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M Lundy Apr 2011
Edie strolled into the restaurant, her favorite place
as a child.
The diner was decorated in a 50's theme
and looked like it was a drunken night's
regurgitation of the one in "Pulp Fiction."

She sat down in front of her father,
who had been watching her ever since she pulled up.

"Jesus Christ, Edie. What did those shoes cost you?"

Edie was wearing a pair of pink heels with
Louboutin trademark red soles.

"Enough," Edie spat, with obvious contempt for her father's concern.

The waitress approached,
sat her plump buttocks on the booth
next to Edie's father and took their drink order.
Two coffees, two waters, and an orange juice.

"I want you to meet my new girlfriend, Edie."

"What the **** do you mean by that?"

"Have dinner with us."

"No, thanks."

Edie's father took a deep sigh.

"I know this is about your mother---"

Edie threw a ten on the table, and
strode quickly to the door.
Elvis, Marilyn, and Frank look-a-likes stared
curiously at her full-figure.

Edie sank into her car with tears rolling
down her cheeks.
She drove to a convenience store and purchased
two bottles- Tylenol and Jack.
She threw a couple swigs of each back and raced
towards the Turner Motel, where her next
client waited eagerly with a sweaty forehead and a
chest panting like a diseased dog.

Edie let it fester.
Copyright 2011 M.E. Lundy
M Lundy Feb 2011
Edie was caught in the claws of copulation.
She was attractive, with no roots showing
on the top of her scalp.
Great ****, great ***, could hold a conversation.
Everyday, she got into her workhouse of a car,
more home than her dingy apartment, and drove
to her first "appointment."

But on this day, the appointment that loomed ahead of
her had her shower cold and her face white.

She drove past an old movie theatre
and an abstract and title company with
the fanciest sign in town.
It was Edie's favorite.

She glanced out the window.
A regular ******* standing on the sidewalk was chatting
up a woman who looked bored stiff
and there was a young man a few jumps
away who couldn't hold his liquor.

"Pathetic," Edie muttered.

An average run-of-the-mill bar slouched behind
them and there were ridiculous looking people
spilling out the door.
But only those who had survived the night before.

Across the street, a newspaper dispenser ***** and chained
to a light pole stood content as its contents spilled from
it's belly like the guts of a dead gazelle.
Like the guts of it's readers.
Like the guts of a building out an open window.

Edie's ******* were sore and hurt after the
manhandling of last night.
They began with a ***** that got straight to
the point and then they did too.
He had advertised himself as "sweety but meaty"
and Edie discovered later
that his genitals were uncircumsized and below average.

Oh well.
Submission.

She had a headache in the morning and no aspirin.
Her decision was to stop later and get some.
But before then, she had something to take care of.
Something big that needed to be handled.
Something she hoped would be brief.

"Something," she thought, "that's for **** sure."

She pulled into a front spot in her black '98 BMW,
fixed her make-up, then her hair.
Edie closed her eyes, took in a rather large
amount of oxygen,
exhaled and stepped out of the car.
She had a hankering for eggs after all.
Copyright 2010 M.E. Lundy
Martin Narrod Apr 2014
12 Monkeys
17 Girls
127 Hours
2 Days in New York 2012
2 Days in Paris 2010
2001 A Space Odyssey
360
A Beautiful Mind
A Bridge Too Far
A Few Good Men
A Single Man
A Perfect Getaway
A Serbian Film
A Very Long Engagement
A.I.
Absolute Power
Adaptation
Airborne
Air Force One
Airplane 1
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Albert Nobbs
Alex Cross
Alpha Dog
American Beauty
American Gangster
Amorres Perros
Amour
Anchorman
Andy Warhol's Bad 1977
Andy Warhol's ******* 1964
Andy Warhol's Eat 1964
Animal Kingdom
Annie Hall
Anti-Christ
Apocalypse Now Redux
Apollo 13
Arachnophobia
Apt Pupil
Armageddon
Babel
Backdraft
Bad Company
Bad Education
Badlands 1973
Barton Fink
Basquiat
Before Night Falls
Being Flynn
Beneath Hill 60
Beyond the Black Rainbow
Billy Madison
Biutiful - Spanish
Blade 1
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Blade Runner Final Cut
Blades of Glory
Blood Work
Blue Valentine
Breach
Broken Arrow
Born on the Fourth of July
Boyz in the Hood
Bullet
Bulworth
Brothers
Caddyshack 1 & 2
Career Opportunities
Carlos The Jackal The Movie
Carne by Gaspar Noe - French
Cashback
CB4
Charlie Wilson's War
Chelsea Girls 1966
Cherry
Chinatown
Ciao Manhattan ft. Edie Sedgewick 1972
Cinema Paradiso
City of God
Clear and Present Danger
Closely Watched Trains - Czech
Contact
Corpse Bride
Courage Under Fire
Crazy Stupid Love
Dark Shadows
Dave 1993
Daybreakers
Days of Heaven
Dazed and Confused
Dead Presidents
Defiance
Desperately Seeking Susan
Despicable Me
Detachment
Die Hard Quadrilogy
**** Tracy
***** Harry
Django Unchained
Dogtooth - Greek
Dogville
Doubt
Dracula, Bram Stoker's
Dragonheart
Dream House
Drive
Drop Zone
Dumbo
Dune Extended Edition
Ears Open, Eyeballs Click
Easier With Practice
Easy Rider 1969
Edward Scissorhands
Empire of the Sun
Encino Man
Enter the Void by Gaspar Noe
Eraser 1999
Eyes Wide Shut 1999
Face Off 1997
Fallen
Fantastic Mr. Fox
Fast Times at Ridgemont High
Fight Club
Fill the Void
Fish Tank
Fitzcarraldo
Five Minutes in Heaven
Flickan 2009 - Swedish
Flubber 1997
Folks!
Forbidden Planet 1956
Fracture
Friday 1995
Friday After Next 2002
Frost Nixon
******* Amal - Swedish
Full Metal Jacket
Funny Farm 1988
Funny Games
Fur- An Imaginary Portrait of Diane Arbus
G.I. Jane
G.I. Joe Retaliation
Gangs of New York
Gangster Squad
Garden State
Get Rich or Die Tryin'
Ghostbusters 1
Girlfriend
Girl, Interrupted
Glengarry Glen Ross
Gomorra - Italian
Great Expectations 1998
Greenberg
Grindhouse Death Proof
Grindhouse Planet Terror
Groundhog Day 1993
Grumpy Old Men
Grumpier Old Men
Gummo
Gus Van Sant's Last Days
Half Nelson
Hannibal
Havoc
Haywire
Heartbreak Ridge
Heat
Hell on the Pacific 1986
Hesher
Hitchcock
Holy Rollers
Hook
Honey I Shrunk the Kids
Hyde Park on Hudson
I Am Curious Blue
I Am Curious Yellow
I Heart Huckabees
I Stand Alone by Gaspar Noe - French
If Looks Could **** 1991
I'm Not There
In Bruges
In The Line of Fire
Inglorious Basterds
Inland Empire
Innerspace 1987
Innocence
Interview With the Vampire
Jacob's Ladder
James Bond - Diamonds Are Forever 1971
James Bond - From Russia With Love 1963
James Bond - Goldfinger 1964
James Bond - Never Say Never Again 1983
James Bond - On Her Majesty's Secret Service 1969
James Bond - Thunderball 1965
James Bon - You Only Live Twice 1967
Jane Eyre
Jeremiah Johnson 1972
JFK
Joe Versus the Volcano
Johnny English 2
Julien Donkey-Boy
Juno
Just Cause
Kapringen aka A Hijacking - Icelandic
Ken Park
Killing Season
Killing Them Softly
Kindergarten Cop
Kingpin
Koyaanisqatsi
Krippendorf's Tribe
Kiss the Girls
La Vie En Rose
Last Night
Last of the Dogmen
Leon: The Professional
Leonard Pt. 6
Les Miserables
Lie With Me
Life of Pi
Lincoln
Lions For Lambs
Little Children
Lord of the Rings Trilogy BR Extended
Lord of War
Lost Highway
Love and Other Drugs
Love in the Time of Cholera
Love Liza
Lovers of the Arctic Circle
Mad Max 1979
Mad Max 2 1981
Mad Max 3 1985
Major Payne
Malcolm X
Man on Fire
Manhunter
Maverick 1994
Meet Joe Black
Melancholia
Menace II Society DIrector's Cut 1993
Mesrine 1 Killer Instinct - French
Mesrine 2 Public Enemy - French
Milk
Minority Report
Mission Impossible Ghost Protocol
Mister Lonely
Money Train
Moonrise Kingdom
Moulin Rouge
Mr. and Mrs. Smith
****** By Numbers
Munich
My Sassy Girl 2008
Naqoyqatsi Life As War
National Lampoon's Christmas Vacation
National Treasure Book of Secrets
Never Cry Wolf
Never Let Me Go
New Jack City
New York I Love You
Night on Earth 1991 - Italian
Nixon
Not Fade Away
Notes on a Scandal
O Brother, Where Art Thou
October Sky
Olympus Has Fallen
Ondskan - Swedish
One False Move
Out of Africa
Outbreak
Palmetto
Paris Texas Criterion 1984
Passenger 57
Paths of Glory 1957
Perfect Sense
Peter Pan
Philadelphia 1993
Pinocchio
Pirate Radio
Platoon 1986
Pleasantville
*******
Project X 1987
Proof
Quiz Show
Rabbits
Revolver
Robocop Trilogy
Robot and Frank
Rolling Stone's Gimme Shelter
Romance and Cigarettes
Romeo and Juliet 1996
Sahara
Saving Private Ryan
Schindler's List
Searching For Bobby Fischer
Secretary, The
Seven Years in Tibet
Sgt. Bilko
Shame 2011
Shine
Shooter
Shopgirl
Sid and Nancy
Sin City
Sky Captain and The World of Tomorrow
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Slackers
Sleepers
Sleeping Beauty 1959
Sleeping Beauty 2011
Sleepy Hollow
Snow White and the Seven Dwarfs
Somewhere
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Sphere
Spread
Spy Game
Stand Up Guys
Stay
Summer Hours - French
Sweeney Todd - The Demon Barber of Fleet Street
Synecdoche, NY
Syriana
Talk To Her - Habla Con Ella
Taken 1 & 2
Takers
****
Taxidermia
Tetro
Thank You For Smoking
That Thing You Do!
The Adjustment Bureau
The Age of Innocence by Martin Scorcese 1993
The Bad Lieutenant - Port of Call New Orleans 2009
The Basketball Diaries
The Beach 2000
The Believer
The Beverly Hillbillies
The Black Dahlia
The Blue Lagoon 1980
The Book of Eli
The Boxer
The Constant Gardner
The Conversation
The Curious Case of Benjamin Button
The Darjeeling Limited
The Dark Knight
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The Jackal
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The Killer Inside Me
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The Skin I Live In - Mexican
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Tombstone
Total Recall 1990
Trainspotting
Trash Humpers
True Lies
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Tyrannosaur
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What Doesn't **** You
What's Eating Gilbert Grape
When Harry Met Sally
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White House Down
White Material Criterion 2009
White Oleander
Who is Harry Nilsson?
Wolf 1992
Womb
You Will Meet a Tall Dark Stranger
Zardoz 1974


Documentaries & Music Videos


BBC - Life in Cold Blood
BBC - Planet Earth
BBC - Rolling Stones Crossfire Hurricane
BBC - Great Bear Steakout
BBC - Ice Age Giants
BBC - Insect Worlds
BBC - Life on Earth 1979
BBC - Lost Cities of the Ancients
BBC - Operation Snow Tiger
BBC - Penguins: Spy in the Huddle
BBC - Polar Bear: Spy on the Ice
BBC - Richard Hammond's Miracles of Nature
BBC - The Life of Birds
BBC - Wonders of Life
David Blaine Collection
**** Proenke Collection - Alone and Solitude, The Frozen North
Encounters at the End of the World 2007
Nanook of the North
National Geographic Wild Kingdom of the Oceans Giants of the Deep: Whales
Shine A Light - The Rolling Stones
Vladimir Horowitz - Der Ietzte Romantiker
Vladimir Horowitz - Live in Vienna 1987
Vladimir Horowitz - The 1968 TV Concert
Whale Adventure with Nigel Marvin
glass can May 2013
old makeup spilled on my floor
***** clothes strewn on my floor

You can hardly see the carpet for all the clothes carelessly being trodden on.

Blue holiday lights are strung around the mirror.

I am watching Andy Warhol eating a hamburger
I am watching Andy Warhol eating a hamburger
on a new, thousand dollar laptop, slick-as-a-whistle, paid with a magnetic swipe.

For the past six months,
I have had less than four hundred $
combined in checking and savings,
and that number dwindles by the day.

I have no groceries,
but I've got fistfuls of orange prescription bottles,
and I was handing pills out like treats and candy.

(but they are needed, much and every day)

Where did all these bills come from?
Money is paper, but it means things.
Suddenly, it costs money to breathe.

Eating? Oh pshaw, that costs money, time, and the store's six blocks away.
We can subside on government cheese, beans, and the fiery licks of whiskey.

I pout on my throne of ***** cotton, thinking
"I get what I ask for, when I ask, and it always comes--at a price!" I sigh.

It's always over a hundred dollars more than I could spare
and brings bad luck, moreso than a couple broken mirrors would,
smashed over a the front of your mother's blackest cat.

"Quick! Let's do designer drugs with the paltry change given by our parents, given as allowance!
I wouldn't feel like I wasn't nothing, nothing at all," I say, batting my eyelashes, "Wouldn't they feel proud of our feelings of entitlement to the greater things in life and consciously responsible adult-like decisions?"

I crack open my father's checking account with that swipe of a magnetic strip,
it makes me seem responsible when he sees I just use it for pills and foodstuff.

(I prove I love him, and he loves me in this way)

Now, together, we will buy strawberries with his money, until our lips are pink.
They must be four dollars, at the very least, then we eat like the bourgeoisie (!)

I kiss the cheeks of my reflection in the bathroom
"Como ca va, darling? Comme si comme sa. . ."
I lick my lips, put on red lipstick and then blot,
tousling my hair, tipsy, as I touch up my face by
licking the tips of eyeliner up like a cat's little tail,
the ends of eyes, coated with eyeliner as black as
my tightest velvet pants and dark, dark heart.

We go together. You and me.

Lying on the floor, holding hands, in vinyl bliss
listening to the crooning of sweet Francoise Hardy,
and the addictions of the near-dead soul of Lou Reed

You should move to a big city
and I'll come call, prepaid, with
a voice that is thick and ripped,
from expensive French cigarettes
chattering of sugar-white beaches
as I cross the seas all on a plane,
burning money all along the way
all the while drunk on red wine,
twirling my fingers around, with
bags under eyes, a little anemic

(I think it adds to the glamour)

We will go out to a dimly lit place
We will go out dancing then after

I will put on dab perfume under my ears and on my wrists,
I will wear black tights for pants, but first, do a little *******
and you will fasten the clasp on my silver necklace tonight,
while I smoke, before helping me put on my favorite fur

And we will go see Andy, at the factory
I hear he's doing something
with that Basquiat fellow (!)

I will go follow false luxuries, come with me.
I will gamble with you in Monte Carlo or Las Vegas,

just as long as you pay my rent at $695 per month,
and keep pretending,
until I die, or overdose, or something.
because being poor is extremely glamorous
tangshunzi Aug 2014
Ci sono matrimoni ti adoro e poi ci sono i matrimoni ti adoro .drop-dead cose bellissime che sono così assolutamente bella .siete quasi a corto di parole.Questo è uno di quei matrimoni.Una serata italiana mozzafiato con una splendida attrice sposarla focoso produttore musicale sposo .il tutto circondato da familiari .amici e momento dopo momento di "Miss Havisham incontra Florence and the Machine " pretty ( SI ) .E 'il tipo di giornata che sarà quasi certamente passerà alla storia SMP e si può vedere tutto catturato beauitfully da Matthew Moore nel pieno galleria .

Condividi questa splendida galleria ColorsSettingsHistoric VenueStylesRomanticVintage

Da Sposa.Come attrice e sceneggiatrice dal commercio in Hollywood era destinato fin dall'inizio che il nostro matrimonio sarebbe stato una produzione.Invece del matrimonio norma mio marito ed io stavamo cercando di creare il set di un film che sarebbe davvero trasportare i nostri ospiti in un altro mondo .

Oltre al fatto che siamo entrambi persone molto artistici in generale .Zach ed io sono piuttosto contrario.ehm.voglio dire gratuito .Zach è più di un ragazzo jeans e t -shirt .E sono più di una Jimmy Choo e vintage sequined vestito da cocktail tipo di ragazza .Così.quando è arrivato il momento di sposarsi .volevamo trovare un modo per fondere i nostri due gusti : lui .casual e me.fantasia .Lui .rilassata e me .drammatico .

Entrambi abbiamo subito concordato un matrimonio di destinazione perché sapevamo che volevamo che il matrimonio sia intimo.E abbiamo voluto l'evento per essere più di una vacanza collettiva di una sorta di omaggio al nostro coupledom .E non posso dirti quello che una decisione perfetta che fu.Abbiamo optato per l'Italia .un piccolo paese vicino a Lucca chiamato Borgo a Mozzano dove avevo trascorso del tempo in un college di canto lirico .( . Te l'avevo detto che ero toity hoity ) Borgo a Mozzano è in Garfagna - i monti selvaggi e selvagge della Toscana .

Sono ossessionato con la grandiosità sbiadita si possono trovare in Italia - e la villa che abbiamo scelto per il matrimonio (Villa Catureglio ) incarna proprio questo - edera a crescere senza di pietra antichi .ulivi dappertutto .quella luce splendida che sembraesistere solo in Italia .Per noi .non c'è niente di più bello di patina e abbiamo voluto fare che l'attenzione estetica del matrimonio .

A tal fine .i colori del matrimonio sono



tirati direttamente dalla decolorazione della pietra dal salmone al grigio al blu al verde .C'è un intero caleidoscopio di colori solo nella pietra .Volevamo la decorazione di nozze per avere un tatto organico ad essa come se fosse parte della villa .
Il tema per il matrimonio è stata Miss Havisham incontra Florence and the Machine .La descrizione mi piace dare è il matrimonio dovrebbe apparire come se fosse istituito un centinaio di anni fa e poi solo dimenticato .Nel corso del secolo gli elementi ha assunto l'edera e muschio ha cominciato a crescere nel l'arredamento .l'età sbiadito la tovaglia .E ora il matrimonio è quasi una sensazione spettrale ad esso .Per me non c'è niente di più romantico della storia Havisham di un matrimonio congelato nel tempo .E mi piace l'accostamento di bellezza e decadenza .

Abbiamo ovviamente avuto un po ' di una sfida tirare fuori questa visione dall'altra parte del mondo .Inoltre .abbiamo voluto utilizzare uno stile più eclettico decorazione di solito si può affittare da fornitori di nozze ( in particolare in Italia .dove l'estetica matrimonio sembra essere per lo piu vestiti da sposa ' permette di trasformare la villa in un club di Miami ! ' ) .Così abbiamo dovuto ottenere creativo che è dove abbiamo avuto così tanto divertimento .Io e mia mamma .insieme con i nostri wedding planner .pettinate attraverso diverse Thrifts negozi a Firenze di raccolta ( ad un prezzo abbastanza ragionevole) antiquariato favolosi che abbiamo usato per decorare il tutto .Abbiamo trovato splendidi vecchi specchi che abbiamo appeso nella limonaia .Siamo andati in un vecchio magazzino di tessuto a Prato e aveva le tende fatte per la cappella e altrove.Abbiamo anche trovato il tessuto lì per fare la nostra bella pizzo tovaglia di tela !La sua incredibile come se siete disposti a caccia .si possono trovare cose incredibili ad una certa sconto .Pettinatura attraverso depositi di risparmio italiane potrebbe non essere il paradiso per tutti .ma per me e mia mamma è stata veramente !

Zach .ovviamente .a condizione che la musica .che era un misto di corrente di musica indie con musica dal 1920 per la cena per riflettere il nostro desiderio che il matrimonio si sentono sia d'epoca e indie .Abbiamo finito per avere 55 dei nostri amici più cari e familiari .e non avrebbe potuto essere più perfetto .Abbiamo tutti trascorso alcuni giorni insieme prima del matrimonio .

Il matrimonio è iniziato nella cappella privata in loco : una splendida .piccola cappella di pietra abbiamo trasformato in una scatola gioiello etereo .Abbiamo comprato un po ' di velluto stupendo e tessuto di seta floreale da un magazzino a Prato .che abbiamo trasformato in tende romantiche per vestire le finestre .La cappella era piena di Kartell Louis Ghost in armonia con l'atmosfera un po ' spettrale del matrimonio .

Le damigelle d'onore camminato lungo la navata nella splendida marina .1930 ispirato abiti da David Meister come il nostro indie amico musicista rock ( mio cugino ) ci serenata con le versioni acustiche delle nostre canzoni preferite ( "C'è l'Amore " di Firenzee la macchina ." primo giorno della nostra vita " di Bright Eyes .ecc ) e 'stato così incredibilmente speciale per avere mio cugino cantare per noi .

** indossato un abito di Reem Acra ( Olivia ) che scorre in avorio con maniche argento cappuccio bordato .Mia mamma e mia sorella e ** preso a Kleinfeld in un trunk show .Il look era molto presto Grey Gardens glamour del 1930 .Pensate Poco Edie quando era giovane e bella e piena di promesse .O signorina Havisham in gioventù .

Una volta sposati.ci siamo spostati nel cortile della villa per cocktail e antipasti .Qui abbiamo avuto una splendida sorpresa in programma per i nostri ospiti .In lontananza .hanno iniziato a sentire una band che suona celebrativo della musica tradizionale italiana .La musica gradualmente si avvicinava sempre di più fino a quando attraverso l'ingresso alberato oliva villa apparve una marching band di 30 elementi ( concerto bandistico ) !Tradizionalmente .in matrimoni italiani .la banda del paese suona dopo la cerimonia e quindi abbiamo avuto la band Lucca locale non solo per noi !Sono un gruppo favoloso composto da tutti.da 8 anni a 80 anni di età che suonano musica tradizionale popolare italiana con una perfetta imperfezione .

Il look del momento dell'aperitivo era stupendo !Le bevande erano servite nella Limonaia (dove sono memorizzati i limoni durante l'inverno ) .La limonaia è onestamente da morire - è così Giardini di Miss Havisham / grigio con bellissime porte francesi che si aprono in questo spazio magico coperto di edera e altri vitigni appesi .Inoltre abbiamo decorato le pareti con un miscuglio di bellissime .specchi antichi d'oro che abbiamo comprato a diversi negozi di spedizione intorno a Firenze tutte in diverse dimensioni e forme .tra cui un gigantesco specchio antico ( 6 ​​metri di altezza ).che poggiava sul pavimento .Abbiamo chiesto il fiorista per portare ancora più edera da aggiungere alle pareti e tessere intorno gli specchi per farli sentire come se fossero lì da secoli .Sono sicuro che io sono l' unica sposa che ha chiesto il fiorista per rendere il luogo un aspetto più decrepito .ma onestamente .hanno fatto il più magnifico lavoro .Fiori Toscana ( il migliore !) Hanno fatto i fiori .

decorare l'interno della limonaia sono stati sedie antiche e divano acquistati al mercato dell'antiquariato di Lucca .Abbiamo finito per trasformare la limonaia in una grande e formale salotto che era stata troppo presa dagli elementi .La vestiti da sposa giustapposizione di mobili antichi con la limonaia rustico e il suo pavimento sporco di terra è esattamente il tipo di contraddizione abbiamo giocato con tutto il matrimonio tutto .

Dopo le bevande è venuto a cena.I nostri ospiti hanno camminato attraverso la villa - su un altro bel cortile alberato con alberi di ulivo decorati con centinaia di candele appese .Tra gli alberi .c'era un lungo tavolo coperto da una tela di pizzo splendida avevamo fatto in una tovaglia di tessuto che abbiamo comprato da un magazzino all'ingrosso a Prato .Il tavolo era decorato con candelabri e vasi antichi .pieni di arrangiamenti romantici e selvaggi fiori traboccanti sul tavolo .come l'edera salì i candelabri .Kartell sedie fantasma linea la tabella interrotto solo dalla sedia antico occasionale alle due estremità - e un divanetto d'epoca al centro del tavolo per la sposa e lo sposo .Veramente il tavolo era un capolavoro .E come gli ospiti mangiavano .abbiamo avuto 1920 riproduzione di musica che ha appena aggiunto all'atmosfera .

Invece di una società di catering .siamo stati fortunati a trovare ( grazie ai nostri wedding planner ).un famoso chef per cucinare il pasto per noi .E ' fondamentalmente la Paula Deen d'Italia e che ha fatto un lavoro impeccabile .L'abbiamo presentato con un po 'una sfida .perché volevamo un pasto completamente vegetariano .Ma lei tirò fuori splendidamente !

Dopo cena la torta è stata istituita nel grande salone della villa circondata da splendidi muschio e posto su una base antico con una splendida patina - abbiamo acquistato da un vicino cantiere di salvataggio .La torta è stato ispirato da Wedgewood con intricati avorio dettagli su ogni livello completo di cammei fatti a mano dal nostro artista torta maestro .Melanie .e sormontato da una corona di ispirazione vintage .E ' stata veramente mozzafiato.(E assaggiato incredibile come bene ! )

Dopo aver mangiato .abbiamo camminato lungo una passerella a lume di candela .giù la proprietà alla loggia ( una veranda coperta di sorta ) - in pietra antica .Abbiamo trasformato questa sala in sala sigari / grappa .Abbiamo voluto contrastare la pietra semplice e maschile con la decorazione femminile e morbido .Abbiamo drappeggiato le finestre aperte con ricco tessuto in velluto .E abbiamo acquistato un assortimento di mobili antichi da negozi di spedizione per vestire lo spazio come lampadari splendidi pendevano dal soffitto .

Poi sulla danza .Abbiamo convertito abiti da sposa on line il vecchio fienile in pietra in una pista da ballo / club - completo di photobooth !Qui abbiamo avuto la più divertente giustapponendo il moderno con l'antico .Una barra incandescente con avvolgono una delle colonne centrali della stalla .come il barista ci ha servito bevande.Lampadari di cristallo appesi alle pareti .Abbiamo decorato la stalla con decorazioni semplici e moderne - divani moderni bianche pulite - tutto arredamento bianco contro la pietra - come abbiamo ballato nella notte .Uno dei lighting designer premiere in Toscana illuminato lo spazio in blu e viola per aiutare a completare la trasformazione.

nostro matrimonio è stato davvero la notte più magica che mai.I nostri fotografi .Matteo e Katie hanno fatto un lavoro impeccabile come catturare la bellezza e l'atmosfera della manifestazione .Fotografia

: Matthew Moore Fotografia | Fiorista : Toscana Flowers | Abito da sposa: Reem Acra | Cake: Melanie Seccaini | Coordinamento evento: matrimoni Internazionale | Hair + Trucco : Katie Moore di Matthew Moore Fotografia | Luogo : Villa CatureglioMatthew Moore Fotografia .L'Arte Della Torta di Melanie Secciani .Toscana Fiori e matrimoni internazionali sono membri del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Matthew Moore Fotografia VIEW PORTFOLIO L'Arte Della Torta di Melanie ... vedi portfolio Toscana Fiori vedi portfolio Matrimoni internazionale VIEW
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Romantico italiana sposa di destinazione da Matthew Moore Fotografia_abiti da sposa corti
st64 Apr 2014
This is an excerpt of exquisite letter that Kerouac sent to his first wife, Edie Kerouac Parker, in late January of 1957, a decade after their marriage had been annulled.*


The world you see is just a movie in your mind.
Rocks don't see it.
Bless and sit down.
Forgive and forget.
Practice kindness all day to everybody
and you will realize you’re already
in heaven now.
That’s the story.
That’s the message.

Nobody understands it,
nobody listens, they’re
all running around like chickens with heads cut
off. I will try to teach it but it will
be in vain, s’why I’ll
end up in a shack
praying and being
cool and singing
by my woodstove
making pancakes.
In the mid-1950s, literary iconoclast and beat icon Jack Kerouac (March 12, 1922–October 21, 1969) became intensely interested in Buddhism, which began permeating his writing.
judy smith Apr 2015
For the first time on campus, Sisters on the Runway will strut and pose for domestic violence awareness.

Sisters on the Runway will be hosting its first annual fashion show from 7 p.m. to 9 p.m. tonight in the Business Building. All proceeds will be donated to the Centre County Women's Resource Center, Layla Taremi president of the organization, said.

Sisters on the Runway is a national student-run organization that raises awareness about women and children who reside in domestic violence shelters. There are over five chapters throughout the nation, each supporting the same cause to local shelters. It was founded in 2009 and has grown since then, Taremi (sophomore-marketing) said.

Aside from the fashion show, which is the biggest fundraising event that the organization hosts, Sisters on the Runway is also responsible for other events. The organization hosts a chalking event where they write facts about domestic violence on sidewalks using chalk. This is a way for them to raise domestic violence awareness, Taremi said. It also hosts a walk where all participants walk a mile in heels for awareness.

The show will consist of eleven female models and three male models, Edie Alexander, the event planner, said.

Alexander said the show is expected to showcase clothing from Connections, Dwellings, Diamonds and Lace Bridal and Harper's, who are also their sponsors. Looks Hair Salon will be responsible for hair and makeup for the models in show, Taremi said.

"There is no theme for the show,” Taremi said. “It will be a wide spectrum of clothing."

The male models are expected to walk the runway showcasing suits and tuxedos, Taremi said. Originally the show was not going to include male models. It wasn't until the owners of Harper's decided to contribute to the show by donating some men's apparel for the fashion show.

All the models participating have been building up their confidence for the runway, Alexander (sophomore-recreation park and tourism management) said.

"I'm excited for our first annual fashion show, I hope this brings more awareness to the Penn State community," Vice President Lauren Shearer (sophomore-supply chain management) said.

The organization’s goal is to get a lot of people involved through different events to help raise awareness of domestic violence, Shearer said.

"We’re trying to push people to come, not just Penn State students, because it's not an issue that doesn't only affects college students,” Alexander said. “It affects everyone as well."Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-adelaide
Sophie Wilson Jan 2015
I

That idol, with black eyes and pixie-cut, with
aristocrats nobler than artists, holier than New York City
hipsters; his selfishness running through her veins,
purple and blue like blood, or tarnished by amphetamines
in waves of ferocious sadness and yearning.

At the border of her life- young hope twinkles, fades
and dulls out- the girl with chandelier earrings, deer
legs, dancing in silver reflections of tears gushing
from the aftermath of shattered dreams dressed up
as vivid illusions.

Ladies who stroll outside of society, girls
plucked from art school, with trust funds, superb luxury
wardrobes, jewels on show but riches hidden in the
ground of trusting valleys in burnt gardens- young and
broken with eyes full of flashing lights, sullen, princess
of costume and keeping hidden. Gently ignored and
choked, unhappy.

What boredom, without your "genius."

It is she, the little girl, dead before innocence-
The young artist, alive, does not stoop- his life
creeks but for a second. His inspiration empty
and studio up for sale. Her shutters pulled down
and the key to superstardom in the lock forever
because the soul is empty.

The city's silver fountains drowned and cried for her
fabulous elegance.

II

I am the life who mourns like blue summertime.

I am the academic who waves manuscripts on
elusive "culture" and "style."

I am the pedestrian who looks up to the sky then turns
to the ground. Smoggy greyness and dead black
concrete pleads me to keep searching.

I might well be the same child; lost and unhappy
and hungry. Dreaming of touching stars but miles
from Heaven.

I am the artist. Manipulative creator and selfishness
embedded into the sinews of my heart.

The lamp shines brightly on these happy photographs. I
keep falling for these stupid books. Edie, oh, Edie.
You have gone and the world is ending!
Sia Jane May 2014
encased with passion & desire,
love & lust he waits for her still,
a muse

he's restless & listless, his heart beats,
& bleeds, catch up, catch up,
a muse

leaking lover lost through, a dripping soul,
red raw, vulnerable, closed,
a muse

a fragility so unknown to her, a naivety,
oblivious, at risk from all men,
a muse

he couldn't have her, so he destroyed her,
she disallowed all men in,
a muse

denial & unfazed, she's dazed, confused,
he watches from the sidelines,
a muse

this obsession won't hit him,
or maybe the day she is gone, he will,
a muse

drugs were a power, greater than her,
releasing caged birds, an angel above,
a muse.

© Sia Jane
LA Brown Oct 2014
Where is my Campbell Soup Can? My Candy Darling, Edie Sedgewick, my "Factory"?

I was promised 15 minutes, it said so on the box, on the manual of life, now where is it?

Did I pass it? Dismiss it? Was it at the bottom of the ******* Jack box I so carelessly tossed aside?

I think not. I think it does not exist, and therefore I think Andy failed me.

Andy lied.
I am a huge stalker....I mean fan, of Andy Warhol. I have read many books on him and the people he had surrounded himself with and think he may have been a bit, um, a touch of a sociopath. If you can have just a smidgen of that. ;)
During Thanksgiving Break of 2013 I was on my laptop.
Looking up videos on Narcolepsy.
Mainly because I was into discovering what that was.
Anyway, I had watched some videos.
And I suddenly saw a video that was all about her.
And of course I was curious.
It was called "The Best Of Jinkx Monsoon on RPDR".
Short for RuPaul's Drag Race.
And I clicked on the video and decided to watch it.
Immediately, I was hooked.
She was so funny that I laughed at everything she did,
I also learned things.
I learned that she had Narcolepsy and coped with it.
That had me intrigued.
And then I learned that she takes being funny seriously.
She's a campy queen.
But she's also extremely sweet and very humble.
She taught me about drag.
I began watching videos that she did about herself.
She had a film series.
It was called "Drag Becomes Him" where she talked.
And I learned so much.
I learned that there was more to drag than just make-up.
Or hairstyles and clothes.
She really puts her all into everything she does in drag.
Jerick Hoffer is the creator.
He's the one who gets in drag and becomes Jinkx.
And I love his story.
Because he was able to come out and express himself.
Sure it was hard for him.
He would go to his Grandmother's house to change.
His mom knew he was gay.
But she thought that dressing in drag was pushing it.
But his Grandmother didn't care.
She was the one who taught him how a lady should act.
He just does the opposite.
He, as Jinkx, says anything without a filter quite often.
He loves doing drag.
He said that it's something he started doing at age 15.
He was on RPDR Season 5.
Switching back, Jinkx took every single change head on.
Had some trouble along the way.
But won her first challenge while acting on ****** Game.
She portrayed Little Edie.
I suggest looking her up if you don't know who she is.
She had a condition as an adult.
And it caused for her to soon lose all of the hair she had.
Jinkx really loves her.
I also know that she is a huge fan of Adams Family Values.
She has a song about Debbie.
It's called "What About Debbie?" and it explains Debbie.
Talks about why she kills.
Jinkx performs that song a lot now when she performs.
But that's not all.
She opened my eyes in terms of how drag is conceived.
It's really a process.
It takes a great deal of time to get ready and she knows.
She spends three hours!
Just getting into drag because of the time it takes to do so.
Best of all, she loves it.
She has a genuine respect for drag and does it in her way.
She knows a lot more now.
Jerick says that Jinkx has improved since being on RPDR.
And I agree with that.
The make-up has gotten way better and so have the clothes.
I watched Season 6 last year.
And I can talk about what I thought and who I liked.
Tell me if you want me to.
Anyway, Jinkx has taught me so much since I found that video.
And so has Jerick.
Who wants drag to be known as more than impersonation.
He wants to break stereotypes.
He wants for men to be able to play girl roles in more than comedy.
And what's wrong with that?
If a woman can read as a man, why can't a man read as a woman?
He even asked that himself.
And I for one think that is a very fair and true question to ask.
Okay, I'm rambling now.
All I'm trying to say is that Jinkx opened my eyes to drag.
And now I get it.
I know what drag means and why it's really a form of art.
Do I know everything about it?
Of course not, I'm still learning as I discover drag queens.
There are so many styles.
And one of them is campy, which is the style she has.
I can talk more about her.
But I would need to have her as the main topic to say more.
So tell me if I should.
And then I can get into more detail about her and her style.
All I can say right now.
Is that because I found that video of Jinkx, I now am a fan.
Of her and of drag.
I don't think of drag as a weird and bizarre thing anymore.
It's an art form.
And I understand that it's acting as someone else, form of acting.
And that's thanks to Jinkx.
And to Jerick Hoffer, the mastermind behind Jinkx Monsoon.
I didn't expect for the first drag blog I wrote to really connect with people. So I decided to keep going with it. I decided to talk about the reason why I'm now into drag. I don't do it myself, but I enjoy watching people who do. Tell me if you want me to do one based on just why I like Jinkx Monsoon (Jerick Hoffer) in general and I will. Thanks for reading, bye!
Sia Jane Sep 2014
She was always a chameleon soul
Black Orchid
Eyes, shadows, vulnerabilities
Of heroine chic,
Juxtaposed with an embracing
Self
Of mutual
weirdness
Meshing voices from
The past
Nostalgic memories for
Behind the camera
A lady photographed
A younger self,
Mirrored reflections of
The lady she had graced
Into through the
Ages,
Where contemplative deliberations
Iconic wonders, flashed through
Her mind
With each click the metamorphosis
Click;
        one
                two
                     ­   three
Twiggy, Edie, Kate
Transformations; a sorcerers magic,
Contradictions;
                        body
           ­                       mind
                                   ­         soul
Mirages amidst reincarnations
Never a remnant of the same
For, the lady behind the lens
Unseen
A ghost veiled in black;
The Black Orchid.

© Sia Jane

Dedicated & written for my darling friend Cara <3
For she shall know love <3
I am sorry I am so slow on the up keep. I am trying. Love you all <3
Andy Plumb Sep 2013
In a fleeting panic
my body aching
my head in manic
I was fitted for depression
by my fashion shrink
cosmic blue straightjacket
boots of shocking pink
Day-Glo eyelashes
and a faux stole of mink
I walked the streets of Soho
and climbed the Factory walls
a girl betwixt
a boy between
everybody’s darling
till morning came to town
in my corset of denial
I took cover in the rain
and sang naughty little ditties
seeping from the recesses of my brain
I tripped my way to Bellevue
where a thousand plastic junkies
awaited my return
I fell into their fancy
and we frolicked amidst our lies
and hopped aboard an east bound train
to a velvet paradise
David Ehrgott Apr 2016
Daddy got drunk
and wet in the well
Oh, poor daddy
Daddy got drunk
and wet in the well
Oh, poor daddy
  
Oh, poor daddy
Oh, poor daddy
Oh, poor daddy
Oh, poor daddy
  
Daddy got drunk
and wet in the well
Oh, poor daddy
He told little Margie
Not to tell
Oh, poor daddy
  
Oh, poor daddy
Oh, poor daddy
Oh, poor daddy
Oh, poor daddy
  
Daddy had Edie
on his knee
Oh, poor Edie
What he did to her
When she was three
Oh, poor Edie
  
Oh, poor daddy
Oh, poor daddy
Oh, poor Edie
Oh, poor daddy
  
Daddy got drunk
and wet in the well
Oh, poor daddy
Mama bit her lip
and got beat to hell
Oh, poor daddy
  
Oh, poor daddy
Oh, poor daddy
Oh, poor daddy
Oh, poor daddy
judy smith Feb 2017
In a few days, modernistas will flock to Palm Springs to ogle its healthy roster of mid-century gems.

There will be home tours, double-decker bus tours, fundraisers, art receptions and cocktail parties. At every turn, is an opportunity to embrace your inner modish self and dress the part.

Don’t worry, you won’t be alone. All the parties are rife with guests in fun retro apparel. Everything from caftans and A-line shift dresses to graphic prints and knee high boots.

“It's nostalgia for a bygone era and we dress up because it feels great when you are surrounded by stunning midcentury modern architecture and vintage cars. It makes me want to put on gloves and a pillbox hat and sip martinis - plus it makes for great photos,” said Lisa Vossler Smith, executive director of Modernism Week, who likes to dress the part as well. Modernism Week runs Feb. 16-26.

The mod-style which originated in London in the 1960s is all about sleek and simple silhouettes.

“Clean-tailored lines and lots of black and white define mod fashion for me,” Vossler Smith said.

Pegged ankle-length pants, colorful tights, Mary Jane heels and sweater twin sets also come to mind.

For inspiration, Vossler Smith turns to the likes of Twiggy, Edie Sedgwick and fashion designer Mary Quant, because of their iconic and forward-thinking mod style.

“But I also look to old movies and TV for inspiration. "James Bond," “Batman,” “Get Smart,” “Gidget,” and my favorite, “Breakfast at Tiffany's,” are great for inspiring new vintage looks from my daily wardrobe. Sometimes I even throwback to a little Rosalind Russell "Auntie Mame" or Grace Kelly influence - on a good hair day,” she said.

Her favorite vintage item is her 1960s leopard print, pointy-toe boots. “I wear them all the time,” she added.

Much like the classic, simple and timeless architecture of the homes and buildings that signify mid-century modern - mod fashion has had a lasting effect on popular culture and current design.

There are new, vintage inspired lines, such as the ones created by New York based Lisa Perry who led a discussion at last year’s Modernism Week on the mod looks that make up her collections.

Palm Springs’ own Trina Turk, who is known for her bold prints and vintage inspired designs , will present a “Trina Turk + Mr. Turk Fashion Show” poolside at the Modernism Week Show House on Feb. 21.

Palm Springs and the rest of the Coachella Valley is full of thrift shops and specialty boutiques teeming with outfits perfect for a mod party. You can go new – Turk’s flagship store is in Palm Springs – but it’s a lot of fun and rewarding to dig through thrift shop racks for that signature outfit.

“We really have great stores throughout the desert,” Vossler Smith said.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/****-formal-dresses
Sia Jane Feb 2015
“I’m in love with everyone I’ve ever met in one way or another.
I’m just a crazy, unhinged disaster of a human being.”*

Edie Sedgwick

---

                                                  ­                               I am the undone woman,
                                                                ­      mistaking myself
                                                          ­                      for the girl,
                                                                ­               others always see,
                                                            ­                  even at the call of my name
I most often, walk away

                                                           ­                       I rise & fall with the tides
                                                           ­                       standing in the abyss
                                                           ­                      shedding tear drops alone
                                                           ­                      gazing at black skies;
a full snow moon

I am a piece of the sky
a jigsaw puzzle
completing this Universe
I too inhabit

I am the cracked mirror
shattered pieces;
seven years bad luck
but as the cat,
I have nine lives
of counter attack

I am all the lovers
who pass through me
caresses that have graced
my inner thigh, the ecstasy
we reach simultaneously
during the love we make



In the absence of another
pieces of myself dilute,
I only know myself
by the ink I bleed
as I write these words
you read.

I am your canvas,
a picture book
coloured outside the lines
you call me your art

&, when,
the coffin door
closes shut,
you will know
I am nothing more,
than a Factory Girl,
misidentified as;
a thousand forms of fear.

© Sia Jane
Lucy Tonic Jun 2015
He comes on like a messiah
But true colors show he's just another warhol
Hanging second-place decorations for all his candy's & edie's
Meanwhile I'm overdosing on his love in the bathroom stall*

Now I'm forced to sit and watch you leave
As I desperately point out
That the trees aren't bare yet
And it feels like I'm drowning in a helmet made of weeds
And I know you never wanted to take on my disease
These tears are fierce but these eyes are weak
And I'm left to paint the years with a crooked branch
And a palette of whatever shade I chose to bleed
All because you won't let me follow your lead
I'm screaming at the top of my lungs, but you refuse to hear the noise
I guess this is the moment when men become little boys
Johnny Noiπ Jan 2019
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JJ Hutton Apr 2018
Still hexed, unemployed, another daylong bout between too much silence and too much noise, I turn on the TV and watch our show. Season 4, Episode 13, "Whitecaps."

And it's the scene after the Russian mistress has called, and Carmella—played to long suffering perfection by Edie Falco—kicks Tony out of the house. The scene sticks with me, the way Carmella's body shakes, the deep grooves of her wrinkled face when she says she can't stand to be embarrassed anymore. And I'm caught off guard by two things, one simple, the other not so much. I think about how you must of related to Edie Falco out of the gate, on a surface level. You both share a prominent nose, one you were always self conscious about, but a nose you found beautiful on her face. I always wanted to ask you about it, but I never found a gentle enough phrasing. And the other thing, the complex thing, is how the whole scene runs parallel to our second break up, the bad one, the early morning fight. I remember you striking my chest over and over. I remember grabbing your wrists, trying to restrain you, and you wriggled out of my grasp only to strike your head on a cabinet. I tried to comfort you, and you wouldn't let me drive you home.

You walked. I couldn't find you. By the time I got dressed, you'd found some path unknown to me.

Gentle enough phrasing. That's why it ended one, two, three times, isn't it? My inability to be straight with you, to say how I truly felt without massaging the words to safeguard against any conflict.

I wish I could watch the show with you again. I wish it was 9:00 p.m. I wish we both had work in the morning. I wish we'd watch one episode too many with the dogs snuggling in our laps. I wish we could listen to them paw at the bedroom door as we undressed.

But we've jettisoned ourselves, haven't we? It's irreparable. I think of something you said about depression. You told me that when it was bad, really bad, you could never feel clean. I don't feel clean, no matter how much I wash. I don't feel clean, no matter the quality of deed, the grace of the statement, the preciousness of a future good memory unfolding in real time.
Daniel J Weller Jul 2018
You weren't the poetic one, but I just read Kaddish
and thought of you;
           of 1998 beach photo, Sussex somewhere - as I
remember you, perhaps a bit younger;
           of sweet peroxide blonde, hiding brunette. I was
naive to the dye 'til I saw 'the Hepburn shot' - that 1950
something print, you in Rembrandt light,
           or the black beehive wig in family portrait—
1970ish— dicky bows and cocktail dresses - Dad, aged
seven, in a shirt and trousers;
           of youthful snapshots: Portobello Beach, Edinburgh
(4), with parents in Kent (8), your gang of girls some snowy
place (14), painting the house with Raymond in Croydon (20);
           of latter digital images, 2012, more gaunt and wrinkled,
but ever-beautiful - seemingly ageless, as you wished;

           of care and trust and overdone vegetables, thin gravy,
brussel sprout production lines - beautiful, mundane memories
at Cowfold breakfast bar or Langley Green kitchen tops;
           of seaside trips to Shoreham, Portsmouth, Brighton, dogs
homes and holding my hand past the loud ones;
           of picking roses from the garden for 'perfume' - sticky
hands, wet floors and beautiful smells;
           of early morning rude awakenings, met only with cheer
and offers of tea and toast - I still have your butter tray
(hospitable even in death);
           of my brother's wedding, taking time to jive and seem
alive whilst everyone else was dying inside, despite the fact
that it was you, and you only, who should care the most (and
thus, if you didn't, why should we have);
           and of that very temperament, infamous tempers never
shown—at least to us—just pure, kind acceptance and
forgiveness.

           You weren't the poetic one.
           You were; the ninth child of a ****** and his wife
                              the girl with the Scottish accent
                              the wife of an engineer from Mitcham
                              the mother of three, the loser of one
                              the stern face of discipline
                              the BT telephone operator, the masseuse
                              the grandmother of three boys
                              the ageless face of beauty
                              the one I remember best

           You told me you couldn't recall your siblings' names -
I've looked into it. Ada, Jack, Edie, Emmie, Mabel, Joyce,
Raymond, Terence.
Beaulieu, France, July 2018

(to my late grandmother Margaret Rose Olga Weller)
I wear a
mask
when I'm with
you,

I can't help
how
you make me
hide.
R.E.M. - Shiny Happy People
Stanley Wilkin Dec 2017
Gloria was a grump,
delightful Felicity a frump,
Sara a bit of a chore
Liz liked gore,
Azi cried alot
Jill cared not a jot
for anyone, I learned
Cecila's stomach churned,
Roberto enjoyed her food
In public, Edie was rude,
Faizi liked to laugh
Katie liked to ****,
Esmeralda loved to ski
until she broke her knee,
Toni drempt of fame
but ended on the game,
Jen constantly made love
worn out, she resides above,
Queenie liked her drink
spent her days throwing up in a sink,
Julie adored her kids,
both are on the skids,
Siham adored money
was always miserable, never funny,
Frankie cared for wealth
spent a fortune on her health,
Jasmine was dour
more nettle than flower,
Ruby liked to cook,
Cynthia preferred a book,
Fill wanted to marry,
she eventually met Barry,
Aysha had great beauty
and was shrewdly dotty,
Anna was a shrew
which everyone but me knew,
Kath used excessive perfume-
smoking me out of my bedroom,
Pauline constantly showered
while Jackie always glowered
at strangers in the street-
where Carol and I met
on New Years Eve 2011
and for a month I was in heaven,
until my short affair
with nimble Clair,
Toni ate sparingly
lean meat and leaner celery,
Jo ate five times a day,
No one got in her way
of food, while Chris ate
tons of icecream, getting stuck in a gate
one day when off to work,
I took the opportunity, like a ****,
to leave waving goodbye
from my car. Why?
Essie was beside me
and again I needed to be free,
which a month later so did she!
Mitch bought me another
borrowing it off her brother,
who much bigger than me,
once more I was impelled to flee.
Suzanne in France
lead me a dance,
having other men every day
when I was away,
while Adalene
worked on my brain
and Genevieve broke my heart,
briefly, when apart
holidaying in the Alps with Jean
until her curiosity done
she came back and apologised,
and thereafter we thrived,
and would still be together
had not Heather
seduced me one day
when Genevieve was looking the other way
and did not see
Heather kissing me
by the pool
in Dakar, Senegal,
or making love
in rainy Vaduz,
holding hands in Bern
near a milk churn
having a bit of a lover's palava
in Bratislava.
When she found me with Ruth in Moscow
Genevieve told me sharpely to go,
I went. Ruth went off with Jean
and I took the first plane home,
meeting Jess in Heathrow
we took a taxi to Wivenhoe,
living there a year,
where fattened up with calorific beer
dressed now in grandad fashion
I started making a sullen impression
on even those who loved me,
but still, good reader, I needed to be free
so here I am now with Daphne
the final woman for me.

I met Adele in my son's first school
so, reader, I guess I'm just an unstructured fool,
for along came Celeste, Diane and Frick
making me still a colossal p......k.

— The End —