccharine blitzkreigs of the jalousies of the ajar vaticination of hurdled glaikeries of epicene impediment is that we ****** ink above the gesture of the quills of rocky abrasion found in limitrophes of yachted celebration because of rabid coherence above the wherefores of gadzookerie because the gladdest scaldabanco is the demented persiflage of collateral catastrophe beyond any humane degree of schadenfreude for persecution that backbites the anteric antlers of the jesters that mock the procession of liturgical secularism jeering at grapholagnia while lagging in imaginative spurts of lament for incalculable damage to the Pandora’s box of effluvia that meet stiff tabernacles of betrayal because of the Judaic foresight rather than as an alarmed Marxism scared of an agrarian interdependence of worlds cadged more prone to moral dogma exercised with latitude rather than unscrupulous brays of fisticuffs of shambolic shams of ruin. We glance at the perfidies of voyeurism with pertinacity and recalcitrant bellipotent bedlam that evokes the illicit grandeval whangams of quixotic whartonized arraigned estrangement from legalism to warp time to its own superlative turpitude that is reckless but contingent upon the consummation of destiny only to the extent of original witness rather than the decay of perpetuity wrought by the persiflage of envious militarized mandarisms of enmity aimed to derail the elevators of the noosphere from stratospheric emergence in now perspicuous clarity above the pother of the indelible sacrilege of the stygian polymathy of the astute enemies of the proper comstockery rather than the negligent butchers of an enantiodromia of oligarchies of lewdness that are severed appendages to Anti-Semitism and by extension a marginalized Islamophobia that demands by exigency the complete erasure of all attempts at sacrilege exercised in rampant dereliction of dutiful upkeep of the upright morality against the cadge of ulterior ploys of a broader hedonism that would only piggyback because of the license of ryesolagnus rather than because of a complete signatory endorsement of the liberated agenda of free thought conquered through the conquest of God but the ultimate conquistadors of time through sennet and even negligent rebec to memorialize the triumphant pantheon of growth rather than rankled regress into prolonged hatred ingeminated by atrocious tortfeasors that belong nowhere but the ashen heap of exorcised damnation. The perdition inherent to the system that craves chattel rather than sartorial versions of syncretic chatter is the malefaction of renegades bent on tornadic vulcanization to a demoralized wragapole of docility hitched to the vandalism of pilloried tarantisms of moral lapse leading the sheep into sheepish resignation over the accordion of Original Sin that annoys because the bridewells are brideless birds of the chavish of warbled uncertainty wicked because of snuffed tabacosis of mitigations of evil by the evildoers for the rejoinder against the Republic by rendering the **** a platonic ploy of karezza if only punctuated by solitary ******* reticulated by exsibilation that is contorted when you consider the ****** act a marvel rather than a condemnation of the vicarious involvement in normative ****** creations not of any higher artform but of an evolved theology that might perpend the issue of Christianized ******* that is videographic as a sanction worthy of charter and an impending simultaneous comstockery to protect the decency of the simultagnosia of a diverse and divisive mispronunciated time bent against its greatest heroes for the malice of schadenfreude built into the system of language itself by germane consideration to flagellate the wrong country for the  greatest wrongs known to the realm of religious observance. The pederasty of enclaves is the bailiwick of mutinies of selective mutism incurred by the vilified into compulsive shrieks of kallince as a ribbacle of protean ratiocination paralyzed by the coherent vulnerability incurred by the exchequer of polluted conditions of enslavement by the stretchgraves of the chavish of too many pulpits in the throng of a decisive jaundice against the victors of history because of the obsolescence of the historical fossils of outmoded jealousy. Now to the eupathy of all generations should we better conserve situations against the encroaching wesperm of the marstions of ulterior feminism grimacing at the pleckigger of manhood and decriminalizing the taboo against the enantiodromia of miscegenation to the folly of shepherds of idiotic ploys to rear the mediocre rebec of warbled intimations of cultural impotence that should proselytize both the oligogenics beyond ecbolic atrocity and the adoptive ****** of the anglosphere through its smart and dapper monopoly threatened by the commerstargal of retromorphosis exhibited by the demassification of culled syntalities into aboriginal epigenetic kennels of subservience to a piggybacked system where if you are among the attentive scrutiny of the audience that both perceives apperception metacognitively with francketor precision you are thereby inoculated from lean herbivores of cultish occultism metaphorically in the annealed agitprop for resourcelessness that never ends in the radioglare of revisionism because of the prevenance of the vergers who manage the Manciples rather than tend to the vainglory of the potagers around the hegemunes of an unwarranted and puritan celibacy of conceptual sterility in a world fashioned by engouements for sanguine hopes for a consanguinity that might portend into dynasty but lopsided in its contrite missives of scandal will never provide a valedictory rendition on politically checkered zugzwangs of ulterior scientism against the lettered freedom of bibliognosts to aggrieve against the gloaming vacuum of sartorial damages to Dagon among the populated metropolis of corporate servitude that will thus collapse out of rebarbative backlash for its diminutive economies of scope and pretenses of largesse of scaled down collectivism into a heap of corporate rubble rather than judicious bonanza. In every considered word in this Biblbical warning against the trekleador of the amazonian paradise against the travail of junediggles of obligation among the frenzied fretful tocsins of farcical utopianism meeting the inclement reprisal of sanctioned duplicity in frikmag beneath the truculence of mobilized alacrity to syndicalism endeared to capitalism rather than the converse logical apostrophes that are imponent overhangs of an already conquered feral sphere of nomadic imagination into a checkmate of a socially validated future clinched by foresight and the wragapole nature of the insensate docility of those prone to officious naturism before the attempted monolith of the mountebanks of the quixotic towers of panopticon that are a regelation of unchecked ambitions verging or diverging too valorously against themselves but also prone to a simultagnosia that berates the robust picaresque swandamos that curtail the curglaff of malcontent with the recoil of perseverance that reneges in tiresome defeat of a demilitarized population that should always be grisly rather than denatured by the overhang of the incumbent nudism of certain futures becoming to finicky in impetuous lurid specters of abhorrent exercises in chantage waged against sardanapalians in all countries regardless of merits or demerits. The redstrall of enlightenment is not otiose operatively in recursive backlash against nominalism which sweedles the weedledge of a new acquiescence timid enough to mangle a prosodemic wave of celibacy propitiated by the succedaneum of profligate vicarious lickerish ****** appetites that diminish that natural instinct into either barbarous experiments in lechery too inconvenient to apprise honestly but looming aghast at the moral tip-toes around the Original Sin that binds us to predatory lapse and retromorphosis rather than the maintenance of a mainlined trimpoline confidence in a normative wave of galvanized interface against the overpromiscuous provisions for the lackaday resentment of alienated millennialism relishing the sennet of nostalgia but bereft of the heave from moral slumbers of an invented celibacy intermediary to demassification but attenuated by the omphalism of astute gravitas in socially engineered balks at the emergence of singularity in personalized cacotopia becoming a metaphor for the broadsided shipwreck of an inured world pasteurized into acerbic jolkers of foofaraw rather than the real-life relish against still-framed ostentation that distorts the granular artifice of the natural into supernatural fixations with gaudy swarpollock indecently exposed. To the finkly flonky puritanism of the wiseacres of those who say sacerdotal duty cannot diverge from entelechies of secular insight I behold the marvel of timespun elegance as the marvel of God’s convergence for the happenstance of the serendipity of magnified time lived completely in the plenipotentiary pangs of evanescence that catapults subliminal meaning to memorialize this indelible seminal watershed in a clear visionary establishment of history. Most belong to oligomania but I relent in the completely sardonic intortions of aspects of sebastomania in complete equipoise with the clairvoyant clarity of centralized perspective but the dragomans will interpret that last phase with underminnow because it belies the granular intent of the fin de seicle advent of a new generation that is an homage to the hallowed Judaic theory of millennialism as the return of glorified entitlement yet tentative in its overhang but never malicious in its grapnel of the fewterers of amazing convergence of clairvoyance. The tangential rebuke of the absurd oxyholotron of paradoxical puritan superstition that assumes a fustilug generation will cement a farsighted clarity that subsumes generative prowess lingers with fixations on the figments of the apocryphal version of the truer version of revelations manifesting right before our eyes for neither the sinistral or the dexterous amplivagance of God’s universal message by the superorganism of messianic purpose belittled by the agents of humbled perdition not alone of martexts that are martles but also by the shepherded fears of the ignorant rather than the insipid because the will never be outmoded only enhanced by the acceleration of proliferative technologies that pave a macadamized future of prosperity rather than the tarnish of the miscreants of Tyre. I owe all providence to God because he fastened his scrutiny on my autodidactian romance clambered into restive ontocyclic peccadillo that points to Pinocchio more than to the truest compass of an omnified salvation of the piggybacked purpose of synergies of geotechnic mastery that elevates the cause of God and liberates us from the stings of dangerously vapid pauperization of the intellectual frontiers by dangled prevarications of desultory incontinence forestalled by avoidant developments in proper fewterers of ambition. By the axiomatic Brocards of time travel the unstated ignotism of deranged circuses of stupidity congregated around the swelter of dismissal is a barnacle to the mofussil fossilization of sentiment that remarks ironically about the petty indelible moments but not the entelechies of a unified front for liberated equity and considerate tender of diverse quorums that shepherd rather than intern the noosphere into the burgeoned resurgence of a humane endeavor for the everlasting enlightenment of an ameliorated humanity and beyond that. By the bailiwick exerted by the plenipotentiary omphalism still participant to the quorum I hereby declaratively implore the abrogation of pernicious grapholagnia as the peremptory sacrilege that needs exorcism for our times and yet delegated of stature I urge hortatory and imperative action for the expurgation of all tortfeasor illegally obtained ******* of unsolicited voyeurism to be completely regarded as the ultimatum of temerity against carnal restraint and banished from the human registry to uphold the strategic interests of the United States of America. I understand that there is not fricative monolith and never will I lean for that conquest but as a humbled member of the omphalism that constitutes the sacred endeavor of sociogenesis grounded on God with collegialism upheld that a geotechnically optimized species needs to refrain from lewd perfidies against commonplace justice to restrain the fumatorium of unwarranted envy from poisoning the pervious minds of people that congregate in defensive posture but not definitive gesture. I also beseech a portentous  settlement with  I relent from avarice but it is not a superposition of authority just a suggestive glance at requited justice but my grangull chavish of circumlocution naivety will meet the most deliberate Sardonic Sc(p)orn in these times of need. These next words are paused and already fathomed by the supernal recursion of the iterative metaphysics of recumbent retrospection hinged on hindsight to proclaim without any hints of attempted subterfuge of the clarity of a Democratic Republic that my words while forceful do not constitute a breech in public conduct even while vaulted with a minor rapacity I rebuke and atone for even when many others might find recourse to expiate my jalousies to the windowed world not of vindictiveness but out of the cursory and emphasis on cursory justice needed to vouchsafe my continued security and inoculation from the pothers of obviously shortsighted pleonexia which will obviously be fleered as a slight euthymia glazed on self-interest while tone-deaf to the checkered layers of entrapment by a confederate whiplash but a native grit never to enslave but to empower humanity. I am deeply lugubrious over the specter of the trembled quaky ground the penury of spiritual loss rejoinders against my candidacy for high esteem but not peremptory decisiveness in active service to yield to a supererogatory attempt for felicity to alight in my life not out of material greed but the gratuity of serviceable missions that play a dicey gamble with a frenzied manumission attempt that is essentially that a parsed manumission for eleutherian pragmatica to chide as naive but alarmed senectitude of the old order prevaricates with the din of postured hurdles of gladiatorial outrage that weans me away from the ataraxia for my fumbled stream brooking intolerance for years on the ballast of collective endeavor. Nevertheless, lets speak more on God’s providence because in this esteemed moment of watershed emergence of the fully engorged but rarely gluttonous soul I have found an equitable peace with supernal and superlative authority in God that grants stewardship and tutelage to the audience that will eventually through proper discrimination be delegated as higher than the ignorant bystanders of fleered snide disdain for the abnormous and bletcherous dimples of an otherwise circuitous dalliance with an unconventional path towards destiny rather than some windlass of opportunism for, if it were not for my unabetted genius and the provisions of divine appointment based on a kindly generous deference to preterition axiomatic in perceived time by the strictures of the convergent past and the divergent future, I would never find a role of partial authorship of a widely heralded tome I will one day publish to either the exsibilation of the antiquarians of hidebound irrefragable ontocyclic convictions or the cloveryield of an appreciative gratitude to the God I serve and I make no notions of any hostility towards any party of petty dismissal because I expect their recumbent recoil but I apologize for hubris and extenuate the follies of the refinery of character as I ascend into a figurative ennobled step into soulhood that exceeds my former dismal limits by such staggering orders of magnitude it magnifies the questions of ontology in sentience rather than beckons the alarmism of the swarpollock of tripwires that can easily withstand the tempests of scorn. The uproar of commotion of blood sanctified by the thirsty rain for the desiccated faucet of dramaturgy in reprisal for docimasy is the integral linchpin of the biocentric rebec reasting on the primitive hymns to festoon the curtains of defenestrated primitive relics of shady attempts at officious balks of the privatized empire of the alytarchs among the earwigs that simper the culled delicacy of sensible notions into the congeners of prioritization emphasized by quantulated concerns veiled by elaborative synquests that burrow the sulcate grooves of hidden hedonism for the chic magistrates of financial swoon or swayed vestiges of a forgotten calumny of betrayal by the coming-of-age sprouts of hedged dismal dismissal of a lugubrious prospect for an otherwise revitalized dressage of emoluments to glory that lurked in penumbras by rigged enumeration but found their prominence by the gravity of sensation-seeking frissons of alterations between benighted glory and the famish of artificial tethers to the yoke of caramel and chocolates as a dainty ploy of yearning persiflage also a dranger of camouflage for flagitious percolations of the invidious rumors of imposture and the groveling contempt of the known drogulus remiss in denial of its own requited date when the powers of miscarriage become ecbolic to their own lagging languor of lisps of linguistic ramparts of a revival of hypertrophy for hyperactive foibles in inclement weather. Ok beyond the absenteeism of the presence of perceived amphigory there is great heft in the nominal notion that dogma is mobilized in serviceable goods of merchandized mirrors of glazed remission of moral tender because of stoked curiosity unhinged from the pragmatica of duty. We need forbearance in empathy that loves the lovable rather than envies the deposed despotism of clever wiseacres veiled in delicate symmetry with conscience that is the quill of a wellspring deeper than any imaginary vagary can approximate because impossible events punctuate time with literacy rather than incontinence of drivel that is ambitious but ignoble by stately coherence. To the critics of the baragnosis of limited apperception my words are blatant amphigories but they only possess enough ken to fathom an average orbit of suboptimal outcomes rather than transdimensional chances at chess outnumbered by checkers by incidental design of clever ploys of rejoinder that is by design arcane for the arcadia of the pristine arcade of future possibilities  As I am purblind by psychorrhagy I am incompetent in my radiopresence because I am a departed spectral figment above fricative hisses and whorfian glares of mediocre rebec for primitive shibboleth above prized taurine anglophonic convictions that superimpose the dignified clarity of willpower above the dragnets of supersolid conflations of puffery. Ok I admit a lapse of transmission by the vesicles of numbered murders of henpecked owleries of the senectitude of sepulchral magnetism of slumber over awakened alacrity of mobilism fashioned in portentous flipcraves of additive immobility of fixed vectors seen through parvanimity that actually just swivel in circular retorts against themselves without the elaborative potential and the belabored traipse of the rabid taradiddles of sensationalism marauding as a defalcated burglary of emotion for useless psephology that predicates nothing but a slight budge in the autarky of structuralism which is never sclerotic but stammered by articulations of the overt when the covert aligns by an alien agenda that is subservient to magnified priorities of warped swirk of telescopic prevenance and hedged boschveldts of elemental and I stress the strain of the elemental for the drogulus of sensational proclamation by executive ****** but supererogatory minutiae of fascism cloaked by earwigs of repcrevel repute beyond memorialized reputation. We need to renege the southern pacts to the Argentine mandarism of reticular vitiations of cinematography waged against creative visionaries of free speech because of the succedaneum of furtive endeavors at optimization by compromised degrees of artistic licentiousness even that is never lewd about sacred roods but boorish in blockbuster rather than kempt in collectivist brunt of the timid bronteum of agitprop that lurks in the imminent future of cinema. America needs to retain the disclosed but still-frame inertia of catapulted declassification that ennobles the fliction but also the vilified distilled truths only the keen of acumen will sensibly identify so that the magnet of earwigs gravitates to the belabored analysis of astute congeners to relevant tributaries to the ocean of adventitious swarpollock in the procedural autopsy of the auditorium for neither a chattel nor a crystallized nurture against the matriotic insistence of decorum. Essentially the succubus of prosthetic protensive docimasy of imaginative logic predicated in visionary apperception of the unseen in immediacy is the longeur of reticent endeavors to pasteurize the oculus rifts of futurity to synergize with the entelechy of proactive somnambulism that sensitizes the profoundly capable but never bereaves the inept of direct interface with communicable dominion with fantasia that is an operative artifice of a beguiled lurch without purged retrograde immaterial delusion that endangers visceral momentum toward new directives of the outmantled zugzwang in elementary exercises of swaddled posterity free by irenic idolatry never orphaned by a widowed imagination. The swirk of hypostasized probabilities in an invented swipe at wide-eyed but star-crossed turnvereins for the imaginative leaps in the performative depend on the delicate swivels of declaration independent from culinary clarity of macroscian travesty rather than pinhokes of naufragues of maudlin laudable applause by the canned nurture of speculative intimation that sadly severs the curglaff of whispered intimacy over the confidence we have in artifice to teach the wragapole both matriotism and sensitive reninjasque poker without incurred damages beyond the clarified visionary potential of graphic protheses immediately perceptible to the acumen of judicious polymathy indoctrinated by the rigor of scientific grooms for melliferous parsecs of advanced minutiae of dark horses to nomadic license beyond ravenous **** palindromes of hushed vigor to the declared by scacchic deliberation to usher in crass but crestfallen synectics. The future of God is secure in the fathomed furlongs of cubic citadels of pasteurized paradise found in corralled reluctance without remonstrance of poetic belletrist resounding with clangor rather than swerved nimble potions to avert future calamities in war by the expansive frontier of a civilized metropolis of the mobilized imagination hypostasizing newfangled naturism that is neither mofussil nor a fossilized relic of scrappy schlep. The nonchalance of parlance swims in arenaceous bunkers of drivel that congregate in the turnverein of futuristic opportunism found in the muzzled directives of orchestras of departed clarity no longer so insular in its bossy imperatives but clarified with hearsay and blushed blarney not the blench of widened divulgence of minatory malice that incurs the punitive curglaff of frenetic retchallops of winsome specters becoming opportune pragmatics of a semantic network of dirigisme that through sheer horsepower overcomes the sting of ubiquity or the hollowed headless vesicles of urbacity disenfranchised by degrees of impertinent pertinacity of deposed disclosure rudimentary in sedentary simplicity against matriotic duty to remain guarded by an ommateum that fathoms the abyss but never wages reckless adventurism. Prevenance is the key to absolution but staggered implements of dearth preempt the ecbolic corrigenda of castigation by hindered lurches of veiled errundle belonging to a central trimpoline interposition of fungible felicity for not only a regional fanfare but a global scale of competitive endeavor of cleverage beyond scopes but beneath scrutinized mutiny of embanked polymathy stranded by the redstrall of industrious slavering dogmatism to a servile ***** rather than the boomerang of pressure to asseverate limitless bounds of planned obsolescence to engorge but not intimidate checkered reticence in the sinew of the musculature of creative parlance above petty finicky demiurges of latitudes in amphibious annealed glorification. Temperatures gauged by the thrombosis of thermolysis in psychotaxis gouged by hucksters of taciturn bamboozles of teetotalism are neither scourge nor foe of the strategic advent of the fascination of prospective investment a boondoggle that offsets the bonfire of retorted whimpers of foudroyant ripples of wildfire perspicacity strung by the catchpole of ubiquity in the time-honed decorum of genteel upright raconteurs of volleyed neglect by strict mandate will uproariously profit in remission from knowledgeable exacerbation rather than tomfoolery by filial tithes to foreign wardens of conspicuous levitation above gimcracks by the syrts of percolated filigrees of belabored chantage exerted over the tide of perfidy in contained discernment will stall and extinguish the prideful jostle of profane blasphemy against tacit covenants of blackguarded justice served by platitude better than by insubordinate quivers that quake because bears bounce checkered checks rather than anoint the sigillum of protective vouchsafes of exchequers smartly dapper rather than dimpled in flagrant brays of castigation and thus secure employment of instrumental advent rather than desecrated conventicles of remission.
Now it is time to ventilate divine knowledge that transfiguration means a humane liberation rather than a sanctimony of tirade against dumose proliferations of fluminous imaginary tracts of the probable rather than the certain for the elevators of sanitized wealth to bequeath greater moral clarity found in the contrary submission of authoritative parents to shepherd guarded wealth in proper husbandry of calendrical affairs to optimize the work-life balance so the biocentric imperative for sustenance renounces the moral obesity of groundless backlash in austerity and endless cycles of remorse rather than a tender mollification of sentiments away from universal kumbayas and in favor more stridently of a system that withholds the agitprop of statist indoctrination of a mollycoddle ****** within individual mandates of variable agendas of countries beyond the borderline fluid dynamics of the foibles of moral venial folly but insensitive to the dynamism of the robust virility of a wayspayed world swaying by riddled wildfires of conflated puerile stages of ludic indoctrination to the rampant perfidy of exemplary incontinence waged by Hollywood upon unsuspecting victims of inconsiderate indoctrination that doesn’t vouchsafe the prerogatives of heteronormative values that should outshine not a parochial vehement hatred or a clorence of unconditional tolerance but a chided quarantine of variegated syntalities divorced from integration rather than fostered in communal depths of bound lettered ambition found in the allegorical power of Biblical wisdom expounded by the florilegium of the religious and secular canon.
To serve God rather than the perceived taradiddle of speculative mammon deprived of classifiable certainties but hunched proclivities we need to exhort a proper seesaw between restraint in vision and exuberance in creative license so that the pivot of the moralized world leads to an insistent trust of watchdogs that through trust revolve the gravity of morale upon the upswing of liberty rather than incidental follies of imaginative demiurges of partition but blinkered hubris in stately objectives to the demur of participant malingering naysayers and nyejays. The moral gravity of the situation requires us to rotate our hype from the fervor of panic into the resolve of fortitude that relishes family and filial duty rather than resents because of breedbate instinct the flickers of smoldering rebels that are tamed in their revelry when they follow the moral prerogative of disciplined ambition in creativity not insubordinating against insurmountable limits but reasonable adjustments to a scaffold of potential that is skyscraping more than before even if its too close to the ground for comfort and consolation. Relativism is the enemy of progress because envy seeds alienation and comparison should be eschewed because we need to burrow in compassionate embrace of the cherished loves rather than the exaggerated proximity of provincial fears becoming global juggernauts of mercy upon the merciful and I convoke a global prayer for the attenuation of the virus that spreads sadly too far for comfort today. I purge out of solidarity with suffering as the milquetoast in me identifies the disconcerted avenues of avetrols trying to find a way through the forest of rumination without gingerly superlative prerogatives outweighing the poise of balance in shields of honor rather than badges of shame. We must by moral imperative greet strangers in public places like parks rather than strangulate the percolation of affection because of regnant distractions because in this congenial way we will find a common fraternity with fellow man while soldiering on to find truth in God’s word in the proper temperature for genuflection because I admit foibles but I relent not in the chase to redintegrate myself spiritually to lead a charge without trespass of fundamental dignity over the whoppers of indignation some of us might feel because of the penury of divergence rather than the private penalty of convergence for an ulterior solidarity of purpose. I need to emerge into the humanity of compassion to showcase that virtuosity can exist without obsession over one individual because God beseeches a pantheon of observation rather than the gripes of an envied nuisance independent from normal human concerns that ripple with ecstasy because of normative human contrition over the leeway on vacillated opinions that might underwhelm those disposed by prizes of inurement. We should shelve these notions of a supersolid conscience because only in the humility of the profound simplicity of elemental postulates can we achieve complete synchrony with a syndicate that enthralls both divergent and convergent movements that partially offset on the side of convergence in some communes while otherwise countermanded in others in contrarian ways and the favor of the balance depends on the perspective of the flanged acculturation of the participant in a world that doesn’t need flayed excoriation as much as it deserves proper exercise of adoration of the admirable rather than the desecration of the abominable. I return with the greatest jubilation of a reninjasque jaunty streak that hearkens the sennet and maybe the leanings of the senate to the fanfare of adoration for life and gratitude bestowed by the stewardship of God and his divine purpose to inseminate my life with purposeful meaning and happy happenstance that is a stroke of glory. I muster the resolve to traipse in the solitude of my cavern the blessings of divinity bequeathed by the departed forefathers who never intended bossy insularity of dogma to be a stricture of rigors of iconoduly but rather a consecrated wit with the persiflage of conversant tones of labile and lissome gallantry just waiting to alight upon the affectionate dance with dalliance of a philandered hope for a purified love hopefully never profaned by the pangs of scandal (note the sardonic pun) because rejoice is the gift of Heaven upon this culmination of purpose above the dross of shipwreck elevated in folly but stranded in the throes of rumination enough to hedge the boursocrats and try to inoculate the world from further panicky divisions of hypemongers of simpered precaution becoming a financial pandemic that deserves pause and poise but should not protrude above the glistening promise of the eternal wellspring of the vineyards of salvation blooming because enhanced sapience converted the flock of shepherds to tend to those sheepish in deficiency to wield a newer curiosity to replace a saddened lament not by acquiescent abandon but by the solidarity of interfaces of love replacing cast-iron idolatries I too am guilty of for the cordslave generation of itinerant distractions that wager on modicums rather than appraise bonanzas. Safety is predicated on the idea that resources should never be glazed but always apportioned with optimism because if you examine history irrational panics have always and always rebounded because of exigent actions taken by governments to restore confidence in liquidity rather than snide dismal dismissals of economic projections based on bounded rigged betrayals of primarily a global panic that a profoundly promethean intellectual verve could capitalize on its heyday to gouge people against the insensate balkanization of the future by an alienation of formidable scarecrow of invented fatalism imploding upon itself to obviate its own existence by the insistence on free thought to domineer and tower over the doldrums of a vacant man that is now occupied by the largesse of humane endeavor for a messianic voyage that consummates time itself its own captain and is partially centripetal around the juncture of All Saints Day 2008 because of its seminal significance in ushering in a new era of liberation. This justification is a gnomic axiomatic herculean ****** that catapulted generativity in creative endeavor to coalesce around an Army of Me not because of the futilitarianism embedded in its flagrant flagitious mockery of traipsed lyricism borrowed from Bjork but rather showcases the flavork of the flavenickers of ribald coarse revolution that is no longer balderdash to Bald Eagles but the prized retribution of the inviolable scruples demolished by deracinated moral relativism balking at raltention because of persnickety and tyrannical transparency that prepossesses over the lifeless livid Potemkin  Village  of Astroturf complaint malingering in pederasty over its own depraved sinuous course of diverted restraint cemented by the scythes of Village People politics benumbed over militarized betrayals that incur and invoke the diablerist prose of anonymuncle desperado mavericks that sizzle in hibernaculum to depose the autarky of seasoned growth rather than unseasonable diatribes of vitriol poisoning the posture of gentility by decree rather than by deeds of homogenized pasteurization against Lactose Intolerant Leftism and dogged doggerel of pasty subversive paranoiac hederaceous envy spawning a vituperative summation of a beatific felicity. We need to convene upon better tranceception in this axiomatic gratuity of God
JL Harlow Apr 2014
I don't think tunnels can go this deep:
The way the oceans part--
Starfish foam, bubbling for air.

I saw the moon bleeding,
So many hidden cries.
She shouted:
"No fair, no fair...No fair..."
And now the polished skeleton
Bones glisten in the sun.

Taken from the dusty closet,
One by one by one.
Alongside a black journal,
No embellishments,
No lock to conceal shame.

Pages of her history,
Like collected pages of
The suffrage, and at the
Very last page, her dream's name.

Italicized like lies fresh oyster pearls shine.
Glistening in the frost of the night,
The soothing heat of her mind's height.
Tunnels can touch Earth's spine.
"Earth's Spine" from J.L. Harlow's book of poetry "Dragonfly Island".
An absence reversed
Beheld
Belonging
Fuming lush greenery seemingly
Between the frothing
Soup and lather twinkling
Speaking
"Tradition may act dishonestly"
All and sundry
Trails along merrily
For traditionally
All is how it should be
Belonging to one and only.

Binding
A trade between the thin lines
A baking sheet made sprayed messy
Artists in threes
Shakers of mountains for invisible ease
The truth is simply
Things done traditionally
All-in consuming historically.

Flesh
Released
Is fresh
Relief
Hidden in the fabric's sleeve
A gaping passage of air and breeze
Racing electricity
Breathtaking silk from worms
And worms eaten by birds
Tradition
Sewing the dresses of Empress the third.
Halt
Her plea worth salt and sugar
Still
Like the skater's
Minted odour
Hope
Distances the valleys low dipped to the everlasted rivers
Where a time arrives for eternal celebration.
The embellishments of
Unwavered tradition.
© Teri Darlene Basallote Yeo
What is your tradition?
Such passion flows from fingers
that scale the controlled embellishments
of Chopin.
The melodies swirl in your brain
as you try to imagine caressing
the ivories with every female voice
that Chopin encountered.
Expressing profoundly the experience
of Chopin's work cannot be described
on paper.
It must be felt.
Only then will you find passion in its raw form.
judy smith Sep 2016
When I was chief creative officer for Liz Claiborne Inc., I spent a good amount of time on the road hosting fashion shows highlighting our brands. Our team made a point of retaining models of various sizes, shapes and ages, because one of the missions of the shows was to educate audiences about how they could look their best. At a Q&A; after one event in Nashville in 2010, a woman stood up, took off her jacket and said, with touching candour: “Tim, look at me. I’m a box on top, a big, square box. How can I dress this shape and not look like a fullback?” It was a question I’d heard over and over during the tour: Women who were larger than a size 12 always wanted to know, How can I look good, and why do designers ignore me?

At New York Fashion Week, which began Thursday, the majority of American women are unlikely to receive much attention, either. Designers keep their collections tightly under wraps before sending them down the runway, but if past years are any indication of what’s to come, plus-size looks will be in short supply. Sure, at New York Fashion Week in 2015, Marc Jacobs and Sophie Theallet each featured a plus-size model and Ashley Graham debuted her plus-size lingerie line. But these moves were very much the exception, not the rule.

I love the American fashion industry, but it has a lot of problems and one of them is the baffling way it has turned its back on plus-size women. It’s a puzzling conundrum. The average American woman now wears between a size 16 and a size 18, according to new research from Washington State University. There are 100 million plus-size women in America, and, for the past three years, they have increased their spending on clothes faster than their straight-size counterparts. There is money to be made here ($20.4 billion (U.S.), up 17 per cent from 2013). But many designers — dripping with disdain, lacking imagination or simply too cowardly to take a risk — still refuse to make clothes for them.

In addition to the fact that most designers max out at size 12, the selection of plus-size items on offer at many retailers is paltry compared with what’s available for a size 2 woman. According to a Bloomberg analysis, only 8.5 per cent of dresses on Nordstrom.com in May were plus-size. At J.C. Penney’s website, it was 16 per cent; Nike.com had a mere five items — total.

I’ve spoken to many designers and merchandisers about this. The overwhelming response is, “I’m not interested in her.” Why? “I don’t want her wearing my clothes.” Why? “She won’t look the way that I want her to look.” They say the plus-size woman is complicated, different and difficult, that no two size 16s are alike. Some haven’t bothered to hide their contempt. “No one wants to see curvy women” on the runway, Karl Lagerfeld, head designer of Chanel, said in 2009. Plenty of mass retailers are no more enlightened: under the tenure of chief executive Mike Jeffries, Abercrombie & Fitch sold nothing larger than a size 10, with Jeffries explaining that “we go after the attractive, all-American kid.”

This a design failure and not a customer issue. There is no reason larger women can’t look just as fabulous as all other women. The key is the harmonious balance of silhouette, proportion and fit, regardless of size or shape. Designs need to be reconceived, not just sized up; it’s a matter of adjusting proportions. The textile changes, every seam changes. Done right, our clothing can create an optical illusion that helps us look taller and slimmer. Done wrong, and we look worse than if we were naked.

Have you shopped retail for size 14-plus clothing? Based on my experience shopping with plus-size women, it’s a horribly insulting and demoralizing experience. Half the items make the body look larger, with features like ruching, box pleats and shoulder pads. Pastels and large-scale prints and crazy pattern-mixing abound, all guaranteed to make you look infantile or like a float in a parade. Adding to this travesty is a major department-store chain that makes you walk under a marquee that reads “WOMAN.” What does that even imply? That a “woman” is anyone larger than a 12 and everyone else is a girl? It’s mind-boggling.

Project Runway, the design competition show on which I’m a mentor, has not been a leader on this issue. Every season we have the “real women” challenge (a title I hate), in which the designers create looks for non-models. The designers audibly groan, though I’m not sure why; in the real world, they won’t be dressing a seven-foot-tall glamazon.

This season, something different happened: Ashley Nell Tipton won the contest with the show’s first plus-size collection. But even this achievement managed to come off as condescending. I’ve never seen such hideous clothes in my life: bare midriffs; skirts over crinoline, which give the clothes, and the wearer, more volume; see-through skirts that reveal *******; pastels, which tend to make the wearer look juvenile; and large-scale floral embellishments that shout “prom.” Her victory reeked of tokenism. One judge told me that she was “voting for the symbol” and that these were clothes for a “certain population.” I said they should be clothes all women want to wear. I wouldn’t dream of letting any woman, whether she’s a size 6 or a 16, wear them. Simply making a nod toward inclusiveness is not enough.

This problem is difficult to change. The industry, from the runway to magazines to advertising, likes subscribing to the mythology it has created of glamour and thinness. Look at Vogue’s “Shape Issue,” which is ostensibly a celebration of different body types but does no more than nod to anyone above a size 12. For decades, designers have trotted models with bodies completely unattainable for most women down the runway. First it was women so thin that they surely had eating disorders. After an outcry, the industry responded by putting young teens on the runway, girls who had yet to exit puberty. More outrage.

But change is not impossible. There are aesthetically worthy retail successes in this market. When helping women who are size 14 and up, my go-to retailer is Lane Bryant. While the items aren’t fashion with a capital F, they are stylish (but please avoid the cropped pants — always a no-no for any woman). And designer Christian Siriano scored a design and public relations victory after producing a look for Leslie Jones to wear to the “Ghostbusters” red-carpet premiere. Jones, who is not a diminutive woman, had tweeted in despair that she couldn’t find anyone to dress her; Siriano stepped in with a lovely full-length red gown.

Several retailers that have stepped up their plus-size offerings have been rewarded. In one year, ModCloth doubled its plus-size lineup. To mark the anniversary, the company paid for a survey of 1,500 American women ages 18 to 44 and released its findings: Seventy-four per cent of plus-size women described shopping in stores as “frustrating”; 65 per cent said they were “excluded.” (Interestingly, 65 per cent of women of all sizes agreed that plus-size women were ignored by the fashion industry.) But the plus-size women surveyed also indicated that they wanted to shop more. More than 80 per cent said they’d spend more on clothing if they had more choices in their size and nearly 90 per cent said they would buy more if they had trendier options. According to the company, its plus-size shoppers place 20 per cent more orders than its straight-size customers.

Online start-up Eloquii, initially conceived and then killed by The Limited, was reborn in 2014. The trendy plus-size retailer, whose top seller is an over-the-knee boot with four-inch heels and extended calf sizes, grew its sales volume by more than 165 per cent in 2015.

Despite the huge financial potential of this market, many designers don’t want to address it. It’s not in their vocabulary. Today’s designers operate within paradigms that were established decades ago, including anachronistic sizing. (Consider the fashion show: It hasn’t changed in more than a century.) But this is now the shape of women in this nation, and designers need to wrap their minds around it. I profoundly believe that women of every size can look good. But they must be given choices. Separates — tops, bottoms — rather than single items like dresses or jumpsuits always work best for the purpose of fit. Larger women look great in clothes skimming the body, rather than hugging or cascading. There’s an art to doing this. Designers, make it work.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/black-formal-dresses
Amitav Radiance Sep 2014
The walk along the streets of fame
Streetlights illuminating the night
Dazzles are but fleeting moments
Adulation of the crowds will wane
Looking through the dark glasses
To fend off the bright camera flashes
Offered the spotlight by bright lights
They will switch off during the day
Temporary embellishments will disappear
With ease walk the streets
Where fame is just not a stereotype
Tell me, o muse, of that ingenious hero who travelled far and wide
after he had sacked the famous town of Troy. Many cities did he visit,
and many were the nations with whose manners and customs he was
acquainted; moreover he suffered much by sea while trying to save
his own life and bring his men safely home; but do what he might he
could not save his men, for they perished through their own sheer
folly in eating the cattle of the Sun-god Hyperion; so the god
prevented them from ever reaching home. Tell me, too, about all
these things, O daughter of Jove, from whatsoever source you may
know them.
  So now all who escaped death in battle or by shipwreck had got
safely home except Ulysses, and he, though he was longing to return to
his wife and country, was detained by the goddess Calypso, who had got
him into a large cave and wanted to marry him. But as years went by,
there came a time when the gods settled that he should go back to
Ithaca; even then, however, when he was among his own people, his
troubles were not yet over; nevertheless all the gods had now begun to
pity him except Neptune, who still persecuted him without ceasing
and would not let him get home.
  Now Neptune had gone off to the Ethiopians, who are at the world’s
end, and lie in two halves, the one looking West and the other East.
He had gone there to accept a hecatomb of sheep and oxen, and was
enjoying himself at his festival; but the other gods met in the
house of Olympian Jove, and the sire of gods and men spoke first. At
that moment he was thinking of Aegisthus, who had been killed by
Agamemnon’s son Orestes; so he said to the other gods:
  “See now, how men lay blame upon us gods for what is after all
nothing but their own folly. Look at Aegisthus; he must needs make
love to Agamemnon’s wife unrighteously and then **** Agamemnon, though
he knew it would be the death of him; for I sent Mercury to warn him
not to do either of these things, inasmuch as Orestes would be sure to
take his revenge when he grew up and wanted to return home. Mercury
told him this in all good will but he would not listen, and now he has
paid for everything in full.”
  Then Minerva said, “Father, son of Saturn, King of kings, it
served Aegisthus right, and so it would any one else who does as he
did; but Aegisthus is neither here nor there; it is for Ulysses that
my heart bleeds, when I think of his sufferings in that lonely
sea-girt island, far away, poor man, from all his friends. It is an
island covered with forest, in the very middle of the sea, and a
goddess lives there, daughter of the magician Atlas, who looks after
the bottom of the ocean, and carries the great columns that keep
heaven and earth asunder. This daughter of Atlas has got hold of
poor unhappy Ulysses, and keeps trying by every kind of blandishment
to make him forget his home, so that he is tired of life, and thinks
of nothing but how he may once more see the smoke of his own chimneys.
You, sir, take no heed of this, and yet when Ulysses was before Troy
did he not propitiate you with many a burnt sacrifice? Why then should
you keep on being so angry with him?”
  And Jove said, “My child, what are you talking about? How can I
forget Ulysses than whom there is no more capable man on earth, nor
more liberal in his offerings to the immortal gods that live in
heaven? Bear in mind, however, that Neptune is still furious with
Ulysses for having blinded an eye of Polyphemus king of the
Cyclopes. Polyphemus is son to Neptune by the nymph Thoosa, daughter
to the sea-king Phorcys; therefore though he will not **** Ulysses
outright, he torments him by preventing him from getting home.
Still, let us lay our heads together and see how we can help him to
return; Neptune will then be pacified, for if we are all of a mind
he can hardly stand out against us.”
  And Minerva said, “Father, son of Saturn, King of kings, if, then,
the gods now mean that Ulysses should get home, we should first send
Mercury to the Ogygian island to tell Calypso that we have made up our
minds and that he is to return. In the meantime I will go to Ithaca,
to put heart into Ulysses’ son Telemachus; I will embolden him to call
the Achaeans in assembly, and speak out to the suitors of his mother
Penelope, who persist in eating up any number of his sheep and oxen; I
will also conduct him to Sparta and to Pylos, to see if he can hear
anything about the return of his dear father—for this will make
people speak well of him.”
  So saying she bound on her glittering golden sandals,
imperishable, with which she can fly like the wind over land or sea;
she grasped the redoubtable bronze-shod spear, so stout and sturdy and
strong, wherewith she quells the ranks of heroes who have displeased
her, and down she darted from the topmost summits of Olympus,
whereon forthwith she was in Ithaca, at the gateway of Ulysses’ house,
disguised as a visitor, Mentes, chief of the Taphians, and she held
a bronze spear in her hand. There she found the lordly suitors
seated on hides of the oxen which they had killed and eaten, and
playing draughts in front of the house. Men-servants and pages were
bustling about to wait upon them, some mixing wine with water in the
mixing-bowls, some cleaning down the tables with wet sponges and
laying them out again, and some cutting up great quantities of meat.
  Telemachus saw her long before any one else did. He was sitting
moodily among the suitors thinking about his brave father, and how
he would send them flying out of the house, if he were to come to
his own again and be honoured as in days gone by. Thus brooding as
he sat among them, he caught sight of Minerva and went straight to the
gate, for he was vexed that a stranger should be kept waiting for
admittance. He took her right hand in his own, and bade her give him
her spear. “Welcome,” said he, “to our house, and when you have
partaken of food you shall tell us what you have come for.”
  He led the way as he spoke, and Minerva followed him. When they were
within he took her spear and set it in the spear—stand against a
strong bearing-post along with the many other spears of his unhappy
father, and he conducted her to a richly decorated seat under which he
threw a cloth of damask. There was a footstool also for her feet,
and he set another seat near her for himself, away from the suitors,
that she might not be annoyed while eating by their noise and
insolence, and that he might ask her more freely about his father.
  A maid servant then brought them water in a beautiful golden ewer
and poured it into a silver basin for them to wash their hands, and
she drew a clean table beside them. An upper servant brought them
bread, and offered them many good things of what there was in the
house, the carver fetched them plates of all manner of meats and set
cups of gold by their side, and a man-servant brought them wine and
poured it out for them.
  Then the suitors came in and took their places on the benches and
seats. Forthwith men servants poured water over their hands, maids
went round with the bread-baskets, pages filled the mixing-bowls
with wine and water, and they laid their hands upon the good things
that were before them. As soon as they had had enough to eat and drink
they wanted music and dancing, which are the crowning embellishments
of a banquet, so a servant brought a lyre to Phemius, whom they
compelled perforce to sing to them. As soon as he touched his lyre and
began to sing Telemachus spoke low to Minerva, with his head close
to hers that no man might hear.
  “I hope, sir,” said he, “that you will not be offended with what I
am going to say. Singing comes cheap to those who do not pay for it,
and all this is done at the cost of one whose bones lie rotting in
some wilderness or grinding to powder in the surf. If these men were
to see my father come back to Ithaca they would pray for longer legs
rather than a longer purse, for money would not serve them; but he,
alas, has fallen on an ill fate, and even when people do sometimes say
that he is coming, we no longer heed them; we shall never see him
again. And now, sir, tell me and tell me true, who you are and where
you come from. Tell me of your town and parents, what manner of ship
you came in, how your crew brought you to Ithaca, and of what nation
they declared themselves to be—for you cannot have come by land. Tell
me also truly, for I want to know, are you a stranger to this house,
or have you been here in my father’s time? In the old days we had many
visitors for my father went about much himself.”
  And Minerva answered, “I will tell you truly and particularly all
about it. I am Mentes, son of Anchialus, and I am King of the
Taphians. I have come here with my ship and crew, on a voyage to men
of a foreign tongue being bound for Temesa with a cargo of iron, and I
shall bring back copper. As for my ship, it lies over yonder off the
open country away from the town, in the harbour Rheithron under the
wooded mountain Neritum. Our fathers were friends before us, as old
Laertes will tell you, if you will go and ask him. They say,
however, that he never comes to town now, and lives by himself in
the country, faring hardly, with an old woman to look after him and
get his dinner for him, when he comes in tired from pottering about
his vineyard. They told me your father was at home again, and that was
why I came, but it seems the gods are still keeping him back, for he
is not dead yet not on the mainland. It is more likely he is on some
sea-girt island in mid ocean, or a prisoner among savages who are
detaining him against his will I am no prophet, and know very little
about omens, but I speak as it is borne in upon me from heaven, and
assure you that he will not be away much longer; for he is a man of
such resource that even though he were in chains of iron he would find
some means of getting home again. But tell me, and tell me true, can
Ulysses really have such a fine looking fellow for a son? You are
indeed wonderfully like him about the head and eyes, for we were close
friends before he set sail for Troy where the flower of all the
Argives went also. Since that time we have never either of us seen the
other.”
  “My mother,” answered Telemachus, tells me I am son to Ulysses,
but it is a wise child that knows his own father. Would that I were
son to one who had grown old upon his own estates, for, since you
ask me, there is no more ill-starred man under heaven than he who they
tell me is my father.”
  And Minerva said, “There is no fear of your race dying out yet,
while Penelope has such a fine son as you are. But tell me, and tell
me true, what is the meaning of all this feasting, and who are these
people? What is it all about? Have you some banquet, or is there a
wedding in the family—for no one seems to be bringing any
provisions of his own? And the guests—how atrociously they are
behaving; what riot they make over the whole house; it is enough to
disgust any respectable person who comes near them.”
  “Sir,” said Telemachus, “as regards your question, so long as my
father was here it was well with us and with the house, but the gods
in their displeasure have willed it otherwise, and have hidden him
away more closely than mortal man was ever yet hidden. I could have
borne it better even though he were dead, if he had fallen with his
men before Troy, or had died with friends around him when the days
of his fighting were done; for then the Achaeans would have built a
mound over his ashes, and I should myself have been heir to his
renown; but now the storm-winds have spirited him away we know not
wither; he is gone without leaving so much as a trace behind him,
and I inherit nothing but dismay. Nor does the matter end simply
with grief for the loss of my father; heaven has laid sorrows upon
me of yet another kind; for the chiefs from all our islands,
Dulichium, Same, and the woodland island of Zacynthus, as also all the
principal men of Ithaca itself, are eating up my house under the
pretext of paying their court to my mother, who will neither point
blank say that she will not marry, nor yet bring matters to an end; so
they are making havoc of my estate, and before long will do so also
with myself.”
  “Is that so?” exclaimed Minerva, “then you do indeed want Ulysses
home again. Give him his helmet, shield, and a couple lances, and if
he is the man he was when I first knew him in our house, drinking
and making merry, he would soon lay his hands about these rascally
suitors, were he to stand once more upon his own threshold. He was
then coming from Ephyra, where he had been to beg poison for his
arrows from Ilus, son of Mermerus. Ilus feared the ever-living gods
and would not give him any, but my father let him have some, for he
was very fond of him. If Ulysses is the man he then was these
suitors will have a short shrift and a sorry wedding.
  “But there! It rests with heaven to determine whether he is to
return, and take his revenge in his own house or no; I would, however,
urge you to set about trying to get rid of these suitors at once. Take
my advice, call the Achaean heroes in assembly to-morrow -lay your
case before them, and call heaven to bear you witness. Bid the suitors
take themselves off, each to his own place, and if your mother’s
mind is set on marrying again, let her go back to her father, who will
find her a husband and provide her with all the marriage gifts that so
dear a daughter may expect. As for yourself, let me prevail upon you
to take the best ship you can get, with a crew of twenty men, and go
in quest of your father who has so long been missing. Some one may
tell you something, or (and people often hear things in this way) some
heaven-sent message may direct you. First go to Pylos and ask
Nestor; thence go on to Sparta and visit Menelaus, for he got home
last of all the Achaeans; if you hear that your father is alive and on
his way home, you can put up with the waste these suitors will make
for yet another twelve months. If on the other hand you hear of his
death, come home at once, celebrate his funeral rites with all due
pomp, build a barrow to his memory, and make your mother marry
again. Then, having done all this, think it well over in your mind
how, by fair means or foul, you may **** these suitors in your own
house. You are too old to plead infancy any longer; have you not heard
how people are singing Orestes’ praises for having killed his father’s
murderer Aegisthus? You are a fine, smart looking fellow; show your
mettle, then, and make yourself a name in story. Now, however, I
must go back to my ship and to my crew, who will be impatient if I
keep them waiting longer; think the matter over for yourself, and
remember what I have said to you.”
  “Sir,” answered Telemachus, “it has been very kind of you to talk to
me in this way, as though I were your own son, and I will do all you
tell me; I know you want to be getting on with your voyage, but stay a
little longer till you have taken a bath and refreshed yourself. I
will then give you a present, and you shall go on your way
rejoicing; I will give you one of great beauty and value—a keepsake
such as only dear friends give to one another.”
  Minerva answered, “Do not try to keep me, for I would be on my way
at once. As for any present you may be disposed to make me, keep it
till I come again, and I will take it home with me. You shall give
me a very good one, and I will give you one of no less value in
return.”
  With these words she flew away like a bird into the air, but she had
given Telemachus courage, and had made him think more than ever
about his father. He felt the change, wondered at it, and knew that
the stranger had been a god, so he went straight to where the
suitors were sitting.
  Phemius was still singing, and his hearers sat rapt in silence as he
told the sad tale of the return from Troy, and the ills Minerva had
laid upon the Achaeans. Penelope, daughter of Icarius, heard his
song from her room upstairs, and came down by the great staircase, not
alone, but attended by two of her handmaids. When she reached the
suitors she stood by one of the bearing posts that supp
Marly Apr 2014
she wore earrings that weighed down her ears and her soul
i love to write poetry with food
the clickety-clack of the knife on the dining board is my metre
the veggies going choppity-chop are the words
the masalas are the embellishments
that lift them to another level altogether
the pressure cooker whistles,
something in the frying pan sizzles
the flavours rise and fill my home
with the smell of cooking
the gravy thickens
the pulse quickens
in anticipation of the tasting
the aromas tease as i’m tempering
a little coriander for the topping
and I’m done!
- Vijayalakshmi Harish
   09.09.2012

Copyright © Vijayalakshmi Harish
"There is no sincerer love than the love of food." - George Bernard Shaw.
Just realized that a foodie like me hasn't written any poems about food! Had to set that right!
Fell heal over heads
          in love with a poet,
  he's mostly a rhyme schemer
       likes Poe and his dark Raven,
  in actuality,  I'd fancy him more if
    he were like Pablo Neruda, but I digress
I'm much accurately fashioned after Emily Dickinson
        chasing heaven's June bugs toing and froing,
we'd meet at a perfectly superfluous coffee shop
    he'll be murmuring elegiac pentameter
I'm simply looking to devour precious words,
    we'd argue about abstract destinations,  
            straight forward persuasions and
               premonitions of wayward ink allusions,
some days I want to claw mine own eyes out
               amid all that nonsensical alliteration
  others, I want to rip out embellishments
                   of his black heart's magnification,
he mutters tumult under his breath,
     states he's abundantly sickly tired of all my
         fanatical froufroutant  flourished fantasies,
albeit, we're mild mannered artistes
         of overstatement and simplification
               thus, we continue laying it on thickly
I, with my hyperbolic cuppa tea and honey,
       he's all brass tacks, no nonsense black coffee
ultimately, we reservedly seek gratification,
      envisioning who functionally makes it first
to a finished line of manifestations's publication,
           in eternity's poetic intentions and beyond
For my good friend 'J', yes of course its been spiffed up & embellished!
Amitav Radiance Sep 2014
Far away from the bustling town
There was a dilapidated cottage
Where the evenings were lit up with lamps
Lonely in the valley it stood, touching the horizon
Two lovely souls inhabited the home
Lamps shone brighter than electric lights
There was abundance of love to light up the world
The cottage was a shrine where love resided
There was less embellishments
But the grandeur of the souls there shone through
It was a humbling experience for any traveler from town
Amazed by the rich simplicity
With which it welcomed the weary traveler
Jamie F Nugent Apr 2016
I Cannot Comprehend
You feeling the bitter
Need to Mess with my head
With little expressions
Like 'I Miss You',
Maybe you should
Pled Guilty instead,
Darling it comes as
No surprise, that I
Despise these lies that you
Tell yourself and your friend,
To try and make the
Means justify the End,
It was not that you
Went and came, it's just
This Self Righteous mind-game
That you play,
So take your Uncontrollable aim
For William Tell,
Bow in hand,
Final Fare Thy Well, as you
You place the apple
On my head and try to
Rid of Mistakes you Made,
But Nothing will taste Sweeter
And Nothing will look Neater,
Just a mountain of the
Finest Rotten Fruits
Pulled from ****** stalk
And Lifeless Root,
This Skinny Love was just a
Labour of Lust,
That was sooner than later
Bound to Lurch, Burst and Bust,
This Faltering Ripple of Neglect,
If our ship was once afloat,
It is now most certainly Wracked.

- Jamie F. Nugent
DieingEmbers Sep 2012
Everything looks much simpler through the eyes of the blind.
Went for a cruise on the maiden ship Titanic,

A wonderful ship everyone said would be epic

I was not scared because it was unsinkable

To be in fear would for me be unthinkable

Wanted to sail far away to another land

Where my life, I think could be quite grand

Unpacking my suitcase in a luxurious liner

This is the one yacht that could not be finer.  

Passengers enjoyed dinner, dancing, and other entertainments.

All the days of the trip they would enjoy the embellishments

I heard that people like Astor, Guggenheim Straus, Thayer and Gordon

Would be on this ship including Stead, Fulrelle, Gibson and Morgan

On April 14, 1912 I was that evening returning to my room

Walking down the corridor I heard a deafening boom

Went to find an RMS crew member

When I was told on deck to assemble

He handed me a life jacket just in case

And to get in the lifeboat because there was space

Passengers were lowered down by the crew

The first little boat had just a few

A man started quickly paddling our tiny boat

Once far away he stopped and we would just float

Everyone watched as we heard screaming, crying and yelling

Amongst the chaos we heard music and saw the flares flying

  In the early hours of April 15, the ship’s lights flickered out and then went straight up vertical

We all heard the moans of the iron and watched it break in half and it sank uncontrollable

From quite a distance I saw an ocean of people

Out in the middle of the sea, no one felt hopeful

Soon there was no sound

As we all looked around

Shivering crying and wondering

If we are going to live or die pondering






Copyright 2013

All Rights Reserved
the robin came down as he cleared the ground,
all red chest, pretty eyes.

we discussed the earth, rich now, without
the stones. we could grow potatoes as they
did here in the war. i have the photograph.

these are fortunate times, while have disliked
the tuber since the flu struck.

there has been a lot of it this year here.

we plan a pretty little greenhouse, all white
with embellishments, red geraniums.

the robin watched, i am told he will like mealworms.

sbm.
Love Dec 2015
My dearest Katlyn,
I love the way that sounds. I love the way your name just flows off my tongue like it’s the most natural thing in the world. To me, we are the most natural thing in the world. I believe it was fate that brought us together all those years ago, when we were nothing more than innocent children. Now our innocence has been stripped from our bones and our bodies have developed along with lines of laughter and worry across our faces. Yet you are the one, who after all this time, I still cling to. Back then, you were my rock and my safety net in a new and confusing environment, not much has changed.
Our history is a rocky one, to say the least. It’s full of drama and heartbreak; but as well as love and passion. I swear we could add a little embellishments and have our own soap opera. Despite all the troubles from our past, I hold those memories dear. Because when I recall those times, I don’t just recall arguments and words thrown, I recall the way you stumble over words when you’re flustered and how red your face gets when your choking words down. As for our better times, I worship those memories as if they are held upon a mental shrine; protected, never to be tampered with or tainted. There are things I have come to regret. I regret not swallowing my fear and being proud to tell everyone, “This is the girl I love!”, but during those times, I wasn’t ready. Although, our hidden love did make sneaking around so much more exciting. Sometimes I wish we could go back in time about three years and just show ourselves then that it was okay and it turns out for the best.
Things are more than okay. You are the love of my life and the one to spend forever with, however long forever may be.
Sofia Von Dec 2018
I’m sick of the lies
I’m sick of the guise
Be an ******* to my face you *******
Cut me out like a man
Don’t ****** walk away like I did you wrong
I’ve given you nothing but love from the beginning
and you snap it back in my face
*****, I can your disgrace
and this race of ungrateful haste should rethink their approach in the presence of a kind heart and unwavering loyalty
boy,
you pushed me to the edge
and so I pledge
to never trust a soul
cuz this tossing and turning in yearning cuts deep
and I don’t get enough sleep
so count your sheep and be gone without a peep you ******* creep
I’m too real to pretend
In a world of fake embellishments to conceal god’s embroidery
I really thought you’d mean more to me
but you blend n bend just like the rest and to me
you’re just a guest so save me
the best
As I attest to never rest my pen for a pimpled partridge laced to dance to the tune we all know is rehearsed
I’m different
I see your past
I see your essence
I know your actions before you make them and lemme tell you
I could sell you here and now but you wouldn’t be worth it.
Don’t name me n game me like your dame to-be cuz I hear your hesitation and bruises
look like ******* on wanna be bad boys
**** all that noise
I’ve done that ****
I’ve lived that life
And I can play ***** less flirty and more wordy than a whole gurney of gays with no praise for your plug’s percocet purse you’re tryna nurse cuz no curse will salvage a sick man’s mind
Next time, don’t even bother
hittin me up for a quick ****
cuz you blew that chance a long time ago and I’d have to be on twice the amount of **** I was on then to ******* now
Ha! Like you’d even know how!
I’ve seen your hickeys of conquests Do you think I’m blind?
And that shows you’ve still gotta brag
boy, I’ve ****** your whole family with out a scratch so catch a disease cuz you’ll never please between my knees
You were beneath me from the beginning
But I gave you the doubt
And still
you’d rather smash for the clout cuz your way out of this drought are delusions of grandeur
not credible candor
On a firey rant. written a few months ago.
K Balachandran Apr 2016
Sky is a taut, grey net spread,
at its  best in creating panic,
relentless day a brutish marauder,
drained of color of every kind, bleak,
even thought of you distant, my nectar
plays hide and seek, I am plunging
in a hallucinatory spin, down, down.

From inside a furnace closed
with a tight lid under which heat
in it's fiery glory permeates
like never before, a full- throated roar,
without any sound it travels around,
in waves after waves after waves,
to scorch every single thing under
the blood thirsty sun, on a hurried
march for revenge,green turbaned
trees and scarf adorned branches
changed all those embellishments
gone bone dry,now stand apologetic
like kids that made bed wet and caught
red handed, shrunk in shame and pain.

Narcolepsy reigns, drowsiness
day and night, like marijuana haze
follows.
            This summer makes its name stick
in bad books,making T.S.Eliot look
shame faced for calling one past tame April,
uncharitably the cruelest of it all.
But this, this is an unbridled wild horse
none can in no way do anything to stop.

When even the last drop of water from
the pond evaporates,sunburn peels the skin,
sun stroke down people, who are unaware,
cruelty of April, becomes monumental.

Perhaps in few days time May could barter
that bad name from April,I'd easily guess.

Buildings , in rows and rows lie, til horizon,
like blood drained corpses all though the day,
the  appetite for life, they evidently has lost.
Song birds on flowered trees, have gone mute,
doves scamper, dart in to the air, with hope
to get few drops of water  from somewhere

Kindhearted few fill water and feed on containers
for stray birds,taking cue from the practices of forefathers.
Change in climate is an ogre, that could with bare hands
smash pompous attitudes  and other human constructs!

Will there ever be a limit, to the red eyed monster,
avarice, we all pamper, within our inner courtyards,
that forces human beings to to do "Harakiri"
like a proud Samurai does with his own sword.
Harakiri-Ritualistic honor suicide by the Japanese "Samurai"
warriors who  value honor above any thing
phil roberts Jun 2017
My words and my poems
Are no more than explanations
And embellishments
My means of expression
For my life is my "art"
It's what I am and what I write
It's why I need to write
To make sense of the things
I've seen and done
And there are times when
I think I've done far too much
Then, in deep contemplation
I realise I could have done more
And that kind of inner debate
And discussion with myself
Are a large part of my life
Which becomes my version
Of something like "art"

                                         By Phil Roberts
jerard gartlin Feb 2010
oh how the coward counts his cards
blackjack entrapment habits
at least there's free drinks!
what a time saver:
enabling 2 addictions at once,
maybe i'll save some money this way...
hit hit hit stay, embrace
hug my hands around the chips
my multicolor relatives
i'm betting on embellishments,
time to double up or split
my hand's as steady as my faith in god
so i'm shaking like an epileptic
seizing with the scenery
blinking with the burning lights
knee-deep in unending debt
i'll go all in on my hesitance
& sleep on this abandoned bench
Vidya Oct 2012
good equestrians you know like
young things who giggle all pretty
major embellishments of lipstickglaze and
sourpuss pouts skin smooth as
vanilla in summertime:
nymphs if you only
champ at the bit to have your
hair brushed to be
carrotfed and bootkicked into
stockholm races (sing this song

wear your
habit on your sleeve or
break it fast
come now sister let’s
put on some tea and
watch the jasmine bloom I hear it’s
particularly fragrant this
time of year.
judy smith Aug 2016
Andrew Gn

Probably the most prolific Singaporean designer, Gn graduated from the renowned Saint Martins School of Art and Design in London and the Domus Academy in Milan before joining Emanuel Ungaro in 1992. He launched his namesake label in 1996, establishing a fan base among the Parisian high society and A-list celebrities such as Jessica de Rothschild and Sarah Jessica Parker for his luxurious fabrics and exquisite embellishments. Gn was awarded the President’s Design Award in 2007 and is stocked in all the major continents, with his atelier based in the Le Marais district in Paris.

Ashley Isham

The other Singaporean high fashion designer to hit big time in the international circuit, Isham established his namesake label in London in 2000, and is a show fixture at London Fashion Week. The label is known for its sharp, contemporary tailoring and high-octane glamour, and is a hit among film, TV and music stars as well as British royalty.

Aijek

Self-taught designer Danelle Woo creates easy-breezy, ultra-feminine pieces in sustainable fabrics. Aijek is stocked at multi-label boutiques in China, Hong Kong, Malaysia, Indonesia, Latin America, the Middle East and the United States.

Depression

The neo-Gothic ready-to-wear label’s stark, minimalist designs are stocked in Hong Kong, Belgium, Japan and the U.S., and counts celebrities like Adam Lambert and The Black-Eyed Peas as fans.

Sabrina Goh

The feted Singaporean designer stocks her easy-to-wear pieces from her namesake label at multi-label boutiques in the United States, the Fred Segal store in Japan and a London-based online store Not Just A Label.

Max Tan

The avant-garde label features experimental silhouettes and a contemporary artistic flair, and is stocked in Europe, the Middle East, San Francisco and Taiwan.

Benjamin Barker

This stylish menswear brand founded by designer Nelson Yap in 2009 now has two stores in Melbourne and offers custom tailoring as well. It also offers shipping to Australia and New Zealand via its website BenjaminBarker.co. .

In Good Company

The well-loved minimalist label with unusual silhouettes fronted by designers Sven Tan and Kane Tan is stocked in Hong Kong at Kapok, at various departmental stores in Jakarta, Indonesia, including Sogo, Seibu and Galleries Lafayette Jakarta and in New York’s Saks Fifth Avenue.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-brisbane
a May 2016
Thine hours shed themselves,
Moment upon minutes upon hour
   curtsy to thy shining name,
leaden with embellishments
of snow and americas of golden
tears.
          Stained time, spilt;
to denounce thine image.
prompt: the sun rising, john donne
Sian Carrington Jul 2014
Tucked away in the crevices of my mind,
Are shades of sorrow you left behind.
Memories of joy and sweet contentment,
Innocent of hate and bitter resentment.
Initiating as friends who desired affection,
Enthralled by lust and blind to speculation
From those whom regarded it all "too soon",
To prove them right and close in June.

Six months of sweet, indolent days,
Precious as the next due to the simple way
Your presence alone kept me elated,
Your revered wit held me captivated.
The moments we shared basking in the sun,
Or curling with the kittens - equally as fun.
The hushed inertia of our days spent together
Was not irksome and dull but treasured forever.

I can adopt adjectives, embellishments and rhyme,
In the child-like hope they may turn back time.
I can exhaust poetry as a means to say
That I miss you more each day.
But should you read this, I pray you must know
That the colourless wave of self-pity and woe
Brightens and shallows with every passing day,
And that our precious moments are pocketed away
In the warm embrace of my broken heart,
Slowly mending now that we are apart.
Like a phoenix rising from ash-glistened coal,
I will grow from the embers and rejuvenate my soul.
I will rise again and start anew,
And cherish the days I shared with you.
This is a tribute to someone who left me recently. I am not bitter or resentful but grateful for our time together. Writing this has helped me to mend and move on, and realise that some paths are meant to cross.
Dan T Sep 2013
Litigation of repressed distraught,
Ambiguous embellishments of euphoria,
Cast asunder infatuation in hopes her eyes capture,
Perchance hell revoke my admission and allow an old soul
A craved desire coveted keenly upon the heaving *****.
Lest I cling tight with passion adieu,
And ****** not skin but a heeded heart,
summation of abysmal damnation.
Capture my love hold dearly my heart in your claimed hand...
judy smith Nov 2015
With their new awards show - VH1 Big In 2015 with Entertainment Weekly - the network aimed to 'highlight the trailblazers and epic pop culture moments of the year.'

So it was no surprise then that Taraji P. Henson, 45, was one of the program's honorees for her unforgettable work as Cookie Lyon on Fox's smash hit Empire.

Taraji looked stunning as she arrived at Pacific Design Center in West Hollywood, California on Sunday for the celebration, flashing some skin in a fitted black Alexander **** dress.

Taraji wore a sleeveless, black dress for the event that hugged the Fox star's curves while showing off her toned pins.

The flattering number also featured a laced-up, cut-out along the side of the dress that added some edge to the look with a flash of skin.

She coupled the look with a pair of studded, strappy black heels, and donned a pair of dramatic, dangling earrings.

She showed off bold eyeliner for the event, as well as big lashes and a complimentary mauve lipstick.

Taraji's brunette tresses were styled in gorgeous, wild curls, and the actress looked to be in good spirits as she hit the carpet, showing off a big grin and at one point even blowing a kiss.

Amy Schumer was also being honored at the event after her stellar year that included the success of her comedy Trainwreck.

The 34-year-old smoldered in a form-fitting red gown, which she coupled with a pair of coordinating red pumps.

The flattering number featured three-quarter length sleeves and was fitted to show off the comedian's trim figure.

She wore her long, blonde tresses styled straight for the show, and showed off a smoky eye and a dark manicure.

Amy was joined on the carpet by her sister Kimberly Schumer, who wore a sleeveless, bright blue mini dress that showed off her toned pins.

She coupled the playful frock with a pair of strappy, black heels, and wore her long, brunette locks in soft curls.

Amber Rose, 32, put her ample assets on display in a figure-hugging mini dress as she arrived at the Pacific Design Center.

The model wore a long-sleeved black mini dress which featured a plunging front and also highlighted her toned pins.

She coupled the daring number with a pair of strappy, black heels, and hid her eyes behind over-sized, black sunglasses.

Pitch Perfect 2 director and star Elizabeth Banks, 41, wore a textured black dress with a semi-sheer skirt and bow-shaped cut-out along the front.

The eye-catching dress hit at just above the actress's knees, and she coupled the look with strappy, peep-toe black heels.

She accessorized with a coordinating, black clutch, and wore her long, blonde tresses pulled back into a chic updo, with curled, wisps of hair falling around to frame her face.

Queen Latifah, 45, and Katherine Bailess, 35, both opted for stylish, black jumpsuits for the awards show, though the former wore long sleeves while the latter opted for a one-shoulder look.

Katherine finished off her look with a pair of peep toe heels that showed off a dark pedicure, and wore her long, blonde locks in soft waves.

She accessorized with a pair of dangling earrings, and added a pop of color to her look with a bright red lipstick.

Parks And Recreation alum Aubrey Plaza, 31, stunned in a form-fitting, white mini dress that featured metallic embellishments, and she coupled it with chunky, black heels.

Elle King, 26, meanwhile, was a bit more colorful in a pretty floral dress, though she added a bit of edge to her look with a black, leather jacket.

Master of None star Aziz Ansari, 32, looked dapper in a fitted, black suit worn with brown leather oxfords and a bright, pink patterned tie.

T.I. - host for the VH1 and Entertainment Weekly event - looked stylish in an all-black ensemble that he accessorized with Aviators and a bold, silver necklace.

read more:www.marieaustralia.com/formal-dresses-melbourne

www.marieaustralia.com/cheap-formal-dresses
Amitav Radiance May 2014
The furnished souls
Adorned with mahogany
Luxurious pieces in every corner
Eau de parfum, the finest from France
Does not allure the senses
The settees, chaise lounges and recliners
Standing there, forlorn, awaiting guests
The ornate crystal chandeliers adorn the ceilings
Trying to illuminate the gloominess
The flooring of Makrana marble on the floors
As if there is a puzzle to be solved
It looks quizzically at the incoherent footsteps
Of the infrequent visitors, not even interested
Mansion filled with embellishments
Yet there are no worthy inhabitants
The Swarovski crystal curtains, veils the outside world
That waits, without any expectations or superfluities
To furnish the soul with love




© Amitav (Radiance)
Love needs no adornments, Love itself, is opulence...
judy smith Oct 2015
They've dressed first ladies, Academy Award-winning actresses and supermodels.

Now they're designing casual luxury that they believe appeals to women all over the world.

Marie and Kelly Gray, the mother-daughter duo and former head designer and chief executive officer, respectively, behind luxury house St. John, opened a new chapter with the debut of their apparel company Grayse two years ago.

Grayse, a ready-to-wear line retailing from $195 to $1,250, hit racks at select Bloomingdale's — including the Fashion Island location — Saks Fifth Avenues and boutiques in Palm Desert and Canoga Park.

The most recent expansion was introduced this month — a pop-up shop, also at Fashion Island. It will be there through February 2016.

"We're very excited," Kelly said as she sat in the newly designed boutique, next to Traditional Jewelers, near Bloomingdale's. "My mom's taste for luxury is the benchmark for the brand."

That penchant for design came together in 1962, when Marie and her husband, Robert, founded the St. John clothing line, which is headquartered in Irvine.

The couture with a core of signature knits remains the same today with its decorative touches like beads, crystals and buttons that are gilded with 24-karat and hand-sewn during the finishing process.

But after 43 years of designing and crafting the simple yet elegant knit dress, the Grays left St. John in 2005 when the company was purchased by a private equity firm. Eight years later, in 2013, the two women were back in business together with their new Grayse label.

"My mom was playing golf and she hurt her knee, and during that time, she came into my office and had ideas for a new line," Kelly said. "We decided to put a little collection together and started with 15 pieces, and now it's ballooned into this."

The new label of casual, versatile separates and dresses is a modern collection of Italian silk-printed tunics, leather jackets and embellished tops and dresses.

Most of the collection is produced at the company's headquarters in Irvine.

Kelly and Marie, who do the designing for Grayse, said they have an appreciation for working together.

"It's so much easier as adults," Kelly said with a laugh. "It's amazing and it's a privilege. We're both excited about our foray back into retail. I can be more conservative, and mom tends to push the boundaries."

The designers have recognized the difference in style between the Palm Desert and Orange County shopper.

Women in the desert getaway prefer a polished look and tend to dress up more, while the Orange County woman's style is edgy and relaxed and she is always looking for new and contemporary shapes.

Fashions have evolved, Kelly said, noting that after 2008, as the country was reeling from the Great Recession, consumers reevaluated how much they spent on clothing.

"Today, people have an appreciation for a relaxed style and easier price point," she said. "Grayse is more whimsical. It's a brand you're purchasing for Thursday, not weeks in advance. It's buy now, wear now."

Reconstructing the interior of the building housing the pop-up was challenging, Kelly noted, adding that friend Tom Penna, president of ITX Construction, helped get the boutique set up months before the holidays.

On opening night at the Fashion Island pop-up shop, the boutique's newly installed chandelier glistened and mannequins were clad in holiday gowns tailored with shimmery pave embellishments.

"This dress is so comfortable and doesn't wrinkle," Kelly said as she showcased a black and gold pave-encrusted floor-length dress. "It's exciting to make every woman of every shape feel beautiful."

read more:www.marieaustralia.com/long-formal-dresses

www.marieaustralia.com/formal-dresses-sydney
Dawn of Lighten Jun 2016
It is the ink propelled with mold and feces,
And the grandeur of dogma littered with arrogance.

The persistent deconstruction of ideals covered with dust,
and yet it screams openly to the audience of deaf.

Forbidding irk come with forbidden shadows beyond it's own screech,
And the scatching of the chalkboard has friendlier tone than unoriginal scribes of embellishments.

The act of taken lives from people who do not deverse your pardon need not be your tropies,
For those actions of hate deserve no love or pity.

For this is the land of united people of places and hope,
For you can not divide us with words,
Or sword upon freedom.

The vigilant light shall warm us,
Your hate will only fuel us,
You shall never silence us.

For we shall live for the dead,
And their memories will not be forgotten.

We will defeat your hate with our compassion,
And we will prevail where you so sought to undo,
For love will defeat your prideful destruction.

Say good bye to your yesterday,
For no song of your will be heard but in the mist of ocean,
And our choir will muddle your preformance.

For your last act stood as an epilogue,
And ours has become the prologue.

Have you truly succeeded?

I think our cheers shall resonate the true answer.
Quiet mouth never gets fed,
So let us feast by opening our voice.
Lily Monroe Dec 2011
Thank you for embellishments, and why the earth in round, and why old men snore during sleep, why the fox betrayed the hound, thank you for musicals, they prance around my soul, dough rises in an oven, humans don’t drink from bowls, thank you for analogies, and why my cats tongue scratches, why do A students love ******, why the pig never hatches, thank you for your torment, thank you for your sins, thank you for your joy, thanks for all the gin. Human kind speaks its mind even if there’s a risk. Human kind is so blind, but it’s how we get our bliss.
Clay Face Sep 2019
Get beneath your peers
Crawl while in tears.
Drown inundated by consequential shame. Cause you’re the only one to blame.
Your avarice for ****** release isn’t natural.
You’ve conditioned yourself to be this abysmal.
Let your cries resonate, impregnate, and eradicate within you. A morning sickness derived from truth you will succumb to. While this truth grows and evolves within you, it will evacuate your lies behind your truth.

Sullen loneliness withers you, it’s created a monster.
One that pines for intimacy without foster.
Through this eagerness, a dull misunderstanding festers.
One where intimacy is strictly ******.
And it’s enjoyed alone on a phone, ha. How intellectual!
But the primordial need, sets you in greed.
Clear thinking leaves you, and desire is left only true.

However this brief inhuman act of disgusting ****, leaves you in a tut.
With rational thinking back after release. You’re trapped without peace.
Loneliness floods back, and on the attack, charges self reflection, without affection.
You don’t deserve affection. Just affliction.
So you grow ill from your actions.
Don’t stop this introspection. Self disgust is appropriate. So don’t take an ******.

Tenacious pithy feelings will raise your ceilings.
Embrace this self loathing. The shame will strip you of clothing. Now true to yourself and the world, unpolished and furled.
You can act on embellishments, and ignore wants and irrelevance.

— The End —