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"duchess" poems
I am what is around me. Women understand this. One is not duchess A hundred yards from a carriage. These, then are portraits: A black vestibule; A high bed sheltered by curtains. These are merely instances.
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Theory
A is the Alphabet, A at its head; A is an Antelope, agile to run. B is the Baker Boy bringing the bread, Or black Bear and brown Bear, both begging for bun. C is a Cornflower come with the corn; C is a Cat with a comical look. D is a Dinner which Dahlias adorn; D is a Duchess who dines with a Duke. E is an elegant eloquent Earl; E is an Egg whence an Eaglet emerges. F is a Falcon, with feathers to furl; F is a Fountain of full foaming surges. G is the Gander, the Gosling, the Goose; G is a Garnet in girdle of gold. H is a Heartsease, harmonious of hues; H is a huge Hammer, heavy to hold. I is an Idler who idles on ice; I am I--who will say I am not I? J is a Jacinth, a jewel of price; J is a Jay, full of joy in July. K is a King, or a Kaiser still higher; K is a Kitten, or quaint Kangaroo. L is a Lute or a lovely-toned Lyre; L is a Lily all laden with dew. M is a Meadow where Meadowsweet blows; M is a Mountain made dim by a mist. N is a Nut--in a nutshell it grows-- Or a Nest full of Nightingales singing--oh list! O is an Opal, with only one spark; O is an Olive, with oil on its skin. P is a Pony, a pet in a park; P is the Point of a Pen or a Pin. Q is a Quail, quick-chirping at morn; Q is a Quince quite ripe and near dropping. R is a Rose, rosy red on a thorn; R is a red-breasted Robin come hopping. S is a Snow-storm that sweeps o'er the Sea; S is the Song that the swift Swallows sing. T is the Tea-table set out for tea; T is a Tiger with terrible spring. U, the Umbrella, went up in a shower; Or Unit is useful with ten to unite. V is a Violet veined in the flower; V is a Viper of venomous bite. W stands for the water-bred Whale; Stands for the wonderful Wax-work so gay. X, or ** or *** is ale, Or Policeman X, exercised day after day. Y is a yellow Yacht, yellow its boat; Y is the Yucca, the Yam, or the Yew. Z is a Zebra, zigzagged his coat, Or Zebu, or Zoophyte, seen at the Zoo.
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An Alphabet
A is the Alphabet, A at its head; A is an Antelope, agile to run. B is the Baker Boy bringing the bread, Or black Bear and brown Bear, both begging for bun. C is a Cornflower come with the corn; C is a Cat with a comical look. D is a Dinner which Dahlias adorn; D is a Duchess who dines with a Duke. E is an elegant eloquent Earl; E is an Egg whence an Eaglet emerges. F is a Falcon, with feathers to furl; F is a Fountain of full foaming surges. G is the Gander, the Gosling, the Goose; G is a Garnet in girdle of gold. H is a Heartsease, harmonious of hues; H is a huge Hammer, heavy to hold. I is an Idler who idles on ice; I am I--who will say I am not I? J is a Jacinth, a jewel of price; J is a Jay, full of joy in July. K is a King, or a Kaiser still higher; K is a Kitten, or quaint Kangaroo. L is a Lute or a lovely-toned Lyre; L is a Lily all laden with dew. M is a Meadow where Meadowsweet blows; M is a Mountain made dim by a mist. N is a Nut--in a nutshell it grows-- Or a Nest full of Nightingales singing--oh list! O is an Opal, with only one spark; O is an Olive, with oil on its skin. P is a Pony, a pet in a park; P is the Point of a Pen or a Pin. Q is a Quail, quick-chirping at morn; Q is a Quince quite ripe and near dropping. R is a Rose, rosy red on a thorn; R is a red-breasted Robin come hopping. S is a Snow-storm that sweeps o'er the Sea; S is the Song that the swift Swallows sing. T is the Tea-table set out for tea; T is a Tiger with terrible spring. U, the Umbrella, went up in a shower; Or Unit is useful with ten to unite. V is a Violet veined in the flower; V is a Viper of venomous bite. W stands for the water-bred Whale; Stands for the wonderful Wax-work so gay. X, or ** or *** is ale, Or Policeman X, exercised day after day. Y is a yellow Yacht, yellow its boat; Y is the Yucca, the Yam, or the Yew. Z is a Zebra, zigzagged his coat, Or Zebu, or Zoophyte, seen at the Zoo.
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52
for Sylvia Plath O Sylvia, Sylvia, with a dead box of stones and spoons, with two children, two meteors wandering loose in a tiny playroom, with your mouth into the sheet, into the roofbeam, into the dumb prayer, (Sylvia, Sylvia where did you go after you wrote me from Devonshire about rasing potatoes and keeping bees?) what did you stand by, just how did you lie down into? Thief -- how did you crawl into, crawl down alone into the death I wanted so badly and for so long, the death we said we both outgrew, the one we wore on our skinny ******* the one we talked of so often each time we downed three extra dry martinis in Boston, the death that talked of analysts and cures, the death that talked like brides with plots, the death we drank to, the motives and the quiet deed? (In Boston the dying ride in cabs, yes death again, that ride home with our boy.) O Sylvia, I remember the sleepy drummer who beat on our eyes with an old story, how we wanted to let him come like a sadist or a New York fairy to do his job, a necessity, a window in a wall or a crib, and since that time he waited under our heart, our cupboard, and I see now that we store him up year after year, old suicides and I know at the news of your death a terrible taste for it, like salt, (And me, me too. And now, Sylvia, you again with death again, that ride home with our boy.) And I say only with my arms stretched out into that stone place, what is your death but an old belonging, a mole that fell out of one of your poems? (O friend, while the moon's bad, and the king's gone, and the queen's at her wit's end the bar fly ought to sing!) O tiny mother, you too! O funny duchess! O blonde thing!
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Sylvia's Death
for Sylvia Plath O Sylvia, Sylvia, with a dead box of stones and spoons, with two children, two meteors wandering loose in a tiny playroom, with your mouth into the sheet, into the roofbeam, into the dumb prayer, (Sylvia, Sylvia where did you go after you wrote me from Devonshire about rasing potatoes and keeping bees?) what did you stand by, just how did you lie down into? Thief -- how did you crawl into, crawl down alone into the death I wanted so badly and for so long, the death we said we both outgrew, the one we wore on our skinny ******* the one we talked of so often each time we downed three extra dry martinis in Boston, the death that talked of analysts and cures, the death that talked like brides with plots, the death we drank to, the motives and the quiet deed? (In Boston the dying ride in cabs, yes death again, that ride home with our boy.) O Sylvia, I remember the sleepy drummer who beat on our eyes with an old story, how we wanted to let him come like a sadist or a New York fairy to do his job, a necessity, a window in a wall or a crib, and since that time he waited under our heart, our cupboard, and I see now that we store him up year after year, old suicides and I know at the news of your death a terrible taste for it, like salt, (And me, me too. And now, Sylvia, you again with death again, that ride home with our boy.) And I say only with my arms stretched out into that stone place, what is your death but an old belonging, a mole that fell out of one of your poems? (O friend, while the moon's bad, and the king's gone, and the queen's at her wit's end the bar fly ought to sing!) O tiny mother, you too! O funny duchess! O blonde thing!
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291 How the old Mountains drip with Sunset How the Hemlocks burn— How the Dun Brake is draped in Cinder By the Wizard Sun— How the old Steeples hand the Scarlet Till the Ball is full— Have I the lip of the Flamingo That I dare to tell? Then, how the Fire ebbs like Billows— Touching all the Grass With a departing—Sapphire—feature— As a Duchess passed— How a small Dusk crawls on the Village Till the Houses blot And the odd Flambeau, no men carry Glimmer on the Street— How it is Night—in Nest and Kennel— And where was the Wood— Just a Dome of Abyss is Bowing Into Solitude— These are the Visions flitted ***** Titian—never told— Domenichino dropped his pencil— Paralyzed, with Gold—
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How the old Mountains drip with Sunset
Disclaimer: I did this as a creative rewrite for one of my university lit courses, and all the inspiration and quotes belong to Robert Browning the original writer of "My Last Duchess" HIS LAST DUCHESS ARRIVEDERCI _“That’s my last Duchess painted on the wall, Looking as if she were alive.”_ (I’m not) Alas! Me, “a wonder.” He calls. Now wretchedly refined and pasteurized. To be consumed, now, for genteel eyes. Pity! Should you ever see me roll mine. Behind those curtains, you might have been surprised To see my countenance whimpering At you Sir; and seething, at _Him._ Must you not be fooled by that sickly decorum Upon which his manly pride resides. The Duke—what rich talent in envy he has, And of pithy idiosyncrasies! Pardon me now As I speak of his infamies: Is it not, Too preposterous of a Duke, to sulk And take offense, over a blush? (As if the blush was his to wield and shun.) Am I not allowed to flush _at all?_ And must I be ashamed of being swooned By the casual offers of life’s grandiosities? Each and every, dropping of the daylight, Ripen cherries in May and chivalrous gentlemen, my dear white mule; must I then weep at them all, only to prove my fancy for him. And when does gracious gratitude itself become in vain: a finite honour— deemed excessive elsewhere? Never had he plucked me out, for censure, Before he gave commands, I knew he did To pluck the smile out of my face. Utterly clueless—he thought I was To find myself throttled, for immodesty. A wife, an appendage to a Duke, Loosely felled, to stroke a green-eyed ego. My fault it seems, is a mere generosity Of affection: falsely opined, if not Misread, to fare a defect of temperament, A chronic malady, doth be cured by death. To cement the farce he will, soon, bring you Downstairs to meet a friend. (a fiend) A prized possession: Neptune, taming a sea-horse. His hubris incarnate, cast in bronze. But you must know the truth, for the sea-horse Did not perish for naught, she is freed from him At last.
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Dec 7, 2018
Dec 7, 2018 at 3:26 PM UTC
HIS LAST DUCHESS
Disclaimer: I did this as a creative rewrite for one of my university lit courses, and all the inspiration and quotes belong to Robert Browning the original writer of "My Last Duchess" HIS LAST DUCHESS ARRIVEDERCI _“That’s my last Duchess painted on the wall, Looking as if she were alive.”_ (I’m not) Alas! Me, “a wonder.” He calls. Now wretchedly refined and pasteurized. To be consumed, now, for genteel eyes. Pity! Should you ever see me roll mine. Behind those curtains, you might have been surprised To see my countenance whimpering At you Sir; and seething, at _Him._ Must you not be fooled by that sickly decorum Upon which his manly pride resides. The Duke—what rich talent in envy he has, And of pithy idiosyncrasies! Pardon me now As I speak of his infamies: Is it not, Too preposterous of a Duke, to sulk And take offense, over a blush? (As if the blush was his to wield and shun.) Am I not allowed to flush _at all?_ And must I be ashamed of being swooned By the casual offers of life’s grandiosities? Each and every, dropping of the daylight, Ripen cherries in May and chivalrous gentlemen, my dear white mule; must I then weep at them all, only to prove my fancy for him. And when does gracious gratitude itself become in vain: a finite honour— deemed excessive elsewhere? Never had he plucked me out, for censure, Before he gave commands, I knew he did To pluck the smile out of my face. Utterly clueless—he thought I was To find myself throttled, for immodesty. A wife, an appendage to a Duke, Loosely felled, to stroke a green-eyed ego. My fault it seems, is a mere generosity Of affection: falsely opined, if not Misread, to fare a defect of temperament, A chronic malady, doth be cured by death. To cement the farce he will, soon, bring you Downstairs to meet a friend. (a fiend) A prized possession: Neptune, taming a sea-horse. His hubris incarnate, cast in bronze. But you must know the truth, for the sea-horse Did not perish for naught, she is freed from him At last.
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If you want to be a true influencer you should put in some actual work ****** the Archduke of Austria and his wife The Duchess of Hohenberg Gavrilo Princip did not have many followers He did not have any discount codes for his online store He had a simple dream to break off Austria-Hungary's South Slav provinces so they could be combined into a Yugoslavia, and instead he started a world war If you want to influence society for centuries to come Stop being a coward posting vacation pics online Go out and get yourself a gun
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Jan 7, 2021
Jan 7, 2021 at 7:02 PM UTC
Influencer
Hark! Now everything is still, The screech-owl and the whistler shrill, Call upon our dame aloud, And bid her quickly don her shroud! Much you had of land and rent; Your length in clay ’s now competent: A long war disturb’d your mind; Here your perfect peace is sign’d. Of what is ‘t fools make such vain keeping? Sin their conception, their birth weeping, Their life a general mist of error, Their death a hideous storm of terror. Strew your hair with powders sweet, Don clean linen, bathe your feet, And—the foul fiend more to check— A crucifix let bless your neck: ’Tis now full tide ‘tween night and day; End your groan and come away.
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The Shrouding Of The Duchess Of Malfi
Georgiana Seymour,             Duchess of Somerset crowned _'Queen of Beauty'_ at the 1839 Eglinton Tournament,    the first known                         beauty pageant; W European festivals dating to the medieval era provide the most direct lineage for beauty pageants. For example, English May Day celebrations always involved the selection of a May Queen. In the United States, the May Day tradition of selecting a woman to serve as a symbol of bounty and community ideals continued, as young beautiful women participated in public celebrations; such as the beauty pageant held during the Eglinton Tournament of 1839, organized by Archibald Montgomerie,           13th Earl of Eglinton, as part of a re-enactment of a medieval joust that was held in Scotland;                                the pageant was won by Georgiana Seymour,                                   Duchess of Somerset, wife of Edward Seymour,                             12th Duke of Somerset, and sister of Caroline Norton;                 Georgiana proclaimed _"Queen of Beauty"_; Entrepreneur Phineas Taylor Barnum staged the first modern American pageant in 1854,           his beauty contest closed down after public protest; However beauty contests became popular in the 1880s;     In 1888 the title of _'beauty queen'_ was awarded to an 18-year-old Creole contestant at a pageant in Spa, Belgium. All participants had to supply a photograph & a short description of themselves to be eligible to enter; a final selection of 21 judged by a formal panel. Such events were not regarded as respectable; But beauty contests came to be considered more respectable with the first modern _"Miss America"_            contest held in 1921; Still the oldest pageant in operation,   the Miss America pageant was organized in 1921 by a local businessman as a means to entice tourists to Atlantic City, New Jersey; The pageant hosted the winners of local             newspaper beauty contests in the _Inter-City Beauty Contest_ & was attended     by over one hundred thousand people; _Sixteen-year-old Margaret Gorman of Washington, D.C. was crowned Miss America 1921, having won both the popularity and beauty contests, and was awarded $100_
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Sep 1, 2018
Sep 1, 2018 at 10:04 AM UTC
Queens of Beauty
Georgiana Seymour,             Duchess of Somerset crowned _'Queen of Beauty'_ at the 1839 Eglinton Tournament,    the first known                         beauty pageant; W European festivals dating to the medieval era provide the most direct lineage for beauty pageants. For example, English May Day celebrations always involved the selection of a May Queen. In the United States, the May Day tradition of selecting a woman to serve as a symbol of bounty and community ideals continued, as young beautiful women participated in public celebrations; such as the beauty pageant held during the Eglinton Tournament of 1839, organized by Archibald Montgomerie,           13th Earl of Eglinton, as part of a re-enactment of a medieval joust that was held in Scotland;                                the pageant was won by Georgiana Seymour,                                   Duchess of Somerset, wife of Edward Seymour,                             12th Duke of Somerset, and sister of Caroline Norton;                 Georgiana proclaimed _"Queen of Beauty"_; Entrepreneur Phineas Taylor Barnum staged the first modern American pageant in 1854,           his beauty contest closed down after public protest; However beauty contests became popular in the 1880s;     In 1888 the title of _'beauty queen'_ was awarded to an 18-year-old Creole contestant at a pageant in Spa, Belgium. All participants had to supply a photograph & a short description of themselves to be eligible to enter; a final selection of 21 judged by a formal panel. Such events were not regarded as respectable; But beauty contests came to be considered more respectable with the first modern _"Miss America"_            contest held in 1921; Still the oldest pageant in operation,   the Miss America pageant was organized in 1921 by a local businessman as a means to entice tourists to Atlantic City, New Jersey; The pageant hosted the winners of local             newspaper beauty contests in the _Inter-City Beauty Contest_ & was attended     by over one hundred thousand people; _Sixteen-year-old Margaret Gorman of Washington, D.C. was crowned Miss America 1921, having won both the popularity and beauty contests, and was awarded $100_
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49
Today is your birthday, How years do go by; Though your eyes Never change As they heighten Your smile. Your hair's long And sun-dyed, Your cheeks blushed And high, Your lips as sublime As Mona's beguiled. Your frame hangs now In another's hall, But you're the last,, My duchess, To decorate My wall.
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Mar 29, 2015
Mar 29, 2015 at 10:00 PM UTC
Happy Birthday Duchess
Oh, duchess when you ascend your neck To scrutinize the skyline Were you aware that you could discover? The very marvel that for years you so yearned? Oh, duchess did you think it feasible That you could matriculate the novelty ‘tis amour Did you? Open your eyes alluring one Shan’t be a reason to averse your devoirs though you must dismember all that bleeds
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Oct 10, 2012
Oct 10, 2012 at 4:11 PM UTC
Letters To Lilith
Trains at the bottom of the garden metal dragons breathing out smoke and steam huffing and puffing, waiting for the signal some compact with tanks affixed others larger, more grand pulling colour matched tenders sometimes bearing shields and names beginning with 'Duchess' or 'City' mostly black, some rusty deep reds or greens with contrasting lines edged in gold Once one came in matt pink and I wondered why it didn't gleam like the others, perhaps pink was a colour not to be given it's equal due with other less feminine shades it had to be denied vibrancy yet I loved the pink one best later I learned somehow that the colour was that of the primer used to inhibit the rust and my pink engine was just an unfinished paint job pressed into service prematurely to give cover for another that was broken I wrote down the numbers regardless it was a ritual that one performed though I didn't understand why yet it was exciting to record a new one that hadn't passed before Behind the business end came carriages laden heavy with the visitors of summer come to fill our beaches and our town with their loudness their raucous laughter with strange accents brummie, scouse, mancunian faces pressed against glass expectant, excited, impatient almost there now anxious that this last delay pass quickly and the half mile remaining be completed We would lurk beneath the bridge like adopted troll children it was cool there in the summer heat darting out from behind pillars or in my case watchfully, cautiously edging my way forward to place pennies on the track or sometimes nails then to retrieve them flattened, thinned, squashed once the train had passed sometimes we'd wait hours or so it seemed sometimes no train would come and we would trail home for tea and bath and bed leaving our offerings to the gods of the rail for rediscovery and inspection the following day. Cynthia Pauline Jones 17/10/13
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Mar 19, 2014
Mar 19, 2014 at 2:23 PM UTC
Trains
Trains at the bottom of the garden metal dragons breathing out smoke and steam huffing and puffing, waiting for the signal some compact with tanks affixed others larger, more grand pulling colour matched tenders sometimes bearing shields and names beginning with 'Duchess' or 'City' mostly black, some rusty deep reds or greens with contrasting lines edged in gold Once one came in matt pink and I wondered why it didn't gleam like the others, perhaps pink was a colour not to be given it's equal due with other less feminine shades it had to be denied vibrancy yet I loved the pink one best later I learned somehow that the colour was that of the primer used to inhibit the rust and my pink engine was just an unfinished paint job pressed into service prematurely to give cover for another that was broken I wrote down the numbers regardless it was a ritual that one performed though I didn't understand why yet it was exciting to record a new one that hadn't passed before Behind the business end came carriages laden heavy with the visitors of summer come to fill our beaches and our town with their loudness their raucous laughter with strange accents brummie, scouse, mancunian faces pressed against glass expectant, excited, impatient almost there now anxious that this last delay pass quickly and the half mile remaining be completed We would lurk beneath the bridge like adopted troll children it was cool there in the summer heat darting out from behind pillars or in my case watchfully, cautiously edging my way forward to place pennies on the track or sometimes nails then to retrieve them flattened, thinned, squashed once the train had passed sometimes we'd wait hours or so it seemed sometimes no train would come and we would trail home for tea and bath and bed leaving our offerings to the gods of the rail for rediscovery and inspection the following day. Cynthia Pauline Jones 17/10/13
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69
333 The Grass so little has to do— A Sphere of simple Green— With only Butterflies to brood And Bees to entertain— And stir all day to pretty Tunes The Breezes fetch along— And hold the Sunshine in its lap And bow to everything— And thread the Dews, all night, like Pearls— And make itself so fine A Duchess were too common For such a noticing— And even when it dies—to pass In Odors so divine— Like Lowly spices, lain to sleep— Or Spikenards, perishing— And then, in Sovereign Barns to dwell— And dream the Days away, The Grass so little has to do I wish I were a Hay—
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The Grass so little has to do
I called her Duchess. and I called the other one Sweet. The third was too dry, so I called her Meat. Three different rooms, they wasted the space, i brought them food, and sometimes things with lace. I gave them purpose, I loved those ***** without me, they'd be on the street unloved. I love them they love me then why did they leave
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Mar 16, 2016
Mar 16, 2016 at 10:27 PM UTC
Castro
And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a vio­ lent shake at the end of every line: -- -- "Speak roughly to your little boy, And beat him when he sneezes; He only does it to annoy, Because he knows it teases."CHORUS (in which the cook and the baby joined): -- -- "Wow! wow! wow!"While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words: -- -- "I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!" CHORUS"Wow! wow! wow!"
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Speak Roughly to Your Little Boy
Beware the sour duchess with her cobra tongue, Come marionette, fall at her feet, the carnal cherry flower maid, She hides in the devil's gap tooth, In his pinstriped pockets full of rosary beads and candlewick, She steals the heart-shaped cosmic superstition, Demure with dulcet debauchery, Forged in a grand dalliance of coquettish repulsion with his valiant renegades, Vagrant of prayer and petrichor, Buying fancy for the maudlin dolls, the ethereal actresses nursed to betray, These childish ordeals rosy with youth, Turn to lilac smitten executioner under the glass of a silver boulevard, She writes me foolish want in this presence of gods and criminals, Sell me your kisses and fingertips bruise my aura with your architecture, Sleeping sound in your dominion the sheets are always warm.
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Nov 5, 2016
Nov 5, 2016 at 5:31 PM UTC
LILITH
Peter never understood why Wendy was meant to grow up why she had to leave the blissfulness of Neverland If there's an answer to his questions it would be that she was dreaming of castles and voyages and someone to love while he was mischieving pirates,chasing a never setting sun I often wander if I'm more like her, sincere, gentle, a duchess-to-be a young girl who dwells in stories or like the boy who wouldn't grow up, nonchalant, full of lovely wonderful thoughts, Peter Pan,the one who could fly But what did he do when she left? Is she a beautiful memory in a child's mind, why didn't he abandon immortality for love? Here's Wendy, back in Kensington Gardens a lady asking herself what if I had stayed why couldn't he abandon youth for her love? And she will forever remain in his mind as a little girl, who played family with and dreamed but Wendy will be married and will be kissed but not with him. And Peter will always be a chasing dream, a fairyland with pirates and ships, a world of villains, mermaids and the boy who didn't return her kiss. I read, imagining his crooked smile growing up or her staying forever and none of these feels completely right In the end, I am another lost boy who went to Neverland, and flew and fought with a sword, and swam with mermaids and danced around fire with the eyes of Tiger Lilly Sometimes there I return, finding him lost in her thoughts, but there again everyone's forgotten among the things we never say...
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Aug 30, 2014
Aug 30, 2014 at 2:08 PM UTC
J.M. Barrie's tale
I duchess in labor; trusted royal storks on call; where is the baby..? II duchess delivers, trusted royal storks receive; a charmed boy or girl...? III duchess is relieved, royal baby is conceived; it's a burly boy!
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Jul 22, 2013
Jul 22, 2013 at 6:18 PM UTC
The Royal Stork (haikus)...
My mind is full of these thoughts Thoughts that are surrounded with her The thoughts grow every day like crops In a field of love and care She is the queen, the princess, the duchess Of the kingdom that is my heart She's won me over and wants my touches It is a shame that we're apart Her body is my muse Her thoughts my only interest By her I want to be used She is the finest artist I want her to paint me with her fantasies And on my heart write her love She has stolen my sanity She fits me like a glove I'm not even aware of how we got here To this very high and heavenly place But to be completely fair She deserves this along with my warm embrace I hope to remain in this field forever This field of pure joy and happiness So our love crops can evolve into a fever A fever that is just an added bonus
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Aug 17, 2013
Aug 17, 2013 at 1:41 PM UTC
Love Crops
I like accelerating As fast as it can get there (Because even if it is a Saab, It's still a sports car) I like accelerating in the fog Pressing forward into the unknown darkness Past the hanging anglerfish lure On every street lamp I like to think Keats would like it (Driving fast in the dark where you know There's no speed traps) And I like the word "like" in poetry Because love on the page means something so Different from what I mean (It's a word that I don't want you associating with me) Unless you're here to cast me as your Last Duchess because I love you as much as I love driving in the dark as much as I love this song as much as I love your shoes and I love your eyes (but I really do love your eyes) So I don't like the word "love" because it Implies some kind of favoritism that I'm not Willing to give you if it means I only like this song Means using that word all wrong Because you're not better than my Saab- (you just have nicer eyes)
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Apr 3, 2013
Apr 3, 2013 at 6:08 PM UTC
every glowing thing
As I sat down by the lake, And watched the waves come and go by, I saw a group of mermaids, who came by for a chat, I was surprised, as they called each other fat. Worried about the pettiest pimple, I realized, they were no different, They talked about how handsome their Duke is, As, each of them yearned to be a Duchess. When it was getting dull, I saw a seagull, I cheered for him, as he picked up a fish, I was free like him, I wish. I decided to sit there, and blend into the essence of the lake, Till the water turns into snowflakes.
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Apr 13, 2013
Apr 13, 2013 at 3:39 PM UTC
The Mermaids
Downton Abbey’s going off the air. I’m not through yet, it’s just not fair. Nothing before that show ever had That kind of class, that degree of flair. Life without my weekly Downton Is too sad and inordinately scary. What will I do without my frequent fix Of the elegantly snarky Lady Mary? And will the feckless Mister Barrow Ever develop a true human soul? I am sure this handsome actor fellow Will never again get such a meaty role. And the Dowager Duchess herself, She is not someone easily done with. She is, after all, tradition incarnate, And under all that, she’s Maggie Smith. Bates and his Anna filled my heart With alternating sorrow and great joy Almost as much as a lady of nobility Marrying the handsome chauffer boy. Dresses and hair lengths shortened And nobility began to get real jobs. All this was before ****** flared up And turned starving folks into a mob. I never missed that we were seeing The transition from ‘la belle epoque’. That time was running out for that In the worlds ever-changing clock. It was a yesterday we never knew We of the age of electric equality. We got to look inside and see it In all its grandly overdressed reality. I had begun to recognize artwork, in Lovely strolls through baronial halls And huge family meals at table. I am sorry that it is over for us all.
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Feb 4, 2016
Feb 4, 2016 at 12:17 AM UTC
DOWNTON ABBEY
recently in a women's magazine I read an article about the Duchess of Cornwall being most ungracious toward Princess Mary of Denmark *the Duchess can be a very catty ***** especially when Charles is eyeing something of more appeal but Camilla seems to have forgotten her come hither days when she was conducting an affair with the Prince of Wales under his wife's nose the protocols in royal circles have become less civil and it is about time she on her high horse was more convivial where the crown and matters of state are paramount the Queen should avail her son's missus of a polite dismount
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Mar 8, 2017
Mar 8, 2017 at 8:37 PM UTC
Polite Dismount
Faded gilding, rubbed through to cracking, flaking wood. A glamour of ages, sliding, flies to the breeze. The little bird perches on a once-fine moulding; Head tilted, one bright eye turned towards the mantle where a half-blind mercurised mirror barely reflects an army of creeping vines, consuming naked angels and the God of this house. Our hero’s velvets are ruined, dripping and eaten through. Where riches have lived, decay succeeds. Nature’s velvets; opulent mosses and emerald lichens are devouring damask and smoothing over marbled hardness. The bird listens for footsteps. The lady would scatter crumbs on the windowsill and he would flutter, unafraid, to peck at her sweet feast. Once, she drew him. Fine-lining passerine delicacy, her pencils fetched him, and bestowed him an artist’s nobility. He turned, this way and that, flashing gold-touched wings, miming a duchess snapping open a fan. She’s gone now, and so have the crumbs. The bird senses no sugar on the sill, nor the faintest reminiscence of lavender perfume, glittering as star bursts at the hollow of her throat. He sings regardless, a mournful beauty longing to return to a glorious, lustful age, where light refracted in cut crystal, danced upon frescoes and illuminated the ugly – - to render them enchanting. He swoops to dance on the mantle, answered by the mirror and sits a while, preening. The gentlemen and ladies are gone forever. Ejected from history to echo as ghosts of fancy and excess, undeserving of remembrance or pity. The bird will never forget. And knots up secrets kept tightly in his breast, committed to his tiny, fierce heart.
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Aug 20, 2018
Aug 20, 2018 at 5:15 PM UTC
Cardellino al palazzo
Faded gilding, rubbed through to cracking, flaking wood. A glamour of ages, sliding, flies to the breeze. The little bird perches on a once-fine moulding; Head tilted, one bright eye turned towards the mantle where a half-blind mercurised mirror barely reflects an army of creeping vines, consuming naked angels and the God of this house. Our hero’s velvets are ruined, dripping and eaten through. Where riches have lived, decay succeeds. Nature’s velvets; opulent mosses and emerald lichens are devouring damask and smoothing over marbled hardness. The bird listens for footsteps. The lady would scatter crumbs on the windowsill and he would flutter, unafraid, to peck at her sweet feast. Once, she drew him. Fine-lining passerine delicacy, her pencils fetched him, and bestowed him an artist’s nobility. He turned, this way and that, flashing gold-touched wings, miming a duchess snapping open a fan. She’s gone now, and so have the crumbs. The bird senses no sugar on the sill, nor the faintest reminiscence of lavender perfume, glittering as star bursts at the hollow of her throat. He sings regardless, a mournful beauty longing to return to a glorious, lustful age, where light refracted in cut crystal, danced upon frescoes and illuminated the ugly – - to render them enchanting. He swoops to dance on the mantle, answered by the mirror and sits a while, preening. The gentlemen and ladies are gone forever. Ejected from history to echo as ghosts of fancy and excess, undeserving of remembrance or pity. The bird will never forget. And knots up secrets kept tightly in his breast, committed to his tiny, fierce heart.
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I thank you for showing your true colors. Dott sure I'm now that you're not true, Am I in need for more cheating, My happiness is in love - true love, Not in your way of life - fake love. Your hits I've taken to the heart, Of hell you have shown me a glimpse, Under your unfaithful behavior corrupted. The person who you cheated me with, Of course he is at bigger blame than you. He sure is the bigger player, Even you are such a poser, Lame he is - you look uglier, Living life freely you have ruined it.
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Dec 12, 2016
Dec 12, 2016 at 12:55 PM UTC
I Am Out & Free - The Duchess of Amritsar Ditched Me
. I survived Cameron and his band of hatchet men remember when Thatcher took the axe to school milk? but you ******* voted her in as smooth as silk but we see her now as the sows ear she was. I won't vote for Corbyn he never went and yet he's already a has been, never seen that before excepting Jeremy and they named a park after him. Thorpe. Once when I drew a breath in Toxteth and the carnival was the riot I got a bit but that's censored. Anyway in Lancaster it's raining although it was cool down in Blackpool with the Duchess and only a slight breeze and a sneeze or two passing by Blackpool zoo. Goodnight y'all don't fall asleep before you've said your prayers.
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Aug 3, 2016
Aug 3, 2016 at 4:45 PM UTC
West of Halifax