All summer we moved in a villa brimful of echos,
Cool as the pearled interior of a conch.
Bells, hooves, of the high-stipping black goats woke us.
Around our bed the baronial furniture
Foundered through levels of light seagreen and strange.
Not one leaf wrinkled in the clearing air.
We dreamed how we were perfect, and we were.

Against bare, whitewashed walls, the furniture
Anchored itself, griffin-legged and darkly grained.
Two of us in a place meant for ten more-
Our footsteps multiplied in the shadowy chambers,
Our voices fathomed a profounder sound:
The walnut banquet table, the twelve chairs
Mirrored the intricate gestures of two others.

Heavy as a statuary, shapes not ours
Performed a dumbshow in the polished wood,
That cabinet without windows or doors:
He lifts an arm to bring her close, but she
Shies from his touch: his is an iron mood.
Seeing her freeze, he turns his face away.
They poise and grieve as in some old tragedy.

Moon-blanched and implacable, he and she
Would not be eased, released. Our each example
Of temderness dove through their purgatory
Like a planet, a stone, swallowed in a great darkness,
Leaving no sparky track, setting up no ripple.
Nightly we left them in their desert place.
Lights out, they dogged us, sleepless and envious:

We dreamed their arguments, their stricken voices.
We might embrace, but those two never did,
Come, so unlike us, to a stiff impasse,
Burdened in such a way we seemed the lighter-
Ourselves the haunters, and they, flesh and blood;
As if, above love's ruinage, we were
The heaven those two dreamed of, in despair.

The storm came out of nowhere,
And you were there
With wings ready to fly
And as the clouds broke the sky

You didn't leave

You were my shelter
From the rain and thunder
And when it ceased
And the wind eased

I didn't leave

The rain you stopped
Rained down your core
And every drop
Held like a store

It didn't leave

Until the gust shook it free
And you rained down on me
Cold and sharp but how could I leave
When you held it all of this time for me

I'll stay with you.

The height of her heels
    Shrunk with every passing year.
Each "December", torn away from the calender
   Was a buzz saw, sometimes taking a sixteenth of an inch,
   And during winters that seemed particularly cold to her bones
   Nearly a quarter of an inch would be devoured by time's steady march.

At 18 her heels were confident, tall, strong,
   Proud pillars supporting the pantheon,
   Complete with Houdini-zippers and unnecessary birthstone buttons.
The Uncomfortable beds
   Of the comfort class.

At 26 her friends whispered,
   With martini breath,
   That they could swear that she had shrunk.
One suggested that she had simply adopted a new hairstyle.
After all, who has time to daily consort with the curling iron
   And still make the 6:47?
Good friends make for the worst critics.

At 41, on certain nights,
   Like when the Jove's had their annual tree-trimming party,
   Believable sources say she could still be be seen
   With 1/4 inch tree-trunks beneath her feet.
There were no buttons or zippers any longer,
   To announce her presence as made her across linoleum deserts
   Towards the desserts.
Her footprint was further softened
   By the Doctor-demanded cushion,
   Which eased the weathering toll of
   Each.
   Next.
   Step.
Everyone at the part paid words to her image:
   "Such soft skin."
   "Eyes that look truer blue after each blink."
   "Pilates or Yoga?  I have to know you secret."
But none of the husband saw her on their eyelids
    As they masturbated in the shower that night.

At 70 her wrinkled dignified carriers
   Were most at home in slippers.
She rarely removed them,
   'Cept when she let her toes soak like veteran driftwood
   In a well deserved baby warm tub.
For some reason the "News" insisted on covering award ceremonies
   And she would always feel a sharp
   Pain ping-pong between her heel and toenails
   As she watched the young actresses climb each step towards the podium.
She would still go out, now and then,
   But nobody noted the style or color that her feet were wrapped in.
   Why would they?
For the record:
   Plain, black, flats.
   Appropriately

She died at 82
   And although the casket was closed,
   It can be taken on good authority
   That this regal eagle of a woman
   Was buried barefoot.

I like to think that she is flexing her feet
   Somewhere eternal,
   Just to see how the sand feels
   Between her toes

All out of doors looked darkly in at him
Through the thin frost, almost in separate stars,
That gathers on the pane in empty rooms.
What kept his eyes from giving back the gaze
Was the lamp tilted near them in his hand.
What kept him from remembering what it was
That brought him to that creaking room was age.
He stood with barrels round him—at a loss.
And having scared the cellar under him
In clomping there, he scared it once again
In clomping off;—and scared the outer night,
Which has its sounds, familiar, like the roar
Of trees and crack of branches, common things,
But nothing so like beating on a box.
A light he was to no one but himself
Where now he sat, concerned with he knew what,
A quiet light, and then not even that.
He consigned to the moon, such as she was,
So late-arising, to the broken moon
As better than the sun in any case
For such a charge, his snow upon the roof,
His icicles along the wall to keep;
And slept. The log that shifted with a jolt
Once in the stove, disturbed him and he shifted,
And eased his heavy breathing, but still slept.
One aged man—one man—can’t keep a house,
A farm, a countryside, or if he can,
It’s thus he does it of a winter night.

Higher far,
Upward, into the pure realm,
Over sun or star,
Over the flickering Dæmon film,
Thou must mount for love,—
Into vision which all form
In one only form dissolves;
In a region where the wheel,
On which all beings ride,
Visibly revolves;
Where the starred eternal worm
Girds the world with bound and term;
Where unlike things are like,
When good and ill,
And joy and moan,
Melt into one.
There Past, Present, Future, shoot
Triple blossoms from one root
Substances at base divided
In their summits are united,
There the holy Essence rolls,
One through separated souls,
And the sunny &Aelig;on sleeps
Folding nature in its deeps,
And every fair and every good
Known in part or known impure
To men below,
In their archetypes endure.

The race of gods,
Or those we erring own,
Are shadows flitting up and down
In the still abodes.
The circles of that sea are laws,
Which publish and which hide the Cause.
Pray for a beam
Out of that sphere
Thee to guide and to redeem.
O what a load
Of care and toil
By lying Use bestowed,
From his shoulders falls, who sees
The true astronomy,
The period of peace!
Counsel which the ages kept,
Shall the well-born soul accept.
As the overhanging trees
Fill the lake with images,
As garment draws the garment's hem
Men their fortunes bring with them;
By right or wrong,
Lands and goods go to the strong;
Property will brutely draw
Still to the proprietor,
Silver to silver creep and wind,
And kind to kind,
Nor less the eternal poles
Of tendency distribute souls.
There need no vows to bind
Whom not each other seek but find.
They give and take no pledge or oath,
Nature is the bond of both.
No prayer persuades, no flattery fawns,
Their noble meanings are their pawns.
Plain and cold is their address,
Power have they for tenderness,
And so thoroughly is known
Each others' purpose by his own,
They can parley without meeting,
Need is none of forms of greeting,
They can well communicate
In their innermost estate;
When each the other shall avoid,
Shall each by each be most enjoyed.
Not with scarfs or perfumed gloves
Do these celebrate their loves,
Not by jewels, feasts, and savors,
Not by ribbons or by favors,
But by the sun-spark on the sea,
And the cloud-shadow on the lea,
The soothing lapse of morn to mirk,
And the cheerful round of work.
Their cords of love so public are,
They intertwine the farthest star.
The throbbing sea, the quaking earth,
Yield sympathy and signs of mirth;
Is none so high, so mean is none,
But feels and seals this union.
Even the tell Furies are appeased,
The good applaud, the lost are eased.

Love's hearts are faithful, but not fond,
Bound for the just, but not beyond;
Not glad, as the low-loving herd,
Of self in others still preferred,
But they have heartily designed
The benefit of broad mankind.
And they serve men austerely,
After their own genius, clearly,
Without a false humility;
For this is love's nobility,
Not to scatter bread and gold,
Goods and raiment bought and sold,
But to hold fast his simple sense,
And speak the speech of innocence,
And with hand, and body, and blood,
To make his *****-counsel good:
For he that feeds men, serveth few,
He serves all, who dares be true.

I used to think that all of them were just bodies. She-figures, they came and went, facilitating infinite happiness and following with hellacious heartbreak, aorta explosions galore. They pass. I stay. She goes. I remain. We all take a trip, but she falls asleep while I follow the road, I sing the song, make the lyrics up as the 101 heads West, and I careen against the Pacific. I see silvery-white plumes of whale breaths spouting, they break the rocks of my rock and roll. When the levee breaks, we'll have no place to go- I'm going back to Chicago.

California. Line 5. Verse 1. She is born in Arkansas, in Denver, in New York City, in the back of a taxi cab, her parents waiting for a table at Earth Cafe, 1989. There are concerts, balconies, elevator shafts, and on benches. The gain rises, the volume up and up and up, I offer her a cigarette, I ask her if she likes my dress, I show up with two palms full of a flame, and I say hello. Browsing in high-definition, the water is warm, my feet are planted and I have everywhere to go. Classical emporium of light fill me with ease, greatness, and belief. She asks me if I'm gay. Every great confusion can be proven to be fortuitous with enough time on hand. I kiss in cars, in bathrooms, and barrooms, in hallways, on staircases, on beds, church steps, and legs. I touched a leg, ran my fingers through her hair, my thumbs curved to the height of two ears alongside a size B head. I love art *****. i burn candles, and I swirl the wax around until the walls wear masks of white. I check-in to a hotel. I stop to buy wild flowers on the side of the road, or to climb down a ravine, we open a page into an enormous patch of strawberries, wind-surfers, and the golden Palo Alto beaches. I am in Bronzeville, on my way to Bridgeport, I am riding the train, browsing magazines, and singing new songs in my head. My lips are wet with excitement and the musings of the Modern Art Museum and the gift of a first kiss; behind the statue on Balcony 2, near the drinking fountain, the Eames couch, and two lips meeting anew. Bravery in twos.

Chapter 1, Verse 2. The chorus is large and exciting. New plastic shining coats. Smocks patterned with the Random House children's stories that we played with as children. We didn't wear gloves, or hats, or pants, or our hearts on our sleeves. I was up to my knees in hormones and very persuasive. My fifth birthday was at the Nature Center, you chased me into the boys' bathroom and kissed me with your wet and four year old lips in the second stall from the door. I eased up maybe 2% since then. The speakers are a little bit fuzzy, it's like listening to the spit of someone's tongue cascade the roof of their mouth while they pronounce the British consonants of the 90s. Said and done and saving space.

I am saving up for Grace. A crush in the mid 2000s, black hair, long legs, and the only brunette for a decade before or after. We played doctor, with the electric scalpel we turned our noses red with Christmas time South American powders. A safe word for an enemy, the sun for an enemy too. You bolted out and took my early Jimi Hendrix Best Of compact disc case too. While we're at it, you took my Michael Jackson cassettes as well. I go mid-range, think Kiri Te Kanawa in the whispers of E.T.'s Elliot. Stuffed-animal closet party for seven minutes in heaven. Your family came with butlers while mine came with over-educated storage. A blue borage sky in the intestines of life, a splinter in the shanty-town of invincible daily struggles- both of us were born again in O'Hare Airport's Parking Level D. Too many nonsensical arguments in two-tone grayscale ripping open the packaging of a course about trysting in your twenties.

Your stomach's history is overpowering. It is temperamental, mettled by spirits and sleepless nights, borborygmus, wambles, and shades of nervousness you were never comfortable speaking openly about. The history of your ****** was privatized, in options and unedited films shot over and over candidly by a mini DV desk camera, nine months to read you wrong to weep in strong wintry walks back and forth from The Buckingham to the Dwight Lofts, Room 408 without a view. All of your secrets in a little miniature of a notebook, bright cerise red. You captured teardrops in medicinal jars meant for syringes. You tied strings to your fingers, named your field mouse Ginger, and introduced your mother as Lady Darling. Captain with stingray skin, the hide of Ferris Bueller with the coattails of James Bond, dusted with daisy pollen, and clearly weakness. You ate me like bitter herbs on Thursdays, and like every other woman I've ever met, on Tuesdays you always kept me waiting.

I have wings for everything. Yellow wings for a woman in a yellow dress, Red, White, and Green wings for Bernice from Mexico City, Purple wings for  Mrs. Doolittle the doctor who worked at Taco Bell, the Jamaican priestess who was traveling through Venice Italy- we smoked hash with the grandchild of James Joyce on the Northern pier against the aurulent statues of Apollo and Zeus, Cupids' collection of malevolent tricks, SleepingB Beauty's rebuttal in fending off GHB attackers, my two dear friends who were kidnapped in clothes, abandoned in the ****, and only remember eating chocolate donuts with sprinkles and the bruises and dirt on the insides of their thighs. Nothing clever. Nothing extraordinary. Everything sentimental, built to withstand soot, sourness, and early female bravado.

You know how to play the piano so you've said, but i only have the CD you gave me to prove it. I do have evidence of your addiction to men and *******. I have your collection of dresses with tags still on them (but every woman has some of those), there is the post office box in Kauai, the Halloween card from last November and the two videos I have stored on an external drive in a nightstand adjacent to the foot of my bed. You sleep atrociously, talk too quickly, and **** like your father abandoned you when you were five. Your talent for taking photographs is like your skill-set for playing the piano, but I don't have the CD to prove it. You don't believe in social media, social consistency, friendships, or hephalumps and woozels- with the exception of the classes we shared together in college, I've never seen you outside of the most glamorous of fashion. You hate flats, hats, and white wine, and for as sad as you can seem to be at times, I've only had you cry on me once. While we were on the phone, three days after your mother hung herself. That's when I last left California, and I haven't been back yet.

I love a Kristine, but once a Britni, a Brandi, a Joni, a Tina, Kristina, Kirsten, Kristen, and a Katherine and Kathryn too. I know rock stars who are my dearest friends, enemies who I share excellent taste in music with, and parents who've always had my back but show it in lashings of the tongue and of the belt. It's been two years and three states since I was two sizes smaller than I am now. I've never considered the possibility that I was the main character and not the supporting actor, but due to recent developments in antipathy and aesthete, reevaluation, and retrospective nostalgia. All of this is about to change.

I am me still evolving without my usually stolid and grim ****** features. i bare brevity to situations existing that would **** most or in the least paralyze a great many. There is one for every hour of every day, and one for every minute in every hour, second in every minute, and more than the minutes in every day. No one has a second chance, shares a different time, or works off a different clock. I have been called the master of the analog, king of the codependent, and rook to queenside knight. I share a parabola for every encounter, experience, and endeavor. I am three minutes from being a cadaver, one drink away from a drunk, and one thought away from being completely alone. I think upright, i sleep horizontally, and I love infinitely. I am the only finite constant i have ever known. I am the main character, the script, satire, sarcasm, and soundtrack are mine.

"I don’t care if you believe it. That’s the kind of house I live in. And I hope we never leave it.”

the concept of money, a dualism of value and devaluation, was based upon the worth of what darwinism could say about that monkey statement: you scratch my back, i scratch your. darwinism is a failure in terms of economics, that great human get-together, let's congregate, and instead of a stampede of buffalo we'll have ourselves a revolution... the failure of the monetary system: an invisible shining of gold is the fact that gold was once valued and now is devalued, money is a very serious virus, it requires something new to make it an asset, and something old to make it devalue it (a non-asset)... money is also a way to say: you be a plumber for me, while i be your middle-classed opinion making machine paying you, there's no monkey scratches another monkey's back in this story... money is the only invisible object that wants to intertwine so many others in its spider-web...  just so it can make itself visible, money added to gold will only be seen via the madness of thrór (throor).*

for now most of us are literate,
and by literacy
we are told to plough
the great genetically modified
fields of vegetables...
we've been made literate
but by the same acquisition
of literacy, the old powers
which once laid sway to this
monopoly have left its powers,
and instead of those to tend to
arable land we are left with
poets... we have become
straitjacket bound to the blank
pages... once the expression
of the mountain of muscles
which left us thoughtless...
now the work be eased,
and our body's harsh expression
of mandibles b forgotten...
and how we search for the same
expression of labour...
to have thought labour be exchanged
into equal labour of thought...
like muslims favouring
the elemental intoxication via the
element of air and its burned weeds,
discriminating with the element of
water and alcohol...
but we have been deceived in
being given such sudden literacy,
when literacy monopolised for so
long a status of power...
and because there's no field to plough
and live naturally, exhausted,
we've seen to be living by a new plough,
bishops and knights of the new order,
the legions of psychiatrists...
the stiff air of rooms with brimming
sulphur awaiting... no free air
of the field and strength of ploughing...
for ploughing can be quantified
with eager hands and hungry and emptied
bellies... but how quantify thought?
why... you'll only quantify thought
by a failing... and leave the quality of thought
to the ones reigning the quantification of it,
and the quantification of it
leads to nonsense or nothing,
akin to the ones qualified to
think, not the ones quantified
to do so in think-tanks
and political parties:
why then gollum invisible and sauron visible
wearing the ring in the narrated depiction?
well... apparently, the question aside:
we're not qualified to think,
because our "thought" is quantifiable
as soldier, baker, banker, spy...
but it's qualified to be an expectation
of a non-quantifiable thinking
which de-qualifies it from an original
intention, the intended quantifiable,
which leaves the existence of quantum physics
the deity of two humanisms arguing
on the simpler geographic, i.e. spelling:
quantity v. quality: both qua (as being),
far far away from what i said to an
anaesthetist having my wisdom teeth pulled out,
saying: quo vadis?
i guess it would make sense to have simply said:
qua quo non vadis esse omnis verax
(as being, as going, nowhere to be honest,
in all honesty).

Gas tank never completely full
Dishes unwashed
Time and its manifestations
Is the affliction that plagues any millennial
She is present, and waiting
Ready to peel her skin at a moments notice
Rhythmic finger tapping on a diner table
Sipping iced tea and always looking out the window
Neither down nor forward, just up
While uncooked ham
In the form of a human sat opposite her
“I wish others cared” she sighed apathetically
“I wish other scared?” he inquired. He knew that he heard wrong.
“No, I can make that happen already.”
A pause swallowed them both
“I’m leaving”
“Why?”
She answered, her countenance
An opened Venus fly trap
“I’m hungry”

872

As the Starved Maelstrom laps the Navies
As the Vulture teased
Forces the Broods in lonely Valleys
As the Tiger eased

By but a Crumb of Blood, fasts Scarlet
Till he meet a Man
Dainty adorned with Veins and Tissues
And partakes—his Tongue

Cooled by the Morsel for a moment
Grows a fiercer thing
Till he esteem his Dates and Cocoa
A Nutrition mean

I, of a finer Famine
Deem my Supper dry
For but a Berry of Domingo
And a Torrid Eye.

Strumming the untuned strings, he stares drunkenly into the setting sun of yesteryears songs, sung of lost dreams and the birthed ambitions of the dark, dark days to be.

Happily,  he tears up in the fortunate tragedies, of the reclamation in his dreams, as he seethes out the damnation of his steeds, galloping gallantly through his being.

All seeing, in the finite fleeting when he sings, of strummed dreams to the rhythms of heart beats lost, embossed on the epitaphs of kings.

Sad songs of dreams once had.
Be glad for that, which does not **** you, only to bestow upon you, the gratitude of the weirding ways, in passionate display for us all to play nice.

Shake these dice and jump aboard this bus of wandering poetry, from the porches of poets singing to the sun.

From the morning Moet, to the afternoon beer run.

we sing of dreams

of better things

we blaspheme

and spin the scenes

of our murdered dreams

and just clean the guilt away

I am so awesome as to be devoid of fault.

I am a god that cracks the asphalt.

I am the angel signing the clause, of deserved harm.

I am the indentured servant sounding the alarm, with the charm of a Trojan horse, forced to adhere to the most righteous path.

The first

The last

Laugh of inevitability

Honing in on the ability to capture the longevity of dream warriors, in the lock of predators, in the employ of a senator, from the center of the heart, to impart on you the fear from thieves caught in the plight of those fraught with the graces of an exterminator, exterminating the pro-creators of your world. Soldiers unraveled in the lavished gavels of real criminals drowning in their own subliminal theories of the self imposed heresies of intention.

Free will

A fragile blessing

I cracked, all so long ago, as i gently bestow my  belligerence upon your innocence and **** it all away.

I'm the ******* son

Strumming for the only one.

Once.

Before the lore of the storm.

Born of the swoon of a gun.

More than one.

Once.

As the day faded into night, his strumming turned plucking, as he slightly eased from reprise to silence, in the whisper of nights words, easing him into the blur, of sleep.

Do you ever hate not talking to people that you're close to for a while? And by a while I mean days and weeks on end? Does it **** you from the inside? Not only in the heart, but in the lungs too, making it hard to breath? Never knowing if they'll decide never to speak to you again? You could be on good terms, or bad terms, but you still feel that fear that they'll make that sudden decision or sudden thought to never say hello again or hate you forever. "Maybe I said something hurtful", you'd start to think. You'll re-read your conversation just to check. You'll send several messages but your mind still won't be eased. At least not until they message you back.

The rooster swivels on its axis returning
coarse wind into the pyre of mad, mad tongues
raving alongside charred ivory. Lifted by sorry hands
from dying embers’ embrace and eased with foreign pity,
ceremoniously, into a cardboard crate wheeled against
the traffic, stumbling backwards through yellow canvases,
between my family dressed in black, to dress the void (deck),
mourners spitting soda into their cups, as word paddle upstream,
onto a thin futon within four walls stained with unfinished ghosts.
The doctor removes the white shroud like God coaxing pink light
on the first day and wine oozes through elastic veins to the far corners of my skin thin ventricular walls. One crack, in the doors and in my chest, paramedics in white blur in, heel first,
Pan-island couriers on reverse gear to the corner
of a numbered street, where I am delivered like a gladiator
thrown into the arena of nosy gazes, with the urgency of
hens clucking away from premeditated slaughter:
deep Christmas red on the tessellated parking lot.
Clumsy thumbs dialing 599, I moan inwardly
to the concentric circles of strangers retreating, erasing
me from cell-phone cameras. Then like a flip animation I
snap backwards, up 21 floors,
pause for about an hour on the ledge before smashing
backwards, back down, past kids scratching graffiti off the cement
and growing cigarettes in their mouths. The rain ascends and I take
wet cash from the driver while I fidget on the leather and throw up
mediocre coffee into my cup. I dig into my throat and return the bread
to its plastic bag and when the cab stops I fall left out onto another parking lot,
moonwalk up the stairs to where I unwrite my name in the
annals of failure and
shove the Fs of my past back
then
I take the bus instead.

i find that the only time it's permissible to think
is at acute times, when something turns
heroism awry -
  we live in times when toiling in a field of
potatoes would be considered a heroism -
     because something has soured our attempts
at heroism...
    and i can't stress enough how modernity  
has nibbled at ancient feats of heroism
                       with such a bravado and inactivity,
    yes: tautology is the curse awaiting us all...
       what is revelatory about ontology?
some would say that oncology says much more
concerning man with a doubly impeding
temporality than ontology could ever fashion
a man with prescription: dogmatism -
    for one can only ask: can philosophy ever
contain a medical property?
can philosophy be medicine? i ask because i dare
not believe that writing per se is universally adequate
in being prescribed -
                      well... biology compared to medicine
is a feeble argument, its blunder was attracting
a theological posit for an argument to be practised
because: it found itself feeble before medicine.
the "thinkers" of biology attacked theology
after realising biology (a specified conglomerate
of words with the vector indicating a
                  depersonalisation of a biography) -
but both biology and theology are entrenched
with their respective vocabulary caging -
   no one would win the debate...
                     it became a comparative scenario of
first world war trench-warfare on the Belgian plateau...
    this was an attack on medicine...
    or what's useful given that biology can be rather
useless... i've never seen such desperation
               of a field of interest: that didn't simultaneously
argue from the perspective of jealousy...
         biology cannot replace theology -
   but that's beside the point... philosophy is more
akin to medicine than any -logy compound specifying
limits... auto-suggestive of the convenience that
says: man is born stupid, he dies stupid, and he "thinks"
   he knows everything that's happening in-between.
and no... i would never write a populist celebration
of war or Achilles... had i not engaged with an actual
conflict, i'd write nothing of this sort...
           and there is a crisis in heroism these days,
   hardly a reason to equate thinking as a heroic act...
  but compared with modern heroism,
namely what's defined by losing weight and gaining
protruding muscular patterns...
     what's nothing more than paying the gas bill
or simply: bringing home the bacon...
                 thinking has become a heroic act in a way,
eased to such a conclusion with
        stalinist obstruction of thought in the first place...
we call it political correctness and to be heroic
these days means: transcending what is but zoological
humanism...         because the counterpart of heroism
in the purely physical realm is but running a marathon,
rather than walking one...
       attracting bothersome flies of charity,
                 gluttony's reversal...
             what sort of heroics are these? what's to be
celebrated by such feats... if it all culminates into
nothing but a pat-on-the-back and not a statue?
            and by god... don't you think that people
who still rummage in language and can't see trilling
the R as unfashionable require a diacritical distinction
to be added to the letter? but of course, German
can sound soft too... but given the English hollowed-out
the R and lost the trill, or that the French hark the ******
letter... i'm thinking of how to represent the trill
   of the R... as the rolling and ravaging roulettes
                 embedded in the comparison of enacted
damage, with the stiletto shoe doing more damage than
an elephant's stomp.

She was laid to rest in May
in a small cemetery in a small town.
She was ninety nine and a half.
She was my grandmother.

Looking back I remember.
I would stay at her house
in the summer.
It would take me away
from the pains of home.

We would play games
or go to the movies.
She would take me bowling
each night I stayed, it was our thing.

The next morning, I could hear
bacon sizzling from my room.
She made scrambled eggs, bacon,  fresh squeezed orange juice and pancakes.

She was my light away from the dark. She took my pain away. She eased my worries like no other. She was my grandmother.

If I could have one wish right now in the world.  It would be to have more pancakes with my grandmother.

On December the tenth day
When it was night, down I lay
Right there as I was wont to do
And fell asleep wondrous soon,
As he that weary was as who
On pilgrimage went miles two
To the shrine of Saint Leonard,
To make easy what was hard.
But as I slept, I dreamed I was
Within a temple made of glass
In which there were more images
Of gold, tiered in sundry stages,
And more rich tabernacles,
And with more gemmed pinnacles,
And more curious portraiture,
And intricate kinds of figure
Of craftsmanship than ever I saw.
For certainly, I knew no more
Of where I was, but plain to see
Venus owned most certainly
That temple, for in portraiture
I at once saw her figure
Naked, floating in the sea.
And also on her head, indeed,
Her rose garland white and red,
And her comb to comb her head,
Her doves, and her blind son
Lord Cupid, and then Vulcan,
Whose face was swarthy brown.
And as I roamed up and down,
I saw that on a wall there was
Thus written on a piece of brass:
‘I will now sing, if that I can,
The arms, and also the man
Who first, pursuing destiny,
Fugitive from Troy’s country,
To Italy, with pain, did come,
To the shores of Lavinium.’
And then begin the tale at once,
That I shall tell to you each one.
First I saw the destruction
Of Troy, through the Greek Sinon,
Who with his false forswearing
And his outward show and lying,
Had the horse brought into Troy
By which the Trojans lost their joy,
And after this was engraved, alas,
How Ilium assailed was
And won, and King Priam slain,
And Polytes his son, for certain,
Cruelly by Lord Pyrrhus.
And next to this, I saw how Venus
When that she saw the castle’s end,
Down from the heavens did descend
And urged her son Aeneas to flee;
And how he fled, and how that he
Escaped from all the cruelties,
And took his father Anchises
And bore him on his back away,
Crying, ‘Alas!’ and ‘Well-away!’
That same Anchises, in his hand,
Bore the gods of the land,
Those that were not burnt wholly.
And I saw next, in this company,
How Creusa, Lord Aeneas’ wife,
Whom he loved as he did his life,
And their young son Julus,
Also called Ascanius,
Fled too, and fearful did appear,
That it was a pity them to hear;
And through a forest as they went,
At a place where the way bent,
How Creusa was lost, alas,
And died, I know not how it was:
How he sought her and how her ghost
Urged him to flee the Greek host,
And said he must go to Italy,
Without fail, it was his destiny;
That it was a pity thus to hear,
When her spirit did appear,
The words that to him she said:
Let him protect their son she prayed.
There saw I graven too how he,
His father also, and company,
In his fleet took sail swiftly
Towards the land of Italy,
As directly as they could go.
There I saw you, cruel Juno,
That is Lord Jupiter’s wife,
Who did hate, all their life,
All those of Trojan blood,
Run and shout, as if gone mad,
To ******, the god of winds,
To blow about, all their kinds,
So fierce, that he might drench
Lord and lady, groom and *****,
Of all the Trojan nation
Without hope of salvation.
There saw I such a tempest rise
That every heart might hear the cries
Of those but painted on the wall.
There saw I graven there withal,
Venus, how you, my lady dear,
Weeping with great loss of cheer,
Prayed to Jupiter on high
To save and keep the fleet alive
Of the Trojan Aeneas,
Since that he her son was.
There saw I Jove Venus kiss,
And grant that the tempest cease.
Then saw I how the tempest went,
And how painfully Aeneas bent
His secret course, to reach the bay
In the country of Carthage;
And on the morrow, how that he
And a knight called Achates
Met with Venus on that day,
Going in her bright array
As if she was a huntress,
The breeze blowing every tress;
How Aeneas did complain,
When he saw her, of his pain,
And how his ships shattered were,
Or else lost, he knew not where;
How she comforted him so
And bade him to Carthage go,
And there he should his folk find
That on the sea were left behind.
And, swiftly through this to pace,
She made Aeneas know such grace
Of Dido, queen of that country,
That, briefly to tell it, she
Became his love and let him do
All that belongs to marriage true.
Why should I use more constraint,
Or seek my words to paint,
In speaking of love? It shall not be;
I know no such facility.
And then to tell the manner
Of how they met each other,
Were a process long to tell,
And over-long on it to dwell.
There was graved how Aeneas
Told Dido everything that was
Involved in his escape by sea.
And after graved was how she
Made of him swiftly, at a word,
Her life, her love, her joy, her lord,
And did him all the reverence
Eased him of all the expense
That any woman could so do,
Believing everything was true
He swore to her, and thereby deemed
That he was good, for such he seemed.
Alas, what harm wreaks appearance
When it hides a false existence!
For he to her a traitor was,
Wherefore she slew herself, alas!
Lo, how a woman goes amiss
In loving him that unknown is,
For, by Christ, lo, thus it fares:
All is not gold that glitters there.
For, as I hope to keep my head,
There may under charm instead
Be hidden many a rotten vice;
Therefore let none be so nice
As to judge a love by how he appear
Or by speech, or by friendly manner;
For this shall every woman find:
That some men are of that kind
That show outwardly their fairest,
Till they have got what they miss.
And then they will reasons find
Swearing how she is unkind,
Or false, or secret lover has.
All this say I of Aeneas
And Dido, so soon obsessed,
Who loved too swiftly her guest;
Therefore I will quote a proverb,
That ‘he who fully knows the herb
May safely set it to his eye’;
Certainly, that is no lie.
But let us speak of Aeneas,
How he betrayed her, alas,
And left her full unkindly.
So when she saw all utterly
That he would fail in loyalty
And go from her to Italy,
She began to wring her hands so.
‘Alas,’ quoth she, ‘here is my woe!
Alas, is every man untrue,
Who every year desires a new,
If his love should so long endure,
Or else three, peradventure?
As thus: from one love he’d win fame
In magnifying of his name,
Another’s for friendship, says he;
And yet there shall a third love be,
Who shall be taken for pleasure,
Lo, or his own profit’s measure.’
In such words she did complain,
Dido, in her great pain
As I dreamed it, for certain,
No other author do I claim.
‘Alas!’ quoth she, ‘my sweet heart,
Have pity on my sorrow’s smart,
And slay me not! Go not away!
O woeful Dido, well-away!’
Quoth she to herself so.
‘O Aeneas, what will you do?
O, now neither love nor bond
You swore me with your right hand,
Nor my cruel death,’ quoth she,
‘May hold you here still with me!
O, on my death have pity!
Truly, my dear heart, truly,
You know full well that never yet,
Insofar as I had wit,
Have I wronged you in thought or deed.
Oh, are you men so skilled indeed
At speeches, yet never a grain of truth?
Alas, that ever showed ruth
Any woman for any man!
Now I see how to tell it, and can,
We wretched women have no art;
For, certainly, for the most part
Thus are we served every one.
However sorely you men groan,
As soon as we have you received
Certain we are to be deceived;
For, though your love last a season,
Wait upon the conclusion,
And look what you determine,
And for the most part decide on.
O, well-away that I was born!
For through you my name is gone
And all my actions told and sung,
Through all this land, on every tongue.
O wicked Fame, of all amiss
Nothing’s so swift, lo, as she is!
O, all will be known that exists
Though it be hidden by the mist.
And though I might live forever,
What I’ve done I’ll save never
From it always being said, alas,
I was dishonoured by Aeneas
And thus I shall judged be:
‘Lo, what she has done, now she
Will do again, assuredly’;
Thus people say all privately.
But what’s done cannot be undone.
And all her complaint, all her moan,
Avails her surely not a straw.
And when she then truly saw
That he unto his ships was gone,
She to her chamber went anon,
And called on her sister Anna,
And began to complain to her,
And said that she the cause was
That made her first love him, alas,
And had counselled her thereto.
But yet, when this was spoken too,
She stabbed herself to the heart,
And died of the wound’s art.
But of the manner of how she died,
And all the words said and replied,
Whoso to know that does purpose,
Read Virgil in the Aeneid, thus,
Or Heroides of Ovid try
To read what she wrote ere she died;
And were it not too long to indite,
By God, here I would it write.
But, well-away, the harm, the ruth
That has occurred through such untruth,
As men may oft in books read,
And see it everyday in deed,
That mere thinking of it pains.
Lo, Demophon, Duke of Athens,
How he forswore himself full falsely
And betrayed Phyllis wickedly,
The daughter of the King of Thrace,
And falsely failed of time and place;
And when she knew his falsity,
She hung herself by the neck indeed,
For he had proved of such untruth,
Lo, was this not woe and ruth?
And lo, how false and reckless see
Was Achilles to Briseis,
And Paris to Oenone;
And Jason to Hypsipyle;
And Jason later to Medea;
And Hercules to Deianira;
For he left her for Iole,
Which led to his death, I see.
How false, also, was Theseus,
Who, as the story tells it us,
Betrayed poor Ariadne;
The devil keep his soul company!
For had he laughed, had he loured,
He would have been quite devoured,
If Ariadne had not chanced to be!
And because she on him took pity,
She from death helped him escape,
And he played her full false a jape;
For after this, in a little while,
He left her sleeping on an isle,
Deserted, lonely, far in the sea,
And stole away, and let her be,
Yet took her sister Phaedra though
With him, and on board ship did go.
And yet he had sworn to her
By all that ever he might swear,
That if she helped to save his life,
He would take her to be his wife,
For she desired nothing else,
In truth, as the book so tells.
Yet, to excuse Aeneas
Partly for his great trespass,
The book says, truly, Mercury,
Bade him go into Italy,
And leave Africa’s renown
And Dido and her fair town.
Then saw I graved how to Italy
Lord Aeneas sailed all swiftly,
And how a tempest then began
And how he lost his steersman,
The steering-oar did suddenly
Drag him overboard in his sleep.
And also I saw how the Sibyl
And Aeneas, beside an isle,
Went to Hell, for to see
His father, noble Anchises.
How he there found Palinurus
And Dido, and Deiphebus;
And all the punishments of Hell
He saw, which are long to tell.
The which whoever wants to know,
He’ll find in verses, many a row,
In Virgil or in Claudian
Or Dante, who best tell it can.
Then I saw graved the entry
That Aeneas made to Italy,
And with Latinus his treaty,
And all the battles that he
Was in himself, and his knights,
Before he had won his rights;
And how he took Turnus’ life
And won Lavinia as his wife,
And all the omens wonderful
Of the gods celestial;
How despite Juno, Aeneas,
For all her tricks, brought to pass
The end of his adventure
Protected thus by Jupiter
At the request of Venus,
Whom I pray to ever save us
And make for us our sorrows light.
When I had seen all this sight
In the noble temple thus,
‘Oh Lord,’ thought I, ‘who made us,
I never yet saw such nobleness
In statuary, nor such richness
As I see graven in this church;
I know not who made these works,
Nor where I am, nor in what country.
But now I will go out and see,
At the small gate there, if I can
Find anywhere a living man
Who can tell me where I am.’
When I out of the door ran,
I looked around me eagerly;
There I saw naught but a large field,
As far as I could see,
Without town or house or tree,
Or bush or grass or ploughed land;
For all the field was only sand,
As fine-ground as with the eye
In Libyan desert’s seen to lie;
Nor any manner of creature
That is formed by Nature
Saw I, to advise me, in this,
‘O Christ,’ I thought, ‘who art in bliss,
From phantoms and from illusion
Save me!’ and with devotion
My eyes to the heavens I cast.
Then was I aware, at the last,
That, close to the sun, as high
As I might discern with my eye,
Me thought I saw an eagle soar,
Though its size seemed more
Than any eagle I had seen.
Yet, sure as death, all its sheen
Was of gold, it shone so bright
That never men saw such a sight,
Unless the heavens above had won,
All new of gold, another sun;
So shone the eagle’s feathers bright,
And downward it started to alight.

She laughed when I first told her
Only nine years old, my little sister
"Sometimes I feel more like men"
"Well, that makes me a frog, then!"
"But really, I'm not only a girl"
That's when she almost began to hurl
Her face scrunched up, she was crying
No longer thinking I was lying
"Don't worry, it sometimes lasts only a day"
She sniffed, "Will this go away?"
"It's always been here, nothing new"
"Tell mommy and daddy, they can help you"
I tried to explain how I felt
Took her face in my hands and knelt
"Sweetie, remember our secret game?
It's still me, I'll always be the same"
She nodded, finally eased
I told her my pronouns and was quite pleased
When daddy asked "What's my big girl up to"
She replied "He's really busy, lots to do"

Mechanically he put out his best press
Straightened his yellowing pages
In spite of little pieces flaking off
Like dandruff

Ow !
His spine was not as strong
As in younger presses

He bathed and used aftershave
But still he had that musty air about him

He lay claim to nervous fame
As he fidgeted with the book markers
About to be given as gifts
For her , his blind date

She came in fresh in expectation
Her beauty made him full of dejection
Her cheerful voice proved
to be more than exhaultation

He fumbled for the first sentence
Of subjection , but
Managed only to say
"Please ! I'm just an open book to be read"

She eased over
And ran her fingers over his cover .
down his bindings ,
then inside his yellowing pages

She sighed ,
with pleasure ,
"Yes , this is my perfection "

I am seated, bathed in a moon dusts.
I am writing an expose, indubitably no reads
But certain one of my ultimate hush buzzes,
I am clearly happy as I write though I am a bee in a shaken jar.
All this because I am opening up to my crush!

I hold an enormous secret, behind these shades,
Big, abysmal, reserved yet it beams on my face
Only concealed by forged shackles to loyal achates
What is this secret? What’re these shades?
These are inquisitions posted in this piece to my crush!

Now my crush, there’s a question of a constant hide and seek.
The hide and seek played lone and solo have left me shooting blanks,
Façade I invite you in, mirage in whence I heartshoot your affections or meeks
Hopefully these guise and semblance will break with a bang!
Then I break free to my crush!

Then I get to tell her my ardor unreserved and eased,  
Show her crescents canyon dimples that curl skyward as her smile
Toy with her smooth creased back and forehead playfully yet in peace,
I finally draw the curtain, I spit out my inside in miles.
I love you my crush

an octagon tent
wide enough that chucking rollies
to the sand made impossible
sprawled layers
you turned to quote Dali
told me how pale blue washed with lucy
shimmered skyline into dimension
acryllic-smeared sass drips canvas
into murmurs circling dilation
dimethyltryptamine stains
painting dreams on my eyelids
with flowerbrushes and silk,
mushroom dust gathers in discarded hues
on your pallet, where the colors of your irises
dry into a nebula of night-blooming jasmine
the scent of how you move when you sleep
and sleeping is never so sweet
as dancing through lucidity
with you as my sheets.
and i've traced your thumbprint so often
i'm sure if it were stretched around a marble
like buffalo skin on spirit-caller drums,
a globe would be seen
in which Greenland is finally proportionate--
the map on my wall always bothers you,
but I do too, and everyone does,
urging me under the geography
etched into the sea of your surface
by the crucible of your purpose
and working me into
empty behind your right
below the 22
between i'ching
and the forty two names of god
clasping your fore in silver
copper wound around my finger
hamstrings woven like wire
kambaba jasper, two to share
you hang Tibetan tektites
to elevate space
meteorite fragments
lodged in your helix,
stardust blood,
mandala sand from your mother,
and our tendons wrappe
by dexterous carpals
make such a pretty pendant
of my heart,
for synesthesia mistakes not
and my addiction to the pen has eased
for you breathe murals
and syllables never could
match brushtrokes of carbon dioxide.

Sister Teresa put down the pen. Eyes searched page. White and black. Scribbled words. Meaning there some where amongst the lines, she mused. Bell rang from bell tower. Echoed around cell. Closed her eyes. Held hands together. Sighed a prayer. Allowed the dark and peaceful to swim about her. Out of the depths, O Lord, she whispered. Opened eyes. Parted hands, rested on the table before her palms up, and read the signs. The last echo went out of the room. The whisper of it out of earshot.First-class now this age; first-rate her papa had thought; foremost her mama decided. Gone now Mama, she mused, lifting her body from the chair and walking to the window. Gone except memory. What the little child had seen she wanted to forget. Some memories are best buried. The sky was cold looking; the clouds shroud-like. Held hands beneath habit; clutched hands child-like. Mumbled prayer. Watched nuns move along cloister; watched the slowness; sensed the coldness of the air. If possible, Lord, she murmured, moving from window, walking towards the door. Paused. Looked back. Stared at crucifix on wall. The Crucified agonised, battered by age and time. Smiled. Nodded. Turned and opened the door and walked into the passageway. Closed the door with gentle click; hid hands beneath the cloth; lowered eyes to floor’s depth. Wandered down by wall’s side. Listened. Sighed. Sensed day’s hours; day’s passage and dark and light. Entered cloister and felt the chill wind bite and snap. Best part, Papa had said. Men are not to be trusted, said he many a time. Felt the cloister wall’s roughness with her right hand. Sensed the rough brick; sensed the tearing of the flesh on wall of brick; the nails of Christ. Mama had died her own crucifixion. The child closed the door having seen in the half-dark, she recalled, closing her eyes, feeling the chill wind on her cheek. Paused. Breathed deep. Saw sky’s pale splendour; saw light against cloister’s wall; saw in the half-light. Nun passed behind. Sister Helen, big of bone, cold of eyes, cool of spirit. Cried once; cried against night’s temper. Months on months moved on; days on days succeeded. Papa had said, the zenith of the passing years, my dear child, your mama’s love. How pain can crucify, she thought as she moved on and along the cloister, lifting eyes to church door. Nails hammered home to breast and ribs, she murmured as she entered the church. Fingers found stoup and tip ends touched cold water; blessed is He, she sighed. Eyes searched church. Scanned pew on pew; nun on nun. Sister Bede nodded; held hands close; lifted eyes that smiled. Where Jude had been buried, Papa had not said. Ten years passed; time almost circle-like, she mused, pacing slow down aisle to the choir stall. Sister Bede lowered her head; lowered her black habited body. Saw once as a child but closed the door. Poor Mama. Who is she that came and went? Long ago. Time on time. Papa had missed her; tears and tears; sobs in the mid of night. Mother Abbess knocked wood on wood. Silence. Closed eyes. Dark passages lead no where, Papa said. Chant began and echoed; rose up and down; lifted and lowered like a huge wave of loss and grief. Where are you? What grief is this? Night on night, her papa’s voice was heard; echoed her bedroom walls; her ears closed to it all except the sobs. De profundis. Out of the depths. Dark and death are similar to man and child. Opened eyes to page and Latin text. Bede and she, to what end? Death, dark, and Mama’s fears echoed through the rooms of the house; vibrated in the child’s ears; bit the child’s heart and head. This is the high point Jude had said; had kissed her once; had held her close and she felt and sensed. Men are not to be trusted. Breathed deep. For thine is the kingdom. And Papa’s words were black on white and pained her. Jude gone and buried; mama crucified; Sister Rose fled the walls; wed and wasted to night’s worst. Come, my Christ, she murmured through chant and prayer; come lift me from my depths; raise me up on the last day. Voice on voice; hand on heart; night on night. Jude had said be prepared for the next meeting, but dead now; Passchendaele claimed him. Voice on voice, Amen. Chill in bone and flesh. Breath eased out like knife from wound. Bede looked and smiled; hid the hands; bit the lip. Men are not to be trusted. Jude long gone. Nuns departed. Bede turned and went with her gentle nod. Paused. Sighed. Come, my Lord and raise me up, she mused, stepping back from stall and the tabernacle of Christ. Raise me up. Raise your lonely bride from death and dark.

the cost
of
'a post-strophe fee'
is a pouted heart
placed in parentheses

(yet still on that ledge:)



1.
like the tail of a kite
caught on a wire
or high branch of a tree
waiting to be eased off
and breezed out
free
it hangs upside down
seeing *'everything'
tipsy-style
as its force is slow-drained


2.
this apostrophe
is
the mere tail-end
of a dragon
(in a pit of exhaustion)
dragged in deepest-red ink
leaving an inimitable trail
with emphasis on sincerest care

brackets are just (two curves)
which jealously guard
all what lies inside
while giving so much
love in indivisible power-curls


3.
better to
let nature runs its course
of rivers flowing
and wild winds
while beetles walk on stones
yet
while trying to make a mark
with missives in the sand
the waves make sure
to wash them all away

best then
to let know
in this now
that some things never die
(it's enough for veracity to flap its weary wings)


4.
flee then
this finest core-duel likely
there's always..maybe
the next now

(all the previous
were not quite squandered
in cold flight
but unexpected loss)

and
no use hiding from one's (own) shadow
for kites will take off
and fly high
in the sun
where shadows have no place to hide





futile wondering
if it really
(has to)
spell
catastrophe

it does not




(it really does not :)



S T. Saturday. 27 July 2013

Your mother rolled out pastry
with the rolling pin
her hands pushing the implement
across the board

and you watched
her floured skin work their skill
backward and forward
under the palms of her hands

the thinning pastry
spreading out to an inch of width
until her hands stopped
and she flipped it over

and spread more flour
upon the board
with a flick and smoothing touch
of her hand

once that task was done
she lifted it to the dish
and eased it around inside
and around the edges

with her fingers and thumbs
working their way
in a circular motion
around the dish

then cut with a knife
the over hanging
unneeded pastry
and put it aside

like an umbilical cord
once the baby’s born
as her hands placed in
the stewed apple filling

you said
can I have the left over bits?
pointing to the wasted pastry
left aside

sure you can
she said
moving on with her skill
as you picked up the pastry

and walked away
noticing the sadness
in her watery eyes
and strained voice and words

following you across the room
as you ate the pastry
between your fingers
like a bird of prey.

you said you had needed time and space
as if I hadn't given you enough of that already
I had sensed that my love was suffocating you
so I eased up to let you breathe
I didn't want your respiratory system to collapse
because of my emotions
but how do you explain leaving me because
of the very thing you wanted
you said you didn't want a girlfriend anymore
and that was like a stake to my heart
because I had been much more than that
I had become apart of you
I was the one who opened the gateway to your soul
I was the one who ended your drought
and I let my ship sail into your harbor with no regrets
but I guess some ships were meant to sink
see I gave up and tossed my heart into the sea a long time ago
but this morning a piece of it washed up ashore
that's how I know there is still hope
so maybe we weren't right for each other then
maybe we'll meet when we're better for each other again

how often do I have to return to the comparison
of dogs, when my patience and
social formality is tested...
         and without these piquant passions
I'd... well I wouldn't even try to
become an oriental monk or a
Bangladeshi yogi (if that's what you're
asking)...
            guess it will never be in my heart
to turn my blood blue
and pretend to blush like Vishnu...
then again: maybe there are no monarchs
seated on the stools of cashiers,
at a supermarket?!
       perhaps older women should be
taught not to serve your men buying
alcohol, thinking that they are en route
to the men in their life...
     whatever the story,
          but for god's sake,
   just because I've taken my headphones
off and slipped them into the neck
of my t-shirt doesn't mean I'm: suddenly deaf...
ah faaaa'ck the woman's comments
ruined my afternoon moon which
subsequently ruined this classic pasta
bake I was making...
            because that sort of commentary
from a supermarket cashier isn't on...
PEOPLE DO NOT HAVE BORING JOBS...
THEY HAVE EASY JOBS
    WHICH MAKES THEM BORING...
and I'd love to see a bunch of these
supermarket staff spend one summer
covering the roof of the Scottish Widows
HQ near St. Paul's:
   WORK ON A CONSTRUCTION IS...
    ARBEIT!
            you don't have a chance to
scratch your backside let alone
think about flamingo coloured clouds
to, "pass the time"...
          can't exactly expect a job,
devoid of physical exertion,
and somehow wish for an intelectually
budding focus point to counter...
  people have "boring" jobs because
they don't have as much physical investment
in it... and not every job, made easy,
is guaranteed intellectual prosperity...
albeit there are some "easy" jibs
that nonetheless require a sense of
the other, id est: responsibility -
exemplum gratis: a crane operative...
      roofing is a menial task,
albeit with the meniality of the labour
eased by a physical investment...
all these, menial / "boring" jobs?
   exactly, where once it would be equated
to toiling in the field...
          no intelectual expansion,
added to the missing loss of physical strain...
hey presto, you have kings and queens,
literal ******* monarchs on supermarket
cashier stools!
      MANTRA:
    remember to have the cool of
an alsatian, rather than the bark of
  dachshund (repeat that x3)...
WHY?!
    loose tomatoes, on the vine...
even at the self-checkout the checkout
machines have, a ******* weighing
mashine for the cashier,  
    by her generous graces: to ******* use!
if this sort of cashier is so
******* expendable, why the hell have
supermarket cashiers in the first place?!
people have a knack,
at making them expendable...
    this poem would not have come to life
if the supermarket installed self-checkouts...
because?
******* dinosaur...
    I can understand going to the butcher stall
or the fishmonger stall and receiving
a barcode sticker...
    fresh fruit and veg. in a supermarket?
    does it ******* look like I'm
at Spitalfields?!
    sorry, Poles can't own shops, can't work
in shops, will always return to
shopping during the Marshal Law days
paranoid about the Soviet invasion...
fresh tomatoes, every self-checkout
machine has the option of weighing
loose veg...
    yet there she is, a twitching
a.i. in waiting recyclable with a question
(prior to the suggestion of my deafness...
no, the sound of cars doesn't fill
me with a techno romance, music thank you,
can't summon a ******* sparrow
even if I waned to):
WHY AREN'T THESE TOMATOES WEIGHED?
mantra: remember to have the patience
of an alsatian...
     oh, sorry, could you just put
them to the side?
   the barcode road ended...
     SELF-CHECKOUT MACHINES
HAVE A LIBRA FUNCTION!
YOU CAN DO MORE THAN JUST SCAN
BARCODES! YOU ARE SUPPOSED
TO WEIH LOOSE VEG!
   THE SUPERMARKET HAS HAD A FRESH
DELIVERY! SEASONAL PRODUCE WILL
NOT BE PACKED IN SOME *******
JUST OUTSIDE OF MADRID AND SHIPPED
WHEN LOCAL PRODUCE HAS JUST BEEN
BROUGHT IN, AND IS SOLD LOOSE,
BECAUSE IT HAS BEEN BAUGHT IN BULK,
THE SUPERMARKET HASN'T PAID FOR
BARCODE PACKAGING...
expendeble human being...
     and god, I sometimes wish I could
bark like a duchshund whenever
a mosquito-bite's moment of irritation
      came like that on every
occasion...
          little dogs bark...
I haven't the energy most of the time...
so I have the mantra:
save the barking and go straight
for the bite...
        hence the alsatian...
             currently there's a "debate"
about: disabled people protesting for
almost 20 days about receiving
     an increased living allowance...
and I'm like: you sure a ****** would
have insulted my hearing
     and did a job worse than I would
have done using a self check-out?
        all ******* smiles if they were
given this "menial" task...
   heads full of hot air, smiles all round,
and... on the odd occassion,
a deviation from scanning barcodes...
but I sometimes wish
   I could bark like a little dog
on these mosquito-bite type of scenarios,
as trivial as they are...
   in a supermarket...
    but I can't exactly lunge into
gnarling and biting...
            guess I have to pretend to
be the ever loving, patience of an angel
labrador... type of...
              dog, walking an invisible
blindman...
     hell, the ***** I bought on this
trivial escapade makes the past day
a glitch... and the night:
    open to an endless stream of interpretation...
she was right though,
   I am not the sort of story
behind alcohol that she probably
knows and has moved past
self-pity...
                    all out war of tongue...
well, sure...
    AVE! MENS FACTUS EST ****...
hell, Latin grammar is like
a semitic text,
          right to left...
            doesn't matter if the text
is ancient and was also, once upon
written left to right...
   the grammar might as well be
semitic...
               good that I didn't bark...
           ah...
but to have ended the day and escaped
into the night, with this deadweight
making me bloated?
     the fact that people
can't keep social manners in comment
sections of articles...
           and don't have the capacity
to bash about a pixel blank?
        it's as if these people are so docile
and oblivious to situations
where they could have barked
    but didn't...
    but also: didn't even have
a conflicting argument to not bite...
hence... ha ha...
   the comment sections, those of us
aged 30+... are familiar with.

There were two balloons
and a vinyl kite wedged
in the branches of the lemon tree
and I ate a sandwich
with cheddar cheese
and watched a little girl
cry.

She was sweet, weak, sad,
she had a lemon scented sigh.
I imagined how and why
and when she would stop
to dry her eyes.

But those tears that flowed
will wash away the tears
that flowed down yesterday.
It eased the weight of thought
off my mind and rent
the lemons from their
rinds.

And each new lemon seed
grew another lemon tree,
and each new lemon tree
grew fresh new lemons innumerable.
And each balloon and vinyl kite
that floated in the breeze were caught
and held for ransom for little girls' tears.

And each little girl with years
and years and years will be a little woman
that has no time for kites,
between the money spent
replacing them for
crying little girls.

Amongst Orientals and Blacks I smothered.
Presence amidst Mestizos was absurd.

Amongst the Arabs stranger I felt.
Choked amongst Whites and Celts.

Amongst the Eurasian lonely I was.
Feeling of an alien 'tween Desis 'twas.

Standing amongst stones I was pleased.
Felt comfortable, felt relieved and eased.

I felt an unusual twinge in my neck
as I turned toward you.

Heavy breathing signaled morning sleep
as my arm reached across your palpitating belly.

These casual cuddles, typical of the start of our day
emit a warmth unlike sunrays or furnace heat.

No use to wake you or tease apart your legs
for seldom do we play.

That may come after morning news is devoured,
bananas peeled and different morning hungers eased.  

Now i rise to consume small pellets of brown, pink,
grey and white chemicals compounded to keep me alive.

There is a stillness downstairs with greetings from a well-worn chair
contoured to support my soul.

Blades whirl overhead churning a breeze
my face accepts upon my forehead.

Now is my time of meditation, my attempt to
listen to whatever god pervades this universe.

There will be no answers, no jolts of insight or revelations,
only small particles of peace to cover my disquiet.

You will lumber down steps with effort accentuated by creaks
and moans that are more pronounced each day.

Our lips will touch confirming both obligation and willingness
to walk beside each other.

I wonder if you think there could be more?  
Could each gaze toward one another be longer?  

Could I unbutton myself enough to see or would you scold me
for such an unrepressed display?

i  don’t give a ****, I don’t ******* care
its built up inside me weren't you aware?
Your continuous control I chose to ignore
Now I will not take this ******* no more
******* I will do whatever I please
Betrayal now hidden with such ease
what I do you would ever allow
******* I will lie avoiding a row
What did you do last night?
Nothing I’ll lie
Dodging accusations I have to deny
*******, your efforts of controlling me
Manipulating me subtly
Or Subtle you thought
I don’t give a **** if I’m caught
At least if you caught me this would end
This ******* I wont have to pretend
Yes I'm a liar yes I'm a ****
You caused me not being up front
I could say I'm sorry but that isn’t true
I've never been sorry for anything I do
Sorry I was caught not sorry for the act
Lying eased how you would react
I wont ever tell you of when I lied
Even if it amused me to slam your pride
I've had all I can take I have to leave That I am the ****…..
like you chose to perceive.

at two years old,
your curious hands
happened upon a bottle of
flea medicine
that lay waiting on the counter.
your mother was absent as usual,
off on an errand,
or walking the dog.
unwatched,
your enterprising fingers
eased the lid from the container,
and you poured the sweet-smelling
liquid down your throat.
the world was still so new to you,
and it seemed to be made for tasting.
who could blame a child
with a thirst for more than
mushy peas and applesauce?
two days later
they released you from the hospital,
your stomach pumped dry.

when you were six,
idly exploring the woods of your mother’s
sprawling estate,
you paused a moment from imagining
faerie queens flitting about in the greenery
to take rest on a log,
your undiscerning eye not betraying
its secret: within it was a nest
of wasps,
and thinking they were faeries
you dared not move as they
rose in a cloud above your head
and overtook you,
leaving your body peppered with
painful angry sores.
you fell to the ground.
a hired man,
strong and tall as the oak trees,
saw your quick descent and
ventured after you,
made a hammock of his arms
to bear you like a fallen soldier
back to your mother’s house,
his tough sun-leathered skin
immune to the assaults of the
faerie battalion.

at eight,
playing in the small child-sized house
in your aunt’s garden,
you sought to make stained glass
from the broken shards of the playhouse window.
having no tool at hand,
what better way to
shatter the clear, flat plane
than with your fist?
before reason could take hold of you,
you drove your hand
through the glass,
and the raw edges cut deep into your veins.
blood flowed in rivers
from your wrist.
your aunt, ever watchful,
rushed from the house to
stop your body’s catharsis
with a dishcloth.
the jagged unpainted shards
lay forgotten on the ground.

The taxi ride was unbearable,
She yearned to feel his sword,
The rain just added to the angst,
As it soaked the dress she wore.

The stairs were home to ecstacy,
As he took her there and then,
She cried an ache filled moan,
As he took her once again.

Her stockings pulled and thrown away,
They didn't have a care,
Reaching her apartment then,
She stood , her body bare.

The clawing need for one another,
Reached heights they both embraced,
His love was fierce and wild at times,
His love made her heart race.

As night eased into morning's light,
So he eased into her,
This love progressed in just one night,
To a love meant for ever.

billboard's calligraph --
past the haze of Manila infested
by car sprawls and belching machines.

magnanimous treatise of tarpaulins,
people chin-up asking God
with askance

something like this
"o god make this bearable
like a mound of fresh fruits
from ****** labour."

maniacal sensurround:
earth-shattering frequency
of footsteps trampling the mouth
of monolith shadows - the peak
of this quake is our complete silence.

rain's catharsis in effect
sousing us in the blood of unreal light.
this diastolic shrinkage
jamming the beat of constricting vessels.
the adrenaline surges
within the dermis of this pretension.

a collective of tired beings heeding
the recherché of voice metamorphosing
into form, a dagger-butterfly
paring us skin to bone, cranial
to visceral, soul to nothing -

catapult of a trajectory spit
plummeting in eased-up pace
from Taft Avenue flyover
to a subjugated wagon of scraps
and empty wine bottles.

today's paper reads:

"Palace hits hiring
   of **** dancers"

fancying to fall right in the
spanked curved of this
insatiate melodrama - something
  prayer could not save from
this land's mutinous ignominy.

   we resume to fulfill our madness,
hundreds of tack-headed people
  rolling down the streets of Makati,
drenched with rain's trilling aftermath.

squinting to look at
  no sun, only the grieving of skyscrape,
thumbing down unidentified objects
  in the depth of loose pockets,
    desperate for home.

there's no point writing out what poetry is... if you don't actually write it.*

a whiskey prior noon,
too soon, too soon,
too soon?
i'll be cooking a turkey curry later,
a whiskey prior noon,
too soon, too soon,
too soon?!

rhyme or rhythmic, perhaps the latter
in Dante's trinity of rhymes -
poetry of the near-illiterate,
who never read as much as could
have been -
thinking it out as origin and originals -
a man without influence is
not worth reciting -
                                   he'll still have to borrow
the life of a Henry VIII somehow,
whether he has or hasn't read a book
concerning the man -
while the Vatican emerges as the gossip
library of all the European royal families,
and indeed Henry VIII dubbed
Anne Boleyn's cow dangler *******
duckies - i think it's due to the fact
he quacked while he suckled the *******
like a pre-mature **** not producing ***** -
seriously, no milk;
and as honesty goes, ******* literature
does it for me, patron saint kenneth rexroth -
self-education moulds the self into a
pristine sequence of surprises -
there the pop of a balloon,
there the weeping clown...
there the giraffe on stilts!
indeed even at university entry point
where i deposited my self
i came back with debts!
idiotic treachery of teaching the politicised
version of language,
as language per se simply called grammatically
sound, in politics simply versed "correct";
two satans from Syria while Solomon
had his harem,
                          a third from Poland,
they say the holocaust,
6 million if not more citizens of the world
with polish passports - mind you
they took the Diogenes quote
into left and right parallel readied for a march -
Apollo listened then laughed at
the failures counting to 13 - laughing
while the words 'too the moon!' were eased
out from his helium filled lungs.

Talking to my GoPro as if it were you
Current truths
Diminish the whirling blues
inside my head where you don’t have a clue

out the zoo with my emotions
In the beginning eased it with some sleep
Because I couldn’t see the reasons for my grief
Out the shadows and the light is brief
What to think?
What to know?

The tension is rigorous
Kept inside a pin
Let it sit and sizzle until it’s smoke

Open the vents, and let it go

To seize a chance for peace
Dismantle the layers of myself
Find you in a strip
A memory I’ll always love
My love just don’t lose grip

But to love is to see you free
A peak I couldn’t see
Relief indeed
Let it bleed
Let it bleed

Let it bleed

Consume the dooms
Swallow the distrust
The other side of the moon

The ending will come soon

Sitting in my room

About to make some chicken....