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derelictmemory Jun 2014
I can't decide if earthquakes are caused by shifting rocks
Or if they are the result of the growing faultlines on my palms.
If the quake I feel is from jolts of energy formed due to the earth's crusts rubbing against each other
Or if the quakes are caused by the friction between my palms and my face
Perhaps earthquakes have nothing to do with the fact you left dragging your suitcase behind you
And perhaps it has no correlation with the rubber soles of my shoes and the cobblestone ground
Maybe earthquakes are screams of, "THIS IS TOO MUCH."
Maybe earthquakes are millions tremors whispering, "I can't take much more of this."
I've been struggling with differentiating equations involving inner shaking and outer breakdowns
But I have come to a conclusion that the probability of earthquakes existing within me is fairly close to one
And that the probability of earthquakes being caused by your hurt is possibly closer to one
Most days earthquakes begin from within -
The place where your hands used to cradle my heart is cold
And the ice is travelling from my arteries to my fingernails
Other days, earthquakes stem from the screams of the masses -
"You don't matter," they say, even though I am very much aware
That a flick of my finger could cause the collapse of a tower worlds away
I can hardly comprehend how sudden releases of pain can cause a rift in time and space
And sometimes earthquakes are the seizures that could keep someone alive and **** them at the same time.
21 June 2014
Addison René Jul 2014
the day the city we built came crumbling down is the day i asked myself over and over again:

were you not level headed,
were you tipsy turvy,
were you drowsy eyed,
when there were earthquakes erupting from your palms?
were you even ok,
when you shoved me in the back of your "junk drawer" in your mind
did you even try to know what it felt like when i erased you from my wasted time
did you flight or fight
or did you even try to understand
when your palms were trembling like earthquakes?
"--you know, I've either had a family, a job, something
has always been in the
but now
I've sold my house, I've found this
place, a large studio, you should see the space and
the light.
for the first time in my life I'm going to have a place and
the time to
no baby, if you're going to create
you're going to create whether you work
16 hours a day in a coal mine
you're going to create in a small room with 3 children
while you're on
you're going to create with part of your mind and your
body blown
you're going to create blind
you're going to create with a cat crawling up your
back while
the whole city trembles in earthquakes, bombardment,
flood and fire.
baby, air and light and time and space
have nothing to do with it
and don't create anything
except maybe a longer life to find
new excuses
Yanni Nacpil Sep 2014
Earthquakes and airplanes collide all at once and we go down to our knees in defeat. What a shame it is.
©SeanaseaWallen 2010
heather jackson Aug 2014
i think i feel every single tiny
in my big bed
[which i love]
because inside
i am always
Raj Arumugam Oct 2010
and such disasters
are caused by immodest women;
if you are wise you will see this truth

indecently dressed
and accentuating contours
cause excitement in vigorous young men;
if you are spiritual you will see this truth

the men who thus get excited
(and it’s all the women’s fault, you will agree)
and so are led astray by such women
and this causes adultery
and such immorality which
results in seismic activity
and so you have earthquakes;
if you are pure you will see this truth

it’s true
because adulterers
do it more vigorously
hence the earth trembles
more readily
Tyler Loeslein Mar 2013
My own thoughts become
earthquakes, that rattle my foundation,
weakening my faith.
Edward Coles Sep 2014
My *** drive would cause earthquakes,
but I can never find the time
to leave this place,
this bed-side lamp,
and away from poor attempts at rhyme.

Depression is a tired old topic.
But *** is forever at hand
to pin you down,
to win you round,
slinking off to the toilet in my dressing gown.

I know you feel a belonging
to the archives of music,
you drink in bed,
and sink on in,
to the restless call of another troubled head.

I will find restoration
held between your slender legs.
It is all we've got,
in this paradise lost,
in this sweaty reclaim,
to a feeling we'd forgot.

Going down is not an art,
but a way of keeping young.
How can you claim to love
what you won't dare to kiss?
How will you ever hear her siren song?
Frieda P Jan 2014
looking for my savior to undo me
under the rubble of victims remission
my chained heart nailed to a cross
lust'd sheets beneath the ***** streets
crucify myself lookin' for imprinted adoration
little earthquakes of my soul unload'd
save me from myself and these blood tears
my heart thunders like a roller coaster ride,
struggle to captivate your poetic prowess
never good enough to leave my impassioned stain
severe'd connections in feeble breath's wake
washed away in torrents within ocean's depth
castles crumble in the chaos of my mindless muse
" ~inspiration Tori Amos, Crucify "
sammybunnie May 2014
If you ask me to describe him,
where will I start?
I can’t possibly fathom my thoughts into words
and turn him into a description of art.

But I can try my best,
try to pick him apart.
Describe him in words,
perhaps in four different parts.

I’d start with volcanoes
for he’s just like one.
Where his touch feels like lava,
but surprisingly calm.

Up next are earthquakes,
since his heart is one.
It makes the world shake
causing me to run.

Third would be hurricanes,
since his mind is one.
He’s a drug I should abstain,
that makes me come undone.  

Last would be forests,
since he’s full of secrets.
Hiding and waiting,
to be uncovered by none.

He’s a mystery,
yet someone I trust.
He is impossible to describe,
and rarer than pixie dust.
Original poem by Sam Barnes.

Someone recently asked me to describe my boyfriend, and I came up with this.
Brittany Marie Nov 2010
These days I hate being told about my strength.
I hate being handed a title branding my chest
With a word so full of magnitude.
I am discovering not that this world has taught me strength,
But that it has carved creeking creavices of weakness.
Straight to the base of my bones.
If I should ever walk past,
You are more likely to hear my
Fault lines shaking earthquakes
Through every fiber of my woven body.
Lately I have no peace of mind to find some sleep.
I"ve been scraping the avenues we paved together
Knees broken, ****** hands,
Praying to find a piece of you.
My eyelids refuse to give me darkness
With such a measured distance between us.
Knowing that you will not be there,
Playing symphonies through my ribs as I wake,
Is too much a burden for my tired heart.
Can you tell me, where is the strength in this?
I can no longer look at my mother
Without some shame swelling
A fierce sea inside of me.
Waves of my mother's failure pummel my gut.
Yet I could never tell her this.
Could never say that she
Ruined my life,
Put me through hell.
Fed my childhood to the mouth
Of the monster of addiction.
Knowing my innocence was spilled as blood,
A sacrifice to the God of her fix.
Ten years later,
I still cannot look at my mother.
Now tell me, what is the strength in this?
Loving me is a death wish.
For I will drain the life from you.
Facing such a world with these hollowed out eyes,
I cannot do so on my own.
Make sure to keep you distance,
Too close and I will bind our wrists
With rope a burning indian.
So when the knife comes down,
I will not bleed alone.
So tell me, what is the strength in this?
One year since flashbacks of things,
I never knew I remembered.
When the darkness comes I
Cannot close my eyes without
First feeling his hands,
His eyes,
His breath.
I cannot love myself,
For disgrace of the woman he sculpted out of me.
So show me where is the strength?
I hate being told abbout my strength.
I hate being handed a title
Branding my chest with burnt crooked lies
I hate being granted a word so full of magnitude.
My shoulders weren't crafted
To hold such weight.
You may never find that in me.
So if you call this strength,
Here take a look
At my book of weaknesses.
How much strength do you see in me now?
Danielle Jones Mar 2011
i woke up today to the world
drinking tea and chaos,
as if nothing has changed,
like the ground hasn't collided and
caused the water to rise or the
fact that the government just may not
care about us at all.
the debt we are in could last us a century,
and i'm not talkin' about the government funds,
i'm worried about how luck is never on our side
of the dead green grass but,
we can get through this.
i've never been one for religion, so
when i catch myself saying that i have faith,
it's feels like marbles in my mouth and
the glass is melting to form
a sculpture of how we could be
little or we could be big,
but only time will tell in between the seconds,
and that moment we know which we are,
i'll turn to you and tell you if the faith
is still crashing on my bad days
and i hope you'll stick around if it isn't.
if you don't stay, the earth may quake
close to a 8.5 and it will go down in history of
how difficult it was to piece back
my grounds.
so even if the world stops spinning,
i'll still spin it for you like when you used to pay
for my admission and walk me to my doorstep,
like there was nothing more dangerous
than leaving traces of my footsteps across my dewy
i'll spin it like the beer bottle with the foam
settling at the bottom, just so i can see
something fluid move because
sometimes being fluid is more beautiful than being
solid since solidity only has one shape.
so once you tell me that you won't be there to spin my bad days
to good,
i'll leave you alone, like i would the dead
carcass of the deer we hit two days ago in your rusty
volvo but don't be surprised if you ever
wonder if i dream about you
and when the answer is
only every once
in a
© Danielle Jones 2011
RAJ NANDY Feb 2015
By Raj Nandy : Part One

Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

Ancient Indian ‘stupas’
and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!


Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
Hope you liked my Introduction, being posted after
almost forty days!
E-Mail: rajnandy21@yahoo.
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply

The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply

Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply

First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing
When I composed the History of Western Art in Verse & posted the series on '', few Indian poet friends requested me to compose on Indian Art separately. I am posting part one of my composition here for those who may like to know about Indian Art. Thanks & best wishes, -Raj
XXVII. TO ARTEMIS (22 lines)

(ll. 1-20) I sing of Artemis, whose shafts are of gold, who
cheers on the hounds, the pure maiden, shooter of stags, who
delights in archery, own sister to Apollo with the golden sword.
Over the shadowy hills and windy peaks she draws her golden bow,
rejoicing in the chase, and sends out grievous shafts.  The tops
of the high mountains tremble and the tangled wood echoes
awesomely with the outcry of beasts: earthquakes and the sea also
where fishes shoal.  But the goddess with a bold heart turns
every way destroying the race of wild beasts: and when she is
satisfied and has cheered her heart, this huntress who delights
in arrows slackens her supple bow and goes to the great house of
her dear brother Phoebus Apollo, to the rich land of Delphi,
there to order the lovely dance of the Muses and Graces.  There
she hangs up her curved bow and her arrows, and heads and leads
the dances, gracefully arrayed, while all they utter their
heavenly voice, singing how neat-ankled Leto bare children
supreme among the immortals both in thought and in deed.

(ll. 21-22) Hail to you, children of Zeus and rich-haired Leto!
And now I will remember you and another song also.
haley Oct 2017
The trail of a wedding dress
The flower girl holds with tiny fingers

We too hold the endless stain of blood
On white t-shirts
On nights that scatter blue trees over black heart
Alight by shooting stars
The mother tells her child
Unwilling to unlock the truth

The truth
The truth those stars
Don't grant your wishes
They grab them
With scarred scratching hands.

The damp stitches in the soil
Cemetery symmetrical to hospital
Those shooting stars circling
Like a vulture
Speeds towards dead carcasses
Still, the murdering star will not cease

To break bones
That have already broken
To take lives
That have already been taken
To burn
What is already charred

It smells like not your favorite food for dinner
It smells like having to do your math homework
It smells like burning books
It smells like gnawing on your own skin for feast
It sounds like tired, howling machines
Spurring and sputtering, never-ending their onwards trek

Swallowing distances and with it, nameless faces
Nameless places
For nothing has gone without the occulent scratching hands taking hold

Today the earthquakes of death
Don't make the land shake anymore
For it has learned to cope
With the desolate cemeteries filled with mute bones

Today burns like gasoline
Looks like intestines decorating destroyed doors
Today it rains curdled crimson

Tell me shooting star
If the child liked  jam on his toast
Did he snore?
Did he like math? Or english?
Shooting star doesn't know and neither the bombs.

As bodies fall from trees
like rotten plums.

The world was born in blood
And has not ceased to suckle its wounds
Endless blood thirst, Endless war
But not endless skin to bleed
Tim Eichhorn Aug 2014
With regards to Thomas Sayers Ellis*

Look at the
    Lucent lava lamps,
Dark craters
    Hiring hands.
We walked,
    Mimicking magma.
Hot, why is
    This heat?
Forget Vulcan
    And his illusion
Of kaleidoscopes,
    A rip tide
On the shore
    Of our conscious minds.
We held fire,
    Pretending to swim
    But only out
Of pure respect.
    Some had boots
Made with
    The clippings
Of funky tripwire,
    Others wore suits
With goggles
    Clamped to their faces,
Gripping like
    Bay Area earthquakes.
    Jang-strangs were
Attached to us and
    Hurled into the Pit
With rhythmic rituals,
    Waves of S and P
Flailed away
    Like flags.
One nation
    Under a new.
No one looked away
    From the fiery daze.
No one wept.
Cassie Wilson Jul 2013
We are fickle,
rushed, lonely, and lost.
I can either care for you
or forget everything in apathy.
Do you understand?

Before you say yes
and kiss my face,
realize this:
You are not
my weakness.
Love is,
or, the lack of it,
the endeavor,
the hope, the chase.

Interlaced fingers, wandering hands
are the best teachers,
the perfect cons.
The Captain doesn’t teach
how to tear love apart,
we do. We are earthquakes.
Don’t you dare romanticize
natural disasters.
They scratch on the chalkboards of your mind
and implant ideas that never should’ve existed
or they run their fingernails down instead -
sometimes destroying everything
they breathe on.
Julian Jul 2016
Hip Service
By Julian Malek

The zeal of cobblestone tolerance arrayed in fashionable hues masquerading as crimson secrecy, elevates the tide of man but some boats leak in their foundations. Therefore a cork to every exuberance and a triumphant torch for every sorrow lives onward in collective time. Larks that abound because prescience and PUGET sound, that brown has become the new orange which in turn prowls as a concealed swarthy black. To antagonize the willful and frenetic pace, a prodrome of lasting but memorialized disgrace. Should I move to a state by first or last name, or is the final appellation worthy of much more lasting fame. I scurry down the aisles, bemused by shimmering tiles and the beguiled audiences who see much in my limitation but doubt little about my debited elation. Ringmaster Barnum, how much horticulture is needed for assured superstardom, how many cloisters must we evacuate from the incendiary plumes of a metaphorical Harlem..  But know that no virtual reality can supplant the reality that does truly exist, or at least our time is too infernal and purblind to resist. Carrey the tops of mountains in the humor of wellsprings and fountains, we engage a menagerie of egos lilting of an etiolated pragmatic concern. Evicted from paradise, littered with say-cheese demise ensnaring three blind mice eaten alive by snake-eyed vice. To feel good without incorporated tyranny, we must see blue and red as alternatives to the same destiny. A world that reckons with the futilitarianism of pacified malcontent and astroturf monikers that lead the impressionable into a slaughter shed. Established or not, any enchantment under the sea must include fishes once a pastiche of me, but to them I avoid their courtesy flush and never even faintly blush as my egalitarian statements are lavish thrush.

Five TO Won baby one in 99, everyone here aboard the titanic stays alive, you got your boat baby and I got mine, gonna make it with babies numbered in surreal primes. Halt the slots game the nines, a stitch in time is going to turn out to be Mine. Flanger goals, girded piles, liminal like an aborted Harry Styles, we climb mountains we issue tithes, and the turmoil is etched into 45-notched bludgeons and two-tucked knives. Excuse you, where have you been all day, have you been sauntering in a gentle rain or a genteel pain, have you wallowed beyond the mires of doubt and ranked above David Blaine. I hope you tell me of your magic tricks, rather than your other flicks endeared I stand to fight an ineradicable itch. But if not, you placid pond dented by so many rocks and so many ripples give your heart over to me, before I clinch the special Olympics *******, we ran, we span the homespun garments of your left and right hand, but death is a specter that ghoulishly carouses along the carousel terminal disease we call life. I beseech your deepest affection and want to console you for your deepest struggle, to be there every time wed with time rather than a throttled scuttle. Moons make you guarded but maroons leave me desiccated, don’t ever let that wilted flower die, always water it with a rich but gentle ties and widened deck for all to at once marvel and pry.  Monsters of Mars Attacks once flanked my bed, as though the **** brain scared every gooseflesh and restrained every frisson of mystery. I lampoon myself for those cold Dark Knights and the protection ended by the plight of the poor mattering nothing to the deliberately internecine rich. I struck gold in a valley somewhere, an oxymoron of paradox that now you have the privilege to dock, to stay aboard to be a vessel of peace less widely deplored. Even if we don’t sprout wings, we garner the exactitude of measured things and our glass elevator though easily shattered by the glower of enslavement is actually our vista to heaven or listening to brethren tingles for rich mans trinkets and other things. For humanity deserves a legend and a princess, a regimented desuetude and a flanged lust but in our mistakes wildly flouted in momentary moments we become purified by the temptations of an alabaster palace.

***** the left-field wisdom of a pragmatic paragon ellipsis in prison, slip between the cracks and let my suburban muse become your urban ruse. To enchant a caged world beyond a reality delicately and deliberately unfurled. Squirming toads on highways enchanted but dead, are graves for the blue becoming purple in every dignified red. Gainsay assaults me with platitude, a repeated hitter quit on the first bunted ball into foul-line territory. Those gripes are swiped right in all circumstance no matter the plight. The pronged hearing of a trident sensitive to ambient collection, and suddenly we are all in the mad house even though the house of profaned pain is much worse. Glimpses of gambits that gambol for nickels in transit as occult grenades and known dice waddle through without artifice or device, and the laughter and slaughter that trains collegiate minds, differs no more than the tropes of a glamorous violence articled in sordid rhymes. This surfing movie means so much more than Surf Wax America pristine in limited but sacrilege nirvana. Teen spirits smell muskier than 90s pop dreams, the grasp and grunge of gouged eyes becomes a mummified staid, a scarecrow to those who disobey. Childhood flashes with blinding light, and new sight illuminates darkening blight, A blight eradicated only by two magazines and including one that houses the bullets that ***** themselves between death and comatose dreams both within astral sight. Littoral harbor on a seaside town, a shanty with a brackish gown that glides the gourmand to the cosmopolitan eatery on the outskirts of lost & found. But forever lost in embonpoint and forever gained in chavish that exonerates the gaunt, the etiolated prince in heart becomes irrefutable marrow in minded souls.

If I am a spy you are an ESPY, and if I cry than you are a baby,but since neither are the case my wiseacres will cultivate lava lamp dreams for a new generation and suddenly Boston bets on Harvard, but who knows of this piped blather squirming for relevance rather than voguish but temporary chatter. My regatta knows how to swim, my life now knows how to cringe and yet still win and in stilted plays of bungled sincerity the God of peace reminds us of our transcendent personalities. That we in sincerity top the barnacles of invention a novelty but a rarity. But the guillotine quill of emboldened unscripted parvenus ruthless in their eager dues, outdate and outlive the sued swayed blues that indemnify Clinton and make the atomic dog an amazing Winston hill a church often in sheltered disuse. Imps and urchins sting the sentiment, cloy the alimony of repentant betterment, but neither touches the gilded skies of pleonasm striving for raspy disguise as to dissuade further diatribe investigation. Lurking in those scared days of youth, the gore of unalloyed horror scourged me with a limp, that compassion itself could ever become a gimp. Now years later athletics better and scoring goals making the mildew sweat and the years wetter, not a global warming that can be alarmed by global mourning. Take peace at heart if distanced spears of separation make Idiocracy as a pastiche look exceedingly smart. And spar only with the true antagonists bridging malevolence with expedience. Killjoys sure, will joy even more sure, but still boys fluttered heart stopping dead at a stop-watched alarm the worst tragedy of our sordid sort. Give an African Child a real home rather than a spatial roam, a palatial desiccation of momentary Jonas Brothers snapping back at captives with sexualized foam.

Narrative blinds shuttered in an Island among mountains hardly ever wiser to sanitize the sanitarium among the wasps of stung power. Police crumple their uniforms as they prowl down the avenues, looking for misfits and widened platitudes. Somehow that the vigilance of those corrupted by their very career choice, look even worse when megalomania of private is the limelight of public, to their defense few turrets I can muster but castles in the sky will be the apartheid judge. Those that cling to virtue to eradicate Porsche-driven faked or real deaths at the most breakneck speed, that Fast & Furious operation if disclosed completely would turn the Shire of the ring into the hatred curtailed by a song in Sing-Sing. Immunity must not Yoda implore, that livery Liverpool marooned on islands can also to deplore the R.E.D. and still whet the sharpened stead and the fly-by-night Manchester United alights like militant peer pressure for wranglers in tights. But beating the Beatles at a game of Walruses and egg-shelled eyeful towers likely impedes rinkside hockey from anything over bellicose ballyhoo…it exists as a transient fixated glower. But who knows about soccer speculation when love is the transcendent temptation, when nest-egg hens rather than neglecting rig Bens of clockwork and clocked words designed arise better for their token ken. Do I must repeat the subtext of submarines, yellowed as though ugly unused as though unseen, as though the quixotic earthquakes of tintinnabulations Avatar dreams. Wafted souls console the disheartened thoughts of a dashed dream that Berlin hates more than a Furor’s unbridled and useless scream.
Demotic clips slinging from the bedridden silence of a token moon and its token friends, swimming in a shore of ambiguity whether history mellows or whether its furor melts away momentary doubts. I want to avoid the sting rays exorcised by due providence and become the amalgamated talents gentry and of course the upstart swagger of Jack Dawson. But with the psy-op going on, the people manipulated on all sides of a gray picket fence will the relationship bloom without muttered dissent or pretended smiles. Will we take upon the shuffled shuttle and dig with shovels deep-rooted Christmas trees and toast our lives to Dos Equis. We may never go out of style, but the treacle of illuminated imagery when divorced from sentiment bristle shows a swagger that prioritizes rather than amalgamates all love. I love being brash and brazen and honest because when she finally ditches the grandstand of delayed frenemies fandoms of other tinsel decorations without any substance beyond meretricious thrill. You want a roller coaster on some days, but most often you want the nutcracker to elope to secret hiding places. Swim with adventure not just in love, not just in affection with the starlight now matter how luminous, sixpence all the richer is no centuries any poorer and we could be that gilded couple of star and screen and if we ever have to scream, let our screams unite us in passion, rather than a milquetoast deference to pedestaled beauty. but of course the end times don’t laugh at your crumpled wizened relapse. Not out of convenience wed by a discriminating genetic harvest moon but a deeper engagement that flatters when stylish and bristles when romantic but never defiled, never riled of specious pretense. Promise me that you will always remember me in my flaws and my faults, in my scause factory destructions and the penults of PEN-ULTIMATE wisdom that comes before the grace of God in the annihilation of passion for eroded omission. If your goal is to be remembered, check that out…but the most admirable goal is as the propinquities of souls dusted in the wind returning to a spring equinox of passion and if you find in yourselves reservations do not depart from sacred land, and never jilt me because of a boisterous and menacing friend. You are everything to me right now, and I Hope this persists despite the vicissitudes of star-favored afflictions mixed with utter benediction without the pontification of stilted Benedictines  or rather the hyped ludic effrontery of termagants being made of younger and younger women. Leave it at this ,32 leaves the royal secret in royal hands and the Knights Templar and us we altogether hold hands, if only a prelude for a masquerade ball. But the stilted embarrassment of crestfallen time, let that be relegated and emphatically lets embrace what is like to not ever need a real white horse to get back into your favor, because we never go out of style we can brandish the best elements and reject the sentiments of the too newfangled and the too stodgy. We in our crenellated pleonasm can eager ride the lightning to another tomorrow and another yesterday and if even not that, we virtually make an indelible impression of embroidered love not too distant in ivory towers and not to vulgary( catering to popular sentiments) to become a trash glam movement. We soar, others deplore but let their purblind doubts render them blind to our burgeoning love.

Forget the brisk trees dangled in the wind on winding paths through haunted forest or remember them because of ghoulish fortress but with our apotropaic lamp we can avert most evil and call the rest fun and gains and shun but fames never profaned, never inalterable a destiny to magical to be some whimpered catcall. Or we could linger beneath lambent street lights disguised as though wilted garb, attrition of circumstance waiting patiently for the matinee and the vintner to escort us beyond the garb of pretense in a city so abundant with it that it deserves castigation. But I digress, a beachside cliff overlooking tepid waters tumultuous in their power but august in their noises, the cadence of love will sing a half-moon bay on full-moon nights and we will frisk each other like grasping at straws of permanent tracks trammeled of the elite and a sidetracked basque bet. Trim those antlers and instead grow metaphorical wings, to us we all sing but few can match your elegance and everyone would be crazy not to see your ennobled age and together thrilling songs to emulate thriller in sales we will collaboratively sing.
Haughty sneers from lifeless lycanthropy straggling furtively along the pastiched sidewalks of grime, livid because they can’t share the lingering limelight, with as many guarded perks of privacy clambering like a hive of snarky sharks. Lets ditch the big town dreams in terms of posh and stature if only for a caressed moment beneath the unadulterated stars and if you find spars **** to the extent they are amiable than I say guess what my name is Lars! Or wait a second, paused in the big city spotlight our stenciled hearts will guide whatever progeny is yours or mine or ours together we will sing the most comforting lullaby, and caves no longer must we abide. Yearn and earn every inch, as I gripe with my delicate saddened pinch but I think the innuendo speaks . Ripen with our trips to Napa, long afternoon sunsets swim in our hearts as we taste the vanguard’s toast on elegant wine.I console with entreaty to disavow the omen of that San Franciscan church October 2008, the doom implied by Einstein, the raillery of a world grinding down the endless decadence of a railed future inalterable in destiny or partialy amenable to widespread coquetry.

Forget those rumbles in your past that made you feel partial to insecurity and learning the ropes you transcended all and live in all eternity. Thimble and brook, tolerant of all those tokes I took your rebellious side flattens the yeast of Exodus raspy in its begrudged clapping. But the Pharaoh of the modern world sheltered me under his prickly thorns, shielded me from the sickly things that life adorns. We have the numbers on our side, the weight of destiny on our shoulders, dedicate yourself to yourself and I will preen the most vibrant wisdom and love will leap like Apollo across all borders not for camel-****** hoarders. We are culminated destiny in the wings of the best daydream
Life, Love and No Mathematics to God and Gain
Awesome Annie Feb 2015
The ground threatens to swallow me, it trembles and it shakes. You can't run from shadows, or amend all your life mistakes.

I've always thought the floor was glass, knew one day that it would shatter. Head held high all my life, even though I never matter.

It's a struggle just to stand, always on uneven ground. Life was better for a moment, back when he was around.

Now is when it falls apart, my lungs forget to breathe. But I've been though loss before, and learned sorrow will ever leave.

I refuse to admit defeat, but this world falls apart. Earthquakes ruin all I've made, and leave this black hole I call a heart.
K Apr 2014
Don't write me off as apathetic because you don't understand me.
I am mountains sobbing in earthquakes.
I am rivers screaming in floods.
I am bridges laughing into splinters.
I am systems crashing and burning out with a wink of light.
I am a wildfire in skin and clothes and I would destroy you if I showed you my true self.
Do not underestimate my emotions because you do not see them.
cait-cait Apr 2017
The earthquakes are scary
They are weird and red.
They try to pull
down the people from
bed. the people
are crying they
are trying to run.
They wanted
to fly and
the Sun.
I DIDNT WRITE THIS!! today i volunteered in my aunts class of 4th graders and a student wrote this for me. her name is Anna and she's russian. My only edits were to her grammar.
Moon Shine Oct 2014
The sun was beautiful. She moved with the sky and never ceased to shine,
She soon became ill. Tired of herself.
The moon watched her every night, grow to dim more and more.

The moon whispered to her each night "Why so beautiful  but so sad? WHy have you stopped shining my favorite star?
The sun dimmer and cracked her once melodic voice now in comparison of sand paper, yet fragile as a leaf in Fall.
"I've simply forgotten the beauty of myself."

Each night the moon would cry. his tears making the most beautiful stars.
He would tell the sun his tears reminded him of her exquisite beauty. She would only sigh and remain dim, for she could not see his love if she did not love herself.

The pain and torture of inner hate did what all pain does.
It began to **** the once beautiful sun.
The moon would call to her still, and show her his stars but she could no longer look

For they outshone her each and every night
So she hid
And she cried
And she weakened
The sky screamed for her, cracking the grounds,
Crashing the waves
Moaning in the loss of their sun

And when she died the earth went still
The sky made no sound, created no catastrophe

But the moon
The moon screamed earthquakes that split the world in two
Howled Winds that confused nature of its purpose
Cried oceans that grew deeper the more his sorrow filled them

When we came to the moon and asked
Why he cried oceans and screamed earthquakes

He sat
In molded Silence
And stared where she once rose each dawn
He claimed she was once beautiful in a sorrowful timeless voice.
His love.

He told us of her glimmering smile that awoke the world gently each dawn
He told of her shining hair that reached the very farthest and darkest parts of the earth and welcomed what it touched with warmth and love
He told us how she would dance across the sky as though it was her partner

And then

He told of her in a different way
Where she no longer glimmered and shined
Her scent no longer of summer, but of a sick winters child
Her hair, pale and dead
Her skin ashen as though a blow of the wind and she would disappear like dust
She no longer danced, but hid, sauntered, concealed her beauty from even herself

He told us why the stars were so vast, that each night he cried and mourned her and his tears made the most beautiful stars
He bestowed millions to her each night, telling her their beauty was in no comparison to hers
But she would only sigh and turn away

When he ended his tell tale of broken love
We had become stone in his garden of aching hearts
And again he turned his back to us and moaned to the universe that made each planet, star, galaxy, bow its head in sorrow for his lost love

He begged, pleaded, for her
He begged into eternity, with only silence to greet his presence
And when every star, galaxy, and planet had died he remained
Calling for her
Wishing to see her dance through his no longer existent sky

When he finally gave in he fell from the universe into oblivion
A stone moon that died with an aching heart.
Ocean Blue May 2016
A desert between us?
Only in your dreams.
Your longing?
Reciprocal, it seems.
Your heart ache?
Nothing compared to mine.
My promises?
Rare and always held.
Your smile?
Bright sunray
Throughout my day.
Your heart beats?
My earthquakes.
Your verses,
Daily narcotics.
My horizon?
Just to love you,
On and on.
kaylene- mary Jan 2015
Some of you may know me,
              Some of you may not.

You may have seen me across the street,
Maybe you caught me in your mothers bedside draw,
Or in the pockets of a local *****.
We might already be acquainted,
                           We might be best friends,
I might be your

            Give me a taste,
            Be mine forever.
            But don't try play it clever,
            Don't be a predictable fool.

Maybe you think you're stronger.
If that be the case,
                            Then come a little closer,
           Get a clearer view.
      Those to make it out alive are few.

Let the paranoia manifest in your cells,

Let the shivers be like earthquakes in
your bones.

Let your agony pour out in moans.

Come on dear,
Let me
             Take away your pain.
Let me
             Be the blood in that vein.

                  Can't you tell?
                    I'm here to stay.
                      Come along,
                        Let us play.

But let it be known,
I am no one trick pony,
And this is no childs game.
This will end in shame.

Do you see the visions?
The never ending car collisions.
Do you feel the sweats?

Can't you see?
Caleb Conley Feb 2012
I stand firm, ground beneath me
Foundation of solid feeling
Foot connected to the globe

Then she walks in

Earth falls
Stomach rises to my throat
No other thoughts
When will this torture end?

She walks out

Tremors shake me slowly
Missed opportunities
Missed chances
Missing her

She walks away

Earth resumes its spin
Shakey, but spinning
Anshita Mehrotra Sep 2015
not all earthquakes
leave you shaken;
yet show you
-you had been standing still all your life.

(you were my earth quake,you shook life into me,and for that,i thank you. )
This isn't him,
This can't be the face he's left here,
This isn't the face he's used to seeing,
Solidified in the mirror.
It can't be the current one,
Or even close,
It's not at all how he recalls from the ponds he's known.
Not the one admired,
On crystal clear days,
Or the one sang with,
Through some humming nights.
Maybe his memory is just fogged up,
Maybe this reflection is just blurry from the showers,
They'd have burned others skin.
Still this can't be the face.
Not with the potholes for eyes,
Waning moons for lips,
And cliches for brains.
Or maybe things,
Maybe they do just change,
Maybe sometimes somethings sink in the earthquakes,
And are never swam in again.
Maybe sometimes there's no hope for reversal, redemption,
Or some rectifying light to right what's left,
Only hope in surviving the new.
I guess that's all there ever was.
If only he had it sooner,
He would have thrived in the old world,
Found melodies in the days and more mirror-less memories for the nights.
Only then could things be better off,
older poem, don't turn on your front camera or introspection may occur.
Bird Feb 2014
My heart
a ticking time bomb
beating faster and faster
louder and louder.
Until it began to sink
in a wonderful way.
A time bomb ticking
faster and faster
louder and louder
now with the weight of it’s heavy anchor
pulling deeper and deeper
or maybe inward.

White knuckles on the steering wheel
gripping tight at ten and two
all I can do to calm the earthquakes
stemming from my chest
and radiating through my finger tips.

My stomach is tortuous
twisting and turning
in an effort to keep out my frenzied heart.
A turf war
as the anchor drags it downward
threatening to invade occupied territory.

Now faster and faster
louder and louder.
My heart is banging on every inch of my chest
desperately wanting my attention.
Franticly, screaming and banging
begging me to be rational.

Or maybe, just maybe
my heart was bouncing and screaming
as high off the adrenaline
as I was.
Maybe it smiled as it ran
eyes closed, scissors in hand.
Perhaps the cool façade
I held
only held in my expression.

In the dark of the night
the sun found its way to my cheeks
as they burned
hotter and hotter
until the sunburn left
its brand on my skin.
The only visible sign
reflecting my inner state.

Outside of the car,
the only light shone from windows lit up
by families
ignorant to the
earthquakes, turf wars, and ticking time bombs
so close to their safe
quiet homes.

The earthquake spread
its destruction to my legs
as the right one focused
slow and steady on the gas
and the left bounced
at a pace to match the my heart.

The car crawled forward
past the families
safe in their homes.
I was a frantic fish
desperately dancing in the unfamiliar air
begging to be released
in the center of the calm,
peaceful lake.

The car stopped
and there was silence.
The radio played,
the engine hummed,
the cars sped by.
Awaiting the inevitable mass destruction,
my breath was taken,
it all stopped.

The cold hand encompassed my cheek
and the lips pressed against mine
with a contradicting force and gentleness
stopping the earthquakes
the turf war
the sinking
and shaking
the faster
the louder
and the ticking time…
MST Oct 2014
Your words a fissure in my heart,
crumbling it apart,
split in two, by you.
Like a giant you stomped your feet,
causing earthquakes in the street,
and I am merely a fearful boy,
who looked up to you,
only to see you destroy.
Now I lie with my dreams dripping out,
in the form of that warm red liquid,
soaking into the seeds of doubt,
all because of what you did.
Tom Leveille Jan 2014
your face went on every
milk carton in my dreams
when you went missing
& i listened to a song
about how the churches
in your hometown
were built from the martyred mahogany
of shipwrecks
i dare you
to think i can't rip
the very mood
from your temperate fingertips
when i am cold
and hell bent
on seeing you oceans away, wince
this is not an
"i saw this coming all along" poem
or a "i still wonder about the moments between breaths when your phone lights up" poem..
this is a will & a way
with brass knuckles
maybe a barehanded bludgeon
but i swear i'm trying
to sleep at night
without wondering how cold
it is in your bed.
so mother goose
tell me about
the whispered prayers
crammed into the earthquakes
you call hands
about an ennui
that speaks to me.
King Tutankhamun Jul 2018
Yes its big yosef a true heavy weight makin' earthquakes through all states watch for the snakes
In the grass never front for the cash who wanna clash?
With a mighty Titan I'm on a God status love hoes with the **** size of Trish stratus
Now tell me who's the baddest
ya on a one way trip with Gladys Knight
On a Midnight train to Georgia no one heard of ya
Ya flows is wack your skull will get crack ******' with the mack
I make a love connection from my smif and wesson learned ya lesson no plexin'
On my team one man supreme like  a lion i be the king makin' suckas sing
Lullabies I feel ya soul cry reaching for the sky
Ain't no ******* allowed puff a cloud til the city unda a smoke shroud
Fools Talk loud but die silent known to be be violent
If provoked by a fake loc my pistol loves to smoke it stays high
Leavin' holy bodies to fry
Who could outwrite this? my style will diss rhymes deeper than an abyss make ya ****
Out ya own blood as  ya face down in the mud with no crud
Touchin' my eyes sleep with one eye
Open scopin' and hopin' got more scams than Ken Copeland I'm still floatin'
On cloud nine almost to ten sippin' gin never see me grin my lyrics touchin'
Every last one of you wack rappers so come again.....
Adya Jha Oct 2018
My body is a temple
My bleeding is divine
My womanhood is spiritual
In ways that an intolerant devotee like you cannot understand
So when you barr me from entering Sabarimala
Remember that you can't stop a goddess
Saraswati is wise but her rage is wild and merciless
Lakshmi will create earthquakes that will devastate
Durga will pierce your heart with her spear
Parvathi will leave her abode and run into the streets
Kali will destroy you in unimaginable ways
They reside within us
We will cut our feet on your shattered glass
We will shout till our voices become hoarse
An army of neglected women will create a tsunami
Till you're on your back, crying
Till you give up your apparent 'religion-saving'
Helpless, wailing
And bleeding
The Supreme Court of India ruled that not allowing women in their “menstruating years” into the Sabarimala temple is against the constitution, and all women should be allowed to enter the temple. This was met with a lot of opposition from the conservatives and the entry of women into the temple was blocked by protestors.
Carol Cummons Mar 2013
For every single barracuda smile.

Every apple that we didn't bite. All the dull exotic things I never had the chance to say. The way the ocean is louder at night, the glittering bones of the city, the taste of black cherries. For every paper star, and liquid street, suburban summer mattress like a shrine.

For hands like deep-sea divers through your hair.

The unknown red interior of you, the foreign countries of your thoughts. For every back of matchbook message, every finger tracing up my thighs, and for our reckless lips rubbed raw and red. For all the casual knives of conversation, the snow like stained glass underneath the sky.

For illuminated cities half-submerged.

Every exquisite impulse and grass-scented infidelity. For my heart like glass, like coal, like diamond. The salt and starless seas that crave a sailor. For the hand-grenade of lust and the ugly gardens of regret. For your eyes like earthquakes, like cigarettes, like disaster.

For every dark-haired, blue eyed boy.
Stephanie Marie Feb 2010
Headaches with earthquakes create milkshakes in the brain
Oozing out delicious thoughts
While freezing up the **** I once built around this town
Fondly known as Stephanie’s Brain
And people still come and visit; for the taste of what I’ve got
And sometimes these earthquakes don’t exactly hit the spot
Creating a well knowing that not everyone is the same
For the hope that one of these earthquakes will create the right amount of shake
Making it somewhat sane
And when it happens it will mix up my already jumbled thoughts
And produce what was once known as my brain
But now in return for my delicious thoughts,
Is nothing but a mixed up milkshake
That will once again freeze up the dams that blockade you from entering
And well we all know we once fought reality, like we do now
But ironically it is all the same
Our causes linked, like ice on a safety rail
Causing confusion and caution,
Which would normally be avoided with the mention of a “safety” rail
But now seems to cause even more danger then without one
And I feel light headed as you drink
The delicious nectar that has been produced for you
And all you can think is,
Man it tastes like chocolate…
I try to be different but ironically it just makes me the same as everyone else.

— The End —