"dynasty" poems
721
Behind Me—dips Eternity—
Before Me—Immortality—
Myself—the Term between—
Death but the Drift of Eastern Gray,
Dissolving into Dawn away,
Before the West begin—
’Tis Kingdoms—afterward—they say—
In perfect—pauseless Monarchy—
Whose Prince—is Son of None—
Himself—His Dateless Dynasty—
Himself—Himself diversify—
In Duplicate divine—
’Tis Miracle before Me—then—
’Tis Miracle behind—between—
A Crescent in the Sea—
With Midnight to the North of Her—
And Midnight to the South of Her—
And Maelstrom—in the Sky—
51.6k
O tower of light, sad beauty
that magnified necklaces and statues in the sea,
calcareous eye, insignia of the vast waters, cry
of the mourning petrel, tooth of the sea, wife
of the Oceanian wind, O separate rose
from the long stem of the trampled bush
that the depths, converted into archipelago,
O natural star, green diadem,
alone in your lonesome dynasty,
still unattainable, elusive, desolate
like one drop, like one grape, like the sea.
12.8k
The Kingdom of Morocco has a rugged mountain interior which reminds me of the British meal of mince and potatoes. But hold that thought, and examine our seemingly superior Western legislation. Just like the pickle, the dynasty of death is a brazen festival percussionist who is celebratory in her bitter and gustatory inevitability. Jizyah is that taxation which is imposed upon those who fail to conform to those expected societal norms. Although we have the status quo, one cannot help but wonder what happened to the rectitudes of individuality and paradoxical equality? So, where do we go, oh navigator of the great and mighty West? Marrakech or Rabat? I have no concrete awareness of where solace is to be found. I am lost! Therefore, I can only offer the following direction: Contemplate the ever-changing intricacy of the dunes in anthropological amazement and acknowledge the sky at night. Allow the celestial pole of the North Star to speak to your deep uncertainty. Our purpose is openly displayed if we simply open our heart in the midst of our Bedouin oasis. That, my friend, is the essence of being psychosocial.
Dec 31, 2013
Dec 31, 2013 at 2:48 PM UTC
The smile of iceboxes annihilates me.
Such blue currents in the veins of my loved one!
I hear her great heart purr.
From her lips ampersands and percent signs
Exit like kisses.
It is Monday in her mind: morals
Launder and present themselves.
What am I to make of these contradictions?
I wear white cuffs, I bow.
Is this love then, this red material
Issuing from the steele needle that flies so blindingly?
It will make little dresses and coats,
It will cover a dynasty.
How her body opens and shuts --
A Swiss watch, jeweled in the hinges!
O heart, such disorganization!
The stars are flashing like terrible numerals.
ABC, her eyelids say.
11k
i.
Beset next to me
Coadjuvant to mine need's;
I couldst not asketh for more
Mine Reyna's all do I believeth.
ii.
She compasses me in Dwarf Daylilies
Her suntanned dermis is momentous;
Wallowed in her oversea's memories
A throne surpassing, Hari and Reyna scented.
iii.
In Luzon, the older part of the firma
Betwixt the Cordillera Region, see through pneuma's;
Hand-poke tool's, for me and mine dynasty amour'
To get tattoos, of her ancestry upon her own shore's.
iv.
Covered head to toe
By these inked protection's;
Spelling out the word's
Brandon and Jane's resurrection.
©Brandon nagley
©Earl Jane dedication/Reyna of mine soul
©Lonesome poet's poetry
Aug 13, 2015
Aug 13, 2015 at 1:28 PM UTC
Duck Dynasty has been replaced
by the folks at “A” & “E”.
we’re “GLAAD” to hear they lost their spot
to Zeus and company.
It’s felt the morals of Zeus ‘clan
Reflect the zeitgeist better.
Zeus is fond of little boys,
Swans, and shapely heifers.
Hera, his wife, of all her kids,
loves Artemis the most.
Apollo and Athena
Leave no room for the “Holy ghost”
Dionysus will do well
while hawking wine and beer.
Though Polyphemus freaks me out
Fans say he is a dear.
So tune in for the Sausage fest
And watch the hunt for ******
The role of Ganymede has been cast-
He’s played by Justin Bieber.
Dec 22, 2013
Dec 22, 2013 at 12:28 PM UTC
Me and you, doing what we do.
Under the sheets; Keeping secrets, behind your back.
looking at your interview, and I, love the view.
You ****** me, I’m ******* you; now its back to you.
lifting your skirt up, easy access for me and you.
Getting deep; taking in all of me.
Giving you multiple choices; take it in.
me climb on top, you riding me. With,
no surprise to me, you; end up,
picking all three. Inside of you;
Me covered with thee; sexually: hot and all juicy.
Good Girl; Naughty thoughts, feeling filthy.
Go a-head, blame it all on me.
It’s building up, feel the intensity.
Handling my business; by loving your company.
It is what it is, because it’s meant to be.
Love is everything, so you will be the death of me.
Giving it to me so good, your antidote.
Is like dope to me. Love potion, Seducing me.
Sexually, spiritually, physically and mentally.
Event filled nights; eventually.
Lost in deep thoughts; hopefully
You are, understanding me, while
looking up at; I marvel at what I see.
Your nectar, taste like honey from the finest be.
Fruit, fit for a God; hand picked for me.
My kingdom come, is one thing.
But my Hung Dynasty; is something you have to see.
My thunderbolt, will pardon your seas, as your waves
of passion ride over me; I vibe with the motion of your
ocean: blowing our minds. Your Ocean spray; splashed
all over me. Giving her-a- cane, and made her purple
rain: She giggled, because it was embarrassing.
Jul 4, 2014
Jul 4, 2014 at 6:30 PM UTC
Serendipities torrential deluge
Of dulcet applause reigning
In the divine dynasty of
Empiricisms arcane lore,
Heavens most high of heirachies
Beyond the veil
Drowning in altruistic
Reflexive salutations;
The regnant patent mutitioning
Of the waters Lethe from
Serpens poisened chalice of saints
Evoking the advent vigil of
Dusts chaldean dreams,
The sabbatical ordination
The fatal ravens annunciation
Heralding valediction
Convening betwixt and between
Gates of ivory and horn
Arraigning the apostolic conclave.
ELEETE J MUIR.
Jan 13, 2012
Jan 13, 2012 at 9:35 AM UTC
The Lollipop King, with his mighty staff,
Flavored all the colors of the rainbow,
Enticing me with what he has
To places where I must not go.
His lust-soaked pheromones masked with licorice
Entice the hearts of the fair maidens of the land.
While I too have fallen victim to his confectionary wishes,
Of this courtship and this romance became something unplanned.
I have now found my way into this lollipop dynasty,
Becoming another member of this sisterhood of sugar.
But the difference with me, if you’ll lean close, you see,
Quoth the Lollipop King, “I do not want to lose her.”
And always alone I’ll say to myself:
When will his time come to place me on the shelf?
Jun 18, 2012
Jun 18, 2012 at 7:43 AM UTC
Her Imperious Canticle rewarded
From the butterflies of monarchy
Mermaid scales are her bouquet
An ombre is the debut
Crystal corals are the stars on her face
Below pink rings that scale a tune
Which the winged beauties will charm in too
An amazing debut for the see through
Of a dynasty that glows in the prism moon.
Feb 24, 2019
Feb 24, 2019 at 9:13 AM UTC
Current affairs, making family disappear.
Blood thicker than water; I can't see that from over here.
Haters show hate, to hide their fears, hide their faults by dissing piers.
Their hands weak so they dis their peers.
Weak-minded; Diss-impaired.
Test the truth and get dared
Like something that's undeclared.
Put a ring around your rosey,
Then I’m taking a chair.
The kingdom come;
The dynasty is aire.
May 18, 2014
May 18, 2014 at 11:24 PM UTC
You choked on chariots raw. Red egg yolk suppers, churned of the milk oceans this morning you kept.
The lintel of stone turned toward dusk. Some great dynasty of submissive spirits catering your morning
Out on a cart of muse, forms of heaven cannot even hear you. You are a soporific knot in the tale of your Old womanhood. In this infinite Tuesday morning your small black eyes, like an oil tanker toppling over The intense azure sea- shipwrecked, and lost.
Departing from your childhood you slurp Coca-Cola from a silver straw. From the corner store and inside Winter yawns. There is no face, only strikingly beautiful black hair. The body under you is at home in all
My hand's fingers have to fill. All the clothes that you could carry for the two-way adventure. There are
Never enough bubbles between your lips and the glass bottle you have. Only the score of the whistleblower. And the poor symphony you had prayed for into the dial-tone phone, the deep Wilderness, that stiff forever-ago budding from your coffee cup. Neurogenesis lifted from your Fingerprints and emblazoned into this lump of human ingenuity. The hopeless octave that cut us all short.
Every short story that was left untold. There are the brief deaths recoiling in your spiritual architecture. The ****** of morphia has bourn me awake. Inside you are often unscathed, vanishing as some of Tonight's parts assemble you, on you blue is a beautiful color. The sweet retreat that gave you life or the bountiful deaths that counted you too cutely by your side. You are the sun in my black coat. Here is my sea, your sea, you'll see.
Apr 26, 2014
Apr 26, 2014 at 5:34 AM UTC
A fisherman is drifting, enjoying the spring mountains,
And the peach-trees on both banks lead him to an ancient source.
Watching the fresh-coloured trees, he never thinks of distance
Till he comes to the end of the blue stream and suddenly- strange men!
It's a cave-with a mouth so narrow that he has to crawl through;
But then it opens wide again on a broad and level path --
And far beyond he faces clouds crowning a reach of trees,
And thousands of houses shadowed round with flowers and bamboos....
Woodsmen tell him their names in the ancient speech of Han;
And clothes of the Qin Dynasty are worn by all these people
Living on the uplands, above the Wuling River,
On farms and in gardens that are like a world apart,
Their dwellings at peace under pines in the clear moon,
Until sunrise fills the low sky with crowing and barking.
...At news of a stranger the people all assemble,
And each of them invites him home and asks him where he was born.
Alleys and paths are cleared for him of petals in the morning,
And fishermen and farmers bring him their loads at dusk....
They had left the world long ago, they had come here seeking refuge;
They have lived like angels ever since, blessedly far away,
No one in the cave knowing anything outside,
Outsiders viewing only empty mountains and thick clouds.
...The fisherman, unaware of his great good fortune,
Begins to think of country, of home, of worldly ties,
Finds his way out of the cave again, past mountains and past rivers,
Intending some time to return, when he has told his kin.
He studies every step he takes, fixes it well in mind,
And forgets that cliffs and peaks may vary their appearance.
...It is certain that to enter through the deepness of the mountain,
A green river leads you, into a misty wood.
But now, with spring-floods everywhere and floating peachpetals --
Which is the way to go, to find that hidden source?
4.6k
Profile:
Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds.
Introduction of ****** makeup:
****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes. The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou.
Features:
****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized.
Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup.
http://www.toywill.com
Aug 26, 2013
Aug 26, 2013 at 3:02 AM UTC
I wanted to enlist as an army babe, but i can take-care-of-my-self,
stay healthy as a tree, no more frantic order's like "Smeeeaaaag?!?"
Just a girl who wanted to be a penguin and swim free,
of the trap of an incomplete mind.
Walls of neutral yellow and beige, as a
sunflower soaks the rays of,
seasonal depression;
lost in this endless sea of confusion.
Is there really dedication, reflects blue eyes of Lilies socket's,
does Eternity really exist?
As a blown kiss,
a wishing well
fish.
The heart is the only gate,
gushing feelings and
simple beatings,
masks this face of shy Grace.
As thundering pride takes over,
build a dynasty and touch the heavens,
Lifted,
as dove on wings, crowned in Gold,
I've found the Soul.
In the lake this treasure keeps
as a door swings open,
step'n on through to morning.
Finding super power's at twilight daze,
****** onto the writer's play.
Nov 28, 2012
Nov 28, 2012 at 3:39 PM UTC
Firstly, I'm not a body-shamer.
To each their own
(a good phrase, though grammatically incorrect),
But sometimes I find it hard to understand
The tatoos, the piercings, the colors and placements.
The usual answer, if I dare ask:
I'mhxpressthinmythelf.
Good for you.
Does the diaper pin through your cheek
Tell us you're a Dad or something.
Na.
The quarter inch bolt and nut through your ear?
Are you a machinist or a plumber, or something?
Na.
The doll-house plates in your lips?
Are you a Duck Dynasty fan?
A member of the Audubon Society or something?
No. I'mapontingxprschmyselpth!
Sorry, what was that?
I'mapontingxprschmyselpth.
I'm sorry. I don't quite get what you're saying.
I don't mean to be rude,
But could you express those plates for a minute... I... I get it.
Feb 13, 2017
Feb 13, 2017 at 1:45 PM UTC
The long hours of the night highlight our inner insecurities
Relating to the change slowly disappearing in a clanking machine
My stomache burns
I didn't suggest to pay this, indebted to the alcohol
No filter to the lewd humorous words we speak
As we cruise away from the wild eyed life, bits of lint collect on the drivers glass
The mistakes and embarrassment blinds our minds
A push of a button, watching the grey fluff slide down the wind shield
Turning into a tumble **** rolling down the loneliest highway
No commitment to the grief
The clouds smother the brown smudged mountains
A white submissive canvas, I see
My metaphoric future becomes one with the peeks
My heart weeps as they come back into view
The world once teaching me, is now background beauty
Where shall this car take me
Apr 29, 2016
Apr 29, 2016 at 1:20 PM UTC
The amount of days I've been given have been kind, but each day rather cruel
Trying to lift the thumb off my back of the looming stresses that rule
It could be me again and this is not the end, if fact it probably is
So before I unleash my problems, swear to mind your business
I would be lying if I said I wanted this day to last a forever
Because I found myself one forever short once we weren't together
I've said my piece so many times the puzzle is almost complete
So I've decided it's time to get off my knees and back onto my feet
I've fallen so much I keep Flintstones band-aids close at hand
My heart sewn to my sleeve for only you, which I've yet to understand
You unscrewed the machine that was me and left the parts on the floor
And I'm pretty sure I won't work just right anymore
Fading is the dynasty of what we labeled our so-called "love"
Like sticking my foot inside my sock at night to find it's a glove
The discombobulation is so overwhelming, I think the ocean is jealous
Could I start swimming now or is that being too over-zealous
Life is hard and the people crammed in it tend to make it worse
At times I tell myself it to cry, look to the sky, and curse
But there's a tune in my mind that won't seem to shut up from that one song
Telling me life is a ride, kid: grieve, learn, burn, and move on
Nov 3, 2012
Nov 3, 2012 at 11:33 PM UTC
(Rock Lake, Canada)
In this country there is neither measure nor balance
To redress the dominance of rocks and woods,
The passage, say, of these man-shaming clouds.
No gesture of yours or mine could catch their attention,
No word make them carry water or fire the kindling
Like local trolls in the spell of a superior being.
Well, one wearies of the Public Gardens: one wants a vacation
Where trees and clouds and animals pay no notice;
Away from the labeled elms, the tame tea-roses.
It took three days driving north to find a cloud
The polite skies over Boston couldn't possibly accommodate.
Here on the last frontier of the big, brash spirit
The horizons are too far off to be chummy as uncles;
The colors assert themselves with a sort of vengeance.
Each day concludes in a huge splurge of vermilions
And night arrives in one gigantic step.
It is comfortable, for a change, to mean so little.
These rocks offer no purchase to herbage or people:
They are conceiving a dynasty of perfect cold.
In a month we'll wonder what plates and forks are for.
I lean to you, numb as a fossil. Tell me I'm here.
The Pilgrims and Indians might never have happened.
Planets pulse in the lake like bright amoebas;
The pines blot our voices up in their lightest sighs.
Around our tent the old simplicities sough
Sleepily as Lethe, trying to get in.
We'll wake blank-brained as water in the dawn.
3.8k
How far is it?
How far is it now?
The gigantic gorilla interior
Of the wheels move, they appall me ---
The terrible brains
Of Krupp, black muzzles
Revolving, the sound
Punching out Absence! Like cannon.
It is Russia I have to get across, it is some was or other.
I am dragging my body
Quietly through the straw of the boxcars.
Now is the time for bribery.
What do wheels eat, these wheels
Fixed to their arcs like gods,
The silver leash of the will ----
Inexorable. And their pride!
All the gods know destinations.
I am a letter in this slot!
I fly to a name, two eyes.
Will there be fire, will there be bread?
Here there is such mud.
It is a trainstop, the nurses
Undergoing the faucet water, its veils, veils in a nunnery,
Touching their wounded,
The men the blood still pumps forward,
Legs, arms piled outside
The tent of unending cries ----
A hospital of dolls.
And the men, what is left of the men
Pumped ahead by these pistons, this blood
Into the next mile,
The next hour ----
Dynasty of broken arrows!
How far is it?
There is mud on my feet,
Thick, red and slipping. It is Adam's side,
This earth I rise from, and I in agony.
I cannot undo myself, and the train is steaming.
Steaming and breathing, its teeth
Ready to roll, like a devil's.
There is a minute at the end of it
A minute, a dewdrop.
How far is it?
It is so small
The place I am getting to, why are there these obstacles ----
The body of this woman,
Charred skirts and deathmask
Mourned by religious figures, by garlanded children.
And now detonations ----
Thunder and guns.
The fire's between us.
Is there no place
Turning and turning in the middle air,
Untouchable and untouchable.
The train is dragging itself, it is screaming ----
An animal
Insane for the destination,
The bloodspot,
The face at the end of the flare.
I shall bury the wounded like pupas,
I shall count and bury the dead.
Let their souls writhe in like dew,
Incense in my track.
The carriages rock, they are cradles.
And I, stepping from this skin
Of old bandages, boredoms, old faces
Step up to you from the black car of Lethe,
Pure as a baby.
3.6k
Downfall she claims
Dripping in disease
Her dress ripped
Trees dying
Holes cover the seams
Tattered
Sewage covered
Disgraced
Ugly
Taking her vitality
The mass living upon her soil
Population at a high
Charging her for corruption
Her hair cut
In shambles
Uneven proportioned
Greed is the man in lead
Unfairly held to shame
Her belly rumbles
Earthquakes
Crack her skin
Aching
Oozing her blood
Tsunamis wiping out existence
She violently
Throws tantrums
A twister destroying houses
Seeking attention
Under validated
Unnoticed for exotic jungle humanity
Innocence
Her music lifts
The mountain breeze
Sagebrush rustles
Birds whisper
Squirrels leaping
Her captivating body sings
Weak man made her break
Small art gone
Ice caps melting into the abyss
Taking scraps
Leftover bits
Her soul
Missing
Stipping her clothing
******* her gold
Her shirt selfishly torn
Naked she became
Her animals hungry
Oceans sickened
Our anguish
Is revenge
Knocked out
She's becoming manipulated belief
She's in debt to the population
Mother will reclaim
Her dynasty
We the people will be left
In emptiness
May 11, 2016
May 11, 2016 at 8:29 PM UTC
Bodhidharma, the first Zen patriarch,
told Emperor Wu that merit
meant nothing;
but great emptiness
revealed by sitting facing a wall
had great merit.
Wu was perplexed.
Patriarch number two, Hui-k’o,
faced a granite wall in a forest for seven years;
it became his beloved.
Seng-Tsan, the third Zen patriarch wrote poems
and his legendary Hsinhsinming verse
transcended all the unnecessary duality
in the mind’s mire.
Tao-Hsin, patriarch number four,
said don’t’ stare at a wall,
just do the laundry
and watch the clear water
turn brown
then pour it onto the vegetables in the garden
when you’re done.
Patriarch five, Hung-Jen
meditated from age six staring at the horizon
and said if you find the line between sky and land and sea
you slip into infinity
with no sky, land and sea
just one place for the mind to finally rest.
Hui-Neng came next;
no wall
no laundry water
no heavenly horizon
just fascinating monkey mind
sometimes full, sometimes empty
running whichever way, whenever,
and that was all good.
The 300-year Tang dynasty
had three wild man patriarchs-
Ma-Tzu shouted constantly;
Pai-Ching did laundry,
and Huang-Po told everyone
they were already enlightened
and should not bother with Zen at all.
Lin-Chi was the Jesus of Zen
who loved everybody everyday.
He taught the heart’s clear natural action,
compassion, not walls and laundry and trying not to think.
His love was wiser than his mind.
The patriarchs of zen
taught more than a thousand years
before I grew up an American idiot
in a materialistic world
populated by narcissistic borderline freaks
thumbing smartphones in leather car seats
never doing laundry
afraid to face the walls
built of brick made
mortared tight together
with the fear
of their own compassionlessness.
Jun 26, 2012
Jun 26, 2012 at 1:46 AM UTC
She calls me best friend
Every hurt and every pain is referred back to the friendship we have.
Hours never go by without my screen having her name written all across it, amongst others, she stands out.
Heart races and as I cross my finger over the finish line of opening the text just to find out she needs to talk.
This is it.
I’ve played this moment over and over in my head, boy doesn’t she know how prepared I am to profess.... this love
She starts texting and it’s taking a bit longer than forever. Time somehow managed to slow down...
“There’s this guy
He’s a stand up guy
He’s so respectful and he treats me like a Queen.
He makes me feel good about myself and he calls me beautiful too many times to count
I tell him everything and he tells me everything and I’d never seen him in this light but now...”
Man, I knew it
I’m a stand up guy
I respect her wishes almost like they’re mine.
I’ve always seen myself as the King to her Queen. She’s the royalty to dynasty
I tell her she’s beautiful too often to count but if I did.... it wouldn’t make sense to time, because you’d think my vocabulary is only riddled with the phrase, “You’re so beautiful.”
I tell her everything, everything except how I feel about her. I’ve always seen her as a light to my love. That doesn’t make sense but I see the light, and she’s it. I see her...
“He makes me feel safe. I can tell him anything.”
I know. I try my best to make you feel this love.
“He’s handsome and his laugh is so cute and he gets so annoyed with me for saying so.”
She says that all the **** time and it gets on my nerves.
“I feel like I can’t ... live without him..”
And I can’t live without you too....
My response to her text is
“Well, why don’t you tell him...?”
“That’s the thing”, she says...
“I did, and he told me he sees me as just a friend.”
“I guess that’s how you see me too.”
Ends chat...
Jan 22, 2019
Jan 22, 2019 at 3:19 PM UTC
all the **** from your mouth that you thought was inspiring
slowly broke me down until my hope was expiring
never opened my mouth to come back with inquiries
just kept my head down and wrote my thoughts in a diary
and you read it, pathetic,
invading my privacy
called me out for feigning sadness and my ‘bogus’ anxiety
cause “im a better dad than mine so shut up and be quiet kid”
“you’re lucky im the head of this dysfunctional dynasty”
well congratulations dad, you’ve earned notoriety
for forcing my respect in the form of compliancy
and disbelieving science and the facts of psychiatry
so i ran away from home to join the freaks of society
where else could i escape from your emotional piracy?
Aug 13, 2021
Aug 13, 2021 at 9:58 AM UTC
So, what do you think about the dynasty of Babylon? Freshly cut potatoes which are deep fried can be displayed upon colorful plastic plates, which may trigger a spiritual sustenance of simplistic expectations which are immersed in Glaswegian nostalgia.
Therefore, I contemplate the goddess of the moon, as she is enthroned in Celtic tenements of astral plains.
Entrance-ways are characterised by the musky scent of the tomcat, whilst the purring sounds of diesel locomotives echo along the tracks of mischievous linearity.
So, although I acknowledge Osiris to be the Egyptian god of the dead, I am tentatively perplexed about Northern and Southern boundaries of grandparental occupation. Shake those sensual vessels of salt and vinegar. Do you know why? Because there’s nothing like it in the cosmos.
Nov 6, 2013
Nov 6, 2013 at 11:38 PM UTC