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"ecrit" poems
(from “A Love Song” by William Carlos Williams) <•> familiar that apple google and amazon have me under 24 hour surveillance e-specially now as I am in their geosphere of influence but sending me a love poem of WCWs that isolates my locale, my intended inebriation status, and is addressed to me personally (“you”), that’s just creepy so charged am I, obligated to oblige, to counter-compose a love song of mine own, under the pinot “influence,” (in a manner of speaking) which a love taught me to love what if, a new love song ecrit, to an old and loverly land, a woman-land designed to be desired, no difference - kissing a new girl first time, a wet and unforgettable compote when falling on the neck of your one beloved anew renewed now I tremble-tread for the line of great predecessors, “the land lover scribes” skilled in natures homaging, is like a line out the door, around the corner as if a new flavor ice cream has just been isolated and mined and I... <•> *I, but a novitiate in a far away, wild untamed world where my nature taken by her nature cannot deny paying my just due: selvage late middle English, from self + edge how perfect! “an edge, woven on a fabric during manufacture, intended to prevent unraveling” the pacific coast air the irregular shoreline - expanding/receding, god’s own forestry reserve, the cascades, a goal on the horizon, country roads where ancient wheat stalks grow wild all a tonic intermingled, an alcohol to imbibe through mouth nostrils eyes and skin all will be my own selvage! preventing the eastern unraveling disease, a nearly incurable permafrost low grade kate spaded infection, brought along with me for decades, my loon June companion, now stalling out, lost from my happy head a vineyard on every corner, marijuana growing next door, rivers that change like children growing up and down, cheek to jowled property line live the berries and the hazelnut groves, god’s hay bales wrapped in plastic like marshmallows dotting the landscape* all daring you to say I could love it  here
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Jun 8, 2018
Jun 8, 2018 at 3:26 PM UTC
Songs of Oregon: No. 3 “you, far off there, under the wine-red selvage of the west!”
(from “A Love Song” by William Carlos Williams) <•> familiar that apple google and amazon have me under 24 hour surveillance e-specially now as I am in their geosphere of influence but sending me a love poem of WCWs that isolates my locale, my intended inebriation status, and is addressed to me personally (“you”), that’s just creepy so charged am I, obligated to oblige, to counter-compose a love song of mine own, under the pinot “influence,” (in a manner of speaking) which a love taught me to love what if, a new love song ecrit, to an old and loverly land, a woman-land designed to be desired, no difference - kissing a new girl first time, a wet and unforgettable compote when falling on the neck of your one beloved anew renewed now I tremble-tread for the line of great predecessors, “the land lover scribes” skilled in natures homaging, is like a line out the door, around the corner as if a new flavor ice cream has just been isolated and mined and I... <•> *I, but a novitiate in a far away, wild untamed world where my nature taken by her nature cannot deny paying my just due: selvage late middle English, from self + edge how perfect! “an edge, woven on a fabric during manufacture, intended to prevent unraveling” the pacific coast air the irregular shoreline - expanding/receding, god’s own forestry reserve, the cascades, a goal on the horizon, country roads where ancient wheat stalks grow wild all a tonic intermingled, an alcohol to imbibe through mouth nostrils eyes and skin all will be my own selvage! preventing the eastern unraveling disease, a nearly incurable permafrost low grade kate spaded infection, brought along with me for decades, my loon June companion, now stalling out, lost from my happy head a vineyard on every corner, marijuana growing next door, rivers that change like children growing up and down, cheek to jowled property line live the berries and the hazelnut groves, god’s hay bales wrapped in plastic like marshmallows dotting the landscape* all daring you to say I could love it  here
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trois cent soixante cinq jours that have been spent by each and everyone, blue sky, rain clouds, every where under                                           the same sun, the same sun, day in and day out, rise to set to rise                          AGAIN. so dark right now I sit at my desk and see only me in the reflection of this window in the co-pilot seat                     dog at my feet, she has my back, nose toward the door, nothing comes in without her noticing oh where was I, so many places already have welcomed                           2014, so much traffic on the the boulevard, sirens singing there urgent call, get to your parties, get off the streets, be safe, be wary fire crackers, fire works, you bet it does, the stars will never be so close until they explode above our heads, nearby next year is nearly here so close, nearby friends few, family too, nearby, God bless all of you, nearby tangle of lives, tangle of signal, tangle of words, emotions mingle, oh to be cold to it all then only death, would await nearby that is not how the old leaves and turn color, and the new arrives very soon in Yonkers, which is not very close or nearby, this year has been an education, by any measure, these poems all, quatre cent quatre vingt deux que j'ai ecrit en 2013 has been that pressure, valve or release and meagre creativity, nearby close at hand, to prepare the soil, to let me toil, as I wrestle and roil with sentiments instead of sediment, nearby.   ©DWE122013(finale)
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Dec 31, 2013
Dec 31, 2013 at 11:29 PM UTC
Nearby
trois cent soixante cinq jours that have been spent by each and everyone, blue sky, rain clouds, every where under                                           the same sun, the same sun, day in and day out, rise to set to rise                          AGAIN. so dark right now I sit at my desk and see only me in the reflection of this window in the co-pilot seat                     dog at my feet, she has my back, nose toward the door, nothing comes in without her noticing oh where was I, so many places already have welcomed                           2014, so much traffic on the the boulevard, sirens singing there urgent call, get to your parties, get off the streets, be safe, be wary fire crackers, fire works, you bet it does, the stars will never be so close until they explode above our heads, nearby next year is nearly here so close, nearby friends few, family too, nearby, God bless all of you, nearby tangle of lives, tangle of signal, tangle of words, emotions mingle, oh to be cold to it all then only death, would await nearby that is not how the old leaves and turn color, and the new arrives very soon in Yonkers, which is not very close or nearby, this year has been an education, by any measure, these poems all, quatre cent quatre vingt deux que j'ai ecrit en 2013 has been that pressure, valve or release and meagre creativity, nearby close at hand, to prepare the soil, to let me toil, as I wrestle and roil with sentiments instead of sediment, nearby.   ©DWE122013(finale)
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une bise il ecrit, est le vice de les attriste and so it was
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Apr 4, 2014
Apr 4, 2014 at 6:45 PM UTC
II
À la Bidassoa, près d'entrer en Espagne, Je descendis, voulant regarder la campagne, Et l'île des Faisans, et l'étrange horizon, Pendant qu'on nous timbrait d'un nouvel écusson. Et je vis, en errant à travers le village, Un homme qui mettait des balles hors d'usage, Avec un gros marteau, sur un quartier de grès, Pour en faire du plomb et le revendre après. Car la guerre a versé sur ces terres fatales De son urne d'airain une grêle de balles, Une grêle de mort que nul soleil ne fond. Hélas ! Ce que Dieu fait, les hommes le défont ! Sur un sol qui n'attend qu'une bonne semaille De leurs sanglantes mains ils sèment la mitraille ! Aussi les laboureurs vendent, au lieu de blé, Des boulets recueillis dans leur champ constellé. Mais du ciel épuré descend la Paix sereine, Qui répand de sa corne une meilleure graine, Fait taire les canons à ses pieds accroupis, Et presse sur son cœur une gerbe d'épis. Ecrit à Béhobie en 1840.
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À la Bidassoa
Des yeux tout autour de la tête Ainsi qu'il est dit dans Murger. Point très bonne. Un esprit d'enfer Avec des rires d'alouette. Sculpteur, musicien, poète Sont ses hôtes. Dieux, quel hiver Nous passâmes ! Ce fut amer Et doux. Un sabbat ! Une fête ! Ses cheveux, noir tas sauvage où Scintille un barbare bijou, La font reine et la font fantoche. Ayant vu cet ange pervers, « Oùsqu'est mon sonnet ? » dit Arvers, Et Chilpéric dit : « Sapristoche ! »
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Ecrit sur l'album de Mme N. de V.