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"elate" poems
That time of night, that lovely orange glow. A Streetlight can warm the soul, don't you know? Who reckoned that cold wires, metal, glass Could comfort one with a sight like hot brass? The ***** yearn of the flame mimicked there, This soft, sweet, and supple light comes to bear. The sun does not compare, it only blinds. As for headlights, to me similar finds. The daunting nature of the traffic lights, Wishes only to control the good nights. On top of my cliff these radiant stars, Do uplift and burn these sullen hearts ours. For white and blue lights do nothing but be, These orange Streetlights do so elate me.
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Oct 28, 2014
Oct 28, 2014 at 9:16 PM UTC
Ode to a Streetlight
Hail, happy day, when, smiling like the morn, Fair Freedom rose New-England to adorn: The northern clime beneath her genial ray, Dartmouth, congratulates thy blissful sway: Elate with hope her race no longer mourns, Each soul expands, each grateful ***** burns, While in thine hand with pleasure we behold The silken reins, and Freedom’s charms unfold. Long lost to realms beneath the northern skies She shines supreme, while hated faction dies: Soon as appear’d the Goddess long desir’d, Sick at the view, she languish’d and expir’d; Thus from the splendors of the morning light The owl in sadness seeks the caves of night. No more, America, in mournful strain Of wrongs, and grievance unredress’d complain, No longer shalt thou dread the iron chain, Which wanton Tyranny with lawless hand Had made, and with it meant t’ enslave the land. Should you, my lord, while you peruse my song, Wonder from whence my love of Freedom sprung, Whence flow these wishes for the common good, By feeling hearts alone best understood, I, young in life, by seeming cruel fate Was snatch’d from Afric’s fancy’d happy seat: What pangs excruciating must ****** What sorrows labour in my parent’s breast? Steel’d was that soul and by no misery mov’d That from a father seiz’d his babe belov’d: Such, such my case. And can I then but pray Others may never feel tyrannic sway? For favours past, great Sir, our thanks are due, And thee we ask thy favours to renew, Since in thy pow’r, as in thy will before, To sooth the griefs, which thou did’st once deplore. May heav’nly grace the sacred sanction give To all thy works, and thou for ever live Not only on the wings of fleeting Fame, Though praise immortal crowns the patriot’s name, But to conduct to heav’ns refulgent fane, May fiery coursers sweep th’ ethereal plain, And bear thee upwards to that blest abode, Where, like the prophet, thou shalt find thy God.
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To The Right Honourable William, Earl Of Dartmouth, His Majesty’s Principal Secretary Of State For North-America, &c.
Hail, happy day, when, smiling like the morn, Fair Freedom rose New-England to adorn: The northern clime beneath her genial ray, Dartmouth, congratulates thy blissful sway: Elate with hope her race no longer mourns, Each soul expands, each grateful ***** burns, While in thine hand with pleasure we behold The silken reins, and Freedom’s charms unfold. Long lost to realms beneath the northern skies She shines supreme, while hated faction dies: Soon as appear’d the Goddess long desir’d, Sick at the view, she languish’d and expir’d; Thus from the splendors of the morning light The owl in sadness seeks the caves of night. No more, America, in mournful strain Of wrongs, and grievance unredress’d complain, No longer shalt thou dread the iron chain, Which wanton Tyranny with lawless hand Had made, and with it meant t’ enslave the land. Should you, my lord, while you peruse my song, Wonder from whence my love of Freedom sprung, Whence flow these wishes for the common good, By feeling hearts alone best understood, I, young in life, by seeming cruel fate Was snatch’d from Afric’s fancy’d happy seat: What pangs excruciating must ****** What sorrows labour in my parent’s breast? Steel’d was that soul and by no misery mov’d That from a father seiz’d his babe belov’d: Such, such my case. And can I then but pray Others may never feel tyrannic sway? For favours past, great Sir, our thanks are due, And thee we ask thy favours to renew, Since in thy pow’r, as in thy will before, To sooth the griefs, which thou did’st once deplore. May heav’nly grace the sacred sanction give To all thy works, and thou for ever live Not only on the wings of fleeting Fame, Though praise immortal crowns the patriot’s name, But to conduct to heav’ns refulgent fane, May fiery coursers sweep th’ ethereal plain, And bear thee upwards to that blest abode, Where, like the prophet, thou shalt find thy God.
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ON TURNING ONE DOWN WITH THE PLOUGH, IN APRIL, 1786 Wee, modest, crimson-tipped flow’r, Thou’s met me in an evil hour; For I maun crush amang the stoure Thy slender stem: To spare thee now is past my pow’r, Thou bonie gem. Alas! it’s no thy neebor sweet, The bonie lark, companion meet, Bending thee ‘mang the dewy weet, Wi’ spreckled breast! When upward-springing, blithe, to greet The purpling east. Cauld blew the bitter-biting north Upon thy early, humble birth; Yet cheerfully thou glinted forth Amid the storm, Scarce reared above the parent-earth Thy tender form. The flaunting flow’rs our gardens yield, High shelt’ring woods and wa’s maun shield; But thou, beneath the random bield O’ clod or stane, Adorns the histie stibble-field, Unseen, alane. There, in thy scanty mantle clad, Thy snawy ***** sunward spread, Thou lifts thy unassuming head In humble guise; But now the share uptears thy bed, And low thou lies! Such is the fate of artless Maid, Sweet flow’ret of the rural shade! By love’s simplicity betrayed, And guileless trust, Till she, like thee, all soiled, is laid Low i’ the dust. Such is the fate of simple Bard, On Life’s rough ocean luckless starred! Unskilful he to note the card Of prudent lore, Till billows rage, and gales blow hard, And whelm him o’er! Such fate to suffering worth is giv’n, Who long with wants and woes has striv’n, By human pride or cunning driv’n To mis’ry’s brink, Till wrenched of ev’ry stay but Heav’n, He, ruined, sink! Ev’n thou who mourn’st the Daisy’s fate, That fate is thine -no distant date; Stern Ruin’s ploughshare drives, elate, Full on thy bloom, Till crushed beneath the furrow’s weight, Shall be thy doom!
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To A Mountain Daisy
ON TURNING ONE DOWN WITH THE PLOUGH, IN APRIL, 1786 Wee, modest, crimson-tipped flow’r, Thou’s met me in an evil hour; For I maun crush amang the stoure Thy slender stem: To spare thee now is past my pow’r, Thou bonie gem. Alas! it’s no thy neebor sweet, The bonie lark, companion meet, Bending thee ‘mang the dewy weet, Wi’ spreckled breast! When upward-springing, blithe, to greet The purpling east. Cauld blew the bitter-biting north Upon thy early, humble birth; Yet cheerfully thou glinted forth Amid the storm, Scarce reared above the parent-earth Thy tender form. The flaunting flow’rs our gardens yield, High shelt’ring woods and wa’s maun shield; But thou, beneath the random bield O’ clod or stane, Adorns the histie stibble-field, Unseen, alane. There, in thy scanty mantle clad, Thy snawy ***** sunward spread, Thou lifts thy unassuming head In humble guise; But now the share uptears thy bed, And low thou lies! Such is the fate of artless Maid, Sweet flow’ret of the rural shade! By love’s simplicity betrayed, And guileless trust, Till she, like thee, all soiled, is laid Low i’ the dust. Such is the fate of simple Bard, On Life’s rough ocean luckless starred! Unskilful he to note the card Of prudent lore, Till billows rage, and gales blow hard, And whelm him o’er! Such fate to suffering worth is giv’n, Who long with wants and woes has striv’n, By human pride or cunning driv’n To mis’ry’s brink, Till wrenched of ev’ry stay but Heav’n, He, ruined, sink! Ev’n thou who mourn’st the Daisy’s fate, That fate is thine -no distant date; Stern Ruin’s ploughshare drives, elate, Full on thy bloom, Till crushed beneath the furrow’s weight, Shall be thy doom!
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1575 The Bat is dun, with wrinkled Wings— Like fallow Article— And not a song pervade his Lips— Or none perceptible. His small Umbrella quaintly halved Describing in the Air An Arc alike inscrutable Elate Philosopher. Deputed from what Firmament— Of what Astute Abode— Empowered with what Malignity Auspiciously withheld— To his adroit Creator Acribe no less the praise— Beneficent, believe me, His Eccentricities—
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The Bat is dun, with wrinkled Wings—
Early morning comes too soon. Fish are biting by the moon. Father and son make their way Out of the house to meet the day. The men of the house are outward bound Seeking their fortune on the water sound. Fishing poles and tackle boxes in hand Off they go, to the dock to be manned. Eyes gleaming bright, with the wind in his hair, My son grins wide, and says, "Dad, Look There!" Sure enough my son sees, fish to be caught, Their trip is promising, will not be for naught. His father smiles at the look from his son, Saying, "Yes, son, you've found them, quite well done." Bringing their boat to a stop they let glide, Unpack their equiment, and come along side. Taking their time and setting their hooks, Plenty of fish here, judging by the looks. There's sunfish and carp, some salmon and trout, Walleye and crappie, and catfish so stout. As the sun rises higher, they reel those fish in. There's plenty of fish, with tail and fin. The father and son are laughing together. Can't believe their luck, or such perfect weather. Returning home from a long day of fun, They unload their catch and in they run. Fish stories abound, They can't say enough, The fish they missed, get bigger and rough. I watch my two men, with quiet delight. Enjoying the warmth, they create in my sight Fishing is fun, fishing is great, My men bonding, makes my heart elate.
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Aug 28, 2010
Aug 28, 2010 at 11:30 AM UTC
Bonding
I dreamed that, as I wandered by the way, Bare Winter suddenly was changed to Spring, And gentle odours led my steps astray, Mixed with a sound of waters murmuring Along a shelving bank of turf, which lay Under a copse, and hardly dared to fling Its green arms round the ***** of the stream, But kissed it and then fled, as thou mightest in dream. There grew pied wind-flowers and violets, Daisies, those pearled Arcturi of the earth, The constellated flower that never sets; Faint oxlips; tender bluebells, at whose birth The sod scarce heaved; and that tall flower that wets— Like a child, half in tenderness and mirth— Its mother’s face with Heaven’s collected tears, When the low wind, its playmate’s voice, it hears. And in the warm hedge grew lush eglantine, Green cowbind and the moonlight-coloured may, And cherry-blossoms, and white cups, whose wine Was the bright dew, yet drained not by the day; And wild roses, and ivy serpentine, With its dark buds and leaves, wandering astray; And flowers azure, black, and streaked with gold, Fairer than any wakened eyes behold. And nearer to the river’s trembling edge There grew broad flag-flowers, purple pranked with white, And starry river buds among the sedge, And floating water-lilies, broad and bright, Which lit the oak that overhung the hedge With moonlight beams of their own watery light; And bulrushes, and reeds of such deep green As soothed the dazzled eye with sober sheen. Methought that of these visionary flowers I made a nosegay, bound in such a way That the same hues, which in their natural bowers Were mingled or opposed, the like array Kept these imprisoned children of the Hours Within my hand,—and then, elate and gay, I hastened to the spot whence I had come, That I might there present it!—Oh! to whom?
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The Question
I dreamed that, as I wandered by the way, Bare Winter suddenly was changed to Spring, And gentle odours led my steps astray, Mixed with a sound of waters murmuring Along a shelving bank of turf, which lay Under a copse, and hardly dared to fling Its green arms round the ***** of the stream, But kissed it and then fled, as thou mightest in dream. There grew pied wind-flowers and violets, Daisies, those pearled Arcturi of the earth, The constellated flower that never sets; Faint oxlips; tender bluebells, at whose birth The sod scarce heaved; and that tall flower that wets— Like a child, half in tenderness and mirth— Its mother’s face with Heaven’s collected tears, When the low wind, its playmate’s voice, it hears. And in the warm hedge grew lush eglantine, Green cowbind and the moonlight-coloured may, And cherry-blossoms, and white cups, whose wine Was the bright dew, yet drained not by the day; And wild roses, and ivy serpentine, With its dark buds and leaves, wandering astray; And flowers azure, black, and streaked with gold, Fairer than any wakened eyes behold. And nearer to the river’s trembling edge There grew broad flag-flowers, purple pranked with white, And starry river buds among the sedge, And floating water-lilies, broad and bright, Which lit the oak that overhung the hedge With moonlight beams of their own watery light; And bulrushes, and reeds of such deep green As soothed the dazzled eye with sober sheen. Methought that of these visionary flowers I made a nosegay, bound in such a way That the same hues, which in their natural bowers Were mingled or opposed, the like array Kept these imprisoned children of the Hours Within my hand,—and then, elate and gay, I hastened to the spot whence I had come, That I might there present it!—Oh! to whom?
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— White leopard; gold angel speaks In soft, her mildew-honey tune: And up upon that gorgeous face, A sunny clime of hair she blew: Sneering lips, and men wonder why At each moment she pounce' in wait: Dare not the eyes that which she bore, Those black-beetled minds oft' elate. And peach-moon skin still catches eyes Of mine, which cannot fend— and yet, In all known moments when she sighs They bathe a room in sunny rend. And ne'er forget will I that common gleam, — That gold-white leopard I rarely see.
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Jul 25, 2021
Jul 25, 2021 at 2:52 PM UTC
Lola
Never forget there is poetry in dirt in greens, in beets, especially in rutabagas. Three-dollar-a-bag spinach, you are a symphony of compost with which an old man’s teeth are smitten; Rosemary sprig, beneath all your flavor you are the staff-lines of a madrigal written in loving anticipation of the mason jars, weighed down with water where you will grow and swell and bud and spread out strong purple flowers which elate that you are part of a song which sings every year a little louder. My beautiful, daredevil vegetables, This coming September, I will miss you dearly. I will be days of travel away from your world of roots, of mist, of six-in-the-morning-before-classes tonic of rain which saturates my skin so good I’m surprised when I shake the dirt from the leeks all over my bare feet, that you don’t crop up green & white from between my toes, that my arms don’t grow heavy with peppers after they cake with jalapeno & bell seeds from all the half-rotten miracles to whom I have given baptism in shallow plastic tubs of water floating like elations of fire in the grayness of the morning. Know how to tell if a pepper’s rotten? Wash it & shake it & if you can hear the water swishing inside, if you can make a maraca of its innards, then give it back to the dirt. This is the wisdom of peppers: when you grow soft when you have been chosen & plucked, & washed & thoroughly loved & shaken, when you have called out like fire beside your brothers in a basin, lay down in the compost the kindly compost, & listen, just listen, (there will be nothing left to do but listen) to the poetry of dirt.
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May 24, 2013
May 24, 2013 at 4:15 PM UTC
The Wisdom of Peppers
Never forget there is poetry in dirt in greens, in beets, especially in rutabagas. Three-dollar-a-bag spinach, you are a symphony of compost with which an old man’s teeth are smitten; Rosemary sprig, beneath all your flavor you are the staff-lines of a madrigal written in loving anticipation of the mason jars, weighed down with water where you will grow and swell and bud and spread out strong purple flowers which elate that you are part of a song which sings every year a little louder. My beautiful, daredevil vegetables, This coming September, I will miss you dearly. I will be days of travel away from your world of roots, of mist, of six-in-the-morning-before-classes tonic of rain which saturates my skin so good I’m surprised when I shake the dirt from the leeks all over my bare feet, that you don’t crop up green & white from between my toes, that my arms don’t grow heavy with peppers after they cake with jalapeno & bell seeds from all the half-rotten miracles to whom I have given baptism in shallow plastic tubs of water floating like elations of fire in the grayness of the morning. Know how to tell if a pepper’s rotten? Wash it & shake it & if you can hear the water swishing inside, if you can make a maraca of its innards, then give it back to the dirt. This is the wisdom of peppers: when you grow soft when you have been chosen & plucked, & washed & thoroughly loved & shaken, when you have called out like fire beside your brothers in a basin, lay down in the compost the kindly compost, & listen, just listen, (there will be nothing left to do but listen) to the poetry of dirt.
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Big old jade earring hung from that haunted necklace, swinging from this and that and the other way where and if that sky upstairs let go of the thing I wanted you to be but a break in the system, no a malfunction in that suction of a love that you tried to forget about but feel those typing keys on the fingers that break knees and the heels up and up with the ***** a lingerin' and thats sounding like a new pounding, the one upstairs with the translucent roof ghostly and guess i got a new boot thats fixing itself to elate another prisoner upstate where the worries are always about the women. Yeah, that women with the diamond ring with her children by her side thinking about the monastery she never visited a big time act act act in a dress that helped her enough and forgot about the rest. But we all move on quick to detest times test with the burritos that she never ate because of the figure she imposed that she got from her transistor radio and the yearly subscriptions of the ghostly ghost that haunted her in the moat around the castle of stairs up ripunzel with dragons a aflame listening to the same wishy washer story of old uncle Maury and the twenty ten twelve salute to the mastery of the fiction of listening, another riddle in the twiddle beneath the sheets that were once painted gold but her husband done left her and she's moving to seattle to start up some new cattle spreading the seed of 1910 where time stands still with his drink in his hand because the guy has got to get around to something with all that talent, with all that anger with all that impulse that proves itself time and time again it will never be enough for a salvation sanitation with the twisty fro's of yearly ye and ye bouts of fights she twisted in that shout that she knew, she knew she swears, what it was all about.
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May 6, 2011
May 6, 2011 at 10:10 PM UTC
Big Old Jade Necklace
Big old jade earring hung from that haunted necklace, swinging from this and that and the other way where and if that sky upstairs let go of the thing I wanted you to be but a break in the system, no a malfunction in that suction of a love that you tried to forget about but feel those typing keys on the fingers that break knees and the heels up and up with the ***** a lingerin' and thats sounding like a new pounding, the one upstairs with the translucent roof ghostly and guess i got a new boot thats fixing itself to elate another prisoner upstate where the worries are always about the women. Yeah, that women with the diamond ring with her children by her side thinking about the monastery she never visited a big time act act act in a dress that helped her enough and forgot about the rest. But we all move on quick to detest times test with the burritos that she never ate because of the figure she imposed that she got from her transistor radio and the yearly subscriptions of the ghostly ghost that haunted her in the moat around the castle of stairs up ripunzel with dragons a aflame listening to the same wishy washer story of old uncle Maury and the twenty ten twelve salute to the mastery of the fiction of listening, another riddle in the twiddle beneath the sheets that were once painted gold but her husband done left her and she's moving to seattle to start up some new cattle spreading the seed of 1910 where time stands still with his drink in his hand because the guy has got to get around to something with all that talent, with all that anger with all that impulse that proves itself time and time again it will never be enough for a salvation sanitation with the twisty fro's of yearly ye and ye bouts of fights she twisted in that shout that she knew, she knew she swears, what it was all about.
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I The shepherds went their hasty way, And found the lowly stable-shed Where the Virgin-Mother lay: And now they checked their eager tread, For to the Babe, that at her ***** clung, A Mother’s song the Virgin-Mother sung. II They told her how a glorious light, Streaming from a heavenly throng. Around them shone, suspending night! While sweeter than a mother’s song, Blest Angels heralded the Savior’s birth, Glory to God on high! and Peace on Earth. III She listened to the tale divine, And closer still the Babe she pressed: And while she cried, the Babe is mine! The milk rushed faster to her breast: Joy rose within her, like a summer’s morn; Peace, Peace on Earth! the Prince of Peace is born. IV Thou Mother of the Prince of Peace, Poor, simple, and of low estate! That strife should vanish, battle cease, O why should this thy soul elate? Sweet Music’s loudest note, the Poet’s story, Didst thou ne’er love to hear of fame and glory? V And is not War a youthful king, A stately Hero clad in mail? Beneath his footsteps laurels spring; Him Earth’s majestic monarchs hail Their friends, their playmate! and his bold bright eye Compels the maiden’s love-confessing sigh. VI Tell this in some more courtly scene, To maids and youths in robes of state! I am a woman poor and mean, And wherefore is my soul elate. War is a ruffian, all with guilt defiled, That from the aged father’s tears his child! VII A murderous fiend, by fiends adored, He kills the sire and starves the son; The husband kills, and from her board Steals all his widow’s toil had won; Plunders God’s world of beauty; rends away All safety from the night, all comfort from the day. VIII Then wisely is my soul elate, That strife should vanish, battle cease: I’m poor and of low estate, The Mother of the Prince of Peace. Joy rises in me, like a summer’s morn: Peace, Peace on Earth! The Prince of Peace is born!
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A Christmas Carol
I The shepherds went their hasty way, And found the lowly stable-shed Where the Virgin-Mother lay: And now they checked their eager tread, For to the Babe, that at her ***** clung, A Mother’s song the Virgin-Mother sung. II They told her how a glorious light, Streaming from a heavenly throng. Around them shone, suspending night! While sweeter than a mother’s song, Blest Angels heralded the Savior’s birth, Glory to God on high! and Peace on Earth. III She listened to the tale divine, And closer still the Babe she pressed: And while she cried, the Babe is mine! The milk rushed faster to her breast: Joy rose within her, like a summer’s morn; Peace, Peace on Earth! the Prince of Peace is born. IV Thou Mother of the Prince of Peace, Poor, simple, and of low estate! That strife should vanish, battle cease, O why should this thy soul elate? Sweet Music’s loudest note, the Poet’s story, Didst thou ne’er love to hear of fame and glory? V And is not War a youthful king, A stately Hero clad in mail? Beneath his footsteps laurels spring; Him Earth’s majestic monarchs hail Their friends, their playmate! and his bold bright eye Compels the maiden’s love-confessing sigh. VI Tell this in some more courtly scene, To maids and youths in robes of state! I am a woman poor and mean, And wherefore is my soul elate. War is a ruffian, all with guilt defiled, That from the aged father’s tears his child! VII A murderous fiend, by fiends adored, He kills the sire and starves the son; The husband kills, and from her board Steals all his widow’s toil had won; Plunders God’s world of beauty; rends away All safety from the night, all comfort from the day. VIII Then wisely is my soul elate, That strife should vanish, battle cease: I’m poor and of low estate, The Mother of the Prince of Peace. Joy rises in me, like a summer’s morn: Peace, Peace on Earth! The Prince of Peace is born!
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283 A Mien to move a Queen— Half Child—Half Heroine— An Orleans in the Eye That puts its manner by For humbler Company When none are near Even a Tear— Its frequent Visitor— A Bonnet like a Duke— And yet a Wren’s Peruke Were not so shy Of Goer by— And Hands—so slight— They would elate a Sprite With Merriment— A Voice that Alters—Low And on the Ear can go Like Let of Snow— Or shift supreme— As tone of Realm On Subjects Diadem— Too small—to fear— Too distant—to endear— And so Men Compromise And just—revere—
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A Mien to move a Queen
Swan songs gently glide over pools of stardust Their necks rubbing lightly on each other’s feathered melodies I excitedly compare such yarns to the velvet passions that elate us Such a kitten smile, I sink into your light, enveloping in you spiritually
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Jul 26, 2018
Jul 26, 2018 at 2:38 PM UTC
Decadent Warmth
I'm easy to fall in love with. (I shouldn't be) I'm not easy to love. (My God I wish I was) I'm the kind of lover that will waltz the streets at 2 a.m just to see you. The kind of lover that will write you poetry from across the seas. The kind of lover that sheds a tear as my fingertips graze your skin. I'm the kind of lover that loves fiercely. I'm the kind of lover that hates ferociously. I'm the kind of lover that will pour fuel on your jealously to feel the heat of your love. The kind of lover that can turn to ice and freeze your heart with one touch. The kind of lover that at any instant can become no lover at all. I'm the kind of lover you don't want to love. I'll elate you and destroy you. I'll give you the stars and make you watch as they collapse. I'll gift you roses and watch the thorns bleed you. I'm the kind of lover you love to love. I'll drive a thousand miles away and walk back home to you. I'll burn every poem I wrote you and hand write every one again. I'll push you down and bear the sky to stand you up. I'll destroy you and rebirth you. I'm not easy to love, and my God I wish I was. One day, I know, I will be. My psychiatrist said so. Just you wait. I promise, I'm worth the wait.
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Jan 13, 2017
Jan 13, 2017 at 9:56 PM UTC
My Kind Of Love
O show the lab’ring bosom’s deep intent, And thought in living characters to paint, When first thy pencil did those beauties give, And breathing figures learnt from thee to live, How did those prospects give my soul delight, A new creation rushing on my sight? Still, wond’rous youth! each noble path pursue, On deathless glories fix thine ardent view: Still may the painter’s and the poet’s fire To aid thy pencil, and thy verse conspire! And may the charms of each seraphic theme Conduct thy footsteps to immortal fame! High to the blissful wonders of the skies Elate thy soul, and raise thy wishful eyes. Thrice happy, when exalted to survey That splendid city, crown’d with endless day, Whose twice six gates on radiant hinges ring: Celestial Salem blooms in endless spring. Calm and serene thy moments glide along, And may the muse inspire each future song! Still, with the sweets of contemplation bless’d, May peace with balmy wings your soul invest! But when these shades of time are chas’d away, And darkness ends in everlasting day, On what seraphic pinions shall we move, And view the landscapes in the realms above? There shall thy tongue in heav’nly murmurs flow, And there my muse with heav’nly transport glow: No more to tell of Damon’s tender sighs, Or rising radiance of Aurora’s eyes, For nobler themes demand a nobler strain, And purer language on th’ ethereal plain. Cease, gentle muse! the solemn gloom of night Now seals the fair creation from my sight.
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To S. M., A Young African Painter, On Seeing His Works
O show the lab’ring bosom’s deep intent, And thought in living characters to paint, When first thy pencil did those beauties give, And breathing figures learnt from thee to live, How did those prospects give my soul delight, A new creation rushing on my sight? Still, wond’rous youth! each noble path pursue, On deathless glories fix thine ardent view: Still may the painter’s and the poet’s fire To aid thy pencil, and thy verse conspire! And may the charms of each seraphic theme Conduct thy footsteps to immortal fame! High to the blissful wonders of the skies Elate thy soul, and raise thy wishful eyes. Thrice happy, when exalted to survey That splendid city, crown’d with endless day, Whose twice six gates on radiant hinges ring: Celestial Salem blooms in endless spring. Calm and serene thy moments glide along, And may the muse inspire each future song! Still, with the sweets of contemplation bless’d, May peace with balmy wings your soul invest! But when these shades of time are chas’d away, And darkness ends in everlasting day, On what seraphic pinions shall we move, And view the landscapes in the realms above? There shall thy tongue in heav’nly murmurs flow, And there my muse with heav’nly transport glow: No more to tell of Damon’s tender sighs, Or rising radiance of Aurora’s eyes, For nobler themes demand a nobler strain, And purer language on th’ ethereal plain. Cease, gentle muse! the solemn gloom of night Now seals the fair creation from my sight.
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302 Like Some Old fashioned Miracle When Summertime is done— Seems Summer’s Recollection And the Affairs of June As infinite Tradition As Cinderella’s Bays— Or Little John—of Lincoln Green— Or Blue Beard’s Galleries— Her Bees have a fictitious Hum— Her Blossoms, like a Dream— Elate us—till we almost weep— So plausible—they seem— Her Memories like Strains—Review— When Orchestra is dumb— The Violin in Baize replaced— And Ear—and Heaven—numb—
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Like Some Old fashioned Miracle
Amidst the hordes, such mighty wroth: my bloodline doth elate. Posterity hath, though, borne aloft my banner as the Great. Springing forth my namesake there, outhewn from Hellas’ opal, that city which was brought to bear: her name Constantinople. For years to pass there was beholden Thy glory all so clear. The Great City’s holy site, golden: there stood Hagia Sophia. Therein however I bade Thee to grant portent or sign. Thou didst forsooth bequeath to me one sacred and divine. I stand upon the ever-brink, Rome’s beauty lies thereunder. Thy truth through me starteth to sink, it striketh me like thunder. The sun blindeth my weary eyes as I gaze over yonder; whereupon thou revealest me: In this sign, you will conquer.
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Jan 31, 2018
Jan 31, 2018 at 2:41 PM UTC
Emperor Constantine I
W. S. Rendra translations Willibrordus Surendra Broto Rendra (1935-2009), better known as W. S. Rendra or simply Rendra, was an Indonesian dramatist and poet. He said, “I learned meditation and the disciplines of the traditional Javanese poet from my mother, who was a palace dancer. The idea of the Javanese poet is to be a guardian of the spirit of the nation.” The press gave him the nickname Burung Merak (“The Peacock”) for his flamboyant poetry readings and stage performances. SONNET by W. S. Rendra loose translation/interpretation by Michael R. Burch Best wishes for an impending deflowering. Yes, I understand: you will never be mine. I am resigned to my undeserved fate. I contemplate irrational numbers―complex & undefined. And yet I wish love might ... ameliorate ... such negative numbers, dark and unsigned. But at least I can’t be held responsible for disappointing you. No cause to elate. Still, I am resigned to my undeserved fate. The gods have spoken. I can relate. How can this be, when all it makes no sense? I was born too soon―such was my fate. You must choose another, not half of who I AM. Be happy with him when you consummate. THE WORLD'S FIRST FACE by W. S. Rendra loose translation/interpretation by Michael R. Burch Illuminated by the pale moonlight the groom carries his bride up the hill― both of them naked, both consisting of nothing but themselves. As in all beginnings the world is naked, empty, free of deception, dark with unspoken explanations― a silence that extends to the limits of time. Then comes light, life, the animals and man. As in all beginnings everything is naked, empty, open. They're both young, yet both have already come a long way, passing through the illusions of brilliant dawns, of skies illuminated by hope, of rivers intimating contentment. They have experienced the sun's warmth, drenched in each other's sweat. Here, standing by barren reefs, they watch evening fall bringing strange dreams to a bed arrayed with resplendent coral necklaces. They lift their heads to view trillions of stars arrayed in the sky. The universe is their inheritance: stars upon stars upon stars, more than could ever be extinguished. Illuminated by the pale moonlight the groom carries his bride up the hill― both of them naked, to recreate the world's first face. Keywords/Tags: Rendra, Indonesian, Javanese, translation, love, fate, god, gods, goddess, groom, bride, world, time, life, sun, hill, hills, moon, moonlight, stars, life, animals , international, travel, voyage, wedding, relationship, mrbtran
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Oct 15, 2020
Oct 15, 2020 at 5:36 AM UTC
W. S. Rendra translations
W. S. Rendra translations Willibrordus Surendra Broto Rendra (1935-2009), better known as W. S. Rendra or simply Rendra, was an Indonesian dramatist and poet. He said, “I learned meditation and the disciplines of the traditional Javanese poet from my mother, who was a palace dancer. The idea of the Javanese poet is to be a guardian of the spirit of the nation.” The press gave him the nickname Burung Merak (“The Peacock”) for his flamboyant poetry readings and stage performances. SONNET by W. S. Rendra loose translation/interpretation by Michael R. Burch Best wishes for an impending deflowering. Yes, I understand: you will never be mine. I am resigned to my undeserved fate. I contemplate irrational numbers―complex & undefined. And yet I wish love might ... ameliorate ... such negative numbers, dark and unsigned. But at least I can’t be held responsible for disappointing you. No cause to elate. Still, I am resigned to my undeserved fate. The gods have spoken. I can relate. How can this be, when all it makes no sense? I was born too soon―such was my fate. You must choose another, not half of who I AM. Be happy with him when you consummate. THE WORLD'S FIRST FACE by W. S. Rendra loose translation/interpretation by Michael R. Burch Illuminated by the pale moonlight the groom carries his bride up the hill― both of them naked, both consisting of nothing but themselves. As in all beginnings the world is naked, empty, free of deception, dark with unspoken explanations― a silence that extends to the limits of time. Then comes light, life, the animals and man. As in all beginnings everything is naked, empty, open. They're both young, yet both have already come a long way, passing through the illusions of brilliant dawns, of skies illuminated by hope, of rivers intimating contentment. They have experienced the sun's warmth, drenched in each other's sweat. Here, standing by barren reefs, they watch evening fall bringing strange dreams to a bed arrayed with resplendent coral necklaces. They lift their heads to view trillions of stars arrayed in the sky. The universe is their inheritance: stars upon stars upon stars, more than could ever be extinguished. Illuminated by the pale moonlight the groom carries his bride up the hill― both of them naked, to recreate the world's first face. Keywords/Tags: Rendra, Indonesian, Javanese, translation, love, fate, god, gods, goddess, groom, bride, world, time, life, sun, hill, hills, moon, moonlight, stars, life, animals , international, travel, voyage, wedding, relationship, mrbtran
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61
Atop a clam, divinest pearl! invites me to peer, enchanting girl eyes fluttering and beckoning casts sweetest spell, magic, enchanting a magnificent array of colour ripples through her enveloping aura towards her my rapt mind swims in her sight my spirit chimes throughout the days and hours Mermaid makes the heart gestate Makes my spirit feel elate I want my heart to waltz with hers Out of its spiritual bars Upon the shores we'd frolic, play Soothing, quelling fear, dismay With her I am engorged on bliss Touched by the light of luck's kiss All throughout the day O Mermaid Queen, they doubt thy truth A kind of beauty rare, forsooth But rainbows shine in spite of faith Suns blaze in spite of eyes embrace The world is good (and good is true) And more good for the life of you You are a beacon of hope and joy Could inspire the rise and fall of troy With heaven's light imbued
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Feb 18, 2017
Feb 18, 2017 at 9:57 PM UTC
The Mermaid Queen
Oh! mihi præteritos referat si Jupiter annos. VIRGIL. Ye scenes of my childhood, whose lov’d recollection Embitters the present, compar’d with the past; Where science first dawn’d on the powers of reflection, And friendships were form’d, too romantic to last; Where fancy, yet, joys to retrace the resemblance Of comrades, in friendship and mischief allied; How welcome to me your ne’er fading remembrance, Which rests in the ***** though hope is deny’d! Again I revisit the hills where we sported, The streams where we swam, and the fields where we fought; The school where, loud warn’d by the bell, we resorted, To pore o’er the precepts by Pedagogues taught. Again I behold where for hours I have ponder’d, As reclining, at eve, on yon tombstone I lay; Or round the steep brow of the churchyard I wander’d, To catch the last gleam of the sun’s setting ray. I once more view the room, with spectators surrounded, Where, as Zanga, I trod on Alonzo o’erthrown; While, to swell my young pride, such applauses resounded, I fancied that Mossop himself was outshone. Or, as Lear, I pour’d forth the deep imprecation, By my daughters, of kingdom and reason depriv’d; Till, fir’d by loud plaudits and self-adulation, I regarded myself as a Garrick reviv’d. Ye dreams of my boyhood, how much I regret you! Unfaded your memory dwells in my breast; Though sad and deserted, I ne’er can forget you: Your pleasures may still be in fancy possest. To Ida full oft may remembrance restore me, While Fate shall the shades of the future unroll! Since Darkness o’ershadows the prospect before me, More dear is the beam of the past to my soul! But if, through the course of the years which await me, Some new scene of pleasure should open to view, I will say, while with rapture the thought shall elate me, “Oh! such were the days which my infancy knew.”
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1.7k
On A Distant View Of The Village And School Of Harrow On The Hill, 1806
Oh! mihi præteritos referat si Jupiter annos. VIRGIL. Ye scenes of my childhood, whose lov’d recollection Embitters the present, compar’d with the past; Where science first dawn’d on the powers of reflection, And friendships were form’d, too romantic to last; Where fancy, yet, joys to retrace the resemblance Of comrades, in friendship and mischief allied; How welcome to me your ne’er fading remembrance, Which rests in the ***** though hope is deny’d! Again I revisit the hills where we sported, The streams where we swam, and the fields where we fought; The school where, loud warn’d by the bell, we resorted, To pore o’er the precepts by Pedagogues taught. Again I behold where for hours I have ponder’d, As reclining, at eve, on yon tombstone I lay; Or round the steep brow of the churchyard I wander’d, To catch the last gleam of the sun’s setting ray. I once more view the room, with spectators surrounded, Where, as Zanga, I trod on Alonzo o’erthrown; While, to swell my young pride, such applauses resounded, I fancied that Mossop himself was outshone. Or, as Lear, I pour’d forth the deep imprecation, By my daughters, of kingdom and reason depriv’d; Till, fir’d by loud plaudits and self-adulation, I regarded myself as a Garrick reviv’d. Ye dreams of my boyhood, how much I regret you! Unfaded your memory dwells in my breast; Though sad and deserted, I ne’er can forget you: Your pleasures may still be in fancy possest. To Ida full oft may remembrance restore me, While Fate shall the shades of the future unroll! Since Darkness o’ershadows the prospect before me, More dear is the beam of the past to my soul! But if, through the course of the years which await me, Some new scene of pleasure should open to view, I will say, while with rapture the thought shall elate me, “Oh! such were the days which my infancy knew.”
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38
Every cold day, reminds of heat, and flame extolled Rising temperatures, elate feeding spirit and feeding soul Her brush caress' my canvas spinning art and lighting fires Filling all and untold senses consuming flesh, and heart too the pinnacle of desire
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Jan 2, 2018
Jan 2, 2018 at 1:06 PM UTC
The warmth, of paint
Embellish your lies with a wreath to evade the wretched truth. Wrap it around them as a sheath, prudent as to not show ruth. Cajole me into thinking that most harm done is inadvertent, and those harmed are still intact, on their way to the top, ascendant. Plant in me the bliss I have been yearning for. Elate me with calmness from the surface of my being, down to my very core. Expiate the job of the universe, and allow us all to lapse. Leaving behind a world--cursed, yet free of sullen poets.
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Apr 9, 2014
Apr 9, 2014 at 7:13 AM UTC
Rue
The mother will not turn, who thinks she hears Her nursling’s speech first grow articulate; But breathless with averted eyes elate She sits, with open lips and open ears, That it may call her twice. ’Mid doubts and fears Thus oft my soul has hearkened; till the song, A central moan for days, at length found tongue, And the sweet music welled and the sweet tears. But now, whatever while the soul is fain To list that wonted murmur, as it were The speech-bound sea-shell’s low importunate strain,— No breath of song, thy voice alone is there, O bitterly beloved! and all her gain Is but the pang of unpermitted prayer.
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Broken Music
there is there is no literature in this the core of my barrenss stiched between the somber of your lips there is not enough anarchy in the mass to hold this to speak of the almond eyes that I innocently miss blue and full, the shadowy veins on your lips the hands I once --- -- - kissed There is no literature in this the pretty pictures I dismiss I delay my thoughts the sound of passions gunshots the inky fluid corpse that my mind blots In the late night I take my shots I lay there on my wooden dusty floor mirroring the internal rot my eyes are sore and I implore you to behave like you did that one day we were saying goodbye at your door please please just kiss me once more Ill keep the hinges tight this time this is the last time I swore to myself my words they are cracking the wood on your shelf to my poetry I scream for help to my lamp I simmer in tears in my pillow I drown your fears and increase mine your senses I feel them in my spine your jawline all that was once you and all that was once mine so small and feline you to my audience I will ****** before define my tongue has ran out of words for you ... .. . my thoughts are too lonely to empansipate my hands too empty to castrate my mind too blane to hate my eyes too numb to elate I hold the heaviness of this weight in my perched fingers crawling to the steps of anything but home can I remind myself of the sullen moments covered in tatterted cloth filled with open wounds leaking the blood of all your fluttering objetcs taunting me singing to me everyday there is there is no literature in this the capitol punishment of my frail little princess
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Aug 10, 2011
Aug 10, 2011 at 5:59 AM UTC
Upon Mourning of the Female
there is there is no literature in this the core of my barrenss stiched between the somber of your lips there is not enough anarchy in the mass to hold this to speak of the almond eyes that I innocently miss blue and full, the shadowy veins on your lips the hands I once --- -- - kissed There is no literature in this the pretty pictures I dismiss I delay my thoughts the sound of passions gunshots the inky fluid corpse that my mind blots In the late night I take my shots I lay there on my wooden dusty floor mirroring the internal rot my eyes are sore and I implore you to behave like you did that one day we were saying goodbye at your door please please just kiss me once more Ill keep the hinges tight this time this is the last time I swore to myself my words they are cracking the wood on your shelf to my poetry I scream for help to my lamp I simmer in tears in my pillow I drown your fears and increase mine your senses I feel them in my spine your jawline all that was once you and all that was once mine so small and feline you to my audience I will ****** before define my tongue has ran out of words for you ... .. . my thoughts are too lonely to empansipate my hands too empty to castrate my mind too blane to hate my eyes too numb to elate I hold the heaviness of this weight in my perched fingers crawling to the steps of anything but home can I remind myself of the sullen moments covered in tatterted cloth filled with open wounds leaking the blood of all your fluttering objetcs taunting me singing to me everyday there is there is no literature in this the capitol punishment of my frail little princess
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79
*I don't understand why people hesitate to compliment others. Have we all not had those days where we really felt like all we needed was some appreciation? Those days where our efforts were nothing but invalidated and dismissed? The universe has presented itself to you in an ethereal way that is unique to you and solely you. Let the cosmos influence and inspire you and let your words and your work elate and embolden others. Admit your awe and affection and maybe you can be that one piece of inspiration that someone else needs that day.*
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Sep 9, 2015
Sep 9, 2015 at 1:48 PM UTC
Admit Your Awe
earn me entice me ensure me enlighten me enlist me entertain me effectuate me envelope me entrap me enthrall me enrapture me enslave me edify me elate me evolve me elicit me expand me entrust me employ me equalize me envy me excise me exhaust me extinguish me erode me erase me evict me estrange me exhume me
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Dec 13, 2010
Dec 13, 2010 at 6:43 AM UTC
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