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natalie Nov 2013
Like bladed birds of steel they glide and wing,
Across the ice without any dismay,
Fearing no hard body check or cold swing.

They circle the net in frozen ballet,
Flitting about like puck-handling mice,
Tenacity drips from each ounce of their play.

They dazzle with grace all over the ice,
With a jump, a spin, and a pirouette,
Always ready to pay a high price.

They give it all ‘till they’re soaked through with sweat.
We watch with joy from our perch high above.
Our yells, their chirping—it’s quite a duet!

These men change the game with the drop of a glove,
And so, bloodthirsty, we give them our love.
Morgan Mercury Sep 2013
Oh, you were a book that I never have read
and ask anyone I have read them all.
I studied your cover and fell in love with your spine.
Oh, let me read you
let me explore your mind.

You were an album
and I loved all your songs.
I could sing them none stop all day long
and they would never get old,
not a single one.

You were my favorite flower
and I was a selfish kid
that wanted to pick you,
and keep you all to myself instead.

But you were a song
I had stuck in my head
I sang along until night when I crashed in bed.
We fit together just listen to our harmony.
Come on over
and keep me company.
You can bring your guitar and I'll bring mine
we'll be an unstoppable duet
just you & I
There’s a Devil of a night each year, the night of Mr. Haim!
When the devilish and ghoulie ones come out to play their monster’s game.
And why some would seek to trick or treat on this scary day of dead?
Careful now cause gremlins, trolls …sprites and wolves, will offer up their dread!
Quiet, shush, I hear a pack of creepy-crawly boots…

Ra’atan-Zu and the Boogedy-Boo!
And the skeleton bones, clink…
And the skeleton bones, clink…
The skeleton bones clink.

That crafty-smith of horns and hooves is spying on these kiddies,
As Ra’atan-Zu and the Boogedy-Boo are hunting strays to do their dastardly-ditties.
Quiet, shush, I hear a pack of creepy-crawly boots,
And their costumes, oh-so-foul, the evilest of suits!
And there she is, that little girl who can’t keep up, in a tasty mushroom ensemble.
And the skeleton bones clink in her path to give her quite a tomble!

Ra’atan-Zu and the Boogedy-Boo!
And the skeleton bones, clink…
And the skeleton bones, clink…
The skeleton bones clink.

And Sammy Haim, that smithy-devil, a ***** hoof -igniting ghoul’s desire,
He’s howling out, demanding now, “Put that child to the fire!”
And little does he know, no little bit, not even a small clue,
Neither Ra’atan-Zu nor Boogedy-Boo intend on giving him his due!
For once a year on Halloween they get one night to spaz,
Get down and *****, wild and crazy and play a little jazz!
That little mushroom of a girl will play a tiny fiddle,
Ra’atan-Zu and the Boogedy-Boo, a jazzy duet with child in middle!'

Ra’atan-Zu, Boogedy-Boo and a little girl too as they get down actin’ a spaz! Playin’ all night, howling to the moon and kickin’ out some wicked jazz!

And the skeleton bones, clink…
And the skeleton bones, clink…
  The skeleton bones clink.

Halloween narrative rhyme.
Two girls there are : within the house
One sits; the other, without.
Daylong a duet of shade and light
Plays between these.

In her dark wainscoted room
The first works problems on
A mathematical machine.
Dry ticks mark time

As she calculates each sum.
At this barren enterprise
Rat-shrewd go her squint eyes,
Root-pale her meager frame.

Bronzed as earth, the second lies,
Hearing ticks blown gold
Like pollen on bright air. Lulled
Near a bed of poppies,

She sees how their red silk flare
Of petaled blood
Burns open to the sun's blade.
On that green alter

Freely become sun's bride, the latter
Grows quick with seed.
Grass-couched in her labor's pride,
She bears a king. Turned bitter

And sallow as any lemon,
The other, wry ****** to the last,
Goes graveward with flesh laid waste,
Worm-husbanded, yet no woman.
Mark Toney Nov 2020
equal top billing
Leonids and Taurids show
~fireball duet




Mark Toney © 2020
11/15/2020 - Poetry form: haiku - The Leonid and Taurid meteor showers promise to light up the night sky this week with shooting stars and bright fireballs. During the next two days (November 16 & 17, 2020) the best time to see the meteor showers will be between midnight and dawn on both mornings, wherever you are in the world. The Leonids are caused by dust and debris from the small comet 55P/Tempel-Tuttle, which takes 33 years to orbit the sun. Typically, there are between 10 and 15 meteors per hour. The Taurids are caused as the Earth passes through the debris of the comet 2P/Encke each year from September to November. Check online to determine the best time to view in your area of the world. - Mark Toney © 2020
CK Baker Oct 2017
A slow walk up Centennial
and I still can’t find the place
it's menacing cold, and muted
and the street sweeper and winter breeze
move the Turkish blend and dust pack

A novice mixed duet plays
Brahms on broken strings
the erhu and overcoat
veiling a blue heeler and sphinx

Maggianos is settled in the center block’s
luminance and seasonal drape
it's festive warmth bringing home Bedford Falls;
the flavour and character and social circles

Annie’s playing and the keeper's singing
(his word pool and slander
raising everyone in arms!)
the crowd chants and mayhem breaks
as crawlers and contemporaries
smash their steins

Dark alleys and dripping holes
hold a grim reminder of the pierced underside
paddies flutter and forge their words
with a broad manifesto

Night gardens come alive
(slowly sapping the respite)
hunched figures and ladies in lace
shuffle inside the big orange door
Ken Pepiton Jan 2023
In a culture founded on a story, a tale, a myth;

On earth, under many moons, since many moons ago.

How old was the moon marker long ago?
How wise the watcher who waited so long, whole days,
long past, imagining, from highest place on the broad plain

soaring on fire wind, gentle fire wind warming my will
to extend my arms and wish to fly, not flee, no fear,
nothing needs my escape,

yet, once set free, the kid grows into the old goat,
who laughs in the face of the God-fearing models molded
during the Cold War,
when manipulators
of reflection
were existentially
slipping
on Freudean Faux Pas
turned sharp and piercing, biting, gnawing - tantalizing
secrets in the city,
secrets on the wall,
secrets in the synagogue, AI ai ai, we rearrange good fortune,

lucky for you.
Today, for the brief while it may truly be today,
time stands

still as that singular small voice, calling you to attend,

forsake not the gathering together, as the manner of some is,
{As Ecklebarger said, no, you don't know him- he said:
something like "gitcher act together and put your show
on the road", that's the duty of a show man.

GOTDAM INTINERANT MONKS! Kick against the ******,
laugh at their nationally altered deep set fears,
faith of our fathers, the we
mind, made up
for selective tasks in a free society, i.e.
we think together, no doubt, deny thy double-mind flesh…
become educated, then lead on being one
in we, the people, not the other beings,
useless sons of Belial, too dumb to read and cipher, as we,
the real people who own the earth, and do our damndest
to subdue it and all its potential,
for change, in favor of the better bettors,
entertaining those whose heaven would be Vegas,
socially free, free thinking, doing the right thing we all think right.
Conserve our free ******* through human events, lean in
- what do old-school organizations tie with heart strings?
- must we conserve the knots?
- One taught by Aristotle thought not…
- allusions to common knowledge allude us, play along--
Is ai ah, okeh, awesome we ought unravel the knots,
gently, as we learned the silk weavers did,

and as we did, with our collectible spider kites…

correct me, when I go off track,
or rise riverwise on the flood,
loosed by a line from a poet, an actual messenger person,
in my coincidence instant
in prayer for another day called today, long past
now, even then,
U the set of all things and the force that made them up.
- let this mind be in you, to use, not ogle at.
Creation with intention,
not design,
not acting out a story begun properly,
with the end in mind,
going
somewhere. Among the Youtubian talking faces,

turbulence… mind trembling
in a we imagining GOD ALMIGHTY
left
clues behind.
Fret not.
- tune down the IDW, umph the free will
- listen with all the wu wu in you, think peace functioning.
We won.

Live in peace, be your own proof.

I learned I was the scapegoat, I got away. Life is not hard,
life under the conserved sacred knowledge called revealed,
is impossible,
to do right… it is a Shakenspear in the itching ear, thinking
what if, this is it
the right way?

Would there be these moments, extending axion or oms or Ohms
humming wires
and, two chalk walls away, sisters, 8 and 11, singing, actual

choral opera de-Disneyified, with some themes from Stanger Things.
- and I on my imaginary strand
Softly land on my cloud, all the room you may imagine,
at the moment, you look around
and see, this is my future, too. Fractally, one rung up. Maybe.
Wick:Poems, sparked this, little old way of told tales taking wing on string
strung though holes in alienated minds, sitting on the shore of any current opinion as to what good one might do... going public with subtle truth, a soft touch dulls an evil *****... and laughter works like ****.
Lunar Jan 2018
I've been pressing
The sustain pedal
To let the sound of us
Stay longer.

I didn't take note
That no matter how long
I held on to the right keys,
Or how perfect I read
The entire score,
Or how hard I stepped
On that pedal,

No sound emerged.
The piano wasn't just broken:
You weren't playing anymore.
No pianist would break their beloved instrument. Perhaps it was just a misunderstanding between the pianists. I portray a relationship (genetic, friendship, love) here as the instrument. The sound I explained is how a duet on the piano is.

(j.m.)
Tim Emminger Apr 2014
My heart is a delicate vase don't you break it    -(her)
It needs a beautiful flower to complete it
I don't need a lustful love; I don't need someone to fake it
I need someone today, tomorrow, forever; someone who won't break it
I need someone, who understands, that love takes work to make it

Girl what I'm feeling, I can't fake this   - (him)
Your heart is a priceless vase; I will put it in a glass case
so I will never break it
I want you today, tomorrow, forever; I'm not just saying this
I promise that I will work endlessly to make it

You and I together, we can strive to make it -(Duet verse)
Together we can find out, how great, love is
Look into each others eyes; hold each other tight; always feel it
We will handle each others hearts with care, so we don't break them
You and I together; we can make it
My attempt to write lyrics for a duet
Chris Voss Nov 2012
This one's for me
and I'm gonna watch it burn.
Watch it flicker and pop and crackle and spit.
Gonna take lessons on how to dance with the draft,
also hoping she doesn't ******* out.
I'll make poems out of smoke and shadows
and fading, lonesome, sepia-tone summer photographs.
I want to make dusty picture frames feel like well-loved tuxedos.
I'm gonna see if candlelight can be all the company I need to keep.
Gonna sweep this floor clean,
like it's not what we say, it's what we mean
between the lines of
one too-polished table setting:
one knife,
one spoon,
but two forks for wishful thinking.
I'm gonna eat my fill
and fill my cup again and again,
to the point that I begin to make conversation
with my reflection in the bathroom mirror.
I'll tell that *******, "My friend, you are drunk."
and he'll tell me, "Kid, look who's talking."
Then it'll be back to a glass
that treats its brim like a suggestion.
Gonna have whisky and black lager and champagne
'til my toes and thumbs tingle.
Thin blooded and numbed;
Steeled by my father's novocain.
Come morning, this house couldn't get more hollow.

In these hallowed halls where I wallow in the way that
I only seem to appreciate the preciousness of days
Once they've passed,
here's what I'm gonna do:
I'm gonna write questions on one side of the wooden window blinds,
and write punchlines to completely unrelated jokes on the other.
I don't know why. Maybe just to **** with people.

I'm gonna reminisce with full streets of ghosts
That glow like kerosene lamp posts
all the while, stomping my feet, just to prove that I can.
Gonna make toasts to the isolated;
to the quarantined and the misanthropes.
I'll boast that lovers are not unlike poachers,
but I'm not gonna mention that in every other under-cover dream
I seem to swoon like ivory elephant tusks.
I'm gonna gamble on Dusk
because I think it's got a little less honesty,
but a little more promise than its
attention-*******, good-for-nothing, go-getter big sister Dawn does.
That flirtations *****.
Gonna give Christian names to half drawn caricatures
of people who only ever existed when the lights died out
and the snow fell heavy.

I'm gonna let the levies break.
I'll go insane, just ******* lose it--
do the Boot-Scoot-'n'-Boogie in a onesie
with the hind flap flying free and the Greek Theatre masks of
Comedy and Tragedy painted on my *** cheeks,
(because no one should ever take their art too seriously)
And I'm even not gonna even care who sees,
partially because there's no one around to watch anyway,
but mostly because I want,
more than anything, to just be me.
Or at least I want to want that.
See, I read somewhere that,
"You should always be yourself…
unless you can be a unicorn,
then always be a unicorn."
And that really struck home for me because,
even though I've never really ached to be
the ******* love child of a Narwhal and Zebra
(In my imagination, unicorns are
striped and impecable swimmers)
I truly believe that Men will always dream of being Titans
and Titans will always dream of being Gods
and Gods want nothing more than to be Wind--
to twist with lit candle sticks
and teach the lonesome how to dance.

A one-step waltz tip-toed to distract.

But the fact is, I'm bound to take a few back steps.
I'm gonna think about her.
Gonna harbor hard feelings towards back bedroom dealings
that I have no right knowing about.
Gonna pray like a desperate atheist
that they keep their knees locked in a one night stand.
I might break down.
Only once, just long enough to regain my strength.
Then I'll tame the earthquakes in my hands, like I always do.
Gonna find what it takes to move on.
Not just regenerate, but to grow stronger than I ever was before.
So I'm gonna meticulously straighten these place settings:
One knife.
One spoon.
A healthy dose of wishful thinking.
Gonna try my hand again at dancing with the back draft;
I heard she's been aching for a duet,
and with all the life of candlelight
I'm gonna ignite the coal shafts beneath my eyes.
Gonna finally see me as the man I am,
not the titan I wish to be,
because I heard somewhere that,
"You should always be yourself…
Especially when all you've known
all you've ever shown
is some mythology."
So raise your glass because this one?
This one's for me.
Paul Hansford Aug 2016
The flag, a white crescent and single star
on a field of crimson — kırmızı, not just 'red' —
tells of Islam. The men drinking beer and rakı
at pavement tables, even in Ramadan,
and the short-skirted, bare-armed girls,
parading with bare-faced confidence,
tell of other influences;
but at the appointed hour we hear the call to prayer
from the marble minaret, a slim finger
pointing to the sky beside shining domes
reflecting the vault of heaven.
At five a.m. we hear it faintly through hotel double-glazing,
or at sunset, as a peaceful accompaniment to the spectacle,
and we remember where we are.
But especially at the midday hour,
when the voice of the muezzin echoes
over noisy street or market,
and from another minaret and another
the duet becomes a trio, a quartet
of different melodies, out of tune
with each other but never discordant
(in these tones the word has no meaning),
the faithful are reminded, however busy they may be,
that their God requires something of them.
Then, entering the cool calm of the mosque,
entering the quiet forest of pillars,
feeling through the soles of our bare feet
marble polished by the tread
of generations of worshippers,
fine-grained wood,
the rich softness of crimson carpet,
we luxuriate in the textures as they combine
with the formal floral patterns of the tiles,
the ornate calligraphy of the inscriptions,
the rich colours of the glass,
and we realise that the builders of these mosques
knew what they were doing, so many years ago,
how peace can enter the soul
through the senses.
The letter that looks like a lower-case "i" without the dot and appears here in "kırmızı" and "rakı" is pronounced, in the delightfully phonetic Turkish language, as a kind of "uh", as in "I am writing A [uh] poem" or "I have read THE [thuh] book".
Creep Dec 2014
She's adorable. With her golden eyes and that cute laugh... If only she loved me back... If she'll come, maybe.
"Holy Rome!! ^^"
"Italy!"
She came!
"Holy Rome, what did you invite to this flower field for?"
"I just wanted to... enjoy the beautiful sight with you... build our alliance..."
"That sounds wonderful!" She picked flowers and sat down next to me.
"I picked you some flowers! Aren't they nice?"
"Yeah... They are pretty. Thank you."
She smiled in excitement and ran around the field. After a while, she got tired and sat down.
"Holy Rome! Look! The sunset!" She pointed at the sky.
The sky was orange and pink and we watched as it quickly set under the horizon.
After the sunset, Italy went home and left me all alone on the flower field, her flowers still in my hands. Another opportunity missed. To tell her I love her. To share my thoughts and feelings for her. For that romantic kiss during the sunset I was planning. Maybe next week.
---
I trudged home quickly and quietly, I just missed my moment to tell HRE how much I really love him... when i skipped through the vibrant field he brought me to, all i could think about was how he brought me here anyhow he was watching me the whole time... i could feel the red blood rushing to my cheeks, even now on the porch of austria as i sweep, just from thinking about HRE...

I sigh and continue to sweep, back and forth, back and forth, scampering all around the house, in a hazy daydream of HRE and me... oh how i love his tender smile... and the way he takes power and shows strength to all the other countries... I'm glad he and i are making an alliance... it gives me another excuse to see him :)

suddenly, i hear a crash.

"hey... italy..." a drunken austria walks into the room and staggers over to me. i look at him, frightened, as he leans down onto me, leaning on my shoulder and his mouth by my ear... he whispers "i love you italy..." he laughs a haggard laugh at my shocked face, his drunken alcoholic stench engulfing my nose with its smell and staggers back out the door where he came from.
I am left standing there with my broom to support me as i stare at the door, still so surprised, my mind whirring with so many thoughts....

---
Today I saw her again.
I volunteered to help her with her chores.
(at first I typed chairs ^^")
"Italy, um... do you need help... today?"
"Not right now Holy Rome, but maybe later."
**** IT. I lost my chance again.
"Are you sure?"
"Now that you mention it, where do you keep the vacuum?"
"Oh, follow me."
I showed her the way to the closet and gave her the vacuum. "Here, this is what you wanted, right?"
"Yes thank you."

I watch her vacuum as I stand to the side out of the way. The way she sings while working, the silent vacuum makes it much easier to hear her. Her occasional smile at me makes me blush every time. The way she stops and pants, it's just... adorable.

"Holy Rome?"
I snapped out of my thoughts. "Huh?"
"Can you help me put this away?"
"Oh, sure."
"Okay! Thank you!"

She surprisingly has manners. If only she could teach some people those manners, because then this life would be a whole lot easier! But, after I helped her put the vacuum away, she turned around and KISSED me! She kissed me, **** it! She told me she was leaving soon to another country.
"But, you can't!" I said. I was so upset I couldn't handle it.
"I'm sorry... I have no choice." She looked as if she was about to cry.
"Hey, Italy. Even if we don't see each other again, just remember that I love you..."
"Okay, I will."
---
I gathered my items into a suitcase and left that day.
I miss him already... i left him with that confused and tearful face of his... oh how sad... i didn't tell him i love you... how could i forget? DX but i gave him the kiss... maybe he'll understand my true feelings for him....

with these jumbled thoughts, i leave for vienna... where i shall stay with austria, he has offered me work in his summerhouse, in exchange i get to stay in his house to sleep... hopefully i can become stronger in a new country, and be like HRE.. i sigh and shake away my dreamy, starry eyes.

---

After the trip, i finally arrive to austria's house. he greets me at the front door, with what i think was an attempt at a **** smile? I'm not sure what he has in mind, after the stun he pulled the other day when he was drunk. i push the thought away and focus on preparing the lavish dinner he has put me up to, with glazed duck confit, salads, soups, everything.

i set up the table and serve all the food in the main dining room table. he sits on one end and on the other end of the long table, theres an empty chair. he simply says, "Go get changed into something presentable, then come down here and join me for dinner."
I look at him in shock, quickly recover, and run up to my room to follow his orders.

---
I went home, seriously depressed and beaten. Why? She's so sweet and nice that it's just too sad to think about. Oh, Italy...

Wait, she said something about going to Austria's... that must mean forever! I was pretty sure that maybe she could come back one day. But I guess not now that I know exactly where she's going... she might not come back. I won't ever see her again. Our "goodbye" wasn't even long enough for a goodbye that meaningful... I wish I could say goodbye at least one more time.

I walk into my home and sit on the couch. I'm too depressed to do anything. I don't want to eat, I don't want to walk, I don't want to breathe but I have to...
---
I rush down to the dining room, with the finest tux that i own and sit down in the chair across from Austria. He looks at me with a new look i havent seen before... im not sure what it is but it seems... familiar.. in the creepiest way. i shyly look up at him as i tuck the tissue into my shirt. he watches me even more closely this time and i look away.

"why dont you have some pasta, italy?"

i greedily take some pasta, pour the heavenly marinara over the perfectly cooked noodles. it is divine, and i slurp up the noodles with a fervor so unmannered, i blush at my rudeness, but im too hungry to stop.

i can still feel his stare.

is it what i think it is...?
lust? 0~0

---
Now you have to eat, Holy Rome!
But I don't want to.
You have to!
I don't want to!!!!!!!
Fine. Just watch the plate of perfectly made pasta you made yourself right in front of you go to waste, then!

I sigh as I catch myself fighting with myself. "Had to be pasta, didn't it? HOLY ROMAN EMPIRE! YOU ARE SUCH A BAKA!" I yell at myself. I suddenly start remembering all the fun we had together. At the Neko Festival, where we dressed as cats and danced together. In the flower field a few days before.

I started humming "Draw A Circle" to cheer myself up. But then it just makes me remember when Italy and I made a duet of our own...

(https://www.youtube.com/watch?v=pk9nQzW30bI )

After I think about how much fun we've had together in the past, I think about her twin brother, Southern Italy. I've never met him before, but from what I hear from Austria, he sounds like a ****. I'm kind of glad that Italy doesn't have some of her childhood with him.

Wait a minute.

If Southern Italy is ruled by Austria and Italy is too...

I have to save her!

I have to force myself to stand.

STAND HRE!

I finally stand up and quickly run out the door. Italy! I have to save her! Please let her be safe! Safe from Southern Italy! PLEASE!
---
I blush and look down at my food. it can't be...

"how r u liking ur food, italy?" he asked with a weird smile and a strange tone to his voice...
i tentatively replied, "pasta is always good. um.... may i be excused? i have some work to get done?" he stared at me with a bit of disappointed, replying quietly, "whatever you need to do, my dear." i quickly left, all the while feeling his strong stare on my back. i shudder and hurry up the stairs and slam the door quickly, locking it as well.

well that was creepy. i wish HRE was here, he'd protect me and id be able to confide in him on what i think austria is up to.

I settle down on to my bed after i brush my teeth and change.
mmmm.... so soft.....

right before i settle off to sleep, i hear a sudden noise, a crash. i rush outside my room and quickly head to austrias room to see if he is ok.

"... mmmm oh italy is so cute.... i just want to kiss him sometimes.... and his cooking... simply marvelous..." muffled noises are heard from the room. i back up hesitantly, unsure what to do as i can see a faint outline of him holding a picture... of me. i back away slowly, completely freaked out. i try to escape his notice as quietly as possible.

too late.

"italy? is that you i hear, my dear?"
I stop, unsure what to do. austria comes out the room, still clutching the picture of me and wraps his arms around me. I stand stiff, incapable of moving.
"you look so **** in those pajamas of yours..." he whispers eerily into my ear. i turn red, and try to get out of his grasp,but he is too strong... he pulls me closer towards him and begins to kiss my neck...i gasp and squirm trying to get him too stop, but he just pushes me against the wall and pins me there. he starts tugging at my shirt and I struggle to break free.

suddenly a loud bang explodes through the hallway.
austria doesnt stop, he starts to take my shirt of, bit by bit, trailing a line of kisses and moans down to my now bare chest.

he whispers... "i see southern italy has arrived to help me..." he looks up, and gives me over to southern italy.
No! why?
I close my eyes shut, too scared too look.

Suddenly, another bang.
"who's this?" austria asks southern italy as southern italy continues to caress my pale, heaving chest, him moaning every so often.

"ITALY!" HRE yells as he comes to the rescue.

I open my eyes to see him charge at Austria.

---
I headbutted him. I kicked him. I scratched him. I did as much as I could to get him off of Italy. I pulled him away finally. Why the hell is Southern Italy here too?
"Southern Italy?!"
"What is it you *******?"
"Why are you here?"
"Because I feel like it!"
(All of this was happening as Austria is passed out on the floor!!!!)
Italy was standing there, her shirt off- WHAT?! I blocked my eyes so I could help put her shirt on without seeing anything.
"Why are you being so cautious?" Southern Italy asked/
"Huh? What do you mean?"
"You don't have to block your eyes..." Italy said. "Austria told me what was happening..."
"What?!"
Southern Italy sighed and said, "You idiotic *******! Italy is a guy!"
I froze. What? How? I couldn't move. I couldn't breathe. I looked at Italy with he- um... HIS shirt off, it's true... She's a boy.
I started to cry without warning and ran away. I couldn't bare it. I kissed him, I hugged him, I LOVED him! A guy! It's official...
:D hope you enjoy ^^ its a hetalia axis powers fan fiction with Ashley Mae Renton. she's awesome, check her out :D
thanks so much for keeping up with my craziness, Ashley ;) ^^
(italics is ashley, I'm bold)
Mary Torrez Jan 2012
inky black skies
pricked by pinholes of light
above our heads with your hand in mine
as our feet dance - exalted and anxious
upon the tired concrete ground
where we've danced before

the knowing gaze
of the sagely moon upon us
does not compare to the brightness
that gives life to your eyes
and births your smile

we escape inside
from the uncertainty of night
with your hand never leaving mine
and the frantic dance continues
until we are strewn together
cloaked by covers

hearts pressed together
in a duet of frenzied marcato beats
that steadily decrescendos as our breath slows
and our limbs weave and entwine
like a dreamcatcher

bodies intertwined
protected from the ghouls of night
with your hand in mine
we sleep safely
Michael R Burch Dec 2020
LOVE POEMS by Michael R. Burch

These are love poems by Michael R. Burch: original poems and translations about passion, desire, lust, ***, dating and marriage. On an amusing note, my steamy Baudelaire translations have become popular with the pros ― **** stars and escort services!



Sappho, fragment 42
translation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 155
translation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!



Sappho, fragment 22
loose translation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Negligibles
by Michael R. Burch

Show me your most intimate items of apparel;
begin with the hem of your quicksilver slip ...



Warming Her Pearls
by Michael R. Burch

Warming her pearls,
her ******* gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



She bathes in silver
by Michael R. Burch

She bathes in silver,
afloat
on her reflections ...



****** Errata
by Michael R. Burch

I didn’t mean to love you; if I did,
it came unbid-
en, and should’ve remained hid-
den!



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath ...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...
now that I have forgotten her face.



Moments
by Michael R. Burch

There were moments full of promise,
like the petal-scented rainfall of early spring,
when to hold you in my arms
and to kiss your willing lips
seemed everything.

There are moments strangely empty
full of pale unearthly twilight
―how the cold stars stare!―
when to be without you is a dark enchantment
the night and I share.



The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
―feverish, wet―
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of stars revolving above us
revel tonight, the most ardent of lovers.



Once
by Michael R. Burch

Once when her kisses were fire incarnate
and left in their imprint bright lipstick, and flame,
when her breath rose and fell over smoldering dunes,
leaving me listlessly sighing her name ...

Once when her ******* were as pale, as beguiling,
as wan rivers of sand shedding heat like a mist,
when her words would at times softly, mildly rebuke me
all the while as her lips did more wildly insist ...

Once when the thought of her echoed and whispered
through vast wastelands of need like a Bedouin chant,
I ached for the touch of her lips with such longing
that I vowed all my former vows to recant ...

Once, only once, something bloomed, of a desiccate seed―
this implausible blossom her wild rains of kisses decreed.



For All that I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.



Le Balcon (The Balcony)
by Charles Baudelaire
loose translation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings―
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!

My translation of Le Balcon has become popular with **** sites, escort services and dating sites. The pros seem to like it!



Les Bijoux (The Jewels)
by Charles Baudelaire
loose translation by Michael R. Burch

My lover **** and knowing my heart's whims
Wore nothing more than a few bright-flashing gems;
Her art was saving men despite their sins―
She ruled like harem girls crowned with diadems!

She danced for me with a gay but mocking air,
My world of stone and metal sparking bright;
I discovered in her the rapture of everything fair―
Nay, an excess of joy where the spirit and flesh unite!

Naked she lay and offered herself to me,
Parting her legs and smiling receptively,
As gentle and yet profound as the rising sea―
Till her surging tide encountered my cliff, abruptly.

A tigress tamed, her eyes met mine, intent ...
Intent on lust, content to purr and please!
Her breath, both languid and lascivious, lent
An odd charm to her metamorphoses.

Her limbs, her *****, her abdomen, her thighs,
Oiled alabaster, sinuous as a swan,
Writhed pale before my calm clairvoyant eyes;
Like clustered grapes her ******* and belly shone.

Skilled in more spells than evil imps can muster,
To break the peace which had possessed my heart,
She flashed her crystal rocks’ hypnotic luster
Till my quietude was shattered, blown apart.

Her waist awrithe, her ******* enormously
Out-******, and yet ... and yet, somehow, still coy ...
As if stout haunches of Antiope
Had been grafted to a boy ...

The room grew dark, the lamp had flickered out.
Mute firelight, alone, lit each glowing stud;
Each time the fire sighed, as if in doubt,
It steeped her pale, rouged flesh in pools of blood.



The Perfect Courtesan
by Michael R. Burch

after Baudelaire, for the courtesans

She received me into her cavities,
indulging my darkest depravities
with such trembling longing, I felt her need ...

Such was the dalliance to which we agreed—
she, my high rider;
I, her wild steed.

She surrendered her all and revealed to me—
the willing handmaiden, delighted to please,
the Perfect Courtesan of Ecstasy.



Invitation to the Voyage
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

My child, my sister,
Consider the rapture
Of living together!
To love at our leisure
Till the end of all pleasure,
Then in climes so alike you, to die!

The misty sunlight
Of these hazy skies
Charms my spirit:
So mysterious
Your treacherous eyes,
Shining through tears.

There, order and restraint redress
Opulence, voluptuousness.

Gleaming furniture
Burnished by the years
Would decorate our bedroom
Where the rarest flowers
Mingle their fragrances
With vague scents of amber.

The sumptuous ceilings,
The limpid mirrors,
The Oriental ornaments …
Everything would speak
To our secretive souls
In their own indigenous language.

There, order and restraint redress
Opulence, voluptuousness.

See, rocking on these channels:
The sleepy vessels
Whose vagabond dream
Is to satisfy
Your merest desire.

They come from the ends of the world:
These radiant suns
Illuminating fields,
Canals, the entire city,
In hyacinth and gold.
The world falls asleep
In their warming light.

There, order and restraint redress
Opulence, voluptuousness.



What Goes Around, Comes
by Michael R. Burch

This is a poem about loss
so why do you toss your dark hair―
unaccountably glowing?

How can you be sure of my heart
when it’s beyond my own knowing?

Or is it love’s pheromones you trust,
my eyes magnetized by your bust
and the mysterious alchemies of lust?

Now I am truly lost!



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.

Manna is "heavenly bread" and leaven is what we use to make earthly bread rise. So this poem is saying that one's lover offers the best of heaven and earth.



Second Sight
by Michael R. Burch

I never touched you―
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then―

eternally present
and Sovereign.



After the Deluge
by Michael R. Burch

She was kinder than light
to an up-reaching flower
and sweeter than rain
to the bees in their bower
where anemones blush
at the affections they shower,
and love’s shocking power.

She shocked me to life,
but soon left me to wither.
I was listless without her,
nor could I be with her.
I fell under the spell
of her absence’s power.
in that calamitous hour.

Like blithe showers that fled
repealing spring’s sweetness;
like suns’ warming rays sped
away, with such fleetness ...
she has taken my heart―
alas, our completeness!
I now wilt in pale beams
of her occult remembrance.



Love Has a Southern Flavor
by Michael R. Burch

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle’s spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume ...

Love’s Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines ...

Love cannot be contained, like Southern nights:
the constellations’ dying mysteries,
the fireflies that hum to light, each tree’s
resplendent autumn cape, a genteel sight ...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.



Violets
by Michael R. Burch

Once, only once,
when the wind flicked your skirt
to an indiscrete height

and you laughed,
abruptly demure,
outblushing shocked violets:

suddenly,
I knew:
everything had changed

and as you braided your hair
into long bluish plaits
the shadows empurpled,

the dragonflies’
last darting feints
dissolving mid-air,

we watched the sun’s long glide
into evening,
knowing and unknowing.

O, how the illusions of love
await us in the commonplace
and rare

then haunt our small remainder of hours.



Smoke
by Michael R. Burch

The hazy, smoke-filled skies of summer I remember well;
farewell was on my mind, and the thoughts that I can't tell
rang bells within (the din was in) my mind, and I can't say
if what we had was good or bad, or where it is today.
The endless days of summer's haze I still recall today;
she spoke and smoky skies stood still as summer slipped away ...



How Long the Night
(anonymous Old English Lyric, circa early 13th century AD)
translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Shattered
by Vera Pavlova
translation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.
And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.
Suddenly, unthinkably, here he is,

taking my place.



The Darker Nights
by Michael R. Burch

Nights when I held you,
nights when I saw
the gentlest of spirits,
yet, deeper, a flaw ...

Nights when we settled
and yet never gelled.
Nights when you promised
what you later withheld ...



Moon Poem
by Michael R. Burch
after Linda Gregg

I climb the mountain
to inquire of the moon ...
the advantages of loftiness, absence, distance.
Is it true that it feels no pain,
or will she contradict me?

Originally published by Borderless Journal (Singapore)

The apparent contradiction of it/she is intentional, since the speaker doesn’t know if the moon is an inanimate object or can feel pain.



If
by Michael R. Burch

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn―one moment less brightly,
one instant less true―
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.



Insurrection
by Michael R. Burch

She has become as the night―listening
for rumors of dawn―while the dew, glistening,

reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights―flickering
in the distance―till memories old and troubling

rise up again and demand remembering ...
like peasants rebelling against a mad king.



Medusa
by Michael R. Burch

Friends, beware
of her iniquitous hair―
long, ravenblack & melancholy.

Many suitors drowned there―
lost, unaware
of the length & extent of their folly.



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave―
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees―
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



Mingled Air
by Michael R. Burch

for Beth

Ephemeral as breath, still words consume
the substance of our hearts; the very air
that fuels us is subsumed; sometimes the hair
that veils your eyes is lifted and the room

seems hackles-raised: a spring all tension wound
upon a word. At night I feel the care
evaporate—a vapor everywhere
more enervate than sighs: a mournful sound

grown blissful. In the silences between
I hear your heart, forget to breathe, and glow
somehow. And though the words subside, we know
the hearth light and the comfort embers gleam

upon our dreaming consciousness. We share
so much so common: sighs, breath, mingled air.



Elemental
by Michael R. Burch

There is within her a welling forth
of love unfathomable.
She is not comfortable
with the thought of merely loving:
but she must give all.

At night, she heeds the storm's calamitous call;
nay, longs for it. Why?
O, if a man understood, he might understand her.
But that never would do!
Darling, as you embrace the storm,

so I embrace elemental you.



Duet, Minor Key
by Michael R. Burch

Without the drama of cymbals
or the fanfare and snares of drums,
I present my case
stripped of its fine veneer:
Behold, thy instrument.

Play, for the night is long.



honeybee
by Michael R. Burch

love was a little treble thing―
prone to sing
and (sometimes) to sting



don’t forget ...
by Michael R. Burch

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

The opening lines were inspired by a famous love poem by e. e. cummings. I have dedicated this poem to my wife Beth, but you're welcome to dedicate it to the light-bending person of your choice, as long as you credit me as the author.



Sudden Shower
by Michael R. Burch

The day’s eyes were blue
until you appeared
and they wept at your beauty.



She Was Very Strange, and Beautiful
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in a pleasant way,
as the hummingbird
flies madly still,
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
I had nothing left . . .
yet I smiled, bereft, in her receding glow.



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation―all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold.
And you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



Heat Lightening
by Michael R. Burch

Each night beneath the elms, we never knew
which lights beyond dark hills might stall, advance,
then lurch into strange headbeams tilted up
like searchlights seeking contact in the distance . . .

Quiescent unions . . . thoughts of bliss, of hope . . .
long-dreamt appearances of wished-on stars . . .
like childhood’s long-occluded, nebulous
slow drift of half-formed visions . . . slip and bra . . .

Wan moonlight traced your features, perilous,
in danger of extinction, should your hair
fall softly on my eyes, or should a kiss
cause them to close, or should my fingers dare

to leave off childhood for some new design
of whiter lace, of flesh incarnadine.



Redolence
by Michael R. Burch

Now darkness ponds upon the violet hills;
cicadas sing; the tall elms gently sway;
and night bends near, a deepening shade of gray;
the bass concerto of a bullfrog fills
what silence there once was; globed searchlights play.

Green hanging ferns adorn dark window sills,
all drooping fronds, awaiting morning’s flares;
mosquitoes whine; the lissome moth again
flits like a veiled oud-dancer, and endures
the fumblings of night’s enervate gray rain.

And now the pact of night is made complete;
the air is fresh and cool, washed of the grime
of the city’s ashen breath; and, for a time,
the fragrance of her clings, obscure and sweet.



A Surfeit of Light
by Michael R. Burch

There was always a surfeit of light in your presence.
You stood distinctly apart, not of the humdrum world―
a chariot of gold in a procession of plywood.

We were all pioneers of the modern expedient race,
raising the ante: Home Depot to Lowe’s.
Yours was an antique grace―Thrace’s or Mesopotamia’s.

We were never quite sure of your silver allure,
of your trillium-and-platinum diadem,
of your utter lack of flatware-like utility.

You told us that night―your wound would not scar.
The black moment passed, then you were no more.
The darker the sky, how much brighter the Star!

The day of your funeral, I ripped out the crown mold.
You were this fool’s gold.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.



Unfoldings
by Michael R. Burch

for Vicki

Time unfolds ...
Your lips were roses.
... petals open, shyly clustering ...
I had dreams
of other seasons.
... ten thousand colors quiver, blossoming.

Night and day ...
Dreams burned within me.
... flowers part themselves, and then they close ...
You were lovely;
I was lonely.
... a ****** yields herself, but no one knows.

Now time goes on ...
I have not seen you.
... within ringed whorls, secrets are exchanged ...
A fire rages;
no one sees it.
... a blossom spreads its flutes to catch the rain.

Seasons flow ...
A dream is dying.
... within parched clusters, life is taking form ...
You were honest;
I was angry.
... petals fling themselves before the storm.

Time is slowing ...
I am older.
... blossoms wither, closing one last time ...
I'd love to see you
and to touch you.
... a flower crumbles, crinkling, worn and dry.

Time contracts ...
I cannot touch you.
... a solitary flower cries for warmth ...
Life goes on as
dreams lose meaning.
... the seeds are scattered, lost within a storm.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.



If You Come to San Miguel
by Michael R. Burch

If you come to San Miguel
before the orchids fall,
we might stroll through lengthening shadows
those deserted streets
where love first bloomed ...

You might buy the same cheap musk
from that mud-spattered stall
where with furtive eyes the vendor
watched his fragrant wares
perfume your ******* ...

Where lean men mend tattered nets,
disgruntled sea gulls chide;
we might find that cafetucho
where through grimy panes
sunset implodes ...

Where tall cranes spin canvassed loads,
the strange anhingas glide.
Green brine laps splintered moorings,
rusted iron chains grind,
weighed and anchored in the past,

held fast by luminescent tides ...
Should you come to San Miguel?
Let love decide.



Vacuum
by Michael R. Burch

Over hushed quadrants
forever landlocked in snow,
time’s senseless winds blow ...

leaving odd relics of lives half-revealed,
if still mostly concealed ...
such are the things we are unable to know

that once intrigued us so.

Come then, let us quickly repent
of whatever truths we’d once determined to learn:
for whatever is left, we are unable to discern.

There’s nothing left of us here; it’s time to go.



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



Roses for a Lover, Idealized
by Michael R. Burch

When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall―yours made me bleed?

When winter makes me think of you―
whorls petrified in frozen dew,
bright promises blithe spring forsook,
will I recall your words―barbed, cruel?



Nothing Returns
by Michael R. Burch

A wave implodes,
impaled upon
impassive rocks . . .

this evening
the thunder of the sea
is a wild music filling my ear . . .

you are leaving
and the ungrieving
winds demur:

telling me
that nothing returns
as it was before,

here where you have left no mark
upon this dark
Heraclitean shore.



First and Last
by Michael R. Burch

for Beth

You are the last arcane rose
of my aching,
my longing,
or the first yellowed leaves―
vagrant spirals of gold
forming huddled bright sheaves;
you are passion forsaking
dark skies, as though sunsets no winds might enclose.

And still in my arms
you are gentle and fragrant―
demesne of my vigor,
spent rigor,
lost power,
fallen musculature of youth,
leaves clinging and hanging,
nameless joys of my youth to this last lingering hour.



Your Pull
by Michael R. Burch

for Beth

You were like sunshine and rain―
begetting rainbows,
full of contradictions, like the intervals
between light and shadow.

That within you which I most opposed
drew me closer still,
as a magnet exerts its unyielding pull
on insensate steel.



Love Is Not Love
by Michael R. Burch

for Beth

Love is not love that never looked
within itself and questioned all,
curled up like a zygote in a ball,
throbbed, sobbed and shook.

(Or went on a binge at a nearby mall,
then would not cook.)

Love is not love that never winced,
then smiled, convinced
that soar’s the prerequisite of fall.

When all
its wounds and scars have been saline-rinsed,
where does Love find the wherewithal
to try again,
endeavor, when

all that it knows
is: O, because!



The Stake
by Michael R. Burch

for Beth

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.



The One True Poem
by Michael R. Burch

for Beth

Love was not meaningless ...
nor your embrace, nor your kiss.

And though every god proved a phantom,
still you were divine to your last dying atom ...

So that when you are gone
and, yea, not a word remains of this poem,

even so,
We were One.



The Poem of Poems
by Michael R. Burch

for Beth

This is my Poem of Poems, for you.
Every word ineluctably true:
I love you.



BeMused
by Michael R. Burch

You will find in her hair
a fragrance more severe
than camphor.
You will find in her dress
no hint of a sweet
distractedness.
You will find in her eyes
horn-owlish and wise
no metaphors
of love, but only reflections
of books, books, books.

If you like Her looks …

meet me in the long rows,
between Poetry and Prose,
where we’ll win Her favor
with jousts, and savor
the wine of Her hair,
the shimmery wantonness
of Her rich-satined dress;
where we’ll press
our good deeds upon Her, save Her
from every distress,
for the lovingkindness
of Her matchless eyes
and all the suns of Her tongues.

We were young,
once,
unlearned and unwise . . .
but, O, to be young
when love comes disguised
with the whisper of silks
and idolatry,
and even the childish tongue claims
the intimacy of Poetry.



There’s a Stirring and Awakening in the World
by Michael R. Burch

There’s a stirring and awakening in the world,
and even so my spirit stirs within,
imagining some Power beckoning—
the Force which through the stamen gently whirrs,
unlocking tumblers deftly, even mine.

The grape grows wild-entangled on the vine,
and here, close by, the honeysuckle shines.
And of such life, at last there comes there comes the Wine.

And so it is with spirits’ fruitful yield—
the growth comes first, Green Vagrance, then the Bloom.

The world somehow must give the spirit room
to blossom, till its light shines—wild, revealed.

And then at last the earth receives its store
of blessings, as glad hearts cry—More! More! More!

Originally published by Borderless Journal



POEMS ABOUT POOL SHARKS

These are poems about pool sharks, gamblers, con artists and other sharks. I used to hustle pool on bar tables around Nashville, where I ran into many colorful characters, and a few unsavory ones, before I hung up my cue for good.

Shark
by Michael R. Burch

They are all unknowable,
these rough pale men—
haunting dim pool rooms like shadows,
propped up on bar stools like scarecrows,
nodding and sagging in the fraying light . . .

I am not of them,
as I glide among them—
eliding the amorphous camaraderie
they are as unlikely to spell as to feel,
camouflaged in my own pale dichotomy . . .

That there are women who love them defies belief—
with their missing teeth,
their hair in thin shocks
where here and there a gap of scalp gleams like bizarre chrome,
their smell rank as wet sawdust or mildewed laundry . . .

And yet—
and yet there is someone who loves me:
She sits by the telephone
in the lengthening shadows
and pregnant grief . . .

They appreciate skill at pool, not words.
They frown at massés,
at the cue ball’s contortions across green felt.
They hand me their hard-earned money with reluctant smiles.
A heart might melt at the thought of their children lying in squalor . . .
At night I dream of them in bed, toothless, kissing.
With me, it’s harder to say what is missing . . .



Fair Game
by Michael R. Burch

At the Tennessee State Fair,
the largest stuffed animals hang tilt-a-whirl over the pool tables
with mocking button eyes,
knowing the playing field is unlevel,
that the rails slant, ever so slightly, north or south,
so that gravity is always on their side,
conspiring to save their plush, extravagant hides
year after year.

“Come hither, come hither . . .”
they whisper; they leer
in collusion with the carnival barkers,
like a bevy of improbably-clad hookers
setting a “fair” price.
“Only five dollars a game, and it’s so much Fun!
And it’s not really gambling. Skill is involved!
You can make us come: really, you can.
Here are your *****. Just smack them around.”

But there’s a trick, and it usually works.
If you break softly so that no ball reaches a rail,
you can pick them off: One. Two. Three. Four.
Causing a small commotion,
a stir of whispering, like fear,
among the hippos and ostriches.



Con Artistry
by Michael R. Burch

The trick of life is like the sleight of hand
of gamblers holding deuces by the glow
of veiled back rooms, or aces; soon we’ll know
who folds, who stands . . .

The trick of life is like the pool shark’s shot—
the wild massé across green velvet felt
that leaves the winner loser. No, it’s not
the rack, the hand that’s dealt . . .

The trick of life is knowing that the odds
are never in one’s favor, that to win
is only to delay the acts of gods
who’d ante death for sin . . .

and death for goodness, death for in-between.
The rules have never changed; the artist knows
the oldest con is life; the chips he blows
can’t be redeemed.



Pool's Prince Charming
by Michael R. Burch

this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.

I used poetic license about what Louie Roberts was or wasn't drinking at the 1981 U. S. Open Nine-Ball Championship. Was Louie drinking hard liquor as he came charging back through the losers' bracket to win the whole shebang? Or was he pretending to drink for gamesmanship or some other reason? I honestly don't know. As for the word “chthonic,” it’s pronounced “thonic” and means “subterranean” or “of the underworld.” And the pool world can be very dark indeed, as Louie’s tragic demise suggests. But everyone who knew Louie seemed to like him, if not love him dearly, and many sharks have spoken of Louie in glowing terms, as a bringer of light to that underworld.



My wife and I were having a drink at a neighborhood bar which has a pool table. A “money” game was about to start; a spectator got up to whisper something to a friend of ours who was about to play someone we hadn’t seen before. We couldn’t hear what was said. Then the newcomer broke—with such force that his stick flew straight up in the air and shattered the light dangling overhead. There was a moment of stunned silence, then our friend turned around and remarked: “He really does shoot the lights out, doesn’t he?” — Michael R. Burch



Rounds
by Michael R. Burch

Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Now agony still hounds me
though elsewhere mirth abounds;
hidebound I stand and try to think,
not sink still further down,
spellbound.

Their ecstasy astounds me,
though drunkenness compounds
resounding laughter into joy;
alloy such glee with beer and see
bliss found.

Originally published by Borderless Journal



Poems about Fathers and Grandfathers



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they've become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Sanctuary at Dawn
by Michael R. Burch

I have walked these thirteen miles
just to stand outside your door.
The rain has dogged my footsteps
for thirteen miles, for thirty years,
through the monsoon seasons...
and now my tears
have all been washed away.

Through thirteen miles of rain I slogged,
I stumbled and I climbed
rainslickened slopes
that led me home
to the hope that I might find
a life I lived before.

The door is wet; my cheeks are wet,
but not with rain or tears...
as I knock I sweat
and the raining seems
the rhythm of the years.

Now you stand outlined in the doorway
―a man as large as I left―
and with bated breath
I take a step
into the accusing light.

Your eyes are grayer
than I remembered;
your hair is grayer, too.
As the red rust runs
down the dripping drains,
our voices exclaim―

'My father! '
'My son! '



Sunset
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

Between the prophecies of morning
and twilight's revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.



Sailing to My Grandfather
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

This distance between us
―this vast sea
of remembrance―
is no hindrance,
no enemy.

I see you out of the shining mists
of memory.
Events and chance
and circumstance
are sands on the shore of your legacy.

I find you now in fits and bursts
of breezes time has blown to me,
while waves, immense,
now skirt and glance
against the bow unceasingly.

I feel the sea's salt spray―light fists,
her mists and vapors mocking me.
From ignorance
to reverence,
your words were sextant stars to me.

Bright stars are strewn in silver gusts
back, back toward infinity.
From innocence
to senescence,
now you are mine increasingly.

Note: Under the Sextant's Stars is a painting by Benini.



Salat Days
by Michael R. Burch

for my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat...
though first, usually, he'd stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat―
how easy it was to find if you knew where to look for it...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

'Nobody knows that it's there, lad, or that it's fit tuh eat
with some bacon drippin's or lard.'

'Don't eat the berries. You see―the berry's no good.
And you'd hav'ta wash the leaves a good long time.'

'I'd boil it twice, less'n I wus in a hurry.
Lawd, it's tough to eat, chile, if you boil it jest wonst.'

He seldom was hurried; I can see him still...
silently mowing his yard at eighty-eight,
stooped, but with a tall man's angular gray grace.

Sometimes he'd pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name―'pokeweed'―while perusing a dictionary.

Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply...

'Well, chile, s'm'times them times wus hard.'



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch, Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star
gleamed down
and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor...



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men's feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use―

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



Be that Rock
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

When I was a child
I never considered man's impermanence,
for you were a mountain of adamant stone:
a man steadfast, immense,
and your words rang.

And when you were gone,
I still heard your voice, which never betrayed,
'Be strong and of a good courage,
neither be afraid...'
as the angels sang.

And, O! , I believed
for your words were my truth, and I tried to be brave
though the years slipped away
with so little to save
of that talk.

Now I'm a man―
a man... and yet Grandpa... I'm still the same child
who sat at your feet
and learned as you smiled.
Be that rock.



Of Civilization and Disenchantment
by Michael R. Burch

for Anais Vionet

Suddenly uncomfortable
to stay at my grandfather's house―
actually his third new wife's,
in her daughter's bedroom
―one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas...

Lacking the words to describe
ah! , those pearl-luminous estuaries―
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser's fertile delta,
lands at the beginning of a new time and 'civilization.'

Leaving behind sixty miles of unbroken cemetery,
Alexander's corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.

Or so the people dreamed, in chains.



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I'm walking as fast as I can;
I'll move much faster when I'm a man...

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I'm walking as fast as I can;
take it easy on an old man.



My Touchstone
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

A man is known
by the life he lives
and those he leaves,

by each heart touched,
which, left behind,
forever grieves.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt Sr. and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.

For fourteen years, he had not seen her
whom he first befriended,
then courted and married.

Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.

He never lost her; she only tarried
until he was able to meet her.

Keywords/Tags: George Edwin Hurt Christine Ena Spouse reunited heaven joy together forever



Poems about Mothers and Grandmothers



Dawn
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Bring your peculiar strength
to the strange nightmarish fray:
wrap up your cherished ones
in the golden light of day.



Mother's Day Haiku
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Crushed grapes
surrender such sweetness:
a mother’s compassion.

My footprints
so faint in the snow?
Ah yes, you lifted me.

An emu feather ...
still falling?
So quickly you rushed to my rescue.

The eagle sees farther
from its greater height:
our mothers' wisdom.



The Rose
by Michael R. Burch

for my grandmother, Lillian Lee, who used to grow the most beautiful roses

The rose is—
the ornament of the earth,
the glory of nature,
the archetype of the flowers,
the blush of the meadows,
a lightning flash of beauty.

This poem above is my translation of a Sappho epigram.



The Greatest of These ...
by Michael R. Burch

for my mother, Christine Ena Burch, and the grandmother of my son Jeremy

The hands that held me tremble.
The arms that lifted
fall.
Angelic flesh, now parchment,
is held together with gauze.

But her undimmed eyes still embrace me;
there infinity can be found.
I can almost believe such infinite love
will still reach me, underground.



Arisen
by Michael R. Burch

for my mother, Christine Ena Burch

Mother, I love you!
Mother, delightful,
articulate, insightful!

Angels in training,
watching over, would hover,
learning to love
from the Master: a Mother.

You learned all there was
for this planet to teach,
then extended your wings
to Love’s ultimate reach ...

And now you have soared
beyond eagles and condors
into distant elevations
only Phoenixes can conquer.

Amen

Published as the collection "Love Poems by Michael R. Burch"

Keywords/Tags: love, Eros, ******, erotica, passion, desire, lust, ***, dating, marriage, romance, romantic, romanticism
A hippodrome as smoke adjourn
those can wrap Havanas blunt
while Manila fish for sordino
they reek of harvest yet exhume Moro
then San Mateo shall not a maraschino bane
whether they've sought bastion in Italy then
once their hopes shall keep ships ahoy
and Sabatini sing San Marino here
that sandcastle star await his lover in
"The Sea Hawk" a fine costume whence sail
those Antilles with a conquistador as buttress
in this play they call Those Philippines alas meet
El Duarte in a duet with his song set aflame with
great sleeves in such kleptocracy worldwide again.
Emma Sims Jun 2023
What forlorn nights this lonesome poetry begets.
My voice, attuned to solitude, sings a desolate duet.
The only voice that answers mine is baritone regret;
and yet
I wear my words upon my head: a gaudy coronet.
sometimes on lonely evenings I will listen to/write poetry on my own, this is a poem of self reflection of these moments
Emilija Feb 2023
31/12/2022

It’s the last day of the year, and I’ve had one extra depressive episode
because a 21 year old noped out, apparently I’m demiromantic
and have never had a crush
need a strong connection, when it’s there – it’s nothing
to reckon with, had I known
I’d have put more space between us, taken it slower
rather than convincing myself I have control, as it slips

I’m leaving another lover, wretched with stench
I look at their face in old pictures, becoming
afraid at their void expression, beard
they refuse to trim for me
so I daydream and I know
like, I know now, with therapy that

there is no magical himbo to save me,
no delusions about that, no boo, no more
but I also know I deserve some ******* comfort
after the hell, oh the hell
I can’t broach, if I **** it will burst
like a yolk, I’ll be dead by morning, oh and

he’s so beautiful
his eyes on me, his cautious fingers, fear and shudders
makes me feel like my best was not just good enough
my best was fascinating.
I want to tell him about my songs, mixing in studio 1
I wanna duet, and melt,
I want him on his knees at random words, I want
that worship, wanna feel
his piercing on my
everything,
want to give that worship
not just in a word document,
so I daydream, I get to.
I ******* get to if I need it, daydream about
whichever thing will never happen if I need it.

I will not be shamed for surviving
I will not be blinded to an oasis for the chance
it’s a mirage, I need to
get from place to place, boo
What shall I do as I heal? Drink? Drugs? ******* cigarettes?
did you know the internet says I’ll die at 67?
Little more than half now
my life is not shortened by zoning out -
If I want a muse I will have a ******* muse, and he can think
I’m crazy along with the rest of them,
****
if
I
care,  
I want him to come here.
                                    I want to ask him questions, reasonable questions
because I know I would:
                                                          ­             is this an impulsive decision?
have you broken up?
                                                                ­                               how long ago?
are you in therapy?
                                            I am **** demisexual,
                                                  even in my mind,
                                              especially in my mind
Do       you      want      me      or      do       you       want      polyamory?
Because I can be anyone, and I have already been
                                                         an experiment for some guy, ‘fore he  
                                                            gets­ a bi curious, monogamous girl
Because we can grow alongside one another, but not fix
each other
because you need to process
because if you’re with her, she wouldn’t have a reason other than “my boyfriend really wants to” and that is the worst reason for polyamory, and I am not nor have ever been in the business of hurting people with intent (excluding  grade school, ((I’m
sorry, Martina – double sorry you died from
leukemia,) excluding when you c o n s e n t )),  
I’d like you to answer all of those, then
maybe I get to hold you.

That’s my daydream. Holding you. Watching films, you commenting on them the way I’ve done and annoyed all of my lovers.

how your neck would smell

                                      how your hair and head would feel in my hands

how you’d shiver and breathe shallow, and how easily
I could make it calm.  

and yeah, subspacing you and using your body, I am not entirely ace.
I'm publishing the ones I don't dare submit to places, can you let me know if these ramble style poems are any good?
poeticalamity Jun 2014
She once told me
she was terribly afraid of
the 889 blades of grass
in the park down her street,
of the 889 worn books
in her local library
of the 889 gum-covered steps
to her bus stops
of the 889 looks
she must make over her shoulder
of the 1 778 pairs of greedy eyes
stealing looks away from me.

I missed her when she sent me pictures
because I couldn't bear to look
at empty frames of empty eyes
(red dows no match red
unless it is the scarlet of blood on broken glass
after a year and two months of tranparency)
and also because the things that slipped into my phone
could only remind me of moments that could never be
and dreams
that would never come true.

I don't know what to say to her
without breaking her
(like the broken glass)
(the image still hasn't left my head)
but she inspires me toward metaphors
and the adromeda galaxy
isn't so far away anymore.

How can I stay by her side
when she triggers me to want to fall
but how can I ignore her call
when she is the only person I feel safe with
to coincide

I am afraid to tell her
(or myself)
how I feel
because in a cliche
I don't know how I feel myeslf
but dear, together, we are formidable
and apart --
I don't know about you,
but I catch myself on the dry spells --
we are fort minable

this song has been stuck in my hear
since it reminded me of you
and this could be another metaphor for something heartfelt
and not altogether original

But I want us to be
the figures in the painting
you said you saw us in
I want to be
that feminist duet
(even if I can't sing and you voice is that of the devil's)
I want to be
the cats in the picture
with the intertwined tails
or the flowers tangled up
on a vine
(I was going to send you that on
but I thought against it
because you were too beautiful to be compared
to a simple petrichor-scented bougainvillea)

So I will be
the 889 poetry books
you dog-ear and highlight
and secretly slightly plagiarize
and I will be
the 889 plants growing
in your backyard,
sparkling for you like replacement diamonds
after the rain
(and better yet I will be the forest
of 889 trees
looming not frighteningly but protectively
over you)
and I will be
the 889 strides
of golden brick road
to follow to your favorite coffee shop every day
and I will be
the 889 innocent peaks
at a delicate pinkie finger or a nose
(because a delicate rose such as you
cannot be seen all at once and truly appreciated)
and I will even be
the 1 778 pairs of eyes
stealing my own looks,
and hopefully you will not be afraid anymore.

I will split myself
into
6 228 parts
to make you feel comfortable
and if this is not a love poem
then it is an apology
and gratitude
and anger/resentment/not really/how could I resent you/you are everything

what I'm trying to say is,
we could go so many different ways,
and what's one more expression of love to you
after all you've been through.
Play your sad guitar a while
that I may sing for thee
of words that sit within my heart
and technicolour dreams.

Play a tune of broken wings
now healed by tender hands
brought to flight by friendship strong
and moons in distant lands.

Harmonise with me this night
let music be our guide,
you see my soul in different light,
through darkness, where I hide.

Then I'll lift up my song to thee
the sweetest ever heard
and raise my voice in thanks once more
to friendship, love and words.
For my sweetest friend.
Nigel Morgan Aug 2013
My name is Zhou Yuanten, but call me Eddie. I am a doctoral student at Xinjiang University –in the far, far west, but at Brunel to study this year. My English is good. I lived in Boston, Massachusetts for undergraduate years. I majored in piano at the New England C and then discovered I wanted to compose rather than play. So I go to MIT and soon I discover the English do it so differently, so I apply to Brunel. And at Brunel they then say of this place ‘you have to go.’ So here I am.

So surprising to be greeted in Chinese! And not just Nin Hao, we have a conversation! His accent is Northern Mandarin. He is writing a novel, he explains, about poets Zuo-Fen and Zuo-Si. We have 15 minutes conversation every day and I help him with his characters. Strange, to most of the class he is nobody, but to foreign students here we know him through his website and his software. I have even played his colours piece, The Goethe Triangle.

It is joy to be respected by a teacher and his sessions are like no other I’ve had here, and here I mean the UK. Oh, so laid-back, so lazy so many teachers. People lack energy here. They are dreamers and only think of themselves. He is full of energy and talks often about this Imogen of whom I never hear. Her father a great composer and she copied his music from when she was a girl – such beautiful calligraphy. Her father loved India and learned Sanskrit. He should have learned Mandarin; at least that is a living language. ‘Imo’, he says, ‘is my heroine, my mentor, the musician I most revere.’ He showed us her library and what was her studio in one of the old buildings here. He gives me this little book about her ten years in this place. A strange looking lady; there’s a photograph of her conducting Bach in the Great Hall. She looks like she is dancing.

This morning some are not here, but there are little notes on the desk with apologies perhaps. He leaves them untouched and we make chords again, and scales and arpeggios and Slonimsky’s famous melodic patterns. We write and write. He sings, we sing too. There is a horn and a cello with us today. They play and make jokes. They show us harmonics and tunings and bend our ears in new directions we do not expect. Those who complain about this course not being ‘advanced’ will eat their words; only I think some of those are not here.

As Chinese we hear sound in a different way I think. In our language tone is so important. To each word there are four tones that make meaning quite different. Chinese uses only about 400 syllables, compared to 4000 in English. So there are lots of syllables, like ****, that have multiple meanings. I tell him the story of the Lion-eating Poet, which he does not know!! I am writing this out for him, all 92 characters. Just one word **** but with four meanings – lion, ten, to make, to be. The Lion-Eating Poet in the Stone Den is the story of a poet (****) named **** who loves to eat lions (**** ****) goes to market (****) to buy ten (****) of them, takes them home to eat (****) and discovers they are made (****) of stone (****).

So I have no trouble hearing what others struggle to hear. We make pieces that are all about tone, and on a single note. Mark, the cellist, plays the opening of Lutoslawski’s Concerto – forty-two repetitions of a tenor ‘D’ a second apart. I had never heard this – a cadenza at the beginning of a concerto. Now we write a duo, on just one note. We write; they play. We are like many Mozarts trying to write only what we have already heard, making only one copy. I use the four tones and must teach the players the signs. I demonstrate and he says of the 1st tone – ‘Going to the Dentist, the 2nd – Climbing a ladder, the 3rd – ‘The Rollercoaster’, the 4th –‘Stepping on a pin’. We all do it!

And there are all these microtones. We listen to a moment of Ravel’s Bolero and pieces by Thomas Ades and Julian Anderson, then in detail (and with the score) to part of Duet for piano and orchestra by George Benjamin. This is spectral music. He is daring to introduce this – very difficult subject - this idea that a sound could be mimicked (? Is that the word – to impersonate?) by analysing it for the frequencies that make it up, and then getting instruments with similar acoustic properties to play the frequencies as pitches. So the need for microtones – goodbye equal temperament! Great in theory, difficult in practice.

This afternoon we are to study spectral composing using our computers. Until now we use our computers or smart phones to listen to extracts. He has this page of web links on his website for each session. Instead of listening through hi-fi we listen through our headphones. Better of course by far, no birds sounds or instruments playing next door. We can hear it again anytime. So there is software to download, Fourier analysis I suppose, he tries hard not to use any science or maths because there are some here who object, but they are fools. Even Bach knew of acoustics – designing the organs he played.

We finish this morning studying harmonic rhythm and this word tonality nobody seems quite able to describe. To him even the chromatic scale is tonality, and he shows in a duet for horn and cello how our ears take in tonality change. This is not about keys, but about groupings of pitches – anywhere – so a tonality can be spread across several octaves. So often, he says, composers are not aware of the tonalities they create, they don’t hear harmonic rhythm. They’re missing an opportunity! Sound can be coloured by awareness of what makes up a tonality. So understanding spectral music must help towards this. It is very liberating all this. If we take sound as a starting point rather than a system we can go anywhere.

Yesterday he asked me about a book he is reading. Did I know it? A Concise Chinese-English Dictionary for Lovers by Xiaolu Guo. Of course I know this very funny book. He said he liked to think of music in the same way the character of the Chinese girl Z thinks about love.

“Love,” this English word: like other English words it has a tense. “Loved”, or “will love”, or “have loved.” All these specific tenses mean Love is time-limited thing. Not infinite. It only exists in particular period of time. In Chinese, Love is ài in pinyin. It has no tense. No past and future. Love in Chinese means a being, a situation, a circumstance. Love is existence, holding past and future.

And so it is with music. Music is a being, a situation, a circumstance. It holds past and future. It is wondrous, just like love.
Carsyn Smith Jan 2013
When the sun rises, the shadows come out. They stretch
over the dewed grass and up the brick walls. They hide
from the light that only makes them stronger.
Without light, there would be no shadows.
We think we can destroy them, using our
light. But really, they’re always there,
scattered, stretched, faded, on the
turf of the football field. My
shadow is no different. It
lurks behind me when
I walk to the bus stop.
It stretches over the
uneven sidewalk and
into the tar-spotted street.
Even at school, where the light
shines from the ceiling. It sits quietly
under my desk. Or when I perform, and the light
shine in front of me, it will dance with me, a secret duet.
Jay M Wong Oct 2012
The summers breeze blows the clouds across the midnight sky,
Revealing only the stars that shine so heavenly bright ‘til they die.
Below such a sight, lies several lingering flowers.
Mingling ever so gently, speaking mutely for dearest yet bitter hours
And so it brew and brew so gently amongst the land,
Capturing the pedals of such flowers in the palms of the hand.
And by the same hand, do these petals fall asunder.
Unaware of the many careless yet human blunders.
And let the captivating moonlight glow shine brightly here,
Until what was once deemed strange has grown adear.
And with this newfound growth upon them, the distance shortens yet lingers.
The musings of each illuminated by Heaven's light, and one feels the strings of Fate between their fingers.
Yet, such strings, in the possession of the Sisters of Fate, lie
Awaiting to be torn in two by their treacherous fate denied.
Written by two persons; every other couplet was written by the same person.
Logan Robertson Oct 2018
A Workplace Rendezvous

My eyes
Always found hers.
Mischief,
The dangling host.
She was one
Of my workplace peers.
If it went any further
I could be toast.

Those cinnamon eyes
Of hers.
Butterscotch candy
Peers back at me,
I feel so dandy
Shoot me some brandy.

I see the loneliness
In hers.
Her cleavage
Cuts to the chase.
Happenstance now in place.

Our eyes did dance a duet.
Her words are the coquette.
Mine is a cadet.
We grabbed a ruse.
A pail and mop with a muse.

When we reached
The men's restroom
The coast was clear.
The sun shining above,
Holding a frown.
Say hello to the clown.

We fast break the court,
I dribble up and down.
She passes back and forth,
I shoot for the town.
We score at the bell,
That breaks the spell.

Our lunch break
Rendezvous
Was a first.
And last.
We filled our thirst
With
better scotch
we toast.

Logan Robertson

10/6/2018
A sentimental memory from my youth. We were both
from nearby college working at a fast-food restaurant. What
we had was a shot glass of dilution. A crutch. So the
last three lines unravel the knot.
Lyteweaver Mar 2014
An empty shell
of where breath resided
A childhood fantasy
unveiled as grim existence
Echoes of lonely hopes
with wishes unfulfilled

Crack Me
Reveal Me
Smother Me
Bury Me.
I'm Dead.

Smooth velvet wind
whispers Love across my skin
A vision of possibility
emerges as a prism of celestial hues
Melodic waves
push my soul ashore

Envelop Me
Illuminate Me
Cleanse Me
Celebrate Me.
*I'm Alive.
Man Mar 2021
we love
but why do we?

how much easier it would be
only to satiate the needs
forgetting the foolish notions
of something more
the drug induced states
merely staring into your eyes
brings on
brings me
to the brink of sanity
because this tired duet
cries to die
but i can't bring myself to do it
knowing if i cut out your heart
they'll be no beat beneath my breast
you'll have come with one
but you'll be taking two
when you take your scalpel
to my chest
Angie Sea Dec 2011
still I talk to you
countless sunsets after

you're the eclipse
highlighting my presence
once in a while when I let you

even upon leaving you left well
I indulge in your fingerprints
then I take a step

*one
becomes two
3/3
Amitav Radiance Dec 2014
The flute catches the music in the air
Every note dances ecstatically
A playful duet that pleases the heart
Silence becomes more gorgeous
Listening to the flute is a realization
Entwined in the caress of the pristine air
The oneness with it, a revelation
Music—the score of victories,
triumphant cymbals of success
of orchestrated histories,
to regal anthems to impress.

Music—scribbled notes to recall,
arranged in sync with beating hearts
resounding with clarion call,
of overtures meaning imparts.

Music—felt across Earth’s measure,
in staccato revelation
that accompanies God’s treasure—
the symphony of creation.

Music—God’s whistle in the wind,
that piano voice, in us He set
the atonal key, blessed or sinned,
music is our divine duet.
Instagram @insightshurt
Blogging at www.insightshurt.com
Buy “Insights Hurt: Bringing Healing Thoughts To Life” at store.bookbaby.com/book/insights-hurt
The toy piano
is played twice
once on the right
and once on the left.
The toy harp
is played twice
once on the left
and once on the right.
This music
ends badly
but brings me
joy.
It is silent now
except for the beautiful humming.
Winter Kane Jun 2010
Quivering flesh
Your lips on mine
Every stroke is a new sensation
Entwined limbs
Corresponding heartbeats
Can't get enough

Breath quickening
Sweat dripping
Pulses racing
Bodies shaking

Incoherent speech
Gasps and moans
Oh God, what a prayer tonight
Clenched fists
Eyes wide open
Long hard kisses
Perfect O's


Laying frozen
Tickled senseless
A silent moment of satisfaction

Slow breathing

Your fingers locked with mine

Two lovers drift asleep
This song evokes the deepest longing within me
Each beat constricting my heart and breath
My skin tingling with the line of melody plucked on the whispering guitar

     Please set me free

The slowing cadence calms my wandering thoughts
And places me just outside your grasp

     Please reach for me

The piano starts to fold me in your arms
And we kiss so delicately through the soft decrescendo

     Please stay with me

Hold me as we listen to the harmony
Be the voice in my world of music.
RL Glassman Mar 2017
A waltz, I dance, delightful
A second or so in song
A duet, I dance in nightfall
The Music plays on and on...

A smiles grows fast, inching
On careful and gentle mouth
Spin me, turning, falling
Oh, dare I say I laugh!

The memory lasts lifetimes
The moment lived just one
Alone I dance a duet
I Waltz with no one!

Hold me nearer, close
Music in my ears
I remember not how long it lasted
Months, minutes, years!

Listen to the voices playing
A skip in my flighty heart
I can't, I can't, I am unable
To leave, to be apart

I live within and stay
Here for however long
Days may pass by the moon
But the music still plays on!

A dancing hand touches,
Moves like a bird
In flight it bats it's wings
Dancing like spoken word

It casts a shadow on my face
Where hidden answers lie
I dance a duet with none by me
As days and lifes go by

In this moment, an eternity
Somewhere the music plays on,
And I am still dancing, happy
One of my favourites from 2017. So far.

Written Feb 2nd 2017
I won't dance for life because life dances for me. I'll take its hand and share it's weight though, and together we will dance; I move to the rhythm while life creates the beat.
Brent Kincaid May 2015
Hey ** and there you go
And when you get there
Well, there you are.
Now, ain’t that something;
Better than nothing?
Two guys walk into a bar.

The barkeep asks them
What will you guys have?
The both gave him a look.
I would like to be rich
Both guys said, but that
Is neither aa creek or a brook

Two little old ladies
Were rocking on a porch
Throwing fruit at passersby.
Their husbands hid out
Finding it were best
In case someone asked why.

All this and all that was
Somewhere not quite all
The way to awesome.
There were a few pretty boys
And then some women that
Were known as handsome.

Eenie meenie miney moe
Olly olly oxen fee.
Whattya know about that?
Higgeldy piggledee
Hotsy and totsy, has
Your tongue got your cat?

Thingamjigs, doolollies
Gadgets, whirlygigs
Don’t amount to nothing.
Whatsername and Miss Thing
That ought to do it right now
To keep your beer frothing.
Zach E S Apr 2015
To go to sleep upset.
No words will be met.
Our silence is clear enough.
Like a duet.
We share this stage.
Full of rage.
And can't admit it.
[JIBRIL ABDULMALIK]
I cannot find any masterpiece
How then do I plan?
There are no shoulders on which to stand
Shoulders of any giant of great stance
How then do I view the remaining journey?
How do I understand?
Tell me, is there still hope for me?

[EDINO ABIGAEL]
You might feel like a pirate
whose masterpiece Is lost between waves and tides,
But, look In the mirror
Who you see Is the master's piece.
This Is the greatest conviction.
Those great giants you look up to,
Are now like Goliath,
Lying helpless down your feet,
Let this be the hope you seek.

[JIBRIL ABDULMALIK]
The path I seek does not seek me in return
The one I love never loved me — I was just taken for fun.
Should I think less of my so called friends or should I say much of them?
They only show up whenever I find a gem
Shouldn't I say less of my very own?
Whom I danced to his great plans — plans for me alone
Great plans for the tomorrow that is never known
Only to find he never had a plan, not even of his own
Tell me, is there still hope for me?

[EDINO ABIGAEL]
You are at a crossroad,
All path seems right.
But, right In you,
Is a Great compass
Leading away from doom.
Trace your steps one, two,
Deep within the bed of your shattered heart,
Sleeps the hope you seek!

JIBRIL ABDULMALIK AND EDINO ABIGAEL ©2019
F-Fraternizing with people on the internet
A-Affable communication had by this set
C-Chatting happily as would a bird's duet
E-Establishing terrific friendships you bet
B-Bringing folks together in a sociable way
O-On the world wide web is where we play
O-Oodles of great mates go online every day
K-Keenly we are  involved in a cordiality ray
Sarina Dec 2012
There is some decadent rise
limp during afternoon highs and
pulsing at moonlight, the morning
knows something I do not know –

glowing, too, at the clarity
the cut of one’s sum, you and I

we are constructed of limbs and
dumb ligaments, bolted joints
and pivots: but most of all,

tissues that bleed when separated,
is that the value our love holds?
Do our nerves have common
apexes, the sapphire ends?

How we glisten and shine,
but do not feel when torn apart –

I sometimes feel like a classic
piano you are playing, one white
key tortured by the skin that does
not match any other’s but yours,
my player’s, retching for noise.

And I will give louder than
midnight howls of a single man,
his fingers fell from his hand –

he knows the morning such as I,
waking up just to decay,

while muscles keep their color,
the sun, or absence of, gives clues:
like footprints, a duet in sand,
I should not wake up without you.
Jaymi Swift Feb 2013
Youth runs hot, shinning souls consumed by desire.
On a search, they look for love to acquire.
But life walks by and shine does fade,
And all are in a masquerade.

It is as Heathcliff and his Kathy, they lost their love for pride.
If ether one had shown their face, would Kathy be his bride?
But life walks by and scars are made,
And all are in the masquerade.

Will you be as Ahab was, relentless for his whale.
If he had looked without his mask, would wind still hold his sails?
But life walks by and some do die,
And still goes on the masquerade.

Or will you be as the Phantom, searching for Christine.
But in the end it is Christine that finds true beauty hidden.
But life walks by and some scars fade.
And still some play the masquerade.

I beg you live your lives with passion, don't give yourself to fear.
For it is in  life's darkest hours that true beauty does appear.
To look beyond life's ugly scars, to see a heart in all it's pain...
And love despite.


Do search you for your strange duet, and be not afraid to lift his mask.
For therein is where true beauty lies... And life walks by.

— The End —