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"ecce" poems
so, with israel being re-established... why do we, us,hit europeans... even need to bother establishing authority,          utilißing the new testament? i quiete like the old testament logic of: oculus per oculus                    (eye for an eye)... because the saxon concept of justice: i rather see... the implosion of    blackstone's formulation... the 10:1 imploding to the 1:10 ratio of...       a shawshank redemption... there is... redemption... since! there's no justice within the post scriptum of the hillsborough disaster... watching people walk, the lunatic walk, 20 years later?    disorientated by the court of justice?     re-dem-ption... the whole aspect of: innocent until proven guilty is horrid! this... saxon vernacular of that branch of philosophy that's bogus... namely... within origins      of the forbidden fruit... i.e. and you know?!     really?!       no... but i'll **** to make a standing pivot of a pawn on a chess-board.                           savvy? who, among the europeans... actually needs such artifacts as new testament texts, credo, orthodoxy, sign of the cross greek exports?              the state of israel has been re-established...       i don't want anything to do with this judeo-grecian banality... you can have you little affair over                                 n        e                                                 w                                  s... don't worry... i'll make sure that i'm watching... people tell a lie... yeah: hum hum bubbly hum-hum... am i, or are there any arizona inbreds? who, the hell, needs, the news testament, within the confines of history, dispossessing europe of it, of an established jewish state?       one book among many... hence the scent of a yawn...                          when entering a library... i'll do one gesture, and one gesture alone... inclined to a replica...     ecce libra!              i wash my hands from                   having any investment in it. **** the greeks can have it...       they can keep it, cherish it, but they better not spaghetti the old testament with their... "ingenious" plot... not when the nag hammadi library emerged...       no... not now... not ever...         i detest this greek book of overt symbolism...   their pristine alphabet, their diacritical application,   with the pseudo-romans toying with: deaf... or blind... whichever it is... sandpaper... instead of a kangaroo pouch... of inflated... soft... flesh? i'll rip your heart out and feed it to my neighbour's dog,                   beside a bowl of water.
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Jul 24, 2018
Jul 24, 2018 at 8:32 PM UTC
ecce libra! re-emergence of israel **** liber)
so, with israel being re-established... why do we, us,hit europeans... even need to bother establishing authority,          utilißing the new testament? i quiete like the old testament logic of: oculus per oculus                    (eye for an eye)... because the saxon concept of justice: i rather see... the implosion of    blackstone's formulation... the 10:1 imploding to the 1:10 ratio of...       a shawshank redemption... there is... redemption... since! there's no justice within the post scriptum of the hillsborough disaster... watching people walk, the lunatic walk, 20 years later?    disorientated by the court of justice?     re-dem-ption... the whole aspect of: innocent until proven guilty is horrid! this... saxon vernacular of that branch of philosophy that's bogus... namely... within origins      of the forbidden fruit... i.e. and you know?!     really?!       no... but i'll **** to make a standing pivot of a pawn on a chess-board.                           savvy? who, among the europeans... actually needs such artifacts as new testament texts, credo, orthodoxy, sign of the cross greek exports?              the state of israel has been re-established...       i don't want anything to do with this judeo-grecian banality... you can have you little affair over                                 n        e                                                 w                                  s... don't worry... i'll make sure that i'm watching... people tell a lie... yeah: hum hum bubbly hum-hum... am i, or are there any arizona inbreds? who, the hell, needs, the news testament, within the confines of history, dispossessing europe of it, of an established jewish state?       one book among many... hence the scent of a yawn...                          when entering a library... i'll do one gesture, and one gesture alone... inclined to a replica...     ecce libra!              i wash my hands from                   having any investment in it. **** the greeks can have it...       they can keep it, cherish it, but they better not spaghetti the old testament with their... "ingenious" plot... not when the nag hammadi library emerged...       no... not now... not ever...         i detest this greek book of overt symbolism...   their pristine alphabet, their diacritical application,   with the pseudo-romans toying with: deaf... or blind... whichever it is... sandpaper... instead of a kangaroo pouch... of inflated... soft... flesh? i'll rip your heart out and feed it to my neighbour's dog,                   beside a bowl of water.
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86
Of the dark past A child is born; With joy and grief My heart is torn. Calm in his cradle The living lies. May love and mercy Unclose his eyes! Young life is breathed On the glass; The world that was not Comes to pass. A child is sleeping: An old man gone. O, father forsaken, Forgive your son!
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Ecce Puer
Captive of the city. A walk between the drawing and the camera, a drawing and a camera. Blindness is about understanding gesture. Stereoscope Sound Scenes Systems Blue lines form the links between the black cats suggesting, what we know is that we do not. Forget me the sweet song rising from her ashtray be gone hearts frayed afraid. Coma Cluster Coma Cluster Coma CLUSTER COMO cluster CLuster cOma ClUsTeR CoMa Soma simply trying to muster Domino Christos no longer allow my suffer ECCE **** IN The GARDEN of ever EARTHLY delights Strings Filaments Voids Soap bubbles filling a sink slide through Pop. Pop. I float above stronger than a rock my blue black burning body love emirates emanating Red-Shifted For You though dust clouds interfere
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Feb 11, 2015
Feb 11, 2015 at 3:11 PM UTC
SOho FeEds The pOOr
The Knitting Needles Museum has a prudish name that frightens the schoolchildren and obscures the oppression of desperate and ***** women The torture museum and the war museum also lack the inspiration from a muse They are monuments and should be called that With the unbuilt museums of destroyed art and ancient cultures, they can fill a street in any city 'Ecce homo', behold man the noble beast, the master of things and nothings - virtual and vanished worlds that are unlivable
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Jan 4, 2023
Jan 4, 2023 at 4:04 AM UTC
Monument Streets
it is mid summer I stumble like a woman in which people have never seen the woman ecce mulier the summer sky opened up there will be no more earthquakes or wars it is nice lukewarm and easy going things don’t tumble altogether towards the center of the earth neither the lovers’ eyes nor the jealousy that haunts them because they are happy nor the love for your neighbor because it is envied * sing a song you fiddler man for the girl from the white little house here where I am allowed to be myself the others are not sincere when a lonely woman lives as if in a train compartment rises and falls together with the moon (I could have caught it in my bread basket to cut a slice of it but I am not craving) I am too simple without secrets my whole life I got older in a stays ball dress singing to myself from the window praying to my angel to make me stronger * how many wishes can I pretend to possess when I have never wished something for real it was always something more important more painful closer to me the one without beginning or end something that could have been you are my brother you are my sister I am the one who draws the gate’s bolt even if the garden is deserted things must stay in their place laws must be respected fences have to stand up * I shall buy lottery tickets to win at least a hope if my astrological sign is lucky if there were enough comets going around trying not to die like a soldier I am neither man nor gardener to plough for the seed of my dreams nor monk to sing halleluiah ecce mulier my lord the pain is stronger on my waist on the upper and lower halves I already froze enough for you to pass over on foot without breaking me * I went astray in another world I will never be at home I will never part completely I’m a shadow’s bride but whose I don’t know
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Aug 18, 2014
Aug 18, 2014 at 12:10 PM UTC
elegy 01
it is mid summer I stumble like a woman in which people have never seen the woman ecce mulier the summer sky opened up there will be no more earthquakes or wars it is nice lukewarm and easy going things don’t tumble altogether towards the center of the earth neither the lovers’ eyes nor the jealousy that haunts them because they are happy nor the love for your neighbor because it is envied * sing a song you fiddler man for the girl from the white little house here where I am allowed to be myself the others are not sincere when a lonely woman lives as if in a train compartment rises and falls together with the moon (I could have caught it in my bread basket to cut a slice of it but I am not craving) I am too simple without secrets my whole life I got older in a stays ball dress singing to myself from the window praying to my angel to make me stronger * how many wishes can I pretend to possess when I have never wished something for real it was always something more important more painful closer to me the one without beginning or end something that could have been you are my brother you are my sister I am the one who draws the gate’s bolt even if the garden is deserted things must stay in their place laws must be respected fences have to stand up * I shall buy lottery tickets to win at least a hope if my astrological sign is lucky if there were enough comets going around trying not to die like a soldier I am neither man nor gardener to plough for the seed of my dreams nor monk to sing halleluiah ecce mulier my lord the pain is stronger on my waist on the upper and lower halves I already froze enough for you to pass over on foot without breaking me * I went astray in another world I will never be at home I will never part completely I’m a shadow’s bride but whose I don’t know
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Here as I sit At this empty café Thinking of you I remember All those moments Lost in wonder That we'll never Find again Though the world Is my oyster It's only a shell Full of memories And here by the Seine Notre-Dame casts A long lonely shadow Now, only sorrow No tomorrow There's no today for us Nothing is there For us to share But yesterday These cities may change But there always remains My obsession Through silken waters My gondola glides And the bridge, it sighs I remember All those moments Lost in wonder That we'll never Find again There's no more time for us Nothing is there For us to share But yesterdays *Ecce momenta Illa mirabilia Quae captabit In aeternum Memor Modo dolores Sunt in dies Non est reliquum Vero tantum Comminicamus Perdita* *Tous ces moments Perdus dans l'enchantement Qui ne reviendront jamais Pas d´aujourd´hui pour nous Pour nous il n´y a rien A partager Sauf le passé Tous ces moments Perdus dans l'enchantement Qui ne reviendront Jamais
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Apr 16, 2019
Apr 16, 2019 at 6:02 AM UTC
A Song for Europe
Y, desgraciadamente, el dolor crece en el mundo a cada rato, crece a treinta minutos por segundo, paso a paso, y la naturaleza del dolor, es el dolor dos veces y la condición del martirio, carnívora, voraz, es el dolor dos veces y la función de la yerba purísima, el dolor dos veces y el bien de ser, dolernos doblemente. Jamás, hombres humanos, hubo tanto dolor en el pecho, en la solapa, en la cartera, en el vaso, en la carnicería, en la aritmética! Jamás tanto cariño doloroso, jamás tanta cerca arremetió lo lejos, jamás el fuego nunca jugó mejor su rol de frío muerto! Jamás, señor ministro de salud, fue la salud más mortal y la migraña extrajo tanta frente de la frente! Y el mueble tuvo en su cajón, dolor, el corazón, en su cajón, dolor, la lagartija, en su cajón, dolor. Crece la desdicha, hermanos hombres, más pronto que la máquina, a diez máquinas, y crece con la res de Rosseau, con nuestras barbas; crece el mal por razones que ignoramos y es una inundación con propios líquidos, con propio barro y propia nube sólida! Invierte el sufrimiento posiciones, da función en que el humor acuoso es vertical al pavimento, el ojo es visto y esta oreja oída, y esta oreja da nueve campanadas a la hora del rayo, y nueve carcajadas a la hora del trigo, y nueve sones hembras a la hora del llanto, y nueve cánticos a la hora del hambre y nueve truenos y nueve látigos, menos un grito. El dolor nos agarra, hermanos hombres, por detrás, de perfil, y nos aloca en los cinemas, nos clava en los gramófonos, nos desclava en los lechos, cae perpendicularmente a nuestros boletos, a nuestras cartas; y es muy grave sufrir, puede uno orar... Pues de resultas del dolor, hay algunos que nacen, otros crecen, otros mueren, y otros que nacen y no mueren, otros que sin haber nacido, mueren, y otros que no nacen ni mueren (son los más). Y también de resultas del sufrimiento, estoy triste hasta la cabeza, y más triste hasta el tobillo, de ver al pan, crucificado, al nabo, ensangrentado, llorando, a la cebolla, al cereal, en general, harina, a la sal, hecha polvo, al agua, huyendo, al vino, un ecce-homo, tan pálida a la nieve, al sol tan ardido¹! ¡Cómo, hermanos humanos, no deciros que ya no puedo y ya no puedo con tanto cajón, tanto minuto, tanta lagartija y tanta inversión, tanto lejos y tanta sed de sed! Señor Ministro de Salud: ¿qué hacer? ¡Ah! desgraciadamente, hombre humanos, hay, hermanos, muchísimo que hacer.
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Los nueve monstruos
Y, desgraciadamente, el dolor crece en el mundo a cada rato, crece a treinta minutos por segundo, paso a paso, y la naturaleza del dolor, es el dolor dos veces y la condición del martirio, carnívora, voraz, es el dolor dos veces y la función de la yerba purísima, el dolor dos veces y el bien de ser, dolernos doblemente. Jamás, hombres humanos, hubo tanto dolor en el pecho, en la solapa, en la cartera, en el vaso, en la carnicería, en la aritmética! Jamás tanto cariño doloroso, jamás tanta cerca arremetió lo lejos, jamás el fuego nunca jugó mejor su rol de frío muerto! Jamás, señor ministro de salud, fue la salud más mortal y la migraña extrajo tanta frente de la frente! Y el mueble tuvo en su cajón, dolor, el corazón, en su cajón, dolor, la lagartija, en su cajón, dolor. Crece la desdicha, hermanos hombres, más pronto que la máquina, a diez máquinas, y crece con la res de Rosseau, con nuestras barbas; crece el mal por razones que ignoramos y es una inundación con propios líquidos, con propio barro y propia nube sólida! Invierte el sufrimiento posiciones, da función en que el humor acuoso es vertical al pavimento, el ojo es visto y esta oreja oída, y esta oreja da nueve campanadas a la hora del rayo, y nueve carcajadas a la hora del trigo, y nueve sones hembras a la hora del llanto, y nueve cánticos a la hora del hambre y nueve truenos y nueve látigos, menos un grito. El dolor nos agarra, hermanos hombres, por detrás, de perfil, y nos aloca en los cinemas, nos clava en los gramófonos, nos desclava en los lechos, cae perpendicularmente a nuestros boletos, a nuestras cartas; y es muy grave sufrir, puede uno orar... Pues de resultas del dolor, hay algunos que nacen, otros crecen, otros mueren, y otros que nacen y no mueren, otros que sin haber nacido, mueren, y otros que no nacen ni mueren (son los más). Y también de resultas del sufrimiento, estoy triste hasta la cabeza, y más triste hasta el tobillo, de ver al pan, crucificado, al nabo, ensangrentado, llorando, a la cebolla, al cereal, en general, harina, a la sal, hecha polvo, al agua, huyendo, al vino, un ecce-homo, tan pálida a la nieve, al sol tan ardido¹! ¡Cómo, hermanos humanos, no deciros que ya no puedo y ya no puedo con tanto cajón, tanto minuto, tanta lagartija y tanta inversión, tanto lejos y tanta sed de sed! Señor Ministro de Salud: ¿qué hacer? ¡Ah! desgraciadamente, hombre humanos, hay, hermanos, muchísimo que hacer.
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70
It’s night. Deepest darkest blackest night. I feel the pinch and fear of one hunted, the prey run out of options. No help is given, though plainly demanded. The thin veneer of civilization threatens to give way. There is no escape from the knot in my stomach because we’re hemmed in at all sides and I’m panicking at the facelessness of my enemy, as I evolve from woman to female. What is the world where we aren’t what we thought we were? From adults to children. From children to animals. Stepping backwards. A warped progression. Sterilize. Maintain. Control. Clean. Safe. The world seems to whisper as if someone(thing?) is listening… Big Brother(Sister?) the walls have ears(eyes?)… KingdomPhylumClassOrderFamilyGenusSpecies. AnamaliaChordataMammaliaPrimatesHominidaeHomoSapiens. Two legs doesn’t mean you’re safe from acting like you have four. **** sapiens Ecce, **** Fiat lux. or else we’re doomed. Intellect to instinct. Man to mammal. Walk on two legs now, can you afford to lose them? Ad insaniam, ut illuminabit… Vel in flammis tandem finis. SUM EST. Chaos is closing in. Can you cope?
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Mar 6, 2012
Mar 6, 2012 at 12:53 AM UTC
Natural Selection(Dissection)?
I won the race,   tail me. I lost my balance, Don't right me. I won second place,   bewail me. I lost the toss, Don't kite me. I won the ribbon,   impale me. I lost my cool, Don't ice me. I won the job,   avail me. I lost the argument, Don't cite me. I won the bid,   assail me. I lost the battle, Don't fight me. I won the vote,   hail me. I lost the my way, Don't slight me. I won the lottery,   blackmail me. I lost some will, Tread lightly. I won the case,   bail me. I lost the cross, Don't indict me. I won the girl,   unvail me. I lost some teeth, "So bite me!"
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Mar 9, 2014
Mar 9, 2014 at 7:17 PM UTC
Ecce Puer. Ecce **** Ecce Puer.
The way to bliss is a line chiseled through the abyss of time leaving sublime characters to stumble through the twilight of autumn’s unadorned years. Fear and apprehension wreak havoc on time’s sublime reclamations Geseme‘s tranquil breeze failed to ease the suffering of the Christ while his cross is behind the loss of humanities ability to coexist. Perhaps atonement will come with the sunrise.
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Oct 3, 2010
Oct 3, 2010 at 1:08 AM UTC
Ecce Otium
the only book you can plagiarise from is the dictionary; enter plagiarism: platonic definitions of a single sound. spa spa spawn a spandex bubble on the rims for elongating width in french inches of the waist. but i liked my walk, took the scenic: empty street, night, solo, solo, night, empty street - not many donkeys sweating tears - not many relations to see: i understand money in the manual labour professions, but outside of manual professions? don't have a clue... have a poker though for a ***** you randomise whatever you want in that: never read a philosophy book that utilised grammatical categorisation efficiently: aristotle started it all off with nouns (proper names), naming and layering as i might call it: but who the hell needs plato these days given television: oh right, that's why: shout into a cave the worded nuance... what do you get? ecce echo. i appreciate god as an omni-relevant vocabulary / shouting into plato's cave provided me with thus: noun, plural i's or is, i's or is. 1. the ninth letter of the english alphabet, a vowel. 2. any spoken sound represented by the letter i or i, as in big, nice, orski. 3. something having the shape of an i (floating head on a total amputee). 4. a written or printed representation of the letter (sound) i or i. 5. a device, as a printer's type, for reproducing the letter i or i. well so much for those paper folding idiots of shadow: i shout i into plato's cave the idiots are still talking in sign language having been fed images throughout and no phonetic symbols of breaking knuckles. pronoun, nominative i, possessive my or mine, objective me; plural nominative we, possessive our or ours, objective us. 1. the nominative singular pronoun, used by a speaker in referring to himself or herself. noun, plural i's. 2. (used to denote the narrator of a literary work written in the first person singular). 3. metaphysics. the ego. that's many more echoes to come - plato was ridiculous counting six fingers on the shadow hand doing all the masturbatory talking into rabbit population truths in australia. oh **** i just shouted red into plato's cave and i heard synonymity come out! what's crimson? words with many meanings have rats in the armpits of armchairs, those eager dental riggers of bucktooth chew made fudge into glue within dental analysis conclusive in lance stance of a knight in rusty armour wishing it was oiled up copper.
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Sep 16, 2015
Sep 16, 2015 at 7:56 PM UTC
ecce echo
the only book you can plagiarise from is the dictionary; enter plagiarism: platonic definitions of a single sound. spa spa spawn a spandex bubble on the rims for elongating width in french inches of the waist. but i liked my walk, took the scenic: empty street, night, solo, solo, night, empty street - not many donkeys sweating tears - not many relations to see: i understand money in the manual labour professions, but outside of manual professions? don't have a clue... have a poker though for a ***** you randomise whatever you want in that: never read a philosophy book that utilised grammatical categorisation efficiently: aristotle started it all off with nouns (proper names), naming and layering as i might call it: but who the hell needs plato these days given television: oh right, that's why: shout into a cave the worded nuance... what do you get? ecce echo. i appreciate god as an omni-relevant vocabulary / shouting into plato's cave provided me with thus: noun, plural i's or is, i's or is. 1. the ninth letter of the english alphabet, a vowel. 2. any spoken sound represented by the letter i or i, as in big, nice, orski. 3. something having the shape of an i (floating head on a total amputee). 4. a written or printed representation of the letter (sound) i or i. 5. a device, as a printer's type, for reproducing the letter i or i. well so much for those paper folding idiots of shadow: i shout i into plato's cave the idiots are still talking in sign language having been fed images throughout and no phonetic symbols of breaking knuckles. pronoun, nominative i, possessive my or mine, objective me; plural nominative we, possessive our or ours, objective us. 1. the nominative singular pronoun, used by a speaker in referring to himself or herself. noun, plural i's. 2. (used to denote the narrator of a literary work written in the first person singular). 3. metaphysics. the ego. that's many more echoes to come - plato was ridiculous counting six fingers on the shadow hand doing all the masturbatory talking into rabbit population truths in australia. oh **** i just shouted red into plato's cave and i heard synonymity come out! what's crimson? words with many meanings have rats in the armpits of armchairs, those eager dental riggers of bucktooth chew made fudge into glue within dental analysis conclusive in lance stance of a knight in rusty armour wishing it was oiled up copper.
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42
http://tinyurl.com/ja52pq4 or some said: Lawrence of Arabia? yeah, sure, as long as Egypt remains Egyptology: and the Balkans or quasi-Slavs known as Serbs and pardoning Ottomans do one in on the Kosovo tribalism akin to: Albania here - yeah, i too was going to buy Allah-Las's third album, but then i thought about the Napster generation, then thought about Judas and then thought: well... you turn. *when Ramses destroyed Syria...               you're?! you're a catastrophe!* second that.. never mind the **** or the caring ***** in uncle, great-grandchildren.... and that surrogate auntie named Alice.              i gave my enemy a copy of *ecce **** - missing luck in terms of all those yesterdays - i never had the Golgotha crowd           to create Evangelism or Islam which i count akin to Ma Ma Malachi's trip to Delhi he never had: stinking Calcutta: oh i don't mean the food, i mean the Swedes: who the **** puts iron into their curry?
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Oct 9, 2016
Oct 9, 2016 at 12:24 AM UTC
as long as Egypt remains Egyptology
/                    nietzsche wrote his *ecce ****                                                   book...                          now?! apparently we're all supposed to write a book, entitled mea culpa... (?) i just want an authenticity of using the index, index finger, and being able                         to point... without sacrificing the ownership of a shadow attachment...                and how does the víšégrād group     (oh i'm into linguistic sabotage,      writing such a word, treating it as a bomb,      and knowing the "nuance"? well...    the manchester mob, the panic,            and what is the concept of islam if not advocacy         for literacy? no? really?!) invite the bulgars...                         (?) like a birth of a 2nd. yugoslavia... or the shift of    the 2nd holy empire to the, "left" in copernican "terms"...     there are the narrators, the observers, the critics,    and the: chanced eyes on the mess... no... in the collectivist / corporate mind-sent?               mea culpa is not on the agenda...                            "we" have already stressed the situation past the mea culpa:               come: ecce ****                       and the crucifixion /                                           guillotine. come the bulgars...    and why am i not expressing an intellectual ben hur of an index finger? managed to punch myself 20 times in the face and give myself a plum beneath the eye?           so what's wrong with "flexing" attributing the tongue to an index finger "exasperation"?      so few books are actually ecce **** orientated...                     always the mea culpa, never, never, ever,                          tua culpa: ergo?                    ecce ****               shh... quiet...      just mention the concept of mea culpa                      to elißabeth fritzl    how much of masochistic               "moralißing" does it have to take place, trans-temporal   and justifying                  the mono-spatial realm of a "past", and, "now"                 before being crucified is no longer deemed the same as labouring with                        a hammer, or a chisel?! i say that: metaphorically frothing at the mouth. firt i learned to throw a punch onto my face... give myself a plum just beneath the eye socket: now i know the mea culpa mantra, as i know the existence of the index finger, being differentiated from the fist... and? the tua culpa mantra.
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Jul 10, 2018
Jul 10, 2018 at 10:13 PM UTC
literary "criticism" (tua culpa)
/                    nietzsche wrote his *ecce ****                                                   book...                          now?! apparently we're all supposed to write a book, entitled mea culpa... (?) i just want an authenticity of using the index, index finger, and being able                         to point... without sacrificing the ownership of a shadow attachment...                and how does the víšégrād group     (oh i'm into linguistic sabotage,      writing such a word, treating it as a bomb,      and knowing the "nuance"? well...    the manchester mob, the panic,            and what is the concept of islam if not advocacy         for literacy? no? really?!) invite the bulgars...                         (?) like a birth of a 2nd. yugoslavia... or the shift of    the 2nd holy empire to the, "left" in copernican "terms"...     there are the narrators, the observers, the critics,    and the: chanced eyes on the mess... no... in the collectivist / corporate mind-sent?               mea culpa is not on the agenda...                            "we" have already stressed the situation past the mea culpa:               come: ecce ****                       and the crucifixion /                                           guillotine. come the bulgars...    and why am i not expressing an intellectual ben hur of an index finger? managed to punch myself 20 times in the face and give myself a plum beneath the eye?           so what's wrong with "flexing" attributing the tongue to an index finger "exasperation"?      so few books are actually ecce **** orientated...                     always the mea culpa, never, never, ever,                          tua culpa: ergo?                    ecce ****               shh... quiet...      just mention the concept of mea culpa                      to elißabeth fritzl    how much of masochistic               "moralißing" does it have to take place, trans-temporal   and justifying                  the mono-spatial realm of a "past", and, "now"                 before being crucified is no longer deemed the same as labouring with                        a hammer, or a chisel?! i say that: metaphorically frothing at the mouth. firt i learned to throw a punch onto my face... give myself a plum just beneath the eye socket: now i know the mea culpa mantra, as i know the existence of the index finger, being differentiated from the fist... and? the tua culpa mantra.
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94
you would never say about a Kandinsky: where's the Mondrian?                  luckily we have enough information      about Goldberg's sardines, without asking another poet (other than O'Hara) to sniff out Billingsgate -     and so too: if Burroughs said: all writing limps behind painting        by 50 years -           enough said,      hence came speedy Gonzales with his shotgun and his canned paint...   and i know just as much as sardines in see-through tins -                           well: it was worth a joke, someone was bound to **** into a champagne bottle at some point, and celebrate:      in abstract - or to the point: in concreto - ecce artifex!                             at least enough humility would be worth the same dosage -    specialisations are such: demanding concepts as aboriginal in anthropology -     likewise anthropological: schizophrenics in urbanity -  after all... a concrete jungle - like any half-wit and butt-naked in the Amazon...                     applause for comrade Gagarin and Laika -                    and if Darwin wrote in cyrilica - then it too would have been Mohawk and Brain - salutations and applause -     and if ever in doubt: call it versailles - to denote all forms of                      luxury -      i know: versailles better hides luxury than the hermitage -                      or as King Duck could say being a burden on the Vavel Mount -                                  even the Vavellian dragon died from laughter, even though he was given a sheep stuffed with sulphur - and drank the Vistulla dry... but only when King Quack was laid to rest: and the volk - the naród said:          Katyń 1 - Smoleńsk 3...                                     and there was even a composition by wojciech kilar.     so then... 50 years lagging?     disorientating? muddled, spaghetti loops?    well, as the introduction already mentions, painters can't write - suddenly everything has to have geometry!       any geometrical instrument       in an art's class is seen like a Sunni in Iran - or a Buddhist, at a Bar Mitzvah:                                           boom-town slap-head - choppy waters, brightly illuminated                                                      by the polished cranium sheen.    so why except a Mondrain from a Kandinsky                                                          ?!                                      what a brain-drain!
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Jan 7, 2017
Jan 7, 2017 at 3:18 PM UTC
conception: Billingsgate
you would never say about a Kandinsky: where's the Mondrian?                  luckily we have enough information      about Goldberg's sardines, without asking another poet (other than O'Hara) to sniff out Billingsgate -     and so too: if Burroughs said: all writing limps behind painting        by 50 years -           enough said,      hence came speedy Gonzales with his shotgun and his canned paint...   and i know just as much as sardines in see-through tins -                           well: it was worth a joke, someone was bound to **** into a champagne bottle at some point, and celebrate:      in abstract - or to the point: in concreto - ecce artifex!                             at least enough humility would be worth the same dosage -    specialisations are such: demanding concepts as aboriginal in anthropology -     likewise anthropological: schizophrenics in urbanity -  after all... a concrete jungle - like any half-wit and butt-naked in the Amazon...                     applause for comrade Gagarin and Laika -                    and if Darwin wrote in cyrilica - then it too would have been Mohawk and Brain - salutations and applause -     and if ever in doubt: call it versailles - to denote all forms of                      luxury -      i know: versailles better hides luxury than the hermitage -                      or as King Duck could say being a burden on the Vavel Mount -                                  even the Vavellian dragon died from laughter, even though he was given a sheep stuffed with sulphur - and drank the Vistulla dry... but only when King Quack was laid to rest: and the volk - the naród said:          Katyń 1 - Smoleńsk 3...                                     and there was even a composition by wojciech kilar.     so then... 50 years lagging?     disorientating? muddled, spaghetti loops?    well, as the introduction already mentions, painters can't write - suddenly everything has to have geometry!       any geometrical instrument       in an art's class is seen like a Sunni in Iran - or a Buddhist, at a Bar Mitzvah:                                           boom-town slap-head - choppy waters, brightly illuminated                                                      by the polished cranium sheen.    so why except a Mondrain from a Kandinsky                                                          ?!                                      what a brain-drain!
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62
Written in respose to 'The Garden' by John W. **** on hellopoetry. Paradise is lost Who can restore it's splendour? Who is worthy? In frantic despair he stared A myriad faces stared back No muscle flinched No eyelid flickered Like the silence before the scream Eyes fought to make out Even the tiniest of movements Despite the massed numbers Above, below and all around The stillness was gigantic And he knew then, the end of hope The final appeal had been dismissed And cold horror wrung out the air Until the grainy finger of an old man Pointed, resolutely to the right. To a lion whose muscular frame bore a victor's wreath of torn briars; whose eyes spoke judgement and mercy. 'Ecce homo' declared the old man.
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Aug 2, 2010
Aug 2, 2010 at 2:44 PM UTC
Ecce ****
We all were bums and walkers through hell or we are children yet to recall these tales, trails better marked than Hansel could imagine marking on his own. We agree, words are well spent: to buy tears to place the final bit of salt into the sea, in remembrance of passing over and passing through on hands and knees and standing, comforted, beyond the door. woe, woman, concha weep for me… doncha weep for me I been beyond the door before I knew there's no knocker on this side Mus'be more'n one door, one to knock and one to open, beyond which are you? Beyond the knocked on one am I. I carry my own value as gravity determines things, weigh that for what it's worth. Worthy, eh, what it's worth as a skill, worthship, citizenship, partnership.
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Jan 24, 2021
Jan 24, 2021 at 5:45 PM UTC
Ecce **** sapiens augmentis
Tantum tempus temporis quoniam aliena femina in meo cubiculo dormivit; ecce illi quantum dulce somnus est. Quanta etiam libera somnia sunt. In alia aetate mundum certe rexit vel optimo regi in matrimonio fideliter ducta est qui iuxtus flumen psalmos luce lunae scripsit. **** me iri foras egressum et spatiatum Nihil occurit hic, nihil umquam fit. Praeterea si incedat iam volat me narrare; habeo nihil, praecipue erga quicquid erat. Viam cepi aviam qua celeres non superant; dignis praemia sunt qui verbum veritatis distinguere possunt. Hospes solus me docere potuit praeclaram orem iustitiae contemplari et videre oculum pro oculo, et dentem pro dente. Nisi duo homines in mansionem, Est nullus in viso; verem exspectant, proinde quasi ver plaustro accederet. Mundus deleretur ea nocte sed meae amicae aequum esset; illa meo cubiculo dormiret *** revenirem. Meridiano me promoveo adhuc in obscura parte viae; in angustos corruere et constans manere non possum. Alius mea ore dicit sed solum meo animo audit, calcas omnibus etiam tibi feci quibus tamen careo. Ego et ego In creatione quo ingenium alicuius nec alicui ignoscit nec excolit. Ego et ego unus alteri dicit nullus et videre imaginem meum et vivere possit. From "Bird's Nest In Your Hair" by Brian Jobe
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May 21, 2017
May 21, 2017 at 10:03 PM UTC
Ego et Ego after Bob Dylan
Ecce enim in iniquitáte generátus sum, et in peccáto concépit me mater mea, and the cloister smelt of incense, the mulberry tree sheltered us at teatime on the garth, the theologian monk slipped his tea as anyone else speaking of Aquinas, I sipped tea gazing at the Hugh drawn-faced mouthing his tea, furrow browed, Gerald spoke of Wittgenstein over his cup of brew, you can have me she said any which way you please, rain in the distance, dark clouds, biscuits on plates on the trolley, the French monk took one and ate it with such delicacy, I fingered the rosary in my pocket, the silver Christ smooth on fingertips, she flower like, blossoming before me, I was born in sin as all are, the bell chimed a quarter from the clock tower, we sipped beneath the mulberry tree, ate biscuits, sipped dark tea.
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Dec 18, 2015
Dec 18, 2015 at 4:14 AM UTC
BORN IN SIN 1971
Delivered to inviting hands With one breath; Then sculpted in a parent's arms To feed on sweet caresses, Inhaling life with one kiss, As prologue to her song; She'll carry on. Mature. Secure. Bound and forged In infant iron. She hears, listens, then deduces, To apply their teachings When cut loose; Lessons she will reproduce To set her free, Unfettered by mediocrity. Like the Sphinx, She crawls, Then stands to think. At times, we know, She'll forget Steadier hands Held her ***** She will fall again, Then stand and walk, Perhaps with Pride; And should she fail, She knows she tried. First steps lead To stage or field, And honours On her battlefields; Protected by Parental shields. She'll receive These life-long gifts, Then start anew At age six. If she walks alone She'll find, Friends can make The walk divine. She'll filter them, Some in, some out; And trust a few With her life; Avoiding others She's learned aren't right By socializing, Not over-protected Or compromising. Her early years Sow the seeds Of second breaths And good deeds; To balance friends With second looks: The cover can't Disclose the book. Most of all, She'll understand She grew and grows With helping hands. And when she stands With womankind, She'll extend Her hands To all mankind.
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Feb 7, 2015
Feb 7, 2015 at 2:55 PM UTC
Ecce Puella et Ecce Mulier
*Ecce! angelus Ab parve me considit Eheu! cedit.*
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Mar 30, 2014
Mar 30, 2014 at 2:02 AM UTC
Ecce
Naked, he now stands before his maker There’s no more pretence, no more lies He carries no longer, his banal repartee He waits, supplicant to hard probing eyes. As a young man his heart had been so dark He’d cursed and fought in the streets And any young lady who’d caught his eye He’d seduced her between the sheets. Could he have lived a far better life Surely, in decency everyone would Now he never passed by on the other side Doing the very best that he could. And with age grew the man who now stands here He hopes he’s made up for those days A lifetime since then helping others Might make up for his earlier ways. Still the eyes probed him ever so deeply Though the result we shall never know Till the day that we have to stand there When at last, it’s our time to go, ©Joe Wilson – ecce quomodo moritur justus…2015 ‘Behold how the just man dies…’
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May 18, 2015
May 18, 2015 at 3:16 PM UTC
ecce quomodo moritur justus...
When silence stays alone in the hollow of the eyes, would you come? In the audacity of beauty and pain, when the moon does not rise. Like beggars the clouds roam, parting the sky for a glimpse of a vision. We will speak like strangers not looking into the eyes. Not quite sure― you blinked. Time to return back the gifts of ocean profound and deep. Pearls, tears and half-angel.
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Oct 9, 2016
Oct 9, 2016 at 1:28 AM UTC
Ecce ****
Only when another’s death is imminent does the human spirit fly into action with the haste of common sense, to provide aid to the afflicted. All moments that preceded this single moment were still governed by reason, rules, and law and order.
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Aug 19, 2018
Aug 19, 2018 at 4:02 PM UTC
Ecce ****
Am I winning? Have I won? Am I living? Yes, I am. Am I living? Yes, I am Have I lived? Yes I have Lo, and be hold beholden’ on this is the future, my future, your now, you may change what comes next, but my bit of this idea was thought some time ago. ---- say stretch, tendere, eh, say stretch yo’ sorry ol’ attent-attention three sibling boys march past me counting cadence, 30 per hup two three --- why is this so easy to see as real in any boy I ever knew, the boy who leads is 12, the sarge is 8, pfc is 5, War, The idea of war, itself, an imagined anthropomorph in many fantasy experiences, in tranced story-wise, tuned to the game as to life, these see war as game theory, rage from another age lurks among the liars, there flattened on the inner edge of the wall they wished to form from fear and hate idea viruses. Yes, Seth’s original strain, pure conjectural objects orienting precepticons… Can you see me now? Am I living? Yes, I am. Ecce **** Augmento. Yah. You may say… whoso ever or who so ever or whosoever makes peace appear as here, at this point, in time we think of as then and now, you know. Wake up, take your watch.
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Nov 24, 2021
Nov 24, 2021 at 7:40 PM UTC
Marking Time In Gratitude
Chabrier, nous faisions, un ami cher et moi, Des paroles pour vous qui leur donniez des ailes, Et tous trois frémissions quand, pour bénir nos zèles, Passait l'Ecce deus et le Je ne sais quoi. Chez ma mère charmante et divinement bonne, Votre génie improvisait au piano, Et c'était tout autour comme un brûlant anneau De sympathie et d'aise aimable qui rayonne. Hélas ! ma mère est morte et l'ami cher est mort. Et me voici semblable au chrétien près du port, Qui surveille les tout derniers écueils du monde, Non toutefois sans saluer à l'horizon Comme une voile sur le large au blanc frisson, Le souvenir des frais instants de paix profonde.
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À Emmanuel Chabrier