A proud man,
Upright and unshakable
In belief and morals,
Once only I did I see him
Without a tie.

A child of Edwardian England,
The links Of his watch chain
Glinted
As they hung
With formality and elegance
From his waistcoat pocket,
Yes, even as he worked.

And work he did.
Patiently,
Brilliantly and tirelessly
With ingenuity and imagination.
A craftsman from a bygone age.
A master of his tools.

Grandfathers are soft,
Playful, bear-like in their
Gruff-whiskered familiarity.

Not Poppy.
Unwittingly aloof from his grandchildren,
We avoided the need for directly addressing him,
Unsure of where we stood.
He’d probably have secretly
Loved the informality
Of our secret nickname.
I hope he knew.

The chapel piano did for him.
Too much weight for his work-weary ticker.

Grandma gave me his pocket watch to keep,
And for a time I treasured it,
Measuring its weight
Like a smooth round pebble
In my palm.
A workman’s watch;
Practical.
A yellowing face
Behind a scratched
And hazy glass.
But accurate,
And precise.
Reliable as the man.

Detached in life,
I liked to hope that
Gazing down,
Watching,
He just might have
Laughed
In loving acknowledgement of his
Grandson’s curiosity
And foolishness
Sitting cross-legged on the carpet,
With heart-thumping nausea

Adrift in a sea of springs.

knitting with scissors you run with.
will get you there. but you can't buy a house. i'm sorry.
you might, miiiiight get the Edwardian Tudor for a mansion in false claim
but you keep your gaze, your weary gaze ....and slumber not so sweet, my sweet.
knitting with false gods will get you everything
but  Not the Other Thing
that gnaws at the substance of your gut
where the heart resides like a lion
addicted to Aesop Fables -
and dry humors that decimate with bounty
flooding the bleak with our windmills !
you and i are regardless.

knitting with shopping carts and dead batteries. washing ashore.
lick your lips at the foam
of our hysterical event. pitch a ******* tent.
and eat more stars than you came in with.

sew the hole
with a hole and
answer the phone sometimes,
****.

i ain't got all day but you might take your time
like an aspirin.

I do not like the architecture of the mall.
It's discordant and lax. The architects
dismissed all Edwardian charm
and even the Gothic grace.
When crossing my field of vision,
the mall concedes defeat,
whimpering against a prismatic sky:

"I am a hodgepodge of ambition distressed,
resolute on pioneering a style unlike anything past,
but locked off in dead history, trapped
in a monologue whose audience is myself."

I presume it's the same across the world,
architecture molded into something impulsive,
something so forced it falls flat.

Where have all the artchitects gone?

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Streatham's White Garden lies between a walled Old English garden and a small orchard in the Rookery, once the grounds of a large house dating back to 1786, and now an historic Grade II listed public garden. The elegant double borders, backed by trees and climbers and edged with lawn, echo each other down the length of the garden, with white benches marking each end. Still the only white garden in any of London's public parks, the White Garden pre-dates Vita Sackville-West's famous grey, green and white garden at Sissinghurst by at least 30 years.

Local volunteers under the leadership of Kew-trained designer Alison Alexander and project co-ordinator Charlotte Dove (both working for the Friends of Streatham Common, who successfully raised funding for the project from the Heritage Lottery Fund) carried out the recent restoration. The restoration was based on archival research and visits to other historic gardens, and is faithful to the spirit of the Arts and Crafts-inspired Edwardian original. Many of the plants in the new design have been chosen for their historical associations, including shasta daisy (Leucanthemum x superbum), ostrich fern (Matteuccia struthiopteris), and a white cultivar of the old-fashioned English rose, Rosa spinosissima – all plants that would have been as familiar to the leading lights of the movement, such as William Robinson and Gertrude Jekyll, as they were to the Edwardian gardeners who planted up the original garden.

This is a serene place, much loved by visitors. But serenity is not the whole story – determination also plays a role in the history of this garden. Streatham residents fought a public campaign to rescue the Rookery grounds (the house itself was demolished in 1912) from the wave of suburban housebuilding that reached a peak in the years before the First World War. The gardens were laid out by Major Philip Maud of London County Council (LCC), and opened in 1913.

The concerns surrounding cramped urban living conditions that gave rise to the public parks movement in the nineteenth century remain a reality today. Open spaces are a necessary release valve: an escape from the pressures of city life, and proven to have a positive effect on mental and physical health. It is no coincidence that the LCC designs for other public gardens designed in the period (including the Old English garden in nearby Brockwell Park) were also influenced by the Arts and Crafts movement: it was a style ideally suited to the purpose, being itself a reaction to the negative impact of industrialization, and an expression of nostalgia for an idyllic imagined past.

Despite the pressures of the city, horticulture has long been part of this area's heritage, and for much of last century it thrived: amateur and professional gardeners alike participated in fruit and flower shows organised by newly-formed clubs and societies, well-maintained civic parks delighted visitors and residents, allotments flourished, and local nurserymen like John Peed of West Norwood produced lavish catalogues of the latest horticultural discoveries.

As government funding for green spaces has decreased, however, gardens like the Rookery have suffered from reductions in maintenance budgets: as late as the 1970s, seven gardeners were dedicated to the Rookery alone, but today only two contractors are based there. Once again local residents have responded, developing community groups, volunteer-led projects and local fundraising, and working closely with the Lambeth Parks Service. One such community group, the Streatham Common Co-operative (SCCoop), aims to take on the gardens and increase the number of gardeners. Applications for outside funding have been productive: most of the plants for the White Garden restoration were purchased with a grant from the Heritage Lottery Fund, with the Metropolitan Public Gardens Association providing a grant for new white roses. But resources are finite, and – in the best tradition of ecological planting – the new plants for the White Garden have been chosen to suit the prevailing conditions, and to flourish with minimal maintenance. Gardens have always thrived on both innovation and tradition, and the restoration of the White Garden at Streatham Rookery is a tribute to those who are prepared to find new ways of looking after treasured open spaces.

Love Mary ***

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I opened the gifts one by one,
knowing that the softness I felt
under the antique Santa Claus paper
was yet another bundle of fabric,
more clothes to add
to my ever-expansive wardrobe.

One by one, the patterns were revealed to me:
some plain black cotton,
a Paris print with a sparkly pink tower,
paper cutouts the size of my favorite dolls,
and at last, a sewing machine.

I remember a roomless memory,
my mother and I hovered over the machine,
the internet failing to teach us
how to maneuver the thread.

“We’ll try again later,” she said.

Now, I open the drawer under my bed,
remove a dust-covered box,
running my fingers along the top of it.
I remove the as-new machine,
my failed future.
I walk to my computer, switch taps
from a Buddhism study guide
to an empty Google Docs.

I wonder if I was a seamstress in a past life.
Did I watch my family create the cave paintings
while I sat in the corner, hide on my lap
with a splinter of bone in my hand,
feeling nothing but bliss?

Did I live in the Edwardian era,
tailoring a perfect three-piece suit,
a walking skirt, my daughter’s chemise?

Did I ever pass my grandmother
in a secondhand store,
with my goal of finding a perfect neckline,
my favorite sleeves, a plaid pattern.

Did I find them among the stained and unloved,
did I make them into something beautiful?

Was this not a flashback, but a foreshadow?
Was this a hint at my next life?
Will I do the same with my daughter,
passing down the cotton and glittered tower,
hugging with triumph when the machine roars to life?

Will I be there at her first fashion show?

What if there is no past or future.
What if my soul is me, unchanging, stable.
What if I’m a butterfly,
every passing second another cocoon?

For I am a tree,
and these memories
are my branches.

My left arm holds the present,
the current reality. I fail to sew
even a button, but my dreams
reside content.

With my right arm,
I hold another present,
equally as real.

In this world, I made my doll a dress,
a bedspread with the leftover fabric.
In this world, I am not a poet,
and I don’t often dream.
In this world, my floor is my stage,
this fabric is my home.
In this world, I know not of other realities.
In this world, I live buried in my ignorant bliss.

In the ashes of division hope ignited
Unity decided a new fate, in its wake.
My father lived in Chester Road,
Off Ladbrook Grove, eight children
In a tenament flat back to back.

The poverty of the forties are
Now palatial palaces, white pillared.
My father joined the army to escape
To marry and move to Streatham,
South London, to an Edwardian terrace.

Notting Hill, the divided community
Chelsea and Kensington let it happen.
My grandmother moved to a new town
And this year we all watched on TV
Grenfell burn as an inferno in the dark.

Love Mary

A pair of stays to bind in fashion,

Stiff bodice lift those ample *******,

French sophistication and ***** south,

Linen lines taken from the robin's nests.




Once seen in times known to all Baroque,

Steel cages more true to the name,

Renaissance blushed at the very sight,

This hidden and blustering shame.




Georgian era was always that late,

Yet women united to sheer the skin,

Frills and cuffs were the new bloom,

The dowdy apron given to the bin.




Victorian, Edwardian seen a rise of empire,

When romance boasts the whale bone done,

Now scattered in all weddings and burlesque,

Dear Corset is set in memory to run and run.

The Moon searches out the night
During the day sits in the background
Probably knitting a scarf of clouds
Pick one drop one, Cirrus follow by Cumulus
Allowing the Sun it’s all day brilliance
At night trumping all that coloured time
With a soft monochrome thrill
Wrapped in its unravelling grey black scarf
Bit of a night owl our Moon

Throws quite a few shapes
During it’s month
Revealing a little Edwardian anklet
And then to tantalise
Following with its full scandalous magnificence
A bit of a flirt our lovely Moon.

Our Moon has many beautiful scarfs
Holding hands and touch shoulders scarf
Or soft hand on the cheek while lips meet scarf
Hide under here together and pretend we are alone scarf
Let’s do something mad and feed the ducks at night scarf
And that warm promise don’t break my heart scarf
Bit of a romantic our lunatic moon.

It was a Victorian night where the streets were alight with braziers and gas lamps,when out of the shadows a man rose, in the sight of those poor waifs who were waiting for succour and a bowl full of supper from the sisters, and mercy they were,for the man wouldn't dare to buy favours from females,not in front of the saviours who went among poor men, whose behaviour was suspect and where the language was ripe.

The man sunk back into the blackness of night out of sight but in mind,a kind of reminder to those in the raggety clothes,that the streets were unsafe,and
a place fit for weirdos and those who looked through you and you looked for safety in the arms of the stately,but those homes were all shut,tut ,tut
The old Queens on the throne and you're thrown to the hounds and evil abounds in this Victorian night.

The morning breaks wind as you sniff at the air and wonder, just wonder why life's so unfair,
lice in your hair and you don't smell that good,a bath would be nice and if you could you would take one to relax in,but the morning backs into your face and let's face it,the life that you're living is not good enough to **** in,and we both know these oaths that pop out now and then are not spoken by you but are written by the pen,
and another page
an Edwardian age
but the rage carries on and Victoria's gone but it matters not
you've got what you've got and there's not much you can do about that.

A pair of stays to bind in fashion,

Stiff bodice lift those ample *******,

French sophistication and ***** south,

Linen lines taken from the robin's nests.




Once seen in times known to all Baroque,

Steel cages more true to the name,

Renaissance blushed at the very sight,

This hidden and blustering shame.




Georgian era was always that late,

Yet women united to sheer the skin,

Frills and cuffs were the new bloom,

The dowdy apron given to the bin.




Victorian, Edwardian seen a rise of empire,

When romance boasts the whale bone done,

Now scattered in all weddings and burlesque,

Dear Corset is set in memory to run and run.

i saw her Eyes from the across the concrete field, not blue like an ocean but blue like my porch steps after it rains, blue like the bathmat i See as i watch it from above water, swirling and spinning under clear film, blue like the dorothy dress i Saw in the church when i was small, blue like my skin when i am dead and blue like my veins when life is brought unto me again. blue like the glow from my house's edwardian windows when i Look at them at sunset, blue like the wind and the goddess and the dew; she Looked back

COME, AYE COME!
Matloob Bokhari



Come, aye Come!
O the beauty of heaven!
Night in richly coloured dress is welcoming, come!
O the glory of stars!
Night stars like diamonds are welcoming, come!
O the ornament of moon!
In your absence, bright moon is welcoming,
Come!
O the queen of sky!
Scented air in night freshness is welcoming, come!
O the north polar star!
Moth orbiting around light has utterly consumed
Without form or body, is a part of beauty, come!
O the queen of light!
Carol of birds is playing melody sweet in tune.
My heart beating; cold callous gale started blowing.
Night has rolled hours away; moist has dampened my heart.
Come, aye come!!










COMMENTS  :  COME AYE COME

Kristen Scott: I love this very VERY much.  This is hauntingly beautiful and  each word of the poem is flowing in my  veins  like the poetry of my favorit  poet, Federico Garcia Lorca..
Vern Ford : I can almost hear Buffy Saint Marie singing your absolutely breathtaking poems!
Laura Oliva Palacio:  Magnifique voila!!!! What a beautiful poem! With simple words, but of great significance make one clearly perceived the sweet and sensitive young hearts have inspiration in the bright universe of love and the infinite .. Thank you so much for sharing  Matloob !!!
Laura Grillo Laveglia: I love your poem. It is written in Edwardian style and this I adore!!!
Neil Perry :Refreshing and magical.


Gary Leikas: ahhhh . . . . mesmerizing music and thought . .
Kevin M. Hibshman : Amazingly beautiful...

Of elegant languor
with a tint of sepia
melancholy

The romance of
vague longing
and nostalgic bloom
a fading chrysanthemum
perhaps

Taking the promenade
panama hat and shades
suit sewn by hand and
long corporate umbrella

Macintosh and overcoat
by turns repel the
damp and cold

Cognac by the fire
and wistful glances with
widows in the hotel bar

Strolling on with
meaningless purpose
toward Edwardian
disaster

There came a time I closed our doors
A time after you left
For the heart of my heart
I cannot lock the door.
There came a time our treasure chest met its eternal hole
For life of my life I cannot bury it.
They say you love once
If that was true
Why oh why
Do I keep falling in love with you
Everyday , every night and it repeats
My beautiful replay of our edwardian love.
You were my everything and now that my everything is gone I have nothing.
Grieve I grieve more then I should , I hurt more then I should but all I can think and do is only love you.
With sorrowful joy-
Theres a part of me that still thinks of you and whatever fears I have disappears

An Edwardian lady ,
with a letter to write ,
she clings to it dearly .
For with fine perfume. to write for , it is sented with a kiss from above ,
and smudged in lipstick and all of her love .

For This secret she holds unto her chest to her is divine ,
for it passes through the ages of time .
All wrapped up in string ,
and richest perfume ,
as she walks down the street with her head in the air ,
With whispers of love to guide her there .
To plump and powder and preserve her pout ,
the freshening air on her face ,
makes her the envy of every gentleman’s glancing embrace .

For she cannot wait to post her letter ,
for tomorrow it will be too late ,
the sooner the better ,

Just in time before she is wed ,
to land on the mat of his Park Lane address ,
for that letter to arrive in the letter box
of her love ,
Scented by the richest perfume .
One last chance before the day to say ,
how much I am looking forward to giving a barrog to my love .

🌹
An Edwardian gent sits down to write ,
for it is his last  chance to do what is right .
To send a final letter before the mail man leaves ,
to his beloved .
He tells of how his heart starts to bleed ,
as the quill of his pen moves to every beat of his heart ,
a thud thud thud as his thoughts run away ,
to tomorrow when he will kiss his bride and say ,
“ Now I have given my heart away ,
I wait for the day I can give a cwtch  ( Kutch ) to my wife ,
for .
“ Our silky cocoon has opened to colours so bright ,
Oranges and blues dazzled by the suns beaming light ,
adorned forever ,
In sweet twilight.
Dwi  Wedi  cwympo. ,
for I have fallen head over heels in love with you .

Found and lost at once,
immediate
inbetweenity, here, not there
in a way, in the air, expired

whoosh, shush and remember
the wonder lost,
when the boy who wished never
to grow old
with this now to
remain the time of our lives, when
not knowing keeps us safe,
and our guides into ever on go, ever
be
holding, ever eyewise-touching
the face of God,
big g.

Time and Joy, Edwardian Gay
repressed as zeitgeist calling for
"lovely, wonderful thoughts"

infantile omnipotence, 700 million light
geotimed timid old ideas

The author imagines the same vision
one way, plain, unencoded

white wolves in a walnut tree
freud interpretted the unconscious wish source

ah, it was the witnessing of *** enacted, eh?
I think we may have granted Herr Freud
more credence than guesses are often allowed.

Is this not the same social act as when
any knowledge is claimed by faith in the answer
accepted

inner being, outer shown, reflective seeing
the world we see, we agree to see,
this is that, you see,
I say, literally living in word alone, a nobody

founding one fair-made tale, of favors owned, shrinking

death in the brothers wish, where lay the dead man
I recall as always handsome, though I never knew him.

I was such a liar, so ready to say true a not-ever-true

Having no success that makes history,
hold no certain truth that certainly made me
choose
to wish to
be an author of the faith I pour out

clap your hands if you believe
in fair
ways found oddly marked in the peace
found in old

"better to have had less ambition"

Thinking as a child, not as the old man, watching
slight smile
forming the setting for the scene, making much

of being a little boy, once, as a story
sifted from another, seeping into solution.

Yes the spirit of my time has been my friend,
for, most of the ways I wished to learn,
now are in my grasp, well within my reach, mine
and that of my Artistical Intuitive Muse,
ever aiming my morning at the mercy on the edge
of one day alone
with you,

lost in youth's untutored virginity
or something, impatient, yes, I'd wait… perfect moments
are rare,
but do occur, if your aim is close..

The garden leading to her Edwardian house
Came swiftly off the main road
The front path straight and lengthy
With bobble brick edging in grey stone.

Roses gathered irregularly along the borders
And a privet hedge lined the perimeter
Needing lots of attention in the Summer months
A few small trees and bushes broke up the space.

Every year I would visit my mother's sister ,Betty
Very different from my mother in outlook
As the front door opened the aroma of sweetness
Gathered from the year's cooking apple crop.

And so it would be a weekend of difference
Spread out as the art books lining the walls
A collection of shells, labelled with dates and places
Displayed on a trolley and covered with cellophane,
An old piano,  Boosey and Hawks, on a side wall
And record cabinets containing her favourite music
Everything had its place, still, motionless, peaceful.

Found and lost at once,
immediate
inbetweenity, here, not there
in a way, in the air, expired

whoosh, shush and remember
the wonder lost,
when the boy who wished never
to grow old
with this now to
remain the time of our lives, when
not knowing keeps us safe,
and our guides into ever on go, ever
be
holding, ever eyewise-touching
the face of God,
big g.

Time and joy, Edwardian Gay Hebrew
repressed as zeitgeist calling for
"lovely, wonderfull thoughts"

infantile omnipotence, 700 million light
geotimed timid old ideas

The author imagines the same vision
one way, plain, unencoded

white wolves in a walnut tree
freud interpretted the unconscious wish source

ah, it was the witnessing of *** enacted, eh?
I think we may have granted Herr Freud
more credence than guesses are often allowed.

Is this not the same social act as when
any knowledge is claimed by faith in the answer
accepted

inner being, outer shown, reflective seeing
the world we see, we agree to see,
this is that, you see,
I say, literally living in word alone, a nobody

founding one fair-made tale, of favors owned, shrinking

death in the brothers wish, where the dead man
I recall as always handsome, though I never knew him.

I was such a liar, so ready to say true a not-ever-true

Having no success that makes history,
hold no certain truth that certainly made me
choose
to wish to
be an author of the faith I pour out

clap your hands if you believe
in fair
ways found oddly marked in the peace
found in old

"better to have had less ambition"

Thinking as a child, not as the old man, watching
slight smile
forming the setting for the scene, making much

of being a little boy, once, as a story
sifted from another, seeping into solution.

Yes the spirit of my time has been my friend,
for, most of the ways I wished to learn,
now are in my grasp, well within my reach, mine
and that of my Artistical Intuitive Muse,
ever aiming my morning at the mercy on the edge
of one day alone
with you,

lost in youth's untutored virginity
or something, impatient, yes, I'd wait… perfect moments
are rare,
but do occur, if your aim is close..