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Curt A Rivard Sr Apr 2013
Ladies and Gentlemen, boys and girls of all ages
Step right up; his dying time is now near
all his pain, all his screams, do you want to hear?
Welcome... I bid you welcome...
Welcome to my three ring ****** state of mind
inside my evil twisted thoughts you'll see I'm only a one of a kind.
There is no rush that is greater now than the shaking of a corpse's hand, telling them my name and there not getting off my table till I'm done after their hourglass had ran out of sand.
For all my life I was rocked to sleep in the cradle of a nightmare.
Tested and taunted all along the way I told you all before in my chest my heart does not stay to tell my works are original, better look for the linen paper at your funeral.
For I blended embalming fluid and powder in my dipping pens ink well and every morning I unscrew it's cap and take a deep smell, burning vapors now fill my eyes as they begin to weep rolling down my face you'll be able to tell like black magic voodoo I am under my own sick powerful spell.
Tearing your name out of the book of life I doused you with a bucket full of gasoline and told you to now run faster than the gingerbread man as I'm chasing you with a loaded flair gun. Now you’re the burned page and you can never be found.
It was a rainy night after when I put you under the sinking muddy ground so happy now that your gone my head no longer has to hurt with murdering voices in my skull that pound.
Watch me now as I show you all how it is really done
performing for you all a living embalming nightmare.
Turning up the pressure and setting the dials till a pressure pulsating flow
He can’t escape, my number one son has him tied up with strips from his prison sheet and now there shouting code blue over the intercom cause my arson freak is laughing, as he's making a mummy out of you.
Trapped in your cell he holds the key and now you have nowhere to go.
Watch me now pump his neck with liquid silver mercury
till it seeps out his eye sockets and he now no longer sees. Tickling your sponge like the Egyptians did I'm now breaking the bone and then packing your nose with cotton ***** soaked with super glue. How easy it was to do and how beautiful it felt wanting it to trickel out your ears.
Placing my nose close for the death smell it was there for I had smelt. Rigid rigor slowly setting in I can tell, thank you my old friend for the way you had felt.
Now I have to do a reverse fill because your body is holding no pressure, your veins did not swell, O' my God, it's not looking well.
Brain matters now pouring out your nostrils ever so fast and is streaking down your upper lip.
Why me I can see is on your face the answer is coming soon to you and to all your loved ones I will tell.
Shaking my hands clean and collecting it all in a jar, seven layers thick I love playing with all your skin slip :)
Feelings can’t compare, this is the best, now isn’t this fun?
The party isn’t over yet for I have only just begun.
He as a glock three eighty not only did he dress but he also shot it like an old lady. O' don't worry there's always another day for acting like a rat, how about an attack with a baseball bat?
  When I am done for you all today
I'll prove to you that I am bullet and shatter proof cause,
I’m then going to stuff that little ballerina inside it's very own special music box
Peeking and peering through the caskets keyhole
I can see he’s scratching and tearing at the coffins lid
Believing rumors that you have heard, come on for real, are you a kid?
Whispering to you a sweet death lullaby its ok you now can start to cry.
It’s too bad now I gave you a chance, you can beg, you can plead but I now must dip my pen and write this poem with your blood as your body now begins to bleed.
Tears won’t work no matter how hard you try
this is what you get for believing someone’s lie
Members of the audience I thank you all and you all are very welcome
look at him now just like then it was so funny looking inside and seeing no brain. look he's crying again like a baby full of trauma and getting ready to go insane trust I know, you all will never forget my name!
I must now wash away all the evidence and go fetch for you a first son for I am running madder than the craziest plague in the Bible.
You can use all the ****** lambs’ blood you can find to paint a cross over your doorway but that won't stop my sickness because I cannot stop now for this is too much fun.
Hey what can I say...
But I always do say...
Welcome to the show!

(SirCARSr 4-30-13)
ughdrey Jun 2013
Before I met her, I wanted to be her. Does that sound stupid? I wanted to be that ****** up ****** that did a bunch of drugs and always had money because she led men on and lived free and just lived life despite a daily brush with death. I was eventually, and I had an amazingly horrible experience.

I met her when I was 13. I spent a lot of time just "babysitting" her really. My other friends hated her. We'd come over and she'd literally go in the closet to shoot up and we'd just be chilling in her bedroom listening to Hole and being really confused as to why she didn't just use the bathroom. But she liked the attention and audience. This might seem cliche or mean or whatever, but it's true.

As my decent friends grew further away from me because I continuously grew closer and closer to her, I did a lot of *******, not nearly as much as I would later on in life. but enough to say, "wow I did a lot of ******* when I was 15" and at the time, it seemed like an accomplishment. Maybe I thought I was cool, I don't know, now I just think I was stupid and weak and regret being like my father.

Obviously, as time went on, I did ******. The first 500 times Natalie offered me it, I said no. I always said no, but she still always asked. If you know a ****** addict, there's something else you probably know. ****** addicts love having other ****** addicts around because you guys will work together to make money and get more. This will probably turn into what it really is and what we were really were, and that's a co-dependent platonic couple, but I didn't know that until just now.

The day I finally did it, my god. My god. My god. My god. My god.

I feel slightly guilty writing this because I don't want to glorify drug abuse but Christ, did it feel good.

We were downstairs watching Hedwig and she gave me the eye to start talking to her mom so she could go upstairs discreetly. Then her mom was like "where'd she go?" so I went to go check, even though I knew.

I walk into the bathroom, scaring the **** out of her. She had lines of ******, diesel, whatever. We called it diesel, I don't know if that's like a common name for it? Is it? Whatever, I said "let me try it."

Why? I don't know why. To this very second I can't remember what I was thinking. She didn't ask, and maybe that's why. But she put some on her hand and I snorted it. I hated the taste. Sometimes I smell it, and I don't know what it is that smells like ******, but I find myself saying out loud, when people are around, "ugh it smells like ******."

This is one of my catchphrases I think, and I am not proud of it anymore.

People always ask me what it felt like the first time. I remember not feeling anything. I remember not feeling guilty for helping Natalie remain a drug addict in her parents house. I remember her pinching me and telling me not be obvious, but oh, I'm sorry, I didn't know that it was going to make me feel like a warm pancake that just wanted to sleep wide awake.

Sleeping wide awake, that's a good way to describe how it feels.

I tell people this a lot, this process of drug use, and how I ended up shooting ****** and kind of just ignoring that I was.

I smoked *** and said "well it's not like I'm doing E"
then I did E and said "I'm not doing coke"
then it was "it's not ******"
and then it was "it's not like I'm shooting it."

Once I started shooting it, I didn't have any excuse or cop out, I was just curious as to what else I could inject into my body and became that glorified drug addict who lived free and did anything she wanted and felt like she came out of a book or a movie or a ****** up story you only hear strangers gabbing about on the train.

I was that girl. Natalie was much worse though. But that didn't come until I was about 18.

I had morals, yes even heavily addicted to ******, I had morals. I didn't steal from my family. This was one thing that would not break for me even when I was maybe putting **** in my mouth for money. But that's not even entirely true because I didn't do it for the money, it just happened that way.

So I'm probably 16 at this point in the story. I'm meeting guys off MySpace with her, guys from rich towns that want *** or coke or ******, just guys who can't get it in their towns. She's ******* them, I'm stealing from them. We don't keep friends very long because they know what we're up to after a few times.

She also sold her parents wedding rings, I didn't even know until after the fact, or I would have tried to stop her.

Her mother was so good to me. I spent a lot of time at their house. Her mom always invited me for holidays, despite the huge family they already had coming, because she knew my home life wasn't too good and she just treated me like I imagine you're supposed to treat a daughter you like. She was also very religious, which added to the blinders she had when it came to Natalie. She thought she could pray the drugs away, the way she tried to pray my gay away.

I was absolutely heart broken and completely beside myself the day her mother yelled, "she told me what you did. She told me you took the rings."

I didn't take the rings but what was I supposed to do? Try and convince her that Natalie did? She knew, somewhere she knew, but she didn't want to believe it so I just walked out of the house and never came back. I cried about that for a long time because I loved her mother, so much more than I am trying to say here. She might have been oblivious, but she was the sweetest woman in the world and I feel horrible that she had a daughter like Natalie.

I met so many characters. Chris. I don't remember his last name but it was something really white boyish. He would drive 45 minutes to us so we could get him 8 bags of ****** when he paid for 10, but we'd pocket two. We did this a lot during the day actually. We'd get drugs for people and just never tell them you get a bundle (10 bags) for 80$, and they'd tell their friends we'd go for them, and they'd think the same thing. Why? Oh, because these were very white people that were afraid of the "ghetto." And it was the ghetto, it was Newark, NJ. The corner of Victoria and Garside, what up, what up. Come see me.

I never really liked Chris. He was a musician but he wasn't that good. I think he thought he was Conor Oberst, and at that time, he kind of looked like him. But he was just some rich white kid with an inflated ego and I didn't feel bad ripping him off, or his Trust Fund Baby friends.

I did feel bad though when one of them died in front of us.

So I guess this is where I'll start writing the "**** got real real fast" stuff, now that I've hopefully explained the type of person I am and how I got to this point.


Why drug dealers cut their drugs with poison and whatever else, I'll never know. Bad for business if you ask me, but I've never been a big fan of the business world, but this seems pretty similar.

Natalie is driving Chris' car and we didn't snort any ****** yet, which was weird, but I'm grateful we didn't. We bring it back to Chris and his friends, who are waiting a few towns over for us. They get in the car and are like "just drive around for a bit so we can do this."

They all have separate bags, and I feel terrible I can't remember the girl's name that died, I want to say it was Karen or something like that but I know it wasn't. She just rolls up a bill and snorts out of the bag and within like 10 seconds she's screaming and everyone in the backseat is screaming and I turn around and there's blood pouring out of her nose and it's all over her hands and the car and her boyfriend and Chris and I think her eyes are bleeding but I'm not entirely sure if that's what was happening. And I'm like "What the **** what the ****" because it wasn't a normal nose bleed, this girl was just, flowing blood out of her face.

Natalie is emotionless as always. I'm screaming "get to the hospital get to the ******* hospital" and the girl is like screaming "it hurts oh my god oh my god it hurts" and her boyfriend is like "yo man, what the **** bb are you okay bb."

It's weird that in situations like this everyone repeats themselves but I think your brain kind of stops working and you need to repeat yourself so the rest of you can process the magnitude of ****** up that your eyes are seeing.

Needless to say, Natalie didn't go straight to the hospital, she stopped the car a few blocks away. The girl died within 15 minutes. I don't know why Natalie or I wasn't held accountable for what happened, but I think it had something to do with me telling Chris who the dealer was, and this was the only time in my life I ever gave out a name, even when I was in jail, I didn't rat anyone out. But death is different and anyone who doesn't believe in being a rat when you're faced with that kind of guilt, is a *******.

Natalie got out and started walking, Chris got in the front seat and I followed after Natalie. He did take his friend to the hospital immediately after but Natalie was being inhumane, and it was just better she got out of the car because she probably would have driven us all into a river to avoid being arrested.

I really have no idea why she got out of the car though, she had no fear, I think she was just annoyed, like this girl's death ruined her day when it ruined my life. I guess making a joke out of it makes it easier for me to deal with, but it still isn't. For me, it was monstrous, it was desensitizing, it was mortality showing itself and I was like "I'll never do ****** again." But that was a lie. I found out a week later via MySpace message that the girl had glass (!?) in her bag as well as ****** and I have no idea. I have no ******* idea what why how. I just don't understand that.

Chris still came around for ****** though. And he still brought his friends, just not the ones that were there that day.

What am I, like 17? I'm still senior in high school and I have really ****** concept of age, and I meet this other guy.

MY GOD WHAT A MAN.

Yeah, I said it. He was 38, built like Hulk Hogan, and had the sweetest smile and the most honest blue eyes I have ever seen.

He also had been out of jail for a whole year before we met him. He was tied to a car ring where people would pay him to steal cars. He was in jail for 6 years and when I turned 21, I heard he landed himself back in jail for trying to **** someone or something.

He was nice though. I couldn't figure out why he was so obsessed with Natalie. But the niceness wore out and I finally learned what a creepy ******* he was.

He used to ride his bicycle to meet up with us and he had a lot of money, he just wasn't allowed a license. He was a construction worker for the union, made like 60$ an hour and what do you know, he was a ****** addict.

He told me how they get drugs inside jail. You get a girl to come visit you and sit down with you. You kiss them, like make out kissing because that's all you need. That like 4 seconds before someone is like HEY CUT IT OUT, and they have the drugs wrapped up in their mouth, and you get the picture. Just in case you were wondering how that works.

He also told me that I reminded him of his sister, that died of a drug overdose.
He also showed me his **** one day when he was at my house alone with me.
He also ****** off on my couch and tried to get me to **** it.
Then he tried to get me just to touch it.
Then I asked him to leave.
And then some other stuff happened that I don't feel comfortable writing about but I probably will another day.

He turned out to be a ******* ****** and I don't really trust anyone with pretty eyes anymore. But he was fun. Once he started trying to impress me, a 17 year old girl, and Natalie who was like 22, he decided he'd go back to his old ways and steal cars. I can't count the amount of porsches I've been in or how many miles per hour we went or how many car accidents there were that we shouldn't have walked away from it unharmed. He never hit anyone else, just walls and guardrails, rolled into ditches.

Seat belts, seriously, wear them. I don't anymore, but I'm going to start again.

He used to give me a lot of money. A Lot Of Money, just to hang out with him and watch him ******* and ****. I don't know sometimes when I think about these things.

Natalie did something stupid, she got caught stealing from him. He didn't mind giving us money and I think that's why he was so mad. He would have just handed it to her if she asked. So he started coming to my house a lot in stolen cars, then I introduced him to my other teenager female friends and it worked out really well for me.

He was gone for good and it was better that way.

I was still only snorting ****** up until this time of my life. The taste of ****** and the amount I puked from it was becoming too much and I was losing a lot of weight and it wasn't healthy looking so I decided to start shooting. I didn't even do it for the normal reason which is, you get higher, faster and harder.

Natalie and I are in a bathroom of my friend's house whose mother is handicapped, bed bound, so we just go there all the time to get high. The mother is also diabetic so there's a lot of unused empty needles. I help her shoot. And it's scary, she would shake and tremble and it was really bad. Sometimes I'd think to myself, "it's like your body is trying to stop you from doing it."

But if you like blood, watching someone shoot up is really cool. You mix water with the powder and, ew now that I'm thinking about it, what the ****. You wrap your arm up, so your veins pop up, put the needle into a vein and you pull some blood out, I don't know the reason behind this, and you shoot it back into yourself.

I'm really uncomfortable with the whole idea of shooting so I shot into my hands because I had very prominent veins there. I eventually started shooting speed *****, ****** and coke, which was too much fun for someone as emotionally unstable as I was, to be doing something so completely unpredictable. The first time I shot ******, I never snorted it again.

I shot Jack Daniels once and never did that again either. I figured I'd get drunk really fast, right? Wrong, it burned like a ***** and I started smashing my hand into the bathroom sink screaming "WHAT THE **** WHY DOES IT BURN."

It's whiskey, Audrey. Whiskey.

I met so many more people when I was shooting. I became friends with an entire *******, all the strippers, their boyfriends, their "daddies" and just, those kinds of people, and like I said before, I'll write about that another day. But that is where I met Janelle and Kevin, aka, Jack and Sally. They were these really gothy ****** addicts and this is going to be ridiculous, but it was so beautiful when they shot up.  

Kevin would be like "okay, baby, ready?" and he'd caress her arm and she'd wrap it, and he'd kiss her and then kiss her arm, then he'd put the needle in and I'd be sitting on the bed sobbing because I thought it was so cute, in like, a really disgusting "I'm clearly on drugs" kind of way.

I didn't hang out with them for that long, Natalie ****** Kevin and that ****** because Kevin and I used to make forts inside the house and talk a lot about nothing, but it was fun and I felt like a child, and I liked feeling like I was a child and that it was okay I was acting the way I was.

A bunch of people that hung out there eventually started doing ****** and I couldn't stand it so I had to get away from a bit because my guilt came back and I felt like I was killing everyone.


Natalie started setting up drug deals so they'd get ripped off if they went without her, she started turning on me, stealing from me, she had me set up for a deal and her dealer put a gun in my mouth when I started arguing with him about how he gave me like wood chips or whatever. It was not ******, but we still ran like thieves together.

She introduced me to the next guy we were going to use, his name was Pablo. He was about 42 and lived in his parents basement. He was an outstanding artist, I mean, I couldn't figure out why he was in his parents basement with the amount of talent he had. We used to smoked embalming fluid with him and angel dust.

Now, if you ever want to know what it feels like to be Alice in Thunderland, smoke embalming fluid. I went on a 4 day drug binge that consisted of nothing but dust, fluid, her
For my embalming, Julia, do but this;
Give thou my lips but their supremest kiss,
Or else transfuse thy breath into the chest
Where my small relics must for ever rest;
That breath the balm, the myrrh, the nard shall be,
To give an incorruption unto me.
Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
Curt A Rivard Sr Jul 2012
Beside the tree of life I sit alone and write
So many pieces of broken headstones
Wedged in the valley of the branches
Each one stolen from the field behind
Placed into the bark in hopes to show that they were kind
Hard to comprehend the fact I am taken on a higher education
Today is day one and the only crime is my age
I am an old dog who still can learn new tricks
Like a red alert or white meteor flares on a dark night
My Friendly Ghost ring tone wale’s out my phone.
I know it’s time to put all personal feelings and thoughts aside
Without any delay I respond
Heading back to the maze again and so soon
No dragging left hand on wall I know my way out this time
Into the chiller once again and there he laid near another
Pushing you out I’m taking you to a better place
And In matter of minutes I will see your face
Out your zippered pouch you emerged
Onto to the table in the preparation room I laid you
After a detailed look over I then prayed for thee
For I know what is I think to come next
I was given vivid words in complete details prior
Numbed with fear I wanted to see more
Laying out all the instruments and many odd shapes they all were
Saw so much before with the others but this time I’m given a blue apron
Step one was to first watch and then I must do just the same
Tan eye cap with thorns go in and grab hold of the velvet underside
So clear the color blue I saw the lost Atlantis water in you
Mouth now opened and rivets with wire are shot into your firm gums
He held your chin up and I twisted it shut
To a perfect gap I took you so thin the entrance was
In earlier times a silver dollars was the rule
And in your mouth it went to pay the ferry man
Breaking the rigor in the arms is next to follow
Scalpel in his right hand and the neck in the left
Feeling around for the perfect spot of execution
He Suddenly then makes a quick and clean cut
Sinking hooks went in he exposed and pulled out your major one
Then came the elevation and he held it with a stainless steel handle
Strings now are cut and perfect lengths yes they were
Under the massive one I reached in with the angled tweezers
Spun threads I pulled and through the opening underneath
Like tying a child’s shoe he did the first loops
Next came a tiny snip with the special scissors
Then after a wiggling push the valve was in its sheath
Now the torquing of the strings to hold them tight like acting as a hose clamp
Same now is done to the second biggest one
A Thick rubber hose now finds its way and attaches itself to the port of entry
After the precise ratio customized to your specks
The proper mix of a liquid concoction and concentration of flesh color rejuvenator
Now join forces together inside the tornado simulator vat
Dials are set and switches are then flicked to power it up and power it on
Spinning like a sky high typhoon the raging torrent in its attempt
To slow down the decomposing process now only scares your soul away
Clinging for dear life was still no match, many clots there were and many I saw
I had my hand in the helping of you so you could be set free
Out you escaped you’re now free and all the rest I washed away
Like magic right before my eyes
Your pale color is now taking on a new tone
To help the proper flow and to stop things that might grow
Dampened sponges now massage your face and arms
When it came to your hands I shook it first and then told you my name
Blended mix is coming to its end what is then next
Knots are released and oozing they were
A quick packing of gauze slows the red sea’s waves
Drying salts and a squirt of super glue then arrest the flow
Hosing all the magenta away jelly suds are then applied
Washing your strands and then your frail brows
In-between my fingers bubbles did appear
Like a new born infant I treated thee
In hopes that someday that’s how they will treat me
Warming the flow to a comfort zone I gave a quick rinse
Foaming growing lather now upon your face
A five bladed razor in his hand he gave you the perfect shave
My hands are now dunked into the soothing cream
On your smooth as a babies bottom grin it is rubbed
That is all for today lets wrap him up and yes I did tuck him in.

(CARSr. 7-10-12)
JL Jan 2013
He beams as he enters my bedroom
Holding a glass bottle
Bout a liter with a light label
Ether? (i was already down a hot dessert road with a pint of it in the back on the way to Las Vegas in a red sportscar)
No my son
Embalming fluid

Quickly we scrounge for money
And with almost zero effort
We had an eighth of some funk
We feel rich as we walk
And the rain falls

A good omen
As we smoke a cigarette near the retention pond
A falcon picked up a black snake and carried it over the trees

Marijuana soaked in embalming fluid
The bodies are emptied and filled to help slow down decomposition

He reads from Encyclopedia Britannica about embalming
I imagine ancient  humans sitting around a fire in the center of the dessert
They are throwing  massive amounts of marijuana on the fire
Inventing gods and dancing

They were each dipped and allowed to fully dry
We talk about all the **** our egos have snagged lately
As he packs

The hit
Like plastic to the tongue
My lungs become black in an instant
Filled with an acrid white smoke
Exhale the soul
****, that was fast
Stillness in everything
The building vibration at the base of my skull
Reverberating through me
each word
        Spirals off into thousands
Of volumes of information
The processing power
Of the machine
Capable of this existence
the psychotic episode of existence
It tries to talk
Surely it thinks it is something
How fine it is to know that it will all one day end
In an instant neither dark nor light I will die
And I have no fear of this
An instant of life
Boiling over to its brim in thoughts
To feel one moment of true ignorant blissful love of another soul
Love just another reaction to instinct
That we love to label with
Big long pages of words
And inventions to make
Them faster until everyone knows what life should be like
KathleenAMaloney Aug 2016
Life  Soul
Gone
Drawn Away
By a Feeding Tube
From Another Species
The Difficulty
Ive Learned How
To Do It Too Now
But Will I?
I weep for Adonais—he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: “With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!”

Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

O, weep for Adonais—he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend;—oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

Most musical of mourners, weep again!
Lament anew, Urania!—He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country’s pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o’er earth; the third among the sons of light.

Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame’s serene abode.

But now, thy youngest, dearest one, has perished—
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies—the storm is overpast.

To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal.—Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

He will awake no more, oh, never more!—
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o’er his sleep the mortal curtain draw.

O, weep for Adonais!—The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not,—
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne’er will gather strength, or find a home again.

And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
“Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain.”
Lost Angel of a ruined Paradise!
She knew not ’twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

And others came… Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp;—the moving pomp might seem
Like pageantry of mist on an autumnal stream.

All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman’s horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds:—a drear
Murmur, between their songs, is all the woodmen hear.

Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

Thy spirit’s sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun’s domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season’s bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

Through wood and stream and field and hill and Ocean
A quickening life from the Earth’s heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life’s sacred thirst;
Diffuse themselves; and spend in love’s delight
The beauty and the joy of their renewed might.

The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning?—the intense atom glows
A moment, then is quenched in a most cold repose.

Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

He will awake no more, oh, never more!
“Wake thou,” cried Misery, “childless Mother, rise
Out of thy sleep, and slake, in thy heart’s core,
A wound more fierce than his with tears and sighs.”
And all the Dreams that watched Urania’s eyes,
And all the Echoes whom their sister’s song
Had held in holy silence, cried: “Arise!”
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where’er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life’s pale light
Flashed through those limbs, so late her dear delight.
“Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!” cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

“‘Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

“O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life’s waste had fled from thee like deer.

“The herded wolves, bold only to pursue;
The obscene ravens, clamorous o’er the dead;
The vultures to the conqueror’s banner true
Who feed where Desolation first has fed,
And whose wings rain contagion;—how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled!—The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

“The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit’s awful night.”

Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature’s naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o’er the world’s wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

A pardlike Spirit beautiful and swift—
A Love in desolation masked;—a Power
Girt round with weakness;—it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow;—even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest’s noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter’s dart.

All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another’s fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger’s mien, and murmured: “Who art thou?”
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain’s or Christ’s—oh! that it should be so!

What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o’er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart’s accepted sacrifice.

Our Adonais has drunk poison—oh!
What deaf and viperous murderer could crown
Life’s early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master’s hand is cold, whose silver lyre unstrung.

Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o’erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt—as now.

Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now—
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

Peace, peace! he is not dead, he doth not sleep—
He hath awakened from the dream of life—
’Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit’s knife
Invulnerable nothings.—We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world’s slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit’s self has ceased to burn,
With sparkless ashes load an unlamented urn.

He lives, he wakes—’tis Death is dead, not he;
Mourn not for Adonais.—Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil
In the land of
Pharaohs
we are
compelled
to celebrate
a national
holiday to
repression

we refuse to
mark the day
our chains
were forged

we refuse
to partake
in the worship
of penitentiaries

your hand cuffs
are not our
prayer beads

your prisons
are not our
cathedrals

graven images
of a dictator
are not holy
icons

the glorification
of storming fascists

the swoop
of truncheons

the kick of jack boots
firming on our necks
pressing our face
into the sand
covering our eyes
with the dust of lies
coercing us
to adopt
a litany
of shallow boasts
the lying psalms
of repetitive
propaganda
you alone
swear as truth
enforcing fealty
with the blows
of terror

we reject

we have called
for a mash up
meet up
on Facebook

we have
poked
young
comrades
into action

we will
flood the
streets
dancing
in witness
to our
revelation
of freedom

we declare
ourselves
exiles
from your
prisons

the youth
of Egypt yearns
to show our faces
to the faceless fascists
that dominate and bludgeon us

we reject your endless
state of emergency
it has grown old

the ceaseless flux
of perpetual dominance
must be laid to rest

the imposition of
your ridged stasis
stunts our growth

we can no longer suffer
your authoritarian
paternalism

your urgent repression
no longer stills us

your vigilantism
no longer intimidates

your corruption
no longer cowers us

your laws protecting your privilege
we no longer recognize

we rip to pieces the constitution
that guarantees
our serfdom

we burn the books
that immortalize your fictions

your force designed
to immobilize
now stirs us to action

go back to your gulags
in urgency

call an end
to your emergency rule

clasp the handcuffs
of razor blades
around your own wrists

know that the time is now
the trilling grows

we unhide our faces
to the extremists
that dominate us

we offer our cheeks
to the sadists
who live
to bash
away the
innocence
of children
taking perverse
pleasure in
leaving an
indelible
slash
to
mark
lessons
of citizenship

we decline
your gambit
torpid head fakes
of a despots
shell game

secret police
make plans
in the morning
by afternoon
make excuses
covering tracks
begging
ignorance

Mubarak
has entombed
the nation with
non-stop lies
incessantly
droned from his
national broadcast
company

the youth of Egypt
marches to the funeral
of this dictatorship

we carry with us
holy embalming
spices to
fill the vapid
cavity of its
soulless
corpse

the youth
have commenced
a Hajj

clothed in
denim Ihrams
our Umrah
leads to the
presidential
palace

as we circle
we throw stones
at the devils den
unraveling the
bandages
covering
the wounds
you have
inflicted
on the body
of our nation.

We are
determined
to circle
the palace,
wrapping
the threads
of blood
stained
gauze
around
Mubarak
and his
fascist
police
until the threads
completely
bound them.

We promise
not to rest
until they are
laid to rest,
entombed
with fellow
mummies,
lying in state
under the
burning sands
of the Sahara.

Music Selection:
Police, Rehumanize Yourself


2/13/11
Oakland
jbm
(WIP)
Egypt's Arab Spring began on Police Day in 2011.  Students gathered to protest the police state of Hosni Mubarak.  Yesterday a coup d'état overthrew the democratically elected government.  Today mass arrests of Muslim Brotherhood members are taking place.  Police States are very good at arresting its citizens.
RAJ NANDY Dec 2018
Dedicated to all my Poet Friend, as I wish them a Merry Christmas & a Happy New Year - 2019 ! Kindly read the footnotes too. If you like it, do re-post this poem for wider circulation please! Thank You, - Raj

A BRIGHT STAR OVER BETHLEHEM !
             * By Raj Nandy
“We three kings of Orient are,
  Bearing gifts we travel afar;
  Field and fountain, moor and mountain, -
  Following the yonder star ! “
                               - A Christmas Carol.

Named Casper, Melchior, and Balthasar, - @
The Three Wise Men came from the East,
Travelling west guided by a Bright Star,
To seek out the child born under this lucky
Star ;
And to pay their homage and before him kneel,
For He was to become the Savior and King !
They brought Him precious gifts of Gold,
Frankincense, and Myrrh, -
Which were also symbolic gifts by far!
Precious Gold has been a gift for royalty always,
For the baby Jesus was to become the 'uncrowned
King' one day!
Frankincense as a soothing perfume was really
good ,
Which also symbolised His future priesthood !
Myrrh as an embalming ointment was being used,
By the ancient Egyptians as a preserving perfume ! #
This gift of Myrrh was like a breath of new life -
in the prevailing gloom;
While symbolising His sorrowing, suffering
and crucifixion;
And leading to His final resurrection, -
To save mankind from their sinful affliction!

So Friends, when you celebrate Christmas this
year,
Let us with love bring hope and good cheer!
And help to wipe out those sorrowing tears, -
By giving gifts to those destitute children
and bless,
Since we generally tend to forget them always!
And let our gifts become a true symbol, -
Of His kindness and love let them reflect and
resemble!
……………………………………………………………….......................
NOT­ES : - @ = One 8th Century AD Manuscript says that these Three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne !!
#MYRRH = was being used by the Egyptians during the 5th century BC, which they had obtained from Africa. It was used in incense, in perfumes, & in holy ointments; mostly for embalming , - signifying Jesus was to die for mankind ! Thanks for reading, – Raj.
           *ALL COPY RIGHTS WITH THE AUTHOR ONLY

,
RAJ NANDY Dec 2016
Dedicated to Ms Valsa George & my Poet Friend, as I wish them a Merry Christmas & a Happy New Year - 2017 !

A BRIGHT STAR OVER BETHLEHEM !
             * By Raj Nandy*
“We three kings of Orient are,
  Bearing gifts we travel afar;
  Field and fountain, moor and mountain, -
  Following the yonder star ! “
                               - A Christmas Carol.

Named Casper, Melchior, and Balthasar, - @
The Three Wise Men came from the East,
Traveling west guided by a Bright Star,
To seek out the child born under this lucky
Star ;
And to pay their homage and before him kneel,
For He was to become the Savior and King !
They brought Him precious gifts of Gold,
Frankincense, and Myrrh, -
Which were also symbolic gifts by far!
Precious Gold has been a gift for royalty always,
For the baby Jesus was to become the uncrowned
King one day!
Frankincense as a soothing perfume was really
good ,
Which also symbolized His future priesthood !
Myrrh as an embalming ointment was being used,
By the ancient Egyptians as a preserving perfume ! #
This gift of Myrrh was like a breath of new life -
in the prevailing gloom;
While symbolising His sorrowing, suffering
and crucifixion;
And leading to His final resurrection, -
To save mankind from their sinful affliction!

So Friends, when you celebrate Christmas this
year,
Let us with love bring hope and good cheer!
And help to wipe out those sorrowing tears, -
By giving gifts to those destitute children
and bless,
Since we generally tend to forget them always!
And let our gifts become a true symbol, -
HIS kindness and love let them reflect and
resemble!
………………………………………………………………...........................­¬..
NOTES : - @ = One 8th Century AD Manuscript says that these Three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne !!
#MYRRH = was being used by the Egyptians during the 5th century BC,
which they had obtained from Africa. It was used in incense, in perfumes, & in holy ointments; mostly for embalming , - signifying Jesus was to die for mankind ! Thanks for reading, – Raj.
,
Edit poem
RAJ NANDY Dec 2014
A BRIGHT STAR OVER BETHLEHEM!
* By Raj Nandy*

“We three kings of Orient are,
Bearing gifts we travel afar;
Field and fountain, moor and mountain, -
Following the yonder star ! “
- A Christmas Carol.

Named Casper, Melchior, and Balthasar, - @
The Three Wise Men came from the East,
Traveling west guided by a bright Star,
To seek out the child born under this lucky
Star ;
And to pay their homage and before him kneel,
For He was to become the Savior and King !
They brought Him precious gifts of Gold,
Frankincense, and Myrrh, -
Which were also symbolic gifts by far!
Precious Gold has been a gift for royalty always,
For the baby Jesus was to become the uncrowned
King one day!
Frankincense as a soothing perfume was really
good ,
Which also symbolized His future priesthood !
Myrrh as an embalming ointment was being used,
By the ancient Egyptians as a preserving perfume! #
This gift of Myrrh was like a breath of new life
in the prevailing gloom;
While symbolizing His sorrowing, suffering, and
crucifixion;
And leading to His final resurrection, -
To save mankind from their sinful affliction!

So Friends, when you celebrate Christmas this
year,
Let us with love bring hope and good cheer!
And help to wipe out those sorrowing tears, -
By giving gifts to those destitute children and
bless,
Since we generally tend to forget them always!
And let our gifts become a true symbol, -
HIS kindness and love let them reflect and
resemble!
………………………………………………………………...........................­...............

A Very Happy Christmas To All My Reader!
NOTES : - @ = One 8th Century AD manuscript says that these three Wise Men were also astrologers, who had known about the Prophecy of the birth of Jesus who was to be the King of the Jews! They were guided by a Bright Star which had shone over the town of Bethlehem in Judea, ruled by the mad King Herod! Their three symbolic Gifts signified the King, the Priest, and the Savior of Mankind respectively! From the ‘Gospel of Matthews’ we learn that
King Herod had told them to inform him about the Baby’s location! But since they had been forewarned by a dream, they returned by a different route! So Herod gave orders to **** all children 2 years and below, fearing this ‘King of the Jews’ will one day take over his throne!
#MYRRH = was being used by the Egyptians during the 5th century BC,
which they had obtained from Africa. It was used in incense, in perfumes , & in holy ointments; mostly for embalming ; - signifying Jesus was to die for mankind ! Thanks for reading, – Raj.
,
Taylor St Onge May 2016
After my mother died, my room was filled with roses.  When the flowers died, my room was filled with their sweet, rotten stench for weeks on end; it sunk into my pores and into my DNA and years later, I still smell like dead roses.
                                                 My sister confuses this smell with dead lilies.

A bouquet of red roses was placed atop my mother’s coffin as it lowered six
feet down into the earth.  After the roses died, I wonder if my mother could
smell them like I did?  I wonder if she still smells them, or, more likely, how long it took for the roses to disintegrate into dust like her?  

We don’t talk about the body after death because we don’t like to be reminded of how vulnerable we really are. In high school, a boy asked me to prom using roses and lilies that were all different shades of reds and oranges and yellows like fire.  Lilies like funerals and tombstones and formaldehyde.

I don’t think he meant to remind me of death.  I don’t think his intention was to place me in a casket similar to my mother’s with its pink padded walls.  I don’t think he realized that’s where I went when I saw his basement covered in bouquets of hellfire.  I think he meant the roses to be romantic,

but I looked at them and saw my mother’s putrefying face, saw her intestines eaten away by savage bacteria and bugs, saw her eyelids drying out and peeling back like black and dead and withered lily petals.  Embalming does not prevent decomposition, only prolongs it.  I have embalmed my mother's
memory in the shape of a teal notebook.  I cannot tell if it has
                                                                       begun to decay or not.
wrote this for my adv poetry.  it started out as an experimental villanelle, but hellopoetry messed with my formatting :/
Curt A Rivard Sr Dec 2012
Anubis the ruler of the underworld carries vast ancient fame
And today, I’m his next opponent in his weighing game.
Lying spine to spine his prep room table was cold,
made out of a lion's carcass it was formed from pure gold.
I’m in his arena and with a sold out crowd, they are all the God’s, its judgments day for me
I know all the rules; I know how to play and what it is that is expected of thee.
He makes his way into the lecture hall standing so rigid and ever so tall
Scale in one hand, his pure gold scepter staff in the other
Helping him walk so he don't fall because he then would have to drop to all fours and then crawl
Hearing his heavy breathing coming all the more closer
We now meet face to face I’m not afraid I am content in his place
Confident he looks to his audience to the left and to the right
To the balcony he then looks next and then to me suddenly with a death fright
For upon my lifeless body he saw a chain bearing charms in the shape of an urn
Fifty molded in sterling, representing all my subject’s I had to embalm while earning my intern
All around my chain they hung forever I carried them like they were my gang.
Cold wet pressing snout I feel it on my neck looking for my major one he can’t find it, what the heck
The Jackals’ ear is now on my chest he’s not given up just yet for he is no one’s pet
When were are done today he will lick my hands wag his tail and be mine forever, I will bet
No pounding sounds of my drum, he takes his scepter to open my mouth
Then sees verses and powerful words writing on my tongue
Able to speak, breath and eat I offer him everything I learned as a treat
Murmuring and shouting from the belly of Ammit they shout in rage
“Weigh his heart and do your part, you done it to all of us and right from the start”
Under duress he had no choice, then came the cutting open of my chest and out the opening he heard a voice
Eyes were amazed and his canine senses were all in disarray because in my body my heart did not stay
Paws went digging in like looking for his buried bone suddenly he had a much different tone
Because the only thing he found in me was a feather and now he’s wishing he had left me alone
Have no fear; I am just the same, I am here to help avenge that’s how my heart turned into a feather
Because I write with passion I write with respect and I write for the ones you had already met
Upon the scale it is weighed and lighter than thou, this can’t be right he now thinks somehow
A riddle is then placed upon me before forever death is on my lips asking my just how?
I answered him and told him that when I write, I write with a feather, I write from the heart
And in my ink well I put a drop of embalming fluid so forever my words would be preserved
For all the one’s I had already served.
No need for a recalibration I won and then I was then welcomed to a grand celebration.
Given eternal passage to my afterlife he quickly asked me for my parting autograph, and in return he gave me his golden scepter staff!

I WILL RETURN!!!!!!

(SirCARSr 12-12-12)
Curt A Rivard Sr Jun 2012
Writing poetry will be a lifetime challenge for me to try and conquer. With Credits in Poetry among other accomplishments I truly respect the gift I have been blessed with. A talent that involves attempts to portray a picture through a sequence of letters in there very special order.
At the tender age of 16 I learned of my first family death, Grandpa Ralph and exactly 1 week later my grandmother Mildred who my mother took in and I was chosen to make sure she got her coffee, breakfast along with her medicine and other meals all day. I had to give up a summer of going swimming and other things that a kid my age wanted to do just to keep here company but I learned something so valuable at the same time and that was, I learned how to crochet, learned about birds, and learned to respect the elderly. To this day I still carry those values even to the point of even walking into a old folks home to just talk to strangers and even if I have to pretend to be their own family member so be it because I would like for someone to do just the same for me even if I didn’t know what was going on.
It was due to a brain tumor that took my grandmother away after Christmas that year and I remember it still ever so well when I woke up to go to work at the family’s bakery and my mom told me what had happened and everything that was to follow. My grandmother was the first of many I had saw lying ever so peaceful. I even gave her a kiss and I could feel that it was a warm one that I gave her.
Death throughout the many years now have taking on a new role. A role that should I believe be more up close and personal. Calling hours I think should be done in the family’s home where the deceased can maybe feel more comfortable being among everything they ever knew and among the ones that they loved and vice versa.
I have always wanted to be remembered centuries to follow my death. It seems the only way to accomplish that is to die either famous or infamous. Like the pope in Rome I to want to be laid out in estate for all to come and pay their respect. Obituaries now on the other hand along with media coverage to me seems, only the important and wealthy get all the coverage. Movies on another note portray a different message that has no comparison to the true facts. Directors, they make you think that it is either something so morbid like Friday the 13th or make you think you have to go out in a blaze of glory like Bonnie and Clyde. Television now has so many programs that entertain people’s most inner fears that you only want it to be more gruesome and gory. Now cartoons, that’s another ball game, children see subliminal messages that, if you die you will come back to life after you’re killed when in true contrast how can that be true.
Arts and literature including paintings, writings and music have a major impact on the subject when it comes to death, The ancient Egyptians’ I think were probably the masters on the subject of embalming. There techniques still to this day can’t be compared to. I am still fascinated to this day on just that. I even wrote Poems speaking of just such procedures and how I’d want it to be done if I had my way with the preserving of myself. With all the music and there sick lyrics your found either wanting to **** or run and hide from the killer.

(CARSr. 4-21-12)
Ceida Uilyc Dec 2018
man bun
Disheveled
Hair, soul, shorts
Gleaming sweat

Palms screaming for warmth

Alluring smile in a dark mustache
Covered in cologne
Of Potatoes and ***
Of Chapathis and chillums

Murky embalming
You were a slice of the lavender valley
Distant
Intoxicating
I tasted from afar.
Potatoes are forbidden for me
Cunning Linguist Nov 2013
I don't know why I find death so enthralling;
Or the calling of culled nullified angels more charming than alarming
Salutations to an array of all things macabre and flooding the streets with tidal waves of shock

The blood in your veins
was already cold as ice anyway
before draining away in the embalming process
Your entrails always showed
the manner in which you vested with finesse;
Enthroned in a tomb of frozen snow

Hell burns frigid and unremissive
Your every thought - piercing incisions
While I puzzle together these pieces of the grander picture
The polarity of her stigmatic enigma
Demeanor meandering to and fro
Gandering to pander every whim
Throwing glances left and right
At each of my fellow gentlemen

Rays of light cast from the windows
Outlining my silhouette in the shadows
Low moans bellow in a tour de force
As I peer through your soul
You have but a split second
So spit or swallow,
and choke back your tears
As I bring your worst fears to life

Hell hath no fury like mine reckoning
My discourse beckoning;                              
Imperiously        
imperiling
         and deafening

Channel these demons -
Screams echoing in melodic discord
Face stoic, in lieu of remorse
Wallowing in the shallows and wailing for recourse
The *****'s lament holds no candle;

From the summit,
without substance -
She plummets
in shambles
At free fall speed
she meets the grounds embrace;
but it breaks away

Calm before the storm
Then once more your life flashes
As you reach for the light
hiding in the tunnel's flip-side
Only to realize its not of the Heavens
But a raging Inferno

Neural impulses spiderweb across time
Each one precisely in line; memories -
Absence of your vindication aligned hand in hand
with every secret you buried in the sands

O'er the new rage
Of the golden age noir
Compulsively laying without delay
Fashioned like it's going out of style
"Now **** me something vile -
M a s t e r  r a c o n t e u r"
Make my trials worthwhile
Purveyor of *******
Undeterrable provocateur;

Inclined to bide my time while finding the finer aspects of slaughtering swine
Her squeals, reminiscent
lulling me to unconsciousness
Forever more I remain in denial
Whittling ever closer to nihility
While begging assuaging intoxication to ease my conscience

In the blink of an eye;
Destiny manifest is slathered in spattered inklings of splattered blood red
On a platter shall I present her head
A trophy for my sempiternal Lord of the dead
Why admire the intrinsic birth and death of nature as something beautiful and palpable
When all that exists is worth perishing
I've given up on humanity
A once vibrant pool of endless possibilities
Is reflected in a dismal void steeped with pitch
Curt A Rivard Sr Dec 2012
It was a hot summer day and freshly hatched flies
darkened your massive window bay.
Inside your decaying bloated carcass
millions of larvae are eating your flesh
they are eating you slowly away.
Your room had such a rancid stench
The New London Day gave it away
how long you laid all alone on the floor
four days old it was on your piano bench
out your body bag I saw a single fly take flight
in the embalming room that only leads to a big fight.
Rule is, turn out all the lights and open the door
Because they will then take to the air and bother you no more.
For a perfect viewing you must be purged of your infestation.
Step One, hook your nostril to a rubber hose,
Step Two, turn up the pressure so the water flows,
Step Three, push on your chest to break up there home, I call it their nest,
Step Four, Watch them all swim for their life as they exit out the other side of your nose.
I have a fetish for death I need to touch with my bare hand
slowly combing your hair with my fingers strand by strand.
I take out my Sterling Silver Mirror and then place it upon your frigged lips
and then I have to then put on a plastic frown when I see no BREATH!!!!
leah Mar 2014
To grieve over death

is one thing

But to smell death

To stand in the room

Where death goes once its dead

And see the eye cups

That are placed so the eyes don’t sink but seal

with adhesives.

The tools that cut the arteries

And the smell of the

formaldehyde that replaces

the blood that’s drained

And the small, clean blade that cuts the navel

And the garbage bag that reeks of

the stomach and intestines that get pumped out

Assortments of makeup that

Could cover bruises and burns

Or a blue or yellow face

All in this tiny, cold room

Where the lifeless go

When their vessel is wrought
Curt A Rivard Sr Nov 2012
Hold hands and march behind me, buckel up this is a new horror,
A living nightmare unlike anything you have ever seen
Looking at your hollowed out corpse over for the very first time
I saw parts Jeffery only wished while committing his crime.
I'm the piper tricking you along the way; I got you in my trap
And there’s now no escape from my funeral pallor.
Quincy, CSI Miami and even Dr. G,
Could have never prepared me with only what they show on TV.
Downed played and minimalized to the max,
Read my works I'll paint for you all the true facts.
First things first I need for you to stop staring at me
With eye caps and a quick squirt of glue I broke the trance
Good, now I can begin the process and start this slow dance.
Like always I shake their hand and tell them my name
This time was different I got my first squeeze back
For on your right forearm was stained in ink
The first two verses of Psalms one hundred and forty four
After I finished reading I had to get back on track
With an instant snip a stitch is then cut apart
Adding another three ***** to your collection
Pulling them apart I go in first reaching for the clear viscera bag
Holding it up I fondled it all around in the bright light
Looking for the brain I felt it and then saw it come into my sight
Laying out all the puzzle pieces I start with the center first.
So smooth and slick the inside walls of your cage
Everywhere else looked like a time bomb burst.
Feeling all about searching for your iliac artery
Once found you’re now connected to the vat
Using sufficient pressure filling your tissues to full capacity
Injecting first your lower extremities I now see the veins swell
After a six point fill you should look like you’re getting well.
From under the flap and at the root of your neck
I reached in your head and into the hollow space
Because it is now time to try and firm up your mortal face.
With a pair of clamps I kinked your spinal cords fountain flow
Massaging your headless face and then the head *****
All the fluid went right where it had to go
After the fill you looked like you had a new mothers glow.
Now the suction of the liquid residue that smelled fowl
Then came the pressing of a paper towel
Very pleasant smell of wintergreen candy in my nose cause the
Shaking of the can of Bex embalming powder was now to follow.
Pressing here, pressing there, trust it was becoming a pest
Trying to tuck the bag with all your innards back into your chest
Putting the sternum back on top proved it was a perfect cut.
Folding down the three ***** to the point of origin
Was like folding a piece of paper into a paper airplane.
Almost at the home stretch we took turns closing you
And with it a perfect baseball stich and with it a coat of sealer.
Trying hard to keep a secret from for your heads crown
There is no way to do it I can't play it down
Holding the pieces of your skull in my hands
Starring where it has to go back now and back together with no glands
Looking just like what is, "Sweeter than honey and stronger than a lion?"
Me and my youngest son solved Samson's riddle in the Bible,
A seven letter word now needs to be added into the book of Judges because
Together we saw the answer written from a vision in the deserts sand.
Pulling down your face and all the way down to your chin
I lost sight of your eyes I only can see their other side
I now see a notch and the groove where this piece has to go
Gluing it in place I gave back to you your forehead
Tucking and packing cotton towels is your makeshift brain now
With a round file I score four half-moons in the thin bone
So the skull clamps can hold it together and hold it in place forever.
Pulling and stretching your face it was sewed together and with no space.
Now that it's complete you’re ready for a military examination
After getting the green light it's time for the fitting of your uniform
in your aurora steel casket you played in there
looking like the sailor on a ******* jack box.
one last trick to go; have to pull fibers out from the bottom
so your weightless head will look and sink naturally into your pillow.
out the back of a coach with plates that say livery
and into the belly of a plane your shipping container was stamped
Special Delivery.....

(CARSr. 10-24-12)
Andrew Rueter Jun 2017
It makes sense that a mummy was required
For the exodus out of my king rut
By wrapping me in silk and satin
And embalming me with love
But my brief time as pharaoh ended
A tomb at the pyramid I once attended
Thoughts of my sins plagued me
Did I get too froggy?
Or maybe he just met another sarcophaguy
Or maybe I misunderstood him
When he invited me over for desert

I wanted to conquer you
Like Brendan Fraser
Now I just want to talk to you
Like John Edward
I tried unearthing artifacts to channel your spirit
But your grave had been robbed
And after swimming in denial for so long
Wandering through the Sahara feels wrong
Your carefree kingdom is where I belong
But the evasive Ra warned
That the ghosts of snake charmers
Are abrasive and horned
snowshoecaptain Nov 2013
Some people say cucumbers taste better pickled.

They come out wrinkled and cold,
their verdant skins hardened and crisp.

One crushing bite reveals
a soft yellow center,
soured cells seeping embalming vinegar.

Feathery dill disintegrates,
bringing biting flavor
to our cryogenic sandwich toppers

But, some people say cucumbers taste better pickled.
Taylor St Onge Nov 2020
I’m thinking about the doctor's hands shaking as she
                                               struggles to intubate a cat.  
I’m thinking about the technician's hands squeezing the cat’s rib cage,
pulsing life with a delicate force; she is much more gentle than
                                                      practition­ers are with humans—
hard and quick down with the palms; the ribs snapping,
                                                                ­     the sternum sore.  

Some time ago an 80-year-old woman on my unit was
opened up bedside for a cardiac procedure during a code.  
After a week in ICU, she came back to us on the unit, was up and
walking and talking, and was discharged home within another week.

Meanwhile, the 60-year-old man was dead in the morgue
       after a 45-minute code failed to resuscitate him.  

The flip of the coin.  The thin line.  The blessing or the curse.  
The absolute darkness of a body bag.  The cold chill of absolute zero.  
The fresco painted on the catacomb walls could either depict the
light of the sun or the multicolored lights that the
brain shoots off minutes before death.  
                                                        ­               The eleventh hour,
                                                                ­  isn’t that what it’s called?  

We don’t want to talk about body care, death care.  
We have to, but it won’t register.  
                                                     ­       After a loss, after a trauma,
                                                                ­   we are on autopilot.  
I think of my mother,
                                        six feet beneath frozen soil in
                                      a pink padded casket and think:
                                                                ­                             I don’t want that.
I think of the prearranged plots my grandparents picked out
next to her in an above ground crypt and think:
                                                          ­                                   I don’t want that.
Bacteria still causes decay after the embalming process.  
Putrefied flesh.  Bones visible.  Muscles eaten.  Tissues disintegrated.  
We don’t talk about it.  

We try to think the opposite.  The positive vs the negative.  
(But that’s not always possible or healthy.)

I’m thinking about hands inserting IVs, hands taking
blood pressures, hands documenting the code notes
on a clipboard in the back of the room.  
I couldn’t do these things.
                                                 My hands tend to break what they touch.  
The glass bowl in the pet store.  
                               The clay project in art class.  
                                                        ­    The succulents, the basil, the orchid.
I’m good at things I don’t have to think about:
good at the autopilot, good at the autonomic,
                                                                                    good at trauma.
notice that the fawn response isn't titled here
Àŧùl Jan 2015
Surely a piece of me died back then,
Least I faced after it is physical pain,
Like needless needles it was stinging,
All I managed was writing a poem.

Not a regular poet but an enthusiast,
Within me someone happy had died,
I started embalming the dear & dead,
Only hoping that I shall be revived..

My dying song gave birth to a poem,
Heart for the poem healed my heart,
The poem was truly a miracle for me,
Nothing less than a potion of elixir...
A tribute to myself and my poem 'Angel?' that healed my heart after the inglorious accident on May 7, 2010 crippled my life permanently.

Please refer to my poem 'Angel?' @ http://hellopoetry.com/poem/265976/angel/ and its comments for connecting with the story of this poem.

I also wrote a novel called '7 Seconds' whose eBook is available @ http://www.amazon.in/Seconds-Typical-Guy-Not-Life-ebook/dp/B00MYY0DMA and writing the novel I got redemption from the ghosts of loneliness I had to tackle unwantedly after my accident had fractured my degree apart from robbing me of all the friendships I had fostered.

My HP Poem #726
©Atul Kaushal
Curt A Rivard Sr Jan 2014
I thought about this paper for many weeks and just what it was I was going to write about. As hard as I can try, I can’t muster up any feelings in any shape or form. The only fear I now face is, when either my father or my girls mother who are both very close to be giving up the fight here on earth I ask myself will I even cry at their funeral and if I don’t what then will all the other family members then think of me? My only defense I guess, will be, I cried out all my tears when my brother had passed away and how he told me not to call for help as he knew he was dying on a ****** overdose. I still to this day deal with just that and how I wish I didn’t listen to what he had said.

All I remember was, when he got that 1.3M he told me he loved me, I was his dog Dollar and he was my Richie Rich and he’ll take care of me because I took care of him when everybody in the family turned him away until he got his money and that was when they all started to come out of the woodwork. Because I never took that into consideration he knew I was true to him and I had to honor a wish that he had given to me before we cashed the check. We both knew one of us probably would die as a result of it and his wish was to just let him be if things got real ugly.

I remember also how I cried all by myself in the funeral home and sat all alone in the church and that nobody in my family asked me if I was ok or even to tell me that they loved me rather then telling me I was next. I now know that they said all that only because he gave me money and tens of thousands they were.  He told me many times not to give any of the money he gave me because they didn’t take care of him for 5 years in a wheelchair like I had when he was **** *** poor and with nothing.

It is not out of hatred for not possibly being able to cry but rather I think I am now numb to such imagery. In the pursuit of the endeavor I am undertaking I am using the valuable skills I am gaining so maybe one day I will be able to possible give my children a life I feel everyone should enjoy. In the process of my newly gained knowledge in an undertaking that is shrouded in mystery to many, I am witnessing much more than the normal person could even fathom, handle, let alone I feel comprehend.

My funeral will be a private event for certain selected individuals that only my children deem fit to attend. As far as music and readings go, let them sing and speak their hearts out to me. My estate will be supervised and handled and given to my youngest son Joshua J. Rivard. I want to be wearing a custom tailored suit and without the backs cut out of them. I also wish to be placed in a full view casket till the time where I am then transported to a private location to begin the process of turning myself into a mummy.

Truly the sad part of this whole thing is, and the my hair on my forearms and on the back of my neck are tingling on their end's is, I had the true pleasure of embalming, casketing, and being a pole bearer for my elementary school teacher "Math Class with Mr.. D." (remember that poem?) and I had read his own obituary that he wanted printed for all to read in the local paper prior to his own death and here it is, my college class assignment. O' yeah, Yes I did place in his hands a scientific calculator a TI 81 it was that nobody got to see because nobody came to his awake but I filled in for the millions that should have been there for him. It also was a blessing to tell the funeral director to put him in a solid pecan wood coffin that was the most expensive and I got to keep the extra pillow and the vintage ribbon that was also inside. That is how my poem "Casket Pillow" also came to life.

(SirCARSr. 1-17-14)

Death and Dying Class assignment, Professor gave me a 90 for a grade.
Although this isn't a poem it is something I felt I owed to all my readers, Thank you all for reading and the time you spent thinking about what I had written.

Till Later, SirCARSr.....
david jm Aug 2014
Anxious for my
Afternoon embalming.
Flushed free,
Laying down the masonry
Of trees yet
To be.

I must confess I want a jack and ginger.

My favorite manieur de mots,
Your offspring making
Silk of my spit.
Two book wormholes,
Circumventing travel,
Welding my smoggy sand castle
To the grey island you anchor.
Would you care to
Fatten up Elpis
With me?
For my pen friend.
Heather Butler Aug 2012
for Patrick,
                    if he can still hear me

Rise, every neighbor!
Hear the cacophony of dragon fire
BANG, BANG
and the pitter patter rain fall of disease
T T T T
pouring over your households this evening.

Catch that butterfly, there, boy!
And know that in your future you will be begging
to look as hideous as a moth
banging your skull against the roof of my trunk
as I drive away with your body.

You beg me
give me reason!
and I try, but it's so difficult
I don't want to live!
and what am I supposed to do to help
when you don't want the help I give?

And we plead to gaze at stars over the Causeway
going seventy in the sunroof as off in Norco
the refineries let go a blaze jealous of the sun.

The moon doesn't shine as brightly as I remember.
Maybe I was too young to understand light pollution
or maybe it's the gnawing away of the ozone
as my skin tightens and ages over my teeth.

Do you understand how permanent
death
is?

Let me show you, this:
the vision you are trying to make me live through;
I will not let you force me into folding
your hands over your chest
while the embalming fluid grows stiff
beneath your cold hands.

I *will not
cry for you, if you bleed out your sorrows on a tile floor
or over a dark carpet
or crushed against the wall in your blue Mustang.

I will not cry for you,
but for the life you left behind,
the life you took, the life you stole
from me.

ME.

I have faced death with weakening knees;
I have knelt before the toilet whispering
please someone anyone
when it was too early in the morning for anyone to hear.

I have emptied the medicine cabinet of its promising contents
to find that nothing but
nothing
waited for me on the other side of ignorance.

Pain;
and it rains lightly on Tuesday evenings.

Somewhere behind the doorjamb is a flute
being played by a breeze
through the window you left open.

The note you will never write is tickled by the wind
and a thousand sunsets later--
I do not forget you.
Never give up.
Chris Saitta Jun 2019
The desert is not the grave of the sea.

The heaving reign of pharaohed seas,
Rule in bloodline of palm wine and embalming fluid of brine.
The tides are their mummified lips,
Whispering the coming forth of spells eternally to the sky.  
All goddesses, like shawled Isis, in lamentations of hair
And past-wept somnolence for Egypt,
Lie across the heart-bound murmur of waters
From their dead kings and the kingly divine, Amun-Ra,
Whose bird-starred eyes fill the canopic jar of the cosmos.

The sea is the grave of the desert.
“Palm wine” and spices were used to rinse out the abdomen of the remains.

The Egyptian Book of the Dead was a phrase coined in the 19th century.  A more literal translation is The Book of Coming Forth by Day or Spells for Going Forth by Day.

The heart was actually the only ***** left intact in the mummified dead. The other organs were kept in canopic jars though some were rebound and reinserted into the mummified remains.

For a slide video of this and other poems, please check out my Instagram page at chrissaitta or my Tumblr page at Chris-Saitta.
this is the golden tangent
slipping in the sinister land of
everything you ever landed
on the wings of our entire planet

left behind with every man who commands it
to live and breathe because of zed dog
look into the symbolistic meaning of z being the  breathing
i live to end the simple dancing  
necromancy of what is a tangent
before necromance this,  ungrateful
and dried out planet
sympathy
and all that you gave it
has nothing lost in the pavement
i have nothing ever long in things
that is what i am in this whorld
not just to me
not just to you
i have everything that is left to have

this piece of sky
folding inwards
eat my favorite eye
in between yours

i am driving into the clouds running away from me
chasing always leading to the sunsets i remember
being there in the patient virtue of your hating
and what it have me the right to see hindsight in
I'm not a patient to this believing of all that is saving

I'm not a  blatant worry to society
all those things are hidden here
in this hideaway drawer that you left open
bang your knee and remember the contents, and how they are broken.

leave this world like a patient embalming emblem
letting you patiently open the whorl pool of patient
what is the payment and grace of the spoken
for the hindsight of all those things that are left broken

so this is the river flooding over the burning bridge
this is the island , that is underwater,  thanking the ice caps for growing
this is the row boat is which you gave birth to a baby, that  someone is borrowing
this is the patience of all those that are  waiting for you to get better
this is the road home


lets try this pipe and hope it goes to your favorite level
let the mushrooms that grant you breathe of fire, become flowers that are shinning even in the daytime.
Conor Letham Jul 2015
We own a pond;
mottled bluebottle,
flecked in freckles
when the sunlight
skims the surface
between the moss.

I dip a finger inside
and stir. A nebula
swills, swirling like
a whisk of spilt oil
from a water spot
sometimes found
underneath a car.

My fist plunges in,
embalming a gulp;
moss bandages
around the orb that,
withdrawing in drips,
I see a new world
set alight upon it.
Patina: noun
1. a film or incrustation, usually green, produced by oxidation on the surface of old bronze and often esteemed as being of ornamental value.

2. a similar film or colouring appearing gradually on some other substance.

3. a surface calcification of implements, usually indicating great age.
Christoffer Jan 2011
When I die,
please do not put me in a box.
Do not wrap me in fine silks and do not play me a song when they lower my rosewood coffin into a hole in the ground.
Please do not cry and tell stories of when I was alive.
Do not cry for me.
Cry for yourself if you must shed tears.
Cry because you know that its not that much longer till you join me.

Emote life and happiness and joy when I die, I beg of you.
I want to be spinning in your arms as you sing gaily, spinning my leftovers.
I want to go into the ground naked.
I want no makeup on my face or embalming fluid pumped through my **** or flowers stapled to my lapel.

All I want are two flowers pressed to each  temple.
I want every line, every sore, every hole I have earned to be seen and acknowledged.

Then let go.

I want the maggots to eat my heart and **** the shell into the dirt.
I want worms to crawl through the sockets of my eyes just like a starving child in some third world country that you have only paid any attention to when they make a brief 2 minute imprint on your subconsious as you are pondering the next brief pleasure to get you from now,
to then.



While I Live.



While I live, I want to live.
I want to be better than the bees and I want not to covet their ability to make honey, but understand it as something I COULD bee.
I want to create realms of gold and green where passion is the only thing put to the test.
Waverly Mar 2013
Last night, a thump.
A body hurled, third floor.
Second floor doesn’t do that kind of thing.

It’s 2 am.
That time of night when people when wake up anyways.
Blue-dark like antifreeze.

I was hard trying to go to sleep.

My bank account’s been throttled by loans,
Bills, Coronas, Blunts, Girls.

They shut off the water.
I walked to the store and saw a friend.
Ashamed, I laughed,
Said I liked water. “Water like liquor
like Koolaid like fun. “

What I really meant was:
“Water like survival like broke like stupid.”

This girl operates in ideas,
Dances like a ballerina,
Acts like an actress,
And will probably get bored soon.

There’s one across town that knows her way
around a lollipop, calls me sweet,
wears red just the way I like it,
***** **** with both hands
and doubles over to her tiny knees to laugh.

The actress is less sustainable,
but I sustain thoughts about her more.

The thump, it interrupts,
Distorts a globular fantasy into a brilliantly skewed
Pixelated awakening.

Pixels drain out. Room
Clears of smoke. Velvet embalming begins, purple night quickens,
Halogen streetlights invade in battalions.
**** me.

There’s a girl with a rancid *****
I still love.

The electricity thrums.

I’ve never been humble;
Super-conscious.

I can hear second floor:
footsteps light like *** fear,
tipping to the nexus. To the spot
where some hurled
lies,
above even them.

Third floor gets down like that. I can’t be a hero.

I used to think it was second floor.

But they don’t get down like that.

If we shut off the power,
You’ve gotta pay.

I know, I know,
How much?

180.

Carlos used to live on third.
Wife took the kids and dipped,
That elephant footed baby,
And the mouse-footed teen.

Carlos brought all kinds up after that,
Muffin women with huge, roach eyes,
Emaciated blondes with seamounts running their spines,
Thick, buggy black girls with ***** I wanted to stick my **** all the way into.

Then he quit. Broke one day. Told me everything was mine if I went up there,
and he was gone.

Third Floor was there in two days.

Bruh, they caught u stealing.

How much?

Don’t know, they were just talking about it at work today.

****.

I watch way too much ****. Tonight,
I get ***** enough to burn holes in my palms.
Maybe it’s the fear and anger.

Third floor is not my problem.
Pardon the cardiac;
arrest me
for speaking too blatantly.
The words I choose to speak
both crimson red and leak.
Can you smell my truth?
I smell ink.

Here's a small gesture,
through the rata-tat
steel pipes and ting-ting
raindrops
bleeding from the sky on my tin can ceiling-
               spread my ashes on a piece of toast,
                                 butter n' honey

Feed it to the lonely,
poor, beaten and homely.
Feed me to the ******.

Fill their hearts and eyes with tears.
Let them repent for oh, these pitiful, wasted years.
Let them rejoice! My embalming fluid blood
preserve their life.
Feed them my Eucharist, my body,
my light.
Astrid Ember Apr 2015
Glass has been shattered.
He's shattered.
On the floor and
I don't know who he
is anymore.
The light from the
exploding sky
has no clue which piece
of him is fit to shine
off of. Like all of him
is just so dark, no light
could ever escape to reflect.
    
There are always hidden
sights, you just have to
care enough to see. A Chinese
hut on the mountain with a
waterfall that turns into
the night sky.
There's a man in the sky
who's got tentacles for
half of his face. Northern
lights turning into vines
and flowers. A waif living
in acid with a cape of smoke.

The cracks in your lips
aren't just from the dry
weather. Your teeth are
rotten. I know it started in
your jaw. From clenching it
so hard. It started in the roots
of your molars. Was that just
the cigarettes? Has it spread?
Is that why the bags under
your eyes look like you're
leaving for good?
You carry it all on your
shoulders. Is that why
they always lean forward?
Guess you ran out of room,
wiped your eyes, set the
carry ons down there.
Your eyes droop already but
you'll be ****** in an hour.
Maybe you'll get so high you
can hang on to a plane,
find your destination
from the sky. It'd be easy right?
A place without clouds.
You want to see the skies so clearly
the angel's are practically
right next to your face. You could
stroke her wings with your eyelashes.
That is if you even blink. They wipe
away the poison spilled on your
tongue. They rub off your
bitterness like it's my eye shadow
on your shoulder. Pat your head,
erasing the memory of me. Because
I'm Alfalfa's out of place
cow lick that forgot how to stay
in its chains of hair gel and grease.
Forgot how to keep low,
forgot how to keep my neck
out of reach of all the razor
blades threatening me from the
walls. A conversation with you
is like putting on a ******...
Which we never do. How ironic right?
    
You're shattered. Been taken hostage
by the words in your head. Or maybe
I never knew you at all. Maybe you've
always been cracking, and I got to see
the tape give up and peel. I watched you
pick at the glue. I've seen you smile
as your entire being spilled through
the cracks. I missed the suspension of the
show getting a joint for your flowers.
I thought I'd get something to make you cough
instead of sneeze. I was thrown into
your big crowning glory. The huge
******. The insanely dramatic
denouement. When everything left, you
crumbled in. Your empty bones became
sand inside of you. I watched you in the
middle of the circus ring. All lights
focused on your skin. Your left knee
in the center of a couple cross wires.
The red dot sight focused on your chest
a ruse for us to expect firecrackers soon.
The dot shaking unsteadily having us on
the edge of our seats. The lights are
alternating, spinning, going faster than
the blood pumping past my ears. Somewhere
drums sped up and clowns slid out of
balloons like mercury. All shiny, their
eyes sliding up and down from fingertips,
to their right shoulder. They danced, spun,
Their bodies reflecting the light's lies to
our ears. The lies spin, transforming flying
at me faster than your fathers words cut your
strength. He slit your resilience's
jugular and already choked out your
light. We saw none of this. Eyes
focused on the red dot. You're swaying,
half way through the tight rope taking
a ****. The same star design circling
the ground becoming your pupils.
You never exhaled. But we see that last
cloud of THC seep out of your pores.
Liquid clowns suspended by your perspective,
start giggling at my shaking hands.
Their lies almost cover me like spiderwebs.
I feel them lick their lips like I'm
a meal they can't wait to pick out of
their teeth.
And I whisper "My bones will pierce your
lungs. I am made of razor blades, hollow
pipes, and my blood is infected with
plutonium. He is already glass, dust, you
find an annoyance to sweep off the
floor."

Cobwebs made of dead skin falling from my
ears, sliding off like an unsupported
pair of sunglasses. I hear no bullet.
But I see you get another puff out of
the roach. You smile, spread your arms.
******, tattered, wings rip from your
shoulders. The angels didn't give you the
beauty they promised. Lies are like enamel,
layered in everyone's mouth. Your last words
were shouted into a crowded circus tent,
but they echo only inside my pulse. Seconds
pass like minutes. Children giggle in
front of me. Intoxicated on the whiskey
they sipped from their dad's coca-cola.
Their father's looking at the pictures
he took of his secretary. The mom at the
house "working". Too busy riding the same
secretary's face to tag along. Everything
floating by me. Strings I could pluck, make
music out of dead lives for the bullet
fighting it's way towards my mosaic window.
He's shattered. His insides decayed. His
body condemned. The mortician said no
embalming was needed with this one.

I was too busy focusing on how your body
swallowed the light. You became a swirling
black cloud of battery acid. Sulfur
assaulting my airways. Arsenic unnoticeable
but my stomach covered in it, eating my
organs. Everything went into you.
There was no shadow, everything was
engulfed in your tornado. No silhouette
for my peripheral vision to catch while I
watched your magic trick. How long have
you been dead?

You tried to put on my gear, armour, if you
will, I burned it. Not wanting to give
you the satisfaction of helping me
while simultaneously snapping every bone
in my body. You couldn't prepare me for
this. No matter how much you tried
to explain, I wouldn't be able to grasp
the red dot disappearing, a bullet going
though your knee cap. The boney see through
wings tearing through your skin. Shouting
"I'm golden."
The wings tried to take your body with them,
but the rotted bones weighed your
cracked shell of a body down.
Your take off failed. Furthermore the angels
****** you up, they went back on their deal.
Your eyes shine like they've had halo's
stuck in them for years. You're 17, ******
up in the head, and your last words were
a reassurance.
    
Did you know I'd hear you?
Did you know your body would explode
into a cluster **** of gases? Toxic enough
to singe your eyebrows.
Everyone's cheering. I see the spiderweb
lies stuffed in their ears like cotton
I wasn't wearing safety goggles.
I wasn't ready for your skin
to fall like ashes. Bone shards stuck in
the ceiling. One jutting from the
moving eye ball of a clown.

I realize you've become a snake.
Shedding and leaving your skin by
my back door. Habit's changed.
I'm an old *** rag, that you're
probably never going to wash.
I want to glue you back together.
Lay in bed with you again, have the sun
shine brighter than your eyes.
When I was so deep in love fluff I
hadn't realized someone ****** on
the cotton candy you had just bought.
I want to go back. Everything used to
be so simple. School, work, hang out with
you, go home and sleep.
  
Just tell me one thing...
How'd you fake being alive like that.
You've been dead for months.
But you burned brighter than
The exploding sky that refused
to shine on you. Maybe you breathed
it all in, ****** the entire sun
into your bones.
Is that why you finally crumbled?
  
Why did you die?
Why did you crumble?
Why did I have to find out
at a ****** up carnival?
It's really long I'm sorry. I was in like an adderall trance. And I don't remember writing but I know it took all night, and I think it's kind of good. Idk.
Larry B Apr 2010
My mother-in-law is a zombie
I'm sure that woman is dead
I tried to drive a stake thru her heart
And even cut off her head

But she's just way to sneaky
She always knows I'm around
Cause everytime I try to **** it
She says, "Can I get you to drive me to town?"

And let me tell you about the odor
It can make a grown man cry
Her perfume is, "ode de la zombie"
You know, embalming fluid, after you die

She walks around, in the middle of the night
Trying, to make me her slave
"Will you get me this, will you get me that"
I even dug that woman a grave

Zombies also have real bad breath
It smells like ***** socks
And they don't have a tooth in their head
You'd think they been chewing rocks

Now, not all mother-in-laws are zombies
I think it's probably just mine
And I don't think they ever die
Cause mine's been around a long time

Sometimes she just sits amd stares at me
I mean, can you imagine anything worse?
Then she mumbles some kinda mumbo jumbo
Like some kind of voodoo curse

I've been feeling kinda strange of late
Sometimes, it's hard to think
She probably cast some kinda spell on me
That's causing my head to shrink

Well, that's all I can tell you for now
I've got another grave to dig
I gotta hurry before my head keeps shrinkin'
Cause my hat's already too big
jerard gartlin Jan 2012
i took a corpse
to the mall
on SUNDAY
(it was a religious experience)
& the weird thing is
she drove.
& when i got into her
car
or casket
or whatever
we hugged & kissed (like relatives)
but that was it
then she went stiff
again.
a tattooed statue at the wheel
& me
coughing up embalming fluid
amongst the cigarette smoke
i whispered out the window.
& you winced as we wiggled
between winnebagos & station wagons,
sloooooooooooooooowly
like pallbearers
                    balancing
                a box,
or like a mother
                 placing an infant
                                         in a crib,
hand behind its head.
& she understated the overture
so i sort of never understood
we were ending
up as enemies
all before the engine
stopped.
& it was winter but i was overheating
smoky breathing &
the words i couldn't reach &
the heaviness of my chest,
the weight of waiting.
but she never said another word
as we walked through the mall
& i floated next to her
like a ghost
or a balloon she was holding
& she grasped
at something new to try on
& let go of me
& i floated
& floated...

— The End —