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"drawls" poems
"The problem is..." he drawls "that it is'nt us who see people differently from you, but you see things different from us. We are not the problem you are. You see the basest humans when we paint majestic creatures, we tell stories of superheroes with no faults, we expect our boyfriends to mirror night skies in their comfort, and speak like Kerouac. Kiss our scars like white girl tumblr pictures." "People like you," he says; "...Dont ever **** yourselves. You're used to the disappointment. Your used to kissing your boyfriends sweaty upper lips and smelling...just that. You clean up the puke on bathroom floors without complaining because you know what people look like from the inside. That's why your art will never be good. Thats why today in class when I asked you to paint a human body cut open, you drew a colorless man with his organs splaying out of him, and ******* he laughs.. "I have to fold petals into my boyfriends armpits just to stand the sight of him our ******* is'nt ******* its ********** Supposedly. When I tell this story later, I'll leave out the spit and saliva and how the human body aint that pretty, especially gay *** Even 6 ft 3 chiseled muscle of it, ill write metaphors about his eyes and similes to his fists, you will tell us about the humaness of his breath and how it annoyingly kept you up at night, you will speak of storms but not of the ones in his eyes. The ones in your belly when he farts during *** and you will describe every putrid detail, like the fact that waking up in the morning aint so pretty, morning breath is something we dreamers leave out in movies. And, it must be exhausting living here seeing things how they really are, but atleast when you expect disappointment, theres room for surprise. People like me expect the good and are disappointed when its ****** on."
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Dec 9, 2013
Dec 9, 2013 at 6:04 PM UTC
Conversation with an art teacher
"The problem is..." he drawls "that it is'nt us who see people differently from you, but you see things different from us. We are not the problem you are. You see the basest humans when we paint majestic creatures, we tell stories of superheroes with no faults, we expect our boyfriends to mirror night skies in their comfort, and speak like Kerouac. Kiss our scars like white girl tumblr pictures." "People like you," he says; "...Dont ever **** yourselves. You're used to the disappointment. Your used to kissing your boyfriends sweaty upper lips and smelling...just that. You clean up the puke on bathroom floors without complaining because you know what people look like from the inside. That's why your art will never be good. Thats why today in class when I asked you to paint a human body cut open, you drew a colorless man with his organs splaying out of him, and ******* he laughs.. "I have to fold petals into my boyfriends armpits just to stand the sight of him our ******* is'nt ******* its ********** Supposedly. When I tell this story later, I'll leave out the spit and saliva and how the human body aint that pretty, especially gay *** Even 6 ft 3 chiseled muscle of it, ill write metaphors about his eyes and similes to his fists, you will tell us about the humaness of his breath and how it annoyingly kept you up at night, you will speak of storms but not of the ones in his eyes. The ones in your belly when he farts during *** and you will describe every putrid detail, like the fact that waking up in the morning aint so pretty, morning breath is something we dreamers leave out in movies. And, it must be exhausting living here seeing things how they really are, but atleast when you expect disappointment, theres room for surprise. People like me expect the good and are disappointed when its ****** on."
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25
Midnight Bat & Shadow Monkey play with smoke magic in moonlit parks shimmering indigo stars dance around them. Island ***** & Mountain Fox speak jazz slithers in southern drawls dripping in thick maple syrup droplets off their tongues. Savanna Fire Lion & Volcanic Red Eagle sing lighthouse words in squall-like skies warming velvet hugs embrace their eyes. Psychedelic Air Otter & Hip Breezy Dragonfly banter; smooth repartee in tricky dream worlds volley, twist and swirl around their lips. Queen Water Dragon & Aqua Gypsy Satyr dance Drooling patterns with swaying hips Dawn smiles & electric fingers tingle their spines.
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Apr 22, 2014
Apr 22, 2014 at 7:49 AM UTC
Play Speak Sing Banter Dance
"The past is a bucket of ashes." 1 THE WOMAN named To-morrow sits with a hairpin in her teeth and takes her time and does her hair the way she wants it and fastens at last the last braid and coil and puts the hairpin where it belongs and turns and drawls: Well, what of it? My grandmother, Yesterday, is gone. What of it? Let the dead be dead. 2 The doors were cedar and the panels strips of gold and the girls were golden girls and the panels read and the girls chanted: We are the greatest city, the greatest nation: nothing like us ever was. The doors are twisted on broken hinges. Sheets of rain swish through on the wind where the golden girls ran and the panels read: We are the greatest city, the greatest nation, nothing like us ever was. 3 It has happened before. Strong men put up a city and got a nation together, And paid singers to sing and women to warble: We are the greatest city, the greatest nation, nothing like us ever was. And while the singers sang and the strong men listened and paid the singers well and felt good about it all, there were rats and lizards who listened ... and the only listeners left now ... are ... the rats ... and the lizards. And there are black crows crying, "Caw, caw," bringing mud and sticks building a nest over the words carved on the doors where the panels were cedar and the strips on the panels were gold and the golden girls came singing: We are the greatest city, the greatest nation: nothing like us ever was. The only singers now are crows crying, "Caw, caw," And the sheets of rain whine in the wind and doorways. And the only listeners now are ... the rats ... and the lizards. 4 The feet of the rats scribble on the door sills; the hieroglyphs of the rat footprints chatter the pedigrees of the rats and babble of the blood and gabble of the breed of the grandfathers and the great-grandfathers of the rats. And the wind shifts and the dust on a door sill shifts and even the writing of the rat footprints tells us nothing, nothing at all about the greatest city, the greatest nation where the strong men listened and the women warbled: Nothing like us ever was.
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Four Preludes on Playthings of the Wind
"The past is a bucket of ashes." 1 THE WOMAN named To-morrow sits with a hairpin in her teeth and takes her time and does her hair the way she wants it and fastens at last the last braid and coil and puts the hairpin where it belongs and turns and drawls: Well, what of it? My grandmother, Yesterday, is gone. What of it? Let the dead be dead. 2 The doors were cedar and the panels strips of gold and the girls were golden girls and the panels read and the girls chanted: We are the greatest city, the greatest nation: nothing like us ever was. The doors are twisted on broken hinges. Sheets of rain swish through on the wind where the golden girls ran and the panels read: We are the greatest city, the greatest nation, nothing like us ever was. 3 It has happened before. Strong men put up a city and got a nation together, And paid singers to sing and women to warble: We are the greatest city, the greatest nation, nothing like us ever was. And while the singers sang and the strong men listened and paid the singers well and felt good about it all, there were rats and lizards who listened ... and the only listeners left now ... are ... the rats ... and the lizards. And there are black crows crying, "Caw, caw," bringing mud and sticks building a nest over the words carved on the doors where the panels were cedar and the strips on the panels were gold and the golden girls came singing: We are the greatest city, the greatest nation: nothing like us ever was. The only singers now are crows crying, "Caw, caw," And the sheets of rain whine in the wind and doorways. And the only listeners now are ... the rats ... and the lizards. 4 The feet of the rats scribble on the door sills; the hieroglyphs of the rat footprints chatter the pedigrees of the rats and babble of the blood and gabble of the breed of the grandfathers and the great-grandfathers of the rats. And the wind shifts and the dust on a door sill shifts and even the writing of the rat footprints tells us nothing, nothing at all about the greatest city, the greatest nation where the strong men listened and the women warbled: Nothing like us ever was.
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78
Burning crosses in spotless sheets Concerned with the matter at hand. Only in the still of night can they meet This secret society that has been banned.   Yet there stand in these once silent woods With their pointed hats and rebel flags. Their intentions supposedly "good" They hide the blood-stained rags.  Decisions made with southern drawls Not very much humanity involved They stand by the cross reciting Jim Crow laws In their hatred they are resolved.   They pick our victims by sight alone Muttering unintelligible chants and marching 'round. They say its more than just skin tone I've looked, but it's the only reason I've found.
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Mar 2, 2010
Mar 2, 2010 at 11:07 AM UTC
the 40's and highschool
His fingers wake, and flutter up the bed. His eyes come open with a pull of will, Helped by the yellow may-flowers by his head. A blind-cord drawls across the window-sill . . . How smooth the floor of the ward is! what a rug! And who's that talking, somewhere out of sight? Why are they laughing? What's inside that jug? "Nurse! Doctor!" "Yes; all right, all right." But sudden dusk bewilders all the air -- There seems no time to want a drink of water. Nurse looks so far away. And everywhere Music and roses burnt through crimson slaughter. Cold; cold; he's cold; and yet so hot: And there's no light to see the voices by -- No time to dream, and ask -- he knows not what.
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Conscious
Ten minutes ago I cried wracking, heaving, red-faced, closed eyes, no-sound sobs behind my hamper in the corner, craving him even though he sleeps uncomfortably 4,000 miles away 6 hours into my future, hostel walls akin to secrets within-- twenty one pilots blaring in the space behind my face and above my throat, unsettling the anonymity of my lifestyle, indebted, growing thinner than my frame as we both fall to the circumstance of youth chanting the war cry in pub crawls and hub drawls where his best friend sits across from the smug smoke in between cherry lips, our kissing knees begging me to repeat history-- in an unadulerated, first-time draft ripped open and stretched for my next big "portfolio" that's worth more burning by my own hand as I run blistering (drunk) through a hallway which will never be mine like the bills-rent-direct-deposit rinse repeat cycle spinning my eyes into glazed over acceptance of my lot. But he still sleeps out of reach while I'm too paralyzed behind this ******* hamper.
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Mar 7, 2016
Mar 7, 2016 at 9:30 PM UTC
When you're living in a Bildungsroman
“His fingers wake, and flutter up the bed. His eyes come open with a pull of will, Helped by the yellow may-flowers by his head. A blind-cord drawls across the window-sill . . . How smooth the floor of the ward is! what a rug! And who's that talking, somewhere out of sight? Why are they laughing? What's inside that jug? "Nurse! Doctor!" "Yes; all right, all right." But sudden dusk bewilders all the air— There seems no time to want a drink of water. Nurse looks so far away. And everywhere Music and roses burnt through crimson slaughter. Cold; cold; he's cold; and yet so hot: And there's no light to see the voices by— “No time to dream, and ask—he knows not what.”
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Jul 9, 2020
Jul 9, 2020 at 1:42 AM UTC
Conscious
The African American Guy sitting on A bench in the Laundromat gives You the eye, the Kind of I’ve been Around awhile Stare, not a bit Unfriendly, but Maybe bemused, Wondering why A white dame would Want to look at Him for and him Alone in this His kingdom of Machines twirling, Cleaning while they Toss water and Foam. Better than Watching TV, He drawls, all got The same channel, But different Cycles, diverse Clothes, all kinds of Dirt and dullness And sins to wash Away. You were Never good at Small talk, but you Try to say a Few words and smile, Putting yourself At ease. Can’t wash Your soul here though, He says, showing A bright gleam of White teeth, just sit Still and stare And contemplate. You unpack your Bag of wash and Sense his eyes fixed On you, his mind Ticking over, As you place in The clothes large and Small. An old white Guy comes in here Everyday, He says all of A sudden, brings His wash, sits and Stares, mumbles to The machine, while Watching the same Few items of Clothing go round And round. You nod Your head and take In his tee shirt, Shorts and woollen Hat, his socks and Shoes and wonder What your mother Would have made of Him had she been Here. This place’s A kind of dull Purgatory, Where souls wait for Their time to come To go to Hell Or Paradise. He laughs, moves his Legs back and forth, Pushes his hat Further back on His head. Maybe We’re already In Paradise, Maybe this is It. You and I, Both sitting and Staring at these Washing machines, But really in Essence, we’re dead. You turn your back To watch your wash, See the whites twirl Like fond lovers In the water And sickly foam. When you look back Again he’s gone. Maybe to Hell Or Paradise Or just back home.
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Dec 20, 2012
Dec 20, 2012 at 4:01 PM UTC
LAUNDROMAT GUY.
The African American Guy sitting on A bench in the Laundromat gives You the eye, the Kind of I’ve been Around awhile Stare, not a bit Unfriendly, but Maybe bemused, Wondering why A white dame would Want to look at Him for and him Alone in this His kingdom of Machines twirling, Cleaning while they Toss water and Foam. Better than Watching TV, He drawls, all got The same channel, But different Cycles, diverse Clothes, all kinds of Dirt and dullness And sins to wash Away. You were Never good at Small talk, but you Try to say a Few words and smile, Putting yourself At ease. Can’t wash Your soul here though, He says, showing A bright gleam of White teeth, just sit Still and stare And contemplate. You unpack your Bag of wash and Sense his eyes fixed On you, his mind Ticking over, As you place in The clothes large and Small. An old white Guy comes in here Everyday, He says all of A sudden, brings His wash, sits and Stares, mumbles to The machine, while Watching the same Few items of Clothing go round And round. You nod Your head and take In his tee shirt, Shorts and woollen Hat, his socks and Shoes and wonder What your mother Would have made of Him had she been Here. This place’s A kind of dull Purgatory, Where souls wait for Their time to come To go to Hell Or Paradise. He laughs, moves his Legs back and forth, Pushes his hat Further back on His head. Maybe We’re already In Paradise, Maybe this is It. You and I, Both sitting and Staring at these Washing machines, But really in Essence, we’re dead. You turn your back To watch your wash, See the whites twirl Like fond lovers In the water And sickly foam. When you look back Again he’s gone. Maybe to Hell Or Paradise Or just back home.
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101
In twenty days I will be back in Georgia and I will feel the cold air pierce through my lungs as I stroll through the streets of downtown Atlanta I will hear the sound of thick, southern drawls singing country songs by a diminished campfire, releasing the smell of burning leaves and Tennessee whiskey I will see my grandmamas gaze as she welcomes me home with a *** of steaming Jambalaya and White Diamonds perfume And my sweet souls will smile at me with their crooked teeth that look like mine They will approach me with their fast paced walks that move like mine They will laugh at me with innocence, light, and love Their simple love their pure, loyal love The kind of love that liberates The kind of love that frees me from the solitude I hold So deeply within myself And I will return to my little apartment on the eastside of the city with a memory of enlightenment With a memory of gratitude With a memory of grace To shower you in To nurture you with To guide you to The clear light of day
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Dec 17, 2020
Dec 17, 2020 at 1:54 PM UTC
Georgia
*and the snort  goes on as the pompous speaker drawls on and the snort goes on as the mad man sees what they don't see that the obese speaker with the mole is at sea talking about wonderful intentions but having no idea how to get there and the snort goes on ...*
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Jan 19, 2016
Jan 19, 2016 at 4:54 AM UTC
and the snort goes on
there's a slow burn in her words I've come familiar with drawls I watch your voice turn to coffee I sip from your jaw I'm not thirsty, just nervous speaking in black caffeine tongues "I'll fiend before it starts & I'll feel clean after it's done" cause you can't run from the two lungs catching breath after breath & you can't squeeze life back from death if it is dead then it is dead
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Apr 8, 2015
Apr 8, 2015 at 12:12 AM UTC
grinds
My bitter dishes cry To be cleaned as they sit In crusted contempt With reds that bleed their seething Lack of clarity My friends With smiles half baked and Eyes shuddering Sip more and in deeper gulps Their lives are swallowed By the brew But I'm not as lost As I once thought my mind In aching desperation fleeted Angelic drawls to wrap The dusty shoulders Keep their hunched secrets heavy Till they break And if three breaths could save the world, they may in fact expand Those minds and hearts to unite Where shallow thoughts of ego driven Madness clings like smog upon Our horizon But they travel These dreams of fresher air and To the forests of the northwestern Drizzle drenched streets they wander We're not so hopeless as if to rot In the shoes we bought last year I'd rather beg to smile Then wrap myself in the scowls of Empty presidents that died for sorrows they began
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May 17, 2013
May 17, 2013 at 3:00 PM UTC
Smoking on the porch
Do not look sadly at days gone by days below days like a river running under stars do not listen to priests, the blues or that bitter veteran fool of some past war claiming to miss a piece of his soul, his only disease is the rotting of an ******* the poet that forgets in remembrance of you is a lunatic's left hand man a gun in the hands of a fool on Sundays he is the acolyte of the moon, night following other nights, the eyes of the blind the stranger who  lusts after wives his tool the bitter root of a persimmon tree and every time he draws his pen like a knife and drawls his soliloquy I say forget him, let us drink again for poets do not cut their fingers at cheap joints like ****** toasting one another's death they do not eat the cheese or hoard the rich black bread of their poetry; the true poet gives it kindly to the poor.
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Jun 1, 2017
Jun 1, 2017 at 11:55 PM UTC
Black bread, kindly
Leathery skin furling by the hides of ideas, to impart the coyest We are searching for dismantled cameras with the flashy leitmotif disabled in a disbanded cinema And in the dark you ovulated, murdered under the thickness of rough tree bark Haul trunks of a honky-tonk dismembering remembrances rows of seating Squalling, beautiful voices throaty, tonefully sinking in tune with imaginary keys located in grey, clinking between stained ivory tiers and scuffed ebony branches rending the reddest of heart-drawls then plucking each riveted contour
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Jul 13, 2015
Jul 13, 2015 at 12:40 AM UTC
Necrosis
Tulsa, OK named and claimed it then prophetically proclaimed it: Ken and Gloria invested slick, convincing, uncontested Pretty-boy preachers wowed the flock making Christ the laughing stock their best lives yielding heresies out-phariseeing Pharisees as if their western cowboy drawls could bless impulsive bank withdrawals. Unique to the US of A where truth is prophesied away and churches spring like tares and breed while tele-preachers intercede for breakthroughs, blessings, Mammon’s gold their folly long ago foretold in frenzied tones, the healing tongue counts dollars where Paul counted dung. I’m sure they all believe it’s true… they know it justifies fleecing you.
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Apr 25, 2016
Apr 25, 2016 at 7:57 PM UTC
It's OK: Best Lives Now !
my heart was started to skip beats my hands trembling my head was spinning sweating nausea lethargic every noise i heard started to sound like nails on a chalk board i was confused i reached for a body that was no longer settled into my sheets as the pupils of my amber colored eyes had dilated i was seeing double of you was this a nightmare i was detaching from you my drug with drawls had begun
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Mar 18, 2019
Mar 18, 2019 at 1:43 PM UTC
detox
It can only be from within your reach The hazy gap between her And the uncanny disclaimer that drawls her in deep, so fast. The mesmerizing portrait That catches her attention like the speed of light. Something to look so false and amusing To jump out, like a freshly painted picture. Clinging onto the, questioning binderies. A polished shine of A bud in full bloom. Ready to be picked by a lonesome thick pinch Just like her to be carried by a breath taking sensation Into a lonesome vase, as her home. Even though her voice cannot be heard It’s what’s being said in a sound that matters the most. Closing her hands and opening she sees there is nothing but a feeling of relief. An encounter of embracement that illuminates the clear sighs of happiness. Like a classic fairy tale that ends in a delighted foretelling beginning and ending. The pleasing scents of musky sweet delicate healed memory. Only now will she see her foretelling her own fairy tale. To be written and painted onto a bare faced skin canvas. Time approaching closer and closer The yearning Calculation Of Sensibilities.
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Dec 26, 2011
Dec 26, 2011 at 1:04 AM UTC
It can only be from within your reach
PART I. Caesar calls. In line his empire falls. Satan crawls. His words in drawls. Why will you not cry! You foolish child-king. Can't you see they lie? But the enlightened bell of hope did ring. They called him the messiah, The only explanation for his love. Spreading peace or land of Gaea, But under false witness of the above. Told throughout his life that he would make hatred cease. He knew to follow moral ways and save damnation's piece. He knew not what he'd do, But he would devote his life unto, Herding these wretched to the path they were due. If only he truly knew. PART II. What this man had done, Born under the Roman's sun, Is relinquish emotion too strong. To become one, Work must be done, For the human race is wrong. Although he lied, Although his wrath grew, This man was truly good. His teaching here are sacred, true, But wars fought for him never stood. The prince of peace to light the way, Caused human freedom's final decay. Now trapped forever, A misused endeavor. His birth is all but in vain. We must pass peace to end his pain.
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Dec 25, 2013
Dec 25, 2013 at 1:36 AM UTC
Condemning Nativity
A long time ago, when we were young My brother used to be a funny guy. He could sometimes break me up a bit Without really ever seeming to try. So, one day, when he asked a favor; I could tell because he wasn’t snarling He batted his eyes like some movie star And ended saying “Hunchy, lumpy, darling.” Now all my brothers had Missouri drawls And, it turns out, they never lost them. No matter what I or teachers would say They drawled no matter what it cost them. They didn’t really have very much regard Or use for the propriety of the King’s speech. It’s almost like good grammar and prose We just a bit too far out of their reach. So, I wasn’t surprised I failed to understand This strange request from my young brother. After all he talked just like relatives, neighbors, And most of all, sounded “Jess lack his mother”. But this one time I had to stop and ask him Would he please repeat what he asked me, Because for all I was worth, at that moment His meaning was blithely slipping past me. His answer, you see, started me right off On a hunger for rhyming, slang and puns. My lifelong romance with games and wordplay Had accidentally, but quite solidly begun. Because Hunchy, lumpy, darlin’ it seemed Was saying his way to me, “Honey Child, Lambie Pie, Darling.” I got it and I screamed. I laughed and rolled around on the couch And took it instantly into my grabby brain. That one little misheard bit of movie-talk fun Hit me as hilarious and worth saying again. I’m sure he picked it up from the TV; Something from a forties comedy movie. Thinking it was a bit glib, he purloined it And he was right, I thought it was groovy.
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Aug 25, 2015
Aug 25, 2015 at 1:30 AM UTC
HUNCHY LUMPY DARLIN
A long time ago, when we were young My brother used to be a funny guy. He could sometimes break me up a bit Without really ever seeming to try. So, one day, when he asked a favor; I could tell because he wasn’t snarling He batted his eyes like some movie star And ended saying “Hunchy, lumpy, darling.” Now all my brothers had Missouri drawls And, it turns out, they never lost them. No matter what I or teachers would say They drawled no matter what it cost them. They didn’t really have very much regard Or use for the propriety of the King’s speech. It’s almost like good grammar and prose We just a bit too far out of their reach. So, I wasn’t surprised I failed to understand This strange request from my young brother. After all he talked just like relatives, neighbors, And most of all, sounded “Jess lack his mother”. But this one time I had to stop and ask him Would he please repeat what he asked me, Because for all I was worth, at that moment His meaning was blithely slipping past me. His answer, you see, started me right off On a hunger for rhyming, slang and puns. My lifelong romance with games and wordplay Had accidentally, but quite solidly begun. Because Hunchy, lumpy, darlin’ it seemed Was saying his way to me, “Honey Child, Lambie Pie, Darling.” I got it and I screamed. I laughed and rolled around on the couch And took it instantly into my grabby brain. That one little misheard bit of movie-talk fun Hit me as hilarious and worth saying again. I’m sure he picked it up from the TV; Something from a forties comedy movie. Thinking it was a bit glib, he purloined it And he was right, I thought it was groovy.
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39
Boisterous applause on the black of the pan, bubbling eager for bayou born hands. Dark dusty skin like the soil of homelands, spiced with the method of mother of mother. White men on crosses, black faces in photos, of family from graveyards or just beyond grasp. exhausted linoleum, faded by traffic, of church shoes, and paw pads, by ambles and drawls.
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Apr 16, 2016
Apr 16, 2016 at 3:51 PM UTC
Grandmother
I think I could be a good writer if I stopped and focused for a period of time if I could withdraw from the streetlights and the biting cold that burns the veins I try sometimes to put out something that someone may find worthy of something not sure what but I try and the words sputter and choke and all you see on the page is spittle and small drawls of a ***** waning man who not even twenty can't keep to the course he wants to walk instead dragged willingly off by the women that would eat his skin and internals laugh in depravity with teeth and tongue much too sharp I dont notice another drink another drink I don't notice all I see is legs almighty legs and smiles that could break satan's heart another drink another drink I don't see anything but the feeling cuts through the nothingness of intoxication and curls the neck into tense relief such leg such smile I am a sitting duck ready and willing such teeth such tongue they feast on me like dogs to bone can't focus epic poems escape my tendered hands inches from closure as the teeth and tongue and leg and smile pull me back another drink another drink what was I talking about again?
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Jan 22, 2013
Jan 22, 2013 at 2:21 PM UTC
Mind the Course
Im crawling out of my imprisoned fleshy fortune Ryan adams playing directly to my brain I constantly ask myself whats the ******* point I answer myself, the point is the tip of my pen Stretching out in strange echoes of eternities, so many lives stumbling across the earth with plans, dissipated amongst the heap of existence The muddy trance that drawls you into yourself for a little meeting Between the words spoken and the conscience poking through the current of the brain Distractions and disappointed rhyme Flooding emotion so ******* lost inside the mill, the dreaming takes hold when there is nothing left Feeding the creatures that lurk in electricity hollows, caverns Could have been anything Could have been you Im not really sure Is this me This is culminating leftovers from bygones The poles are shifting and so am I Another wandering with story's to tell Maybe you have heard it all before so what is left This is me i suppose How about you my friends. Is love the answer
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Feb 1, 2017
Feb 1, 2017 at 5:22 PM UTC
This bygone nothing