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Maria Mitea Jun 2021
easiness
the traveling light
thaws time
- from sunset
to the east
late borders we are
watered by rain with its silence,
- two halves of a stone rounding their edges in the sun,
two forgotten lips in the lull between two *******
I am a poet.
I am an artist.
A lover of words, a shaper of thoughts, a master of feelings;
A player of emotions, a speaker of charms, a thinker of minds.
A giver of taste-and at times, a succulent creator of madness.
Madness outside such lines of timid regularity;
The rules of the common, and the inane believers of sanity.
For to me, sanity is as easy as insanity itself-
On which my life feedeth, and boldly moveth on;
And without insanity, t'ere shan't be either joy-or ecstasy;
As how ecstasy itself, in my mind, is defined by averted uneasiness,
And t'at easiness, reader, is not by any means part of;
And forever detached from, the haunting deities of contemporaneity.
Thus easily, artistry consumeth and spilleth my blood-and my whole entity;
Words floweth in my lungs, mastereth my mind, shapeth my own breath.
And sometimes, I breathest within those words themselves;
And declareth my purity within which, feeleth rejection at whose loss;
Like a princess storming about hysterically at the failure of her roses.
Ah! Poetry! The second lover of my life; the delicacy of my veins.
And I loveth, I doth love-sacredly, intensely, and expressively, all of which;
I loveth poetry as I desire my own breath, and how I loveth the muchness of my fellow nature;
Whose crazes sometimes surroundeth us like our dear lake nearby;
With its souls roaming about with water, t'at chokes and gurgles-
As stray winds collapseth around and strikest a war with which.
And most of the year-I am a star, to my own skies;
But by whose side a moon, to my rainless nights;
On the whole, I am an umbrella to my soul;
So t'at it groweth bitter not, even when t'ere is no imminent rain;
And be its savior, when all is unsaved, and everything else writhest in pain.

Thus I loveth poetry as well as I loveth my dreams;
I am a painter of such scenic phrases, whose miracles bloometh
Next to thunderstorms, and yon subsequent spirited moonbeam.
And t'eir fate is awesome and elegant within my hands;
They oft' sleep placidly against my thumbs;
Asking me, with soft-and decorous breath;
To be stroked by my enigmatic fingers;
And to calm t'eir underestimated literariness, by such ungodly beings, out t'ere.
Ah, poor-poor creatures-what a fiend wouldst but do t'is to aggravate 'em!
As above all, I feeleth but extremely eager about miracles themselves;
and duly witness, my reader-t'at t'is very eagerness shall never be corrupted;
Just as how I am a pure enthusiast of love;
And in my enthusiasm, I shareth love of both men and nature;
And dark sorrows and tears t'at oft' shadowest t'eir decent composures.
When I thirstest for touches, I simply writest 'em down;
When I am hungry for caresses, I tendeth to think them out;
I detailest everything auspiciously, until my surprised conscience cannot help but feeling tired;
But still, the love of thee, poetry, shall outwit me, and despise me deeply-
Should I find not the root, within myself, to challenge and accomplish it, accordingly.
I shall be my own jealousy, and my own failure;
Who to whose private breath feeleth even unsure.
I shall feel scarce, and altogether empty;
I shall have no more essence to be admired;
For everything shall wither within me, and leave me to no energy;
And with my conscience betrayed, I shall face my demise with a heart so despaired.
Ah, my poetry is but my everything!
'Tis my undying wave; and the casual, though perhaps unnatural;
the brother of my own soul, on whose shoulders I placeth my longings;
And on whose mouths I lieth my long-lost kisses!
Ah, how I loveth poetry hideously, but awesomely, thereof!
I loveth poetry greatly-within and outside of my own roof;
And I carest not for others' mock idyll, and adamant reproof;
For I loveth poetry as how as I respectest, and idoliseth love itself;
And when I idoliseth affection, perhaps I shall grow, briefly, into a normal human being-
A real, real human being with curdling weights of unpoetic feelings;
I shall whisper into my ears every intractable falsehood, but the customary normalcy-of creation;
And brash, brash emptiness whom my creative brains canst no longer bear!
Ah, dearest, loveliest poetry, but shall I love him?
Ah-the one whose sighs and shortcomings oft' startlest my dreams;
The one whom I oft' pictureth, and craftest like an insolent statue-
Within my morning colours, and about my petulant midnight hue?
Or, poetry, and tellest me, tellest me-whether needst I to love him more-
The one whose vice was my past-but now wishes to be my virtue,
And t'is time an amiably sober virtue-with eyes so blue and sparkling smiles so true?
Ah, poetry, tellest me, tellest me here-without delay!
In my oneness, thou shalt be my triumph, and everlasting astonishment;
Worthy of my praise and established tightness of endorsement;
But in any doubleness of my life-thou shalt be my saviour, and prompt avidity-
When all but strugglest against their trances, or even falleth silent.
Ah, poetry, thou art the symbol of my virtue thyself;
And thy little soul is my tongue;
A midnight read I hath been composing dearly all along;
My morn play, anecdote, and yet my most captivating song.

I thirstest for thee regularly, and longeth for thee every single day;
I am dead when I hath not words, nor any glittering odes in my mouth to say.
Thou art my immensity, in which everything is gullible, but truth;
And all remarks are bright-though with multiple souls, and roots;
Ah, poetry, in every summer, thou art the adored timeless foliage;
With humorous beauty, and a most intensive sacrifice no other trees canst take!
O poetry, and thy absence-I shall be dead like those others;
I shall be robbed, I shall be like a walking ghost;
I hath no more cores, nor cheers-within me, and shall wander about aimlessly, and feel lost;
Everything shall be blackened, and seen with malicious degrees of absurdity;
I shall be like those who, as days pass, bloometh with no advanced profusion,
And entertaineth their sad souls with no abundant intention!
How precarious, and notorious-shall I look, indeed!
For I shall hath no gravity-nor any sense of, or taste-for glory;
My mind shall be its own corpse, and look but grey;
Grey as if paled seriously by the passage of time;
Grey as if turned mercilessly so-by nothing sublime;
Ah, but in truth-grey over its stolen life, over its stolen breath!
I shall become such greyness, o poetry, over the loss of thee;
And treadeth around like them, whose minds are blocked-by monetary thickness;
A desire for meaningless muchness, and pretentious satire exchanged '**** 'emselves;
I shall be like 'em-who are blind to even t'eir own brutal longings!
Ah, t'ose, whose paths are threatened by avid seriousness;
And adverse tides of ambition, and incomprehensible austerity;
Ah, for to me glory is not eternal, glory is not superb;
For eternity is what matterest most, and t'at relieth not within any absence of serenity.
Ah, but sadly they realiseth, realiseth it not!
For they are never alive themselves, nor prone-to any living realisation;
And termed only by the solemnity of desire, wealthiness, and hovering accusations;
For they breathe within their private-ye' voluptuous, malice, and unabashed prejudice,
For they hath no comprehension; as they hath not even the most barren bliss!
And I wantest not to be any of them, for being such is entirely gruesome;
And I shall die of loneliness, I shall die of feasting on no mindly outcome;
For nothing more shall be fragrant within my torpid soul;
And hath courage not shall I, to fight against any fishy and foul.
My fate is tranquil, and 'tis, indeed-to be a poet;
A poet whenst society is mute, I shall speak out loud;
And whenst humanity is asleep, I wake 't with my shouts;
Ah, poetry! Thy ****** little soul is but everything to me;
And even in my future wifery, I shall still care for, and recur to thee;
And I shall devote myself to thee, and cherish thee more;
Thou hath captured me with love; and such a love is, indeed, like never before.

But too I loveth him still, as every day rises-
When the sun reappeareth, and hazy clouds are again woken so they canst praise the skies.
I loveth him, as sunrays alight our country suburbs;
With a love so wondrous; a love but at times-too ardent and superb.
Ah, and thus tellest me-tellest me once more!
To whose heart shall I benignly succumb, and trust my maidenhood?
To whose soul shall I courteously bow, and be tied-at th' end of my womanhood?
Ah, poetry, I am but now clueless, and thoroughly speechless-about my own love!
Ah, dearest-t'is time but be friendly to me, and award to me a clue!
Lendeth to me thy very genial comprehension, and merit;
Openeth my heart with thy grace, and unmistakable wit!
Drowneth me once more into thy reveries of dreams;
And finally, just finally-burstest my eyes now open, maketh me with clarity see him!

Ah, poetry, t'ose rainbows of thine-are definitely too remarkable;
As how t'ose red lips of thine adore me, and termeth me kindly, as reliable;
And thus I shall rely all my reality on thy very shoulder;
Bless me with the holiness confidentiality, and untamed ****** intelligence;
Maketh me enliven my words with love, and the healthiest, and loveliest, of allegiance.
Bless me with the flavoured showers of thy heart;
So everything foreign canst but be comely-and familiar;
And from whose verdure, and growth-I shall ne'er be apart!
And as t'is happens, holdest my hand tightly-and clutchest at my heart dearly;
Keepest me but safe here, and reachest my breath, securely!
Ah, poetry-be with me, be with me always!
Maketh me even lovelier, and loyal-to my religion;
In my daily taste-and hastes, and all these supreme oddities and evenness of life;
Maketh me but thoughtful, cheerful, and naive;
And in silence maketh me stay civil-but for my years to come;
and similarly helpeth my devotion, taste, and creativity, remain alive.

Ah, poetry, thus I shall be awake in both thy daylight, and slumbers;
And as thou shineth, I knoweth that my dreams shall never fade away;
Once more, I might have gone mad, but still-all the way better;
And whenst I am once more conscious; thou shalt be my darling;
who firmly and genuinely beggeth me t' keep writing, and in the end, beggeth me t' stay.
Leave me not, even whenst days grew dark-and lighted were only my abyss;
Invite my joy, and devour every bit of it-as one thou should neither ignore, or miss.
Patrick N Nov 2014
Not so much grey today, despite the weather
Feeling lighter, an easiness, cells filled with helium,
You look brighter she says,
I have had a shave and my hair cut, I reply
She smiles, I smile, we laugh
The day feels well oiled, little resistance
Or maybe it is just me,
Either way I'll embrace it and slide on through
I'm having one of those good days...
v V v Aug 2013
It was simple at first
I did it on a dare

There's a certain easiness
to difficult dares
when senses are dulled
by alcohol and fame

show me how
that color tastes


It was like
biting into the sun
it burned my tongue
and nothing else
would ever taste the same
or be the same
it calmed the storm
of daddy leaving
it was as if my
new found Catholicism
was a purgatory from where
I could see the bright white
pearly gates of heaven
and feel the chill
of their snow clad bars

colder than
the coldest winter chill


one night in a dream
my father told me
to meet him at the gates
and from that point
I went every night
but he never came
instead he died
and when he died
my dreams died
with him.

bury me softly
in this tomb


I continued to go there
night after night
I desperately wanted
to believe the gates
would lead to heaven
because in hell there's heat
and this place was cold
so cold with no sound
and no light only darkness

I would sit in the cold
for hours, losing all sense
of time, obligations
responsibilities, shivering
and sweating at the foot of
the gates, obsessed with the
furry luster of frozen pearls
the sound of silence and
the subtle shifting of
the weather

holding rare
flowers in bloom


a week, a month
a year would pass
the snow began to slip
in clumps and tumble
to the ground again
and again and again
and then
all hell broke loose
the heat was hot
the gates were gone
and I began to run
but

every path
led me to nowhere


the blue cold went red hot
and then turned black
I tried to leave that place
13 times I left and
13 times returned
there was nowhere else to go
no place to call home
I burned within my sick head

I wanted to peel
the skin from my face


so hot
I was bleeding for you
soaked in sweat
my calloused heart
would not ask for help

serenity
was far away


my hands were bruised
from breaking rocks all day
far from the chill
I couldn't remember
anymore anyway
so desperate
for a glimpse of snow
it all came down
to this

I could not live apart
from that place
and I could not live
within it

so tonight

I will marry the two
the here and the now with
the there and the then

mix the snow with the fire
mix the snow add the fire
mix   snow  with    fire
mix   snow  add    fire

snowfire
      
snowfire
      
snowfire

momma
I am burning
momma I am cold
mother please save me
don't leave me alone
I see you but
you've come too late
can you hold me anyway?
whisper in my ear
I'm so sorry mother
I haven't bathed in 2 weeks
momma come hold me please

I'm down in a hole mother
feeling so low mother


I'm so cold mother
come save me
take me home
mother
I am dying

mommy
I am dead
sit with me
in silence
sit with me
I am dead

mommy I'm scared

black is all I feel
so this must be how it feels
to be free


mother
I am dead
In Memory of Layne Stayley
born August 22, 1967 died April 5, 2002
Re-Dedicated today on what would have been his 50th Birthday..
Peter Cullen Jul 2014
So the school bags are gone.
Summers sweet songs,
sweeps through the village,
the Sports Day is on.
The egg and the spoon,
the three legged race,
Mrs McGinty ends up on her face.
The children delight
a comical sight,
her legs in the air
those old tartan tights.

Those days,
that simplicity,
the little things, that stay with me.
Those clear skies,
I remember still,
the easiness
and sweet free will.
Ciel Mar 2019
I look up at the chaos around me
and see.
I see people saying their last prayers,
Waiting for their fateful endings,
I hear the church bell toll in its last call,
I feel the suffocating heat from the burning buildings,
I smell the smoke from the ignited city,
I taste the desperation in the air and the bitterness of regrets.

But in the middle of this tumult,
One thing stands out;
One person.

A little boy stands there in a tan attire,
dark gray ash contrasting his almost-white hair
and tears stains on his ivory cheeks.
A grim expression marking his features,
He shakes as if freezing
and although the heat has almost become unbearable,
he stands in the middle of the flames
barefoot yet unharmed.
A scythe lays at his feet,
and a pale horse stands by his side,
making his small body look even smaller.

As if feeling my stare,
he locks eyes with me.

And as the world burns down,
the reflection of the cataclysm in his brown eyes
and the look of innocent incomprehension he wears
is the single most heartbreaking thing in the moment.

Suddenly, I do not care about the screams and cry of the despondent goners.
I do not feel the harsh scorch of the burnt remains under my bare feet.
I do not mind the tears welling up in my eyes due to the fumes.
They are but a distant reminder of the atrocity surrounding me.
I can only focus on the strange guilt reflected in his warm eyes.

From those same eyes, a tear rolls down his cheeks
And as it reaches his dimpled chin,
he raises a little hand to wipe it away
And then waves at me.
I do not wave back,
too stunned to move or react,
But I could tell he did not expect me to anyways.

With one last look,
he picks up the scythe with an unusual easiness
and turns to walk towards the flames,
the horse close behind him.
And soon, they are one with the flames.
The first of the Four Horsemen series of poems: Death. This image came to me in a dream one night.
brooke Dec 2012
Have you ever been
overwhelmed by such a
feeling of nostalgia, blanked
the color blue and a song, a smell, the
light from the windows from so long ago
when you were young and the clothes you wore
were tight, stretchy and entirely juvenile but
the easiness,
minimalistic heart
what were you worried about then?


what was I worried about then?
and then everything caves in.

(c) Brooke Otto
Mitchell May 2012
Addicted to the transformation of the self
In hearing we see that touch is the only hearth
To warm one's hands in winter near to the fire
A separation of love shows the underlining
Of dotted red when the word one sees to be false

Mother - when the night was young and you were old
Were you able to see the stars without your glasses?
We are the products of products of products of war
The shells of the bullet casings and bomb fragments
How much transparent blood have we bled so far?
Where is the fork in the road that will take us to Shangri la?

Notice that when the woman in the mirror disappears
The cleaning men drop their tattered, ***** & cut wears
Disaster holds the hands of man's growth & evolution
At times I notice the way the wind passes through my sheets
The skirts of the women and the thin hair of the old men
And they are much like the lavish trees that line my street
That hold true form in the pose of nocturnal naivety

And there we are by the carpenter and the pine tree
An "A" for effort attitude that barely got you the diploma
Hard work for the Hare and easiness for the turtle
The last night I worked was like racing through hurtles
So in sight all ye' fathers who break the mold of religion
Hold true and steady when the wind will start to whip
And knowing was never the correct answer & never helped at all
"The whips are where the heart is," the fortune teller is told

Where all is sold for the cheapest and weakest dollar
I pray to you there has to be more then all this squalor
The nightingale awake in the horned' tree cast in moonlight
Waits for its dreams so in the morning it can have a song to sing
Nod off and nod in where this life began I can't even begin
The guitar plays as she types awaiting for Her lapse of sin
Here the night is wired and wild with burn marks around the edges
Here the boss's hair rings like a hornets nest and everyone clings to their rubble

And pushing forward through the snowflake rings of time
Makes me to think that the seasons are only there for our design
"Not in the least bit asexual," the lawyer reads to his wife
In the morning both their breaths will wreak of red wine
Near do well and saying it all as the bathroom stall
Leaks out a liquid familiar to the ancient, early neanderthals
I have written and I have seen and I have breathed the air of every sea
The only thing I now wish to be
Is on the lakefront with new eyes and a frame to seize
When the speed allows the memorization of misfit tyrants
To push the rant to the edge of the hill that lays in dust and ants
Then there is the horizon that God creates for all those Western window sills

Tearing the skin from your fingernails and seeing not a drip of blood
Sloth like reactions reaching for the best spot in the house
The covers torn away as the nightmare in the mind becomes real
All that can be heard is the vibrating walls and the wailing squeals
Through pebble caked walls and finger padded dawn lit rooms
Lay to rest thy' faith for the moon opens your casket & the entrance to your tomb
Whorish knave that makes even the gutter grimace in its disdain
There the nun contemplates a life she could have lived without restraint

And to connection through the way we need to see each other
The push for brotherly love in the face of the dawn of technological revolution
And the hastiness of the way that it was and in the day of running mad men
What are we to do when the push is far more advantageous then the pull?
Where the cliff is in sight and death is more likely to be the safety net?
Awareness that all of men's problems exist for man to work at it
To prepare themselves for the war of wars where later to see
The deaths of their fathers, their mothers, their brothers, their sisters
Was not in vain if the reward of the stars is presented to the young
Where the rivers ripple with Roman like eloquence of progression

To live for another to fight for another to die for a place that would leave you in the gutter
Is the madness that leaves the one's shooting with their heads spinning
Tour the way the rules are made and the books are spun with the hands of spiders
Their webs are infinite and indestructible for they learn from one's before them
Their ways were as intricate and profane in their time
For the envelope was sealed and burned and sworn to forget its own name
The lightness of the this place throws me off in the way the clouds are grey
Letter heads are masted like the wooden ships that produce silver flecks of clay
Our nothingness only pushes us in two directions
Suicide or production
There is a choice that few make with knowing and many without
Which one are you?
Do you cry for reasons for which you cannot see?
Do you believe what you will, or what all the others decree?

Crack of the bed she turns herself over to a man that isn't there
I got a place that I know I belong but to where that is is already long gone
In type the strawberries shine red always appearing to be ruby ripe
And these ghosts of electricity provide neither discomfort or much needed positivity
There were things that I needed to know but never took the time to figure out
So what I'm left with is a world wide open with whatever I want to find is what it is about
The deserts and the canyons, the hills and the oceans all a few of what I wish to see
Where I'll be and where I'll live I don't rightly know now
So I might just get myself a mule and a satchel and get to selling tea
Danielle Shorr Nov 2013
She walks backwards faking a laugh, a slight smile framing her face, i can tell she is not fully comfortable. The way she is clutching on to her drink and the wandering eyes clue me in to her feelings of easiness. His level of drunk is complete opposite of her, she is sober, he is towering over and his hands just barely touching her, but i can see it in his eyes. His intentions are that of someone who is not fully innocent, and i know for a fact that what he wants is more than just to form a new friendship, he wants something else. He leans in a little bit more and she lets out a nervous laugh as she backs into a wall. Thats when my voice calls out for him to back off. I tell him that shes clearly not interested, that his advances are not wanted, his slurred words are not compliments and what hes doing has a name its called ****** harrassment. He moves back and puts his hands up as if to say im not guilty of anything. After he ends up on the other side of the room She looks to me, lets out a relieved sigh, a smile on her face, she mouths thank you. I nod because this isnt the first time ive seen a situation like this but is the first time ive truly recognized it, this is the first time ive ever spoke up. And i feel good about it, relieved.
Later in the night he approaches me. Still drunk and reeking of hard liquor he looks at me and says you totally killed my game. Now i have two options. I could either apologize and pretend like his actions were completely okay or do the opposite and say how i really feel. Before even making a concsious decision i look up and say it's not a game, if theres only one player. I turn around and walk away. Now i know people would say that if she really didnt want it that she would have gotten up and walked away herself but see i know this isnt true. Girls, including myself, have been taught something else when were in situations like this. Society teaches us to be polite and nice as if disrespect deserves anything but the opposite, girls were taught to smile and shrug it off as if unwanted ****** advances are something we can just shrug off. As if **** is a game and were just supposed to play along. Girls, why do we act polite? Why when were uncomfortable and ill at ease do we plaster on a smile and pretend like this is how things are supposes to be, this is not how its supposed to be. We have the right to stand up and say no. We have the right to stand up and say go away i dont want you. We have the right to look you in the eye and tell you to *******, we are not voiceless creatures, we are strong Fearless women who need to look out for eachother because I learned along time ago that if we dont, noone else will. So stand up when you see her being cornered by a stranger, speak out when you see him drape his arms around her, if she seems nervous, make her feel secure, because if you look out for someone when they cant find the words to get away then someday they might just do the same for you. **** being polite and sweet and nice, it is your ******* right to say how you feel, dont ever be afraid to voice your uncomfort, you are not alone. And I was alone the night that the same situation happened to me and at the time society had forced me to believe that all i could do was just smile and stand there powerless and weak. I wish that someone had seen the uncertainty in my eyes and body language, i wish that someone had stood up and told him to back off, i wish that i had had the voice to speak up. And even though i didnt then, im speaking up now. Im speaking up for all the girls like me, girls who consantly are in these situations, the polite victims who couldnt find it in them to tell him to leave them alone, for the girls who are shamed for saying no, for the girls who get called *****, it is not your fault you werent asking for it. For the girl whos smiling despite extreme uneasiness, i want you to know im looking out for you. And as for every girl out there, you should be too.
v V v Sep 2023
Stops and starts  
tidbits and scribbles
3 years of notes and files
and pain filled ramblings
but nothing cohesive.

Instead, what’s written are
the short circuit musings of a brain  
on the mend after 25 years of  
miscellaneous addictions.

I gather all the words together  
and wonder what to do with them.
I contemplate deletion, but no,
there has got to be something  
here that's worthwhile,
something worth saving.

So I pull out all the lines  
that somehow feel right,
lines that have potential,  
lines that show me how far  
I’ve come since getting clean

and I write down the best of them
and then comment on each
from my current perspective.

     I used to chase the dragon  
     now the dragon chases me  
     across fields of wet leaves
     in the timid December sun.

(I must have walked a thousand miles while being chased)

      I force feed the feel good  
     to override the let down.

(One of the main reasons a user uses)

     There is no willing oneself to wellness,
     there are no bootstraps to pull on, and
     no self talk to conquer the chemical
     malfunction in my head.

(Without Faith and Hope, I wouldn't have made it)

      It’s a kind of spiritual act,
     A mystical replenishing of
     all the used-up parts of me.

(Could have said meditate just as easily)

     I knew it was wrong
     but I wanted it easy.

(Perhaps the most honest thing I have ever written)

     It makes me wonder if  
     the gaps I have are
     there to protect me.  
     But more so it makes me
     fear that hidden moments  
     shaped the core of me,  
     and when I don’t like me,
     what's missing are the things  
     that if I knew I could not  
     survive the knowing of them.

(I can only assume this made sense at the time)

     I do best when I live in retrospect.
     The present is too real.
     In the present my demon is here.
     In retrospect  
     I can choose to leave him out.

(So glad I got past this, and live solely in the now)

     When we exist for only ourselves  
     the world is not round,
     it is flat and we tend to fall off the edges  
     into pandemonium and unhappiness.

(Still so very true!)

     In all of my searching I  
     cannot find a way to love you  
     like you need to be loved.
     In other ways, yes, but
     second to what you want.
     But even so I want you to know
     you are my rock, my harbor,  
     my safe place, as consistent as  
     the dawning day, as reliable as  
     the setting sun, and as beautiful as  
     the harvest moon.
     Without you I am lost.

(She saved my life and she knows it)

     When I am close to God  
     I smell lavender.

(Don’t remember writing this but I like it)

     A common idiom -  
     don’t put skeletons in your closet;
     My father hung bones like he hangs his shirts.

(Never been a fan of “Do as I say, not as I do")

     I can't let myself
     be shamed for that  
     which I'm already
     ashamed of..

(Be kind to yourself!)

     I'm not afraid IN the dark
     I'm afraid OF the dark.

(The unpredictable loneliness)  

     I will never be happy because
     there is too much I don’t know.

(The need to be in control is a death sentence)

     There's an uneasiness with the  
     easiness of stress-free living.

(Chaos is a large magnet and I am sheet-metal)

     Sleep never satisfies for long,
     like a drug tolerance 
     its ability to provide escape  
     loses effectiveness over time.
     You'll notice this while dreaming,
     your dreams become more vivid
     and uncontrolled, a rolling
     tide of daytime worries warped
     into colors you can't escape.

(Sleep, by far is the most elusive aspect of healing)

     I am afraid of love 
     and that's a difficult existence 
     when your greatest need
     is also your greatest fear.

(Such a horrible paradox to live in)

     Pounding my fists on  
     the darkened altar in my mind
     makes the night much darker.

(A place I’ve been where you do not want to go)


The gap of these years has now been recorded.

I am free to move on towards what is to come.
While away from HP, I spent the last 3 years healing mentally and physically. I am now 3 years clean from any addictive substance which for me included Alcohol, Nicotine, Opiates and Benzodiazepines. It has been an extremely long road to recovery but it had to be done. I truly believe that had I not done it, I would be dead. As a public service announcement I just want to say that most people don't know that Benzo's are by far the hardest thing to get clean from. The most important literature out there for this is the Ashton Manual. https://www.benzoinfo.com/ashtonmanual/   I highly encourage anyone out there who takes Ativan, Xanax, ******, etc. on a regular basis to read and reference this.
For through these moments
and all of this time

Was an instance of
releasing the control

Of looking for sincerity
in spontaneity to be real

To seek instead a way
of being that just flows

And in doing so giving
trust to the surroundings

With hands and heart held
open to whatever happens

So that there is no worry
no contemplation, no undoing

Instead what is found is
simply grace and easiness

Then the calm rushed in
so silently yet instantaneously

With sweet dreams of the
sunshine tomorrow brings
©2023
TW Smith Jan 2014
I could not read the music
And so I stood bewildered in the concert hall.
And I do not know why my fiddle mourns a sadly lament.

My guitar sings out danciful tunes
And my banjo beckons all to rejoice.
My mandolin calls with the air of easiness
And my tin whistle whispers with an angel's voice.

But my fiddle,
My poor, lonesome fiddle.
It is full of minor keys
And wrong notes.
Painful melodies
And sorrowful tones.
sleeplessnxghts Dec 2013
I wanted to come home to a riddle that has already been solved, and crush the snow that has already fallen
I wanted to draw a picture that has already been outlined, and eat the meal that has already been cooked
I wanted to love the boy that has already loved me, and wipe away tears that have already fled
I felt selfish in voicing these frivolous wishes to even myself, a desire of continuities
A yearning for ease at everything in life
The emptiness of a freight train houses nothing but fallen whispers of an angry wind and the immaculate darkness that hides the emotions
The loudness of the one-track mind, suffocating wishes with plastic bags in hand
Swerving on and off the tracks like in your worst childhood nightmare, where it never ended
A purgatory of life- living while dead, or dead while living?
I tied my shoes at age 5, ignorantly crafting a fantasy world inside of my head where everything that required a struggling effort fades, and fades quickly until it skips the obstacles and leads right to the reward
A self-entitled structure of my cerebral cortex where I find them all sitting around waiting for it to take care of itself
And I cannot fast forward anymore because I am 17 and failing at life
The crackling essence of my entire nervous system breaking down at the mere thought of futures
Where I cannot wrap my wishes in pretty bows and let them come true
They do not listen to lazy 17 year olds with bambi eyes and mascara-run cheekbones
They salivate to little girls catching shooting stars in their hands and begging for the ease of life to rest at their fingertips
Now, all-knowing, wise, they let the yarn of dreams come undone until the visibility of easiness vanishes right before you
I want to come home to a story that has not yet been written, and watch the snowflakes that have not yet fallen
I want to draw a picture that has no direction, and eat a meal that has not yet been cooked
I want to love the boy that has not yet loved me, and wipe away tears that have not yet fled
I feel open to this new idea of uncertainty, a desire for discontinuities
A yearning for adventure in every part of life
The bustling aspect of the city burns my feet into the ground, holding me with nothing but the uneasiness of the cracks in the sidewalk and the illuminating lights that never fade away
I sprained my ankle at age 12, conclusively believing I would not make it through, but discovering the true talent of healing
A humble version of a once perfectionist attitude, I become accepted into the world of **Reality
Hera Nova Nov 2010
Mary, Oh Mary!
I wish you would have seen it Mary!
They were floating at such slow pace,
As if they were oozing from one another
And then slowly seeping back together,
Telling complete stories without words,
Never stopping,
Disappearing and reappearing out of the Blue.
Humans were once peaceful like these clouds, Mary,
Although only for a while.
They still try to mimick one another,
To complete eachother,
But now there's all this sin.
It feeds off us,
Stops us from respecting and sharing.
It enjoys the chaos so effortlessly created by the easiness of indifference.
Help me make it stop, Mary.
I want to care again.
And maybe, just maybe,
We'll open the others' eyes, too,
Before we lose all hope.
Am not quite sure I like the title.
Any ideas?

EDIT: April, 09, 2011.

I think I finalized the whole idea behind this poem.
May still add some details in at some point, but for now I am very satisfied with this. Plus the title change gives it a whole new twist.

I have no idea why the name Mary stuck. I tried replacing it with many other names, but without any luck.
irinia Sep 2023
somewhere in time everything already written
this marvel how everything meets anything
that belongs to a togetherness of darkness
I've been touched by this easiness of travelling
the path between garden and perfume
I've played the fool who believed images
so ready to commute in an endless still
pursuit of the chimera of truth

you know, there is this hidden dimension where
time and space haven't invented their names yet
cause they annihilate each other endlessly
there is this pain like a worm in an eagle's sight
so sensitive the spring of words
that time touches us with this wonder
a merciful road between chance and necessity

all the hope of a blind dawn in my writing hands
like a morning awaiting its silence
there is nowhere to hide from pain
in the end
irinia Jun 2023
you float like an enchanted nebula in my mind,
pass like the clouds inside my veins,
are the easiness of breathing in my dreams
you forget me for millions of seconds in the imaginary time
you are more real than reality itself in your spontaneous combustions
so that I destroy you each day inside my bones,
I ignite the narrative of dawn, the blueness of your ribs
I forget about you like I forget crying in the aliveness of lovers
I need to forget you like one forgets faraway explosions, storms and miracles because I love you with all the songs of the wind,
the wind that spreads the seeds further away from each other the same way the flow of mystery so precise is carring us further and further away towards ourselves
R Saba Jan 2014
soft, cold tread
of careful footsteps on the ice
and it's so ironic
that i'm holding your hand
to keep from falling

and i thank you without thinking
a knee-**** reaction
to each time you make my day
while inside my head the obsession
replays
asking myself in circles
twisted, burgeoning circles
is this just the game again?

and i love that rush
icy lights above, hard seat below me
and then your mouth is soft on mine
in the middle of everywhere
and i have trouble opening my eyes
when you pull away
and i am ashamed when you notice
the shifting colours in my cheeks
because i am afraid
to betray
the easiness with which i sink
into you

we are too familiar, you and i
too similar, too scarily in tune
and it didn't take long, did it?
where did this comfort come from?
these questions carve my tongue
into ribbons, and yet
you never notice
when yours meets mine
and the guilt is swallowed
before you can taste it
just in time

and i ask, again
where did this comfort come from?
or are we just two people
in the middle of winter
taking solace in the warmth
of each other?
will we part ways easily?
somehow, i find myself
dreading that experiment

where did this comfort come from?
this heat that spreads
across my chest
and through my stomach
and down into my frosted knees
as the cold melts away from me, forgotten
like the hour and the place
as the wall behind me
is crushed into my spine
and i am strong again
our bodies create a hole in time
so perfectly fragmented around us
and the clock fades into grey
tugging at my fears

and i want so badly
to keep feeling this way
all through winter
for as long as i can
but
i just wish i didn't care

where did this comfort come from?
and will you meet me there?
-30 today, frickin' freezin'
R Saba Mar 2014
all grown up and here i am
a child again

you've taken me back to the easiness
of jokes and meaningless words and smiles
that mean nothing more than happiness

childish tunes of light footsteps
and heavy touch of hand on hand
and cold air burning cheeks bright red
and heaters bringing out the best in our ability
to just lie still and complain
about things we know don't matter, and besides
with you, it's all a joke, it's all a game
and yet there's a seriousness to the smile in your eyes
that pins my chest to yours
and my mind to your words
and it's this combination that keeps me here
after hours, after the walls have been emptied of echoes
and the windows are darkened by cold and near-midnight

with you, growing older and younger
and happier
simple words come to mind
so here they are

let's keep growing together
it's all good in the 'hood
Another day in the tranches of life, crawling like a limbless animal.
Dragging its limp torso by clenching its teeth on the ground.
Honor roll human centipede.
Butterfly-to-(NEVER)-be.
I am doomed to life's muddy labyrinthine vortex
Bent and helpless.
The more I try to escape it, the more I choke on the dirt.

Acceptance.

Hello, maze of sick souls
Golgotha is thy name.
Everybody's crawling and carrying their wooden cross.
Attached to their spine like a set of broken wings.  
Nailed to the cross -oh, manmade Gods of the tranches!
Half-and-half deities, artificially made in life's hellish laboratory.
Nailed-to-the-cross demigods.

Deceit or beliefs do not exist here,
In this church of mud.
At least there is some comforting easiness in doom, in this acceptance phase.
Faithless, tortured, honest souls, calling this maze home.

Home, sweet home.
R Saba Oct 2013
I already miss it,
the lazy crawl of time,
hurried waves across the water,
fast cars glinting under the yellow sun.
I miss the easiness of good-byes,
with the knowledge of their flimsiness
in this drawn-out frame of time,
long days
and warm nights,
the flight of feet across pebbles and sand.
I’d live there forever,
memories replaying,
never growing tired of those colours,
only tired from the day;
and yet
two or three hours will do it,
curled up with the imprint
that a warm body makes next to mine,
and if they’re there,
really there,
that’s fine.
But summer is when I don’t mind
being alone at night,
because I’d rather be perched on those rocking slats
of old wood,
water lapping at my heels
as they tease the water.
You could plant me here,
roots digging down through the cracks
and around the ancient tires
that keep this dock afloat;
you could plant me here
and I would grow.
I have grown
in these months,
as I always do,
mind, body and soul
drinking in the new words I learn
and the songs that repeat endlessly on the radio
and the lyrics I find in my head,
only to dig up later,
much later,
and put to wistful chords.
Bare toes,
freckles emerging,
hands seeking refuge in each other,
tinted glass peeling
to reveal more of the interior;
the leather seats
and empty bottles
and eyes lined with smiles
that show through those perpetual frames.
I’ll sit and wait
for as long as it takes,
until that shimmering sun takes its leave
and the only light comes from the old lampposts
that stick out of the water like totem poles,
protecting their darkness.
And when it’s over,
I’ll sigh,
summer escaping from my reddened lips,
you
escaping from my carefree arms,
sand washing from the creases in my old denim shorts
and trickling down the drain,
and I’ll move on.
I always do.
it wasn't poetry when I was living it, it was life, summer, all that
Mateuš Conrad Oct 2017
there comes a time when you have: enough...
you listen to these pundits,
these so-called shuffling journalists and
becomes overwhelmed as if sitting by
a blackjack table...
    you never imagine their respect
for their craft,
  some do manage to become
all the president's men, but few, fewer
han you might think: ever do...
        buy ups, cut offs, wishing they were
all screeching banshees on the ready,
but there never are any,
   just any pornographica pornstars who
said: i'm ready for a ******* henry.
        and the callousness, the easiness,
makes drinking a whiskey
all the more respectable...
              i know i've chosen rightly with
ms. amber...  i feel less like a ****
and more like a connoisseur with every
minute...
                   tell you what,
let's meet down the middle whereby actions
are worth are more than words,
and the whole "freedom of speech"
is but a bad dream...
            isn't it? i thought that actions
spoke louder than words, so why defend them?
it really, really comes down to the
nietzschean inversion of cartesian "talk",
apparently inverted the original
into a sum ergo cogito (a footnote
remark in his white zombie inspired
     human, all too human
entry point into pop culture -
as ever, the silent mind,
    makes use of waiting for the mass
of prey) -
              i can do the same with heidegger...
i listen to these journalistic endeavours,
i listen to them intently...
but i have a problem..
   this da-sein is peppered with difficulty;
you can call me a res cogitans
a thinking thing, but i sometimes
am not, namely: heidegger's dasien
is the antithesis of res cogitans...
     we're not heroes or villains by thinking
about the act in the da / momentum
   - in the "there" / momentum...
               the "carpe diem"...
            there's no carpe illic (seize a there)-
       as there's no esse in diem (being in a day) -
       find a niche, weave a web...
               journalism has already killed off
heidegger's dasein,
        it's either called blackmail or extortion,
we are handled with a perplexity of
feeding the bacon of "handling" facts...
      we are required to ensure there's an
empathetic comment subsequently readied,
we are to enforce empathy,
a fakery of empathy...
          heidegger couldn't have predicted
the death of his idea so fast,
  in that journalism (legacy) killed off
the concept of dasein so quickly and
effectively...
                sure, journalism stresses a
da - a "there" - but where i'm at,
there's hardly any talk of correlative translation
to a sein: i.e. being.
              first the education system
erodes the faculty of memory with pointless
arithmetic tables, then the "real" world
erodes the faculty of imagination with
pointless jobs and the grand carnation
wishes of disney's bloom...
             and the two two come together
and: after that? let's pretend we "think"...
        the notion of the existence of free will
is not answered with a first amendment,
it's answered with a freedom of thought:
   freedom of thought comes prior to the freedom
of speech, that danish bachelor kierkegaard
pointed it out: better to think freely,
than to talk freely, since not everyone will
have the vocal capacity of a sophist!
nonetheless i listen to the news,
   and am abhorred by it...
            not because i care:
hey! you don't care about my problems,
why in the world, should i care about yours?
what am i, the imitation of "saint" theresa of
calcuta?
          heidegger's concept translate directly
into current journalism...
        me, i prefer to think of his concept
to reverse nietzsche's reversal of cartesian
thinking: not all existence is purposed to
merely think, i.e.
       the: being there (dasein) is reversed
into: there's being (sein ist dort) -
     heidegger is the father of modern journalism,
and also the person who can be utilised
to combat journalism stagnating into
voyeurism...
         both are pretty much the same these days...
journalism = voyeurism...
                sure, i don't like being forced
into being "there" - primarily because i have
a blocking membrane "antibiotic" of simply
retorting: well, there's being;
  the **** would i want to suggest a worthy
escapade of "imagination" into a spirit-cooking
session, i rather spend the rest of the day
in a butcher's shop! and yes, i like my memory
intact, i like the memories of my childhood,
i don't need my memory undermined
by ******* arithmetic or stories of pythagoras
selling baked beans to pursue his
lessons!
     and i really don't care if heidegger was
a **** party member, what i don't understand
is the western left: you ever talked to
a communist proper? a real one, no fakes?
my grandfather was a proud communist party
member...
           even his take on transgenderism as being
a leftist agenda would have been: wha'?!
     you sure we don't need to castrate
these people?
                   never mind,
i'd actually love to be called a ****...
  i have no problem with that:
  the only thing i have to lose is a chance for
a punch-up in an alley, and i've been training:
punching myself in the face until my jaw
starts aching can be fun, but not as much as fun
as talking down police brutality:
the colt's screaming while i'm kneeling having
just finished ******* in the alley,
and he's screaming, the female officer is
making notes, because the screaming ******
is probably dyslexic, or a D in g.c.s.e. english...
puts the handcuffs on, i tell him
a cameo version of an autobiography...
so they release me... see...
  screaming does very little to scare someone...
the fact that i was being ridiculously stoic
****** him off...
   never thought that ******* in an alley was
a crime... so i said: you don't own this
shaded corner, do you?
as the joke runs, better than frying bacon:
two police officers walk up to you -
(a) one will surely be able to write...
(b) the other will surely be able to read...
(c) a + b = a guarantee!
     besides the point, heidegger is the father
of pre-modern journalism,
well, journalism up to robert redford
& dustin hoffman, oh yeah, and david frost...
hell, that was, journalism,
        the whole notion of dasein was
invigorating the whole movement,
  but then journalism shifted its attention from
heidegger... and people were forced into
"emoticon" politics of a "there" and a "being",
i.e. being the killer, imagining the torture cell,
etc. etc.,
                 can i watch some ******* disney,
for ****'s sake?!
            i want the journalist to be there:
and the reason why i don't want to be "there":
is because: i'm not!
   but this only produced journalists
who weren't even "there" to begin with...
    cordoned off by police "protection" -
people talk about a snowflake generation
that the millennials are, "apparently";
can we start off with the "journalists"
of the prior generation?
                   besides the point...
heidegger is the father of modern journalism,
but he's also underread...
      which is great, since you can become
pro-elitism after a book or two...
    yes, if i wanted to wipe my *** with
a modern novel, i'd sooner take to reading
a roll of toilet paper... sorry...
but leisurely reading material is for people
sunbathing on a deckchair on barbados;
i don't like easy...
   and i certainly don't like reading books,
that might as well have been
written in braille...
  perhaps in braille they might be "mildly"
stimulating,
      yes yes, i know,
bestsellers and all,
   but from what i've noticed:
     why do people need to talk so much to reach
that sort of status?
             once upon a time i wanted to
be "famous", but after watching enough
people reach the status of "fame",
having watched how exhausting it is...
i thought to myself:
       keep to the "karma" of tao -
               keep that obscurity,
   it's perhaps not the case that enough
people have woken up, it's perhaps the case
that not the right people: have been born.
Nameless Dec 2013
He loves me.
The single yellow petal falls like I fell for you.

He loves me not.
Another drops to the ground like my heart did when you forgot to call.

He loves me.
The softness of the flower reminds me of your kiss that night under the stars.

He loves me not.
The inaudible sound of the section being ripped from it’s origin almost sounds like my heart did when I realized you deserved more.

He loves me.
The easiness of pulling the petal resembles how easy it was to fall in love with you.

He loves me not.
The small scar in the top corner of the delicate foliole disenchants the image like the ones on my wrist did to the way you looked at me.

He loves me.
I grab on to this last petal like I grabbed on to that last, “I love you.”

He loves me not.
This tattered, empty skeleton of something once breathtaking will never truly be able to convey the hollowness of my being when I lost you.


He loves me not.
L E Dow Jul 2010
She’d been my best friend in high school, marked by her pale skin, cynicism, and lovely smile. She was unique, hard edges softened by square teeth, arranged perfectly behind full lips.
It’s odd to think it’s only been year, now, her hair has been cropped short in the French style, her eyes hide behind enormous polarized aviators. Her navy tank top worn thin, bra straps exposed. Her jeans rolled short, revealing rubber flip-flops that’d been on her feet since high school. It felt strange, like I was seeing a relative I hadn’t seen since I was six. I could see her changes, taking them in as we made awkward conversation, free of the easiness we used to share. Something was off, and continued to pull my mind from the strained conversation. Just as she’s told me her aspirations of being a French major, I see it. The Hard “f” exposing what I was trying so desperately to find, it’s occurrence has impacted her gait, her presence, her attitude. Her teeth; now chipped, broken, browned. The vicious despair surrounding her started seeping in to my brain, my eyes, my teeth. I can’t resist the pull behind my eyes, drawing me back to the new-found flaw. The infallible feature I’d always expected, disfigured. Gone before I wanted to let go. My best friend finally exposed in front of me, no witty sarcasm and smile to hide behind. I couldn’t comprehend the context of the ruin. An abusive relationship? Drug Addiction?
A fall, certainly, farther and faster than I’d ever care to see. Harder and more dreadful than I’ll ever know. The fall the world can see, the tragedy only I can hear.
Copyright 2010 by Lauren E. Dow
b for short Jan 2016
A little ball of brilliance,
occasional stroke of genius,
has trouble finding Jesus,
but practices her patience.
Her mind? No problems speaking it,
so she never valued silence,
and depending on the season,
her shoes are just a hindrance.
Yet lady follows every sequence
achieving her achievements—
chooses paths not quite so lenient,
drums those patterns not quite so seamless.
Despite the lack of easiness
she never masters the art of grievance,
but lady loves with a vengeance
and makes love with ******* vehemence.
Although lady was obedient
and always vowed him her allegiance,
lady never found it quite convenient
to be inconveniently a convenience.
© Bitsy Sanders, January 2016
God gives us instructions on how to
Love the Stranger-First Begin with a
Love that is most natural that cannot
Be denied.  Let  us say it is for your.
Child a forever one if ever there was
One-a commitment for all time freely
Made to all that is loveable-the gift of
God.  With  this we sight in the future
Another time is now seen close up and
What we see is altered and instead of the
Beloved child there is a stranger and an
Accuser who tells you it is your fault-that
You failed to love as you ought to have-
Worse still it is true and you are indeed
Responsible for this Alteration-this stranger
Who you said you would love forever but is
Now your accuser-Indeed it could be anyone
Another who you do not know and never met
Would be easier to love but it is not the easiness
Of Love but its faithfulness; its strength to be true
To its beginnings that overcomes in the end-So we
Learn that it is possible to truly love, to love even
A stranger because we do and knowing this we know
All.  All we need to know because we  know God.
The One who  is the stranger is our Beloved
Child
#at
Mariya Timkovsky May 2012
“I love yous” waft through the room
As erratically as weeds growing in a garden.
Constant notes and hugs engulf me
To the point where
I’m suffocating.
Like in a plastic ball pit.
Every time I try to pull out
I sink deeper and deeper.

Though I’ve considered returning the love
So equally,
It was more for the sake of easiness
Than true reciprocal feelings.
Or was it?
Maybe I feel so suffocated now
That I can’t think,
Can’t comprehend the cataclysmic
Underpinnings of the situation.

But how do I ask for space
Without jumping to another planet?
The Earth’s pull is too daunting.
The innocent image of
Gluing our hands together with Elmer’s
Reverberates through my head.
I don’t want full escape,
Just a blessing for another
Path in life.
KatieM Nov 2011
AN: There are no errors. Every word, every space, everything is done on purpose.

Call it creepy.
Call it weird.
Call it masochistic.
I don’t care.
You don’t know,
you can’t fathom
how it feels
to see your blood well up
fill the tiny little channels
in your skin.
Watch your skin turn red,
then fade to pink,
then finally to white.
You don’t know
how it feels
to see your blood reach up
toward the stars,
dying white to red
in a matter of seconds.
You don’t know
what it’s like
to have your whole life
hang in the balance of
a pushed up sleeve.
To harbor secrets
so much darker
than the darkest of guesses.
You can’t know
the feeling of a defaced cross
forever imprinted in your skin
when you press you arm against
something flat.
You can’t understand
the easiness of a trance.
The lack of thought,
except maybe
“look how pretty”
or perhaps
“Bleed, bleed, bleed!”

You think you know
the pressure of-
not the blade,
because that’s not all
I use. More-
sharp objects,
but you don’t.
You think it’s all emotional,
bring mental pain to
physical pain.
or it’s a pathetic plea for
attention.
or it makes me feel better.
or I want to fit in.
or .
or.
or.
All this psychological
devaluation.
It’s all
wrong.
Chemical imbalance?
I guess we’ll never know.
I’m sure as hell
not getting
tested.
So you can throw me away
and lock up the key-
or is it the other way around?

No, you’re out of
your mind.
You want to overanalyze
me,
over complicate
me.
It’s simple.
I want to see myself
bleed.
I want to see what’s supposed
to be on the inside
on the outside.
Why does there have to be more?
Why do you have to blame my depression?
or Mommy?
or Daddy?
Because that’s the most widely accepted
excuse?
Rather than the truth?
Why would you rather believe
lies?
It shouldn’t be so hard
to find a name for this.
A name that doesn’t also apply
to biological disorders.
That’s not what this is.
This is something
solely
in my brain.
Neither
nature
nor nurture
but
a neurosis
that simply
is.
I have a
neutral
relationship with my
‘disorder’.
I don’t try to do away with it,
and it doesn’t try to
**** me.
But you don’t believe that.
It’s not healthy.
It’s bad.
You spout off meaningless
facts**statistcs
about suicides
in my age group.
How some
-emotional!-
cutters
accidently go too far
resulting in their
death.
SHUTUP!
I know what
you’re saying.
I understand
the statistics.
I know why
you’re concerned.
I get it.
But I’m ok.
Honestly, I am.
It may not seem like it,
I know,
but I swear it’s true.
I’m ok with who I am.
I have no shame.
Really.
You don’t know
how this is.
so just leave me
alone
and help someone
who really needs it.

Because I.
Do.
Not.
Sam Oct 2014
Every time I talk about writing-
My writing, my
Frivolous scribblings-in a
Negative light, you tell me,
"You have to write 200 bad poems
Before you can write a good one."
And I have not known you
Long enough to understand the
Nuances of your speech but
I have learned, quickly, that you
Are poetry
Now, this might sound cliche but what I mean is
That when I see you with your bony knees and
Isaac Newton hair my heart
Dips backward in between my ribs the
Fluid motion of your mouth flipping into a grin is a
Chain reaction to my own smile your
Piano fingers stained with ink or paint or dirt caked in life,
In adventures, are their own language and the way you move
Them when you speak makes a dance, a
Twisty tango of gyration and gesticulation.
Exhaling clouds of smoke from your lungs, you
Frame your forehead with tobacco laurels
And I don't worship you, no, but I admire you,
In the way that you cultivate goodnaturedness but
Hide behind it
In the way that you discuss bigdeal things in a
Nobigdeal way
If you wonder why I like you, it's because you are
Honest in a way that is raw and I've never
Felt someone cut me in two with just a gaze.
You are nervous energy and social anxiety and bred to live in nature.
You are suave in a lanky way and still unsure of yourself.
You are a star collapsing in on itself blazing so bright before you
Burn out.
And I want that.
I want that easiness and integrity and
Dancingontablesbecausewhynot and
Singing a song you don't know the words to in a rubberduck voice.
And I want you.
I want you to want me, to
Want to understand my nuances and quirks and hopes and fears and
Why I cringe inside a body that I never belonged to.
I want your poetry for myself.
So if I have to write 200 bad poems before I write 1 good one,
Regardless of where it falls-and where I fall-
This one is for you.
*I'm pretty sure the quote comes from Billy Collins, but not positive* I have a lot of feelings
Evynne Jun 2013
The easiness that comes with loving you is frightening
I've never really been that good at anything in particular
But I've never wanted anything so much as I want to spend the rest of my life with you
To hold you every night while I sleep
And kiss your face every morning when I awake
So the question is not,
"Do I love you?" or "How do I love you?"
But rather,
"How could I ever stop?"
Nickols Sep 2013
Children's laughter,
fading echos.
Hidden deep; rooted within the wood.

The smells of forgotten coats and dusty carpets,
as we squeezed inside the family's wardrobe.
A secrete, kept within a child's sacred memory's.
Distant reflections hanging on the fabric of the colorful cupboard.
Our savored innocence, smeared on into adulthood.

Giggling, as we played.
Conscious of the time we bared.
The simple purity of a child's endless games.

How we've forgotten the easiness of the virtue of being young.
The transparent need of just breathing you in.

Two friends, growing beside one another.
One a boy and the other...
Well, she is a girl.
A girl,
No, not something so vague--
A woman,
Who's lips, burns with a redden kiss.

Our childhood stored within the endless wardrobe,
the lust of our youth, suspended forever in dust and wood.
Hidden within the fading echos of times since lost.

I never told you how I love you,
but I carved it into our wall.

A♥J

The mark forever branded.
On my soul to bear.
We are human,
no matter the age.

I love you.

I love you.

I love you.

I speak these words as I lock them away.
To the back, hidden beneath the skeletons in the closest.

I love you.

I love you.

I love you.

A noose around my neck, these words they are.
A dead man hanging with flowers adorn to crown.

Grown mans tears,
fading with echos.
Hidden deep; rooted within the wood.

I loved you, why couldn't it be so simple?

**fin
© Pandarra
agdp Jan 2010
You sit there
devout in your intentions,
Deeply sure
that the path laid
is the path surely taken.

Frozen in my views
merely
kneeling
before alters of instituted obstacles,
feeling, pleading with myself
that what is set before me
is a fork with a middle way
taking my own trident
to absolve into paganistic
views of this world
where each objective
has a celestial voice

my comforts are
within knowing
and not what I try to understand

This is my mind thwarting fear
but repeatedly left in complacency.
Giving answers to my own questions
While my self interrogation
Never has been set in this time.

But always focused on the future
With a pessimistic view of the world

So that I can be secure
not be shocked, and surprised

To prevent myself to be mechanized
To form thoughts away from obscurity
So that I will not compulsively lie to sleep

I need to be difficult, and serious.

I need to be a person that gives them self
Hardships, days that put others to quickly raised flags
Because for some unexplainable reason, easiness, failure, and simply being stationary
Never has kept me defeated, but has provided me success.

I know myself but not well, but enough to realize my faults, and actions

My mind is always thinking, moving, caring, reasoning, and limiting itself
Because I am still simply a human trying to use sense in this world

We forget we are human;
We lay frozen in these carnal desires
We need to melt away
And be mindful of our winters
8/8/09 ©AGDP
nadine shane Aug 2018
yearning for something
i desire;

what lies beneath
the ivory duvet
when the rays of the sun
spares a shy glance
around the nook and cranny
of your room;

hands aching
to lace around yours;
waiting to taste sweet you,
bitterness slowly creeping
up to its own demise,
this is why the maidens
sung their hearts out
to accompany
the grieving tremors
that shook the faulty edges
we had built,
atop of guilt and uncertainties.

flustered sheets scattered
on the floor,
pieces of myself
i can no longer get back to
whilst a gaping hole
greeting my own eyes
held a fragment of truth and silence.

( this is not my home;
this is the apparition’s
treacherous threshold. )

yearning for something
i lost;

the warmth of your embrace,
contrasting with the
glare of the sun
pouring down on me,
easiness could never
give justice to you;

sly brushes of lips against my skin,
as if chanting
bohemian chants
all over me
to get out of this
witchcraft that we call love;

longingness in your eyes,
a renaissance painting
in front of you,
begging to feel
the constellations
in your hands
cascading through
every vein in me.

still, i feel something coil
deep inside me,
were you truly mine?
again, you fill me with doubts.
Ash Slade Aug 2016
Old wheelbarrow.
abandoned near woods.
lying on straw and dirt;
rusted and tarnished, used to carry
soil and bricks; colors faded
retired.
resting uneven,
is it only destined to waste away with rolling
years, has it served its purpose?

Rolling snapshots of memories allude to junctures of childhood.

Yelling with glee,  we went, my sister and me
as it advanced down the hill!

Sometimes just me with dad,
pushing me in the barrow
around the yard, under the tree in the summer breeze, followed by a hug and an ice tea.

These memories, I cherish; links to
the past. cherished reflections

Faded into obsolescence. a period of easiness,
that implied simplicity; now a simple snapshot of a thought.
WendyStarry Eyes Apr 2016
Gods beauty is protruding
Where heaven is a natures fest
Beauty is the quest venture
To follow the path, danger is forseen
Your heart may lead you to believe
That easiness is the best
In the long run it is intrigue
That leads your heart to rest
For truth is acknowledged when you conquer distress
Satisfaction of peace will lay your heart to rest.
¤₩KR¤
Jules May 2017
Tonight is easy, I realize,
and I am relieved.
Tonight the heart is light,
beats a steady rhythm;
tonight the lungs breathe easy,
take in air like it is just that: air,
not water seeking to drown me.
It is fun to write about:
the lack of relapse.
It is fun to reminisce:
the easiness of a smile.

There will be worse nights,
but this night will be separate.
I will give it a space of its own.
Tonight was different; tonight was rare.
Tonight, I think,
was kind.
Tonight was fun.
i haven't written in so long— but oh, here i come with words of joy
sharon Oct 2017
we are humans afterall.
we starve for justice and joy.
                  for acceptance and comfort.
                  for validation and calmness.
                  for easiness and simplicity.
                  for suitance and serendipity.

but we found each other,
against all of that.

-s. r.
because nothing else matters.

— The End —